Athena turned ’round her head
like a night owl on the sly
and looked up behind her
as gold Apollo crossed the sky,

riding with his four coursers’
flying gilded manes and hooves.
Their silver flanks and quarters
thunder across the earth’s blue roof.

The rhythm of their beat
stamps a lyric all their own,
blood coursing with the heat
of the sun-disk they all towed.

The she-god of the wise
observes this cloud-streaked scene,
the man-god shining out,
casting shadows ’round Athene.

Apollo’s path is sinking low
as the winter months advance.
The frost now blurs his glow
and bare forests fall into trance.

It’s in this creeping night
that Athena finds her time.
She draws her wisdom in twilight,
no need for blinding light up high.

For she shines not with a sun.
Instead she lights her own pathway.
By her craft and wits she’ll run
her own trail she blazed today.

I once checked into an old hotel
that’s served guests for many a year.
The white-clad staff will serve you well
and greet you brimming with cheer.

Its handsome brick and stone façade
shines gold in the bright morning sun.
Inside, the red velvet furnishings’ a nod
to the lovers’ tall tales there spun.

The rooms are filled with patchouli scent,
or perhaps with a strong note of musk.
At first you’ll easily make the rent
and stay there from dawn until dusk.

Oh, how well could I in that chamber sleep
on starry fields of Elysium each night,
my baggage packed in cotton I’d keep
to stow it from whatever gave fright.

But the longer this hospitality I had
the more a locked hospital it became;
the doors that’d welcomed this young lad
soon rusted, harder to open again.

I chatted with the friendly concierge
and noticed the crease of his smile
was curled into the quirk of a sneer
while his light humor shifted to bile.

The mattress that once was thick and soft
grew coarse and lumpy with age
while the vistas seen from the gilded loft
were obscured by the bars of a cage.

The red velvet’s colors began to bleed.
All was gilded with the gold of fools.
Once this hotel had for me filled a need —
but it sought to make me its ghoul.

This hostel had to hostile turned,
its host was revealed as a warden.
With time I learned its charms to spurn
and escape to a greener garden.

Even now that hooking hotel calls,
a sultry siren who woefully wails
and summons her guests — or thralls? —
to deep sleep in her heavenly jail.

Peering through a old stone gate,
its face well carved, in prayers attired,
I saw a golden wall of late
before which stood cracked streetlamps retired,
their warming light now long gone
yet they still glow stubbornly on

A-walking through stone Old Town streets
of Edinburgh lashed by wind and sleet,
I saw Tron Kirk tower ***** the sky —
she loosed great raindrops on passersby:
A handsome former city church,
by fickle faithful left in the lurch,
still called down tears of Scottish rain
and wept, but dreams she’ll rise again

A tattooed man, burly and grey,
twists his hemp-fiber rope.
He thinks only of this cable’s lay,
not of wistfulness or unfulfilled hope.

His skin is bronzed and deeply creased
echoing the waves of the sea.
The grey wisps of his forearms’ thin fleece
recall thousands of mornings misty.

His thick fingers grasp like old iron anchors
as his mind glides through his tasks.
He pays no heed to the long-faded cankers
on his worn body from times long past.

Silently he furls the white canvas sails
and stows the great ropes below.
He calmly swabs with a mop and a pail
all the sea salt on the deck white as snow.

The now naked oak masts still rise to blue skies
as seagulls circle and sing their own lay.
But the sailor man hears not their cries —
He turns the capstan: Anchor aweigh.

The oaken ship now glides at slow pace,
adrift on the wide open waters.
A smile takes shape under grey beard’s lace:
He seeks the hand of Poseidon’s daughter.

He’s the last of the crew on this ship of the line.
He sails to be one with the sea.
He waits in calm as the smell of the brine
signals his new bride has welcomed his plea.

Ages hence a wreck will be found
with just one skeleton aboard.
But upon one bony finger, a round
gold band shines out like a vast hoard.

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair.
The rosehips have hairs all wiry and grey
that also break off, one by one.
Her color is gone, she fades away
until this rose lady’s season is done.
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again.

A-walking on a wormwood path
that’s paved by age’s cobblestones
on past a palace of distant past
in a Prussian park, a mind unthroned.

