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wes parham Sep 2021
Horrf, my friend, don't keep it in,
Horrf, the sound eternal !
For, soon, what once adorned your skin,
Shall be, once more,
External...
Cat owners will understand.
PSA time, though:  frequent hairballs are not normal.  Have your feline friend checked out if they are chucking that sick on the regular.
wes parham May 2014
It's a ridiculous cliche but, ******* it, your eyes...
Forgive me if I don't always make eye contact,
Or look away too soon.  I'm listening. I swear it.
I'm afraid you might think that I'm full of myself,
Or afraid you might think that I've no self-esteem.
The truth is much simpler than either extreme.
The truth is I'm somewhere right in between.
but still:
Twin seas draw my stare and I fear what I'll say.
Fear falling into their unlit depths, where even my silence could betray.
The source to illuminate and fuel our lives' desires,
Find it in her hands , her touch,
Find it in her eyes.
Her eyes of ocean depth see me,
Giving no safe place to hide,
Searching bad cliches for the light, the otherness inside.
But what if all of my words are wrong?
What if they drive you away?
What if the light between oceans is mute?
Insufficient to make you stay?
What light passes to the heart or soul through those twin gates, but look!
The gates themselves, ruinous sirens that must be heeded.  Reverence, fascination, a constant meditation, your eyes, your heart-breaking eyes.  I can think of nothing else. I can see little else.
-  improvised for a musical collaboration with a distant artist.
part 2:
http://hellopoetry.com/poem/718577/the-light-between-oceans-pt2/

(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
wes parham May 2014
Confidences
   were something we shared, but then,
Secrets are nothing per sè...

Confidence
   was a thing that I'm lacking, but that
Never stopped me, anyway...

I pressed you, you starved me,
It was wrong, but it couldn't be helped.
I said some things that I don't quite recall
You said a few things yourself.

It was a ridiculous assumption, and god **** it,
You're right.
Forgive me if I don't always hear your advice,
Or look away from the truth.
I'm still listening, I swear it.
I'm afraid you might think I'm just here for your ***,
Or afraid you might think that I'm boring and dull.
I'm just beginning to learn that others perceptions,
Are all, as they should be,
well beyond my control,

But, still...

Your eyes of ocean depth see me,
I want you to speak my name.
Searching all my cliches in the dark,
Forgetting the lies from which we came.
But what if all my words are true?
What if they show me the way?
What if the light between oceans is thought,
And words sufficient to make you stay?
(continued from part one)  Nasty business, this.  The story takes a dark turn, polluting the waters but pulling through in the end, hopeful.  Hopeful.  This is all metered for a reading over some music sent to me by a distant collaborator through soundcloud.  I'll link when that noise is ready.
http://soundcloud.com/warmphase
(UPDATE:  IT'S COMPLETE.  Thanks to soundcloud musician Dennis Ramler for taking me on in a collaborative effort )
https://soundcloud.com/flowermouth/the-light-between-oceans
wes parham Jun 2014
Do you see yourself there,
In this life that you've made?
Arcs traced, just so, by the motion of eyes?
The flicker as they search, the pause before they rest,
The metrics of biology, could they possibly tell?
Whose child was whose,
and what they were thinking?
My children's eyes fascinated me when they were infants, the consciousness burning so bright within.  I wanted to know what experiences sounded like to them, pristine and yet disconnected from the source from which we all derive being.
..read here by the author:
https://soundcloud.com/warmphase/the-lights-of-fires
wes parham May 2014
Raise, for your experiences, a city.
Build a warehouse, down the block,
Where you’ll keep the cosmos.
Build a bookshelf, within a brownstone,
Where some other things can go.
Like the time you grasped a flower,
Felt beneath, felt the spines that
Pricked your skin,
Made you cry.
But that shelf will be revisited many times,
In this fragile, crumbling zip code,
Forsaking more majestic memory palaces,
Because the vision reached your soul,
Through pain,
Of all that beauty, soft, red, enfolded into itself,
On such a slender stem.
Revel in the joy, but don't forget the pain. It is your god-given right and a valuable ally once accepted and befriended.    
One of the devices for memorizing inordinate amounts of data is to imagine a place and travel through it, mentally, placing items here and there along the way.  Recall is achieved by simply traveling through this imaginary space again, where the logic of placement becomes a natural mnemonic for recall.  Time and Memory are themes I find myself flying to again and again.   The flower was a person I felt wounded by, but learned that nothing is as it seems.
Hear it here, read by the author:
http://soundcloud.com/warmphase/the-memory-palace
wes parham Jul 2016
One day I broke down, I took the job.

