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Martin Narrod Jun 2014
Most peculiarly of most things was that I thought all of this very fishy, daudry, drab, and boresome. This is where I turn on the second table lamp...

In a muster I arrived to the home of my aunt, where at once she drew me into the back of the house, down a flight of stairs made of tusk and bone into a catacomb where she kept a alive collection of wooly mammoths. She said the upkeep wasn't awfully horrendous as she had an invisible backdrop which led to a lion, a witch, and a wardrobe sort of thing. I stood in the gangway behind 10 foot high thigh bones waiting for one of the monstrous red beasts to come greet me, but what arrived was a very large elephant with longer tusks than usual. None of the red sillyness which I had dreamt of seeing in my previous years.

She could see I was not that impressed, and so I was led to another part of her home. Around the corner walked in my uncle in is superb and luxurious dress, reminiscent of 18th century British military fatigues. He said, "I bought the E.T. ride from Universal Studios, but as bringing the whole ride to my home I had them adapt a more suitable version to fit the property. A hangar opened and inside there were four chariots of orange and blue, diamond shaped school buses with their undersides aimed at withholding a V-shaped street. Then in two and two single file order all the classmates of my K-12 years arrived and took seat into the strappings of this 'ride' we were to take. Music played, John Williams even was produced by hologram, and after the ups and downs for several minutes we arrived to what I thought would inevitably be the forest, but rather was what I perceived was a Finnish town. The chariot I was in was stuck in the street, mud, rain, and soot entrenched us. I unbuckled the polyester straps and when I stood I realized that though the seats had built in urinals and toilets they were utterly noiseome to the senses. I followed a local girl to a food mart where I asked how I could find where I was but no one spoke a drop of English.

I corraled the group and told them to wait for me. I followed this girl who seemed quite younger than I to a small apartment in the uppermost floor of a very unsturdy chapel-like home several suburban blocks from our ride. She immediately removed her pants and I saw with my very own eyes that she was hairless and nubile. She insisted that we have a ****, and after I caressed her and complained too that she was far too young, she insisted that the age of consent in Germany was actually 13 yet she was 16. I remember it clearly. The most gigantuous feelings of pleasure as I mended a studio closet for my dining room furniture inside her ripening channel. Eventually after an hour we finished, she offered me a towel and some biscuits, which I consumed joyously.

Upon leaving her home I remembered that she had said we were in Germany, and so I produced a measure of Deutsch that I had been saving in my repetoir for the right moment. As Finnish is not my strongest language I was pleased of this and became instantly popular among the other candidates of our journey. This  E.T. ride is far different than  I remember it having been. Moments later I awoke quickly, a tuft of her black hair on my eiderdown comforter and a veil of tears from the merriment of glee shrouded over my face. After I rolled and balled into the soft feathers of my bedding, I twisted myself again into a knot, and allowed myself to rejoin the soporific treatice I was aiming for.

This is now where I turn off both lamps and go on watching films of a similar style.

Wishing You The Very Best,

Sir Martin Narrod

I keep my family of conscience
I shred my folly of heir
In case of torment or fondness
I never wear underwear.
Frieda P Jan 2014
i yearn for you
     'tween raindrops
silkiness
    of early morn's dew,
spirit
    of twilight's mist
dark cherry wine's
    intoxication
& comforts
    of a different rhyme
those spaces
   that enchant musings
toxic perfum'd lacings
     air filled of metaphorical
blush'd smoke
    gasping for surrender
'tween honey'd breaths
         wafting in my mind
  of nectar'd
       burgundy enchantments
Kagami Sep 2013
In between is where the ghouls are.
The gnomes, the sprites.
The mischievous ones that give you hell.
Today is a 'tween place.
One day, rest, another day, rest.

Sad day, rest, happy day, rest.

And today is a 'tween place.
I sense bad things. Clumsiness or confusion.

Hopefully tomorrow is better.
Nat Lipstadt Mar 2015
The Marginal Difference
Tween Child And Adult**

awake Sunday stuff to do...
another unit of life decapsulated,
where one will compromise
with all those lofty
make believe dreamy would-be goals
that course thru the brain,
when sleepy morphs into
the to do list at the premier  of today's
wacky wakey consciousness movie

and a poem forms on lips
that have not yet been
coffee'd
into adult responsibility

the list purview'd,
and you purvey,
foresee, attending,
bend back that pointer finger
looking right at ya guiltily

one and enough,
believe getting that one done,
will be
satisfyingly crossed off that
grownup
groaning
tatooed list
of the unavoidable