He walked, a shadow
through the foggy night,
his pulse beat faint and shallow
as the pale and fitful light.

In the lace of this quicksilver mist,
a fellow shade now walked along.
She emerged from dark, adrift
like him. They hummed the same black song.

In what had been a pitiless pit
of icy fog and stony walks,
she was there as if summoned by fate’s writ.
In whispers, she and he began to talk.

They shared their bleak
and tattered tales
to raise the wreck
of where they’d failed.

And as they talked
their once distant light
began to shine
out in that night.

Here in their pale of desolation,
two kindred shades touch shadowed hands
and in their touch found consolation
to rekindle light in benighted lands.

All I want is a bridge to the clouds
so I could climb up, high and away,
to loose myself from gravity’s bounds
and float above humanity’s frays.

Let my mind be a kite to catch the wind
and pull me up to the light above,
freed from the weight that kept me pinned
instead of gliding like a carefree dove.

An old man climbs into a vintage car
to smell the sweet upholstery,
caresses the steering wheel’s steel bars
and grips the gearshift **** of ivory.

He pulls the heavy door to close
it and hear its deep, dull iron clunk
that fuel-injects him with a dose
of chrome-clad metal hunks.

The streamlined car doesn’t move.
Still, it takes him on a favored trip
down a grey road well grooved
that his whitewall mind-tires firmly grip.

Its tires spin in grooves and sing
a well-pitched tune of rolling on.
Seams of concrete slabs now bring
the bumping heartbeat of this song.

His greying hairs match the road
which stretches out into his past,
leading him back in freeway flow
to a love that he’d made last.

For in a leather rumble seat
in a sleek car just like this one,
he’d kissed her hand and lips to greet
his sweetheart hunnybun.

She smiled as bright as high beams
at her motorheaded beau,
with wide eyes that stole his dreams
and made his fuel more quickly flow.

With hair like raven asphalt
framing lips in brake-light red,
in her saw he no faults,
but thanks to him, she’d end up dead

in a shattering crash
as they slid into a tree,
his youthful driving brash
and far too wild and free.

He swore to never leave
her by that bleak perditious street.
Resolved, he chose to grieve
her and keep the rumble seat.

So once a year he sits in this car.
He never drove again.
But each time it takes him far,
right to where his hunnybun had been.

From the leaden sky
descends a dark winged lady —
Black sunbeams dawning.

Reddened night replies
and locks her blackened aerie —
Hunter’s moon is rising.

Morning herald cries
to summon sunburst faeries —
Sparks rise a-flaming.

Goddess of harvests
calls out from wheat fields waving —
Heavy clouds marching

Atop the curve of a carved stone dome,
well gilded by rays of many setting suns,
Fortune pirouettes and prances all alone
while her clockwork wheels rhythmically run.

With each new tick of her timeless clock,
she spins the drivewheel another round
and dances ’round the clockwheels’ cogs
in freedom, from our cares unbound.

The spring in her step drives clock’s time,
a rhythmic dance with outstretched hands
that point to sorrows or high cloud nine
as suits her music: She won’t come to a stand.

Would that we could pass the years
like Fortune, a lady unwound by our fears.

Helicopter seed
comes to rest on the green moss —
A princess in bed

Fifty years ago, the future came,
built in concrete, tile, and bright lights,
underground station, undergirding the fame
of this city, adding to its manifold sights.

Now the future’s a place that smells of stale beer,
barely lit by futuristic lamps in disrepair,
wallpapered in graffiti, strewn with gear
of the pale homeless who’ve made this their lair.

They, like this chipped, grimy, forsaken place
are left in the dust of our dreams’ mercury pace.

Battered plaster,
shattered glass,
splintered rafters,
a crumbling mass.

You former home
of…who knows who?
who left to roam
away from you.

Now you stand
empty, broken
but look quite grand
in scars unspoken.

Sitting in the subway.
All fix their eyes on screens —
What does this sight convey?
Is this all that their lives mean?

Waves in handmade glass
in old peeling wooden panes —
Ripples on the pond.

A dark clay raven hung at a windowpane
to ward off bright songbirds from glass.
It never spoke a word, nor did it feign
to know of a departed late lass.

