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Danash DelGotto Apr 2014
everyday is different
Everything is new
Everything is wonderful
when I am with you

I feel loved

I wish that they could see it
I wish that they all knew
I wish they could see what I see
when I look at you

I see your love

I can see it in your eyes
I can feel it when you hold my hand
I can hear it in your voice
That you truly understand

I hear your love

I know that you love me
Beyond a shadow of a doubt
all my fears have been washed away
now I know that's what love is about

love is patient Love is kind
Your love is the only comfort I find

I feel your love

Loves about that first everlasting moment
and everything that comes after
about sacrifice and exchange
It's about joy, sorrow, tears and laughter

true love holds out forever
throughout every task, trial and endeavor

it's about being a witness to their life
And about being your best
So you are the best for them
And wanting to give them nothing less

love is patient love is kind
you cannot break loves ties that bind

You're my only love
this is actually going to be a song
In public we hate each other
But secretly we entertain each other
When the sun goes down our shift begins
During the day, I pretend
Like I'm so sick of men
When really I'm so quick to give in
I don't know why I act so shy
Maybe I like the chase
Though I do know, you like my taste

Nobody knows about our affairs
Except the stars in the midnight air
They light up when they see you worship my body
And the way you're built is so godly
That's probably how you got me

I don't mind this relation
I like it better than the feeling of **temptation
Invocation Apr 2014
I love you for your laughter
your soft hair
the morning routines I tried to adopt, that you have down to a science
the way you gaze into the abyss
with tender expressions
the careful footsteps
the blushing falseness
the pretty lace and ribbons
the black eyeliner and studded collars


BUT

beards and hunting and fishing
flannels and strength and handsome fellers
truck stops and smoking
whiskey and bonfires
g i joe and spiderman

but most of all batman and joker
the complications of comics

gaming on friday nights with bottles of bud
I love men and boys and women and girls and ladies and gentlemen
*curtsies
I can care for anything with a real soul.
Invocation Apr 2014
I think about the face of a woman
and her smooth skin
soft lips
the curvature of the Earth is kin to her hips
I feel humanity suffering needlessly
beneath her cells
as I wander her valleys and sand-dune hills
she is the beach
the ocean
the calling of many gulls screaming for food and
I love her white *******
But she is sneaky
and cares for me
caressing is painful
I see it in my own eyes the next day
when the smudgy bruises flit across my reflection

But men understand
without either of us speaking a **** word
we drive
we shout
we catcall
we game
the music takes us and we run for days
doing nothing
anything
and i guess sometimes we ****
Succinct and supernatural
Brawn or brown skin or bright ideas gone awry
always a good day with the gang or the bros
I feel safer in the hoods

I want her to notice me, and to shyly skip over like she did last week
i want to kiss her neck and pull back
soon enough to catch her half-lidded gaze into the abyss behind me
I want to wear boxers and treat her to fancy dinners

But
I want to be her
I want taste a mustache
I want to be lifted overhead like a little sister
and brought back to the earth with sweet
exploration


Impossibility
I want women and men to be the same thing
Tonight is not my night
Zainab Attari Apr 2014
Breathe here, stare there
Gorgeous people everywhere
Mind chases, heart races
Breath-taking men with briefcases

Black suits and coloured ties
Witty minds with pretty eyes
Pulled up socks, polished shoes
Ink pens, all blues          

Strong souls, real men
Captive in a cemented den
Pick one or pick seven
All good as heaven

Hard working, on time
Romantic talks with wine
One sings the other cooks
Charming words, ***** looks


Unexpected, unsure
My boss makes me lure
His Lamborghini, his yacht
Finest of the lot

His dimples, his hair
His tantrums I can bear
Surprise gifts from his side
Strong feelings, stronger vibe

Look here, look there
Gorgeous men everywhere
Single girls form a line
Take them all, boss is mine.

