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6.8k · Aug 2017
Loyal Hearts
wes parham Aug 2017
Loyal hearts are a paradox,
These strong and frail commodities,
They're not concerned with etiquette,
Or confused by love's vast oddities,
They're strongest not for how they love,
Not weak for vision that they might lack,
They're strongest once they've been abandoned,
Love one who will not
Love them back...
Sometimes, I leave comments on someone's poetry in verse, reflecting what I got out of the piece.  This was one of those from a recent read on HP, reflecting some of my own feelings at the same time about trust, loyalty, and what happens when love (or even  friendship) is abandoned.
wes parham Jun 2014
To be strong,
You suppress emotions.

I revel in them.
Just a concept I'm rolling around in other drafts.
(Update: the draft has been released  )
http://hellopoetry.com/poem/745457/points-of-departure/
wes parham Oct 2014
Pour one under the table for those who walk outside.  In memory of Spalding Gray, for what he meant to me...
    Thanks, “Spuddy”, for sharing your inner life.   Thanks for having the courage to bring so many troubles into the light.  You laughed at your troubles and allowed us a way to laugh at our own.  You put a voice to carrying an unbearable shyness or an excess of fear along with us as we go through life.  You strived to care when caring was out of fashion and in short supply.  Thanks for reminding us that life is the journey, and not only the destination.  You wrote a book.  You played a minor role in a feature film.  Those were some of your destinations.  When you shared your journey, you did it with humor, humility, and with love.  Thanks for reminding me that storytelling is all around us.  Thanks for reminding me that it need not be complex.  You were merely observant during your journey,  and you shared it through the lens of your own perception.
    I learned this January that life became unbearable for you.  If only we, your audience, could have comforted you or somehow stemmed the river; the flood that carried you to leave so early.  I would like to believe that, once you died, you might be able to hear our collective voice.  I imagine that you are able to see the people affected by your work, some inspired thus to create works of their own; tell their own awkward stories, sharing them as you shared yours.  I am far back in the line, and I eventually arrive at your table.  You flip a page in your spiral-bound notebook and take a sip of water before glancing up inquiringly.  I only have one thing to say, really.  “Thanks, Spalding.  Thanks for sharing”.
Written after I learned of Spalding Grey's suicide in 2004.   His performances, full of a bare, self-deprecating and personal mania, touched me as they made me laugh.  They said, "I feel this ridiculous *******, too".  They said, "we get by anyway, despite the confusion, the fear, or the pain".  They inspired me to share some of my own self in personal narrative or poetry.  He wasn't any idol to me, I just felt his passing strongly since his own work had inspired me, personally, to live just a little bit more.  Life's a collaboration.
3.3k · Jul 2023
Telescope
wes parham Jul 2023
We assembled a modest telescope,
To find what sights there were  to see.
I stared, transfixed, at the moon and stars,
In the driveway with all of my family.

I know exactly where I stood,
The moment I would find,
The infinite nature of time and space,
And how it all unwinds.

I asked about the size of the moon,
The distance of its arcing track.
I asked about the space beyond,
The nothing in the black.

I asked my family how big it is.
I asked if anyone knows,
The moon, the stars, and all of it.
I asked how far it goes.

“My son, our curious little one…”,
My parents said to me,
“It has no end”, “It just keeps going”,
“Outward, eternally”.

I stared up into a southern sky,
Ominous, dark as the sea.
And I swear, at that moment,
Looking up,
Something departed from me.

            It flew into the dark of space,
And hasn’t slowed in all this time,
       As far and as fast as information can.
                        The speed of light, I hear…
Which is not so much a speed…
          Hitched, perhaps, to the Voyager probe…
   By these new thoughts inside of my head.
                             But I digress.

This thing  began a journey that,
Must bring it face to face,
With everything that ever was,
Every corner of time and space.
Everything that is yet to come,
Everything that has ever been.
Repeating every history,
It’s trek would never end.

That thought has always stayed with me.
It anchors me, somehow.
A line cast from a sailing ship,
Where I stand upon the bow.
In the oblivion of the infinite,
It grounds me to the “now”.
I could have been eight or nine, but I do remember exactly where I was when this happened and it really was a mix of emotions to learn that the universe is probably _infinite_.  I was both terrified and exhilarated; humbled and hugely empowered, all at once.  I loved learning more about the cosmos and still feel the same rush to learn new stories from above.  
33.60455° N, 83.97471° W
2.6k · Aug 2014
don't make me beg
wes parham Aug 2014
When she brushed his hand aside, he had to think;

to search the heart, adrift in the body,
to find a way that would make things clear,
but all that came was a breath of air
,
and it carried with it some words,
 spoken with resignation,
that spelled a plea:
  
   “don’t make me beg”, he said.

Half a world away, a man rested beside a woman.

she looked up at him and brushed his hand
 along her breast.

when it came to rest, at last
, along a thigh and probed between,

she brushed his hand aside, and breathed

a breath of air that said,
 “don’t…”
a moment passed, maybe three.


make me beg…”, she whispered.

20 September 2013
A look at the difference a humble comma can make and ****** ******* in the complete absence of physical restraint.
read here by the author:
https://soundcloud.com/warmphase/dont-make-me-beg
2.3k · May 2014
personal Problme 10w
wes parham May 2014
It always feels like
I'm the one reaching
your way.
You Can't Spell ProblemWithout “Me“, Right?
2.2k · Jun 2015
circumstances 2
wes parham Jun 2015
"A vice grinds hard in the gut..."
Began a poem from decades past.
From one hard lover, now a ghost,
Whose words have long since passed.

She scoffed at love and poured another,
Drunk, to dull the pain,
Sober, I held her in my arms,
On guard against the flames.

But love grew, still, within the dark,
Inside her body, bourbon-tied.
Unseen to me, there was a spark,
And the gates below blew open wide.

Discarding friends and lovers, too,
She ****** them for their care.
Believing this was what to do,
Her love became a dare.

She sang her wrath in poetry,
Self-loathing, hatred, blame.
The gilded coach that had to be,
A vehicle of pain.

I made farewells once she was gone,
They formed inside of sighs.
I gathered up the rhyming note,
And kissed her peaceful eyes.
further inspired fictionalization of events long past, best forgotten.
I've wanted to edit this, but got slowed down recently...
It could live on it's own, as-is, but there's a lot I'd prefer to fix about it.
Alternate version with shifted focus:
http://hellopoetry.com/poem/1099328/circumstances-as-they-are/
wes parham Jan 2015
She never lied, she never lies,
She just ignores.
The truth,
I tried to tell her how I feel,
She just ignored,
The proof.
"Then try to think of something else", she said.
"Write the other way"
Whenever she'd drink and rant like this,
I'd stay out of her way.
Because “real”, for her, seemed to signify,
I tried it once, but should probably try again.
I was real with you, that once,
Only, later,  to find
That those imploring me to "relax",
Insisting things would be different,
If only I could "flow", If only I could "see"...
You said, “be real”, and now the memory
Just turns my ******* stomach
Since all of those whose mantra called,
For a plea to just “be real”
Were the least capable, almost to the man,
Of being anything close to that.
Born in awareness of the shortcomings of humankind, this was a cynical piece of verse, just like the self-absorbed, whining humans it stands for.  It is an exercise in bad attitude and there is some shame in having created it.  It expresses things perfectly, though.  It is an irrational response to the inherent weaknesses of people who claim to care and the ungrateful reaction of those receiving any.

