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wes parham Aug 2014
Here was a human animal, most kind,
With a sword for the heart of kindness,
Any that came from a place of deceit.
Are you true to yourself?  
Say, or no, and be quick.

If she told you she cared, or not at all,
Then you had good cause to believe,
That she meant it- every word unspoken,
Or none, as the case may be...

The world built a challenge,
In pretense and sloth.
She gave it the finger and
Bang-  Took the day.
If the night was a struggle, she never did show it,
She made it look easy anyway.

She appeared in the masks we all have to wear.
A voice from behind spoke at last.
Speaking grace through atrocity, reliance on self,
And she never once spoke of the past.

This most human animal, in touch with the world,
Most kind in the offing, decay for the wood,
Preserving a cycle, flesh beetles contented,
That life destroys, as well, to create.

So the life that relentlessly comes, now must go.
I can’t tell you a thing,
You don’t already know.
a meandering through themes on my mind these days, personified into a composite.  Wisdom comes from experience, cumulative collisions and recovery from adversity.  Here, the original idea was to describe a soul who manages to do great good through great harm.  Long way to go, but I wanted to release this into the wild, see if it had wings on it's own.  Not a theme to be wrapped up in one day.
wes parham Jun 2014
To be strong,
You suppress emotions.

I revel in them.
Just a concept I'm rolling around in other drafts.
(Update: the draft has been released  )
http://hellopoetry.com/poem/745457/points-of-departure/
wes parham May 2014
Always, I have been here before.
I tried living backwards with her,
Asking the questions after her answers,
Falling in love once she was long gone.
But that was another, not the same, in a chain of serial Dulcineas.
But then you came along and climbed down from that pedestal,
you slapped me,
Hard,
But laughed,
And I realized,
how you had been right,
All along.
You've got it all wrong.  You're doing it wrong.  Listen to that coarse voice because it is much more practical than you.  There is nothing romantic about a pining Quixote, he's just another giant mouth to feed.  Elevation and desire, the one you need is not the one you want, candy is sweet, but can give you indigestion.  Life's best lessons are painful, don't ignore their value.
Hear that noise here:
https://soundcloud.com/warmphase/i-have-always-been-here-before
wes parham Oct 2015
Secretly, I envied you...
Forgive me if it presumes too much
To wish you happiness and comfort.
As far as I can tell, you'd have me think
Those things are not for you.

I used to think that this was appalling,
and pity the creature who lays claim
To misery as their lot.
but
Secretly, I envied you, before even
Understanding,
That my pity was like hatred,
A misery in its own right,
And worse than that which I judged.
I resented the affront, another deadly sin,
And you were right.  
You were right again.
You were right.
All along...
When all that you presented
Was hostility and greed.
How was I supposed to know
To look deeper?
-hear the author reading his work:
https://soundcloud.com/warmphase/sets/poems
.
True happiness may be a myth, but you'll discover that that's just fine.
Ease suffering where you can and contribute no additional suffering.  You may just find this more than sufficient.  And, please, don't deny others their given right to move through sadness  as well as joy.
wes parham Jan 2015
She never lied, she never lies,
She just ignores.
The truth,
I tried to tell her how I feel,
She just ignored,
The proof.
"Then try to think of something else", she said.
"Write the other way"
Whenever she'd drink and rant like this,
I'd stay out of her way.
Because “real”, for her, seemed to signify,
I tried it once, but should probably try again.
I was real with you, that once,
Only, later,  to find
That those imploring me to "relax",
Insisting things would be different,
If only I could "flow", If only I could "see"...
You said, “be real”, and now the memory
Just turns my ******* stomach
Since all of those whose mantra called,
For a plea to just “be real”
Were the least capable, almost to the man,
Of being anything close to that.
Born in awareness of the shortcomings of humankind, this was a cynical piece of verse, just like the self-absorbed, whining humans it stands for.  It is an exercise in bad attitude and there is some shame in having created it.  It expresses things perfectly, though.  It is an irrational response to the inherent weaknesses of people who claim to care and the ungrateful reaction of those receiving any.

Read here by the author:  
https://soundcloud.com/warmphase/a-thing-of-joy
.
.
wes parham May 2023
Listen.
This is good stuff that you need to know,
I’ve been writing it all in my head for a while.  
Because ever since we went toe to toe,
There are things that I now have to reconcile.

I recall...
I recall a camel-hair trench coat, green knit gloves and unfamiliar but smiling people. It was 1988.
I remember papers wind-strewn in a high school parking lot, oil and grit smudging the corners of awful artwork and poetry.  (I hope I thanked you for the ride home after missing the bus on my first day at a new school).

It was good to have met you in those formative years.  It was nothing magical, we just became friends and I needed one more than I could have known.

I learned…
I learned that a friend will nod patiently to interminable tales of obsession and unrequited love.  (You poor *******.  I thank you for this, if I never did before.)
I learned that a friend will patiently read your hack teenage poetry, advising sparingly.
(Thanks for that, too.)
I learned that someone might potentially be able to crash only “my side of the car”.
            ( I’m grateful that this "nuclear option" was never invoked!)
I learned about music bands that would become  the soundtrack for the best years in my young life.
(I still listen to pretty much anything by xtc, over 25 years later.)
I learned that a cast iron skillet may very well shatter if dropped onto concrete.
I learned that the best cornbread is a simple recipe and that you must pre-heat the pan.
(My wife insists that I prepare it anytime we make chili.)
1989, our senior year of high school…  I remember an overnight bike tour I took of our hometown. On a whim, I stopped by your house at 1AM. Unable to knock, I opted instead to get your attention by tapping at the window when I noticed you were awake and playing a computer game. ( sorry for the scare… )
1991.  I remember sitting, spellbound, to see “A Tour of Heaven and Hell” at the Center for Puppetry Arts.
(The first inspiration in a longer journey that would later have me working with it’s creator on five new shows.)
In college, I remember “our little ant farm”, the apartments across from our rental house on Milburn Avenue in Athens.
I remember climbing onto the roof to lounge, take photos and, of course,  leap off.
(Thanks for a Pulitzer-worthy freeze frame  of my youth in flight)
For that matter, thanks for some great camping excursions, a cast-iron pan cooking potatoes and, what-  onion?  on the fire.

This is how I come to realize: The darkness cannot outshine the light, since life will always throw reminders my way that when we were young, you were important to me.  I can not discard, too easily, that which is already an indelible part of me.
This is for a friend.  We once parted ways on cold terms and this is me placing a pylon in time, a memorial and reminder that time is a continuum; that people are multi-faceted and ever-changing.

It speaks of very real and specific things that transpired between us, mundane bits of “rememborabilia” that I felt compelled to reflect on and then reflect back for them to read, which they have.

It is my heartfelt desire that love prevail over bitterness, that forgiveness prevail over shadow and pain.

