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SICVT COMES DE MONTECRISTO VENIT VINDEX SIGNACVLO SVPREMVS IGNEO
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS PRIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX I VELTRVM


VBI DE TERTIA VIGILIA STAT ANTE SPECVLVM PERSONA IGNEVM MEA
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SECVNDA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX II VELTRVM


ILLE SECVTOR QVI ARGENTEA LVNA APPAREAT SICVT CHALYBEIO SCVTO AC FLAMMIS
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS TERTIA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX III VELTRVM


ERIT ASHVR ASSYRIORVM DEI LIVIDVS NINIVES IRA AC MEA REBELLIO
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS QVARTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX IV VELTRVM


FODIT DOMINATOR ΞΙΦIΔΙΩ SENNACHERIB DVELLO LEONEM REGNO IGITVR DIGNVS AC DELVBRO
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS QVINTA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX V VELTRVM


MARS SIGNO ARIETIS PLANETA IGNEM FERENS SPLENDENDO AC PHÆTHON
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SEXTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX VI VELTRVM


VINDICIS SVNT CHARYBDIS IGNEA PRODITVRA NOCTIS VEXILLA
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS SEPTIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX VII VELTRVM


HOSTIVM SIT HORA VBI SANGVINEAM TENEO IN VVLNERE LAMINAM
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS OCTAVA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX VIII VELTRVM


TO ΓAΡ EMON ΕIΔΩΛΟΝ EΠEPXETAI KAI AΛHΘΩΣ O ΟΦΙΣ
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS NONA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX IX VELTRVM


SVPREMVS FLAMMÆ MAGISTER AC GERMANICA LINGVA VERÐR NOMINE
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX X VELTRVM


AVRÆ EIΔΩΛΩ DE VELTRVM SQVAMÆ SIVE HISTORIÆ HIC TERNARIVS I
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC DOMITORIS
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

ΤO ΕIΝΑΙ ΩΣΠEP H ΔYΝΑΜΙΣ


HENRICI VII SOLE VISENS RVBRO MONIMENTA VICTORIS
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS VNDECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XI VELTRVM


VBIQVMQVE BIFRONS NEPTVNI CINXIT NEREA IANVS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DVODECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XII VELTRVM


FLAMMA O ANAPXOΣ FVLMEN DONANS COCYTI RVBRA
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS TERTIA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XIII VELTRVM


NVNC TIBI ARES COMMENDO ME TEVCRVS EΠIΦANEIA AC IGNEM
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS QVARTA DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XIV VELTRVM


CVM STATVO VLTIONI ARAM AC VASTO TYRII COLVMNAS
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS QVINTA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XV VELTRVM


VALE INIVRIA IAM TEMPESTATE NOCTIS OBDVRAT IMAGO
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SEXTA DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XVI VELTRVM


DOLEBIS CVM SPATHAM DESTRINGAM IGNAVE ANIMO INIMICE
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS SEPTIMA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XVII VELTRVM


SOLI INVICTO SIVE IN THRACOS AVDACES SAGITTIFEROSVE SCYTHAS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DVODEVIGESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XVIII VELTRVM


ÆSTVOSI INCENDIVM REDDE MIHI VICTORIAM TEMPLI SIGILLO
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS VNDEVIGESIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XIX VELTRVM


VBI MEAM ALBASTRI IN RVPE VLTIONEM INSCVLPSI SOLISQVE ANNO MXCVII
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX ** VELTRVM


AVRÆ DE VELTRVM IMAGINE SPIRÆ SIVE HISTORIÆ HIC TERNARIVS II
ANTIQVÆ AD VESPERVM SONO CAMPANÆ APOCALYPSEOS
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

O ΔE OVERMAN  


VBI FVLGIDAM DEFIXI SICAM AC MIDÆ LIBERAVI FVLGOREM AVRO
FVLMINE IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA PRIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXI VELTRVM


ΚΑΤOΠΤΡΩ H ΤΡΙAΣ THΣ DYNAMEOΣ AC DE HÖÐR EXPVGNATOR SECVRI
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA SECVNDA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XXII VELTRVM


VNIVERSALIS INFAMIÆ FVLMINE IN TERRA AC PROPHETIA VLTOR
TONITRV IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA TERTIA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXIII VELTRVM


TITATVM IN SPECVLO CANO QVI MYSTICIS STYGOS VINCET VNDIS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA QVARTA
VLTIONIS DE VNIVERSO SIT HICINE NOMINE MAGNÆ
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XXIV VELTRVM


CÆSAR QVEM FERREO PHRYGIÆ VINDICEM DIXI CALAMO
HIEME IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA QVINTA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXV VELTRVM


VENIT NERONIS VMBRA DIVI IGNEA MIHI AC LYCAON REGNANS
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA SEXTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XXVI VELTRVM


