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Deep 5h
Melancholy lingers in this city
like some deadly virus
lying sluggishly,
waiting to touch the passersby.
Diesel 1d
The busy breath of a city north;
                                                        Toronto,­ by Ontario shore.
Carrying a sleeping baby.
Cleaning after a successful party.

Camping beyond mountains more mountains.
Playing trumpet on the streets of New York City.

Eating although the food supply is deeply compromised.
Flying with Democrats and Republicans, evangelicals and atheists.

Flying like a fruit fly that won’t quit mating.
Cool as a hummingbird in the stream’s wet spray.

Abstaining wholly, absent from worldly life.
Two dogs fighting but not biting hard.

Chanting as if the planet were mending.
Gourmet dining, devout prayer, loving Mary.

Evenings watching tv. Scotch and Star Trek.
Taking off Emily Dickinson’s clothes.

Meeting in the meeting house, arguing and praying.
Planning a legacy as if you knew enough to control events.

Pursuing happiness as a naturalist or humanist.
Spinning with the planet, performing the history that surrounds us.

Killing many Germans, saving many Jews.
Doing less until one thing’s done well.

Fainting from staring at candles through stained glass windows.
Morning, a billion trillion nuclear detonations per second warming your

Manipulating symbols, solving equations.
Disregarding tweets and facebook persuasions.

Sitting with a tiny Buddha near a rushing stream cutting a gorge.
Running, disciplining myself, making myself healthy.

Ingesting drugs, throwing die, drinking sludge.
Growing varicolored corn.

Participating in the cause because it’s impossible not to participate in
      the effect.
Running over a chipmunk, groundhog or a skunk.

Lying face down in the emergency room facing doom.
Waking up Monday thinking Sweet Saturday! but soon remembering my
      trick knee.

Turning the towering young thunder of my anger against my sons.
Regretting the callow dispassion with which I met my parents’ quietus.

Lawn mowing, leaf blowing, yapping dogs, napping old people.
No jets but a rooster mornings, cows and goats.

Al is painting an apartment. Sirma is cleaning the floors. Felix is taking
      out the garbage.
Deciding tentatively I slightly prefer Heifetz’ to Oistrakh’s Sibelius.

No cedar waxwings, no chickadees, but beautiful moon!
If you’re alone as you get, why are you crying?
—Collins, Billy, “Taking Off Emily Dickinson’s Clothes”, Sailing Alone Around the Room: New and Selected Poems, Random House, 2002.
How long will these enigma of misfortune can be carried out by
my hands—laid and lewd
shining with mud and uncertainty.

How long will the stones be put into pressure
to become the diamonds in the city—where known is familiar
and the unknown is discreet and mystical.

My head throbs with excruciating pain—it can be called as emptiness, a glass without water,
whom the sound shrieks like death is coming.

Into broken pieces of the diamond city—I have felt the pressure, the innate madness of forsaking the world and the world knowing my limits and the little shadow that keeps me company beneath my bed.

How long, oh, how long will these enigma of misfortune be laid out in my grumpy hands—in between secrets and opportunities.

How long, to be an artist?
Another crisis, another piece.
Payton Feb 25
the moon chased me through cities
growing more as days go by

I could not escape its gaze
through foggy curtained windows

I always thought I was made for
the night but as it turned out

the moon burns in me more
than the sun ever could
This poem was written in 2018.
I think my problems began
when I found myself in another city
eating a bowl of soggy cereal
in the middle of a zoom meeting
with a beautiful tie-dye
Allesha Eman Feb 22
Greenlights takeover the afterglow of the sun,
Raindrops paint cities on our windowpane,
We run onto the street with our bare feet
Hand in hand, holding onto a parachute made of dreams.
Zoe N Feb 21
a simple memory, so fragile & could be forgotten
it seems so long ago that we were there,
riding bikes in the dusty air of summertime,
along the empty streets, & once in a while
the dogs would bark as we passed,
angry to be awoken from their summertime slumber.

lying on top of so much history, so many stories,
buried forever in the tall grass & sunflowers
that waved in the breeze as we passed.
you're still there, aren't you?
waiting, watching for me to return, &
for me to remember who I am.

sunset, lighting up the whole world
those sunflowers glowing crimson & gold,
and in the last moments before the sun disappeared,
they hold on to a moment of time,
a reminder of those summer days.

in the middle of a town where people rush around day & night,
in the middle of all those modern buildings, modern people, modern world
you still wait for me to remember; in all the golden splendor,
in the simple fragility of your untouched world,
you wait for us to remember those summer days
that are now only memories, faded and almost forgotten.

Wait for me. I'll come back.
Any feedback welcome :) @Copyright 2021 Zoe N
Rajan Feb 7
The doors slid aside at Métro 1,
A interminable tube driven by an inhumane robot,
To take hundreds to their lovers, their homes, their offices.

A girl fantasying about her lover, A man scathe in love,
An old woman enamored with The Price of Salt,
facing the young man with a Kindle spirit.

A foreign girl with passion for the city,
slides through the crowd,
And an indigenous man wished he was somewhere else than here.
At the next stop a man bids a farewell kiss to her girlfriend.
And in comes a middle-aged couple,
Enters in with a hatred for one another.

I stood for my final stop,
the doors slid aside,
and I got down.

A couple of goodbye words to these swaths of strangers,
who color my dark life with smiles and tears.
"Farewell strangers, I shall meet you another day at another time."
Mouse-perspective; touristy
neck cranked to measure
immensity before me.

So I went higher, to cloudy hills
and gaudy views, where I knew
a great border Above.

Between the clouds I beheld
the enormity of structure, staring
into my eyes? An iris!

Tapestries. Shadow and relief
realized in stone. Baffled
before the incontrovertible

evidence of a benevolent
face? Rushing terrain brings
nostrils, now lips.

Orbiting in the stillness,
stories laid bare as skin
lesions glow.

The cost of working gears
displaces and appears red
as recent scars

where now sprawling sameness
mask the bruises, smooth
as plastic.

My city a single dot
for hands of a blind God
to glide over.
I was looking at the Twisted City promo video that Unreal Engine came out with which presented a big city twisting its entire self around, similar to the effects within the movie Inception.

I thought the slow-reveal of finding out the city you've lived in your entire life (a big one like New York City or Tokyo) is but a single eyeball in a giant tapestry was an interesting idea. I figured using vertical height to handle shadows and relief to add "detail" to the landscape-painting might work in a pure storytelling scenario.

Revolutions and crime from different eras would leaving lasting marks on the land, and I imagine some form of authoritarian government would be necessary to bring such an ambitious project to completion, considering the massive amount of displacement that would occur.

I suppose the imperfections in the grand image brought about by societal instability and humanity just being humanity is representative in such an image. The ideal is massive, but too perfect. A person has scars and imperfections that tell a story.

Having that as a sci-fi reveal in a dystopian (or, perhaps, in a Star Trek-like advanced civilization where the technological ability to easily terraform and create massive cities and infracture at will is available.

Or, we could just do the magic / dream thing, I guess.
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