one will make the
marginal difference....
tween child and adult
Sunday, Pi + 1, 2015
Nat Lipstadt Jan 2017
Yom Kippur this year was celebrated on Oct. 12th 2016.
Leonard Cohen passed away on November 7, 2016.


~~~

faint knocking at the door to the Tower of Song

the ministering angels, hearing a rhythmic, lyrical rapping,
sigh, thinking the atonement day,
the holiday/holy days, are supposedly over,
the human balancing act, the rush to judgement period,
all tallies totaled, the busy sale season for souls,
at last completed, each fate inscribed & sealed,
in the book of life^

but, always one,
the itinerant straggler, the last reluctant sinner, a judgment resister,
flaunting an expired coupon, trumpeting demands for a recount,
waving it, claiming it, the bearer, entitled to a mercy discount and
an extra 30 days

"who shall we say is calling?"

the Angels are stunned to hear,
a familiar raspy, growling, almost indescribable,
yet, stammeringly, beautiful voice enchanting,
equally asking and answering,  how both,
with a strident humility, "a man in search of answers"

this voice, instantaneous recognizable,
the asking superfluous,
all beating wings now, all in vast excitement,
this psalmist, long awaited, one of His best,
a chosen one, a courtly singer in the Temple of his people,
blessed with the curse of seeing and believing,
the comprehension of beauty of the human superior interior,
never being quiet or quite satisfied,
in capturing, its multifarious variations,
in every language spoken

this is the man who took ten years
to compose just
one song,
one poem,
one word,
Hallelujah,
whose faith was strong,
but still needed proofs,
whose every breath of oxygen inhalation,
brought more questions,
every exhalation, only releasing partial answers,
and yet, still, yes, yes! finding hidden verses inside

a simple, everlasting
hallelujah

the hubbub subsides, the man sings~speaks:
how came I here,
was I one, who by fire?
that fire afeared,  that my finality was spirit consumer?

one voice, answers,
in one voice, the swaying back-up singers answer,
not by fire, not by water, not by stoning or
even drowning
in tea that came from all the way from China

when sing we Angels, the Judgement Day poem,
we alone, on high and above,
we, keepers of the books and records of everyone,
are permitted this to query:

Who by Sufficiency?

you, the sidekick of the creator,
special commissioned by him, anointed to live a life of research,
record in word and song the mysteries of musical gene strings,
that intertwine the skin cells of man and woman,
man and his fellow us-human,
your soul commandeered, ordered, delve deeper,
into the consolable chasm tween divine and mortals,
all those who are poorly constructed
in his image

he, who has earned his place, his best rest,
his works adjudged sufficient,
he, who best answered
this judging,
this calling out,
calling in
incantation,

Who by Sufficiency?

now forward on, write only of answers,
wade in the troubled waters no more,
no more passports, or borders to cross,
no more measuring the days,
the last road trip finale
finished & feted,
fate meted

no more changing thy name, changeling priest,^^
sing songs of solution, salvation,
for the questioning hours of confusion,
the urgency of revolution,
no longer need a hallelujah resolution


                                                    ­| | |
Who By Fire                             Who By Fire, Who By Water:^
(lyrics by Leonard Cohen)     (A Yom Kippur Hebrew Prayer)

who by fire                             How many shall die and      

who by water,                                how many shall born,
Who in the sunshine,                 Who shall live      
who in the night time,                   who shall die,                      
Who by high                                Who at the measure of days,
who by common trial,                    and who before,
Who in your merry                            
                                                          Who by fire
month of May,                                 and who by water
Who by very                                 Who by sword,
slow decay,                                       and who by wild beasts,
And who shall I                      Who by hunger,
say is calling?                              and who by thirst,

And who in her,                           Who by earthquake
lonely slip,                                         and who by plague
who by barbiturate,                      Who by strangling,
Who in these                                    and who by stoning
realms of love,                               Who shall have rest,

who by,                                             and who shall go wandering,
something blunt,                            Who will be tranquil,
And who by avalanche,                  and who shall be harassed,
who by powder,                            Who shall be at ease,
Who for his greed,                           and who shall be afflicted,
who for his hunger,                      Who shall become rich,
And who shall I,                             and who shall become poor,
say is calling?                                Who will be raised high,
                                                         ­     and who will be brought low
And who by brave assent,                  
who by accident,
Who in solitude,
who in this mirror,
Who by,
his lady's command,
who by his own hand,
Who in mortal chains,
who in power,
And who shall I,
say is calling?




^From the liturgy of Rosh Hasanah, the Jewish New Year and Yom Kippur, the  Day of Atonement, there is this truly stunning prayer (https://en.m.wikipedia.org/wiki/Unetanneh_Tokef) in the Jewish liturgy. The Book of Life contents the fate of every sinner. From the first day of the new year, until ten days later, on Yom Kippur, depending on whether the sinner repents or not, his fate is sealed.
Yom Kippur this year was celebrated on Oct. 12th 2016.

Leonard Cohen passed away on November 7, 2016.

^^"A Kohens ancestors were priests in the Temple of Jerusalem. A single such priest was known as a Kohen, and the hereditary caste descending from these priests is collectively known as the Kohanim.[2] As multiple languages were acquired through the Jewish diaspora, the surname acquired many variations." Today, with no temple, the limited role of the Kohanim is to bless the Jewish people on the high holy days with a  special prayer with abeloved tune,  instantly evocative (see wikipedia.org/wiki/Priestly_Blessing) The Kohanim are still revered, honored, and always called up first to the Sabbath reading of the weekly portion of the Old Testament

A thank you to Bex for proofing and encouragement.
Part I of a trilogy
For a  more detailed analysis of the roots of the song, "Who By Fire," and its origins, see:
_____________________________________________
http://www.leonardcohen-prologues.com/who_by_fire.htm

He worked on the song Hallelujah, arguably his most famous composition, for ten years.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Even as the sun with purple-coloured face
Had ta’en his last leave of the weeping morn,
Rose-cheeked Adonis hied him to the chase;
Hunting he loved, but love he laughed to scorn.
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor ‘gins to woo him.

“Thrice fairer than myself,” thus she began
“The fields chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee with herself at strife
Saith that the world hath ending with thy life.

“Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know.
Here come and sit where never serpent hisses,
And being set, I’ll smother thee with kisses.

“And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety:
Ten kisses short as one, one long as twenty.
A summer’s day will seem an hour but short,
Being wasted in such time-beguiling sport.”

With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth’s sovereign salve to do a goddess good.
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.

Over one arm the ***** courser’s rein,
Under her other was the tender boy,
Who blushed and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens—O, how quick is love!
The steed is stalled up, and even now
To tie the rider she begins to prove.
Backward she pushed him, as she would be ******,
And governed him in strength, though not in lust.

So soon was she along as he was down,
Each leaning on their elbows and their hips;
Now doth she stroke his cheek, now doth he frown
And ‘gins to chide, but soon she stops his lips,
And, kissing, speaks with lustful language broken:
“If thou wilt chide, thy lips shall never open”.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks.
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone,
Shaking her wings, devouring all in haste,
Till either gorge be stuffed or prey be gone;
Even so she kissed his brow, his cheek, his chin,
And where she ends she doth anew begin.

Forced to content, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam as on a prey,
And calls it heavenly moisture, air of grace,
Wishing her cheeks were gardens full of flowers,
So they were dewed with such distilling showers.

Look how a bird lies tangled in a net,
So fastened in her arms Adonis lies;
Pure shame and awed resistance made him fret,
Which bred more beauty in his angry eyes.
Rain added to a river that is rank
Perforce will force it overflow the bank.

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
‘Twixt crimson shame and anger ashy-pale.
Being red, she loves him best; and being white,
Her best is bettered with a more delight.

Look how he can, she cannot choose but love;
And by her fair immortal hand she swears
From his soft ***** never to remove
Till he take truce with her contending tears,
Which long have rained, making her cheeks all wet;
And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave
Who, being looked on, ducks as quickly in;
So offers he to give what she did crave;
But when her lips were ready for his pay,
He winks, and turns his lips another way.

Never did passenger in summer’s heat
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn.
“O pity,” ‘gan she cry “flint-hearted boy,
’Tis but a kiss I beg; why art thou coy?

“I have been wooed as I entreat thee now
Even by the stern and direful god of war,
Whose sinewy neck in battle ne’er did bow,
Who conquers where he comes in every jar;
Yet hath he been my captive and my slave,
And begged for that which thou unasked shalt have.

“Over my altars hath he hung his lance,
His battered shield, his uncontrolled crest,
And for my sake hath learned to sport and dance,
To toy, to wanton, dally, smile, and jest,
Scorning his churlish drum and ensign red,
Making my arms his field, his tent my bed.

“Thus he that overruled I overswayed,
Leading him prisoner in a red-rose chain;
Strong-tempered steel his stronger strength obeyed,
Yet was he servile to my coy disdain.
O be not proud, nor brag not of thy might,
