Athena turned ’round her head
like a night owl on the sly
and looked up behind her
as gold Apollo crossed the sky,

riding with his four coursers’
flying gilded manes and hooves.
Their silver flanks and quarters
thunder across the earth’s blue roof.

The rhythm of their beat
stamps a lyric all their own,
blood coursing with the heat
of the sun-disk they all towed.

The she-god of the wise
observes this cloud-streaked scene,
the man-god shining out,
casting shadows ’round Athene.

Apollo’s path is sinking low
as the winter months advance.
The frost now blurs his glow
and bare forests fall into trance.

It’s in this creeping night
that Athena finds her time.
She draws her wisdom in twilight,
no need for blinding light up high.

For she shines not with a sun.
Instead she lights her own pathway.
By her craft and wits she’ll run
her own trail she blazed today.

A-walking through stone Old Town streets
of Edinburgh lashed by wind and sleet,
I saw Tron Kirk tower ***** the sky —
she loosed great raindrops on passersby:
A handsome former city church,
by fickle faithful left in the lurch,
still called down tears of Scottish rain
and wept, but dreams she’ll rise again

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair.
The rosehips have hairs all wiry and grey
that also break off, one by one.
Her color is gone, she fades away
until this rose lady’s season is done.
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again.

I once checked into an old hotel
that’s served guests for many a year.
The white-clad staff will serve you well
and greet you brimming with cheer.

Its handsome brick and stone façade
shines gold in the bright morning sun.
Inside, the red velvet furnishings’ a nod
to the lovers’ tall tales there spun.

The rooms are filled with patchouli scent,
or perhaps with a strong note of musk.
At first you’ll easily make the rent
and stay there from dawn until dusk.

Oh, how well could I in that chamber sleep
on starry fields of Elysium each night,
my baggage packed in cotton I’d keep
to stow it from whatever gave fright.

But the longer this hospitality I had
the more a locked hospital it became;
the doors that’d welcomed this young lad
soon rusted, harder to open again.

I chatted with the friendly concierge
and noticed the crease of his smile
was curled into the quirk of a sneer
while his light humor shifted to bile.

The mattress that once was thick and soft
grew coarse and lumpy with age
while the vistas seen from the gilded loft
were obscured by the bars of a cage.

The red velvet’s colors began to bleed.
All was gilded with the gold of fools.
Once this hotel had for me filled a need —
but it sought to make me its ghoul.

This hostel had to hostile turned,
its host was revealed as a warden.
With time I learned its charms to spurn
and escape to a greener garden.

Even now that hooking hotel calls,
a sultry siren who woefully wails
and summons her guests — or thralls? —
to deep sleep in her heavenly jail.

Peering through a old stone gate,
its face well carved, in prayers attired,
I saw a golden wall of late
before which stood cracked streetlamps retired,
their warming light now long gone
yet they still glow stubbornly on

All I want is a bridge to the clouds
so I could climb up, high and away,
to loose myself from gravity’s bounds
and float above humanity’s frays.

Let my mind be a kite to catch the wind
and pull me up to the light above,
freed from the weight that kept me pinned
instead of gliding like a carefree dove.

A tattooed man, burly and grey,
twists his hemp-fiber rope.
He thinks only of this cable’s lay,
not of wistfulness or unfulfilled hope.

His skin is bronzed and deeply creased
echoing the waves of the sea.
The grey wisps of his forearms’ thin fleece
recall thousands of mornings misty.

His thick fingers grasp like old iron anchors
as his mind glides through his tasks.
He pays no heed to the long-faded cankers
on his worn body from times long past.

Silently he furls the white canvas sails
and stows the great ropes below.
He calmly swabs with a mop and a pail
all the sea salt on the deck white as snow.

The now naked oak masts still rise to blue skies
as seagulls circle and sing their own lay.
But the sailor man hears not their cries —
He turns the capstan: Anchor aweigh.