Read here by the author:  
https://soundcloud.com/warmphase/a-thing-of-joy
.
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2.2k · Aug 2014
Force of Nature
wes parham Aug 2014
I found myself, once, longing,
To be hated by you.
To feel the burning shame of guilt,

I won't say any more about feelings,
Because that place,
I'd occupy without them,
To see this nonsense through.

So few people seem to really give a ****.
And you actually do.
You really do.
Maybe if I wished too much for you
To love and respect me,
To see me as as a friend,
then maybe I risk the capacity to be hated by you, as well.
but I tend to see you as a force of nature.

If you ever began to love me, as I hope,
Then I have to realize,
Your capacity to hate me would also materialize.
And, like a force of nature, I know,
You would spare me: Nothing.
Help me: Not.
Trust me: Never.
but you would do nothing to me
Out of malice or for ego or for personal gain.
And I would have to trust,
With a child's trust, happily,
even to my death,

That it was better to be loved
    by a force of nature,
Regardless of pleasure or pain,
Beyond reproach or false intent.
Hear this, read by the author:
https://soundcloud.com/warmphase/force-of-nature

2 June 2014:  love, trust, loyalty, and the equal capacity for hate( also spelled 'dishonesty' , 'indifference', you name it).   This is a work-in-progress.  Make a suggestion, if you wish.  It is still half nuts and bolts.  Something like this can be written in a thirty minute flurry, left alone for months, read sporadically with disdain, dropped again and again, nearly abandoned, until I load it up with fresh eyes one day and it falls together, bit by bit, with each subsequent reading.  A new concept can enter into it, fictionalizing inspiration into a new creation.  Will it have wings?  Who knows.  Maybe it doesn't matter, so long as it is coherent enough to register on the human mind and heart with a reasonable signal-to-noise ratio.
2.2k · May 2014
non-Photographic Blue
wes parham May 2014
Take countless photos, when the mood so inspires.
You may as well have not even thrown the shutter.
For the things that move you right in this moment,
Will not adhere to the chemistry of film
Will not flip one single electronic switch
Cannot be stored, except in the mind,
(A shoddy storage medium)
For the sight of your face,
Your beautiful otherness
Mingling with me in the air in between us-
( As you try to pick my nose… )
Your head is on my shoulder,
Heavy with sleep
And trust, always growing,
As your eyelids drop lower
My arm, sore, bends to raise you up.
I’m relishing the time
To be quiet, close, and still.
When I can find, in my heart,
All the words that mean something,
Not tossed about casually, in the noise of the day.
Children turn you into a media machine, hell-bent on capturing the way you feel all the time.  Give it up, it's impossible!  Seriously, though make sure to enjoy the moment and don't miss it by trying too hard to preserve it.  The title refers to blue lines used in old technical drawings that were, essentially, invisible to a camera when you went to photograph the drawing, but still visible to the eye.  That is, something impossible to capture.
Read here by the author:
https://soundcloud.com/warmphase/non-photographic-blue
2.1k · Feb 2023
Cruel
wes parham Feb 2023
When the hate  she expressed
Was in honesty’s name,
When she doubled down on lies,
Her excuse was the same.
I was there with my finger,
On the pulse and the blame,
But I am not cruel,
And she is not your shame.

That night you tried more,
Smoking, late, on the bed,
And the things you had done,
Were just as she’d said,
When the ashtray came down,
It was inches from your head.
But,
When Fall came and went,
You two were still wed.

You were not promised wealth,
Not one measure of fame,
You said life wasn’t fair,
Because you see it as a game.
Now, the last time we’d speak,
You’d be cursing my name,
But,
I am not cruel.
You will never be the same.
Free associative word story, speaker is peripheral to a relationship that is fiery and also overtly abusive but would rather not be involved, take sides or tender advice one way or another.
2.1k · Apr 2014
combat zoology
wes parham Apr 2014
Twice lost, one soul appeared, unbidden,
Ambushed, in plain sight.
Results?     All hidden.
As I walked, I thought of this,
Imagined as I sought,
A sign of full surrender,
In the battles that we fought.
I threw what always seemed, to you,
The ordnance of the soul,
Words on leaves and tissue tigers,
Weak and boring, far from whole.
My engine had an inner working, impossible to see.
My feet still carry me to you,
And you just stare at me.
It was bad enough to have her occupy every minute of my brain's time.  She ignored me like an Olympic class apathetic, but my feet, those damnable devices of divination, could find her like a dowser's wand.  I began to see this as open hostilities on the part of my angels and muses, to torture my animal so.  Fighting to be heard, fighting to be seen, forced to always find and helpless to engage the enemy at such unexpected close quarters.
2.1k · Oct 2021
The Water Was the Way
wes parham Oct 2021
Gently... exhale , now,
Breathe out, but slow,
And I sink, if only a bit.
Down into the sea, but never in fear,
Though flat on my back in the vastness of it.

Gently... inhale,
Never panic, never rush,
Only trust, and the rise of my chest, but slow,
Only faith in the physics of fluids and mass,
And I rise again, safe from the depths below.

I rise again, safe, at the interface,
My lips welcome air from the edge of the blue,
My ears hear the sea, still muted and mingled,
With the sound of a voice, and a heartbeat, too.
A comfort, a terror, both in the same,
My regular gentle reminder of how,
The world cannot touch me from there,
In the past.

The sea touches all of me, here,

And right now.
( see also, "the water was a woman" )
I do so love to float in water, "flat on my back in the vastness"...  If you fully exhale, then you sink like a rock, but with some air inside, you can bob like a cork.  It's meditative and centering, finding this balance between life-giving air and the drowning depths of that which, paradoxically, makes life here possible.  But, hey- don't over-think it.  : )
2.0k · Aug 2014
a human animal most kind
wes parham Aug 2014
Here was a human animal, most kind,
With a sword for the heart of kindness,
Any that came from a place of deceit.
Are you true to yourself?  
Say, or no, and be quick.

If she told you she cared, or not at all,
Then you had good cause to believe,
That she meant it- every word unspoken,
Or none, as the case may be...

The world built a challenge,
In pretense and sloth.
She gave it the finger and
Bang-  Took the day.
If the night was a struggle, she never did show it,
She made it look easy anyway.