I asked it my questions, expecting more
conversation than it had on offer,
but plainly it found me a tedious bore
for it stayed quiet. Not much of a talker.

The brief encounter left me po-faced
as I’d been led to expect more from him.
So I turned away, belying a trace
of disappointment weighing within.

Then I heard the wind, and nothing much else
except the song of birds who’d survived
thanks to the clay raven who hung by a belt
in front of a window to keep it disguised.

Will she, won’t she
buy my Christmas wares:
If I work to sell me
will she take my snare?

The practiced pitter-patter
of my seller’s pitch
hangs in crisp cold air
and hopes to scratch her itch.

Her eyes dart to and fro
from one stall to the next:
the jingling coins’ fickle flow,
Christmas bells that leave me vexed.

Will she, won’t she,
see this heart that beats?
What if I add it free
to the sale of these sweetmeats?

Each moment wisps of tinsel
a-flutter in icy gales:
I fear her dismissal
as I grasp at just one more sale.

A spark of insight melts the ice
in a tiny warming breeze:
It’s not my wares I price,
but what I’m truly selling’s me.

A Berlin monastic church of blood
shed by true witnesses to freedom’s love:
These few who stood against the flood
of hate from tyrants they rebuffed.

Not far from here, these martyrs were killed
for facing down the brownshirts’ might,
in hopes that all would someday be filled
with the will to live for love’s delight.

Here Mary sits with her holy child,
carved of warm wood, set on cold stone.
She bears an expression, calm and mild,
with nothing around them: alone.

Her robes are daubed in palest blue
while her hair with a golden crown is wed;
her baby son wears redder hues
that foreshadow blood he and his martyrs shed.

This blessèd Mary’s calm defies the fear
decreed by despots in past and present years —
Softly, she whispers her granite will: Defy
all tyranny ’til hate’s tides subside.

In an old Scottish town I walk in well-worn streets
framed by tall houses of stone.
I study their faces that lean in to meet
me: In their presence I don’t feel alone.

The old houses have faces with many glass eyes.
What have those windows all seen?
They stand watch over us like dispassionate spies
with a vision that’s eerily keen.

What strange things that these walls could all tell
if their silent stones began to shout.
But they say nothing at all of the people who dwelt
all around them, within and without.

I came to trust these rock-ribbed friends
who give shelter and keep silent watch.
Reliably they forever our secrets defend
and are just there for us, a loyal lodge.

Up hiking on a hill that once housed a king
whose golden age had gleamed long ago:
His former realms filling all that I’m seeing
but little trace of him now, just shadows.

Standing alone, his abandoned throne,
overgrown with brambles and weeds
that crack its old stone, unbemoaned,
while the vines spread more of their seeds.

Many years later (or less?), a hiker will pass
up and down this very same hill
and look back on us past, wondering at last
why our gilded age didn’t last like we’d willed.

Graffiti artist
sprays to say that “I was here” —
Ozymandias

Weathervane, weathervane,
whither does the wind blow?
Will you learn to point the way
or will you just go with the flow?
When the fox would rule the henhouse
as the wind twists all around
will the weathercock crow midnight
without making a sound?

In the teardropped dew of golden hour
as dusk-sun dips below the edge,
an angel of bronze upon a stone bower
keeps watch as nighttime’s fingers stretch.

Across the spans of painted sky,
one by one bright sparks appear:
constellations form as portraits high,
a hunter, two bears, points on the sphere.

These starry creatures connect the dots,
parade across the firmament
and crown the angel deep in thought,
twelve stars, a wreathed encirclement.

The hunter wheels around the dome
of charcoal sky. His thrice-jeweled belt
shines out to mark him as he still roams
in pursuit of where scorpions dwelt.

Above him run two starry bears,
one’s tail-tip pointing to the north.
Though he lays his trapper‘s snares
the scorpion always hurries forth.

The angel watches the hunt go on
as it’s been since this our rock was made.
She hums her part in creation’s song
that set it all turning on time’s old lathe.

There in the shade by moonlight cast,
this angel smiles at the pageantry
of starry figures marching past
to mark her maker’s majesty.

A tinpot tyrant built a tower tall,
clad in gold and granite and all.