The oaken ship now glides at slow pace,
adrift on the wide open waters.
A smile takes shape under grey beard’s lace:
He seeks the hand of Poseidon’s daughter.

He’s the last of the crew on this ship of the line.
He sails to be one with the sea.
He waits in calm as the smell of the brine
signals his new bride has welcomed his plea.

Ages hence a wreck will be found
with just one skeleton aboard.
But upon one bony finger, a round
gold band shines out like a vast hoard.

A-walking on a wormwood path
that’s paved by age’s cobblestones
on past a palace of distant past
in a Prussian park, a mind unthroned.

He walked, a shadow
through the foggy night,
his pulse beat faint and shallow
as the pale and fitful light.

In the lace of this quicksilver mist,
a fellow shade now walked along.
She emerged from dark, adrift
like him. They hummed the same black song.

In what had been a pitiless pit
of icy fog and stony walks,
she was there as if summoned by fate’s writ.
In whispers, she and he began to talk.

They shared their bleak
and tattered tales
to raise the wreck
of where they’d failed.

And as they talked
their once distant light
began to shine
out in that night.

Here in their pale of desolation,
two kindred shades touch shadowed hands
and in their touch found consolation
to rekindle light in benighted lands.

Goddess of harvests
calls out from wheat fields waving —
Heavy clouds marching

Fifty years ago, the future came,
built in concrete, tile, and bright lights,
underground station, undergirding the fame
of this city, adding to its manifold sights.

Now the future’s a place that smells of stale beer,
barely lit by futuristic lamps in disrepair,
wallpapered in graffiti, strewn with gear
of the pale homeless who’ve made this their lair.

They, like this chipped, grimy, forsaken place
are left in the dust of our dreams’ mercury pace.

In an old Scottish town I walk in well-worn streets
framed by tall houses of stone.
I study their faces that lean in to meet
me: In their presence I don’t feel alone.

The old houses have faces with many glass eyes.
What have those windows all seen?
They stand watch over us like dispassionate spies
with a vision that’s eerily keen.

What strange things that these walls could all tell
if their silent stones began to shout.
But they say nothing at all of the people who dwelt
all around them, within and without.

I came to trust these rock-ribbed friends
who give shelter and keep silent watch.
Reliably they forever our secrets defend
and are just there for us, a loyal lodge.

From the leaden sky
descends a dark winged lady —
Black sunbeams dawning.

Reddened night replies
and locks her blackened aerie —
Hunter’s moon is rising.

Morning herald cries
to summon sunburst faeries —
Sparks rise a-flaming.

Helicopter seed
comes to rest on the green moss —
A princess in bed

In the dark of the whispering nave
as rosy incense blesses the scene,
old hymns once sung in chanted waves
still sail through hearts of choirs unseen;
Dimly lit by a sanctuary lamp red,
the altar lies in stony repose:
a throne for him who for all bled
and wished us love by the Holy Ghost.
Streaming, rippling ocean hues
with light washed bluer than Jonah’s whale
flow from stained glass richly imbued
by a Jewish hand with swirling detail:
This sturdy house is a bobbing ark
floating through our tempestuous time,
marked by a seagull who soared and embarked
on making his art for all sublime:
to fulfill the promise of rainbows above
for all those who seek the light of love

Will she, won’t she
buy my Christmas wares:
If I work to sell me
will she take my snare?

The practiced pitter-patter
of my seller’s pitch
hangs in crisp cold air
and hopes to scratch her itch.

Her eyes dart to and fro
from one stall to the next:
the jingling coins’ fickle flow,
Christmas bells that leave me vexed.

Will she, won’t she,
see this heart that beats?
What if I add it free
to the sale of these sweetmeats?

Each moment wisps of tinsel
a-flutter in icy gales:
I fear her dismissal
as I grasp at just one more sale.

A spark of insight melts the ice
in a tiny warming breeze:
It’s not my wares I price,
but what I’m truly selling’s me.