She appeared in the masks we all have to wear.
A voice from behind spoke at last.
Speaking grace through atrocity, reliance on self,
And she never once spoke of the past.

This most human animal, in touch with the world,
Most kind in the offing, decay for the wood,
Preserving a cycle, flesh beetles contented,
That life destroys, as well, to create.

So the life that relentlessly comes, now must go.
I can’t tell you a thing,
You don’t already know.
a meandering through themes on my mind these days, personified into a composite.  Wisdom comes from experience, cumulative collisions and recovery from adversity.  Here, the original idea was to describe a soul who manages to do great good through great harm.  Long way to go, but I wanted to release this into the wild, see if it had wings on it's own.  Not a theme to be wrapped up in one day.
2.0k · Dec 2016
the Unspoken
wes parham Dec 2016
Back at the shore, on my own this time,
I'm free now, yes, but alone.
I'm left with nothing,
No pain,
No rhyme,
On a beach less sand than stone.


The tide still licks the shore for crumbs,
But nothing hides beneath.
No voice calls out in dark, feigned scorn,
No stoic secretly cries for release.


The world outside worked magic for real,
It promised us strength in identity,
But now I'm just beginning to feel,
There's actually something wrong with me.


I can't go back until I know,
That your death has served some purpose.
What chance is there, to survive and grow,
When even ghosts can hurt us?


"Perhaps", I said, "it's all unspoken", aloud,
To myself, discovering,
How words can wound but silence drowned,
A heart that's still recovering.
A follow-up to my poem, "the Unbroken"...
I wanted to revisit "the interface" once more, where our traveler seeks new insights.  Poor *******... Nothing significant here, honestly, the concepts are off-the-cuff, almost random, but the mood I wanted was one of placing the reader on the cusp of despair and a subsequent hopefulness as we try to make sense out of life's pains.
1.9k · May 2014
the Light Between Oceans pt1
wes parham May 2014
It's a ridiculous cliche but, ******* it, your eyes...
Forgive me if I don't always make eye contact,
Or look away too soon.  I'm listening. I swear it.
I'm afraid you might think that I'm full of myself,
Or afraid you might think that I've no self-esteem.
The truth is much simpler than either extreme.
The truth is I'm somewhere right in between.
but still:
Twin seas draw my stare and I fear what I'll say.
Fear falling into their unlit depths, where even my silence could betray.
The source to illuminate and fuel our lives' desires,
Find it in her hands , her touch,
Find it in her eyes.
Her eyes of ocean depth see me,
Giving no safe place to hide,
Searching bad cliches for the light, the otherness inside.
But what if all of my words are wrong?
What if they drive you away?
What if the light between oceans is mute?
Insufficient to make you stay?
What light passes to the heart or soul through those twin gates, but look!
The gates themselves, ruinous sirens that must be heeded.  Reverence, fascination, a constant meditation, your eyes, your heart-breaking eyes.  I can think of nothing else. I can see little else.
-  improvised for a musical collaboration with a distant artist.
part 2:
http://hellopoetry.com/poem/718577/the-light-between-oceans-pt2/

(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
wes parham Feb 2023
If I wanted to take a little time,
If I wanted to share my inner mind,
If someone said it had to rhyme,
I got no time for that ****…

Paint for me, in your chosen words,
The lines are branches; the letters, birds.
Sing to me songs sublime; absurd,
Just don’t tell me it has to rhyme…

Settle the bitter, ancient scores,
Make the audience seek for more,
Make the shoes I stand in yours,
Do not make me repeat myself…

Write me a letter, I long to hear,
Your poet’s voice in my mental ear,
Till the world does shed a collective tear,

I think I’ve made myself perfectly-  uh…

Clear.
Do it!  It’s fun.  Come on, everybody else is writing poems, you know you wanna, how about just one stanza, it could be free verse, rules? there aren’t any, that’s what’s so liberating, so democratizing about poetry, bring it, bring it, bring it, show me what you got…!
1.8k · Oct 2015
Grey Facades
wes parham Oct 2015
We took a drive. I had things to say.
My heart was aching, shattered.
I rehearsed the words throughout the day,
Believing that it mattered.

I met you then but I only saw,
The mask you chose to show.
If you were suffering underneath,
Then how was I to know?

I said,
" Your grey facade hides worlds so vast,
Naked flesh of fruit, beneath the rind.
Your future's informed by its turbulent past,
Full understanding; when you look behind."

You said,
" You try too hard, you think too much.
You never live for now.
Wrapping words around the wrong ideas,
You miss the point somehow."
"Stuck in place, because it's safe,
You're too afraid to grow.
If you had begun to change your fate,
Then how was I to know?"

You saw me within a grey facade.
I saw you within a grey facade.

We could not say more, it seemed sufficient,
That love is patient.
Love is kind.
Love is ignoring all that came before,
Loving only the moment.
That coin of the realm: elusive, bright.
Your grey facade hides
Such a beautiful light.
Love has many names.
Call any one aloud and I will answer.
I will come.
You will see.
You'll see me clearly, even behind this grey facade.
I took on a second spoken word collaboration with a composer in the Netherlands I met through SoundCloud.com.  The track was titled "Grey Facades" and, so, I gravitated toward this theme...  exploring the differences between our outer, public personae and our inner, personal lives. In this case, the mask is harsh but conceals kindness and life.  The speaker, themself, seems to have a thin mask and an analytical nature.  They wear their beauty and darkness right on their sleeve but still remain obscured in other ways.

This is a collage of stanzas written independently over many months, but tending to relate to the one theme.  When I simply stacked them up and read them, cold, against the track, most of it's parts just clicked right with the changes.  I was surprised and really like how it's going.  Will post the final mix when it's done.
Update:   A final mix now exists..  Give a listen:
https://soundcloud.com/flowermouth/grey-facades-feat-warmphase
1.7k · Nov 2021
sOlid Objects
wes parham Nov 2021
I see a solid object, in my mind,
Grasped by a phantom human hand,
Explored to distract, or pass the time,
Every day carry to a distant land.
Fidget, spin, or brass fitting held,
A soothing reminder, dense and cool.
Carried with me,
Compulsively,
In the pockets of a child,
Or maybe,
A fool.


It escapes,
Irretrievable,
                                   Time.
oh, the **** in my pockets, ha!
Read here by the author...
https://soundcloud.com/warmphase/solid-objects
wes parham Jan 2015
"I just want to have ***", you said.
An unexpected non-sequitur.
We had been sipping tea or coffee or something.
We had been reminiscing about the old street,
Back when none of us were single.
"yeah, I miss it, too", I said.

"No.  I mean right now", you corrected.
As I turned to see your face, it betrayed little.
Impassive but alert.  Warm but not intimate.  No passion.
I was willing, but remember: this never happened to me.
Something seemed wrong about it,
But was there any harm?