This motte and bailey mocked the skies,
mocked the peasants who’d helped him rise.

Reflected in wide moat’s black waters
he saw a king or khan — not the paupers —

and ruled his lands to rack and ruin
until he faced his own perdition.

The tyrant’s chiseled name fades away
dissolving with each rainy day.

All that’s left of this despot’s schemes:
the wreck of his peeling gold leaf dreams,

this tower the barest token of his trying will
upon that lonely bald abandoned hill.

Now none remember the tyrant‘s name
whose broken tower was built for fame.

A Berlin building. Sunbeams of steel
made to shine in suns of future’s gold,
now dreary, dimmed and forced to kneel
to the timeless gods of growing old.

Its shining future could not last.
Sinking in a golden fade, a forgotten grail.
Of sunbeam ore, new futures are cast,
bright dreams unbound by fear’s black veil.

From the forge of steely sunbeams
comes a new grail of sunlit dreams
and the tireless gods’ tired reign
is overthrown for another day.

Stuck on blackened spikes
and under stormy seas.
“Let’s go for a hike,”
my wife said to me.

Her sliver of sunlight
breaks through my fog,
a sparkling invite
to go for a little jog.

On a bed of autumn leaves
and crisp wisps of dew
the trees us receive
while I from black withdrew.

In the night of purple murky clouds
that fell from heaven, a heavy haze
envelops the old palace, a velvet shroud
that blinds all but the keenest gaze.

Yet there atop the palace gates,
a spotlight sends out golden blades
to slice the velvet and spite its weight:
gleaming swords by brighter spirits made —

A signal to the clouds, return up high,
cast off their shroud and kiss the sky.

Had a chat with my cat.
Now how about that?
She spoke with a twitch of whisker
and slow blinked her eyes to whisper
that she’s feeling quite content
to be in this moment.
For though she’s told me her life story
of all the times she’s been crowned in glory
by defeating her toy mice —
which is really not a vice —
it’s in the here and now
with no sweat upon her brow
that she’s glad to becuddle me
and from worry be wild and free.
Watch her fur belly rise and fall
and her purr keeps me in her thrall
as I scratch her fluffy chin
and feel peace spread within.

In sleet and rain of Edinburgh
a cathedral rises from the deeps.
The salt of sea and old coal blur
veil her face in grey-cast sheets.

On her western pediment
within tympanum carved of stone
sits Christ triumphant and in judgement
where he calls us all to atone.

I stand before him, my head bowed
as I contemplate our shared guilt,
with mea culpas weighing on my brow
for the follies fallen man has built.

And so we’re burning Eden down
with flaming swords that we still wield
as once vast forests shrink and brown
and fallow lie once verdant fields.

Where trees once stood, smokestacks rear
their heads belching fumes up high
and in the deeps, the oceansphere’s
no more a garden for octopi.

For in this our earthly commonweal
that was a gift that’s given free
we prove that purgatory’s real
because we ourselves have made it be.

A whisper came from the carved face
to walk into this stony womb
where colored light and incense trace
a path to overcome the gloom:

Forgiveness for our many faults
comes when we change our ways.
There in this temple’s holy vault
I vow to fight Eden’s decay.

In Edinburgh I found Eden
in a vision of what can be.
For we are by no means beaten
and we can do it, you and me.

In the dark of the whispering nave
as rosy incense blesses the scene,
old hymns once sung in chanted waves
still sail through hearts of choirs unseen;
Dimly lit by a sanctuary lamp red,
the altar lies in stony repose:
a throne for him who for all bled
and wished us love by the Holy Ghost.
Streaming, rippling ocean hues
with light washed bluer than Jonah’s whale
flow from stained glass richly imbued
by a Jewish hand with swirling detail:
This sturdy house is a bobbing ark
floating through our tempestuous time,
marked by a seagull who soared and embarked
on making his art for all sublime:
to fulfill the promise of rainbows above
for all those who seek the light of love

Atop a high knoll, a Gothic arbor. The town
below seethes in blustery breezes that whirl
around the few trees, bare and brown:
A tempest’s iron furies unfurl.

Two lovers stand on the hill’s stony ground
beneath the arbor’s brick sky
as they look out over the city around
them: marching clouds descend from on high.