In a nook of an old stone church
a cherub basks in the vesper light —
A childlike innocence for which I’ve searched
that seems to slip into the onset of night
Fade not away, you sweet dear boy
and never lose your childlike joy
Fight, fight
the snares of twilight

In the teardropped dew of golden hour
as dusk-sun dips below the edge,
an angel of bronze upon a stone bower
keeps watch as nighttime’s fingers stretch.

Across the spans of painted sky,
one by one bright sparks appear:
constellations form as portraits high,
a hunter, two bears, points on the sphere.

These starry creatures connect the dots,
parade across the firmament
and crown the angel deep in thought,
twelve stars, a wreathed encirclement.

The hunter wheels around the dome
of charcoal sky. His thrice-jeweled belt
shines out to mark him as he still roams
in pursuit of where scorpions dwelt.

Above him run two starry bears,
one’s tail-tip pointing to the north.
Though he lays his trapper‘s snares
the scorpion always hurries forth.

The angel watches the hunt go on
as it’s been since this our rock was made.
She hums her part in creation’s song
that set it all turning on time’s old lathe.

There in the shade by moonlight cast,
this angel smiles at the pageantry
of starry figures marching past
to mark her maker’s majesty.

A dark clay raven hung at a windowpane
to ward off bright songbirds from glass.
It never spoke a word, nor did it feign
to know of a departed late lass.

I asked it my questions, expecting more
conversation than it had on offer,
but plainly it found me a tedious bore
for it stayed quiet. Not much of a talker.

The brief encounter left me po-faced
as I’d been led to expect more from him.
So I turned away, belying a trace
of disappointment weighing within.

Then I heard the wind, and nothing much else
except the song of birds who’d survived
thanks to the clay raven who hung by a belt
in front of a window to keep it disguised.

In a darkened church
hard by the dusky nave,
a brass lectern’s perched
with blue Chi-Rho engraved.

It faces to a reddened west,
its golden sheen aglow,
by light of candles blessed
as darkness ’round us grows.

Above the tall stone spires
dim stars come peeping out
to shine down on the quire
and the small knot of the devout.

We few sit as the gloom
grows deeper all around
and let ourselves be not consumed
by the chaos that abounds.

Once our Evensong is sung
for our time that slips us by,
a last brass bell is rung
as we hope for dawn’s reply.

A life after death
prayerfully sought in churches —
Mushrooms in tree stumps

Had a chat with my cat.
Now how about that?
She spoke with a twitch of whisker
and slow blinked her eyes to whisper
that she’s feeling quite content
to be in this moment.
For though she’s told me her life story
of all the times she’s been crowned in glory
by defeating her toy mice —
which is really not a vice —
it’s in the here and now
with no sweat upon her brow
that she’s glad to becuddle me
and from worry be wild and free.
Watch her fur belly rise and fall
and her purr keeps me in her thrall
as I scratch her fluffy chin
and feel peace spread within.

Battered plaster,
shattered glass,
splintered rafters,
a crumbling mass.

You former home
of…who knows who?
who left to roam
away from you.

Now you stand
empty, broken
but look quite grand
in scars unspoken.

What happened to the little boy
that I once knew so well?
He’d greet each new day with unfettered joy
and wave the last one farewell.

When oaks and maples began to turn
and the leaves had started to fall
the boy happily switched the TV on and yearned
for the return of his game of football.

Somewhere along this growing boy’s way
he became a great deal like me:
I wake and walk to the mirror today
to see where that boy used to be.

Now I cling to every last leaf
that falls from the branches up high
while stretching the days that are now too brief
as the winter comes rapidly nigh.

Gunmetal grey skies
loose leaden teardrop tempests —
Lights in the window

The moon rose up
and the moon looked down
She’s watched the Earth
spin round and round

And kingdoms rose
and empires fell
The moon just waxed
and waned a spell

Her one bright eye
has seen it all —
she’ll still be there
long after we fall

Stuck on blackened spikes
and under stormy seas.
“Let’s go for a hike,”
my wife said to me.