The title misspelling is intentional and reflects my friend’s abysmal skill at spelling.  I received a note, for example, with that very spelling of “tragedy”.  This, with all respect and fondness for the friendship formed whenever we both would occupy it.
wes parham Nov 2014
I said, "God, I love you".
She smiled and said I'd do in a pinch.

I said, "but I need you to do something for me..."
She looked into my eyes and said, "What's that"?

I said, "I need you to tell me something".
She said, "All right.  What's that?"

I said, "repeat after me"
I said, " 'wes...' "

She stared back into my eyes and said, "wes..."
She laughed a little chuckle in her throat.

I said, "no, this is serious..."
I looked into her eyes.
I prompted her:  " 'wes...' "

She smiled, saying "wes..."
I said, " 'stop ******' around' "

She said, "stop ******' around"
she laughed again, adding, "wes".

I smiled and said, "no, try it seriously  now"
She said, "wes.  seriously.  stop ******* around..."

She laughed.
I said, "want to go back to bed and fool around?"
She laughed.
I laughed.
We went back to bed.
Read here by the author:
https://soundcloud.com/warmphase/back-to-bed
Just a vignette I wanted to expand.  An almost confusing exchange, shifting from the strict to the frivolous.
wes parham May 2014
I led her, at last, to the lip of the crater.
The smell and heat had been increasing as, each conversation,
We drew closer to it.

Apprehensive, I searched her eyes.
She saw it fully, my greed and my shame,
The cavernous need of my worst natures.
Flames singed her hair and the smell choked us both.
But, "still", she said, "be still..." and smiled into my face.
28 may 2014, intended to be fleshed out into some kind of surreal prose describing how kindness can dispel fear, anxiety, "our worst natures" dissolving when understanding replaces unhealthy reactions, when someone who loves you just...  well, understands.  Encourage me to expand upon this.
wes parham Jun 2015
"A vice grinds hard in the gut..."
Began a poem from decades past.
From one hard lover, now a ghost,
Whose words have long since passed.

She scoffed at love and poured another,
Drunk, to dull the pain,
Sober, I held her in my arms,
On guard against the flames.

But love grew, still, within the dark,
Inside her body, bourbon-tied.
Unseen to me, there was a spark,
And the gates below blew open wide.

Discarding friends and lovers, too,
She ****** them for their care.
Believing this was what to do,
Her love became a dare.

She sang her wrath in poetry,
Self-loathing, hatred, blame.
The gilded coach that had to be,
A vehicle of pain.

I made farewells once she was gone,
They formed inside of sighs.
I gathered up the rhyming note,
And kissed her peaceful eyes.
further inspired fictionalization of events long past, best forgotten.
I've wanted to edit this, but got slowed down recently...
It could live on it's own, as-is, but there's a lot I'd prefer to fix about it.
Alternate version with shifted focus:
http://hellopoetry.com/poem/1099328/circumstances-as-they-are/
wes parham Mar 2015
A man once said, against his will,
that love has many names.
A woman nearby scoffed but, still,
She writhed within its flames.

Her  cries kept him awake at night,
He could not close his ears.
Resistance waned, and all his might,
Could not allay the fears.

He  called on favored demons,
Change is torture, all the same.
He called on angels, without reason,
Begging each by name.

It was, at once, surprise to none,
He kept the worst inside.
Surprise to all when it was done,
Her violent suicide.
read here by the author:
https://soundcloud.com/warmphase/circumstances-as-they-are

Some hastily improvised verse.  I hate regular meter and rhyme, but this was a challenge to write something quickly, all at once, and use both.  Written over maybe a twenty minute period, though the final stanza was added a day later to wrap it up with something horrible.  JUST changed the gender pronoun in final line on a whim.  Don't know why, it just makes it more interesting, I think.  Yes?

Premise: Those who most vehemently fight the madness of love are often the most deeply and sincerely affected by it.
wes parham Apr 2014
Twice lost, one soul appeared, unbidden,
Ambushed, in plain sight.
Results?     All hidden.
As I walked, I thought of this,
Imagined as I sought,
A sign of full surrender,
In the battles that we fought.
I threw what always seemed, to you,
The ordnance of the soul,
Words on leaves and tissue tigers,
Weak and boring, far from whole.
My engine had an inner working, impossible to see.
My feet still carry me to you,
And you just stare at me.
It was bad enough to have her occupy every minute of my brain's time.  She ignored me like an Olympic class apathetic, but my feet, those damnable devices of divination, could find her like a dowser's wand.  I began to see this as open hostilities on the part of my angels and muses, to torture my animal so.  Fighting to be heard, fighting to be seen, forced to always find and helpless to engage the enemy at such unexpected close quarters.
wes parham Feb 2023
When the hate  she expressed
Was in honesty’s name,
When she doubled down on lies,
Her excuse was the same.
I was there with my finger,
On the pulse and the blame,
But I am not cruel,
And she is not your shame.

That night you tried more,
Smoking, late, on the bed,
And the things you had done,
Were just as she’d said,
When the ashtray came down,
It was inches from your head.
But,
When Fall came and went,
You two were still wed.

You were not promised wealth,
Not one measure of fame,
You said life wasn’t fair,
Because you see it as a game.
Now, the last time we’d speak,
You’d be cursing my name,
But,
I am not cruel.
You will never be the same.
Free associative word story, speaker is peripheral to a relationship that is fiery and also overtly abusive but would rather not be involved, take sides or tender advice one way or another.
wes parham Sep 2014
You think you have me figured out already,
don't you, Carol Lynn?
Well, I hope not, because it would mean the chances are good,
That you actually have.  This would be sad because it means,
there may be no intrigue remaining,
nothing new to discover,
and you might go away,
bored with me and the evil,
you must, inevitably find,
buried in my side like a stone.

There may come a day when you finally see,
Where this tension, releasing, comes from.
You said I was wound, unbound, like a spring.
The watch of my appeal always did have a short run.

So, a relationship moves toward it's end, right from the start.
Interest can wane, obscenities uncovered, doubt can enter,
and set up shop like it always does.  

What we should hope for instead is a slow burning ember,
nurtured each breath with whispers, with mindfulness,
and contentedly, casually, delay it's demise for just one more day.
They say familiarity breeds contempt, but I hope not.

(read here by the author:)
https://soundcloud.com/warmphase/day-never-comes
wes parham Aug 2014
When she brushed his hand aside, he had to think;

to search the heart, adrift in the body,
to find a way that would make things clear,
but all that came was a breath of air
,
and it carried with it some words,
 spoken with resignation,
that spelled a plea:
  
   “don’t make me beg”, he said.

Half a world away, a man rested beside a woman.

she looked up at him and brushed his hand
 along her breast.

when it came to rest, at last
, along a thigh and probed between,

she brushed his hand aside, and breathed

a breath of air that said,
 “don’t…”
a moment passed, maybe three.


make me beg…”, she whispered.

