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ConnectHook Sep 2015
[Infernal Dialectic of Ongoing Struggle]

Spoke Mao Zedong to Kim Jong Ill:
We languish here in deep red hell—
Let us confer and analyze
What factors revolutionize
The contradictions still.


Replied Lil’ Kim: The running dogs
Beguiled by class and capital
Have overdrawn and overspent.
They bank on debt, and make lament
And flounder in their fogs…


Kim chee does stink, but tastes so good
Do have some more, oh comrade Mao.
Fermented cabbage goes so well
With Hennessey and blondes (in hell)
when
Juche’s in da hood!

The Fearless Leader (now a shade)
Responded thus: Just give them time.
Our doctrines spread, their God is dead
Their sons shall sing ‘The East is Red’
Our party’s got it made.


Ill Kim displayed a wicked grin:
Our rocket-launches make them fear
They scold and cluck, and then they duck
While Hillary tries to pass the buck
I think we still could win…


The Chairman thought and sipped some fire
in communistic reverie, and feeling very clever, he
Replied to Ill: This place we’ll fill
with dead reactionaries still—
fifth columns to inspire.

Now let the thousand flowers bloom
And let one thousand thoughts contend.
Remember **? Remember ‘Nam?
We triumphed over Uncle Sam—
He’s limping toward his doom.


A wizened ghost now drifted in
Because his name had been proclaimed
A wispy beard (as yet unseared)
Revealed the mastermind once feared:
Old Uncle ** Chi Minh !

** **—old friend! Draw near! Draw near,
Spoke Mao: In solidarity
We hail your work upon the earth
You showed them what a war is worth
You’re always welcome here.


Ill Kim and I were wondering
How best to make the forward leap—
conspiring ******* their cow
and smoke their duck and drain their sow
while they are buying bling.

** Chi, old warrior, why the frown?
Upon your wisdom now we wait.
The forces red you bravely led
You staked your claim until they bled
And brought their nation down.


Old uncle **, the sage revered,
did smolder with his cigarette.
Viet Cong thought is hard to grasp
It slithers like a jungle asp…
** paused and stroked his beard:

You speak without the people’s light!
I criticize in strongest terms
Your revolutionary thought.
We need to ask our friend Pol ***
How best to steer this fight.

Such gradual change, a halfway measure
stalls the Bourgeoisie’s demise.
Our true Khmer Rouge was not a stooge
of Kapital. His fame was huge
for plundering their treasure.

True, he had to purge his nation
such is revolution, gents…
The traitor classes see the masses,
through reactionary  glasses.
Death or re-education!

We ought to sow his rural seed
for pure agrarian reform.
The bodies in the rice can rot
to fertilize the harvest plot—
the people’s mouths to feed.


When Pol *** heard his tactics lauded
he flew in to join the jabber:
Take a tip from Kampuchea!
Listen well and I will teach ya!

Kim and Mao applauded.

City folk are useless eaters
glasses-wearing foes and cheaters!
let them slave – and always save
their corpses for the fertile grave
Until they love their leaders.

From the barrel power grows—
(I don’t mean kim chee barrel, boys).
Now learn my way.We’ll have our say
Their weakened states will wither away.

The Red dictator rose.

Prepared to ramble on for hours
(the way Fidel so loves to do)
Pol ***’s harangue now fired the gang
like rockets falling on Da Nang
emitting sparks in showers.

Hell is known for lack of stasis—
Sudden throes of quaking fire;
fitful flares from from Satan’s lairs
and constant similar affairs
the population faces…

Thus Saint Pol ***, still naming names
along with Mao and Kim-Jong Il
while ** Chi screamed, and then blasphemed
were swept en masse, and unredeemed
into the surging flames.

Yet still they plotted in the blaze
with dialectic deviousness.
Philosophizing, strategizing
stinking sulphur brimstone rising;
ghosts in the yellow haze . . .

