A-walking through stone Old Town streets
of Edinburgh lashed by wind and sleet,
I saw Tron Kirk tower ***** the sky —
she loosed great raindrops on passersby:
A handsome former city church,
by fickle faithful left in the lurch,
still called down tears of Scottish rain
and wept, but dreams she’ll rise again

All I want is a bridge to the clouds
so I could climb up, high and away,
to loose myself from gravity’s bounds
and float above humanity’s frays.

Let my mind be a kite to catch the wind
and pull me up to the light above,
freed from the weight that kept me pinned
instead of gliding like a carefree dove.

Peering through a old stone gate,
its face well carved, in prayers attired,
I saw a golden wall of late
before which stood cracked streetlamps retired,
their warming light now long gone
yet they still glow stubbornly on

A tattooed man, burly and grey,
twists his hemp-fiber rope.
He thinks only of this cable’s lay,
not of wistfulness or unfulfilled hope.

His skin is bronzed and deeply creased
echoing the waves of the sea.
The grey wisps of his forearms’ thin fleece
recall thousands of mornings misty.

His thick fingers grasp like old iron anchors
as his mind glides through his tasks.
He pays no heed to the long-faded cankers
on his worn body from times long past.

Silently he furls the white canvas sails
and stows the great ropes below.
He calmly swabs with a mop and a pail
all the sea salt on the deck white as snow.

The now naked oak masts still rise to blue skies
as seagulls circle and sing their own lay.
But the sailor man hears not their cries —
He turns the capstan: Anchor aweigh.

The oaken ship now glides at slow pace,
adrift on the wide open waters.
A smile takes shape under grey beard’s lace:
He seeks the hand of Poseidon’s daughter.

He’s the last of the crew on this ship of the line.
He sails to be one with the sea.
He waits in calm as the smell of the brine
signals his new bride has welcomed his plea.

Ages hence a wreck will be found
with just one skeleton aboard.
But upon one bony finger, a round
gold band shines out like a vast hoard.

Goddess of harvests
calls out from wheat fields waving —
Heavy clouds marching

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair.
The rosehips have hairs all wiry and grey
that also break off, one by one.
Her color is gone, she fades away
until this rose lady’s season is done.
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again.

In a nook of an old stone church
a cherub basks in the vesper light —
A childlike innocence for which I’ve searched
that seems to slip into the onset of night
Fade not away, you sweet dear boy
and never lose your childlike joy
Fight, fight
the snares of twilight

In the dark of the whispering nave
as rosy incense blesses the scene,
old hymns once sung in chanted waves
still sail through hearts of choirs unseen;
Dimly lit by a sanctuary lamp red,
the altar lies in stony repose:
a throne for him who for all bled
and wished us love by the Holy Ghost.
Streaming, rippling ocean hues
with light washed bluer than Jonah’s whale
flow from stained glass richly imbued
by a Jewish hand with swirling detail:
This sturdy house is a bobbing ark
floating through our tempestuous time,
marked by a seagull who soared and embarked
on making his art for all sublime:
to fulfill the promise of rainbows above
for all those who seek the light of love

In an old Scottish town I walk in well-worn streets
framed by tall houses of stone.
I study their faces that lean in to meet
me: In their presence I don’t feel alone.

The old houses have faces with many glass eyes.
What have those windows all seen?
They stand watch over us like dispassionate spies
with a vision that’s eerily keen.

What strange things that these walls could all tell
if their silent stones began to shout.
But they say nothing at all of the people who dwelt
all around them, within and without.

I came to trust these rock-ribbed friends
who give shelter and keep silent watch.
Reliably they forever our secrets defend
and are just there for us, a loyal lodge.

I once checked into an old hotel
that’s served guests for many a year.
The white-clad staff will serve you well
and greet you brimming with cheer.

Its handsome brick and stone façade
shines gold in the bright morning sun.
Inside, the red velvet furnishings’ a nod
to the lovers’ tall tales there spun.

The rooms are filled with patchouli scent,
or perhaps with a strong note of musk.
At first you’ll easily make the rent
and stay there from dawn until dusk.