20 September 2013
A look at the difference a humble comma can make and ****** ******* in the complete absence of physical restraint.
read here by the author:
https://soundcloud.com/warmphase/dont-make-me-beg
wes parham May 2014
Young, you watch the wheels, mama's car reflects the sky.
Turning,  shifts the scene across the glass as she drives by.
Good-bye for now, good-bye until the dusk begins to crack.
Hello is payment for the night to ransom her hugs back.

Young, the wheels are slowly turning on a new red trike.
Older now, two wheels race beneath a brand new bike.
Two and three wheels' independence foreshadow what's in store.
The freedom found in two wheels, three, compared to that in four.

Drive away, the day was always waiting in my heart.
You drive away, this is the task I took on from the start.
That once you knew  enough to really take care of it all,
To seek the challenge of the world, to fly, and hurt, to fall.
To measure all the joy and pain, the cost from what was free,
I hold you close, but teach you how
to drive away from me.
Here's one more paradox about parenthood.  
Our whole goal as parents is to make sure that, one day, these little people _don't need us.  It's bittersweet, because your pride in their independence contrasts with the love and holding close that helped them learn confidence, compassion, and strength.  I can barely read this without weeping.  **** changes you, man.  At the core.
wes parham Aug 2014
I found myself, once, longing,
To be hated by you.
To feel the burning shame of guilt,

I won't say any more about feelings,
Because that place,
I'd occupy without them,
To see this nonsense through.

So few people seem to really give a ****.
And you actually do.
You really do.
Maybe if I wished too much for you
To love and respect me,
To see me as as a friend,
then maybe I risk the capacity to be hated by you, as well.
but I tend to see you as a force of nature.

If you ever began to love me, as I hope,
Then I have to realize,
Your capacity to hate me would also materialize.
And, like a force of nature, I know,
You would spare me: Nothing.
Help me: Not.
Trust me: Never.
but you would do nothing to me
Out of malice or for ego or for personal gain.
And I would have to trust,
With a child's trust, happily,
even to my death,

That it was better to be loved
    by a force of nature,
Regardless of pleasure or pain,
Beyond reproach or false intent.
Hear this, read by the author:
https://soundcloud.com/warmphase/force-of-nature

2 June 2014:  love, trust, loyalty, and the equal capacity for hate( also spelled 'dishonesty' , 'indifference', you name it).   This is a work-in-progress.  Make a suggestion, if you wish.  It is still half nuts and bolts.  Something like this can be written in a thirty minute flurry, left alone for months, read sporadically with disdain, dropped again and again, nearly abandoned, until I load it up with fresh eyes one day and it falls together, bit by bit, with each subsequent reading.  A new concept can enter into it, fictionalizing inspiration into a new creation.  Will it have wings?  Who knows.  Maybe it doesn't matter, so long as it is coherent enough to register on the human mind and heart with a reasonable signal-to-noise ratio.
wes parham Dec 2016
Seventeen years old and troubled, I took walks in the woods to sort out my mind.  There were miles of it behind the old neighborhood.
I could meditate on thoughts and walk down paths, off paths, for miles if I wished.  My forest grew in semi-rural suburbia of my hometown, just a thirty minute drive east from Atlanta.
I'd like to think it grows there still...  

   One could walk a mile or two through untamed, mostly coniferous, forest but suddenly step out onto a clearing of uninterrupted rock, desolate and pocked like the surface of the moon.  A moonscape bounded by trees.  An anomalous break in the journey of green.  A massive plane of granite lies, apparently, beneath much of our state.  The woods in my area had this unique feature...  Patches where the granite was exposed to the surface.  Some were the size of a small city park.  Others were the size of multiple football fields.  Those accessible by bicycle were especially fun.  They would be explored thoroughly as I jostled and bounced my mountain-bike over the irregular surfaces.  Others lay deep in the woods.  I would walk as much as I could or just lie on the solidness of that ground and look at clouds.

   As pressures in my heart and mind increased, I would come to these woods angry and frustrated.  Pent-up emotions had few outlets.  Poetry was there, a kind of constant companion of the day,  but sometimes I just needed to run.
   Something felt primal and therapeutic about it.  One day, in a lot of frustration and anger, I made up this stupid game.   It was simple.
1: Run.  Immediately.  North.
2: Don't stop. Don't stop.  Don't stop.  Unless stopped involuntarily.

   I leapt off the trail and ran.  Though I felt despairing, the freedom was liberating.  Constantly, there were split-second decisions to make...  Over or under?  Left or right? More often than not, it just had to be "through" and, in my determination and stupid teen nihilism, I plowed through lots of tangles and thorns, scratching up my ankles in the process.  I didn't care and, stupidly, welcomed the blood until a stronger patch of thorns held fast to my ankle. My running speed slammed me to the ground.  I think I laughed, then, like a ******* crazy person.  I saw myself and felt foolish.  I laughed at the sad sight of this broody kid, breathless and bleeding on the forest floor, who actually had life pretty good.  My troubles aren't even worth recalling, they were that trivial, even in the moment.  I picked myself up as if I were happily helping a friend.  I was feeling pretty good and helped him walk, carefully, back south again.
This is a memory piece about an odd time.  ******* ADOLESCENCE. Ha.
wes parham Apr 2014
I floated in the corner, and I waited for a sign,
From the place where visions come at cost,
Where three sharp eyes, two heads, inclined,
To see me where I stood and spoke,
Aloud, to no avail,
Some truth, some lies, some love, some hate,
Was then I felt the nail.
Two eyes spoke, but only then,
To ask that I had felt,
The flesh that held the nail I bore,
From up there where they knelt.
The single eye was silent, still!
She would not even cast,
Her monoscopic field of view on all this violence past.
If only she would turn her face,
And three eyes become four,
Then she might open for the one,
Come knocking on her door...
Speaking with two friends, one fully attentive, the other, a female, turned aside.  The speaker seeks to reach the inattentive female with his rambling, lies, truth, love, hate...  The first, the only one attentive, gives the speaker a hard time about his statements, driving this nail of pain and maybe shame.  The speaker laments that the single eye, this female with her head turned and focused sideways, could just look at him, or give some slight glimmer of recognition,  that she would see his need, open a door, know that he wants, sorely, just to reach her.
wes parham May 2014
My friend, My friend, Insomniac,
You're ******* crazy.
You asked me to stay up late again,
like every other visit.
We smoked and smoked, We kept sleep at bay,
Held it off with caffeine,
but tempted it with liquor,
and you awoke me in single digits, low ones,
and wanted me to hear that song.
As much as I care for you, I realized something that night...
I'm no insomniac! Just a pedestrian, a faker!
Honestly believing that the sleep deprivation and
Not the drugs, not the alcohol, or the company,
Were actually killing me in the morning hours,
and, mumbling incoherently, I could not appreciate
The thing you wanted me to hear or see.
It might have been both.
So, yeah.
Sorry about that.
You're the best in my book and always will be.
Thanks for some great nights.
Purely experiential anecdote, with Serious apologies to actual insomniacs.  The friend in question, technically, suffered from sleep apnea.
Read here by the author:
https://soundcloud.com/warmphase/*******-insomniacs
.
wes parham Jul 2020
Conditional, conventional, this heart,
And the tough thin cloak I wear.
I give it to the few friends I make,
With room and love, always, to spare.