        ☭ END ☭
http://tinyurl.com/q6uyx34

nish  Aug 2018
.era
nish Aug 2018
------------------------------------
 \ why is it that time slips /                              
   \she slides and slithers /
     \right through these  /
        \ infinite crevices  /
          \found all over /
             \my greedy /
                \ hands,  /
                   \ like /
                   /    •   \
                 /       s      \
              /            a       \
           /             n            \
        /                 d              \
      /                                      \
    / in the dainty hourglass \
  /sitting aloft my skew shelf.\
-----------------------------------------
I wanted to try shape poetry again, and I have to say this was MUCH harder than .leafing
https://hellopoetry.com/poem/2633672/leafing/

It took forever to align the slashes to give this poem shape, without them it didn't look like an hourglass.
I hope you liked this poem and I'd love it if you commented some links to any shape poetry you've tried out.
Hope you enjoyed :)
Mikaila Oct 2013
Loneliness.
What is it?
It is a concept we so rarely describe in detail.
We've made up a specific word for it-
Three little syllables-
Just so that we can say it and be done with it,
And escape the contemplation.
But I know my own loneliness cannot be captured,
Cannot be encompassed,
By merely the word.
What is loneliness?
It comes in all shapes and sizes,
A space,
A lack,
That can be big or small,
Sudden or excruciatingly slow,
Sharp or fuzzy at the edges.
Hell,
It can even be comforting.
What is it about loneliness that is so insidious?
Harder to rid yourself of than fear
Or anger
Or even such tricky, barbed things as doubt
Or hope,
That stick.
Loneliness doesn't stick.
It seeps.
Steeps.
You stew in it.
It is beginning to occur to me that I don't believe,
Once one realizes loneliness for the first time,
That one is ever truly rid of it again,
Even for a second.
I think it is a permanence that we as a race refuse to acknowledge most of the time.
Some forms of lonely are fairly benign-
The little tingle on the edges of you, when you are home alone and the house is silent,
And for no apparent reason at all-
No sadness, no fear, no thought that is particularly unpleasant that you must drown out-
You nonetheless feel the compulsion to switch on the television
Even if you won't watch,
Just to break the stillness with a human voice besides your own.
Then there are the darker types, the truly ensnaring ones,
The lonelinesses born of the memory of times when,
Perhaps, you were less lonely,
Or even thought that you had flushed the feeling from your soul entirely.
Loneliness is an otherness,
An alien thing that lives in your heart,
That makes you question whether there is anyone out there who would have you
If they knew
What was on the inside.
There is the type of loneliness that creeps up on you and follows nipping at your heels like a shadow on the pavement as you move through your day,
Reminding you, whispering in your ear that here you felt less alone, and there, and that those places are full now,
Of emptiness,
Because those times have passed and not had the courtesy to clean up their cobwebs-
Memories linger in certain little spots, and collect like dust little pockets of loneliness that grab you all of a sudden,
The way forgotten spiderwebs stick in your hair as you move through an old house.
This type is jarring, disturbing, and
Afterwards I always feel the desperate need to wash away the feeling,
Scrub myself down.
There is the breed of loneliness that is a bit more genteel,
And curls cold at your feet like a well trained dog,
Formal and subtle, but constant,
Watching.
This is the sort that makes you feel just somewhat hunted,
When you try to sit in silence by a fire at night in your living room
And find that you must read a book to drive the stillness from your head.
There is the truly hollow kind,
The kind that has no courtesy whatsoever,
And actually slithers into you, inhabiting your heart and stomach and bones
As you try to fall asleep
With ice.
It is this kind that, if it is strong enough
(and you are weak enough)
For it to remain until morning
Forbids even the smallest human touch-
Every gesture of tenderness from another person
Makes this loneliness increase,
Every embrace, every handshake, every accidental contact of skin
Becomes unbearable,
And the afflicted shies away,
Perpetuating a cycle of vicious disconnection.
They all leave a little something cold, even when they recede,
In the core of you, that won't be dislodged no matter what you try.
Loneliness,
Like a cancer,
Can only be considered in remission,
And never truly cured.
For when given room to prosper even for the space of a second it expands and swallows up your thoughts
Until they whither with frostbite.
I suppose I shouldn't be shocked-
As humans we live side by side, arms linked with
Most of the things that will eventually **** us,
What's one more, cozying up inside our skulls,
Inside our hearts?
We have a partnership-
An entirely human concept-
With all that destroys us.
And so we live with out loneliness, like a second shadow.
What is loneliness?
I am still unsure.
I can only describe what loneliness does,
Not what it is.
*I think that maybe to understand it
Would be to die of it.
Alan Maguire Mar 2013
A is for Adam the Aardvark and his band the African Ants
B is for Broderick the bumble bee who thinks they are pants

