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Martin Narrod May 2014
The clock gets me.
It comes to me in the middle of the night
Pulls back the sheets and says, "Hey fucko."
Then it lifts open my sobby wet sand-encrusted lids,
It knows when I'm trying at sleep, pumping quarters
Like I was swallowing yawns, sometimes I try to squint
Harder and take a dream to the next level, whatever
The next level is. It's like Friday night when I wanted to go
Out to do something, whatever something is.
Because I know that if I don't I'll miss that thing that's so
Important that if I were to miss it the clock wouldn't come for me

Again.
And on Tuesday's when I'm knotting a dream around 2 o' clock
In the morning, my web-footed adventure, say, killing your

Boyfriend, say
Fighting the Nazis, say,
Rediscovering that you sent nudie pics to
That rando guy we met in that club that lives
in Prague-
I throw the clock at the ******* wall.

Because who knows, I make the bed wrong
Or maybe I don't cook right, or look right, or
Smile the right way at the right

Time. And you start thinking that I have to die.
The bane of my existence is an imagined feat in your
Walnut-sized brain, slowly numbing us while we're
Supposed to be, say

Listening to the rich, Oxford voice of
David Attenborough.

Instead you're thumbing through that index
of CVS cashiers, just trying to find a scruffy face
To flip your digits to, your homemade justification. It becomes
A feat, an unjust cause of mine to

Get it right, that imaginative and artificial bit you've
Been sewing up Monday twilight.

That's when I go out and jaw your sister, somewhere between
A smirk on your face and a bit of anger at the end of your sentences.
Martin Narrod May 2014
We know you, and your little dark colors too. A picture book in your purse penned in mustaches on the full faces of your fare. We call you from bed, 8 o' clock in the morning, dog-light you slow wander the Peruvian darkness making jellyfish tentacles with your hands while you feel your way through Salem. We're colder than night and we wake thrice the bits of your day gig. You collapse in a green field of dandelion where thrushes drown you in Brown. We gorge ourselves on mango slivers, pineapple yolks, a half of grapefruit. We know you are close to your end.

On the tops of the cities you call to your lycan friends, the half-sick and muted bray allures them to you, from Bratislava and Mimon, the thoroughfare through the suq. We wait. The foregone untold, the beep beep jug jug swoop sound of the nightingale, in all her dun glory, we wait. Then, as if descending through the moor-lounging silver smoke, the cool stickiness to your fingertips; the fog.

We are there when the blue-less and smoky screen surrounds you, when you shank the auburn Scot hair of the sly fox that stalks, say, a cigarette from your lips. When you take the corners swiftly, gadding the streets. The prize king of vulpicide. You rub its matte fur against your bristly gray beard. And while you lay in your lumps of twelve carat flesh you bleat and you nag. One day you will never come home.
*Johnny 3:16 is an unattainable film featuring Vincent Gallo. The trailer for the film is available here
Martin Narrod May 2014
He weeps his heart, and hangs his head,
He doubles back, and follows her back to bed,
She says, " Some homes are towns and lives, while others wear their homes inside." And he keeps up though he's kept out, the volatile, the sudden frown.
She makes up the cupcakes but they're never vegan are they? No they're never vegan are they?

He makes a gift, and wrings his thumbs, the bubble bath, the tepid tub,
Outside where the rains have gone long, something gives him something strong,
And he picks up where he had left off, the trouble is he doesn't know when to back off, and the cupcakes aren't vegan, sweet and such spectacular, but they really aren't eaten, now that they've been made with eggs. No the cupcakes aren't vegan, though they are quite delicious. And he loves her forever, though he never eats again. No he never eats again. No he never eats again.
Martin Narrod Apr 2014
angry men who do not know I do not have a dollar or a cig to spare. Ugly irrefutable contagion-handed howlers. Angry mischievous heathens that pantomime on 6:00a.m. sidewalk, Wicker Park gallow stop-sign, choreographed gutter-punk drunk walk. And of all he wants and could ever want splits down his gooey membrane brain in the outline of a noun shaped fragment of a clause, "Couldja spare 80ยข for the train," but of course I don't spare on the ellipsis or the period. Semi-colons I won't! My rubber-bottomed leather boots lash out, heavy scraping sounds trail this mirrored shadow half an angle behind me.

*****!! Blonde framed sunglasses from American Apparel, a gift from my sister in a folded Ray-Ban case is scattered on last nights bedroom floor, my girlfriend has certainly not noticed, the gloom-coated morning sun spray has not noticed; but I have unzipped a fissure in the ocular lens. My heart skips a beat. Her bedroom might as well have swallowed them whole. Now the house can halt and have the shade, swaying in Spring air in 10:22a.m. shadows. The aviator himself Howard Hughes would strike me with his 488 aircraft. Edwin Starr in his invincible sinister calypso of War would turn me round. I was sturdy as a rock until I began to forget my forgottens. These unknown unknowns I knew I needed. I'm over a quarter-century on to noon going nowhere- and quite blindly.