I met you in the valley, but the evidence was there,
Your eyes hid the fear and weariness,
Deep within the fire of a stare.
Or retreated, free from scrutiny,
To hide behind the fall of your hair.

The secrets, however, weren't easy to guess,
And for your good, I would do my part.
So I know that your void is filled with less,
Than fits your past or your darkest art.
I've seen your anger, wrath, and need:
It was protecting a kind and generous heart.

Your friendship was a gift, you trusted in me,
I trusted in you, which was better, I felt,
Than calling out the humanity  I see,
Within the rotten hand you were dealt.

I hope that I brought to you something of use,
Listening was the only thing that I knew how to give.
If I brought you harm, or cause for alarm,
Then the shame would stay with me
                                    for as long as I live.

They say that friendship is a place we go,
When two, or more, are there, it is real.
I'm confused but trying to understand,
And I'm more than confident,
                     that you know how that feels.
Some time or another, you’re either the biggest ******* in the world or severely misunderstood.  Either way, you lose the friendship of a good person and it is still painful.  You hate yourself for whatever the transgression was, though all is eventually resigned to shadow and history.

Read here by the author in a musical collaboration:
https://soundcloud.com/flowermouth/good-person-good-friend-goodbye-poetry-spoken-word-wes-parham
wes parham Oct 2015
We took a drive. I had things to say.
My heart was aching, shattered.
I rehearsed the words throughout the day,
Believing that it mattered.

I met you then but I only saw,
The mask you chose to show.
If you were suffering underneath,
Then how was I to know?

I said,
" Your grey facade hides worlds so vast,
Naked flesh of fruit, beneath the rind.
Your future's informed by its turbulent past,
Full understanding; when you look behind."

You said,
" You try too hard, you think too much.
You never live for now.
Wrapping words around the wrong ideas,
You miss the point somehow."
"Stuck in place, because it's safe,
You're too afraid to grow.
If you had begun to change your fate,
Then how was I to know?"

You saw me within a grey facade.
I saw you within a grey facade.

We could not say more, it seemed sufficient,
That love is patient.
Love is kind.
Love is ignoring all that came before,
Loving only the moment.
That coin of the realm: elusive, bright.
Your grey facade hides
Such a beautiful light.
Love has many names.
Call any one aloud and I will answer.
I will come.
You will see.
You'll see me clearly, even behind this grey facade.
I took on a second spoken word collaboration with a composer in the Netherlands I met through SoundCloud.com.  The track was titled "Grey Facades" and, so, I gravitated toward this theme...  exploring the differences between our outer, public personae and our inner, personal lives. In this case, the mask is harsh but conceals kindness and life.  The speaker, themself, seems to have a thin mask and an analytical nature.  They wear their beauty and darkness right on their sleeve but still remain obscured in other ways.

This is a collage of stanzas written independently over many months, but tending to relate to the one theme.  When I simply stacked them up and read them, cold, against the track, most of it's parts just clicked right with the changes.  I was surprised and really like how it's going.  Will post the final mix when it's done.
Update:   A final mix now exists..  Give a listen:
https://soundcloud.com/flowermouth/grey-facades-feat-warmphase
wes parham Jan 2023
Condescending to humor my intimate muse,
You sought out her words in my writing.
I couldn't have guessed that you'd actually choose,
To tell her what you think is the source that I'm citing.

Get over yourselves, the drama and strife,
I can tell you’ve found something you wanted to see.
And, of course, held it up to the shape of your life,
And think you see secrets you once shared with me.

Forgive my intrusion throughout that December,
If that friendship seemed somehow untrue,
I won't try to persuade you, but you ought to remember,
Sometimes, unbelievably, it's not about you.

My task is obsessive, compulsion, expression,
I write the universal, the aggregate whole.
Never to betray or teach some grand lesson,
I’d rather enrich than to harm a good soul.

Emotions exposed and stories delivered may wound or dignify,
My job is to make it have life and clarity;
Give it weight enough to signify.

And, as then, when we meet,
Sour or sweet, 
Speaking our truth,
Silent secrets,
and feel…
The words that can wound,
Flatter,
Heal or conceal...
All of them wind to what our actions reveal.
I have had a few occasions where people close to me were certain that I was writing about them.
I was certain, each time, that they were mistaken.
I was broken, each time, that they’d missed the whole plot.

This piece actually came about over decades and an uncharacteristic snarkiness was added at the urging of a friend to give it more “attitude”.  Ha.

https://soundcloud.com/warmphase/i-anathema
wes parham Jul 2014
I think about it, *******,
And it leads me to this place.
Teeth all clenched and aching now,
From shouting in your face.

I told you, I ******* hate poetry.

But you poets listen, and then you don't.
You can't, you never will,
Touch me with your sentiments,
Dropped at my windowsill.

******* your muse,  her wells of eyes,
Just **** the ***** and be done.
Stiffen readers with the tale,
But don't count me as one.

Your Dulcinea's sweet and, well,
(She's better than the last…)
You're dying for a future now,
Not living in the past.

For sweet Art's sake, a nest of lies,
The poverty of self,
puts You up high and lost, in shadow,
and Pining, on the shelf.

So speak your mind now, if you must,
Aloud, to no avail.
Your nature blind of clever words,
Is always bound to fail.
I'm fortunate that some of my friends despise poetry but still seem to tolerate me, personally.  One of these wrote to me recently, "WES... I ******* hate poetry...  Make that the title of one of your poems..."

           ...so, I did.       This one is for her.

She will never read it because she cannot abide poetic verse.  
I told her that I'd be sure not to share it with her.  
She replied, "GOOD".  
She's the best.
.
Read here by the author:
https://soundcloud.com/warmphase/i-*******-hate-poetry
wes parham Jul 2020
When misunderstandings flew every direction,
I tried to blame you, I gave it a shot.
But despite all the anger, resentment, correction,
Petty and cruel is something I'm not.

So it's time to step back,
Pull my head from the sand,
Outside of my self-absorbed ego, and stand...
Embrace the all,
and find it sufficient,
To still the mind and be with what is,
Pain and pleasure, in equal measure,
To God or Caesar, hers or his...

And on that June day, beside the black hearse,
I'll swear I caught sight of an eye or a mind.
Our new paths led to the first rehearsal.
The curtain opens and cold, we find,
We’re on the stage in a role reversal,
And though we may be deaf and blind,
     We hear a song,
            See a dance,
                 Universal.



