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"One firm step," she said. As shallow as she must be, one could think she radiates midnight, and while no one is looking, her lips are similar to Burgundy—soaked in wine and in her drunken state; resting her body as she sat mellowly where no one would choose those seats made for her—deluding herself that there's just too much space in between, and they danced around each other's thick skin while their gazes were fixed on her. "One firm step," she says, straightening her back.
 
Every day, she'd meet her own grim reaper in the shade of the earth's brown mist, kissed by her long, thick lashes as she closed her eyes, surrounded by the people she considered dead. As strange as it was, they didn't know her. There's one string of luck hanging side by side in hopes that she'll live another day.
 
At dusk, she'll attempt to accompany the earth's body at her expense. She'll whisper nice things, and they'll blush at the thought of her noticing them. She'll offer her hand and kiss the molds, and her lips, the tint of burgundy, will now be the same pigment as the earth's body, and they'll chuckle at the sight of her.
 
When the world is laughing at her, death stands still in front of her, waiting for her presence, but she remains still. When the sky cries for her, she gives him rainbows and butterflies, even though he hates them. And when she's alone at night, she kisses the flies roaming around her bed while he thinks of her—but then again, the expression of death is inevitable. It seems like he doesn't want her to be happy. She lets Earth do what he wants with her, even if her skin glows like ivory. She lets him soak her in his dark mists and long-tailed veins, and death starts to interfere again.
 
He shows up in a crowded room with his thousands of soldiers, pretty faces, and partygoers. In his simple armor and at the grocery store, in his childlike appearance and beggar state. She must have been so exhausted from showing up minutes later or arriving at his usual business hour—midnight. Even with the screen, she usually spends the rest of her day. He shows up. Death was persistent. He signifies everything she could've had, even the voices implanted inside her. They named him Death. Sometimes he's a song, a lyric, or an instrument she could not quite understand; the ring before the call was answered; the tap before the keyboard; the lump before it washes down by the water; the movement before she lays her eyes on.
 
He was once a person she grew tired of—but now a metaphor she'll always keep in the back of her notebook. And sometimes, he is an anecdote every old person mentions in their hospital bed. She was shallow, but he was a willow tree.
A swamp.
A locust.
A lover once.
Hi, it has been a while. It’s been months since I wrote something that I’d like to read. Now, I’m just rereading every piece that I scratched from the back of my notebook. I don’t feel like writing anymore. I don’t think it’s coming back, and I don’t think I’ll give it a chance again. There's not a day that I don’t think about it. At the back of my heart, I know it calls on me—in total solitude, in the noise of the world. I haven’t forgotten about it, but I’m tired of pretending that I still love writing. I’m often a wanderer, and a wanderer gets tired too—we get lost in the woods, in an empty grave, or on a blank page.

A wanderer sometimes loathes herself. I’m exhausted.

On the other hand, here’s a piece that I wrote back in 2022. 
I won't leave this page. I know I'll be able to bleed ink again. Maybe I'd write my next piece on my skin—or on an old tree, or maybe in a dream where my words are limitless and in total sonder.
Glenn Currier Jun 24
Thinking of him flings me from these plains
to the nearest body
of water whose mist smells of salt and life
the unrestrained passion
and ****** of sea.

The book, Odes to Common Things,
a gift of a dear friend
who knew not the arousal,
the seed of near sensual desire
it would plant in me
like the buttery aroma of a woman’s hair
or the taste of her moist lips.

Even a thought of Neruda
takes me to the stormy stirrings
wrought from the ***** of the Pacific.
and sounding on the shores of Chile.

How could the writing of a man
a continent away
foment in my chest
a fervor akin
to a spiritual awakening?

I read him in English
but feel the thump
of his Latin heart
in my body.
I read that his book, translated into English as Residence on Earth, was born of Neruda’s feelings of alienation. It seems that a large part of me feels as if I have been on the margins of society and maybe that is why I feel that thumping of Neruda’s heart within me. Spanish poet Garcia Lorca calls Pablo “a poet closer to death than to philosophy, closer to pain that to insight, closer to blood than to ink. “A poet filled with mysterious voices that fortunately he himself does not know how to decipher.” * I thank oldpoet MK https://hellopoetry.com/MK/  and his poem Broadcasting the Seed of Poems https://hellopoetry.com/poem/4845320/broadcasting-the-seed-of-poems/  for the inspiration for this poem.