Oh, how well could I in that chamber sleep
on starry fields of Elysium each night,
my baggage packed in cotton I’d keep
to stow it from whatever gave fright.

But the longer this hospitality I had
the more a locked hospital it became;
the doors that’d welcomed this young lad
soon rusted, harder to open again.

I chatted with the friendly concierge
and noticed the crease of his smile
was curled into the quirk of a sneer
while his light humor shifted to bile.

The mattress that once was thick and soft
grew coarse and lumpy with age
while the vistas seen from the gilded loft
were obscured by the bars of a cage.

The red velvet’s colors began to bleed.
All was gilded with the gold of fools.
Once this hotel had for me filled a need —
but it sought to make me its ghoul.

This hostel had to hostile turned,
its host was revealed as a warden.
With time I learned its charms to spurn
and escape to a greener garden.

Even now that hooking hotel calls,
a sultry siren who woefully wails
and summons her guests — or thralls? —
to deep sleep in her heavenly jail.

Athena turned ’round her head
like a night owl on the sly
and looked up behind her
as gold Apollo crossed the sky,

riding with his four coursers’
flying gilded manes and hooves.
Their silver flanks and quarters
thunder across the earth’s blue roof.

The rhythm of their beat
stamps a lyric all their own,
blood coursing with the heat
of the sun-disk they all towed.

The she-god of the wise
observes this cloud-streaked scene,
the man-god shining out,
casting shadows ’round Athene.

Apollo’s path is sinking low
as the winter months advance.
The frost now blurs his glow
and bare forests fall into trance.

It’s in this creeping night
that Athena finds her time.
She draws her wisdom in twilight,
no need for blinding light up high.

For she shines not with a sun.
Instead she lights her own pathway.
By her craft and wits she’ll run
her own trail she blazed today.

In a darkened church
hard by the dusky nave,
a brass lectern’s perched
with blue Chi-Rho engraved.

It faces to a reddened west,
its golden sheen aglow,
by light of candles blessed
as darkness ’round us grows.

Above the tall stone spires
dim stars come peeping out
to shine down on the quire
and the small knot of the devout.

We few sit as the gloom
grows deeper all around
and let ourselves be not consumed
by the chaos that abounds.

Once our Evensong is sung
for our time that slips us by,
a last brass bell is rung
as we hope for dawn’s reply.

Helicopter seed
comes to rest on the green moss —
A princess in bed

What happened to the little boy
that I once knew so well?
He’d greet each new day with unfettered joy
and wave the last one farewell.

When oaks and maples began to turn
and the leaves had started to fall
the boy happily switched the TV on and yearned
for the return of his game of football.

Somewhere along this growing boy’s way
he became a great deal like me:
I wake and walk to the mirror today
to see where that boy used to be.

Now I cling to every last leaf
that falls from the branches up high
while stretching the days that are now too brief
as the winter comes rapidly nigh.

From the leaden sky
descends a dark winged lady —
Black sunbeams dawning.

Reddened night replies
and locks her blackened aerie —
Hunter’s moon is rising.

Morning herald cries
to summon sunburst faeries —
Sparks rise a-flaming.

The moon rose up
and the moon looked down
She’s watched the Earth
spin round and round

And kingdoms rose
and empires fell
The moon just waxed
and waned a spell

Her one bright eye
has seen it all —
she’ll still be there
long after we fall

Gunmetal grey skies
loose leaden teardrop tempests —
Lights in the window

Had a chat with my cat.
Now how about that?
She spoke with a twitch of whisker
and slow blinked her eyes to whisper
that she’s feeling quite content
to be in this moment.
For though she’s told me her life story
of all the times she’s been crowned in glory
by defeating her toy mice —
which is really not a vice —
it’s in the here and now
with no sweat upon her brow
that she’s glad to becuddle me
and from worry be wild and free.
Watch her fur belly rise and fall
and her purr keeps me in her thrall
as I scratch her fluffy chin
and feel peace spread within.