Her sliver of sunlight
breaks through my fog,
a sparkling invite
to go for a little jog.

On a bed of autumn leaves
and crisp wisps of dew
the trees us receive
while I from black withdrew.

The hulking buildings, sharp and spare,
slow march along the boulevard
through grey foul fumes of city air
as cars give chase on roads of tar —
A single tree stands in the waste,
last stand of nature against our haste

In the ancient Gothic church
Mother Mary whispers here;
Her stony face looks out at me,
blank eyes that shed a granite tear:
There beneath her warming cloak
a mass of children huddle there,
seeking shelter and maternal love —
their fears and pains that she will bear
are lit by a sea of candlelight
that lifts cares hence, way up high,
borne aloft away from here,
to dissipate in distant skies

In the night of purple murky clouds
that fell from heaven, a heavy haze
envelops the old palace, a velvet shroud
that blinds all but the keenest gaze.

Yet there atop the palace gates,
a spotlight sends out golden blades
to slice the velvet and spite its weight:
gleaming swords by brighter spirits made —

A signal to the clouds, return up high,
cast off their shroud and kiss the sky.

A **** of lightning’s searing blast
that ripped across her rib cage’s sky
had torn anew through clouds aghast
at what the storm had loosed from on high.

The brooding might of the blackened squall
kicked up the chill winds of her innerscape
and hurled down hailstones, icy *****
that pummeled the pit of her belly’s nape.

To tame this tempest, this wrecking gale,
felt too by the kaleidoscope of her spirit’s kin,
she in and exhaled breaths of kindness to regale
her kinsfolk around her with fresh air within.

Though the storm reared terrible and bleak
above these heads bowed and burdened below,
their sparks of lightning that blazed and streaked
were together tamed to a shared soft glow.

They held tight the hands of those around
who quailed in fright as thunder drums
to form a circuit bright which surrounds
and transforms dark sparks to delightful suns.

Graffiti artist
sprays to say that “I was here” —
Ozymandias

An old man climbs into a vintage car
to smell the sweet upholstery,
caresses the steering wheel’s steel bars
and grips the gearshift **** of ivory.

He pulls the heavy door to close
it and hear its deep, dull iron clunk
that fuel-injects him with a dose
of chrome-clad metal hunks.

The streamlined car doesn’t move.
Still, it takes him on a favored trip
down a grey road well grooved
that his whitewall mind-tires firmly grip.

Its tires spin in grooves and sing
a well-pitched tune of rolling on.
Seams of concrete slabs now bring
the bumping heartbeat of this song.

His greying hairs match the road
which stretches out into his past,
leading him back in freeway flow
to a love that he’d made last.

For in a leather rumble seat
in a sleek car just like this one,
he’d kissed her hand and lips to greet
his sweetheart hunnybun.

She smiled as bright as high beams
at her motorheaded beau,
with wide eyes that stole his dreams
and made his fuel more quickly flow.

With hair like raven asphalt
framing lips in brake-light red,
in her saw he no faults,
but thanks to him, she’d end up dead

in a shattering crash
as they slid into a tree,
his youthful driving brash
and far too wild and free.

He swore to never leave
her by that bleak perditious street.
Resolved, he chose to grieve
her and keep the rumble seat.

So once a year he sits in this car.
He never drove again.
But each time it takes him far,
right to where his hunnybun had been.

Atop the curve of a carved stone dome,
well gilded by rays of many setting suns,
Fortune pirouettes and prances all alone
while her clockwork wheels rhythmically run.

With each new tick of her timeless clock,
she spins the drivewheel another round
and dances ’round the clockwheels’ cogs
in freedom, from our cares unbound.

The spring in her step drives clock’s time,
a rhythmic dance with outstretched hands
that point to sorrows or high cloud nine
as suits her music: She won’t come to a stand.

Would that we could pass the years
like Fortune, a lady unwound by our fears.