For mast’ring her that foiled the god of fight.

“Touch but my lips with those fair lips of thine,
—Though mine be not so fair, yet are they red—
The kiss shall be thine own as well as mine.
What seest thou in the ground? Hold up thy head;
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?

“Art thou ashamed to kiss? Then wink again,
And I will wink; so shall the day seem night.
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight:
These blue-veined violets whereon we lean
Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip
Shows thee unripe; yet mayst thou well be tasted.
Make use of time, let not advantage slip:
Beauty within itself should not be wasted.
Fair flowers that are not gathered in their prime
Rot and consume themselves in little time.

“Were I hard-favoured, foul, or wrinkled-old,
Ill-nurtured, crooked, churlish, harsh in voice,
O’erworn, despised, rheumatic, and cold,
Thick-sighted, barren, lean, and lacking juice,
Then mightst thou pause, for then I were not for thee;
But having no defects, why dost abhor me?

“Thou canst not see one wrinkle in my brow,
Mine eyes are grey and bright and quick in turning,
My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
My smooth moist hand, were it with thy hand felt,
Would in thy palm dissolve or seem to melt.

“Bid me discourse, I will enchant thine ear,
Or like a fairy trip upon the green,
Or like a nymph, with long dishevelled hair,
Dance on the sands, and yet no footing seen.
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

“Witness this primrose bank whereon I lie:
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky
From morn till night, even where I list to sport me.
Is love so light, sweet boy, and may it be
That thou should think it heavy unto thee?

“Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

“Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use,
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth’s abuse.
Seeds spring from seeds, and beauty breedeth beauty;
Thou wast begot: to get it is thy duty.

“Upon the earth’s increase why shouldst thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live when thou thyself art dead;
And so in spite of death thou dost survive,
In that thy likeness still is left alive.”

By this, the lovesick queen began to sweat,
For where they lay the shadow had forsook them,
And Titan, tired in the midday heat,
With burning eye did hotly overlook them,
Wishing Adonis had his team to guide,
So he were like him, and by Venus’ side.

And now Adonis, with a lazy sprite,
And with a heavy, dark, disliking eye,
His louring brows o’erwhelming his fair sight,
Like misty vapours when they blot the sky,
Souring his cheeks, cries “Fie, no more of love!
The sun doth burn my face; I must remove.”

“Ay me,” quoth Venus “young, and so unkind!
What bare excuses mak’st thou to be gone!
I’ll sigh celestial breath, whose gentle wind
Shall cool the heat of this descending sun.
I’ll make a shadow for thee of my hairs;
If they burn too, I’ll quench them with my tears.

“The sun that shines from heaven shines but warm,
And lo, I lie between that sun and thee;
The heat I have from thence doth little harm:
Thine eye darts forth the fire that burneth me;
And were I not immortal, life were done
Between this heavenly and earthly sun.

“Art thou obdurate, flinty, hard as steel?
Nay, more than flint, for stone at rain relenteth.
Art thou a woman’s son, and canst not feel
What ’tis to love, how want of love tormenteth?
O, had thy mother borne so hard a mind
She had not brought forth thee, but died unkind.

“What am I that thou shouldst contemn me this?
Or what great danger dwells upon my suit?
What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute.
Give me one kiss, I’ll give it thee again,
And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image dull and dead,
Statue contenting but the eye alone,
Thing like a man, but of no woman bred!
Thou art no man, though of a man’s complexion,
For men will kiss even by their own direction.”

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and fiery eyes blaze forth her wrong:
Being judge in love, she cannot right her cause;
And now she weeps, and now she fain would speak,
And now her sobs do her intendments break.

Sometime she shakes her head, and then his hand;
Now gazeth she on him, now on the ground;
Sometime her arms infold him like a band;
She would, he will not in her arms be bound;
And when from thence he struggles to be gone,
She locks her lily fingers one in one.

“Fondling,” she saith “since I have hemmed thee here
Within the circuit of this ivory pale,
I’ll be a park, and thou shalt be my deer:
Feed where thou wilt, on mountain or in dale;
Graze on my lips, and if those hills be dry,
Stray lower, where the pleasant fountains lie.

“Within this limit is relief enough,
Sweet bottom-grass and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain:
Then be my deer, since I am such a park;
No dog shall rouse thee, though a thousand bark.”

At this Adonis smiles as in disdain,
That in each cheek appears a pretty dimple.
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple,
Foreknowing well, if there he came to lie,
Why, there Love lived, and there he could not die.

These lovely caves, these round enchanting pits,
Opened their mouths to swallow Venus’ liking.
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking?
Poor queen of love, in thine own law forlorn,
To love a cheek that smiles at thee in scorn!

Now which way shall she turn? What shall she say?
Her words are done, her woes the more increasing.
The time is spent, her object will away,
And from her twining arms doth urge releasing.
“Pity!” she cries “Some favour, some remorse!”
Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by
A breeding jennet, *****, young, and proud,
Adonis’ trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud.
The strong-necked steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,
Controlling what he was controlled with.

His ears up-pricked; his braided hanging mane
Upon his compassed crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.

Sometime he trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say ‘Lo, thus my strength is tried,
And this I do to captivate the eye
Of the fair ******* that is standing by.’

What recketh he his rider’s angry stir,
His flattering ‘Holla’ or his ‘Stand, I say’?
What cares he now for curb or pricking spur,
For rich caparisons or trappings gay?
He sees his love, and nothing else he sees,
For nothing else with his proud sight agrees.

Look when a painter would surpass the life
In limning out a well-proportioned steed,
His art with nature’s workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one
In shape, in courage, colour, pace, and bone.

Round-hoofed, short-jointed, fetlocks **** and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide;
Look what a horse should have he did not lack,
Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a base he now prepares,
And whe’er he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feathered wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love, and scorns the heat he feels,
Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume,
Cool shadow to his melting buttock lent;
He stamps, and bites the poor flies in his fume.
His love, perceiving how he was enraged,
Grew kinder, and his fury was assuaged.

His testy master goeth about to take him,
When, lo, the unbacked *******, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Outstripping crows that strive to overfly them.

All swoll’n with chafing, down Adonis sits,
Banning his boist’rous and unruly beast;
And now the happy season once more fits
That lovesick Love by pleading may be blest;
For lovers say the heart hath treble wrong
When it is barred the aidance of the tongue.

An oven that is stopped, or river stayed,
Burneth more hotly, swelleth with more rage;
So of concealed sorrow may be said.
Free vent of words love’s fire doth assuage;
But when the heart’s attorney once is mute,
The client breaks, as desperate in his suit.

He sees her coming, and begins to glow,
Even as a dying coal revives with wind,
And with his bonnet hides his angry brow,
Looks on the dull earth with disturbed mind,
Taking no notice that she is so nigh,
For all askance he holds her in his eye.

O what a sight it was wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue,
How white and red each other did destroy!
But now her cheek was pale, and by-and-by
It flashed forth fire, as lightning from the sky.

Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels.
His tend’rer cheek receives her soft hand’s print
As apt as new-fall’n snow takes any dint.

O what a war of looks was then between them,
Her eyes petitioners to his eyes suing!
His eyes saw her eyes as they had not seen them;
Her eyes wooed still, his eyes disdained the wooing;
And all this dumb-play had his acts made plain
With tears which chorus-like her eyes did rain.

Full gently now she takes him by the hand,
A lily prisoned in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe.
This beauteous combat, wilful and unwilling,
Showed like two silver doves that sit a-billing.

Once more the engine of her thoughts began:
“O fairest mover on this mortal round,
Would t
You spoke adamantly of gentle courage
     and sharing spring's flourished nectar,
the swooning rhythm of swaying trees
   and the easeful breezes that flow
     'tween endearment's sensibilities,
misty moonbows 'neath dusk's stormy skies
     lavender sunsets midst rosy horizons,
affectation surging amid life's turmoils
     wallowing in self indulgence &
the harmony of olive branch surrender
    and thrumming heart strings of patience,
it was then I comprehended, darkness doesn't
   last a lifetime when lit by love's fortitude
Ken Pepiton Dec 2018
Clarifying failed. Spelchek is not on strike.

{clear ification, an ionic bond be tween me and thee,
alienated mind, not mined, crafted
from tactics and strategies
beyond chess.
Player One,
1980's era
jewish-geek-mid-pubesence-kid-level,
proceed with caution.
This trope has trapped many a curious child.
---
Now, enter the old ones,
Grandfather taught uncle chess so well
he went to the state tournament in Kayenta,
and a grandma was
state-champ-bare-bow-in-the-rain-shooter,

these, now must learn

minecraft on x-box to be considered
for the real life role of

good at games grand parents
from the time right after atom bombs kicked up dust
places dust had not been in a very long time and
as the dust began to settle

some dust mights was cationic.
Negative bits, they became embedded in the code.
Bumps, fering, coming together
just a knot in a string,
attracting anionic curiosity might

round and round phorward ferring to be
a thread to tie my heart to yours

like twisted Pima cotton thread,
that I pulled from an old sweatshirt
to tie a crow feather in this paho of words filled with old jokes