In the ancient Gothic church
Mother Mary whispers here;
Her stony face looks out at me,
blank eyes that shed a granite tear:
There beneath her warming cloak
a mass of children huddle there,
seeking shelter and maternal love —
their fears and pains that she will bear
are lit by a sea of candlelight
that lifts cares hence, way up high,
borne aloft away from here,
to dissipate in distant skies

Will she, won’t she
buy my Christmas wares:
If I work to sell me
will she take my snare?

The practiced pitter-patter
of my seller’s pitch
hangs in crisp cold air
and hopes to scratch her itch.

Her eyes dart to and fro
from one stall to the next:
the jingling coins’ fickle flow,
Christmas bells that leave me vexed.

Will she, won’t she,
see this heart that beats?
What if I add it free
to the sale of these sweetmeats?

Each moment wisps of tinsel
a-flutter in icy gales:
I fear her dismissal
as I grasp at just one more sale.

A spark of insight melts the ice
in a tiny warming breeze:
It’s not my wares I price,
but what I’m truly selling’s me.

Stuck on blackened spikes
and under stormy seas.
“Let’s go for a hike,”
my wife said to me.

Her sliver of sunlight
breaks through my fog,
a sparkling invite
to go for a little jog.

On a bed of autumn leaves
and crisp wisps of dew
the trees us receive
while I from black withdrew.

The hulking buildings, sharp and spare,
slow march along the boulevard
through grey foul fumes of city air
as cars give chase on roads of tar —
A single tree stands in the waste,
last stand of nature against our haste

In the teardropped dew of golden hour
as dusk-sun dips below the edge,
an angel of bronze upon a stone bower
keeps watch as nighttime’s fingers stretch.

Across the spans of painted sky,
one by one bright sparks appear:
constellations form as portraits high,
a hunter, two bears, points on the sphere.

These starry creatures connect the dots,
parade across the firmament
and crown the angel deep in thought,
twelve stars, a wreathed encirclement.

The hunter wheels around the dome
of charcoal sky. His thrice-jeweled belt
shines out to mark him as he still roams
in pursuit of where scorpions dwelt.

Above him run two starry bears,
one’s tail-tip pointing to the north.
Though he lays his trapper‘s snares
the scorpion always hurries forth.

The angel watches the hunt go on
as it’s been since this our rock was made.
She hums her part in creation’s song
that set it all turning on time’s old lathe.

There in the shade by moonlight cast,
this angel smiles at the pageantry
of starry figures marching past
to mark her maker’s majesty.

A dark clay raven hung at a windowpane
to ward off bright songbirds from glass.
It never spoke a word, nor did it feign
to know of a departed late lass.

I asked it my questions, expecting more
conversation than it had on offer,
but plainly it found me a tedious bore
for it stayed quiet. Not much of a talker.

The brief encounter left me po-faced
as I’d been led to expect more from him.
So I turned away, belying a trace
of disappointment weighing within.

Then I heard the wind, and nothing much else
except the song of birds who’d survived
thanks to the clay raven who hung by a belt
in front of a window to keep it disguised.

A life after death
prayerfully sought in churches —
Mushrooms in tree stumps

Lightning snaps and rain applauds
as thunder claps above horizons’ walls
Grumbling clouds march swiftly on
to booming sounds and cracks of dawn —
Here below, in the cockpit of storm,
the rain now sows blue jewels that form
on an old rose’s petals and thorny stalks
to test the mettle of the bugs that walk
up and down their rosebush world
that’s becrowned by blossoms, red unfurled:
One bug, aloof, sits calm and at peace
under his roof of a sturdy green leaf —
This one bug that I see amidst all the gloom
is who I wish to be, under red blooms

A **** of lightning’s searing blast
that ripped across her rib cage’s sky
had torn anew through clouds aghast
at what the storm had loosed from on high.

The brooding might of the blackened squall
kicked up the chill winds of her innerscape
and hurled down hailstones, icy *****
that pummeled the pit of her belly’s nape.