In sleet and rain of Edinburgh
a cathedral rises from the deeps.
The salt of sea and old coal blur
veil her face in grey-cast sheets.

On her western pediment
within tympanum carved of stone
sits Christ triumphant and in judgement
where he calls us all to atone.

I stand before him, my head bowed
as I contemplate our shared guilt,
with mea culpas weighing on my brow
for the follies fallen man has built.

And so we’re burning Eden down
with flaming swords that we still wield
as once vast forests shrink and brown
and fallow lie once verdant fields.

Where trees once stood, smokestacks rear
their heads belching fumes up high
and in the deeps, the oceansphere’s
no more a garden for octopi.

For in this our earthly commonweal
that was a gift that’s given free
we prove that purgatory’s real
because we ourselves have made it be.

A whisper came from the carved face
to walk into this stony womb
where colored light and incense trace
a path to overcome the gloom:

Forgiveness for our many faults
comes when we change our ways.
There in this temple’s holy vault
I vow to fight Eden’s decay.

In Edinburgh I found Eden
in a vision of what can be.
For we are by no means beaten
and we can do it, you and me.

Sitting in the subway.
All fix their eyes on screens —
What does this sight convey?
Is this all that their lives mean?

In an aisle of a great stone church
by flickering light of candles perched
under finials and arches tinged with gold,
flags fly for blood shed on fields of old:
They wave with wistful dreams of war
and tell of great esprit de corps
in a house made holy for a prince of peace
whose dreams of love they speak of least

Weathervane, weathervane,
whither does the wind blow?
Will you learn to point the way
or will you just go with the flow?
When the fox would rule the henhouse
as the wind twists all around
will the weathercock crow midnight
without making a sound?

A Berlin building. Sunbeams of steel
made to shine in suns of future’s gold,
now dreary, dimmed and forced to kneel
to the timeless gods of growing old.

Its shining future could not last.
Sinking in a golden fade, a forgotten grail.
Of sunbeam ore, new futures are cast,
bright dreams unbound by fear’s black veil.

From the forge of steely sunbeams
comes a new grail of sunlit dreams
and the tireless gods’ tired reign
is overthrown for another day.

Lightning snaps and rain applauds
as thunder claps above horizons’ walls
Grumbling clouds march swiftly on
to booming sounds and cracks of dawn —
Here below, in the cockpit of storm,
the rain now sows blue jewels that form
on an old rose’s petals and thorny stalks
to test the mettle of the bugs that walk
up and down their rosebush world
that’s becrowned by blossoms, red unfurled:
One bug, aloof, sits calm and at peace
under his roof of a sturdy green leaf —
This one bug that I see amidst all the gloom
is who I wish to be, under red blooms

Man builds his palaces and fortresses of stone
to last him a thousand years
while clouds drift by that last not long,
as brief as the drop of one tear.

The clouds’ only constant is their change
as they curl into filigrane wisps,
or flocks of white sheep on a blue range,
or black towers wreathed by blitz.

But one day these monuments will topple and fall,
leaving behind only a trace
for future archaeologists who’ll struggle to recall
whatever had been in this place.

The clouds, meanwhile, disperse and reform
in the wandering winds that cover this earth
to tower up high in each new storm
as they constantly repeat rebirth.

When I was a kid in the Virginia mountains, we had a train line that ran yonder through our quiet little town, a few miles from our house.

In the warm summer months we’d have the wooden sash windows wide open, their screens strummed by the breeze and humming a hushed lullaby.

Each night, lying in bed, I heard the remote rolling roar of the train when it blew its whistle as it neared our town.

Every night, as the dusk fell, it came: the slow rush and roar of iron engine wheels that glide along on roads of steel. The engine‘s sacred heart was stoked white hot, fed by black coal dug from those rolling hills.

Then the hush of night lifted for a rolling moment: The engineer pulled the whistle cord — releasing a long plaintive chord of a melancholy choir, pitched just so, for to sound softly through the coal-hearted hills of the Blue Ridges as they echoed in quiet reply.