"I just wanted to destroy something beautiful..."                    
     "Yeah, beautiful and toxic. what were you thinking?"
"who are you?"         
   "I'm your ******* muse, *******"
"no, no, no. just, please... leave me alone?"       
    "nope"    
"****"          
   "do you love me?"
"how could-  i mean, what...."          
   "touch me"
" god.   ******...."
It was going to be a long, long day.
Who's going to get anything done with her around?
.
.
wes parham Feb 2023
Krista said it well and then left me to tell the tale,
But the point was more elusive than these birds,
That swoop from out the sky of mind
to fall down some deep well.
Well,
The truth is hard to catch just right in words.

If I had half a twenty for all the times,
My words weren’t what I meant,
Or even less…?
Then all the meaning buried,
Beneath defaced US bills,
Would break my heart,
It’d be a ******* mess.

So, heads up poets, final warning,
The reader needs you now.
Best not **** it up, my friends,
And make to them this vow,

Please don’t preach,
And break no hearts,
Try not to show your ***.

Use plain speech,
Put away the thesaurus,
Let’s have a little class.

‘Cause out there words are spoken in vain,
In the smoky air they are forced to fill.
Talking heads make truth seem insane,
Finding meaning takes all of your will.

It’s hard to find the truth these days,
And even harder still…

When dangerous lies are sold as truth,
Common sense can sound absurd.
When empathy and integrity,
Are ranked in second and third…
Then the poet is needed more than ever.
The truth is hard to catch just right in words.
Here’s a clever poem about poetry-making…

If there’s one thing that I cannot abide, it’s clever ******* poems about poetry-making.  
They always feel like masturbatory exercises when we should be writing to capture the hearts and minds of people who don’t even like poetry.  Okay, rant off.
I do kind of like how the meter lends itself to some kind of rambling, Dylan-esque folksy, talking-blues format.

Hello Poetry poet Krista Dellefemine commented on one of my poems, “Loyal Hearts”, saying “The truth is hard to get just right in words”, which became a kind of a suggestion to be a poem in its own right.  I joked that I would do it and, hey, presto!  It only took five years to get around to it.  My inertia knows no bounds.
wes parham Sep 2014
Back at the shore, at the interface, I tried, once, to be free.
I found a human animal there, hidden beneath the sea.
It stared, defiant, back at me, perplexed to be observed.
It had no need for company,
It had no need for words.

I felt unable to understand,
Understanding all too well.
The pain within the heart of man,
The pain they buy and sell.

I spoke aloud, though, anyway,
I thought I knew those eyes,
Believed my voice could make a change,
In other creature's lives.

"You're hurt", I said, to the ocean waves,
"Why hide beneath the sea?"
"You're a fool", it said, "presuming that",
"There's something wrong with me"

"Go back to where it's warm and dry,"
"Just walk away from here."
"The water gives me all I need."
"Spare me your hope and fear".

Perhaps", I said, "We all are broken,"
"To some extent, in body; soul..."
I saw my own, afraid but happy,
So unbroken as to seem whole.