Making this clear would belie the entire story AI and I know true}

truth is. we agree. no capsokehspaceasneededcommasetal.
caps okeh space as needed commas et al
go.
Did that work? That line

subject of this act fact done, agree to follow,
and I may lead and be

not you, me, dear reader, I mean first true

there is no any if nothing is. So simple some say its sublime beyond the spectrum of ones
and zeros thought on off probably

either or any time time can be accounted for

wouldn't you take a

thought,  nothing,
as it is commonly said to be understandable,

the state of not being, imagine that

the state of not being we negate in being,
unless you are mad and are lost in a whirlwind
such as such voices have been said to

have twisted into threads as
wicks for our lamps
turn floating on
golden oil twisting
wickered into wickering wee shadow fibers
on the western wall for legends to sprout from.

Wickering mare over there, expands us both by my hearing her
you had no idea she was near enough to hear
time is no barrier in actual ever.
What phor can contain me,
whispered my whimsy

Imagine she spoke,
what would she say for what reason
would she say

good good good, I feel good, ha,
I am right, by accident. ever body can feel this good.

good is good.
good is.
Sam Harris, agrees, good as far as good goes, is good
in every vecter from now

the terrain does exist, beyond the moral landscape, to

true true
trust me, I been there.
Been there done that was inserted into the vernacular on my watch,
first summer post war.

matter must not matter as much to me as it does to thee, nestypass? no se?

All jewish boys have chess move metaphors.
(a phor is for containing,
bearing
meta,
everybody knows, like metaphysics,
after physics in the stack of stackable metadata)

OHMYGOD THE IDW circa 2018 -- who knew I ate this **** up?

[the old code calls for excretion of digested material
from which meaning has been extracted in the idleword accounting processor:
literal
<pre>what if utterance=****, then **** haps, no else then</pre>]

Did that happen? One of my friends told me that happened in Florida, the whole world turned to ****... for lack of a nail a kingdom was lost, they say, little foxes spoil the grapes,
hung chad ex
cuses...

Pre-expandable ROM, not magic. tech,

pre-infinite imagination? impossible.
and nothing is what is impossible with good as god.

Is there no perfect game?
is the game the session or the life of the user
offline

rerererererererererereroxotoxin, poison pen
ideal viral umph exspelliered
up against the wall

reset. We

kunoon albania omerta oy vey, who could say?
one way better, one way not? quark.
up or down, with variable spins, who can say?

Life's right,
yes. but mo'ons of other something must have been for higgs to ever matter

and it does, I got commas, from 2018.

Are you with me? This is that book I told you I had access…

You or some mind other than mine owned mind, where
my owned peace rests in truth,

otherwise, I know every any or else in the code since I can recall,
in time

if this were a test I swore to take to prove to you
the we can be me in your head

phillipkdicktated clue

if you don't know me by now, maybe we should stop.

Temptations are times. Time things. Time spans, yeah, like bridges

or portals, right
The Internet in One Day, Fred Pryor Resources,
Wu'wuchim 1995.

Ever, not everish or everistic or every, but ever
body knows,
but you.

Catch up. We left all our doors blown off, once we learned that we could blow our own doors off,

there are no open sesames or slips of leth or sibylets

shiba yah you knew all along there was a
song she sang all one and we watched it morph
before our very eyes

alone.

The magic stories words may contain, may bear, we must agree

more than we may know, by faith, metagnostic as we see

the sublime gift of the magi
become clear und

be und sein sind both trueture same tu you, we agree.
But. Lock here, no pre 2018 editing codes

validate past last go.
Do one good thing today. That was my goal. Today https://anchor.fm/ken-pepiton Part 3 Soyal Hopi Mystery Enactment (called mystery plays). And the intro to Moral Landscape by Sam Harris, led me let ******* write a poem.
Arlene Corwin Feb 2017
The Pleasant Difference ‘Tween The Spiritual & Religious

How to say this briefly:
Firstly, find words for the inexpressible.
They do exist.
Here is the gist:
Each has components -
Churches, sects and cults, their creeds:
The claim of being chosen.
Pure spirit's -ality doesn’t seem to need
A system woven
Into scripture which professes knowing
What is best for all,
Where if you’re good you rise
And if you’re bad you fall.

The spiritual as an approach to life,
Seems to place the emphases
On unity within the mixture of beliefs;
On peace and joy, and getting these;
Transcendent over time and space
And, most of all,
A sense that you are face to face
With truth about reality,
Its indescribability.
Yet not impossible to give a voice to;
Love that comes, fear that goes!
******, no.   A loving kindness big & small,
Universal, – if you will,
That permeates, recalibrates,
Connecting to an All that’s spirit: All in all.
Practices to help along:
Meditation, psilocybin, prayer and song:
The mystical both caused or opened.
That said, non- theistic preference
Needs to be demystified, a road for genius, dunce.
Not piety, religion, magic, paganism, or god-based,
Not theological nor physical,
But meta-, deeply meaningful,  
Yes mystical!
The core of all.

The Pleasant Difference ‘Tween The Spiritual & Religious 2.9.2017
To The Child Mystic II; The Processes: Creative, Thinking, Meditative II; Nature Of & In Reality;
Arlene Corwin
Lazhar Bouazzi Jul 2018
The first thing I saw early this morning
When I pulled back the light green curtains
Was a hectic blue 'n orange butterfly
Wavering in the fair sun of my garden -
'tween the enclosed well and the laurel tree.

On a sidewalk, red and radiant,
Strutted two maidens together,
A turquoise skirt wore the one,
A chocolate T-shirt the other.

Jubilant they were together,
As the cadence of their laughter
Waved in the air like Tunisian silk.

No harvest did my screen display today,
No mountain range did loom far in the distance;
All that was shown were a laughing sidewalk,
And a quivering sun in a small garden.

(c) LazharBouazzi
As I told you already that I was Graeme Thorne in the 1950s and apart from the fact I was him for just 8 years, I had a best friend named bobby Francis who was a very ***** fellow, well back then so was I
Bobby had a teenage crush on dody Stephens who sang pink shoe laces which was bobby's fave song and I, as Graeme Thorne thought yeah she is cute and bobby bought her album over to my house and you could hear his voice twanging with the words pink shoelaces and then in 1959 bobby bought pink shoelaces which caused a bit of shock for teachers at old scots college and Greame Thorne who was me said it looks weird that my mate is wearing pink shoe laces
But bobby couldn't give a flying **** about what people were saying about him
Just listen or try and get the memory of him singing
Tan shoes and pink shoelaces
A polka dot vest hey man oh man tan shoes with pink shoelaces and a big panamol
With a purple hat band and my friend bobby sang that with the same twang as dodi Stephens
Which could be the reason why
Bobby is having a tween crush on an older 13 year old singer
I as Graeme Thorne also had a crush on dodi and both me and bobby were dodi's dory but bobby's mum got really cranky with bobby for his voice because it could be a **** voice but bobby used bad language to tell his mum to get ****** and every time we went to the local shops in Bondi beach we bought our ice creams and sat on the beach singing the dodi Stephens hit
And then two gorgeous 12 year old girls sat near us and I said
How about a bit of sugar and bobby said for you maybe but I want dodi's pink shoelaces
And I told bobby to live in the realistic years and bobby said you can talk to these girls but I like dodi ok and bobby was ******* over dodi Stephens **** body while I as Graeme Thorne went over to the 12 year old girls and started to massage their backs and thighs saying to bobby these girls are a nice *** of sugar
For my spoon and as the girls left they kissed me as greame Thorne on the lips and left thinking my friend was a bit of a **** and when we got back to bobby's house bobby played pink shoe laces very loud as well as ******* thinking dodi is a 50s fox and I toild him that those girls on the beach were **** too and bobby said yeah I agree but I plan to finish school and marry dodi and then said he was Dooley and dodi is trying to keep me safe well in 1960 I was kidnapped and killed and bobby well I will never ever know if he got it together with dodi, probably not but in my current life at the age of 22 I heard bobby's twang singing pink shoe laces as I heard it on the radio and now I listen to pink shoe laces on YouTube
She is hot
Nat Lipstadt Apr 2016
~
words given life's first breath by this comment from
SE Reimer  
"thy tiller has found a storied port"

~~

captain of a city street ferry,
upon the choppy holy waters of
scarlet fevered spotted gum stained
christened concrete streets

daylight guided by the starlight
of quartz sparklers sidewalk embedded,
resurrecting, overwhelming,
the grayness of men's mortared materialism,
these textured bright city lights,
from murk morn steam-pipe risen,
signposts of a city boys life,
navigation tools on his
steerage cruises

'tis only my poor torso
I captain,
my bus driving days retired,
single masted, obedient to the sun's paths plotted
on a personalized AAA TripTik,^
my cargo, my tiring physique,
the refined mettle product of a
sixty five year too short voyage of
deep diving mining defining,
and for surety, water divining

city walking life driving,
debtor-in-possession of a
city infection
of perpetual motion sickness

enabled inability
for standing stilled,
lane weaving,
people receiving and perceiving
as buoyed obstacle objects
to be passed by
in a higher lane
of shaken and stirred
city waterways

muscle's squeak in sonnet speak

Why speed thy errant boots
upon lanes of wandering men,
is there not time enough,
words suffice,
in history's future present
unlived long life,
to recompense
all your recorded stanzas,
mariner's tales and wrote recitations of seafaring voices?

sea nat run.
sea nat go.

dodging tween his fellow citified citizens
and the puzzled and puzzling drowning tourists,
sea nat write his unsecreted visions,
sailing from street to shining street poetry

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee I am composed

when my decomposing time scheduled arrival
lately comes on time,
bury me in its cemetery of memories,
within the soft earth of a watery grave
that the jackhammers drill bit paddles can uncover,
in rough canvas toss my worn smooth
failed frame overboard,
so I may become but one more
fable
in your fabulous liquefying
cement oceans