To tame this tempest, this wrecking gale,
felt too by the kaleidoscope of her spirit’s kin,
she in and exhaled breaths of kindness to regale
her kinsfolk around her with fresh air within.

Though the storm reared terrible and bleak
above these heads bowed and burdened below,
their sparks of lightning that blazed and streaked
were together tamed to a shared soft glow.

They held tight the hands of those around
who quailed in fright as thunder drums
to form a circuit bright which surrounds
and transforms dark sparks to delightful suns.

Man builds his palaces and fortresses of stone
to last him a thousand years
while clouds drift by that last not long,
as brief as the drop of one tear.

The clouds’ only constant is their change
as they curl into filigrane wisps,
or flocks of white sheep on a blue range,
or black towers wreathed by blitz.

But one day these monuments will topple and fall,
leaving behind only a trace
for future archaeologists who’ll struggle to recall
whatever had been in this place.

The clouds, meanwhile, disperse and reform
in the wandering winds that cover this earth
to tower up high in each new storm
as they constantly repeat rebirth.

In an aisle of a great stone church
by flickering light of candles perched
under finials and arches tinged with gold,
flags fly for blood shed on fields of old:
They wave with wistful dreams of war
and tell of great esprit de corps
in a house made holy for a prince of peace
whose dreams of love they speak of least

There is no pity in Berlin,
a place of prickly wounded pride.

A city of angels
who fell like scars of lightning
from gunmetal grey skies.

I watch old silvered rolls of film
and see flying columns of seraphim
as they march on by
row upon row
eyes ablaze
flaming swords drawn
in a parody of paradise.
They descended into hell
and are seated
at the left hand of the Kaiser:
Gott mit uns.

This sullen scene of no regret
stains the present with the dead and past:
It fits the flinty nature
of the blunt Berliner
under the ashen skies of winter.

I trudge across a gravel path
in the bowels of Berlin,
hear the grinding crunch
of brittle bones below,
and gird myself for the grim winter ahead.

The plaster peels around the windowpane
as Virginia creeper clings, hangs low
on the old stone wall that crumbles, veined
by the cracks from the hourglass’s flow.
The weathered wood of her rafters frame
this battered house that’s fading away
like the troubles and cares she’d contained
which are silting fast into the sandy soil.
The creeper‘s five leaves grasp like a hand:
Gaia hugs this house in her tightening embrace
to fully devour all the follies of man
until only the quiet creeper remains.

In sleet and rain of Edinburgh
a cathedral rises from the deeps.
The salt of sea and old coal blur
veil her face in grey-cast sheets.

On her western pediment
within tympanum carved of stone
sits Christ triumphant and in judgement
where he calls us all to atone.

I stand before him, my head bowed
as I contemplate our shared guilt,
with mea culpas weighing on my brow
for the follies fallen man has built.

And so we’re burning Eden down
with flaming swords that we still wield
as once vast forests shrink and brown
and fallow lie once verdant fields.

Where trees once stood, smokestacks rear
their heads belching fumes up high
and in the deeps, the oceansphere’s
no more a garden for octopi.

For in this our earthly commonweal
that was a gift that’s given free
we prove that purgatory’s real
because we ourselves have made it be.

A whisper came from the carved face
to walk into this stony womb
where colored light and incense trace
a path to overcome the gloom:

Forgiveness for our many faults
comes when we change our ways.
There in this temple’s holy vault
I vow to fight Eden’s decay.

In Edinburgh I found Eden
in a vision of what can be.
For we are by no means beaten
and we can do it, you and me.

Graffiti artist
sprays to say that “I was here” —
Ozymandias

In this dim night
before the dawn of All Saints,
no need to take fright
of the spirits you acquaint —
for they are merely the ones who went on before.

Beloved dead whom we miss
reenter the world of the quick
and blow us a kiss
with a treat but no trick —
as we celebrate their return from the dark shore.

A frail man stood high on a granite precipice
as rain lashed harshly his wrinkled brow.
His dead eyes stared fixed into the abyss
while the deep clouds held an intemperate row.