VBI THORAX SICVT SPECVLVM CÆCANS REFLEXIT MEVS SPLENDOREM IRÆ
FVLMINE IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA SEPTIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXVII VELTRVM


SPONTE SVA SE MACTAT DE TYR MALLEO IPSE CERBERI INGNISQVE SACERDOS
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA OCTAVA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XXVIII VELTRVM


ΦΛΟΓΙ THΣ ΤΙΜΩΡIΑΣ MEO DE CHALYBE HOC SPECVLO AC NOCTIS
TONITRV IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VNDETRICESIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXIX VELTRVM


ÆGIR QVI NOSTRI INFAMIAM SVBIGET SÆCLI AC OMNIA GERMANICVS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS
TRICESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX *** VELTRVM


AVRÆ ΕIΔΩ DE VELTRVM SQVAMÆ SIVE HISTORIÆ HIC TERNARIVS III
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC CLAMORE AQVILÆ
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

TO ΓIΓΝΕΣΘΑΙ ΩΣΠEP H EΠIΔΟΣΙΣ ΔYΝΑΜΙ


ERIT NJÖRÐR QVADORVM IMAGINE MEA VIS CHALYBIS VNA ET HEPHÆSTI IRA
ΩΣ ΑYΤΩΣ EΠΙΣΤΡΟΦH TO ΚYΜΑ THΣ EΜΠΡΗΣΕΩΣ EK TOY EMOY ΕIΣΟΠΤΡΟY
OVERMAN VLTOR SIVE VXD KOΣMΩ POTENTIÆ IN RECVRSV
CVSTOS QVI OYΣIΩΣΘAI LABORE DICITVR ESSE SOLIS

VELTRVM.
A composition of mine in Classical Latin and ancient Greek. The title VELTRVM is a latinization (neuter) of Dante's Veltro, the Greyhound, in Canto I of the Inferno, whose prophecy is herein superhumanly exceeded into One Universal Avenger, appearing through thirty historical phases, which form the relevant pentastic stanzas. At each phase He is manifested as a king (REX I, REX II, REX III, etc.) and at each phase recurs more powerful (KOΣMΩ POTENTIÆ IN RECVRSV) taking the form of a fiery coil of a dragon (IGNEA H ΣΠΕIΡΑ), thus ruling over the future, as well as the past, through an ultimate spiral-like historical-cosmic purification at length merging into One Force with the image of the narrator (IMAGINE MEA VIS CHALYBIS VNA). As in Dante, Henry VII, Holy Roman Emperor († 1313) is mentioned (HENRICI VII SOLE VISENS RVBRO MONIMENTA VICTORIS). An influence from the Theology of History and the rhythmical REVOLVERE ÆTATES (the unfolding of the sequences of historical eras) in the Liber Figurarum of Joachim of Fiore († 1202), as well as from Nostradamus’ († 1566) Centuries may thus be noticed. The final anagram VXD reads VINDEX XYSTO DÆMON, as paralleling an akin one in Dante's Purgatorio, XXXIII, 43. As in John Scotus Eriugena’s († 877) Carmina, the text is capitalized. References to Classical and Norse mythology are included.

SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE

Or through the Universe (KOΣMΩ, instrumental dative) of the Great Revenge (VINDICTÆ... MAGNÆ), and the Time (AC TEMPORE, a historical time, as thus one with the Force of the Cosmos).

VBI DE TERTIA VIGILIA STAT ANTE SPECVLVM PERSONA IGNEVM MEA

Where, at Midnight (DE TERTIA VIGILIA), my Person before the Fiery Mirror stands.

FODIT DOMINATOR ΞΙΦIΔΙΩ SENNACHERIB DVELLO LEONEM REGNO IGITVR DIGNVS AC DELVBRO

Sennacherib the Ruler (king of the Neo-Assyrian Empire, † 681 B.C.), in single combat (DVELLO) the Lion he pierces with the Dagger (ΞΙΦIΔΙΩ), thus of his Kingdom and of the Shrine (proving himself) worthy (REGNO IGITVR DIGNVS AC DELVBRO). (This scene refers to real Assyrian customs as portrayed in bas-reliefs.)

ILLE SECVTOR QVI ARGENTEA LVNA APPAREAT SICVT CHALYBEIO SCVTO AC FLAMMIS

He, the Secutor (a type of Roman gladiator, with his face masked), who appears through the Silvery Moon as the Shield of Steel, and the Flames.

VINDICIS SVNT CHARYBDIS IGNEA PRODITVRA NOCTIS VEXILLA

The Fiery Banners of the Night of Charybdis the Avenger (a sea monster in Greek mythology) are about to issue forth.