C is for a cynical cat named Crusoe
While D is for Darwin the delightful deer
E is for Eric the elephant who always drinks my beer
F is for Fernando the Fox but in Spain he known as  Zorro
He lost his wife Matilda last week and is now brimming with sorrow
G is for Gerald and yes he is a Giraffe
He wore odd socks last Tuesday and made Heinrich the Hyena laugh
Imelda is an Iguana and she is quite immense, though she is really old but has unstoppable sense.
Jack the Jackal has a regular name but he is an assassin and has a pretty good aim
K is for Kimberly who happens to be a kangaroo but she doesn't live in the outback anymore because she lives in London Zoo

Laramie the Llama lives south of the United states , he loves hiking in the mountains but one thing he hates, is being mixed up with Arnie the Alpaca.

Monty the Moose loves drinking maple syrup and playing ice hockey,
yes he is a stereotype but I am his Jockey
Nero the Narwhal is the unicorn of the deep, he loves scaring sailors and loves to sleep
Olive the Orangutan is a neighbour of Kimberly the kangaroo
but they have a plan to escape from London Zoo.

Pug is a Pig , just a regular pig, but he wishes to be ferocious and really big
Quentin is a quail and buddies with Pug, he likes eating sunflower seeds but never a slug
Ramon the Rhinoceros also dwells in the Zoo and is part of the escape plan with The red ape and kangaroo , he'll actually be the one to bust them out,
but to get his attention you really must shout.

Sylvia slithers, Sylvia is sleek if you were a mouse and saw her, you'd go EEK!
Terence T. Tiger is terrified, because he was asked to escape from the Zoo,
yes with the Red ape , Rhino and Kangaroo.

Ulysses is a horse who super glued a horn to his fore-head , he wanted to be the last known Unicorn because he heard that they were all dead. Vincent is a Bat, just a Vampire Bat,
he doesn't really like blood but is enemies with Crusoe the Cat.

Warren the wolf has many female fans but spends half the day with Eric the Elephant drinking my cans .Xenops is not an alien , it's just a rain forest bird, I'll give you more info as soon as I've heard
Y is for Yul and I don't mean the bald actor , this Yul is a yak but does watch the X factor
Z is for a Zebra named Zak and yes he does know the Yul the Yak , they were introduced by a certain kangaroo, and now it's their job to visit London Zoo
The snake hisses and slithers
Right into your mind
It fills you with wants
And fills you with dreams

The snake coils around your brain
And before you even realize
The snake has captured control
Of what you determine as your life

It bites when you deviate
It crushes when you try
It slowly kills
Any of you left inside

This snake, it's unwelcomed
But we grow accustomed
To the control of the snake
And yield to it's command

Few leave the snake, there is
No escape
And when there is none of you left
The snake slithers away
To find someone else

There is a snake
In everyone
There is a snake
And no way out
Lily Bright Sep 2012
when the moon has finally succumbed to the flirtatious will of night
and even stars grow weary of guarding peaceful slumbers
the sneaky temptress twilight makes her move and slithers through my window
as she glides into my bed, I can tell she is up to her old tricks
my eyes forget to close and my mind forgets to sleep
the darkened outlines of my room crumble as each breath escapes my lips
and now I remember where I've hidden you, blue eyed boy

how strange a sensation to remember your body
a rekindled sullen mood
your arms are a heavy warmth against my waist
and your legs are clumsy giants that wrestle with mine all night
yes, this is how it feels when your cheek nuzzles the nape of my neck
and even here, your breathing rumbles like a storm rolling out to sea
Your heavy exhales compose a sensual melody as each crescendo crashes against my clavicle

I'm at the mercy of your lingering shadow
I'm the casualty of the pressure in this room
I want to stop breathing because I feel that I could make love to you
in the blackened air my hands trace out your handsome face
and place two gems for your brilliant eyes
and caress the sharp angles of your cheek
your lips were delicate so I use only my right hand
I'd give myself to you so honestly this time

but here, loneliness slowly swells your lungs
a tar that coats the lining of your throat
you are a cruel asphyxiation brought on by the mystic twilight herself
but her ruse won't last forever