I asked if I could think about it.
You thought about it, too, as we watched a movie.
Halfway through some Ridley Scott epic, we held each other.
We touch-explored and memory only tells me this is true:
With no further reason beyond the will to be,
I soon lay naked there with you.  
It wasn't love but, then again,
This never happened.
Awkward, at first, we found our place,
Our touch and pull, our rhythm and pace.
"no kissing", you admonished, speaking only that.

Though I rest spent and full inside you,
That was your concern.
Too personal.
Too intimate.

We held each other for a while,  you left within the hour,
Saying, "this never happened", and my only thought,
My only answer to you,
Was a solemn confirmation,
That nothing could be more true.
I only saw a woman
In her motion and the way that she is made.

Read here by the author:
https://soundcloud.com/warmphase/this-never-happened?in=warmphase/sets/poems
wes parham Jan 2016
In a room full of people, you're reading our words,
Silent, to yourself, alone.
Because bearing the stress of talking aloud,
Is much harder than sitting on your own.

And when we let you in, it's all the way.
We keep ourselves safe, but we have to say,
The ideas from within, the shadow or light,
Can comfort a stranger or set things right.

Our words have reached you,
       they've made you see more,
And understand better than you could before,
In a form that can never completely remain,
       untouched by the heart of it's writer,
We share this very real part of ourselves,
While the audience glows, ever brighter.
And vulnerability opens a door,
pulling strength on the strings of a lyre.
Our melody and lyric, not wanting for more,
Can raise each of our readers up higher.
A message, musings, on the power of words and poetry in particular.
In the time it takes to read a poem, the writer can deliver a powerful message of empathy and understanding.  Drawing on very personal observations, the writer can be instantly intimate with their audience, display a certain vulnerability, break down the barriers that keep people from connecting on a real and human level.
wes parham Jan 2023
You wrote a letter, it had to be,
Your merest whim and dearest thought.
I found it clever, you have to see, going
Out on a limb where the true battle’s fought.

We sorely wished and ached to know,
You shared a life, I shared one, too.
The seeds we sow and hope to grow,
‘Till vines cross the boundaries of me,
(And you…)

Forging a future in distant foundries,
Life and love make a space for you.
Our lives, as such, the liminal boundaries,
Our love, of course, the glue.
A riff on some concepts about getting acquainted through writing and the attempts to make real human connections.  The third stanza came first, created spontaneously (and perhaps a little abstractly…!) as a comment on a fellow poet’s work here on HP.  They suggested I extrapolate.  Here’s a hastily constructed extrapolation for Kim.
1.5k · May 2023
stop it. just… cut it out
wes parham May 2023
You worked with words wrapped tightly round,
This secret life of thought.
You sorely want to win, by hand,
Each battle that was brought.
But how can someone understand,
What every stranger knows?
You placed a bleak reminder  note,
where your integrity goes.

You put it off and tried to smile,
But waiting made it hard to live.
You'd seek for her forgiveness but,
There’s hardly any
                                  left to give.

Come back to life, my dearest friend,
You’ve had more than enough.
That inner voice, with strength to lend,
Is  your best ally when things get rough.
What life, the life of the mind?  Nice place to visit, but  wouldn't recommend living there.

   That’s what I originally wrote on the first draft of this.
It is an _old piece. It was born out of a dissatisfaction with written forms of personal expression.  They always seemed to lack something and just became “bleak reminders “ instead of the mighty statements you imagine them to be.  
   The middle part imagines that there is someone the speaker ought to reconcile with but lacks the will to believe that it would be worth it.  I wanted to imply that they’ve used their last favor or given up hope.    
   The final stanza came much later and serves as a reminder to listen to that inner voice, be your own ally even when you’re feeling doubt and defeat.  
Here, I shrug, trust the muse, and hit “save” before I change my mind.
wes parham Jun 2016
The reflecting pool lay long and flat, a massive mirror door...
I stepped up to it's concrete edge, and looked down to it's floor.
I saw pale tiles beneath the water, some pennies, a dime, a nail.
I dropped my thoughts beneath this sea, which quickly grew in scale.

One foot of water became, thus, ten... A hundred... thousand... more.
My view was that of one who's soaring many miles above some shore.
I was, at once, consumed with fear at how this made me feel,
That is to say, I convinced myself that this height was truly real.

That was when I dreamed I fell, but before I'd be no more,
I had much time to think awhile on what had come before.
I had much time to regret the past, and dread what was yet to be,
Saw images of fortune, ruin, the dust of you; the ashes of me.

Small joys helped to bridge the gaps where fear eroded hope,
The terror of  my empty room, the makeshift hanging rope.
My thoughts of death reminded me that the moment should be much more,
I opened my eyes to the rushing air, my throat felt raw and sore,
Looked down to see a blaze of leaves and the fast approaching forest floor.

Asleep, I fell, through sunlit leaves that seemed to fill the space,
Awake, I stood beside the pool when you had touched my face.
Something in your eyes was telling me you were concerned,
You somehow knew the man who left was not the man who returned.

We stood at the shore then, you and I, expressing futures yet to pass,
Fishing out mythologies and illusions that might last.
Our mouths were full of histories and secrets that we bared,
The reassuring comfort that illusions can be shared.

Look east and see the brightening sky, but not yet see the sun,
Look west and see the shrinking black,
The place where last night's stars have run.

Look up and see the limbs and leaves of the high forest canopy,
The ones above the gloom that's half obscuring you and me...
A bright gold glow suffuses them, but only way up high,
Where they already see the dawn, and the guiding star that fills their sky.

I'm reminded by these tall trees rising high into the air,
When shadow darkens my small world, but light is everywhere,
You do not need to see the sun to know that it is there.

So as I lifted up my face,
To where sunlight paints the highest tree,
In this expansive time and place,
I felt the same; beautiful and free.
Read here by the author:
http://wesparham.tumblr.com/post/145722638622/tell-me-what-this-poem-means-to-you-this-is-a

This is a collaboration with a poet friend.  We have traded original titles and tasked each, the other, with writing anything at all under that title.  No rules, just the title as a touchstone; a point of departure.  My friend's titles are sometimes long and descriptive. This one made me think of a sensory experience I have had in dreams and waking hours, too, where I play with the reference of world scale inside of my head, my relative spatial perception becoming expansive and colossal.    The title evoked the memory of this feeling, so I set about describing it in verse.
1.4k · Nov 2014
back to bed
wes parham Nov 2014
I said, "God, I love you".
She smiled and said I'd do in a pinch.

I said, "but I need you to do something for me..."
She looked into my eyes and said, "What's that"?

I said, "I need you to tell me something".
She said, "All right.  What's that?"

I said, "repeat after me"
I said, " 'wes...' "

She stared back into my eyes and said, "wes..."
She laughed a little chuckle in her throat.

