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Martin Narrod May 2014
So I scuttled up, until I found a voice like Japan, I read him his rights, turned out the lights, and laid right back on the sand. They said, "Sir, he was much of a father to me, but we were labeled his kin, right in our family tree." "Oh wow", I said, with a gentle, smooth voice, he went missing last August, but now he wants back you boys?" "Oh yes, he sure is a feral man. We think that's why he dried up and flew to Japan." Right then, the two of them went silent just like two second story men, so I inquired, "What happened then?" "From Monday thru Sunday he took to prayer from the bible, and on every other weeknight he watched Japan's Top Model. He threw gallant parties to a harem of wives, he read each of their palms, and looked in their eyes; some time later, when everyone was about to leave, he'd turn on Happy End and start a wild ****." By this time I was tired, the sun began to set, I grew tired of my beach patch and yearned for my bed. Although soporific, I tried to be polite, I said, "Let's finish this conversation some other time." "Of course!", they said, "We're off to bed. We'll see that you'll do the same." Then they stood up quick, and reached down and picked up my chains. The beach we laid on was black top, asphalt and tar, the bed I craved was behind a row of private bars. The two of them, them both, were children of mine, because my memory is shot, this might've been their millionth time. i got locked up in a county that's dry as a beach, like Elizabethtown, Kentucky, where I was raised till 13. No one, not even the warden, knows really why I'm here, even some man from Cell Block Five, asked me last Sunday, why was I here. My beach perhaps, it's love at last, concrete, gravel, and stone- a 6' x 10' room with bars and a porcelain throne. It's mine I cry, each night I die, with glee, with smile, with rite. But it makes the other guys run at me, and try to start random fights. I don't remember the boat I took, but I remember the tour, going to Japan at Epcot Center since I'd never gone before.
Martin Narrod May 2014
The likes of you I can't describe,
Yet I love to eat between your thighs.
The melody you spake to me
Unfolds my greatest sovereignty.
I crave to quaff all of your spit,
And swallow every drop of it.
Don't cheat me of your tasty flesh,
Those bare and supple ****** *******,
Your eyes that follow my firm gaze,
While we kiss and lick and misbehave.
I need to feel each piece of skin,
Smashing girl and boy parts over and over again.
It's such a treat to eat you whole;
I'm obsessed with eating 19-year-olds.
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Martin Narrod May 2014
Something original. Of newer words, that originate from the pleasure and happiest of timeless incidents. The happenings, back of the park, near a set of restrooms, a pool of clear sea water and a purplish-red starfish. A sea cucumber. Trailing sea lions diving off of a cliff, a vertical display of rocks, moving a millionth of an inch each year. You caught me.  --------

I can't nail it. It happens to me when I sleep, it comes around me, over my shoulders and latches onto my breaths. I'm breathing and it creeps inside of me like a mealworm, I turn to look for it and it disappears again. It lives in a shadow but it is also a shadow of itself. An anomaly, a space for time and the tell of time, its hidden agenda, its positive nature, how it yields itself to prey, how it coos for a sweet smile, runs up to me in mid-day traffic, and kisses me, noon at military time.  ------  

The blessings come. All of them. Laid out on a table in red and white checkerboard, making the eggplant parm and the homemade vinaigrette. Peanut butter chocolate chip vegan cookies. A dandelion necklace that only fits around my wrist. It makes me weep some twenty years ago on a Playskool slide, orange, red, bright. I'm looking around my neck and still it's not there. Every where I want to be, every where I've gone and could go. I should go to California too but all of this...stuff, everywhere, under my legs, in my pockets, the closets tumbling high and low, I haven't had enough to change, and still I am wanting something else. You the same, my shoulders tell me stories, I listen and I fall asleep.  -----  

Sometimes my nerves grow quiet, my words grow- but then they just fall again, skittering in a lull plash of blue-green pond water. The bench I sewed to the ground. A tale of mirth and woe. I cannot call on you, you will not come. Sleeping beauty, blue eyes, blonde hair. I wrestle you in the day to day, the hour to hour. Minutes cannot go by. Pages that turn but I remember everything. My mind will never go.  -----  

Two pink letters in the post today. Maybe neatly placed for you. A fake-tattoo puffin, upper-left hand corner. My hands are empty, they have indecent memories, they write indelible superpowers. I can't go on. I run lake water over my ankles, slowly drift beneath arcing waves and cold grey skies. Half a day blue goes black, night comes and I whisper when the sky goes quiet. Nothing is as serious as this.   ------    