It was my signal: It’s time to sleep.

The nightly ritual chuffed on. Boxcars rumbling on rugged rails. A distant engine roaring by in steam and stoked fire. Waves of lightning bugs that rose and fell in the sticky summer night while foxfire faintly glowed blue in the brambled underbrush. High above the rolling green hills, between the watchful blue mountains, the stars arced past on their tracks of old.

I’ve long lived far from home. Longer still has the now lonesome line been turning to rust. Now I know why the whistle wailed: It was wistfully aware that its last stop was near.

But I still hear the ghostly wail of the whistle past, as the slow steam train of memory glides through the dusk of my soul.

There is no pity in Berlin,
a place of prickly wounded pride.

A city of angels
who fell like scars of lightning
from gunmetal grey skies.

I watch old silvered rolls of film
and see flying columns of seraphim
as they march on by
row upon row
eyes ablaze
flaming swords drawn
in a parody of paradise.
They descended into hell
and are seated
at the left hand of the Kaiser:
Gott mit uns.

This sullen scene of no regret
stains the present with the dead and past:
It fits the flinty nature
of the blunt Berliner
under the ashen skies of winter.

I trudge across a gravel path
in the bowels of Berlin,
hear the grinding crunch
of brittle bones below,
and gird myself for the grim winter ahead.

In this dim night
before the dawn of All Saints,
no need to take fright
of the spirits you acquaint —
for they are merely the ones who went on before.

Beloved dead whom we miss
reenter the world of the quick
and blow us a kiss
with a treat but no trick —
as we celebrate their return from the dark shore.

In the sallow sea of sable ink
that breaks upon my splintered prow,
fire beacon’s beam a-lightly winks
and casts gold light upon my brow.

I see a man walk on the swells
and wave to me through sheets of sleet,
his silver voice a tolling bell
that beckons me to take the leap.

His shining rope crests upon the waves
that rend my vessel in tempest flares:
Across black brine the lifeline sways —
My callused hand will take its dare

to grasp the line that more life gives
and feel its pull to once more live.

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair
The rosehips have hairs all wiry and grey
that also break off, one by one
Her color is gone, she fades away
until this rose lady’s season is done
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again

The flicking fire in the hearth
pops and cracks a wispy smile
while its embers send their warmth
into the stone house for a long while.

The chimney curls with silky smoke
that snugly signals a cozy place.
The walls are paneled with old thick oak
to safely hold us in wood’s embrace.

This warm retreat’s stout red door
is made and unlocked by my inner eye.
Its stone foundation and sturdy floor
are crafted well for brittle times.

Pull up a chair and join me here
in this secret safest place of all —
it’s in each of us, in constance near:
Take some rest in your heart’s great hall.

A Christmas market —
smell of pastry, baubles shine,
bright star lights the night.

The plaster peels around the windowpane
as Virginia creeper clings, hangs low
on the old stone wall that crumbles, veined
by the cracks from the hourglass’s flow.
The weathered wood of her rafters frame
this battered house that’s fading away
like the troubles and cares she’d contained
which are silting fast into the sandy soil.
The creeper‘s five leaves grasp like a hand:
Gaia hugs this house in her tightening embrace
to fully devour all the follies of man
until only the quiet creeper remains.

A-walking through the foggy wood
I found a Roman urn
It marks what seems a noble grave
but its fate took a turn

It lacks a name or token word
to tell just who lies there
It blankly stares right back at me
without the slightest care

The puzzling urn says naught to me
I sit in somber peace
and then the answer falls in place:
it’s a grave for all deceased

For all the nameless of the past
the memorial stands here
The grandest grave that ever was
Unsung now sung I hear

A simple draft of air in the lungs
like I’ve done a billion times.
Exhale to hum a song I’ve sung
that calms with comforting rhymes.

In and out and rise and fall,
to feel my stomach be moved
and breathe through fears and all
‘til wrinkles of worry be smoothed.