I said, "no, this is serious..."
I looked into her eyes.
I prompted her:  " 'wes...' "

She smiled, saying "wes..."
I said, " 'stop ******' around' "

She said, "stop ******' around"
she laughed again, adding, "wes".

I smiled and said, "no, try it seriously  now"
She said, "wes.  seriously.  stop ******* around..."

She laughed.
I said, "want to go back to bed and fool around?"
She laughed.
I laughed.
We went back to bed.
Read here by the author:
https://soundcloud.com/warmphase/back-to-bed
Just a vignette I wanted to expand.  An almost confusing exchange, shifting from the strict to the frivolous.
1.4k · Jun 2014
the Lights of Fires
wes parham Jun 2014
Do you see yourself there,
In this life that you've made?
Arcs traced, just so, by the motion of eyes?
The flicker as they search, the pause before they rest,
The metrics of biology, could they possibly tell?
Whose child was whose,
and what they were thinking?
My children's eyes fascinated me when they were infants, the consciousness burning so bright within.  I wanted to know what experiences sounded like to them, pristine and yet disconnected from the source from which we all derive being.
..read here by the author:
https://soundcloud.com/warmphase/the-lights-of-fires
1.4k · Jul 2014
I Fucking Hate Poetry
wes parham Jul 2014
I think about it, *******,
And it leads me to this place.
Teeth all clenched and aching now,
From shouting in your face.

I told you, I ******* hate poetry.

But you poets listen, and then you don't.
You can't, you never will,
Touch me with your sentiments,
Dropped at my windowsill.

******* your muse,  her wells of eyes,
Just **** the ***** and be done.
Stiffen readers with the tale,
But don't count me as one.

Your Dulcinea's sweet and, well,
(She's better than the last…)
You're dying for a future now,
Not living in the past.

For sweet Art's sake, a nest of lies,
The poverty of self,
puts You up high and lost, in shadow,
and Pining, on the shelf.

So speak your mind now, if you must,
Aloud, to no avail.
Your nature blind of clever words,
Is always bound to fail.
I'm fortunate that some of my friends despise poetry but still seem to tolerate me, personally.  One of these wrote to me recently, "WES... I ******* hate poetry...  Make that the title of one of your poems..."

           ...so, I did.       This one is for her.

She will never read it because she cannot abide poetic verse.  
I told her that I'd be sure not to share it with her.  
She replied, "GOOD".  
She's the best.
.
Read here by the author:
https://soundcloud.com/warmphase/i-*******-hate-poetry
1.3k · Nov 2017
Sara's Moon
wes parham Nov 2017
Slow is her progress and high is her climb,
It's measured in arcs that trace my night sky.
I spoke and she answered, but only in rhyme,
Across space and time, the poetess and I.

In my dream we met, and she told me she'd written,
Something dear to her kind heart- a poetic creation.
For Sara herself, I was utterly smitten,
And I urged her to share it, with awkward elation.

I rambled then, foolish, and shy to be near,
Since her words had already reached me before.
In a future that’s past yet, paradoxically, here,
And knowing, not knowing, just what was in store.

“There's a poem that you wrote...”, I had started to say,
“In the Bradbury story, I think that's the one”,
“There's an automated house that's going through it's day...”,
“It recites your piece aloud...?  but the people have all gone...?”

“ ‘There will come soft rains’,dear friend”, her reply,
And her smile said, “thank you.  I'm glad you recall”,
But this one is shorter”, and her voice was a sigh,
It’s a different theme, but encompasses all”.

Then, as you'd expect, in the midst of a dreaming,
She opened her notebook and the next thing I knew,
Four lines of writing appeared, only seeming,
To arrange themselves magical, universal and true.

——————————————————
"Moon's  Ending"  by Sara Teasdale

Moon, worn thin to the width of a quill,
In the dawn clouds flying,
How good to go, light into light, and still
Giving light, dying.

——————————————————

Every step of our lives, we are walking the line,
Fail or succeed, illuminated in the trying,
The moon is just as bright when she's on the decline,
Our light, consolation to the living or dying.

Thank you, poets. You gave everything that you could,
When you’d make something holy from the simplest spark.
Thank you, friend, for understanding. I had hoped that you would.
Thank you, Sara, for writing the light and the dark.
https://soundcloud.com/flowermouth/moons-ending-with-wes-parham

This is for another collaboration with a composer in the Netherlands, Dennis Ramler.   He wrote a composition inspired by a poem that he loves called "Moon's Ending" by Sara Teasdale and asked if I could write something to mix in.  This is what I came up with.    I'll post a soundcloud link once Dennis has mixed and mastered his track.   The idea was a dream-memory in which the speaker meets Sara just as she has written "Moon's Ending" and entreats her to share it.  They ramble awkwardly about another poem of hers that was used in a short story by Ray Bradbury.  The poem is followed by, basically, a paraphrasing of how I interpret "Moon's Ending" and the final stanza is gratitude for poetry, poets, friendship, understanding, and for Sara who wrote so lyrically about beauty, love, life, and death, each in equal measure of respect and gratitude.
1.3k · May 2014
drive Away
wes parham May 2014
Young, you watch the wheels, mama's car reflects the sky.
Turning,  shifts the scene across the glass as she drives by.
Good-bye for now, good-bye until the dusk begins to crack.
Hello is payment for the night to ransom her hugs back.

Young, the wheels are slowly turning on a new red trike.
Older now, two wheels race beneath a brand new bike.
Two and three wheels' independence foreshadow what's in store.
The freedom found in two wheels, three, compared to that in four.

Drive away, the day was always waiting in my heart.
You drive away, this is the task I took on from the start.
That once you knew  enough to really take care of it all,
To seek the challenge of the world, to fly, and hurt, to fall.
To measure all the joy and pain, the cost from what was free,
I hold you close, but teach you how
to drive away from me.
Here's one more paradox about parenthood.  
Our whole goal as parents is to make sure that, one day, these little people _don't need us.  It's bittersweet, because your pride in their independence contrasts with the love and holding close that helped them learn confidence, compassion, and strength.  I can barely read this without weeping.  **** changes you, man.  At the core.
1.3k · Sep 2014
the Unbroken
wes parham Sep 2014
Back at the shore, at the interface, I tried, once, to be free.
I found a human animal there, hidden beneath the sea.
It stared, defiant, back at me, perplexed to be observed.
It had no need for company,
It had no need for words.

I felt unable to understand,
Understanding all too well.
The pain within the heart of man,
The pain they buy and sell.

I spoke aloud, though, anyway,
I thought I knew those eyes,
Believed my voice could make a change,
In other creature's lives.

"You're hurt", I said, to the ocean waves,
"Why hide beneath the sea?"
"You're a fool", it said, "presuming that",
"There's something wrong with me"

"Go back to where it's warm and dry,"
"Just walk away from here."
"The water gives me all I need."
"Spare me your hope and fear".

