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Johnny Huynh May 2014
At times you speak with no filter
eyes shutter and life becomes darker.
Without the negatives
there are no positives.
Focus, you are your perfect picture.
Michelle M Diaz May 2014
Life is like a picture, taken with a film camera
You take the picture, but you don't see how it looks right away
You worry that the picture would be blurry
or worry that it won't work out the way you want it to
You develop the film, turn those negatives into beautiful pictures.
and if you mess up on one photo, you still have 24 or more beautiful pictures for that reel.
Life is like that
You work hard, but you don't see the fruit of your labor right away
you worry about so many things and think about all the things that could go wrong.
Like film, you develop
The negatives can be used to become beautiful wonderful positives in your life.
If you mess up, you have more chances.
Life is full of chances
So life is like a photo
a photo you take on a film camera
and you are the photographer
so take some beautiful pictures.
I'm sorta feeling kinda ****** while in photography class, and decided to "develop the negatives" in this poem, while developing my film :P I kinda feel better now :)
Hannuh Jacey Oct 2012
Exposure,
plenty of light,
nothing uncovered,
or too much left unknown.
Through the lens, which he can't see but only thoughts and ideas he scatters through his shutter.
The rain can be captured quickly and in large amounts.
The press of a button and the stress is released, a flash of light and lightening coincide
crash
electrify.
Fighting the storm, protecting his truths and love.
He still trudges ahead; heart in hand.
Recording his sight, capturing the beauty.

Making it home, he doesn't think twice, he places his heart back in its chest and moves on downstairs.
Walking tall and soaking wet,
avoids looks or stares that come his way.
Piecing his mind back together, missing pieces lost outside in the horrible weather.
He'll keep on aching and asking himself questions, as slowly as the night air dries his split hairs, he can slowly rethink the choices he's made.
Sept. 8th, 2008 - 3:30 p.m.
Martin Narrod May 2014
They told me the only thing that could cure heartache was war, and since the war wouldn't take me I figure the only thing to do now is take up a life of crime. Gabriel Garcia Marquez says in Love in the Time of Cholera that the only cure for heartache is to find other hearts to break. Five years have passed and I still remember without fail the flint of a lighter, the squint of an eye, and the bell of your dress. I dream a dream each night, sweet variation of the story of you. It comes down to a letter sometimes, I go to the window well with a notebook and a pencil and I draft a sonnet, sometimes a verse, any form of an expression to idle the time it takes for me to find you. I know stars that haven't lived as long. The way I cupped my hands over your ears, the way rapture lived and loved, you kissing me in the shade of the palm trees up their on Notre Damen Ave. I know the curve of the Earth wrapped in the shades of the skin on your body. I live every day for the chance that I will meet you again.
Letter to an ex-girlfriend
Martin Narrod Apr 2014
angry men who do not know I do not have a dollar or a cig to spare. Ugly irrefutable contagion-handed howlers. Angry mischievous heathens that pantomime on 6:00a.m. sidewalk, Wicker Park gallow stop-sign, choreographed gutter-punk drunk walk. And of all he wants and could ever want splits down his gooey membrane brain in the outline of a noun shaped fragment of a clause, "Couldja spare 80ยข for the train," but of course I don't spare on the ellipsis or the period. Semi-colons I won't! My rubber-bottomed leather boots lash out, heavy scraping sounds trail this mirrored shadow half an angle behind me.

*****!! Blonde framed sunglasses from American Apparel, a gift from my sister in a folded Ray-Ban case is scattered on last nights bedroom floor, my girlfriend has certainly not noticed, the gloom-coated morning sun spray has not noticed; but I have unzipped a fissure in the ocular lens. My heart skips a beat. Her bedroom might as well have swallowed them whole. Now the house can halt and have the shade, swaying in Spring air in 10:22a.m. shadows. The aviator himself Howard Hughes would strike me with his 488 aircraft. Edwin Starr in his invincible sinister calypso of War would turn me round. I was sturdy as a rock until I began to forget my forgottens. These unknown unknowns I knew I needed. I'm over a quarter-century on to noon going nowhere- and quite blindly.

But then, still she could stand upright and find me. Her neck crooked, looking onward through the East, the gristly roots of rhubarb buried in her searching fingernails. She's threaded worse, and of course if I could just tell her- this is the kind of nursing which requires acute temperament and flexibility. I am thus on a journey to strike nonsense and fear from the idiotic vocabulary that put this nonsense in my head. Split through me like a butter knife into my apotropaic. Perhaps tar water could cure my ails. If not, certainly a sliver of vanilla would set me straight. Or if could just rain rain rain all day, then I'd make do without, but she is at school. My pistons are racked and nervous, and I'm not going anywhere but my rucksack stoop. I am camped in midwestern Spring soup. Fog, rain, and shade. The nightmare of day.
Inspired by William Butler Yeats 'Beautiful Lofty Things'
Martin Narrod Apr 2014
what is more gentle,
than this pillow of the light?
a life narrowing,
in a bright feather dance
that sweeps across the sea
or covers our faces in shadows.
where do you go when you leave me?
now I am nocturnal,
a bliss bandit,
cooing at stars
one thousand miles high.
shaking like a tea kettle,
I am the black *** black,
shaking,
shivering.
Swallowing pieces of your light,
in the back-room jungle where I sew,
tears to the bottoms of my eyes,
where no one ever goes.


