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"mattresses" poems
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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18.5k
Nothing But Death
There are cemeteries that are lonely, graves full of bones that do not make a sound, the heart moving through a tunnel, in it darkness, darkness, darkness, like a shipwreck we die going into ourselves, as though we were drowning inside our hearts, as though we lived falling out of the skin into the soul. And there are corpses, feet made of cold and sticky clay, death is inside the bones, like a barking where there are no dogs, coming out from bells somewhere, from graves somewhere, growing in the damp air like tears of rain. Sometimes I see alone coffins under sail, embarking with the pale dead, with women that have dead hair, with bakers who are as white as angels, and pensive young girls married to notary publics, caskets sailing up the vertical river of the dead, the river of dark purple, moving upstream with sails filled out by the sound of death, filled by the sound of death which is silence. Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue, with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree. I'm not sure, I understand only a little, I can hardly see, but it seems to me that its singing has the color of damp violets, of violets that are at home in the earth, because the face of death is green, and the look death gives is green, with the penetrating dampness of a violet leaf and the somber color of embittered winter. But death also goes through the world dressed as a broom, lapping the floor, looking for dead bodies, death is inside the broom, the broom is the tongue of death looking for corpses, it is the needle of death looking for thread. Death is inside the folding cots: it spends its life sleeping on the slow mattresses, in the black blankets, and suddenly breathes out: it blows out a mournful sound that swells the sheets, and the beds go sailing toward a port where death is waiting, dressed like an admiral.
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48
I slip the straps and release the clasp of your over-the-shoulder boulder holder. Gravity asserts itself, and you sigh as I wonder if I should get even bolder because The jaws of love masquerade as petals of a flower so Just say if you want me to stop. We are, after all, in the middle of a shop. I was attracted when I saw you smile. As we passed in the frozen food aisle. Now people are staring though the window. Shocked at my nonchalant innuendo. And if your purse metaphor extends to this. We can go to the Bank for a little kiss though I may not be able to afford nine feather mattresses and a golden pea. But if you could make do with a lilo and a marble then … You've pulled Princess. © Pagan Paul (30/05/17)
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May 30, 2017
May 30, 2017 at 11:54 AM UTC
Even Poets ***** Up ... Love At First Sight
Your fingernails give away the debris you've collected I've known you for a while but it feels like longer feels like sunsets under my tongue blue bruises behind my eyes every skip of the needle brings back our old skins & the hush-hush type of self worth, keeping pens full of red ink so we can play the demon in this one instead of closing the door, we don't wanna gossip at the edge of the room like strangers, we wanna be in the center and your fingerprints look a lot like mine sometimes, especially when we laugh and cry together especially when you fall asleep and I watch for soft signs of openmouthed breathing that signal we are in deeper than we thought. I can't stand the way you look at yourself though, sometimes I wanna run away from everyone here sometimes I wanna just up and leave it all in a shallow grave where it belongs, but the moments are softer when you slip my name onto your cotton tongue, and I don't punch out a pattern for my self loathing quite as quickly when we tally up our thread counts and what time we have left together. Inevitably, I still paint my teeth black, because words about my future never felt right coming from my pink and purple mouth but your lips could twist anything up into a lot of sense, I could kiss you and **** time forever in parking lots and on the edges of stained mattresses I didn't ever want a home until I thought of hanging up your colors to dry keep them here in the niches or scrawled onto notepads I keep beside my bed, put down your demon scripts and ask me in the morning if it takes a while for seeds to grow, I'll tell you to keep a can of water nearby and to make sure it's somewhere sunny I know there's something foreign growing in me and it's bigger than I've ever been, but I think maybe you know and it's bigger than both of us, maybe you know and you've been doing some growing, too.
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Jul 15, 2018
Jul 15, 2018 at 4:31 PM UTC
bigger than i've ever been
Your fingernails give away the debris you've collected I've known you for a while but it feels like longer feels like sunsets under my tongue blue bruises behind my eyes every skip of the needle brings back our old skins & the hush-hush type of self worth, keeping pens full of red ink so we can play the demon in this one instead of closing the door, we don't wanna gossip at the edge of the room like strangers, we wanna be in the center and your fingerprints look a lot like mine sometimes, especially when we laugh and cry together especially when you fall asleep and I watch for soft signs of openmouthed breathing that signal we are in deeper than we thought. I can't stand the way you look at yourself though, sometimes I wanna run away from everyone here sometimes I wanna just up and leave it all in a shallow grave where it belongs, but the moments are softer when you slip my name onto your cotton tongue, and I don't punch out a pattern for my self loathing quite as quickly when we tally up our thread counts and what time we have left together. Inevitably, I still paint my teeth black, because words about my future never felt right coming from my pink and purple mouth but your lips could twist anything up into a lot of sense, I could kiss you and **** time forever in parking lots and on the edges of stained mattresses I didn't ever want a home until I thought of hanging up your colors to dry keep them here in the niches or scrawled onto notepads I keep beside my bed, put down your demon scripts and ask me in the morning if it takes a while for seeds to grow, I'll tell you to keep a can of water nearby and to make sure it's somewhere sunny I know there's something foreign growing in me and it's bigger than I've ever been, but I think maybe you know and it's bigger than both of us, maybe you know and you've been doing some growing, too.