#npminspire #forgiveness #taken #given
Forever indebted for perspectives given and friendships extended, for life and the fact that we must all one day say goodbye one last time.
wes parham Oct 2014
Pour one under the table for those who walk outside.  In memory of Spalding Gray, for what he meant to me...
    Thanks, “Spuddy”, for sharing your inner life.   Thanks for having the courage to bring so many troubles into the light.  You laughed at your troubles and allowed us a way to laugh at our own.  You put a voice to carrying an unbearable shyness or an excess of fear along with us as we go through life.  You strived to care when caring was out of fashion and in short supply.  Thanks for reminding us that life is the journey, and not only the destination.  You wrote a book.  You played a minor role in a feature film.  Those were some of your destinations.  When you shared your journey, you did it with humor, humility, and with love.  Thanks for reminding me that storytelling is all around us.  Thanks for reminding me that it need not be complex.  You were merely observant during your journey,  and you shared it through the lens of your own perception.
    I learned this January that life became unbearable for you.  If only we, your audience, could have comforted you or somehow stemmed the river; the flood that carried you to leave so early.  I would like to believe that, once you died, you might be able to hear our collective voice.  I imagine that you are able to see the people affected by your work, some inspired thus to create works of their own; tell their own awkward stories, sharing them as you shared yours.  I am far back in the line, and I eventually arrive at your table.  You flip a page in your spiral-bound notebook and take a sip of water before glancing up inquiringly.  I only have one thing to say, really.  “Thanks, Spalding.  Thanks for sharing”.
Written after I learned of Spalding Grey's suicide in 2004.   His performances, full of a bare, self-deprecating and personal mania, touched me as they made me laugh.  They said, "I feel this ridiculous *******, too".  They said, "we get by anyway, despite the confusion, the fear, or the pain".  They inspired me to share some of my own self in personal narrative or poetry.  He wasn't any idol to me, I just felt his passing strongly since his own work had inspired me, personally, to live just a little bit more.  Life's a collaboration.
wes parham Jun 2016
The reflecting pool lay long and flat, a massive mirror door...
I stepped up to it's concrete edge, and looked down to it's floor.
I saw pale tiles beneath the water, some pennies, a dime, a nail.
I dropped my thoughts beneath this sea, which quickly grew in scale.

One foot of water became, thus, ten... A hundred... thousand... more.
My view was that of one who's soaring many miles above some shore.
I was, at once, consumed with fear at how this made me feel,
That is to say, I convinced myself that this height was truly real.

That was when I dreamed I fell, but before I'd be no more,
I had much time to think awhile on what had come before.
I had much time to regret the past, and dread what was yet to be,
Saw images of fortune, ruin, the dust of you; the ashes of me.

Small joys helped to bridge the gaps where fear eroded hope,
The terror of  my empty room, the makeshift hanging rope.
My thoughts of death reminded me that the moment should be much more,
I opened my eyes to the rushing air, my throat felt raw and sore,
Looked down to see a blaze of leaves and the fast approaching forest floor.

Asleep, I fell, through sunlit leaves that seemed to fill the space,
Awake, I stood beside the pool when you had touched my face.
Something in your eyes was telling me you were concerned,
You somehow knew the man who left was not the man who returned.

We stood at the shore then, you and I, expressing futures yet to pass,
Fishing out mythologies and illusions that might last.
Our mouths were full of histories and secrets that we bared,
The reassuring comfort that illusions can be shared.

Look east and see the brightening sky, but not yet see the sun,
Look west and see the shrinking black,
The place where last night's stars have run.

Look up and see the limbs and leaves of the high forest canopy,
The ones above the gloom that's half obscuring you and me...
A bright gold glow suffuses them, but only way up high,
Where they already see the dawn, and the guiding star that fills their sky.

I'm reminded by these tall trees rising high into the air,
When shadow darkens my small world, but light is everywhere,
You do not need to see the sun to know that it is there.

So as I lifted up my face,
To where sunlight paints the highest tree,
In this expansive time and place,
I felt the same; beautiful and free.
Read here by the author:
http://wesparham.tumblr.com/post/145722638622/tell-me-what-this-poem-means-to-you-this-is-a

This is a collaboration with a poet friend.  We have traded original titles and tasked each, the other, with writing anything at all under that title.  No rules, just the title as a touchstone; a point of departure.  My friend's titles are sometimes long and descriptive. This one made me think of a sensory experience I have had in dreams and waking hours, too, where I play with the reference of world scale inside of my head, my relative spatial perception becoming expansive and colossal.    The title evoked the memory of this feeling, so I set about describing it in verse.
wes parham May 2014
Hello again, raven, I’m glad that you’re here,
It’s been far too long since you came.
I missed your black feathers, your gravelly call,
Becomes music when speaking my name.
Lean close, my bird, and tell me a secret,
Any, if yours, will do.
I’m too long alone, and the world is too guarded,
I’m pinning my hopes all on you.

Lean again, bird, and tell me some more,
Black feathers cantilevered,
Away and Away.
Drink of me,
And Drink of you,
As we think all the night into day.
Music, when speaking my name.
Her voice, unkind; her heart, steady set against a storm of blackness.
By your thoughts you will change this world for the better.

Read here by the author:
https://soundcloud.com/warmphase/lean-raven-head?in=warmphase/sets/poems
wes parham Mar 2017
Our lot was not to stay all night;
In kneeling praise by bathroom stalls.
Alcohol numbed your honesty's bite,
wrote her destiny on the divider walls.

And we weren't the kind to cheat, don't believe,
All the loose lips half-cross town,
Last call patrons who watch me leave,
And shut this ****** down...

Like Zane and Beckett, so convinced,
Their **** would last forever,
Bad enough to make you wince,
If they spend one more second together.

Or Jane and Kinney, young, driven, and full,
Of lust or something similar.
Don't be surprised, you've seen this fire,
The end? ...all too familiar.

And pretty Syd had all the gall,
and Pony Boy thought he knew the score...
but he's just a **** like so much Pyrex,
Stuffed inside his paper *****.

But Ashtray Woman with ***** Mouth,
And monster's blood on toilet tissue,
Is just another frightened girl,
With real and dangerous daddy issues.

Now, here, at the close (I'm still glad to say),
You deserve almost everything, that you've won,
Our karma arose ( and, in time, took the day ).
Now I ponder regrets in the hours before dawn,
It wasn't the when, or with whom we may lay,
or the time in the morning before I should be gone,
It's more about how we desired to stay...
When we gazed into stars lying flat on your lawn.
I once craved your poison but, now, in my way,
I'm actually glad
to see you gone.
I don't write the darkness very well.  Need practice to make it less cliche.
wes parham Nov 2014
the pain of holding back the flood.
only one way out and it's through.
face it.  be strong, it won't take you.
feel it, become it, trust that madness.
revel in it's starkness, it's truth.  it's own reality.
because when you come out the other side,
you may be bruised,
bloodied,
there will be parts, even, missing.
but you will survive improved,
intact,
lovable and beautiful.
Confronted with fears of the mind, sometimes you just have to think through them.  That is, think _about_ them despite the pain.  Revel in bad thought; wear it out.  Take the worse-case scenarios even _farther in thought experiments.  Embrace the fantasy of something forbidden or impractical (or even impossible).  Revel in it in the safe sandbox of your mind.  It is your sanctuary, your universe, your workshop to manage life's troubles, free from limits, judgment, or consequence.
wes parham Jan 2023
You wrote a letter, it had to be,
Your merest whim and dearest thought.
I found it clever, you have to see, going
Out on a limb where the true battle’s fought.