“The Thumping of a Latin Heart,” Copyright 2024 by Glenn Currier
Written 6-23-24


*From: https://www.poetryfoundation.org/poets/pablo-neruda
Zywa Jun 7
There the waxing Earth

is low in the sky, lying --


in its starry crib.
Short story "The Sentinel" (1951, Arthur C. Clarke)

Collection "Human excess"
across both acres.

lawns and fields.

haze of uniform green.

horizons nestled upending.

bowls of porcelain grey.

like crevices coiled up.

remaining time spills.

over mounds.
Man Jun 1
Without exception,
Not a day passes
Where you don't dwell
In thoughts, on my mind;
Nothing so sets on this mental landscape,
The days only combine.
Two planets in the sky,
There's the star & the moon
And all the buffer in between-
Like the ache I have for you
And all that prevents me
From wanting any remedy.
Another repeat in the alphabet,
***
Styles May 30
In twilight's embrace, where shadows whisper low,
Our passions ignite in a sultry, vibrant glow.
With hands like silk, I trace her every line,
A silent pledge where our souls entwine.
And over the specks of dust and rose-colored evenings,
in the melancholic fate of soliloquy;
yet as wretched as her soul be, her very first breath was, “Have mercy.”
 
The pale, starry-eyed of April’s sky ends, and it’s pouring; the trees are swaying in their places; the sun is impressed by the rising of the lilies.
Daunted by the ray of light, quietly caressing its innocence.
 
She looked over the moon, as if it were painted by someone she knew.
In hope, she clenched her fist and whispered again and again and again.
Like the petals of dried daisies fallen from the moon.
 
She knew it’s written on the stars; someone knows her name.
 
The airy summer between spring and March’s language, an imprecise grief of longing,
a desert of bones starved on
an ethereal ghost of past summers and the sickening void of the night sky,
she needed to endure
something in her holler with violence—some rage kept on the other side of her old pillow.
 
And yet it’s still written on the stars—someone knows her name.
 
Where the river flows, she follows.
In hopes she’d be directed to the one who wrote her;
achingly believing she’s the muse this time.
Who else could have written her the way she is?
 
With her eyes the same as the earthly sand,
her lips alive in light gray, with the way she lit up when the moon reveals himself to her,
the sea pushes upon the land as if it were longing to kiss her weary feet.
 
With the way her hips dance when she walks, when she closes her eyes, only she can hear her author’s note at the back of her heart. Slowly yet surely whispering, “It’s written on the stars. I wrote your name, my love.”
 
And so she follows the flow of the river, faithfully locking her eyes in the waters' steepness. She gently brushes the cold river, and so it quietly blushes at the thought of her.

That someone like her was cared for enough by her own artist.
april, you were legendary and momentary. good days are coming.
Shofi Ahmed Apr 25
Red, red rose—  
not for sure  
from this ancient Earth.  
Yet it seems so close  
to the eyes, to the heart;  
then there's the thorn—  
you can't touch!

Not sure what  
the nightingale sang,  
yet a heady fragrance  
seems to whisper:  
"Heart, eyes, hands—  
whatever you feel, say freely;  
mine are yours,  
I wish you could see!"
Shofi Ahmed Apr 25
The same rose, still ablaze scorching red,  
A ****** from realms yet untread,  
That unfolds upon the ancient, earthen bed—  
But heed the thorn; this way one cannot tread.

Every morning the nightingale sings her song,  
Leaps into melody, ere the day grows long.  
Down the moon’s open eye, once strong,  
To unlock the door, one must belong.

In the quietude, beneath the moon’s aged grace,  
Maybe lies a key forged in shadow,
The sun slides down, lights a candle at a silent pace.  
Who claims this boon, who dares to embrace,  
Must know the rose’s fire, the nightingale’s chase.
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