FLAMMA O ANAPXOΣ FVLMEM DONANS COCYTI RVBRA

The Sovereign (O ANAPXOΣ, also "ruler") giving the Thunderbolt, through the Red Flame of Cocytus (frozen infernal lake, now turned into fire, to be found in Circle IX of the Inferno).

CVM STATVO VLTIONI ARAM AC VASTO TYRII COLVMNAS

When I ***** a Shrine to Vengeance (god), and devastate the Columns at Tyrus.

SOLI INVICTO SIVE IN THRACOS AVDACES SAGITTIFEROSVE SCYTHAS

To Sol Invictus (the Unconquered Sun, a solar deity of the late Roman Empire), both among the Bold Thracians and the Arrow-bearing Scythians.

VBI THORAX SICVT SPECVLVM CÆCANS REFLEXIT MEVS SPLENDOREM IRÆ

Where my Cuirass, like a Mirror, reflected the blinding Glare of the Rage.

VBI MEAM ALBASTRI IN RVPE VLTIONEM INSCVLPSI SOLISQVE ANNO MXCVII

Where I have graven my Vengeance (MEAM… VLTIONEM INSCVLPSI), and that of the Sun (SOLISQVE), within the Rocky Cliff of Alabaster (ALBASTRI IN RVPE), in the year 1097 (ANNO MXCVII).

VENIT NERONIS VMBRA DIVI IGNEA MIHI AC LYCAON REGNANS

Came to me, the Fiery Shadow of the Godlike Nero, and the ruling Lycaon (legendary king of Arcadia).

NVNC TIBI ARES COMMENDO ME TEVCRVS EΠIΦANEIA AC IGNEM

Now I entrust myself to thee, Ares (Greek god of war, the Roman Mars, vocative), I the Trojan, (TEVCRVS) through the Mirror, (EΠIΦANEIA, also 'appearance') and the Fire (AC IGNEM).

ΩΣ ΑYΤΩΣ EΠΙΣΤΡΟΦH TO ΚYΜΑ THΣ EΜΠΡΗΣΕΩΣ EK TOY EMOY ΕIΣΟΠΤΡΟY

Not otherwise than thus, through the Return, the Wave of the Blaze, from out my Mirror.


Molti son li animali a cui s'ammoglia,
e più saranno ancora, infin che 'l veltro
verrà, che la farà morir con doglia.

Many are the animals with whom she (the she-wolf) mates, and
there shall be more still, until the greyhound shall
come, who shall make her die in pain.

Dante, Inferno, Canto I, 100-102.


Emperor Probus († A.D. 282, assassinated) was particularly devoted to the cult of the Sol Invictus, as herein evoked.

FVLMINE TO ΔE ΠΡΟΦΗΤΙΚOΝ ΠNEYMA AC VOX

Through the Lightning, the Prophetic Spirit and the Voice.
Anais Vionet Mar 24
I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-****** themes. These are some first thoughts.

Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury.

When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd.

Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie.

Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago).

If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos.

An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually).

Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having ***.

For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.
BLT Marriam Webster word of the day challenge: Nadir:  the lowest or worst point of something.
Pondance Of The Past

How long
Will it last
Before
It’s the past

What must
It be
To make
History

How should
It look
To make
The big book

Will what
Is said
Share only
A shred

I just
Want to know
Who told you
So

But what
I must ask
About all
The past

Will it
repeat
If we
All don’t think…

Bill MacEachern  
03/23/23
Anais Vionet Mar 17
Saint Patrick died on March 17th.
So we celebrate the day with green and drink.

Patrick, was kidnapped to Ireland as a slave,
a condition he never fully forgot or forgave.

Patty (as he was known by his friends)  
was a sober, relentless, devout Christian.

As a missionary, he gallivanted methodically, converting heathens
and if he failed to convert you, you weren’t left breathin’.
He could burn you at the steak for ignoring ‘reason’.

To show Christ’s power, he ‘banished’ the snakes,
It’s amazing, the difference a miracle can make.

The year 461 pre-dated laptops and even the Internet,
so, I think it’s time we finally forgive and even forget
the sad, sordid history of Catholic conversion “therapies”
because today we need a reason to drink until we’re green.
BLT Marriam Webster word of the day challenge: Gallivant: “travel for pleasure.”

My roommates and I went to Dublin, Ireland last summer.
In casual conversation we asked how they celebrated Saint Patrick's day and their celebrations are like ours, more or less - a secular overindulgence. But on a deeper level, this holiday, they say, is dedicated to the patron saint of heathen genocide.
GHETTO GOSPLE.

You aren't born to please anyone, neither accepted by everybody.

But your purpose is to make sure you live good making better thangs, making thangs better.