But then, still she could stand upright and find me. Her neck crooked, looking onward through the East, the gristly roots of rhubarb buried in her searching fingernails. She's threaded worse, and of course if I could just tell her- this is the kind of nursing which requires acute temperament and flexibility. I am thus on a journey to strike nonsense and fear from the idiotic vocabulary that put this nonsense in my head. Split through me like a butter knife into my apotropaic. Perhaps tar water could cure my ails. If not, certainly a sliver of vanilla would set me straight. Or if could just rain rain rain all day, then I'd make do without, but she is at school. My pistons are racked and nervous, and I'm not going anywhere but my rucksack stoop. I am camped in midwestern Spring soup. Fog, rain, and shade. The nightmare of day.
Inspired by William Butler Yeats 'Beautiful Lofty Things'
Martin Narrod Apr 2014
It's just that. Thirty pounds of weakness. A hard-sided steel briefcase with the black leather-strapped handle. It's that reiki healer I don't believe in, and the rocks that have names. I don't believe it anymore. I am stranded on a pylon, the world spinning beside me, the palm trees gushing blood onto the oedipal sand beaches. It's your brother Thomas ******* the curls in my chest hair while I'm walking to get a glass of tap water, we're face to face and he's touching my wiry curls and your juices and kisses are still on face. I don't believe him. The porch door is open, I can see halfway around the city from here, the lemon tree is serving ugly fruit, I turn off the hallway light and shuffle my feet like a child, never taking them off of the white curd carpet while I head back to the bedroom. I don't believe it, you told me I had the voice of your Uncle who touched you, who you blew when you were two. You said you could feel my shadow coming up the hallway but were too afraid to lock the door. I made whispers loud enough for you to hear about all the hole love I had for you. I don't believe it's been five years and I'm still typing and timing my meals to schedules in sentiment that haven't existed for months upon months over months.

I was in the bathroom, serrating my skin with a nail file. Sneaking phone numbers from the Holz-licker's phone. He's quieter than normal. I sent threats abroad, Europe first, the Eastern block, then Russia, two to New Zealand, one to South Africa, I met you in the car and asked about Nick and the swing set. No one could give me a straight ******* answer. I don't believe it, it's 12 hours later, and even Princess ****** can't put me to sleep, I know nighttime like I was studying it, hitchhiking the darkness with my thumb turned outward. I hate every part of what I have become. I could drown myself in the shower, breathe in the water and feel as it sharply shoots through my lungs, my tummy, and through the ventricles of my heart. I don't believe how much I've written and the hell I've written about. I should **** him, just for his indifference, just to rule out a single number. A prime number. The uneven oddity about it, slovenly and chaotic. I made a silver drop for your sister and one for you too. Nothing came of it, nothing comes. 30 pounds I wait, I'm weighted down to my trunk. I want coffee, I want tea, I want biscuits for breakfast, I want certainty. I make the wolves that follow, you're the chase that I'm running in. You are the footsteps and deep breaths I don't believe in, I am unsettled by us standing still. And while you usher my standard bones. And while you curtail my excellent surprise. I will be the one disbelieving your appeal, the one peeling back your eyeballs dry. Not that I wanted, I waned, I wooed each every other fellow through- but inside my needle, heaped atop my bed, are the locks of gold I entombed you in. I drank the black dragon blood of the heavy metal christ. I still don't believe that just because I killed you it means that you've died.
Martin Narrod Apr 2014
The plane is emotion.
The form is a gentle rider,
she pushes bullets off cliffs, she hugs the stars.
Catches the moon eyeing her with one
great big hand wrapped on its ****;
spins the bell of her dress
round and round.

Sifted from the Earth, man moody
cleft in heaps of his entrails,

no progress has been made.

My metal mother pulls hula hoops for zulu,
she rips down the shelves and pulls
Bobby Dylan from the wall. She says,
"grrrplleeopzhrka." And the smoke gets into
my eyes and burns my nostrils too.

In the great wind screen, footprints of man,
Native American blood weeps on my bright
Summer burning, no regency cleared. The
outlook denied. It sits stagnant, maddening
with its blockhead on sideways. Heavy, old
mutter hubbard wilting gold in her stare.

Mess comes. She spoils, her skin is loud
and anointed, her fecund white placard
is thinner than air. People look at each other,
a goblin, two trollops, the green woolen winter-wear
of a soldier in despair. Only a putrid noon, escaping,
cuts the flesh from the garden. Cuts out all the weakness,
the hope, the love, every thing owned, every one cleared.

