Affixed to the Lee–Enfield,
this blade, this trigger point,
stricken by ambush,
enters the melee
along the false edge,
cuts to the core,
like sympathizers of
William of Orange.

There are no daggers
apart from war,
just an ocean of
death and defeat,
its water,
its ever rising water,
swallows us whole.

I'm almost positive I heard them talking

Talking in their protective, yet complaining manner

They say, they only get to interact with the weak

They say, they're all too often held responsible for the bond between others

What's the matter with them?

They're the ones full of chemistry

They're the ones who can escape scott free

While I have to stay inside and act positive about it

Just once I'd like to not be in the middle of everything

~
It should be stark
and unprovoked,
yet fight to conceal.

It should justify
its intrusion
by layering
new narratives:
each a wonderland,
each a poison.

It should spring
like a cat,
cloud like doubt,
evaporate like
cigarettes at dawn.

It should backlight
truth, fictionalize
history.

It should undo
reality, drift into abyss
with the Lady of Shalott.

It should lead
the march into the sea,
it should die gracefully.
~

Late October,
and they have assuredly returned.

A canopy of clusters.

At second glance
the leaves on the trees are wings.

Whisper into the dreamscape
for they sense your voice.

Revive them with your breath.

Hold out your hand
like you hold out hope.

The warm sound of flutterings.

Circadian clocks in their antennae,
a sense of where they've been
and where they are going.

The gift from their Creator
moves them in the right direction.

~
I like the number 2,
so much in fact
I like it twice,
as in 22.

Now 2+2 equals 4,
but some say 2+2 equals 5,
It's quite the moral conundrum.

Still 5 is a cardinal, a prime,
why the Pythagoreans
thought of 5
as the marriage
between heaven and earth.

I empathize with 5 though,
for that's a lot of pressure
to put on a single solitary digit.

But I think I like him too,
he's a friend of 10,
which reminds me of
fingers, toes and Bo Derek.

But let's get back to 2,
which supposedly is company,
and 3, you see, is a crowd,
yet odd first and foremost
--Mersenne knew best, I guess.

Which brings me to 1,
small, but positive,
coveted, but united,
a face of multiple identities.

And should any other number
devise against it,
they would have no
success at all
--none, zero.

To be honest,
I think 1 likes 2,
and vice versa,
they're a complimentary couple
--both highly dutiful
and attracted to each other.

After all, it's said, "Someone may overpower
one alone, but two together can take a stand against him."
~

~
Where there used to be trees,
but is now a causeway
under the Lord's nose,
reside a constant tourist and his wife
who have all they ever wanted,
light and lure.

They swim in a pool
on the dangling homestar,
overlooking metal decay,
she pinches his cheek,
he smacks her bottom,
summer in Gotham
is now upon them,
gifting different things:
he sees mystery lights endeavor,
she sees herself a dragonfly
on the lure.

Monday thru Friday
they like to ride
the elevator of their love,
up and down it goes along a focal point,
out of him and into her,
when the door closes
they come together,
when the door opens
it lets in the tide of loneliness
and they begin to push buttons.

They dislike home
and its constant secrets,
what she wears is for him,
but less is more,
he invades her often,
but she's become a empty field,
theirs is Neptune's bedroom,
if they don't find
a reason to make love,
they will stay up all night
until irritable frozen creatures.

Invictus interruptus,
with the luck of the draw
they play dangerous days:
a game of blindfolds
and snowmobiles,
a game of hammers
and nails.

The plane of their lust
hunts the morning light
on gloomy Sunday,
the rain wets their hair,
the sidewalk creates a song:
electric skylark,
they dance out of focus,
he grasps her hips,
she makes a beautiful sound,
caught by magic,
trapped by photographic memory
and numbered doors.

Light and lure.
All anomalies.

Sublimation will not return
until the day of the focal point,
in the city where they have
all they ever wanted,
yet here they have nothing
more than microcosm,
the rest is distraction.

Maybe they should
remain a constant.

Maybe he should
just hold her.

Maybe she should
just let herself be held.
~

Remember they're monsters

Not just in theory, but really

It's no longer about the evidence

(If it ever was...)

But a call to collusion

They want you silent

Unless you recite after them

So they can write papers

On pipe dreams

~
This forbidden city
walks on water,
keeps all the undesirables at bay,
it's always a balancing act.

Oh, blighted court
of Catherine the Great,
thy friends are having a hard time,
but horsing around, no less.

Enlightened by summer drugs,
and busting out of
their tops and castles,
thongs on thy feet,
and thongs on thy bottoms,
this zenith and this nadir
come in colorful collages,
everything else is a flash of flesh.

Sped along by
frequent bloodletting,
there's a revolution in
thy teenage mind,
a looking for the hidden
and interested motives,
but no one can live
their life on the skis.