It shouted at me once I had left,
We would never meet again.
Then whispered an unheard, but felt,
Admission to the pain.
Sunday 01 September 2014 11:15AM
seed= so unbroken as to seem whole
or, did you just become accustomed to the pain?
Still working on the final stanzas, trying to preserve "...an unheard, but felt, admission to the pain" without that awkward abruptness.
Read here by the author:
https://soundcloud.com/warmphase/the-unbroken?in=warmphase/sets/poems
wes parham Dec 2016
Back at the shore, on my own this time,
I'm free now, yes, but alone.
I'm left with nothing,
No pain,
No rhyme,
On a beach less sand than stone.


The tide still licks the shore for crumbs,
But nothing hides beneath.
No voice calls out in dark, feigned scorn,
No stoic secretly cries for release.


The world outside worked magic for real,
It promised us strength in identity,
But now I'm just beginning to feel,
There's actually something wrong with me.


I can't go back until I know,
That your death has served some purpose.
What chance is there, to survive and grow,
When even ghosts can hurt us?


"Perhaps", I said, "it's all unspoken", aloud,
To myself, discovering,
How words can wound but silence drowned,
A heart that's still recovering.
A follow-up to my poem, "the Unbroken"...
I wanted to revisit "the interface" once more, where our traveler seeks new insights.  Poor *******... Nothing significant here, honestly, the concepts are off-the-cuff, almost random, but the mood I wanted was one of placing the reader on the cusp of despair and a subsequent hopefulness as we try to make sense out of life's pains.
wes parham Oct 2014
His body floats on the surface,
Limbs spread wide and bound to the water,
An "X" marks his place on the planet.
Ankles and wrists between water and air,
He submits to a force of nature,
An "X", half submerged in the waves.
It says, "You are here",
but the ocean has more "there".
The water is a woman.
The sea is terrifying,
But he won't ever fear her.
A force of nature does nothing for spite,
Nothing for greed,
Nothing for personal gain.
His death would be clean.  
Honest.
Absorbed, even, thoroughly, back to the source,
The waters from which we all came.
Whenever I have the chance to swim in the ocean, I am compelled, beyond my will, to swim out past the choppy stuff and float, limp and contemplative, upon the rise and fall of Earth's seawater.  I clear my thoughts and drift.  Invariably, though, thoughts arrive.  Then this kind of **** happens.  I wrote the start of this back when first exploring things that appear in "force of Nature", that submission to natural forces, free of judgment.
( read here by the author:  )
https://soundcloud.com/warmphase/the-water-was-a-woman
wes parham Oct 2021
Gently... exhale , now,
Breathe out, but slow,
And I sink, if only a bit.
Down into the sea, but never in fear,
Though flat on my back in the vastness of it.

Gently... inhale,
Never panic, never rush,
Only trust, and the rise of my chest, but slow,
Only faith in the physics of fluids and mass,
And I rise again, safe from the depths below.

I rise again, safe, at the interface,
My lips welcome air from the edge of the blue,
My ears hear the sea, still muted and mingled,
With the sound of a voice, and a heartbeat, too.
A comfort, a terror, both in the same,
My regular gentle reminder of how,
The world cannot touch me from there,
In the past.

The sea touches all of me, here,

And right now.
( see also, "the water was a woman" )
I do so love to float in water, "flat on my back in the vastness"...  If you fully exhale, then you sink like a rock, but with some air inside, you can bob like a cork.  It's meditative and centering, finding this balance between life-giving air and the drowning depths of that which, paradoxically, makes life here possible.  But, hey- don't over-think it.  : )
wes parham Jan 2015
"I just want to have ***", you said.
An unexpected non-sequitur.
We had been sipping tea or coffee or something.
We had been reminiscing about the old street,
Back when none of us were single.
"yeah, I miss it, too", I said.

"No.  I mean right now", you corrected.
As I turned to see your face, it betrayed little.
Impassive but alert.  Warm but not intimate.  No passion.
I was willing, but remember: this never happened to me.
Something seemed wrong about it,
But was there any harm?