The skin trap and oyster flap. The rich mixture of voices,
nothing holds common that bond, that few could look upon,
that youth could-

none of the old things work anymore.

Just a wicked boredom trickling in blood down her legs, just
the lust trickling down her legs, dear mommy, I obey.
And when the summer months set in mahogany, and the icicle
feat swallows us up, dear-
death
Winter
lips
moths buzzing
mouths
fuzzz
your sweet bomb
bon bon
Martin Narrod Apr 2014
what is more gentle,
than this pillow of the light?
a life narrowing,
in a bright feather dance
that sweeps across the sea
or covers our faces in shadows.
where do you go when you leave me?
now I am nocturnal,
a bliss bandit,
cooing at stars
one thousand miles high.
shaking like a tea kettle,
I am the black *** black,
shaking,
shivering.
Swallowing pieces of your light,
in the back-room jungle where I sew,
tears to the bottoms of my eyes,
where no one ever goes.


I know days,
hours,
one minute
where I gambled time
and stood behind you
with my fingers
on your shoulders
and my mouth on your neck.
What it takes to be apart,
split in half,
shucked from birth;
it takes every thing I
ever owned,
every note I ever sang,
each breath that I will make-
some thought I stand up on,
my knees quivering below me.
five kinds of drugs
just to see straight, to hold
my hands steady or
sleep at night.
your lavender flavor
is still in me.
you in me.
one.
two.
soaking in this forgotten city,
Earth's heroes drifting away.
I could never eat again, or
cast a spell, or touch the same.
while burning I may never
stand
on these same two feet again.


four years,
a photograph.
one voice,
softening into my skin,
that I never may forget.
that this beard is of
an old man, should I never
count again
blessings or songs.
I dive into the flame
and study this journey backwards.
so I should never forget,
everything so serious
as this
as you, in me.
In Response to a Poem by Leila R.
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Martin Narrod Apr 2014
I have a blue blanket, it looks corduroy but it's synthetic polynesian cotton.
Considered by some to be polyester. After the ninth year of ownership I started
Telling house guests it had always been mine; but secretly knowing it came from my
Ex Kristina who left it with some of her other things in 2005 in my grand deluxe Evanston
Apartment. In like some really awesome way, I could fold the corners together to see little blocks
Of the Universe form cubes in the fourth dimension and gain a better understanding of my own
Little black shmata. Top drawer, white dresser, in the back with the leftover girlfriend underwear between
My first ever stuffed animal dog/rabbit.

Amazing how these thinned and frayed azure threads had held so many midnight conversations Together- maybe fifteen other girls had nuzzled with Kristina's blanket. Last year the guilt set in. You Watch a girlfriend, say, ratchet through your room naked for something soft to put over her to listen to
Some half-stanza from the new Yeats critical and that, do-I-tell-her feeling comes over you. Blue Polyester really had a way with women. My last serious crush, the one of six months, the one from the place that was close to where I worked six days a week, would you believe, she had not interest in that heap of thread, under my pillows spying on us sleep for twenty-four long weeks.

"Drop in the bucket" the sixty-year-olds say. I say, bring me my ******* fourth dimension blocks and cubes *******. I want to visit the existential, I want to experience the hoo-ra and Ga-Ga those kids throw around on Milwaukee waiting for $150 NBA slippers.

Wednesday is my day for telling the truth.
2:00p.m. sitting in the front of her alizarin El Dorado.
"I have something I have to tell you,"  I said, my mouth practically filled with marbles as I barely could Utter the words: it's not going to work out.
Written For Jeff Sherfey
Martin Narrod Apr 2014
A bird in an aurulent billed mud-face,Living as a four foot two inch dragon in a San Franciscan cave,
Lifts off from a hot breathed murmur of Gideon.
Even in night the whole grandeur of movement
Soaking in red beeping heart-pangs
Fasten to the thrusts of his arms.
This post of vainglory was the opening of the year.
In July's open pores,
On a spatial plateau of Dodonian oak.
The Penguin
Unveils his weakened voice.
Flattening into a wide arrow
Draped from Carina he
Sails Westward. Barefooted through the Anavros
Molting under deep helplessness and melancholia.
With his inlaid eyes faced askance
The penguin broods
Among the day's songs
Cast into the poetry of the lyre,
Stretched upwards from Paradise Bay to Colchis,
Where his ebony wings
Soak into the palms of Peleus
Suffering only where the arrows have flung.
Downside up, with children in a pocket of blood,
Among supergigantic siren songs and muse poems
Sewing teeth into a spot of Earth
Races towards a column of toppling strakes.
An Interpretation of the Search For the Golden Fleece
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