I'll drift off into the sweet solace of sleep
and ponder on how you love me more
when my bed is empty, blue eyed boy
zebra Jul 2017
i come to you half mad
with desire
like slithers tongue
i wish
to have painfully stitched
to your silky ****
an act of desires supplication
my *** turned to poison
deprivations effulgent
obsidian flower salivating
your every smile
fleshy bells ringing
warping tintinnabulations
i am a starved incubus
drooling at your knees

behind me
a frothy junket of misdeeds
for loves sake
your feet the scent of lavender and salt
their shape evoking numberless poems
and begging adorations

your belly
a tender cauldron undulating
tummy ***** dancer
sacred *******
temple of worship
the site of your rounded bottom
naked red mouth calling
my sacred liturgy
your *****
velvet tulips for a tremulous kiss

I seed you a thousand times
a raging bludgeon
storming wounded gates Palisades
drenched and florid
fruit and milk ****
until jaws lock
and spire drops
turning me
to midnight cadaver
***** black hollows
a dark eyelid, blink-less
dead **** face down
a slumped snake

then soft dew
and cool ales
clear thickened muds saturation
lighten heat and peel
the warm palate
with agile caress
tender haunches wide and spiced
milk and butter thighs
her hair in mine
rushing river life
again i animate
an embryo id
dressed in fire
all vices and virtues
blood and sky
*** ADULT EXPLICIT
Trevor Gates May 2013
I’ve been expecting you.
I’ve waited an eternity.
Please sit
Thank you
I will now tell you things

I will tell you things I will do
Things I will do to you

Are you curious to know what they are?
You should be.

As I am curious to know
What compelled you to come here?
Yes

Everything in your conscious told you to stay away.
Yet, you are here.
Your friends warned you
But, you are here
Your nagging doubts, your conflicting reasoning all point to something else
Alas, you are here

And I can’t seem to understand why.
You know what I am.
I am an unconventional socialite of the most diabolic kind

I feed off the likes of you.
The sweet, tangible nectarine of modern serenity
The soft, lavender of incorruptible virtues
The delicate outer skin of savory delectability

My mouth waters at the very thought of you
I salivate with the very presence of you
I can feel my blood rush
My hands shake with anticipation

Let my touch
Caress you
Warm you
You don’t deny it
Because you long for it
You long for me to trace your lips with my fingertips
To suckle the flesh drops of your ears
To familiarize my hands with your supple body
To show you the darker side of forbidden passion
To welcome you into the bounty of vicious coitus
And depraved, animistic *******
And deep recessive *******
And blood constricted battering
With lines and whips
Chains
Belts
Leather and
Nightmares
And masters
And tormentors
And wicked shadows lurking in the room
Watching us as we display the ungodly exhibition
Of your forbidden desires

For me to savor the swelling peach of your ***** fruit.

This is for you.

Even as you proclaim your goodness to others
You have a side of your personality that demands unsuppressed copulation.

And why do you need this?
Why do you need me?

I can see it in your eyes.

It was because people in another world told you to hide your womanhood
To despise you sexuality
For it will make you weak
And vulnerable

What was your story behind your frailty?

It could have been the close-minded parents of the old age, who never tried to think for themselves; only allowing others with higher knowledge to justify their old-fashioned morals.
Or
The life you saw through popular culture and mind-altering media.  The problem with pop cultivation is that is follows the wave lengths of susceptible hosts: the average, everyday citizens that “trust” the outside word; that “trust” what is said to them through dystopian and totalitarian subtleties.  
You didn’t know better.
But you could tell it wasn’t right
How is it that a young child can truly know what is right and what is wrong
More so than the misconceived adults?
Because simplicity is key to filtering the complex

Now what does this have to deal with you sexuality
Because unless you do what is only natural for you to do, others will tell you what you should do.

Now, you embrace your emerging fruition.
As my tongue slithers around your sensitive ****
My fingers stretch and penetrate your wanting *****
Now
Is your chance
Overpower the host before you
It is a test

Your daunting task ahead is to overthrow the embellishment of your submission

Are you up to it?