The winds whip higher and stir dead leaves
while they hold one another’s warm hands.
Though the bleak scene may lead them to grieve,
no: In togetherness, they make their stand.

They fight, fight for their love: It ignites
their glowing embers of heartlight.

In a darkened church
hard by the dusky nave,
a brass lectern’s perched
with blue Chi-Rho engraved.

It faces to a reddened west,
its golden sheen aglow,
by light of candles blessed
as darkness ’round us grows.

Above the tall stone spires
dim stars come peeping out
to shine down on the quire
and the small knot of the devout.

We few sit as the gloom
grows deeper all around
and let ourselves be not consumed
by the chaos that abounds.

Once our Evensong is sung
for our time that slips us by,
a last brass bell is rung
as we hope for dawn’s reply.

The hulking buildings, sharp and spare,
slow march along the boulevard
through grey foul fumes of city air
as cars give chase on roads of tar —
A single tree stands in the waste,
last stand of nature against our haste

A life after death
prayerfully sought in churches —
Mushrooms in tree stumps

On the day of all souls in the fall
as leaves lose luster to winter’s bane
my father’s shade returns to call
while I walk along a splintered lane:

His memory murmurs in a darkened nook
of years of yearning and wasted days,
as the distance that filled up the book
of our lives still grows as I turn to grey.

The care he’d showed I did not feel
as the pillars of our bridge began to crack.
Too late, I turned back to heal
the fallen span that we now lacked.

By then his old mind’s lantern had failed;
the new light I’d shone back went unseen
and broken arches into a chasm trailed
where once a golden bridge had briefly been.

Across the valley, dark, deep, and wide,
a spectral stretch of stones appears
to shine as a silvery coach now rides
across, to bring two sundered shadows near.

Now on this day of all souls missed
by those who find themselves left behind,
one faithful departed returns to kiss
the forehead of a son’s reopened mind.

In an aisle of a great stone church
by flickering light of candles perched
under finials and arches tinged with gold,
flags fly for blood shed on fields of old:
They wave with wistful dreams of war
and tell of great esprit de corps
in a house made holy for a prince of peace
whose dreams of love they speak of least

What happened to the little boy
that I once knew so well?
He’d greet each new day with unfettered joy
and wave the last one farewell.

When oaks and maples began to turn
and the leaves had started to fall
the boy happily switched the TV on and yearned
for the return of his game of football.

Somewhere along this growing boy’s way
he became a great deal like me:
I wake and walk to the mirror today
to see where that boy used to be.

Now I cling to every last leaf
that falls from the branches up high
while stretching the days that are now too brief
as the winter comes rapidly nigh.

In a nook of an old stone church
a cherub basks in the vesper light —
A childlike innocence for which I’ve searched
that seems to slip into the onset of night
Fade not away, you sweet dear boy
and never lose your childlike joy
Fight, fight
the snares of twilight

While walking through a warm afternoon
that suddenly turned from bright to dim,
with blazing clouds that began to loom
and shadows grew deeper and light was thin:

My way ahead was unexpectedly barred
by an iron gate, its lock snapped shut.
It’s topped by spikes well made to ward
off hurdlers, sharpened, made to deeply cut.

Past the gatehouse, a tunnel, a fallen shelter
from the rapidly coming hard rainfall
that once was sung about by a jester
in time with a tambourine, as I recall.

It leads to a light that’s still ablaze
where sunbeams’ sheen still sparkles bright,
beckoning us all to pass this gate
that looks at first glance a menacing might.

To stay before this wrought iron fence,
its spikes tipped with red poison that drips
into the soil that’s in cracked distress?
I won’t just wait here in the dawning eclipse.

No lock is unpickable, no wall too high
for those with the will to reach new skies.

In the bleak winter
under hurrying clouds,
the wind blowing, bitter
gusts through trees’ barren boughs.

A small house: Its nooks
in new Gothic style
once housed the old books
of a forgotten king for a while.

It had been a library,
a place filled with words;
now all that here tarries
are the winds and the terns.

Its glassless peaked window
looks out on the sky
to waters that flow
by the small palace hard by.

The window is incised
in stone shaded gold —
a warm tone that belies
its touch that is cold.