In a white box there are two pairs of shoes and a soft bear. The bear without the name. He doesn't speak to me so I leave him with the sea birds. Put them in a push cart and show them off, I take them here, I take them there. No one asks his name, where he's going, what he's going to do. ------------


Tuesday's are the worst. I count and count and count. I will never forget Tuesday's, twisting like a cuneiform jelly, fingernails spoiling me-meat, breaking the Styx crossing the river Rhine, there is nowhere that I will not go, only for me to cross time. To wait, I really hate waiting. Nothing comes between, I lie to a stranger and they fall in love instantly. I see you on Monday evenings and I want to kiss you gently, the sides of your neck, on the inside of your hand. Where do you go when all the shadows go? ----

Some of me is backwards. The waves shape the sky. A rabbit goes with a fire truck, a blueberry with a cephalopod. Back to the soft wood walls of the cotton luxe room. My legs have never felt so safe, you have never made my teeth so happy. In Russia you touch my face, I see you, a picture of you, any part of your eyes or the things you draw upon and I am instantly in love. I love you, a part of you, all of the parts of you, your soul is the only part of me disconnected. You are the happiest moments of my pleasure. You taste like Tahitian Vanilla and Acai berries. Gold grains hit our shins as we go like great wild horses through the alluvial plains. -----

I cannot count to you. There are no goddesses in numbers. I only have sleep, for you to look me square away into a bliss I have in a picture of the two of us, lost in our faces, our hands wandering each others knees. I sit across from you and I am not close enough. I go closer and I want to be inside of you, all across my limbs expanding our spiritual forms, intertwining in our skins. So I speak, I lay my words gently in front of you so you cross them as you walk our path, back from the sea into a narrow slumber. Sleep is the only place we all can play. You, me, her, her, and I.
Martin Narrod May 2014
They told me the only thing that could cure heartache was war, and since the war wouldn't take me I figure the only thing to do now is take up a life of crime. Gabriel Garcia Marquez says in Love in the Time of Cholera that the only cure for heartache is to find other hearts to break. Five years have passed and I still remember without fail the flint of a lighter, the squint of an eye, and the bell of your dress. I dream a dream each night, sweet variation of the story of you. It comes down to a letter sometimes, I go to the window well with a notebook and a pencil and I draft a sonnet, sometimes a verse, any form of an expression to idle the time it takes for me to find you. I know stars that haven't lived as long. The way I cupped my hands over your ears, the way rapture lived and loved, you kissing me in the shade of the palm trees up their on Notre Damen Ave. I know the curve of the Earth wrapped in the shades of the skin on your body. I live every day for the chance that I will meet you again.
Letter to an ex-girlfriend
Martin Narrod May 2014
The clock gets me.
It comes to me in the middle of the night
Pulls back the sheets and says, "Hey fucko."
Then it lifts open my sobby wet sand-encrusted lids,
It knows when I'm trying at sleep, pumping quarters
Like I was swallowing yawns, sometimes I try to squint
Harder and take a dream to the next level, whatever
The next level is. It's like Friday night when I wanted to go
Out to do something, whatever something is.
Because I know that if I don't I'll miss that thing that's so
Important that if I were to miss it the clock wouldn't come for me

Again.
And on Tuesday's when I'm knotting a dream around 2 o' clock
In the morning, my web-footed adventure, say, killing your

Boyfriend, say
Fighting the Nazis, say,
Rediscovering that you sent nudie pics to
That rando guy we met in that club that lives
in Prague-
I throw the clock at the ******* wall.

Because who knows, I make the bed wrong
Or maybe I don't cook right, or look right, or
Smile the right way at the right

Time. And you start thinking that I have to die.
The bane of my existence is an imagined feat in your
Walnut-sized brain, slowly numbing us while we're
Supposed to be, say

Listening to the rich, Oxford voice of
David Attenborough.

Instead you're thumbing through that index
of CVS cashiers, just trying to find a scruffy face
To flip your digits to, your homemade justification. It becomes
A feat, an unjust cause of mine to

Get it right, that imaginative and artificial bit you've
Been sewing up Monday twilight.

That's when I go out and jaw your sister, somewhere between
A smirk on your face and a bit of anger at the end of your sentences.
Ashley Kay Apr 2014
There's something
Beautiful about seeing
The grass touch the sky
Every time she says goodnight.
Ashleykay2014 The beauty of the flattest state

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