We shall see.

The shadows on the walls are the ones that maimed you
Scolded you
Accosted you
Abused you
Terrified you
Rectified you
Molested you
Suffocated you
Punished you
Insulted you
Silenced you
***** you

Why?

Because they are:
Afraid of you
Intimated of you
Worried of you
Scared of you
And
Enticed by you
Infuriated by you
Aroused by you
Alarmed by you
Entranced by you
And pleasured by you

Could you be all and none of what I said?
You tell me
Whisper it in my ear
Now bite it
Use your teeth and swear it
Tear it and devour it
My creature of the night
My child of ritual
My servant to flesh
My master to skin
My all to this and none to that
The embodiment of lust
The being of now

And the beginning of the end.
Thank you for coming here tonight my dear.  Send my regards to your fans and loved ones: Johnny Depp, Lucifer, Mammon, Hellraiser, Candyman, egg whites, Wool hats, Epson printers, Derek Riggs, Spider-man, Bruce Willis, Lampshade, Black Holes, Taxi drivers, Durex condoms, Hank Azaria, Simon Pegg, Colonel Sanders, Iron Man, Spike Jones, Spike Lee, Spike Speigel, Eva Green and of course his imperial majesty, David Bowie.

Maybe we’ll see each other again.
haley  May 2014
My body
haley May 2014
He pushes me away
But pulls me right back in when he wants something
He wants to see a little skin
I gave him what he wanted foolishly thinking the boy who wanted to see me naked also wanted me as a person
I play the game waiting for someone to win
We're just going in circles
He wants my body and I want to be loved
He wants to mess around and I want someone to stay in my life
We're like fire and gasoline
I let him go trying to end this silly game once and for all
But he slithers his way back in my life
And I let him stay
I know he will never love me
I can't make him love me
He only loves my body
Ben  May 2013
In Wonderland
Ben May 2013
The Morning After Part I
What the hell have I done? It feels like my temples are about to explode and the early morning light burns my eyes. My shirt is missing and I’m curled up on my Lovesac. I glance to the left to see Alice is sprawled out on my air mattress. She looks drained, even while asleep, and I think that I probably look a lot worse. Last night… What happened last night? It’s all just a jumble, my memories out of order. It’s a flash of colors, sounds, feelings and sensations, a blur in my mind. It feels like a tilt-a-whirl of sensory overload and I kind of want to puke. Then, like a dam breaking, fragments of memories flood my mind in a sickening torrent, too much, too much. ****. It’s starting to come back and that’s not even remotely helping, just making it worse. I feel even more confused and all I can think is What Happened…?

Ok! Let’s Party!
a three am party a trip edge
a witching hour emprise time to begin
a black and white strip of paper so thin
it looked so harmless, inconspicuous, even then
five hits for me, four hits for you,
placed under our tongues, we expectantly raise
eyes round the dark room for a white rabbits maze
or floating cat ears and Cheshire grin
the seconds pass, then minutes do spin
nothing
nothing
nothing shifts or shapes, bends or breaks
we wander to seats, choose movie to play
Scott Pilgrim Vs. The World comes to life on screen in a blaze
and…

Trip # Cats Everywhere
“WE ARE *** BOB-OMB 1 2 3 4 - !”
cats are crawling slinking stalking
their eyes are glowing growing pulsing
and bodies moving sinuously serpentine
flowing round the corners of my eyes
fleeing from sight like shadowy wraiths
insubstantial  sensory stimulation
hallucination

Trip # ****** Coma
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

ringing blue lightning flashes razor sharp quick
cutting my mind in jaw breaking half
gasping for air I lunge forward hard
and break into silence, stillness, calm.
you have to remember to breathe
when things get fuzzy or funny or anytime now
otherwise sanity slips like water through fingers
or like rabbits down tunnels
on time to lost minds and messy motor control
****** coma, giddy, ecstatic, inescapable, unrelenting

Trip # I’m Melting
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

I have to **** but the whole world is breathing
standing and swaying every step an adventure
entranced by the swirly dripping dropping walls
i barely stay balanced though trousers do fall
relief, ahhh, glance down what the ****!?
maniacal laughter rings through the room
I’m melting I’m melting in big drops and small
being pulled ever downward but never disappearing
warm like candle wax, thick and viscous
I’m leaving a trail of me on the floor

