I watched King Charles’ coronation this morning.
I’m not British and some things confused me.
For instance, they kept saying “The new king.”
New? The guy’s a boomer - at least - right?

Apparently, he is, at once, the oldest king
ever and the newest king yet.

Can we talk about the old lady with the crown?
The wrinkled one on the right of him, in white,
the crypt keeper, with genuine platinum hair.
At first, I thought that it was Charles’ mother.

But apparently, the old Queen died.
Has anyone looked into that?
Anyone who’s read Shakespeare knows
how brutal royals can be and successions,
over time, have earned a sketchy reputation.

Anyway, I wish him well. I wouldn’t want to live a life
where everyone around me moves up a notch
if something sudden and nasty happened to me.

the sun comes at night
the son is a holy fount
electric shakespeare

In death's dream kingdom
           These do not appear:


                     I

They're handing out maroon balloons
And saying they are free
But grasping children grip them fast
And the monks amidst them disagree
Dispassionately, but en masse
While they liberate the children
With obliterating oms.

A nearby Byron expiates
And mildly reiterates
His soporific broken ode
He bellows over holy oms
To the smitten women who approach
That "a rose is a rose is a rose is a rose"
Dispensing with disinterest
Crimson bliss amidst the women
Who ignore the sinful image he bestows.

He hands them out like red balloons
To grasping girls all afternoon
Imploring them to trust their nose
Insisting they are free
And so continues to propose
To the smitten women in the street
That "a rose is a rose is a rose is a rose"
As if the word could smell as sweet
As the perennials he grows.

And in the corner – Romeo
Who greenly mourning understands
The worth of poison in his hands
Imagining a life of night
Where roses wither without light
And only stars through windows break
Through all the countless nights of fate
and every breath's an endless wake...

Meanwhile Byron's distant yells
Prevail over the choral swell
And plant a seed in grasping ears:
Salvation can be engineered!
Which Romeo soon understands
As kissing death, he takes her hand
Thoughts germinating into schemes
If a rose is a rose is a rose is a rose
...then a dream is a dream is a dream.


                     II

A griffin, a hippogriff, and a wyvern
Admitting me and
Gripping crimson
Dripping strings
So none of them will fly away.

Somewhere outside
On a city street
Desire's handing out balloons
He clips their thorns
And trims them neat
He says they're free
And just as sweet
As the women he impugnes
He belies his guidance on repeat:
That love is the light is the sun is the moon.

Cain is killing Abel  
(How few! yet how they creep)
killing Abel
(Through my fingers to the deep)
killing Abel
(While I weep — while I weep!)
killing Abel.
(O God! Can I not grasp)
Samsara of carnage and drama
(Them with a tighter clasp?)
It is the first story.

I'd transcend five hundred miles
And I'd transcend five hundred more
Just to be the man who transcends trials
Sprawled out on your floor
(Thy drugs are quick.)
Searching for a souvenir
To prove to you our world was here

Isaac, bound, blank and free
Bleating, looking for meaning
(All that we see or seem)
In his father's violent eye,
And finding it.
(Thus with a kiss I die.)
Abraham swings his knife.
A son is a sin is a ram is a rose.

A man pushes the sun up a large hill
(LET THERE BE LIGHT)
Every day, and then it rolls down again
And then an eagle eats his liver.
(I am the resurrection and the life.)
One must imagine Prometheus happy
The alternative is pretty dark.

The moon, by any other name, would—
But do not swear by the moon!
For she changes constantly
(Then said Jesus unto them plainly:
Lazarus is dead.)
Everything changes
But nothing is truly lost.

(at times
the fact of her absence
will hit you like a blow to the chest
and you will weep.
but this will happen less and less
as time goes on.
she is dead.
you are alive.
so live.)

A man pushes the sun up a large hill
A day is a year is a life is a death.

One must imagine Orpheus happy.


                     III

In dreams, the sun resumes her loving glow
I'm reunited with my silhouette
I glue myself with soap to my shadow
And find myself beside my Juliet

No longer a balloon without a hand
I'm rooted to the earth where she grips me
With purpose guiding us through life's demands
I push my boulders uphill happily

I build a world with Juliet my wife
Where roses are all roses and smell sweet
We live a loving happy magic life
Together til our journey is complete.

[Enter, at the other end of the churchyard,
FRIAR LAURENCE, with a lantern, crow, and *****.]

In union Eve and Adam are redeemed,
Not in a rose but in a living dream.

I quiesce the storm

and welcome my enemies --


people just like me.

If we are mark’d to die, we are enow
    To do our country loss; and if to live
    The fewer men, the greater share of honour.
    God’s will! I pray thee, wish not one man more.

    By Jove, I am not covetous for gold,
    Nor care I who doth feed upon my cost;
    It yearns me not if men my garments wear;
    Such outward things dwell not in my desires:

    But if it be a sin to covet honour,
    I am the most offending soul alive.
    No, faith, my coz, wish not a man from England:
    God’s peace! I would not lose so great an honour

    As one man more, methinks, would share from me
    For the best hope I have. O, do not wish one more!
    Rather proclaim it, Westmoreland, through my host,
    That he which hath no stomach to this fight,

    Let him depart; his passport shall be made
    And crowns for convoy put into his purse:
    We would not die in that man’s company
    That fears his fellowship to die with us.

    This day is call’d the feast of Crispian:
    He that outlives this day, and comes safe home,
    Will stand a tip-toe when this day is named,
    And rouse him at the name of Crispian.

    He that shall live this day, and see old age,
    Will yearly on the vigil feast his neighbors,
    And say ‘Tomorrow is Saint Crispian:’
    Then he will strip his sleeve and show his scars,

    And say ‘These wounds I had on Crispin’s day.’
    Old men forget: yet all shall be forgot,
    But he’ll remember with advantages
    What feats he did that day: then shall our names

    Familiar in his mouth as household words:
    Harry the king, Bedford and Exeter,
    Warwick and Talbot, Salisbury and Gloucester,
    Be in their flowing cups freshly remember’d,

    This story shall the good man teach his son;
    And Crispin Crispian shall ne’er go by,
    From this day to the ending of the world,
    But we in it shall be remembered;

    We few, we happy few, we band of brothers;
    For he to-day that sheds his blood with me
    Shall be my brother; be he ne’er so vile,
    This day shall gentle his condition:

    And gentlemen in England now abed
    Shall think themselves accursed they were not here,
    And hold their manhoods cheap whiles any speaks
    That fought with us upon Saint Crispin’s day.

I speak with poets old and almost ancient,
Pressing their books against my burning chest,
Trying to stay with their verses patient,
Understood by few, complex to the rest.
I read the sonnets of the lovestruck Bard,
In little books who're filled with lofty meanings,
Finding it sometimes easy, and sometimes hard
To really understand 'bout what he sings.
My colored imagination is filled
With worlds unknown to windows of souls,
Right there, only with sweet tenderness build,
Making it easier to reach my goals,
    I travel, see and float with poetry,
    To gates of other worlds, while she's my key.

Poor, thou, little girl who thought
Love would get to thee one day,
Bet thou never thought to expect
It would culminate in doom.

And I am the resurrection in thy tomb
And the life that speaks of mercy at close of day,
Muddy Waters carry thou so far away
From Polonius and Laertes,
Tears in bloom.

Denmark's Prince in shambles thine heart left,
Dissembling and conniving against kin,
In his heart only one ambition firm:
Take back his rightful throne and fair Gertrude.

Neither Shakespeare nor Victoria save thee could
From the evil of the quill, it's own mind set.
In the labyrinth of the parchment thine fate met
"To be or not to be?"
Aye, there's the rub.