~~~

3:53 am
5/18/16
nyc

^
http://pearlsoftravelwisdom.boardingarea.com/2014/01/remember-triptix/
with apologies to all the great poets from  I liberally borrowed
B Nov 2014
Star so high, star so bright
Guide me by your light
Star so proud, of the night
Show me what is right
Star so gold, star so white
Direct now my inner sight
Star so sweet, of my plight
'Tween dusk and dawn, eternal fight
Star so wise, star of might
Help me know what to write
Star so aged, in your height
Reduce the sting of life's harsh bite
Star so far, be my kite
'Til sleep again doth unite
pitch black god8 Apr 2018
5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face


there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all
and now you understand how came this poem to be writ
in the pitch black
Carmen Reed Jul 2014
The evening breeze sings the forgotten songs
Of ghosts of nymphs 'tween silver birches there.
And beams of moonlight fall on grassy lawns:
A pearly cloak e'erywhere the eye sees fair.

So many gentle dawns took care to kiss
Along the flowered, verdant forest floor.
In this blessed land so filled with matchless bliss,
Upon golden and rose-pink blossoms which it wore.

Every visitor that stumbles here
Stops to see the flowers near,
And stoops to pick some strawberries
In the meadows, for their families.
Nat Lipstadt Aug 2023
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”  

Walt Whitman

<>

having recently been on standby for a permanent-entry residency visa
to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent
periodic pains confirming the breaking and the healing
of this man’s mending of the human centric poetic *****

for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom,
begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and
last second-chances….

torn tween minute torso sensations and the running silence of
a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again,
from whence will come my richest fluency? (1)

at 300am, I lay carefully caressing and chewing well each transitory
thought, absent the former energetic ability to just spill,
though highly desired,
now requires, like me,
steady re-piecing together

the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections
demands a slowing rapidity

this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes,
make necessarily concluding this poem about nothing and everything
and I comprehend Walt’s dictum:

my very flesh is a poem,
every sensation a lyric,
every breath taken and returned to the atmosphere
so unconsciously
are my oldest
and newest
3:00 AM poetry companions
(1) I lift up my eyes to the mountains— where does my help come from?
Psalms 121:1-4
SE Reimer Aug 2015
~

where clear blue sky meets water's deep
his sunbeams reach her waves to tease,
to warm her currents, foaming spray;
dawn to dusk when daylight fades,
till only afterglow remains,
an interlude of celestial stage.

he speaks to her on written sky
and in the mournful sea-bird's cry,
wraps sultry ribbons in her tresses,
his fingers linger in caresses,
and in soothing choreography
he gently stirs her ocean's breeze.

he sends her gifts of palm and dates,
wrapped on waves in salty sprays;
watches her with much delight,
he sings to her each eventide,
love songs with the calling gull,
and rocks her tween the gusts and lulls.

wedded at horizon’s edge,
devotion to her he has pledged,
to have forever and to hold,
his comfort to her storm-tossed soul;
his tender kiss on tear-stained cheek,
where clear blue sky meets water's deep.

~

post script.

when one gazes
into the vastness
of sea and sky,
of what is from
height to depth
an endless blue,
one cannot but think
of eternal devotion,
of the relationship
between two who have
pledged their forever troth!


as i wonder from what recesses
this one came, i remember…
our 36th wedding anniversary
is fast approaching...
i’ve been thinking of what to gift her
that will make her cry anew.


**thank you to Hello Poetry for
the tremendous honor bestowed
with their designation of this poem as the daily
and to all who have expressed their heartfelt
love and appreciation... your message
came through loud and clear...
there can be no denying it,
i am an incredibly blessed man
because of each of you!  
thank you, truly,
from the bottom of my heart!
Trapped 'tween
  adjectives' objections
succumbed to
  long-windedness,
snared 'neath an
  expanse of circumlocution,
paraphrasing periphrases
   buried under layers
       of technicalities,
all in a day's multiformity
   working midst the madness
           of poetry's sublimity
SomeOneElse May 2021
I wish my face were in between
Your soft delicious thighs.
With your legs locked in ecstacy,
your feet rubbing my back.
Your lips pressed tightly to my lips
Treating me to your snack.
I would lick and tease your ****,
I'd kiss and rim your ***.
I'd make you *** a dozen times
and enjoy every drop
there's not an inch I wouldn't kiss,
No spot I wouldn't lick.
I wouldn't stop until you're done
and begging for my ***.
How I wish my face were tween
your soft delicious thighs.
New ****** poem
abecedarian May 2015
Masters of the Universe,
three and some,
nearly four
months tween
me and you
that words
interchanged,
prayers,
asking for the answering job
which was handily God-to-Man
transferred, transfused
tween you and
me
a/k/a
Job...appropriately

you may recall
I was the bloke
who immodestly spoke,
asking any and all
circulating deities,
to tender
their resignations
post-haste,
immediately
for failure to do
the appointed rounds
well enough to this
human's satisfaction

now don't go high hopes expecting
a large confession
about how hard,
ya see it really is
tending the flock be...

nope
I ain't here to beg of you,
take this onerous
from my shoulders!

no, no, capitulation,
my track record
maybe not much better
than what went before,
but you know what I'm about to say,
cause you are perfect

well I still don't like
what satisfies your perfection definition
for my fellow humans,
so I'm keeping this job/Job,
for another few months,
cause I am.
Human
enough to know
that humans keep on trying
and you just gave up
and said let them do what they want
between human to human,
as long as they pay us obeisance

I put sins of
man to fellow man
as my número uno priority
and if the number of prayers diverted
back to you,
in your inbox receiving,
are just the
dues paying kind,
keep'em,
I got more important things to do...
http://hellopoetry.com/poem/1020933/masters-of-the-universetender-me-thy-resignation/

Masters of the Universe,
tender me thy resignation,
if but for
a day,
a millennia,
no matter how measured,
any being,
you, purported supreme
or otherwise,
are tired in ways
hard to comprehend

*tender me
thy responsibilities and dilemmas,
have studied your resignations,
solutions that provide no resolution...

I can do better.

Why?

not obligated by parenthood,
rules of randomness superimposed,
all I got is human kindness
the eyesight that
colors life,
tolerates no injustice,
milky white light,
no longer recognize

"there for the grace of God
go you and I"

have no name,
but if you need one for me,
call me*
**human**
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Arlene Corwin Apr 2017
The Pleasant Difference ‘Tween The Spiritual & Scriptural

How to say this briefly:
How to find words for the inexpressible.
They exist.
Here is the gist:
Components - churches, sects, cults,creeds:
The claim of being chosen.
Inner spirit doesn’t need a system woven
Into scripture claiming knowing
What is best for all.
One wherein if you’re good you rise
And if you’re bad you fall.

The faith-based places emphases
On unity of life within the mixture of belief;
Consensus, peace and joy, and getting these;
Transcendent over time and space,
The sense that you are face to face
With truth above reality,
Its indescribability.

Not impossible to voice
With Love that comes, fear that goes!
******, no, more loving kindness big & small,
Universal, if you will.
Permeating, calibrating,
Affixing to an All that’s spirit: all in all.

Practices to help along:
Meditation, psilocybin, prayer and song.
The non- theistic preference
Needs to be demystified,
With road for genius or dunce.
Not piety, religion, magic, paganism, or god-based;
Theological or physical,
But meta-, deeply meaningful,  
Yes mystical:
The core of all.

The Pleasant Difference ‘Tween The Spiritual & Scriptural 4.4.2017
To The Child Mystic II; The Processes: Creative, Thinking, Meditative II; Nature Of & In Reality;
Arlene Corwin
Read this.
ConnectHook Oct 2015
Oh Language, where hast thou hid thyself?
Thy once-bright spires decline to dust.
The calm, well-reasoned flow of wisdom
a bygone memory. I’ll not trust
these tween-to-twenty-something’s prattle;
endless babble of self-absorption
centered in pleasure-maximizing:
narcissistic thought-abortion.
Dude—they’re SO not app’ed for language
used by dad ten years ago.
I’m totally DONE with their, like, verbiage
They’re all: Smartphone Teenage Show.
It’s just, like, TALKING—without words
in language ghettos; texting proud . . .
Their lack of precision offends my brain—
They ought to be ashamed (out loud).