We sorely wished and ached to know,
You shared a life, I shared one, too.
The seeds we sow and hope to grow,
‘Till vines cross the boundaries of me,
(And you…)

Forging a future in distant foundries,
Life and love make a space for you.
Our lives, as such, the liminal boundaries,
Our love, of course, the glue.
A riff on some concepts about getting acquainted through writing and the attempts to make real human connections.  The third stanza came first, created spontaneously (and perhaps a little abstractly…!) as a comment on a fellow poet’s work here on HP.  They suggested I extrapolate.  Here’s a hastily constructed extrapolation for Kim.
wes parham May 2014
His love for her made her
More like him.
Her love for him made him
Like her more.
His love for her made him
More like her.
Moreover, for them,
She made love more like him.
He made love, at her whim,
More like her than like him.
The heart embraces what the eyes have made welcome.
A relationship evolves constantly, motives and incentives shift, carrying lovers along a river unlike what they could ever dream of predicting or controlling.  That said, I wrote much of this only for it's clever wordplay, the rhythms of speech, and to impress a woman.  Oh, fatal vanity!!   Hear it read aloud here:
https://soundcloud.com/warmphase/like-her-more
wes parham May 2014
Perhaps you’ll remember,
though most of us don’t
recall our earliest days.
What relative scale could you use
to describe the things you saw
and the things you felt?
It seems too unreal for a mind
you would one day call mature
and an intelligence
deemed sufficient.
If you could, would you choose,
and what would you find,
if you could retrieve these moments?

when a warm, familiar heartbeat
kept reassuring time,
in a comforting bed at blood temperature,

when hands twice your size
would cradle you completely; move you
from bath to crib,

when loving giants would come
when you called,
to sing or to soothe your pains,

when sleep held dreams of this and more,
in a language we all have spoken,
Beautiful to hear, forgotten on waking
As I struggled with the challenges of being a new parent, I imagined what the perspective might be from my infant daughter's mind.  I wondered what she thought of us, how she would describe us once she could do so in our language.  I say "our language", since the mind must be forming thought before language comes around, some ur-language of the collective conscious mind.  The phrase "loving giants" kept coming to mind, since we must seem colossal to a newborn as we move them about, cause some discomforts, alleviate others, as we sing and laugh to let them know they are safe and cared for.
Read aloud here by the author:
https://soundcloud.com/warmphase/loving-giants
wes parham Aug 2017
Loyal hearts are a paradox,
These strong and frail commodities,
They're not concerned with etiquette,
Or confused by love's vast oddities,
They're strongest not for how they love,
Not weak for vision that they might lack,
They're strongest once they've been abandoned,
Love one who will not
Love them back...
Sometimes, I leave comments on someone's poetry in verse, reflecting what I got out of the piece.  This was one of those from a recent read on HP, reflecting some of my own feelings at the same time about trust, loyalty, and what happens when love (or even  friendship) is abandoned.
wes parham Jan 2016
In a room full of people, you're reading our words,
Silent, to yourself, alone.
Because bearing the stress of talking aloud,
Is much harder than sitting on your own.

And when we let you in, it's all the way.
We keep ourselves safe, but we have to say,
The ideas from within, the shadow or light,
Can comfort a stranger or set things right.

Our words have reached you,
       they've made you see more,
And understand better than you could before,
In a form that can never completely remain,
       untouched by the heart of it's writer,
We share this very real part of ourselves,
While the audience glows, ever brighter.
And vulnerability opens a door,
pulling strength on the strings of a lyre.
Our melody and lyric, not wanting for more,
Can raise each of our readers up higher.
A message, musings, on the power of words and poetry in particular.
In the time it takes to read a poem, the writer can deliver a powerful message of empathy and understanding.  Drawing on very personal observations, the writer can be instantly intimate with their audience, display a certain vulnerability, break down the barriers that keep people from connecting on a real and human level.
wes parham Oct 2014
This thing, the words and all?  I was trying on a new skin.
It was made of the old -the familiar, too, but transformed.
Something added that could take root,
Take me out from the norm.
Take on a new identity.
Perform.
Squinting at a light, held at arm’s length:
My own spotlight.
So you could watch me act it all out,
Over and over, forever on the page.
but nothing ends as it began.
My troubles, my worries, my lust, my greed,
All fictionalized and petty.

Disgust and shame.
Anger and fear,
Are not advisable
Unless they bring about change.
Even those, now left behind.
Moulted.
Shedding my old skin.
Toughening up the new.
The muse seems to have fled for the moment, so I don't have much in backlog of drafts or scribblings.  Maybe she'll return later, improved and healthier.  Little less bitter, I'd like to imagine.

Read here by the author:
https://soundcloud.com/warmphase/moulting

"I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released"
wes parham Jul 2023
Never did I try to guess,
Or ever pretend to know,
The places you would retreat to,
The places I could never go.

Silent, you would disappear,
And, silent, you'd return.
No questions asked, no trust betrayed,
I simply had to learn.

It never was… personal.
It never was… yours to tell.
It never was…  my place to ask,
It never was, but it’s just as well.

It never passed from between our lips,
Or a friendly, reassuring touch.
“And that's ok”, you told me once.  
“Don’t  be afraid”,  “You worry too much”.

Never did I fault your wishes,
And my loyalty was never a whim.
I never doubted your kind heart,
And never did I falter, my friend.
I fed this one to Suno and it's kind of fun.  I'm not a fan of generative AI music or art, but it's fascinating just to hear the words put to a chance melody and rhythm.

https://suno.com/song/b6961485-1617-4c7d-985f-7d8398601d3b

I’m not 100% sure of the exact story here.  I like to explore connections and the uncertainties that can plague them.  It’s kind of, initially, about the speaker learning when it would be necessary to do nothing when instinct might insist otherwise.  Learning to be quiet when you want, very sorely, to speak.   And, of course, full evergreen disclosure:  As most creative endeavors, it is stuffed about the edges with some Grade “A” crispy-fried *******.  mmm, tasty.
wes parham Apr 2015
Fallen angels and pixies and such,
Look into Earth’s skies,
Remembering much,
Of their life as it was,
Time and energy fields,
From the young star above us,
To the way the wind feels...