The powdery embers of his belly’s red fire
had dimmed to flecks of faintest off white.
But now, not far from where this had transpired
shone out a tall lighthouse streaming bright.

And in its arc light’s blazing blue beams
the haggard man saw past his mind’s edge
to see he wasn’t the only in a feverish dream:
Multitudes stood each on a dark stony ledge.

Just then the others saw too through the gloom
that they were surrounded in this bracken dell
by bleak fellow travelers of similar doom:
They shared in their bones that they all were unwell.

This newfound chorus sang their litanies all
in crescendos of crisis and depths they bewailed
but the more that joined in, the music recalled
how by sharing their song they’d over darkness prevail.

There in the bellies of each in the throng
once cold embers began to kindle a spell:
This company of the crushed composed a new song
whose magic this sympathy symphony cast well.

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair
The rosehips have hairs all wiry and grey
that also break off, one by one
Her color is gone, she fades away
until this rose lady’s season is done
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again

Turrets and towers and a fortified keep
all protected by barbicans of stone
encircle a heart that solitary beats
besieged by being alone
The curtain wall rises terribly high
behind a dark, wide, and deep moat
behind both hides a soul with a sigh
draped in a man-at-arms’ coat
The banners are torn and raggedly hang
far above the desolate ward
while the heart hopes for a cannonade’s bang
to free itself with a stroke of a sword
And there approaches on the sunlit plain
a fellow heart with siege engines in train

A-walking through the foggy wood
I found a Roman urn
It marks what seems a noble grave
but its fate took a turn

It lacks a name or token word
to tell just who lies there
It blankly stares right back at me
without the slightest care

The puzzling urn says naught to me
I sit in somber peace
and then the answer falls in place:
it’s a grave for all deceased

For all the nameless of the past
the memorial stands here
The grandest grave that ever was
Unsung now sung I hear

On the day of all souls in the fall
as leaves lose luster to winter’s bane
my father’s shade returns to call
while I walk along a splintered lane:

His memory murmurs in a darkened nook
of years of yearning and wasted days,
as the distance that filled up the book
of our lives still grows as I turn to grey.

The care he’d showed I did not feel
as the pillars of our bridge began to crack.
Too late, I turned back to heal
the fallen span that we now lacked.

By then his old mind’s lantern had failed;
the new light I’d shone back went unseen
and broken arches into a chasm trailed
where once a golden bridge had briefly been.

Across the valley, dark, deep, and wide,
a spectral stretch of stones appears
to shine as a silvery coach now rides
across, to bring two sundered shadows near.

Now on this day of all souls missed
by those who find themselves left behind,
one faithful departed returns to kiss
the forehead of a son’s reopened mind.

Through twisted bars of dark wrought iron
I see the shining golden home.
There once I’d been in my personal Zion
from which I’d freely roam.

But now I note I’ve lost the key
to this imposing gate:
I stand outside, trying hard to see
what caused this change of fate.

When and why did I turn my back
on this inner keep of peace?
How to drop the sackcloth black
and find a new release?

Now I must pull me up
and scale these castle walls
that I myself had built
before I took this fall.

For my sake and for those I love
it’s time to find my way
back to where sounds of cooing doves
becalmed me, come what may.

An ice floe made of gathered up snow
that fell over thousands of years:
The snow’s source water had achingly grown
from billions of sweat drops and tears

But now the floe turns and starts to flow
in rivers of thawed out heart-ice
and emotions once caged start to angrily glow —
An avalanche loosed from its vice

The glacier crashes, a tectonic shift
as mountains of blue-white burst the dam:
The inland is transformed by dramatic drift —
Who will find new order in the break of the jam

Weathervane, weathervane,
whither does the wind blow?
Will you learn to point the way
or will you just go with the flow?
When the fox would rule the henhouse
as the wind twists all around
will the weathercock crow midnight
without making a sound?

Some days on back I sat on a pub’s oak stool
and drew in the musty smell of its past,
its scent of old leather and spilled beer that pooled
under the floorboards in a sticky mass.