Spreading love across to each and every one wisely. You're born to rule not ruled. Everyone is meant to live fee free. But it takes bravery to make a living, on the field of struggle, busting and jostling, in search for fortune, get yours, I'd get mine. living in dreams,

getting goals accomplished unyielding. Thinking of living again tomorrow,

when we hadn't none reaped ou'ta momentum.  Is there future promised to us at all.?

When we had spent perhaps even the half of our lifetime , achieving nothang.

Stagnated, disdained, and denounced crazy sage, labeled mad. Does it not mean we were plagued? God forbid! Sango in the altar.

History's mystery new testament era. Jesus is Lord a slain Saint sent from above.

Make a melody 🎶 sing to the world, lengthening fasting season.

Faithful journey  along with Supreme omniscient ghost. Awe! - C9fm
irinia Mar 11
we stopped believing the agora of the mind
our souls empty rooms colliding
full of amnesia on incessant roads
walls of flesh we were on the edge of terror,
steel confused with clarity
souls plucked like nails inside ruins
suffocated tales & archives of illusion

the shadow is closer to the center only
in the diaries of the blind
no hole of god is dead, we ***** fresh prophets
with inviolable gaze
for the sublime and holy in our sweat
believing is seeing the most lethal duel

the one and only the fake divine
who thinks alone on a road with no views
he planted spotlights in their eyes
for everybody to see only the world in his arms
hate kept in empty milk bottles

life is this schweitzer, passers-by were saying,
it has taste but only  in foreign countries,
with their fists in pain caressing concrete asphalt turbines
as in quick sands no muscle was moving

carboard smiles unprotected against the evacuation of desire
wooden language didn't invent choice
no decomposition of the edges the totalitarian thought inside
the narcosis of time merciless

the clouds lost their sound we still don't look at each other
no hypothesis of sight no discharge for humiliation
wither souls made history grappling bending
twisting nonconsensual reality

no destiny for the allegory of truth  
there are no angles of sight
facts become beasts
holy cannot be anybody's name
repelling of the heart beat
irinia Feb 3
a moonless bird
in a storm without center
some things hardly
come undone
emptiness dissolves
surfaces contours
plastic hands scream
in distant dreams
dystopia belongs
to daylight in a world
devoid of shadows of thought
unable really to recognize
the gap between their eyes
in between me and anti-me
tyrants dream disembodied worlds
angels have not yet been invented
no more black words
in mugs by the window

the propensity of deadness
as real as the decay of sonnets
one cannot see one's steps
in bruised forests

I am singing a lullaby
to my emptied hands
I bow to this force
the starvation of life
the oblivion of the pulse
in which time grows
Ken Pepiton Feb 1
No, this ain't show business, this
is living, made in a made up mind,
being finished doing, just
living.

Making up reasons to dispute liars.

Maybe not a good living, but it's free.
Or paid for, any way.
Bought with a price
my grands won't be forced to pay.
Reminding myself why I wonder how I survived,
and none of the others I was did. We shed skins, to gain
wisdom of the serpent mound harmless as the passenger pigeon.
keep the photographs
the city is overexposed again

take more walks in the nearby woods
the world we knew as children

watch out for frogs and detonators
mind the wires

new aerial boundaries at dawn
no one steps inside by choice

adapt to the proper order
and no sleeping under tables

the reflection tower is a good place to start
tourist trap, a certain approximate

bring the thing under the couch
in case of an unexpected visitor

more nightmares cut out of the newspaper
what is an Astra 600?

three different hat sizes
Hannie says yes to ménage à trois

the joy in discovery
the joy in forgetting

like God without a compass
not a lot, just forever
The Oversteegen sisters and friend Hannie Schaft worked to sabotage the **** military presence in the Netherlands. They used dynamite to disable bridges and railroad tracks. Additionally, they aided Jewish children by smuggling them out of the country or helping them escape concentration camps.

The Oversteegens and Schaft also lured German soldiers to the woods under the pretense of a romantic overture and then killed them. Freddie would approach the soldiers in taverns and bars and ask them to "go for a stroll" in the forest.
Paul Butters Dec 2022
Legend says that during the last Ice Age
There was a worldwide civilisation
Quite advanced
Which built magnificent pyramids in Egypt,
South America and South East Asia
And great cities
Some deep underground.

But at the end of that Ice Age
There was a cataclysm
As snaking comet-shards showered on The Earth
So the ice sheets melted
Causing a Great Flood
And almost all was lost.

Which begs the question
How far back do we really go?
Were those mythical dragons
So bravely fought by noble knights
Actually Dinosaurs?

Have We been around for many millions of years?
Oh for a Time Machine
So we could go back
To discover The Truth.
Scientists insist there would be nothing to find
As their theories and constructs are all
They can see
Or wish to see.
But Intuition tells me otherwise
So the search for facts
Must go on.

Paul Butters

© PB 25\12\2022.
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