Vygotsky’s vaunted Z.P.D,
and Bakhtin’s heteroglossic crack
along with Roland Barthe’s pet parrot
Are SO like totally talking smack.
https://connecthook.wordpress.com/2014/03/15/hung-on-a-psychosociolinguistic-scaffold/

ZPD ZPD ZPD ZPD ZPD
SE Reimer Apr 2015
~

her tears flow easily
on the shoreline,
with each swell
their bitter rise;
she weeps between
the crashing waves,
carried...
with the ripping tide,
sobbing...
with each heaving crest.
’tis on these rocks
her heart was torn,
her thirsty soul
here cries unquenched,
clinging to
this coast forlorn...
this churning,
salty brine,
where nothing
stills the beating,
not the bleeding
of her heart,
though her blood
has all run dry;
nor the cracked rib
’neath her breast,
though its piercing shards
erase her cries.

i lie here weeping
’tween these lines,
her nightly tears
and sleepless sighs,
white-capped sheets
her stormy bed,
churning shoulders,
tossing head;
for hope seems lost
when hope is best
an ocean’s grave,
a watery rest.
life's minutes counted
’til they’re gone
will only cease
their restless throes
when heaven’s gates
o'ercome her foes.

~

post script.

*her smile... ’tis a thin veil o'er a razor's edge
that conceals a mother’s bleeding heart

the month of his birth
and the month of his departure...
despite the twenty-five years between,
follow in such close succession.  
like a Holy Week all her own,
each step, each word, each task,
each i-remember-where-i-was-
when-i-heard-the-news,
relived in painful remembrance.
Lent... Holy Week... the Easter season...
with all its rich and meaningful traditions,
now includes our breaking bread and
drinking wine in our heartfelt
communion of his memory and
helps us to better understand
the heart of our loving Father above
Arik Fletcher Oct 2012
The games we play ‘tween me and you,
defined by all we have been through,
our wants pervert each oath we make,
our needs defend each rule we break.

The nights we spend ‘tween me and you,
desired by all we thought we knew,
our bodies locked in dark embrace,
our hearts abandoned in disgrace.

The words we say ‘tween me and you,
defiled by all we feel and do,
our souls corrupted by each lie,
our dreams disrupted as we cry.

The life we share ‘tween me and you,
defaced by all we hang on to,
our bond nought but a fantasy,
our love nothing but fallacy.
Nat Lipstadt Apr 2014
for Ali, Ali, Ali, a daughter by any other name
                                                        (April 2014)
Dear Nat,

your letter caught me up,
at the Village Vanguard bar,
so addressed and there saved,
knowing, believing it's a sign,
time to meet fleshed again,
my sometimes sub-let
neighborhood friend

doing a gig there
this weekend
finishing up the tour
where it all began,
nothing gonna change my mind,
in the city that's where I'm staying.

the road is calling out my name,
but I ain't walking out the door anytime soon,
they want too much body and soul,
but don't worry once or even twice,
got some cash, it's all right

early afternoon, bar empty,
got a few rainy minutes,
got me paper n' pen
and a beer, from the
bar man who also gets
me whatever else I need (haha)

sorry I missed you in Cleveland,
you, back in New York when
I'm finally out your way,
ain't just like fate,
to make us ache so all alone

read your lyrics,
made making some suggestions,
like a baby's new clothes,
lots of bows, a few lines fell
down onto the floor
can't be found
like broken pearls on a dance floor

J. sends regards,
told her what you wrote about
A Long Black Veil, she laughed,
promises she will wear one
when next we all three meet

touring was good and hard,
traveling time is writing time,
but sitting here thinking
how many years have passed and gone
since we first met,
so many roads different taken
by many a first friend,
each one I've never seen against,
let's not that happen to us

rail riding done for awhile,
see ya back on Bleecker Street,
if we're still "cool"
we'll have that fire burning!
Ok, we'll swap some  lines, fine,
but I want, claiming dibs
on that ole easy chair

P.S. got the rent money covered till your return in the summer

Bobby
April 1968
~~~~~~~~~
Between 1968 and 1973,
split my time tween Cleveland and NYC,
before returning to ny full time in the summer of '71.

I lived at 352 Bleecker,
above the long gone
but now moved to Brooklyn,
Pink Teacup restaurant. The eyetalian bakery on the corner of Bleecker and Seventh Ave., long time gone...almost fifty freaking years ago...anyway...I think the stain glass window is still there, gonna have to check it out...shoot forgot about Google Earth!
The 352 Blues

this city treats the poor
with swift unkindness,
but if you peel your eyes,
you don't necessarily have to always
sing the ole 352 Bleecker Blues

the eyetalian storekeeper,
gives us morning java,
when we sing for him on the guitar,
The Star-Spangled Banner,
refills, if we add America the Beautiful

they say that heat rises,
but that don't seem true
in our third floor walk up
on rue 352 Bleecker Street,
the cold companion enters
thru the busted stain glass window

no matter, no cares,
we light the fireplace,
with wood and anything that'll burn,
we scavenged from the street,
pallets and newspapers,
yesterday's 352 truths

at two AM, the cops, in their cars
cooping, fast asleep, only just us,
the johns, the ****** and troubadours,
walking the streets looking for
free stuff to burn

pass the hat for tips
next to the arch,
enough for daily bread
but we get our ***** and ****
for free, just for singing the 352 blues

even when down and out
on the village streets,
bleak on Bleecker street,
you gotta sing the 352 blues,
especially when you're
riding high and living cool,
down on easy Bleecker Street
~~~~~~~
Before you ask me if this true,
save your breath,
the answer is
Which part?
“The love betweenness^ a mother and her son”
when it’s healthy strong and ancient,
like this, is for me, and it seems,
for you as well, almost a supernatural force in certain ways.
I know many other women who understand this.
It’s been probably the best surprise of my life.” Medusa

sometime, a poem commission needs a quiet time rumination,
a seventh inning time out to birth a perfect game,
a mental stretch mark,
did your know your commentation was a commandation,
write me up, punch my ticket and jump back into murky waters,
where a hu-man boy child only gifted me a tertiary imagination, comprehensive incomprehension

this look upon differing and different, parenting parts of me,
with the bright den mother’s sun gazing eyes of a new motherland,
promotion to an incessant guardianship,
an ordered mathematical centrality,^
a forever buck private’s uniform shoulder stripe pointing to mom

maternal rhymes with eternal

for children go off and go on about their lives,
occasionally glancing backwards,
but a mother’s eyes are an all encompassing, an all white canvass painting that the artist continue-ously slyly forward refreshes,
forever white repainted with each perpetual glancing thought added

this mother woke, sensing her make-male creation
is a gender separate separation,
a mystery needing learning, genes requiring a crisper adult education, a breast refilling is a sharing, eye to eye,  
****** to mouth, transferring a transformation,
between a new meaningful, an analogy of understanding that
swims in both directions, across a uniting natural division that unites,  better called an open boundary

daughters are different but the insanity~same,
a poem for another day

a supernatural surprise that occurs daily,
that you rightly appel it, as ancient  is correctly unsurprising
for the knowledge is in every cell recorded, time immemorial

apologies;
my insufficient words
can’t explain this
dotted line division,
only that, I too am a student driver mother,
my son, a teacher,  a natural scholar,
the understanding we shared is instantaneous and confusing,
as we go back and forth together,
travellers tween the dotted line spaces,
absorbing his milky ways,
informations that were not obviously ****** in me, or if they were,
awaited this suckling’s coronation and education, invitation


our differences are not a true division,
but a new manner of best embracing

which is why with good humor, our private joking, is that he
is my very own  nap-ster master,^^ we are an ordered centrality^
march 31 2019 9:37am
^Definition of betweenness
: the quality or state of being between two others in an ordered mathematical set

https://hellopoetry.com/poem/2714533/texas-my-very-own-nap-ster-
master/
Nat Lipstadt May 2020
Late afternoon, tween twilight but before the dusk
in time for afternoon prayers, ******* followed by
the evening service, The Name reached out unto me
to touch my face, wake me from a lifelong slowing slumber.

My man! My good man, I’ve been numbering those days,
you will have no disagreement that you’re quite the closer,
close by, the chapter finale of our story, your living, a well
thumbed novella, enjoyed by many, and a favorite o’mine.

Do not restless rustle, no busing bustle, the Set Table^ cleared,
tabulations done, the sums and dividend distributed, in sync,
your words well distributed, remainders to be dearly shared, saved,
showings of great love, valleys of feeling, these your humble attire.

Look how easy the (our) words come, the fluids of a man for which
we have been long patient be awaiting, the company all in readiness,
for confession and days of permanent new creation, fast beginnings,
think on it, to be called child once more, how glorious this unknown!