Could it ever compare
To the home that once was?
Oh, I say to you, “yes…”,
Yes, it can,
And it does.
this was a super fast bit written in response to a friend's poem.
It's more whimsical than I tend to write, but it flows and I will own the optimistic mania that it seems to hold.
Read here by the author, with a brief commentary:
https://soundcloud.com/warmphase/next-time-around
wes parham May 2014
Take countless photos, when the mood so inspires.
You may as well have not even thrown the shutter.
For the things that move you right in this moment,
Will not adhere to the chemistry of film
Will not flip one single electronic switch
Cannot be stored, except in the mind,
(A shoddy storage medium)
For the sight of your face,
Your beautiful otherness
Mingling with me in the air in between us-
( As you try to pick my nose… )
Your head is on my shoulder,
Heavy with sleep
And trust, always growing,
As your eyelids drop lower
My arm, sore, bends to raise you up.
I’m relishing the time
To be quiet, close, and still.
When I can find, in my heart,
All the words that mean something,
Not tossed about casually, in the noise of the day.
Children turn you into a media machine, hell-bent on capturing the way you feel all the time.  Give it up, it's impossible!  Seriously, though make sure to enjoy the moment and don't miss it by trying too hard to preserve it.  The title refers to blue lines used in old technical drawings that were, essentially, invisible to a camera when you went to photograph the drawing, but still visible to the eye.  That is, something impossible to capture.
Read here by the author:
https://soundcloud.com/warmphase/non-photographic-blue
wes parham Apr 2014
"Nothing waits below for you", mermaids smiled, and spoke to me.
Memory fled, then all I knew was written on the sea.
Great paragraphs, on ocean swells,
In running, sodden ink,
The bow broke foam from recollections,
My wedding day,
I think.
Words rose up the sides of waves,
and flung me down the other side.
Then licked the shore for crumbs they found,
That rose up in the tide.
Heartbeat slowed, my body sank,
Turned empty eyes beneath.
Rays of light revealed your face,
Colossal, in the reef.
The poet's memories are stripped away as his life is ending.  Drowning at sea, his final sight is the staggering vision of beauty in a human face, seen formed out of the reef on the sea floor.    Inspired by a dream and after a steady musical diet of nick cave's "push the sky away", including a track called "mermaids" which contains the haunting verse:
"I believe in the rapture, for I've seen your face,
  on the floor of the ocean, at the bottom of the rays..."
Hear that noise recited by the author here:
https://soundcloud.com/warmphase/oceans-floor
wes parham Jun 2015
On the night that I dreamed you had died,
I didn't want them to see me crying in the kitchen,
But I did, and spoke only the truth for the day,
In honor of you.  I hope that it wasn't a dumb thing to do.
It probably was.

I didn't want to speak to people you knew,
But I did.  Told them how I knew you and, now,
With you gone...
-**** it, you wouldn't want this,
All this spewing of emotion, this lament of the flesh,
From which you're now gone.
I said I felt bad for loving you so much, but then I remembered your words,
I said I was wrong, I said I was weak, but then I remembered your words,
When you said,
"You are, but that's o.k."
It's the consolation of a friend, now gone, distilled to the essence,
Of what you needed to hear,
Exactly when you needed to hear it.
Imagined emotions in the wake of an imagined death.
It's about the storm that might occur in the wake of a death close to someone.  Not deeply close, but meaningful.  We hide our love for fear and in this situation, the dam breaks and all comes out.  It turns out that being at peace with the way things are is a good place to start.  You'll find that what seemed like a colossal nightmare was, in fact, perfectly o.k. after all.
wes parham Aug 2023
The wheel of fortune turns for me,
And always, revolves at its own leisure.
Time is curved where the future will be,
But always flat when it is measured.

The rest is a serpent, in every direction,
Forever consuming the end of its tail.
Self contained death and resurrection,
Superluminal ship, without wind or sail.

Will you safekeep our knowledge when it is done?
Humanity’s worst as well as its best?
Will you mind if it’s turtles, all the way down?
A stable foundation on which to rest?

Where will you fall, at the teeth or the tail?
Destroying or rebuilding anew?
If All is cyclic, then we’ll meet once more,
Eternal versions of me and of you.
Apropos of nothing, I wanted to mix the concept of the World Serpent and the old quote about, “turtles, all the way down”.

Along the way, though, some things also crept in that just seemed to fit.

Considering altering the first stanza to:

Time is curved where the future will be,
But always flat when it is measured.

(Edit:) After a comment from HP poet Lori Jones McCaffrey, it’s been changed.  Previously read:

Time is flat where the future will be,
And curving only when it is measured.

Words can be so fickle.
wes parham May 2014
It always feels like
I'm the one reaching
your way.
You Can't Spell ProblemWithout “Me“, Right?
wes parham Aug 2014
Perhaps we could give each other insights,
Ideas, ways of thought,
Ourselves, the points of departure,
Ourselves, like complimentary colors,
The frequencies I lack, I might find,
And the frequencies you lack,
might, too, be filled.
Know what it means, this joy,
Know what it means, this sorrow,
Perhaps the darkness confused me too much,
Perhaps your joy confused you too much,
Do you shun your feelings
      because they make you weak?
I wallow in mine to make me strong,
Like each muscle fiber, torn in the making,
I trained , unwitting, but found,
The pain unavoidable to risk the pleasure,
Euphoria, plain joy, or humble contentment.
Pain or pleasure  this world is sometimes intolerable.
Also shoehorned in the concept from my 10w "all roads lead to strength".
wes parham Jan 2023
There has to be something to show the way,
In the fumbling flash of thoughts and just how,
As night draws us closer to each dawning day,
Where we plan for a future that grows out of now.

There has to be something to do or to say,
In a stumbling dash to prevent or allow,
The night that approaches to soothe a bright day,
Where the words resonate and the sound is just…
"wow..."
Grown from free associating, and probably about the feelings when reading another person’s verse.  The best ones come falling out, imperfect but fully formed anyway, right?  I feel like my best poetic writing are ones whose origin I couldn’t clearly tell you; whose meaning isn’t completely clear.
wes parham Nov 2017
Slow is her progress and high is her climb,
It's measured in arcs that trace my night sky.
I spoke and she answered, but only in rhyme,
Across space and time, the poetess and I.

In my dream we met, and she told me she'd written,
Something dear to her kind heart- a poetic creation.
For Sara herself, I was utterly smitten,
And I urged her to share it, with awkward elation.

I rambled then, foolish, and shy to be near,
Since her words had already reached me before.
In a future that’s past yet, paradoxically, here,
And knowing, not knowing, just what was in store.

“There's a poem that you wrote...”, I had started to say,
“In the Bradbury story, I think that's the one”,
“There's an automated house that's going through it's day...”,
“It recites your piece aloud...?  but the people have all gone...?”

“ ‘There will come soft rains’,dear friend”, her reply,
And her smile said, “thank you.  I'm glad you recall”,
But this one is shorter”, and her voice was a sigh,
It’s a different theme, but encompasses all”.

Then, as you'd expect, in the midst of a dreaming,
She opened her notebook and the next thing I knew,
Four lines of writing appeared, only seeming,
To arrange themselves magical, universal and true.

——————————————————
"Moon's  Ending"  by Sara Teasdale

Moon, worn thin to the width of a quill,
In the dawn clouds flying,
How good to go, light into light, and still
Giving light, dying.