Rulership of heart is far
from recreation,
but you raised
a smile to sin,
until all we could do was
shake our heads and laugh.
~

fields of lavender
as far as the eye can see,
in rows of scented purple
growing insatiable idiosyncrasies,
our minds are a rich, deep soil
and the children of our thoughts
run free,

run free
and light,
run free
and careless,
like a river to the sea.

the heart is programmed
to be broken,
to let in the light,
and the earth in us is woken,
our heart will open,
it will open,

when we take in our first
breath of this heaven.

Evening is on the take
The sun herself senses it
Her heat is slipping away
Eclipsed by cold, arctic tendrils
Rilling through the fragile geography
Earth is a strong fighter though
Able to restore itself in serene defiance
Light she brings to keep night in its place

~
I'm an exit wound
I'm a numinous obstacle
I'm about to make landfall
I'm about to break free

I'm a nerve ender
A fascinator
A purifier
A world populator
And I'm about to break through

I'm the push and pull
I'm a counter argument
I'm dissonance resistance
I'm viral replication
I'm about to break out

I'm a singularity
I'm a spark
I'm the perfect detonator
To mind and heart
And I'm about to break up

I'm a simulacra
I'm an oscillation
Made of breath only
I'm a living, moving imprint
Of what no longer is
Yet somehow seems to be
~

✓My favorite weapon
✓Bikini ski boat
✓Fluorescent sand
✓Her eyes immaculate
✓Keys to the prophet's house
✓Emotional screening device
✓1 cup of sun, 3 teaspoons of rain
✓Third world treasure map & saxophone
✓Alternate flightpaths
✓Extra parachute
✓Mediocre Shakespeare
✓Poison pen letters
✓Getaway car & escape route
✓Ladies in waiting (in lingerie)
✓Subterranean lips
✓A pinch of film noir
✓Night vision
✓Antarctic scenarios
✓Fountain of remembrance
✓Policy of containment
✓Silhouette machine
✓Water wings
✓Pillow

Reality is so unreliable. In the water of life we surf the wave of chance. Rise or fall as hunters in the snow. The isolating future is already here. But people are still people, they still need each other. The anachronistic branch of knowledge we are dedicated to - the day in, day out - is a deluded science. It is we who would be the objects of enquiry and fascination to an alien mind. Humanity is the true wonder, the true miracle.

home is a cage
slide out the window
find a different way
run with the wolves
chase the child

it won't always be like this
ceramic heart
cosmic bruise
lovesick in a hotel wildfire

chemistry begins with
orbiting the moon
he calls her a river

swallowing down mistakes
she cares a little less about everything now

blood on the mattress
young blood

breaks in the sun
mean pure dark is yet to come
--nightly things

as long as she gets by
despite the crushing weight of gravity
she will take swan feathers
and wedding days to bed

but never take the blame

Beneath the arch,
        among the branches,
      the maunder of her eyes
           finds noir in an afterimage,
every reflection is unique,
    explicit and indivisible,
        every reflection is her,
      there she looks close
       for gracefulness,
            in the essays of her skin
               and their brazen transparencies,
         she enters into her body fable,
      the shape of her resembles
           the tenor viol: where it widens,
                  where it narrows,
                where it digresses
              and monochromes,
           she reflects a fragile geography,
             a soft cargo, but
               an inkling of hurricane,
             rendering the fault lines
          beautiful and strong,
       in supplication tomorrow's explorer
will disturb the patterns
   until she's become her own lullaby

~
First God
Then Everest
To the ends of elation

Her eyes in sunflare
An imprint from her light
Heavy and pulling me
The ever after of the hereafter

In that moment I was hesitant
~

Tar-dark world. The defining color is black, the inky night of her nocturnal hunts and the deep, bottomless dark of her alien retreat.

A watcher of men, she is everything and nothing. She might be too much of something, or too little of something else. Time will sort out the particulars.

There are no simple entry points – she demands engagement, and to be taken as a whole. Her discomfort is over her own allure, her undisturbed surface. It’s more about intuition and gesture than dialogue. They remain as echoes. They’ve made her beautiful in a real way, with hips and blemishes and dimples in her skin.

The imprint of the lives she begins to grapple with as her time on Earth extends, leads her to stop seeing herself as a mere conduit for her mission, and to start developing a sense of subjectivity.

Her life force is overlapping, shaping itself into a pattern of rings that simultaneously suggests a birth canal dilating, the stages of a rocket separating, and a lunar eclipse as seen through a telescope’s lens.

She's a life-form you can’t quite understand, but it’s carrying on relentlessly, like a beehive, moving backward through the constellations at first approach.

~
Maternal midnight

Metallic lakeside

Freon heart, fayence mind

Eyelids of iron ore

Influence feet into the water

Into an embargo bay

Clear and innocuous, innocuously blind

Hills like white elephants on a polar plateau

Mosquitos on her mouth

Drink the blood of encryption

Change the tone of her voice

They pass behind the blue vein

Become infinite particles of her
~

~
The boys of summer.

Johnny once sat under the bleachers, the scar on his tongue, a reminder of the time he bit it after falling from a treehouse. A sack full of yesterday's news in a red wagon, the first and last clues.