I know days,
hours,
one minute
where I gambled time
and stood behind you
with my fingers
on your shoulders
and my mouth on your neck.
What it takes to be apart,
split in half,
shucked from birth;
it takes every thing I
ever owned,
every note I ever sang,
each breath that I will make-
some thought I stand up on,
my knees quivering below me.
five kinds of drugs
just to see straight, to hold
my hands steady or
sleep at night.
your lavender flavor
is still in me.
you in me.
one.
two.
soaking in this forgotten city,
Earth's heroes drifting away.
I could never eat again, or
cast a spell, or touch the same.
while burning I may never
stand
on these same two feet again.


four years,
a photograph.
one voice,
softening into my skin,
that I never may forget.
that this beard is of
an old man, should I never
count again
blessings or songs.
I dive into the flame
and study this journey backwards.
so I should never forget,
everything so serious
as this
as you, in me.
In Response to a Poem by Leila R.
Martin Narrod Apr 2014
I trace my finger around. With red lipstick on I wear the skin of the pets I had, looking like a marigold shot through the head, my bare skin is barbed in the back. Such trouble and quiet with the wrap-around, the cross-walk, and floral shop as I browse. The white elephant in the upstairs bedroom, is making it hard for every one of us to sleep. With this Africa becomes a disease, that I unwrap from a cotton white sheet. When I breathe life is going good, under the spells of wicked and word. I like to call out in the night, so with no response I can plead for the courage to think; all the suburban philistines try to help me, but I can't tell a joke because I cannot read. Every thing amounts to being fat. Or liquidated in the most pathetic singles party for Karl Lagerfeld.

Numb fingers slur the words as I type telephone numbers that end in threes. I see a notice to be called upon, but it's hard to remember what day it is when your job only pays you in financial advice, "Don't do as I do, but please just do what I say." And I can smell that. The approach that a hunter brews in his midnight solemn cup of tea. Where a voice chimes in while a mouse runs out, dragging the corners of my eyes in a lagging meme, it doesn't do well to even be yourself sometimes, once while traveling I couldn't see. Come that morning I had left my hotel pass inside my favorite pants, black denim toting paint from a ******* shot, a picture that explains my disease.

The fifty inch fan hums an anonymous tune that when I turn quickly towards it becomes this feral baboon. And is it hardly based on fact or is it the illusions and the myths that Christopher Robins struck inside of me. With his griseous hands made of soot and of gouache, that worshipped animals that wear clothes outside. And even sometimes there are z's that transform into other creatures that hum real fast and talk out loud in nursery rhymes, a Whatsit and a Woozel are totally, too much for me. I turn the fan off and lay back down, and fight the world off with hands from another guy, much braver than I who doesn't even have tattoos but he's the top wordsmith from Buckingham. What a beautiful treat and such a magnificent surprise that the elephant lays down to die. Of course that's when my mouth dries up with smoke and my voice turns into the vanilla flavoring that everyone hates, and then too I felt like laying down to die. But I'm not 97 like I had thought I'm quite sure that I'm still alive. The white moon shines into my bedroom window at night and I pretend that I direct for the sky.
Martin Narrod Apr 2014
Not against the peaks of protest, these aurulent banners and jasperated jaspe so so jargoon! It's like I was suddenly alive, beat-stretched out of winter neige and into the pancosmic blisses of bright and ebullient spring, plugged with an agromania to abide this new formidable friend in the aeviternal beauty of she and I togetherness. Never to spill a morsel of a minute away from us again, upon the newly conjured spirits unto us both. To be amidst a cynosure of such affiation, to be in the temperate or tropical gardens whispering about our mutual love for flowers nad lists. This that precedes us, bright colliding auras in this newfound numinous kindling of us two. Watching it, making it happen- it unfolding before me made me naseaus with excitement, dithering what our next move out to be. I just wanted to kiss her face, her cheeks, put our hands together so quickly, just to let our amorous fug fill the room with silver albuminious smoke from our breaths. Miles below this, round the Earth to other places, there are the fixtures of bright and corybantic life commoved by other nations and other poised people of the light, that I should not be idle in my desires to usher myself into this grand and briguing introduction. So she said, we will play the question game, the inquiry game, we will state the mark, draw upon deep and fantastical recall, bring from our minds the most immense truths and share them, no matter now feral, or caustic, or melancholy- they will be shared until we explode with each other, our intrigues wrapped in our perfervid and amatory excitedness for one another. Too vast with wonder to be afraid of- am I such a fiend for such resplendence. That we could be vitrified in eternity in a veil of fulgurite. So at this nightfall, this acronychal of bloviating bliss, to write and wonder, incessantly in the finest of provincial matters to settle this garden where Thetis lives to be of her, two philocalists in verdant pasture, heaped with matters of the pen and the palm, in the droves of this beautiful advesperating eve- where first I wrote to you, and then I wrote you back.
Written in Atlanta, Georgia
Martin Narrod Apr 2014
Not an amulet, an off white vertebrae; bone.
Brass wire, a loop at one end.
It bends as to make sure this will fit.

A gauge that measures mesmerization,
And we both must get along, but
Not because we're not tough enough:
Most of us aren't soft right yet.

So many stiffs, folly after folly.
The whole carful of loose cadavers,
Dangling, their feet hang with wet snow
And carnage,

Not even musk deer pop up,
They've all gone. Roosting in a parabol,
With X's sprayed to their groins.
Burning pop couples

Doing it like laboratory mice. Capybaras
Hiss, my own burnt blood is also
Flocculating.

Turn the cup upside down and
See the fire's balmy lachrymal opaque
Moss while it does not drip.

This is the story of man you asked me about;
Devoid of a muzzle, fur onto his chest; coarse
Hair in a garland.

It is the God of a tool that buzzes into the night.
A plateau for this most sensible study.
We feel another coming.

And when you awoke, your larval tongue
My eye mush, a song of verse and melancholy.
This half list of greatness, a tally we both wish to see.
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