Dimensions recorded, measurements tailor-taken, silk tuxedo deep bleu, luxe, a hint of violet, here-presented, patent, the leather for blue suede winged dancing shoes no airport dare ask you remove, before they beg you, say, save grace, just once, pronounce The Name, the one of Seventy!

To walk, talk, rhyme and theorize, to forget and memorize, always refreshing, knowing nothing lasts, except things that last forever, or last never, poems and decisions needing completion, choices, reordering songs loved best, repleting all sorrowed pains, uplifting prayers, hallelujah hymns, last rites...

You, a world to us, a microcosm of a triathlon life, juggling the many, last of a lineage who could^^ pray, making rain, reading poetry to angels, giving comforting absolution for making storms, plagues, tidal waves, volcanoes, concentration camps, death marches, stillborn children, incurable sadness.

Quick when the curtain calls, listen close for the cue, toe the mark,
take position, hands upward joined, eyes down, ahead are fearless words,
a soliloquy lasting hundreds of years, balances aligned, only now you  needed, to make mercy allocations, putting paid next to all my periods, all in place, properly positioned, now comes an  evening song.

then to commence the writing of only love poetry forevermore.


5:00pm
Sabbath May 23
5780
woke from a half-nap, while listening to music heard a certain song, then wrote in a single sitting of thirty minutes

^^. https://en.wikipedia.org/wiki/Honi_HaMe%27agel
^ Shulchan Aruch
Nat Lipstadt Apr 2017
A message heart delivered by a musing troubadour
left footprints upon a well weathered rivers’ rocky shoal

the lazy days of the summer’s simmering
ethereal breezes lazily waft astir

Unknown distance ‘tween yonder skies azure;
thoughts of nebulous distances fearlessly ignored to be sure,
connectedness sown and deference’s soar from high above,
yet beyond vast breadth afar the great divide

His brimful heart in hand fulfills passersby thirst

needing love here, hearts on sleeves sincere,
wellspring sensibilities handed out willingly here
voids filled by word of quill …
right now is the known needed time

Glasses half empty suffused to their half full brims;
do unto others you will reap just what ye sow,
a poet beyond the bounds of his own demure,
bearing immense understanding

The quintessential essence of family love
drips from heart like heavens rain,
testifies the heart's purpose for being

A poet’s voice speaks in soul’s timeless tongues
unknown breaths from another understanding realm
too deep for words;
yet the word sayer struggles to see his forest ‘s poetic beauty
for to see beyond the pendant beauty
within its magnificent grandeur
of his own gifted heart’s nurtured trees.

~

The Twist

This poem was not written by me.
It was written almost four years ago,
lying fallow in some passing cloud.

Writ for me by someone effervescently more talented than I,
and one of the poets whose quality of work, and command of our shared language is something to which all of us should aspire.

I post it now as yet another homage to the true author.

For in reading it, never was a poem was far more clearly,
an unwitting self-portrait.

It was written on August 21st, 2013
by Harlon Rivers


by Nat Lipstadt
one of us, his tongue Moses-stung, with a hot coal of language's divinity
~
this would-be poet,
weighty troubled by misdirected words
of a musing troubadour,
for if ever a reflecting pool ought be
a two-way mirror reconfigured,
this poem is deservedly reversed
and of him homaged

by time, well weathered the poem above,
it's simple elegance tips and tilts the scales,
double blinding the justices supremely,
binding them for honesty for the subject,
is the auteur, one who sees too well
and yet l!
cannot perceive himself in his own words,
when now needs the judgement of their verdict
and your worthy recognition

now I ken better distance 'tween artist and art,
I, a workingman's daily dallying in simplistic machine craft,
my works deservedly lost in the waterfalling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue
and
the worldy worn asphalt grayed words of a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
not I,
one of us, his tongue, like Moses-stung
with a hot coal of language's divinity

blessings, the keenest of nature,
where they divide and how they intersect
his brimful heart in our eyes fulfills the passerby's thirst
for revelations, small shards of shared sensibilities

my voids filled by the words of his quill

"to see his forest ‘s poetic beauty
for to see beyond the pendant beauty
within its magnificent grandeur
of his own gifted heart’s nurtured trees"

This was written April 15, 2017
for Harlon Rivers
by Nat Lipstadt

behind the poems,  travels another world…
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Nat Lipstadt Aug 2018
disclaimer: unedited rambling and overly long and frankly, Scarlet, don't give a **** anymore...

Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage
Rambling, unedited, and yet fresh so off to the presses..and at 4:21am,
I frankly, Scarlet, don't give a **** anymore...
Nat Lipstadt Jun 2013
Th poems were walking down the street

A young teenage girl,
A Professional Loser, but life lessoned and in possession of
Eagled-claws and tongue razored sharpened
From gettin/givin acidic high school barbed kisses
(She maintained up to date put down lists),
Swooped them up, hers to imprison,
Framed them to be soully hers,
Purposed for skin restoration during the wee hours of the
Crying Nights

A middle aged man, tired from failure,
Trapped tween lost rock n' roll dreams and
Unsuccessful retirement planning,
Suffocated by the hands of twixt and tween,
Grabbed the three, like a rock climbing hand-hold to
Take him home when and where his family looks at him
Pathetically.

This grandfather espied the other two,
Looked liked old familiars, friends maybe,
But eyes/words, dimmed, disparu,
Memories unsorted, disordered, jumble-merged,
Perhaps the words to a song he once knew complete,
But did he write that phrase, or was he just a poet
Thief?

The three poems went about their business,
Bringing heaven to earth,

FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.


They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
Paid as in the past tense
Dedicated to the poet/poem,
Balachandran from Thiruvananthapuram,
Whose laurels decorate, cleanse me

* Billy Joel's "Piano Man"
Tom Waiting Jun 2020
what’s the difference tween ******* & writing poetry?




let us cut to the chase, cause I know how much-you
hate to be kept waiting, lest your addled, added,
impatient attention grow as big as the U.S. budget
deficit.

answer: not much

in fact, can’t come up with a single signal differentiation.

1. both require tissues when done
2. both give you short and sweet satisfaction, that is a renewable resource
3. serotonin levels up, up and away - yay!
4. long term impact for both is wrist pain
5. inevitably, makes you late for tedious life chores
6. doesn’t burn much calories, though you record it on your activity-tracker as “aerobic exercise”
7. one tends to exclaim “Oh ****” when completed.
8. both master bait you (pun. get it?) who’s the master, who’s the bait?
9. are you bored already? Go forth and do either activity, (I know you’re getting hot)
10. both leave you satisfied but the urge to purge returns very quickly
11. tendency to lock the bathroom door for both, when “composing”
12. filed on your computer as introspection and mindfulness (that cracks me up)
13. gonna stop right here so you take your ADD meds
14. you love them both in no particular order
15. you cannot get coronavirus from either (sincerely hope not!)
16. your denials deserve a retort: so ***** you too!
Still Crazy Jun 2015
~~~

Happy Father's Day, God in Heaven!
(A Continuing Dialogue)


~~~

wonder if I am the first,
even the last,
to wish a deity,
happiness based on a human construct

but feeling groovy with you,
meaning we ride sums of the same
curves and the lines, grooves,
connecting holes in the palms of
our hands

ya see,
got some familiarity
with
fatherhood...
and all that entails

the balance of imbalance,
it's tough I know,
load-bearing children,
leave ten ton scars,
but don't expect no
tea and sympathy from me

you and I,
we have our beefs,
and by the by,
master of the universe,
nothing has changed between us,
just saying, for the record,
ya know, for our inscribed
bible personal with our own bible argumentative stories privé

a human has no right to offspring,
but off they spring,
when the '**** dam’ springs a leak,
and them kids then spend
their lives.
saying yes and no
in light speedy abundance,
or worse!
ugh

...whatever...

if
they respondez
to whatever you suggest-see

rebels even when
they hug you
around the knees,
all knowing we papis (poppys)
fully, way in advance,
that in their supposed adulthood,
children will curse and bless you with
the equality principle
of self-righteousness and I know everything

Let us think upon it....

somewhere in the world,
it is a sabbath,
your citizen-creations
are beheading and burning
each other, Papa,
in your name,
so Happy Father's Day...