Eugene ... the other kid who dropped out of sight on Sunday morning, now the evening edition; now a black spot on the sun.

Why the two-year gap?

Departures and landfalls. But no explanations.

Mom and Dad never comfortable peering into the camera lens. Big brother breathing out vapors until something sparks and all
the old questions came back.

A detective's paradox. No bone. No fragment. No evidence. In his home garage hangs a poster of Eugene to remind him every day.

-- for Johnny Gosch and Eugene Martin
~

~
the night starts here,
the night starts here
in the dunes,
fixed in time;
incipient waves falling into place,
their subtle purpose
to roll over and sing;
the fountainhead above us,
like it's above the shore,
attaching softness to a shell.

we blew on a dandelion
and the whole world disappeared;
love is a mysterious shape,
love is a remembered rhythm.

I have trembled
my way deep,
I'm a guest in here,
drinking at the stream,
seeking bliss in
the plural homemade kiss:
peppermints and orchid rain.

we please the night,
we please the night in interlude,
and it merrily leaves us that strand
of pearls called "good morning."
~

Earth comes out of its greenroom

I bend at the window
looking through the glass
down upon its vastness

something out there is wrong

the future's not what it used to be
a shadow tells me

I feel mysterious today
a stranger to myself
I don't recognize my voice

objects outlive us
but we are more than an accident of stars
someday we will be infinite
breaking into the distance

by serene velocity
by delicate transitions

bringing us closer
to a renewed interest in happiness

I blinked, but beheld it,
the marching of warships,
the broken caskets
at the feet where bishops
of Brixen worshipped,
and the agonizing steps to the castle
-- a spiritual climb --
gifts and prayers in each one's pocket,
(you've got yours, I've got mine).

And there it was opening in the sky:
a woman, in between cycles,
clothed with the sun;
her groom carries her up those steps,
they ring the bell,
and make a wish
for their love to flow against
the current like sea flowers
in the spring.

I blinked, but beheld it,
there was smoke,
there was wind,
there was nothing
but the warm scent of potica,
and pletna aplenty,
their upright oarsmen rowing
through the bloodstream.

They row for the stillborn
who never see the sun.

But there is freewill, and there is sin.

Our kingdom rise.
Our kingdom fall.

Forgive us first, Father,
(our blood shall feed the earth).

~
Hand and needle,
weapons of mass protection.
Mending day called solace,
bitterness in every stitch.
When all guides disappear
the hand begins to tremble,
that is the material point.
Listen to the water,
the sea is full of memories.
It knows everything,
it feels nothing.

A rage is building.
The sails unfurl,
the wind follows.
A hundred years of
traversing the deep
on a ship full of opiates
and other distant mermaids.
This blood vessel,
cresting the heart of the wave,
you will never completely cross
this body of water
until you learn to trust
the hands that hold back
death and it's squall.

Even now they drop anchor, singing
into the starry sky:

"Gather ye fishermen's wives
As thy men roll out to sea
Pray one and all
Thy sails hold strong this day..."
~

Swaying curtain in the window,
airguns after dinner,
broken doll on the highway,

a promise is a promise.

The small winters
in the corner of her eyes,
Mom and Dad, they hold serve
in the garden, at the office,
no one is watching as she reels,

hurt whispers on.

Walking past stones and trees,
the bones of things,
coming at it all wrong,
this time she makes a promise,

under a name that hides her.

It blew in off the sea

It went out on a limb

And broke the olive branch

Do you hear the wind through the hair of revolution

--black raven hair--

Bone straight and frayed

The split ends of society forging separate paths

Progression at their tips, regression in their roots

It makes a sound akin to the back of an old haunted house settling

It wandered here in due season

It's about to be cut short

It's about to be swept away

~
I felt a funeral
between the timid breaths
of ruination, we plucked
to death the melancholic florals
called time flowers,
translucent growths
with crystal hearts,
gifted them to someone else's children,
placed them around the waist
of everyone else's wives.

When plucked,
that crystal core dissolves,
emitting the light trapped within.
perpetual splendor or
the endless cycles of death?
do the normal rules
of chronology apply?

Look now! here comes
the great unwashed riot,
we live in an age of visual saturation,
where tragedy and beautiful
distractions crowd in on all sides,
clamoring for our attention.

Perhaps the dystopian premise
is part of a fiendish plan,
becoming the backdrop
to a fluttering cornucopia
of florals, each outfit paraded
in the beginning of May,
a blooming display of finery
hiding a complex
network of roots –
sponsorship deals,
brand calculations,
dedicated craftsmanship,
exposure opportunities
– beneath its pretty skirts.
~

~
Unusual and cloudless

This slippery world

Today is still contagious

Here is heat, here is rain

Here is love, regardless

Shadows in the scaffolding

Look like a broken alphabet

The sun in its anger

Just won't set

Life and how to do it

Perfectly absent
~