I asked if I could think about it.
You thought about it, too, as we watched a movie.
Halfway through some Ridley Scott epic, we held each other.
We touch-explored and memory only tells me this is true:
With no further reason beyond the will to be,
I soon lay naked there with you.  
It wasn't love but, then again,
This never happened.
Awkward, at first, we found our place,
Our touch and pull, our rhythm and pace.
"no kissing", you admonished, speaking only that.

Though I rest spent and full inside you,
That was your concern.
Too personal.
Too intimate.

We held each other for a while,  you left within the hour,
Saying, "this never happened", and my only thought,
My only answer to you,
Was a solemn confirmation,
That nothing could be more true.
I only saw a woman
In her motion and the way that she is made.

Read here by the author:
https://soundcloud.com/warmphase/this-never-happened?in=warmphase/sets/poems
wes parham Jun 2014
This stupid book has nothing to offer me
In eight pages on stiff paper board.
The pictures are saccharine,
A fat headed boy
In colorful clothes
Shows us what he can do.
How could I see the value
In knowing this simple stuff?
I’m too far removed from my point in time
When “jump” and “run” were just sounds,
When jumping and running were just what they are,
Far removed from the labels we gave them.

So it comes to this: this stupid book
Among all of God’s ink-sodden paper,
Is an achievement of gold,
the height of literature,
a swell in my throat,
When you brought it to me
just today, and said,
“dada”
“read”
I never liked reading that book. When my daughter asked me to read it specifically, I knew it wasn't because it held some special place in her toddler heart. She wasn't talking much, but she said those two words to me, holding out that stupid book, and I realized why we read together. It's to BE together, *******, just as much as anything. I understood so much in that moment.
.
wes parham Nov 2023
To some Holy Land, now, gather ye,
There, to spend the night in Gethsemane.
Entreat with the father or maybe the son,
Perhaps they can tell you when a war is won.

For another parent, another child,
Their once ancestral home defiled.
Did it help, the blood you spilled?
Your mark of Cain; your curse fulfilled?

Run to your God and pretend he hears,
Believe in lies and dark new fears,
Deny to others their right to live…
We saw what you did and will not forgive.

Where two or more are gathered,
The result is anyone’s game.
But make it many thousands,
And often it is just a shame,
How Gods remain suspiciously quiet,
When the killing is in their name.
I don’t want this to come across as an indictment of religion.  I learned useful lessons in childhood, attending with my family. This piece is to do with those persons who would pervert a faith for their own gain of power or wealth at the expense of their fellow man.  All while hiding behind the pretense of their fairy tales.

Early on, I began to adopt a certain personal axiom when dealing with the faithful.  The moment they claim to know the word or the will of God, do not trust them.  Anyone doing so is a manipulator at worst and deluded at best.
wes parham Feb 2023
If I wanted to take a little time,
If I wanted to share my inner mind,
If someone said it had to rhyme,
I got no time for that ****…

Paint for me, in your chosen words,
The lines are branches; the letters, birds.
Sing to me songs sublime; absurd,
Just don’t tell me it has to rhyme…

Settle the bitter, ancient scores,
Make the audience seek for more,
Make the shoes I stand in yours,
Do not make me repeat myself…

Write me a letter, I long to hear,
Your poet’s voice in my mental ear,
Till the world does shed a collective tear,

I think I’ve made myself perfectly-  uh…

Clear.
Do it!  It’s fun.  Come on, everybody else is writing poems, you know you wanna, how about just one stanza, it could be free verse, rules? there aren’t any, that’s what’s so liberating, so democratizing about poetry, bring it, bring it, bring it, show me what you got…!
wes parham Apr 2014
His feet carried him there with no plan but to see.
Beyond that, the ****** appendages were ******* useless.
But he can't blame his feet for the failures above,
In the brain that is always awash in a chemical storm,
Not of it's creation,
But rather, from failures up higher,
Where angels throw darts and roll dice with God,
(who disdains such a sport),
And anyway...
So, here he is again,
With a mind full of wonder,
When he wants only, sorely, for this:
To have something to say,
Through the fog and the chatter,
To find that within,
Which is real.
If you've ever been drawn to someone, but never felt able to connect, it was probably just your useless feet dragging you over to talk to her (or him as it suits), but then just leaving you there afterward, brain terrified and devoid of anything reasonable to say, much less entice the mermaid to further intrigue.  The poem ultimately gives up, blaming a whimsical deity and bored host of angels.  Sigh...
If this sounds familiar, then this poem is dedicated to you.  
You are not alone, not by a long shot.