-Zainab Attari
Inspired by Beauty & the Briefcase (Movie)
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Martin Narrod Apr 2014
Numbers of the lights still don't add up. The dream station on the orange bridge's sands, is so totally too far away to fly to. My life according to the animadversion of my dreams. The harangue and opprobrious odium whilst wandering about aimlessly in the square, on the blackened honey trail where I was cast around like some pebble lapidated by the wind. I barely stand, a hyaloid column soaked in fear and ambiguphobia; one girl's face is blurred by this maddening diplopia. While the haze drapes me in its suits of cinereous gray, I crawl sadly up the rise while I am bruised from the battering. My fuscous body heaps itself, exhausted and pandiculating, all I can make out in the advesperating and cloudy night, in all of its dourly silences- the gold hair fixed against the banner of light in the darkening sky and her beautiful blue eyes.
ambiguphobia: n. the fear of being misunderstood
Martin Narrod Apr 2014
I trace my finger around. With red lipstick on I wear the skin of the pets I had, looking like a marigold shot through the head, my bare skin is barbed in the back. Such trouble and quiet with the wrap-around, the cross-walk, and floral shop as I browse. The white elephant in the upstairs bedroom, is making it hard for every one of us to sleep. With this Africa becomes a disease, that I unwrap from a cotton white sheet. When I breathe life is going good, under the spells of wicked and word. I like to call out in the night, so with no response I can plead for the courage to think; all the suburban philistines try to help me, but I can't tell a joke because I cannot read. Every thing amounts to being fat. Or liquidated in the most pathetic singles party for Karl Lagerfeld.

Numb fingers slur the words as I type telephone numbers that end in threes. I see a notice to be called upon, but it's hard to remember what day it is when your job only pays you in financial advice, "Don't do as I do, but please just do what I say." And I can smell that. The approach that a hunter brews in his midnight solemn cup of tea. Where a voice chimes in while a mouse runs out, dragging the corners of my eyes in a lagging meme, it doesn't do well to even be yourself sometimes, once while traveling I couldn't see. Come that morning I had left my hotel pass inside my favorite pants, black denim toting paint from a ******* shot, a picture that explains my disease.

The fifty inch fan hums an anonymous tune that when I turn quickly towards it becomes this feral baboon. And is it hardly based on fact or is it the illusions and the myths that Christopher Robins struck inside of me. With his griseous hands made of soot and of gouache, that worshipped animals that wear clothes outside. And even sometimes there are z's that transform into other creatures that hum real fast and talk out loud in nursery rhymes, a Whatsit and a Woozel are totally, too much for me. I turn the fan off and lay back down, and fight the world off with hands from another guy, much braver than I who doesn't even have tattoos but he's the top wordsmith from Buckingham. What a beautiful treat and such a magnificent surprise that the elephant lays down to die. Of course that's when my mouth dries up with smoke and my voice turns into the vanilla flavoring that everyone hates, and then too I felt like laying down to die. But I'm not 97 like I had thought I'm quite sure that I'm still alive. The white moon shines into my bedroom window at night and I pretend that I direct for the sky.
Martin Narrod Apr 2014
Mew
as soon as these blue speckled
socks go, that's it. A new bright black death.A solemn weir on a stark horizon.Give me a reason to wear color. My hueless affidavit
runs me into the Earth, where I sprout up
a pallid keb- brain orf'd, you could drag my etiolated ebon
body through the ovine fold or take me to the theater. When I was just a minor teg, I sheared my mim kip, I fuckinggave it to you outright. In this little
cote my wan mien nigrifying; my calamitous black, quaffed full of congou in demitasse, of souchong & saucers. My atrous wethered body albicantly degenerating in the atrous sun. I'm crusting over with wanness and you, you're fortifying in the cwm where I used to yaff and stray. Your ovivorous hunger,something I never knew, when first you came for my jecoral flesh, just another bot digging through my soft toison. Like Dall's Prometheus being sheared from the flock-you cut me away. In this drab and achromic world, you put the wanness in my flesh, the gid in my heart. Still.
Just these blue socks are left.
Written Sitting against an Oak tree outside of a family friend's farm in Fond du Lac, Wisconsin
Martin Narrod Apr 2014
Not an amulet, an off white vertebrae; bone.
Brass wire, a loop at one end.
It bends as to make sure this will fit.

A gauge that measures mesmerization,
And we both must get along, but
Not because we're not tough enough:
Most of us aren't soft right yet.

So many stiffs, folly after folly.
The whole carful of loose cadavers,
Dangling, their feet hang with wet snow
And carnage,

Not even musk deer pop up,
They've all gone. Roosting in a parabol,
With X's sprayed to their groins.
Burning pop couples

Doing it like laboratory mice. Capybaras
Hiss, my own burnt blood is also
Flocculating.

Turn the cup upside down and
See the fire's balmy lachrymal opaque
Moss while it does not drip.

This is the story of man you asked me about;
Devoid of a muzzle, fur onto his chest; coarse
Hair in a garland.

It is the God of a tool that buzzes into the night.
A plateau for this most sensible study.
We feel another coming.

And when you awoke, your larval tongue
My eye mush, a song of verse and melancholy.
This half list of greatness, a tally we both wish to see.
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