——————————————————

Every step of our lives, we are walking the line,
Fail or succeed, illuminated in the trying,
The moon is just as bright when she's on the decline,
Our light, consolation to the living or dying.

Thank you, poets. You gave everything that you could,
When you’d make something holy from the simplest spark.
Thank you, friend, for understanding. I had hoped that you would.
Thank you, Sara, for writing the light and the dark.
https://soundcloud.com/flowermouth/moons-ending-with-wes-parham

This is for another collaboration with a composer in the Netherlands, Dennis Ramler.   He wrote a composition inspired by a poem that he loves called "Moon's Ending" by Sara Teasdale and asked if I could write something to mix in.  This is what I came up with.    I'll post a soundcloud link once Dennis has mixed and mastered his track.   The idea was a dream-memory in which the speaker meets Sara just as she has written "Moon's Ending" and entreats her to share it.  They ramble awkwardly about another poem of hers that was used in a short story by Ray Bradbury.  The poem is followed by, basically, a paraphrasing of how I interpret "Moon's Ending" and the final stanza is gratitude for poetry, poets, friendship, understanding, and for Sara who wrote so lyrically about beauty, love, life, and death, each in equal measure of respect and gratitude.
wes parham Apr 2023
If I told you I had seen it already,
You’d have told me I was full of ****.
The joy, the future for each of you,
And the secret that there was more to it.

In a vision, you held an infant child,
A happy but confusing sight.
Confusing in stillness , nothing said,
And happy because it was obviously right.

Another vision, and you were at risk,
I slept on your floor to keep you from harm.
Just a glance on waking, still nothing said,
A smile before leaving, as you touched my arm.

In one surreal vision, you actually killed me.
(I never really understood that one…)
I even loved you for what you had done,
Maybe it was some kind of metaphor,
Some kind of mercy?

I honestly couldn’t say and, trust me,
I love a good metaphor.

You know what was really frightening, though?
How clear the next vision was.
It was light and joy, it was love itself, fulfilled.
And it horrified me to see it,
Right in the palm of my hand.

An old familiar face looked down and laughed.
She told me, “they are all in trouble now…”
“Precarious balance, and one is in real danger…”
“Best not **** it up…!”
And she laughed so hard I thought she’d **** herself.
If those kind of creatures even do that…

I honestly couldn’t say and, trust me,
I’m not afraid to ask her.

But one vision shook me when it proved true.
So many visions from the smallest of clues.
I didn’t mean to get close, or look for connections,
I just wanted to learn and seek the reflection.
To know, and to laugh,
With someone like you.
Share a table, a cup,
and a secret or two.

But the seer would see how our lines became crossed,
She spoke much of love, of a life and it’s loss.
She spoke of how my role,
Would be monumental,
Expendable, Trivial, but still…
       Instrumental.

I grew angry at how she manipulates me,
One alien and his hard-won humanity.
But the seer was right, I would have to go,
Leave the scene and assure that
    No one could know.

I created the door that it may be sealed,
And retreated to the opposite side,
Where I would be hated or feared, maybe both,
And none could ever know,
How, quietly, I cried.
In deep cover, the operative blends in at considerable risk.  Their superiors know this, though, and choose carefully those with the resilience to not lose themselves in the task at hand.
  When the seer herself asked me to mediate a nearly lost blood line, I felt a multitude of feelings.  I would feign affection, gain trust, and work with only crackpot visions to instruct me.  she believed in me, though.  Despite the guilt and deception, I trusted the program and, above all, the seer’s choice of operatives.
wes parham Nov 2021
I see a solid object, in my mind,
Grasped by a phantom human hand,
Explored to distract, or pass the time,
Every day carry to a distant land.
Fidget, spin, or brass fitting held,
A soothing reminder, dense and cool.
Carried with me,
Compulsively,
In the pockets of a child,
Or maybe,
A fool.


It escapes,
Irretrievable,
                                   Time.
oh, the **** in my pockets, ha!
Read here by the author...
https://soundcloud.com/warmphase/solid-objects
wes parham May 2023
You worked with words wrapped tightly round,
This secret life of thought.
You sorely want to win, by hand,
Each battle that was brought.
But how can someone understand,
What every stranger knows?
You placed a bleak reminder  note,
where your integrity goes.

You put it off and tried to smile,
But waiting made it hard to live.
You'd seek for her forgiveness but,
There’s hardly any
                                  left to give.

Come back to life, my dearest friend,
You’ve had more than enough.
That inner voice, with strength to lend,
Is  your best ally when things get rough.
What life, the life of the mind?  Nice place to visit, but  wouldn't recommend living there.

   That’s what I originally wrote on the first draft of this.
It is an _old piece. It was born out of a dissatisfaction with written forms of personal expression.  They always seemed to lack something and just became “bleak reminders “ instead of the mighty statements you imagine them to be.  
   The middle part imagines that there is someone the speaker ought to reconcile with but lacks the will to believe that it would be worth it.  I wanted to imply that they’ve used their last favor or given up hope.    
   The final stanza came much later and serves as a reminder to listen to that inner voice, be your own ally even when you’re feeling doubt and defeat.  
Here, I shrug, trust the muse, and hit “save” before I change my mind.
wes parham Jul 2023
We assembled a modest telescope,
To find what sights there were  to see.
I stared, transfixed, at the moon and stars,
In the driveway with all of my family.

I know exactly where I stood,
The moment I would find,
The infinite nature of time and space,
And how it all unwinds.

I asked about the size of the moon,
The distance of its arcing track.
I asked about the space beyond,
The nothing in the black.

I asked my family how big it is.
I asked if anyone knows,
The moon, the stars, and all of it.
I asked how far it goes.

“My son, our curious little one…”,
My parents said to me,
“It has no end”, “It just keeps going”,
“Outward, eternally”.

I stared up into a southern sky,
Ominous, dark as the sea.
And I swear, at that moment,
Looking up,
Something departed from me.

            It flew into the dark of space,
And hasn’t slowed in all this time,
       As far and as fast as information can.
                        The speed of light, I hear…
Which is not so much a speed…
          Hitched, perhaps, to the Voyager probe…
   By these new thoughts inside of my head.
                             But I digress.

This thing  began a journey that,
Must bring it face to face,
With everything that ever was,
Every corner of time and space.
Everything that is yet to come,
Everything that has ever been.
Repeating every history,
It’s trek would never end.

That thought has always stayed with me.
It anchors me, somehow.
A line cast from a sailing ship,
Where I stand upon the bow.
In the oblivion of the infinite,
It grounds me to the “now”.
I could have been eight or nine, but I do remember exactly where I was when this happened and it really was a mix of emotions to learn that the universe is probably _infinite_.  I was both terrified and exhilarated; humbled and hugely empowered, all at once.  I loved learning more about the cosmos and still feel the same rush to learn new stories from above.  
33.60455° N, 83.97471° W
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