Read here by the author:
https://soundcloud.com/warmphase/useless-feet?in=warmphase/sets/poems

.
wes parham Apr 2014
Miss sits in silence and understands,
Nothing breaks the spell.
Missing nothing, understanding,
As far as I can tell.
Miss spoke and said, the word was "sure",
An understanding guess,
Missing understanding pure,
The answer could be "yes".
Miss came and understood for sure,
But wouldn't stay for long.
Thought was insufficient lure,
When I think my guess was wrong.
You think you know what's happening beneath the surface, but you don't, you really don't.  Let it ride, give your thoughts time to let it go properly.  This one's for those being misunderstood, whether you know it or not.  This one's a shoe in your face when you thought you had it all figured out but you were wrong.
Hear the author shovel that noise here:
https://soundcloud.com/warmphase/when-miss-understood
wes parham Jun 2022
"Wise as a serpent but gentle as a dove",
Was scripture you'd quote to me many a time,
And though your Faith would sustain you,
Through many dark storms,
You refused to insist
     That it should be mine.

You see, I had every chance to fall out of line,
A multitude of options, to shy or to shine,
And even though I may not have said it a lot-
I remembered your words,
             And made some of them mine.

So, when I reached the age,
That you were back then,
When you felt like you'd failed me,
And said so again,

I'm taking your hand now,
To place it in mine.
I'm smiling but, sighing,
I'm drawing the line.
No one's written the book yet, Mom,
You did just fine.
My mother passed away this past week and I'm still processing the impact.   As recently as this year, she sometimes expressed concern that she wasn't a good enough mother.    I would remind her of how much she accomplished to raise me on her own and hope that she would take it to heart; to truly know that, like I write here, she did a fine job and that I'm grateful to have had such a fighter for a mother.

We didn't speak frequently, but a good and real bond was still there and I find myself shaken in the magnitude, now, the full spectrum of surprisingly monolithic emotions that arise and present themselves as if they hadn't been there all along.
wes parham Dec 2014
Wednesday 17 December 2014

This one was beautiful.  I sculpted it myself.  Did you know that?
It took years and, if I’m completely honest, I was overly fond of it.
I’d made many, of course.  I had to.  We all had to.
Cupped, round, and smooth, heavy in my hand like a clay pigeon.
So beautiful...

Somehow it began in light,
Naïveté and youth.
I used to say it just felt right,
And free from all abuse.

At  first it formed a perfect ring,
Of lies I thought were true.
I bring it, now, to end the thing.
I bring it, now, to you.  

Because every thing must have its place,
Every thing in its own time.  
This beautiful thing has failed it's need,
Inspiring only pain and rhyme.

-but may it live in memory, still,
May the growth outweigh the pain.
When pain brings growth beyond your will,
Remember fondly, this thing, again.

So why did I smile when you asked me to hold it?
Why did I find it fitting that you made me load it into the trap?
Why were the lines formed by your braced shoulder,
your leveled forearm, your
outstrectched, cradled hand,
so beautiful...
when you inclined your head,
Closed one eye, and,
Steady, raised your sights?

Why did I love you so much for pulling the trigger?
This is about destroying beautiful, shiny, enticing things in your life that have turned out to be harmful.  Once upon a time, a talented marksman took aim at some of mine.  I'd like to contrast the appeal of the thing with the violence of its destruction, for creative acts could be defined in violent terms...  primal, like the forging of matter in stars and childbirth.  Or mundane as the attrition of a pastel chalk, giving up its pigments to the paper canvas.

— The End —