Perhaps", I said, "We all are broken,"
"To some extent, in body; soul..."
I saw my own, afraid but happy,
So unbroken as to seem whole.

It shouted at me once I had left,
We would never meet again.
Then whispered an unheard, but felt,
Admission to the pain.
Sunday 01 September 2014 11:15AM
seed= so unbroken as to seem whole
or, did you just become accustomed to the pain?
Still working on the final stanzas, trying to preserve "...an unheard, but felt, admission to the pain" without that awkward abruptness.
Read here by the author:
https://soundcloud.com/warmphase/the-unbroken?in=warmphase/sets/poems
1.3k · Oct 2014
the water was a woman
wes parham Oct 2014
His body floats on the surface,
Limbs spread wide and bound to the water,
An "X" marks his place on the planet.
Ankles and wrists between water and air,
He submits to a force of nature,
An "X", half submerged in the waves.
It says, "You are here",
but the ocean has more "there".
The water is a woman.
The sea is terrifying,
But he won't ever fear her.
A force of nature does nothing for spite,
Nothing for greed,
Nothing for personal gain.
His death would be clean.  
Honest.
Absorbed, even, thoroughly, back to the source,
The waters from which we all came.
Whenever I have the chance to swim in the ocean, I am compelled, beyond my will, to swim out past the choppy stuff and float, limp and contemplative, upon the rise and fall of Earth's seawater.  I clear my thoughts and drift.  Invariably, though, thoughts arrive.  Then this kind of **** happens.  I wrote the start of this back when first exploring things that appear in "force of Nature", that submission to natural forces, free of judgment.
( read here by the author:  )
https://soundcloud.com/warmphase/the-water-was-a-woman
1.3k · May 2014
like her more
wes parham May 2014
His love for her made her
More like him.
Her love for him made him
Like her more.
His love for her made him
More like her.
Moreover, for them,
She made love more like him.
He made love, at her whim,
More like her than like him.
The heart embraces what the eyes have made welcome.
A relationship evolves constantly, motives and incentives shift, carrying lovers along a river unlike what they could ever dream of predicting or controlling.  That said, I wrote much of this only for it's clever wordplay, the rhythms of speech, and to impress a woman.  Oh, fatal vanity!!   Hear it read aloud here:
https://soundcloud.com/warmphase/like-her-more
1.2k · May 2014
lean raven head
wes parham May 2014
Hello again, raven, I’m glad that you’re here,
It’s been far too long since you came.
I missed your black feathers, your gravelly call,
Becomes music when speaking my name.
Lean close, my bird, and tell me a secret,
Any, if yours, will do.
I’m too long alone, and the world is too guarded,
I’m pinning my hopes all on you.

Lean again, bird, and tell me some more,
Black feathers cantilevered,
Away and Away.
Drink of me,
And Drink of you,
As we think all the night into day.
Music, when speaking my name.
Her voice, unkind; her heart, steady set against a storm of blackness.
By your thoughts you will change this world for the better.

Read here by the author:
https://soundcloud.com/warmphase/lean-raven-head?in=warmphase/sets/poems
1.2k · Apr 2014
Useless Feet
wes parham Apr 2014
His feet carried him there with no plan but to see.
Beyond that, the ****** appendages were ******* useless.
But he can't blame his feet for the failures above,
In the brain that is always awash in a chemical storm,
Not of it's creation,
But rather, from failures up higher,
Where angels throw darts and roll dice with God,
(who disdains such a sport),
And anyway...
So, here he is again,
With a mind full of wonder,
When he wants only, sorely, for this:
To have something to say,
Through the fog and the chatter,
To find that within,
Which is real.
If you've ever been drawn to someone, but never felt able to connect, it was probably just your useless feet dragging you over to talk to her (or him as it suits), but then just leaving you there afterward, brain terrified and devoid of anything reasonable to say, much less entice the mermaid to further intrigue.  The poem ultimately gives up, blaming a whimsical deity and bored host of angels.  Sigh...
If this sounds familiar, then this poem is dedicated to you.  
You are not alone, not by a long shot.

Read here by the author:
https://soundcloud.com/warmphase/useless-feet?in=warmphase/sets/poems

.
1.2k · Mar 2017
L'Enfant Terrible
wes parham Mar 2017
Our lot was not to stay all night;
In kneeling praise by bathroom stalls.
Alcohol numbed your honesty's bite,
wrote her destiny on the divider walls.

And we weren't the kind to cheat, don't believe,
All the loose lips half-cross town,
Last call patrons who watch me leave,
And shut this ****** down...

Like Zane and Beckett, so convinced,
Their **** would last forever,
Bad enough to make you wince,
If they spend one more second together.

Or Jane and Kinney, young, driven, and full,
Of lust or something similar.
Don't be surprised, you've seen this fire,
The end? ...all too familiar.

And pretty Syd had all the gall,
and Pony Boy thought he knew the score...
but he's just a **** like so much Pyrex,
Stuffed inside his paper *****.

But Ashtray Woman with ***** Mouth,
And monster's blood on toilet tissue,
Is just another frightened girl,
With real and dangerous daddy issues.

Now, here, at the close (I'm still glad to say),
You deserve almost everything, that you've won,
Our karma arose ( and, in time, took the day ).
Now I ponder regrets in the hours before dawn,
It wasn't the when, or with whom we may lay,
or the time in the morning before I should be gone,
It's more about how we desired to stay...
When we gazed into stars lying flat on your lawn.
I once craved your poison but, now, in my way,
I'm actually glad
to see you gone.
I don't write the darkness very well.  Need practice to make it less cliche.
1.2k · Aug 2023
Ouroboros, All the Way Down
wes parham Aug 2023
The wheel of fortune turns for me,
And always, revolves at its own leisure.
Time is curved where the future will be,
But always flat when it is measured.

The rest is a serpent, in every direction,
Forever consuming the end of its tail.
Self contained death and resurrection,
Superluminal ship, without wind or sail.

Will you safekeep our knowledge when it is done?
Humanity’s worst as well as its best?
Will you mind if it’s turtles, all the way down?
A stable foundation on which to rest?

Where will you fall, at the teeth or the tail?
Destroying or rebuilding anew?
If All is cyclic, then we’ll meet once more,
Eternal versions of me and of you.
Apropos of nothing, I wanted to mix the concept of the World Serpent and the old quote about, “turtles, all the way down”.

Along the way, though, some things also crept in that just seemed to fit.

Considering altering the first stanza to:

Time is curved where the future will be,
But always flat when it is measured.

(Edit:) After a comment from HP poet Lori Jones McCaffrey, it’s been changed.  Previously read:

Time is flat where the future will be,
And curving only when it is measured.