The red palace is crowned
in gold and white marble.
They shine out, gowned
in hues that spite winter’s pallor.

Now blue waters and birds
add color to the scene
that fills this blank window
with nature’s stained glass serene.

This house has stood waiting,
empty in wintriest times —
now it’s filled by nature’s painting
brushed in hushed hues divine.

Gunmetal grey skies
loose leaden teardrop tempests —
Lights in the window

There is no pity in Berlin,
a place of prickly wounded pride.

A city of angels
who fell like scars of lightning
from gunmetal grey skies.

I watch old silvered rolls of film
and see flying columns of seraphim
as they march on by
row upon row
eyes ablaze
flaming swords drawn
in a parody of paradise.
They descended into hell
and are seated
at the left hand of the Kaiser:
Gott mit uns.

This sullen scene of no regret
stains the present with the dead and past:
It fits the flinty nature
of the blunt Berliner
under the ashen skies of winter.

I trudge across a gravel path
in the bowels of Berlin,
hear the grinding crunch
of brittle bones below,
and gird myself for the grim winter ahead.

The mason works the living stone
to shape it for its slotted place.
Pale flakes of rock fly as he hones
it to a rough-hewn sandstone face.

With chisel and mallet in granite hands
and flinty grey eyes to plumb the line,
the rock gives way in grains of sand.
He chips and flicks one blow at a time.

His fingers trace each pit and dell
that he’d worked in with his iron tools,
while nostrils fill with chalky smell —
light dust clouds through his workshop move.

As one by one his blocks are laid
by his apprentice at his side
to fill the role for which they’re made:
they’ll be joined in one more arch of pride.

More arches form as months move past
then building up to many a year:
They mark the time of a life well cast,
his mason’s mark left on each stone sheer.

Each arch arises, pointing high
to the master mason of us all,
who carves and fits in his workshop sky —
by shaping, marking us in his wall.

Then piece by piece, the church takes shape
while grains of sand from worked stones fall;
The mason, now old, his final finial makes
as falling sand an hourglass recalls.

And here I stand in centuries hence
to spot the mason’s mark he left behind,
his arches pointing upwards whence
the mason built his final shrine.

In this dim night
before the dawn of All Saints,
no need to take fright
of the spirits you acquaint —
for they are merely the ones who went on before.

Beloved dead whom we miss
reenter the world of the quick
and blow us a kiss
with a treat but no trick —
as we celebrate their return from the dark shore.

A **** of lightning’s searing blast
that ripped across her rib cage’s sky
had torn anew through clouds aghast
at what the storm had loosed from on high.

The brooding might of the blackened squall
kicked up the chill winds of her innerscape
and hurled down hailstones, icy *****
that pummeled the pit of her belly’s nape.

To tame this tempest, this wrecking gale,
felt too by the kaleidoscope of her spirit’s kin,
she in and exhaled breaths of kindness to regale
her kinsfolk around her with fresh air within.

Though the storm reared terrible and bleak
above these heads bowed and burdened below,
their sparks of lightning that blazed and streaked
were together tamed to a shared soft glow.

They held tight the hands of those around
who quailed in fright as thunder drums
to form a circuit bright which surrounds
and transforms dark sparks to delightful suns.

A-walking through the foggy wood
I found a Roman urn
It marks what seems a noble grave
but its fate took a turn

It lacks a name or token word
to tell just who lies there
It blankly stares right back at me
without the slightest care

The puzzling urn says naught to me
I sit in somber peace
and then the answer falls in place:
it’s a grave for all deceased

For all the nameless of the past
the memorial stands here
The grandest grave that ever was
Unsung now sung I hear

In the ancient Gothic church
Mother Mary whispers here;
Her stony face looks out at me,
blank eyes that shed a granite tear:
There beneath her warming cloak
a mass of children huddle there,
seeking shelter and maternal love —
their fears and pains that she will bear
are lit by a sea of candlelight
that lifts cares hence, way up high,
borne aloft away from here,
to dissipate in distant skies

The moon rose up
and the moon looked down
She’s watched the Earth
spin round and round

And kingdoms rose
and empires fell
The moon just waxed
and waned a spell

Her one bright eye
has seen it all —
she’ll still be there
long after we fall