Trip # Music
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

complex strains of sounds by vibrations
subtly influence the mood in the room
emotions experienced changing by song
upbeat pulse lively down tempo drops dangerous
I can feel the sound envelope my soul
Alice enraptured marries the music
sitting on moment to swaying the next
pressed up against me, blink, appears on by wall
(don’t drink and drive, take acid and teleport)
this controlling cacophony swells then settles
an ocean unseen deciding the trip

Trip # Alone
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice embarks on adventure to leave
a trip to the restroom a momentous maze
breathe deep and hold, keep it together
I slip from this plane to a place so strange
the chair is moving and so is her hat
were they ever just objects or always alive
pink and white fur slithers up in answer
caressing my arms sensual depraved
the laughter returns ever occurring involuntary
in fast rolling eyes at madness do gaze
I cavort around with fluffy new friends
tumbling and squirming wiggly worming
the fun never ends the fun never ends
“are you ok?” – Alice inquires
back after minutes turned hours
“is this how it feels to know you’re insane”

Trip # ******
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
“I haven’t slept in eight days”
a half muttered phrase
“what are you saying, it’s been 10 minutes”
alice mouths back with questioning gaze
fade to black

Trip # Telepathic
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...
“mhm yeah like what like yeah what”
“mhm like yeah like what oh what like yeah”
“mhm yeah like what oh **** like what huh oh what”
“mhm yeah like what oh yeah like what mhm ****”
mhm yeah **** like what oh mhm yeah what”
“wait what?”
“****”


Trip # Blue Gum Matrix
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

bubbles bubbles popping in pink
filling my mouth with cotton clouds
sugary sweet deliciously soft
seducing my mind into boiling blue bliss
I don’t notice the binary program lurking through unconscious thought
uploading software for changing perception
the transition to fiction so seamless like silk
I’ve jacked into the system with every chew
it’s twothousandwhatever in metrohive Tokyo
the future is different yet still feels the same
Alice sits solitary in darkened apartment
with wires like web strung throughout the room
all tracing with tracers glowing in ambience a glistening path
to electrical heaven, a desktop computer
my visual sensors are booting and loading
with mechanical perfection clarity arrives
a robot, I robot, created as A.D.E.M.
(Artificially Developed Emotional eMulator)
or A **** Excellent Machine (self-titled)
I sit up and blink as synapses fire
electrical currents carried on nanobig wires
I go move towards alice and watch binary code scroll
plugged into the network a direct hacker helper
this job’s objectives flash ‘fore my face
“we’ve got a big heist, security’s tight”
the scene’s fading out, cameras pan to the night

Trip # In Which I See the Future
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice and I curl up as one
excessive I know on this excessive night
but excessively is as excessively done, the social norm
it’s experience together and not alone
that draws us closer to breathe in unison
a chance to express feeling in this
uncharted sensory undertaking
together hearts beat in arrhythmic understanding
a feeling of pleasure creeps down my spine
and spreads out in ripples turning to waves
crashing and breaking on the sweet shore of…
alone in the bathroom I reflect on actions
for minutes and hours and finally days
I watch myself age and age and go grey
tormented by thoughts of actions and actions
guilt like creeping mold consumes my visage
decrepit and wasted I stumble from chambers
to find five am clock arms right in my face…

The Morning After Part II**
****.
lysergic acid diethylamide.... an adventure every time
jane taylor May 2016
pain knocks on weathered doors
fastened ever tightly
cryptic access is denied
it camouflages in the shadows

stealthily it watches
hypervigilance enhancing
catastrophe awaiting
it strikes in latent graveyards

the gale begins to form
and unleashes its fierce torrent
the latch shattered and torn
there’s now an open entrance

creeping in it slithers
engulfing to encompass
digging up emotions
buried underground there

hovering and foggy
tho’ murky does not smother
but fleshes out the psyche
entombed and cobweb covered

it crawls along the edges
and peers in secret ledges
seeps into sequesters
like dust settled in feathers

it slides through every feeling
and when it’s at its blackest
it carves the darkness out
and let’s in sunlight’s presence

© 2016janetaylor

— The End —