Words can be so fickle.
1.1k · Apr 2014
ocean's Floor
wes parham Apr 2014
"Nothing waits below for you", mermaids smiled, and spoke to me.
Memory fled, then all I knew was written on the sea.
Great paragraphs, on ocean swells,
In running, sodden ink,
The bow broke foam from recollections,
My wedding day,
I think.
Words rose up the sides of waves,
and flung me down the other side.
Then licked the shore for crumbs they found,
That rose up in the tide.
Heartbeat slowed, my body sank,
Turned empty eyes beneath.
Rays of light revealed your face,
Colossal, in the reef.
The poet's memories are stripped away as his life is ending.  Drowning at sea, his final sight is the staggering vision of beauty in a human face, seen formed out of the reef on the sea floor.    Inspired by a dream and after a steady musical diet of nick cave's "push the sky away", including a track called "mermaids" which contains the haunting verse:
"I believe in the rapture, for I've seen your face,
  on the floor of the ocean, at the bottom of the rays..."
Hear that noise recited by the author here:
https://soundcloud.com/warmphase/oceans-floor
1.1k · Jun 2014
this Stupid Book
wes parham Jun 2014
This stupid book has nothing to offer me
In eight pages on stiff paper board.
The pictures are saccharine,
A fat headed boy
In colorful clothes
Shows us what he can do.
How could I see the value
In knowing this simple stuff?
I’m too far removed from my point in time
When “jump” and “run” were just sounds,
When jumping and running were just what they are,
Far removed from the labels we gave them.

So it comes to this: this stupid book
Among all of God’s ink-sodden paper,
Is an achievement of gold,
the height of literature,
a swell in my throat,
When you brought it to me
just today, and said,
“dada”
“read”
I never liked reading that book. When my daughter asked me to read it specifically, I knew it wasn't because it held some special place in her toddler heart. She wasn't talking much, but she said those two words to me, holding out that stupid book, and I realized why we read together. It's to BE together, *******, just as much as anything. I understood so much in that moment.
.
1.1k · May 2014
the Memory Palace
wes parham May 2014
Raise, for your experiences, a city.
Build a warehouse, down the block,
Where you’ll keep the cosmos.
Build a bookshelf, within a brownstone,
Where some other things can go.
Like the time you grasped a flower,
Felt beneath, felt the spines that
Pricked your skin,
Made you cry.
But that shelf will be revisited many times,
In this fragile, crumbling zip code,
Forsaking more majestic memory palaces,
Because the vision reached your soul,
Through pain,
Of all that beauty, soft, red, enfolded into itself,
On such a slender stem.
Revel in the joy, but don't forget the pain. It is your god-given right and a valuable ally once accepted and befriended.    
One of the devices for memorizing inordinate amounts of data is to imagine a place and travel through it, mentally, placing items here and there along the way.  Recall is achieved by simply traveling through this imaginary space again, where the logic of placement becomes a natural mnemonic for recall.  Time and Memory are themes I find myself flying to again and again.   The flower was a person I felt wounded by, but learned that nothing is as it seems.
Hear it here, read by the author:
http://soundcloud.com/warmphase/the-memory-palace
1.0k · Oct 2014
Moulting
wes parham Oct 2014
This thing, the words and all?  I was trying on a new skin.
It was made of the old -the familiar, too, but transformed.
Something added that could take root,
Take me out from the norm.
Take on a new identity.
Perform.
Squinting at a light, held at arm’s length:
My own spotlight.
So you could watch me act it all out,
Over and over, forever on the page.
but nothing ends as it began.
My troubles, my worries, my lust, my greed,
All fictionalized and petty.

Disgust and shame.
Anger and fear,
Are not advisable
Unless they bring about change.
Even those, now left behind.
Moulted.
Shedding my old skin.
Toughening up the new.
The muse seems to have fled for the moment, so I don't have much in backlog of drafts or scribblings.  Maybe she'll return later, improved and healthier.  Little less bitter, I'd like to imagine.

Read here by the author:
https://soundcloud.com/warmphase/moulting

"I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released"
1.0k · May 2014
but, "still", she said...
wes parham May 2014
I led her, at last, to the lip of the crater.
The smell and heat had been increasing as, each conversation,
We drew closer to it.

Apprehensive, I searched her eyes.
She saw it fully, my greed and my shame,
The cavernous need of my worst natures.
Flames singed her hair and the smell choked us both.
But, "still", she said, "be still..." and smiled into my face.
28 may 2014, intended to be fleshed out into some kind of surreal prose describing how kindness can dispel fear, anxiety, "our worst natures" dissolving when understanding replaces unhealthy reactions, when someone who loves you just...  well, understands.  Encourage me to expand upon this.
987 · Oct 2015
another Miss Understanding
wes parham Oct 2015
Secretly, I envied you...
Forgive me if it presumes too much
To wish you happiness and comfort.
As far as I can tell, you'd have me think
Those things are not for you.

I used to think that this was appalling,
and pity the creature who lays claim
To misery as their lot.
but
Secretly, I envied you, before even
Understanding,
That my pity was like hatred,
A misery in its own right,
And worse than that which I judged.
I resented the affront, another deadly sin,
And you were right.  
You were right again.
You were right.
All along...
When all that you presented
Was hostility and greed.
How was I supposed to know
To look deeper?
-hear the author reading his work:
https://soundcloud.com/warmphase/sets/poems
.
True happiness may be a myth, but you'll discover that that's just fine.
Ease suffering where you can and contribute no additional suffering.  You may just find this more than sufficient.  And, please, don't deny others their given right to move through sadness  as well as joy.
983 · Apr 2015
next Time Around
wes parham Apr 2015
Fallen angels and pixies and such,
Look into Earth’s skies,
Remembering much,
Of their life as it was,
Time and energy fields,
From the young star above us,
To the way the wind feels...

Could it ever compare
To the home that once was?
Oh, I say to you, “yes…”,
Yes, it can,
And it does.
this was a super fast bit written in response to a friend's poem.
It's more whimsical than I tend to write, but it flows and I will own the optimistic mania that it seems to hold.
Read here by the author, with a brief commentary:
https://soundcloud.com/warmphase/next-time-around
955 · Dec 2014
your clay pigeons
wes parham Dec 2014
Wednesday 17 December 2014

This one was beautiful.  I sculpted it myself.  Did you know that?
It took years and, if I’m completely honest, I was overly fond of it.
I’d made many, of course.  I had to.  We all had to.
Cupped, round, and smooth, heavy in my hand like a clay pigeon.
So beautiful...

Somehow it began in light,
Naïveté and youth.
I used to say it just felt right,
And free from all abuse.

At  first it formed a perfect ring,
Of lies I thought were true.
I bring it, now, to end the thing.
I bring it, now, to you.  

Because every thing must have its place,
Every thing in its own time.  
This beautiful thing has failed it's need,
Inspiring only pain and rhyme.