An old man came in and pulled up a chair
and he scratched at his stubbly beard.
His grey eyes had fixed me in a granite stare
and rumbled ‘til his raspy throat cleared.

He said, “The word ‘nostalgia’ comes from Greek stems.
It means the pain of homecoming.
We look to the past through a cataract lens
at a ‘home’ that’s made out of nothing.”

I asked, “You can’t go back to your home again?”
He shook his head, a woolen wisp of a sigh.
“That home exists in the land of pretend,”
he softly exhaled in laconic reply.

And then he stood and slipped away home
while the strains of “Jerusalem” played.
I sat in my cloud of memories alone,
from fog emerged in the present to stay.

The flicking fire in the hearth
pops and cracks a wispy smile
while its embers send their warmth
into the stone house for a long while.

The chimney curls with silky smoke
that snugly signals a cozy place.
The walls are paneled with old thick oak
to safely hold us in wood’s embrace.

This warm retreat’s stout red door
is made and unlocked by my inner eye.
Its stone foundation and sturdy floor
are crafted well for brittle times.

Pull up a chair and join me here
in this secret safest place of all —
it’s in each of us, in constance near:
Take some rest in your heart’s great hall.

A simple draft of air in the lungs
like I’ve done a billion times.
Exhale to hum a song I’ve sung
that calms with comforting rhymes.

In and out and rise and fall,
to feel my stomach be moved
and breathe through fears and all
‘til wrinkles of worry be smoothed.

Candle, candle, burning bright
in this vast and dusky church tonight.
In its shimmering light I see
few fellow faithful kneel near to me.
Our chant is soft and barely heard
above this fallen world’s absurd
descent into a tyrant’s wrath.
Like those before, await his aftermath.
Therefore we must keep this flame alive
so that hope and charity still survive
‘til the fickle follies of sundown times
end again and new dawn shines.

An old telephone
hangs unused on the wall
What voices it heard
as people made their calls
fade into the ether
scattered electrons all

Dashes to dashes
dots to dots
All those things once said
now forever lost

I’m in a wide deep river
that flows onwards to the sea.
The wind gusts at my back
in spite of the lee.

The bleak banks are far away,
the murky waters are swift,
my feet don’t reach the river’s bed,
I’m floating lonely and adrift.

Once every so often
I bump against a big rock
that my hands will firmly clasp
to stop the tick and the tock —

but the rock is slick
with the slime of passing time
and I slip on and on
to the sunset light sublime.

Look: All around are scattered people
failing too to stem the flow
as the tireless river hurries on
towards the sunset’s vesper glow.

Then I start to grasp
that to fight it is to fail
and I must be one with the river,
not see it as my jail.

And now, and now, and now:
As my thoughts flow consoled,
I float as one with clockwork water…
each bobbing second turns into gold.

What lies beyond this dour door
that leads to things ahead?
I stand and wonder what’s in store
behind this portal grimy with dread.

Its glass is cracked, its lead paint is chipped
while its brick wall is turning to sand.
Its handle doesn’t invite to be gripped,
nor does it tell me where I’ll land.

I look all up and down the street
and see only more doors that look the same.
Before each one are more: their feet
wish to walk away from these doorframes.

Each one of us is seized by impotent rage
at facing a choice that’s no choice,
to be fixed as if in a steel cage
and finding no cause to rejoice.

But one of us in this bleak boulevard
must be the first to twist the ****
with the will to face the path that’s hard,
to not let our lives by fear be robbed.

Let each of us kick in our doors of fate
and overthrow their grips on our lives,
smash the clock and pass through that gate
with heads held high, fearless of where we arrive.

Spurred by the clarion call: it came to pass
our pent up waters burst the dams.
No captives are we! We struck en masse:
Battering rams forged out of lambs.

Agèd lady sits,
holding her silver and gold —
Anne, Mary, the Son

Anne’s daughter’s the moon,
sits on the throne of wisdom —
crowned in golden stars

Moon begets the Son
who’s fathered by breath of flame —
Both pierced by a spear

Two women, one son —
A motherly trinity
that shines in splendor