I mean,
really, that must be tough,
so it's perfectly clear
why you created free will,
all parents need a way to
walk away sometimes from
the children's choices

somewhere in the world,
it is a sabbath,
billions sending you a
litany of liturgy, a sweet songbook
in so many languages,
the simultaneous translation machina
must get overheated,
all those human claques submitting
liar loans applications

the backlog must be
eons in length

you see,  I am,
muy simpatico

of fatherhood,
what is my expertise?

a fair question
from one who provided
us the classic excuse,
"that's so not fair"

two sons have I,
a Cain and Abel,
so in this, expertise,
we've trod familiar ground

but this be about us pops,
not about how our embodied creatures,
bent and beautiful,
sending us formalities of video thanks,
should they remember or be bothered

maybe we should institute
greater frequency
of celebratory notifications,
making it easier for all of us
to forget,
lessen the guilt, the ache,
for it's more convenient, easier
to be overlooked,
with familiarity

nah,
I am not a complaint
in human guise,
not much, anyway,
and don't you fret,
I got you
a Father's Day present

as appealing as it is,
atheism in me won't take root,
cause I look forward to giving you
holy hell, next we meet
it's so richly deserved
so maybe I'll repost this in a year,
or maybe, I’l be close enough
to whisper this in your ears,either way, come hell or
high water,
Meus Pater,
you can bet your last bitcoin or
anything you might value,
I'll be bugging you,

(cause I'm
still crazy after all these years,
from standing upright,
on one left foot,
showing the world the poetry
of your world)

so tween us, I wish us
a Happy Father's Day
*best wishes
https://en.m.wikipedia.org/?title=Father's_Day
just one of our prior conversations:

A Personal God - Wailing and Complaining
for my friend, AJB, mother, artist

why
would anyone believe in invisible...
coordinator of billions of trillions
of interactions daily,
the microscopic
the telescopic

at what level
is there intercession
where is the
intervention,
rhymed reasoning of
impoverishing failing-me inadequate comprehension

so here I am
at 4:00 am
wailing and complaining
not so much at life's happenstance,
not even a foolish why me uttered,
talking to invisibility,
demanding culpability
at the very least
an apology

by that act
admitting the fact
that in conversation with parties
invited and drop-ins welcome,
in the silence sewn
in the residence permanent
of my mind's lobe of disquietude

logic forgone,
I am a believer,
no understanding
nor forgiving
at the illogic
of my tragedy
mine,
not so divine,
wailing and complaining

this my diatribe
knowing your silence
is a listening signature,
my complaining and wailing
my curse my blessing,
my transmitting frequency
of a multivariate equation
demanding a solution

too busy mastering the universe?
your data base
endless and unfathomable
file this under
audios of
YouTubes of
complaining and wailing,
hoping you cleanse yourself
with a good long listen
Nat Lipstadt Nov 2013
To Sleep, Perchance to Dream

Let me explain.
This poem is about sleeping, dreaming,
the failure of my inadequacies in poetry to heal.

Three years after its birth, it is exactly what I am feeling this day.
It is long rambling and you won't stay for the whole movie.


~~~~~~~~~~~~~~~~~~~
Erudition is perdition,
dreaming in words, accursed,
death to the visionaries,
release from visitations
of over-staying, unwelcome guests,
Johnny Cash, Jesus,
Forefather Jacob, Bobby Dylan
and their whiny,
smug-smiled missives
on behalf of the
all knowing, dream invader powers,
who
just-happens-to-be-know-it-alls.

These guys,
sub rosa angels,
electioneering,
hand shaking  
you into dreams
that make you wonder              
unceasingly  

I have renounced chants n'
dreams that
wander                              
meaninglessly

so if there is no
repeal of the stupification
of the human condition,
just invent words that  fool
willful and mostly please
nobody

don't ask and don't tell,
then we can agree
that a life,
its peculiar
Hallmark Card of grief,
cannot be
disambiguated

yours is yours,
different from mine,
single poems cannot solve
multivariate equations,  
un-blow mind sensations
that circumnavigate my mind    
as I edge along the
borderline tween the
United States of self-realization,
and a State of Mexico
drug-induced, seductive and
self-administered pat down,
a colorless, tasteless, dreamless
evening in the company of
a rest-once-and-for-all,
sleeping pill

Repudiate yourself,  
privately you
hyperventilate,
but others willing to borrow
those surfeit of rapid
misunderstood breathes,
stored in brown paper bags,
that will be divided
most ingeniously by the
Misappropriation Committee
for wordy oxygen tanks,
desperate for refilling

Recant, Renege,
Renounce, Repeal,
Repudiate, Retract,
I herby foreswear
all previous poems, please
Return them

Back, send them,
so, I can end them,
desist any new arrival of vaniloquence,
direct 'em to  the trash box of inconsequence

My wrongful w-rightings
are now cashiered,
my cool is in mourning,
my plateau is flat but
upsided downded,
words drownded,
both sides now, spring silent

Tried to swim to safety,
to Spanish Harlem
but no hablo espanol,

In Miami, they done me in
for the crime of
insufficiently thin,

In Ghiradelli Square
they deemed me too blond
not 'ciscan enough
yet, in Frisco fairness,  
done deported me,
making me to choose
tween Los Angeles and/or
Orange County

So, poet poseur, where you gonna run too?

My better half sleeps,
my left half weeps,
so conditions normal.

Satan laughs,
offers me ***** or poetry,
knowing full well that having
foresworn, addictive wordmongering, liscentiousness
that a single letter
would stupor me into a
drunken poetry slam at
St. Paul's Church,
into Satan's collection box
of wordy sinners,
where lost souls, ex-poets,
prevaricate
vainly, in hopes
that anyone will let them
transubstantiate
in order to avoid their
expiration date
on Stub Hub

surrendered the master key,
turned in my ID badge,
opened inner sanctum no more,
poetry boy is ratiocinated,
peril dispatched, swear that I've
excommunicated the voices
determined to disintermediate

the compromise I've reached,
help is contraindicated,
ex-officio is my new grace state

please, devices decontaminate,
otherwise, poems disintegrate,
excoriate them, don't wait,
to disassociate'em, insufficient,
remove them from hard drives,
yank'em one and all!

let the diet begin,
no more food for thought,
no more dreams
wrought and recorded,
permit the ambient calm
of the still of the night
that engulfs,
to harmonize with the flatline
dreamless sleep that the
mind monitor machine
etchingly, quietly records

let hours of research
be rewarded,
by my imbibing the product of
laboratory pharmacological
fine tuning

***** S.,
what outrageous ego
let me suppose that in
mine own words,
I could improve upon
your lovelies,
with now bland homilies,
recitations of my anomalies

What id sexed my brain,
was I completely insane,
to imagine that I could
improve upon:

"and by a sleep to say we end
The heart-ache and the
thousand natural shocks
That flesh is heir to,
'tis a consummation
Devoutly to be wish'd.
To die, to sleep;
To sleep: perchance to dream:
ay, there's the rub"

Finished: Nov 27, 2010 4:44 AM
the same mood haunts me, three years on...six months on this site today
MdAsadullah Nov 2014
This route through
market glossy, colored.
leads to mosque at
length, hazy, blurred.
I walk unknown paths
tightly holding Quran.
From worldly music
I strive to decipher Azan.
Surrounded by souls
as if they will never die.
I often visit graveyards
to hear someone cry.
On streets I pass by
women veiled, unveiled.
My soul is weak, teachings
of prophet is shield.
Idols charms me with
words hypnotizing, strong.
I love Sange-Aswad, I stand
'tween right and wrong.
gd Mar 2014
He held my hand today in the most delicate way,     
as if my fingers resembled flower petals and my     
palm reenacted butterfly wings. My hand felt          
fragile in his grip, which mimicked my feelings        
towards him because his heart did not belong           
in the spaces between my touch - his heart                 
belonged in something as light as air; something      
as delicate as cotton. And my heart was tattered      
with thorns, assured to shred his into pieces. All      
the more treacherous, he traced my fingers be           
tween my mittens, and it still felt like fabric -            
contrary to your inevitable static. And that is           
when I knew that even though he did everything    
right, he made it that much worse. As much as he    
tried, my frost-coated lips challenged the warmth    
in his voice, and it wasn't me he needed. It was I      
that needeth not deserve him.

gd

— The End —