-but may it live in memory, still,
May the growth outweigh the pain.
When pain brings growth beyond your will,
Remember fondly, this thing, again.

So why did I smile when you asked me to hold it?
Why did I find it fitting that you made me load it into the trap?
Why were the lines formed by your braced shoulder,
your leveled forearm, your
outstrectched, cradled hand,
so beautiful...
when you inclined your head,
Closed one eye, and,
Steady, raised your sights?

Why did I love you so much for pulling the trigger?
This is about destroying beautiful, shiny, enticing things in your life that have turned out to be harmful.  Once upon a time, a talented marksman took aim at some of mine.  I'd like to contrast the appeal of the thing with the violence of its destruction, for creative acts could be defined in violent terms...  primal, like the forging of matter in stars and childbirth.  Or mundane as the attrition of a pastel chalk, giving up its pigments to the paper canvas.
wes parham May 2014
Always, I have been here before.
I tried living backwards with her,
Asking the questions after her answers,
Falling in love once she was long gone.
But that was another, not the same, in a chain of serial Dulcineas.
But then you came along and climbed down from that pedestal,
you slapped me,
Hard,
But laughed,
And I realized,
how you had been right,
All along.
You've got it all wrong.  You're doing it wrong.  Listen to that coarse voice because it is much more practical than you.  There is nothing romantic about a pining Quixote, he's just another giant mouth to feed.  Elevation and desire, the one you need is not the one you want, candy is sweet, but can give you indigestion.  Life's best lessons are painful, don't ignore their value.
Hear that noise here:
https://soundcloud.com/warmphase/i-have-always-been-here-before
930 · Aug 2014
points of Departure
wes parham Aug 2014
Perhaps we could give each other insights,
Ideas, ways of thought,
Ourselves, the points of departure,
Ourselves, like complimentary colors,
The frequencies I lack, I might find,
And the frequencies you lack,
might, too, be filled.
Know what it means, this joy,
Know what it means, this sorrow,
Perhaps the darkness confused me too much,
Perhaps your joy confused you too much,
Do you shun your feelings
      because they make you weak?
I wallow in mine to make me strong,
Like each muscle fiber, torn in the making,
I trained , unwitting, but found,
The pain unavoidable to risk the pleasure,
Euphoria, plain joy, or humble contentment.
Pain or pleasure  this world is sometimes intolerable.
Also shoehorned in the concept from my 10w "all roads lead to strength".
916 · Jul 2023
Never Did I
wes parham Jul 2023
Never did I try to guess,
Or ever pretend to know,
The places you would retreat to,
The places I could never go.

Silent, you would disappear,
And, silent, you'd return.
No questions asked, no trust betrayed,
I simply had to learn.

It never was… personal.
It never was… yours to tell.
It never was…  my place to ask,
It never was, but it’s just as well.

It never passed from between our lips,
Or a friendly, reassuring touch.
“And that's ok”, you told me once.  
“Don’t  be afraid”,  “You worry too much”.

Never did I fault your wishes,
And my loyalty was never a whim.
I never doubted your kind heart,
And never did I falter, my friend.
I fed this one to Suno and it's kind of fun.  I'm not a fan of generative AI music or art, but it's fascinating just to hear the words put to a chance melody and rhythm.

https://suno.com/song/b6961485-1617-4c7d-985f-7d8398601d3b

I’m not 100% sure of the exact story here.  I like to explore connections and the uncertainties that can plague them.  It’s kind of, initially, about the speaker learning when it would be necessary to do nothing when instinct might insist otherwise.  Learning to be quiet when you want, very sorely, to speak.   And, of course, full evergreen disclosure:  As most creative endeavors, it is stuffed about the edges with some Grade “A” crispy-fried *******.  mmm, tasty.
wes parham May 2014
Confidences
   were something we shared, but then,
Secrets are nothing per sè...

Confidence
   was a thing that I'm lacking, but that
Never stopped me, anyway...

I pressed you, you starved me,
It was wrong, but it couldn't be helped.
I said some things that I don't quite recall
You said a few things yourself.

It was a ridiculous assumption, and god **** it,
You're right.
Forgive me if I don't always hear your advice,
Or look away from the truth.
I'm still listening, I swear it.
I'm afraid you might think I'm just here for your ***,
Or afraid you might think that I'm boring and dull.
I'm just beginning to learn that others perceptions,
Are all, as they should be,
well beyond my control,

But, still...

Your eyes of ocean depth see me,
I want you to speak my name.
Searching all my cliches in the dark,
Forgetting the lies from which we came.
But what if all my words are true?
What if they show me the way?
What if the light between oceans is thought,
And words sufficient to make you stay?
(continued from part one)  Nasty business, this.  The story takes a dark turn, polluting the waters but pulling through in the end, hopeful.  Hopeful.  This is all metered for a reading over some music sent to me by a distant collaborator through soundcloud.  I'll link when that noise is ready.
http://soundcloud.com/warmphase
(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
906 · Apr 2014
when Miss Understood
wes parham Apr 2014
Miss sits in silence and understands,
Nothing breaks the spell.
Missing nothing, understanding,
As far as I can tell.
Miss spoke and said, the word was "sure",
An understanding guess,
Missing understanding pure,
The answer could be "yes".
Miss came and understood for sure,
But wouldn't stay for long.
Thought was insufficient lure,
When I think my guess was wrong.
You think you know what's happening beneath the surface, but you don't, you really don't.  Let it ride, give your thoughts time to let it go properly.  This one's for those being misunderstood, whether you know it or not.  This one's a shoe in your face when you thought you had it all figured out but you were wrong.
Hear the author shovel that noise here:
https://soundcloud.com/warmphase/when-miss-understood
885 · May 2014
loving Giants
wes parham May 2014
Perhaps you’ll remember,
though most of us don’t
recall our earliest days.
What relative scale could you use
to describe the things you saw
and the things you felt?
It seems too unreal for a mind
you would one day call mature
and an intelligence
deemed sufficient.
If you could, would you choose,
and what would you find,
if you could retrieve these moments?

when a warm, familiar heartbeat
kept reassuring time,
in a comforting bed at blood temperature,

when hands twice your size
would cradle you completely; move you
from bath to crib,

when loving giants would come
when you called,
to sing or to soothe your pains,

when sleep held dreams of this and more,
in a language we all have spoken,
Beautiful to hear, forgotten on waking
As I struggled with the challenges of being a new parent, I imagined what the perspective might be from my infant daughter's mind.  I wondered what she thought of us, how she would describe us once she could do so in our language.  I say "our language", since the mind must be forming thought before language comes around, some ur-language of the collective conscious mind.  The phrase "loving giants" kept coming to mind, since we must seem colossal to a newborn as we move them about, cause some discomforts, alleviate others, as we sing and laugh to let them know they are safe and cared for.
Read aloud here by the author:
https://soundcloud.com/warmphase/loving-giants
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