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41
I keep telling myself that if I lay here long enough something's gonna swallow me and it's not because my heads been somewhere else lately it's because I sleep on the floor. Even when I don't. I sleep on the floor. The mattress has holes because mattresses get holes sometimes when you don't have blankets to cover them and you're too cold to put the cigarette out on anything other than yourself or what you have to sleep on now. Last year I'd spend every day in bed with a little bag full of drugs and a map to the bathtub just in case I forget what I took two seconds ago because I think it happened yesterday and I take more. And then I'm shaking, not because I'm cold this time. I'm seizing and nobody is home because everybody leaves me for preachers or church or a campfire or someone prettier. This part is foggy. I remember again a bathtub, an empty hotel bathtub and my mother and I say mama did you leave the door open on purpose and she says I went to church. She went to church. She went to church. Bathtub. I sleep there. Even though we are in a hotel I sleep in the bathtub because I like the way my anxiety sounds when it echoes. I like to hear it. Play it back. Memory. Back to the only house I've ever lived in alone. I'm seizing. I stop. I hear you. I somehow forget that it's 4 in the morning. It's my birthday now, nobody knows but it's my birthday now, teen years behind me but still a teen year drug addiction and you tell me to look out the window so I do. And the sky's on fire. I don't fall asleep again for three days but the sky's on fire. And so am I. And so are you. And I don't want to go back to the place I go to when I see the faces but I put myself here. I push and push and push and then I act surprised when something falls off the edge. I'm alone now. Even when I'm not. I'm alone.
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Jan 12, 2015
Jan 12, 2015 at 9:14 PM UTC
even when we're not
I keep telling myself that if I lay here long enough something's gonna swallow me and it's not because my heads been somewhere else lately it's because I sleep on the floor. Even when I don't. I sleep on the floor. The mattress has holes because mattresses get holes sometimes when you don't have blankets to cover them and you're too cold to put the cigarette out on anything other than yourself or what you have to sleep on now. Last year I'd spend every day in bed with a little bag full of drugs and a map to the bathtub just in case I forget what I took two seconds ago because I think it happened yesterday and I take more. And then I'm shaking, not because I'm cold this time. I'm seizing and nobody is home because everybody leaves me for preachers or church or a campfire or someone prettier. This part is foggy. I remember again a bathtub, an empty hotel bathtub and my mother and I say mama did you leave the door open on purpose and she says I went to church. She went to church. She went to church. Bathtub. I sleep there. Even though we are in a hotel I sleep in the bathtub because I like the way my anxiety sounds when it echoes. I like to hear it. Play it back. Memory. Back to the only house I've ever lived in alone. I'm seizing. I stop. I hear you. I somehow forget that it's 4 in the morning. It's my birthday now, nobody knows but it's my birthday now, teen years behind me but still a teen year drug addiction and you tell me to look out the window so I do. And the sky's on fire. I don't fall asleep again for three days but the sky's on fire. And so am I. And so are you. And I don't want to go back to the place I go to when I see the faces but I put myself here. I push and push and push and then I act surprised when something falls off the edge. I'm alone now. Even when I'm not. I'm alone.
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1
His home is an orphanage in downtown Belize. Triple-decker bunk beds topped with ***** stained mattresses fill each room. An abandoned 10 year old lies paralyzed on the floor; "Don't touch him. Nobody ever touches him." A small child covered in sores sleeps in a puddle of his own ***** I offer a container of pink Play-dough to a boy who proceeds to sculpt me changing the pink to brown with his ***** hands. When he is done, it is the most beautiful thing I have ever seen. "What is your name?" "I'm Allen" He tells me about his dreams of leaving Belize and becoming a U.S. soldier. He tells me of how his mother, a **** addict, dropped him off at the doorstep when he was 8 years old and how he remembers the look of fear and disappointment in her eyes every time she looked at him and saw his father. His favorite color is blue. Together, we make bracelets with colorful beads, and as I stand to leave he hands me a pinkish-brown heart warm and sweaty from his ***** hands. And in return I hand Allen, and every child like him, my own heart red and ****** dedicated and passionate, foolishly and hopefully attempting to change the world.
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Dec 3, 2012
Dec 3, 2012 at 5:05 AM UTC
For Allen
Once upon a time, a long time ago There was a little boy with a grimy flow I used to hear him rap in Chicago everyday And this is what I heard him say……. He say **** like, he be like…. Ah! and I'm a *********** biter The size of the incises inside ya might surprise ya You might need rewind to decipher my cyphers Ain't nothing on this world worth more than my saliva I go so hard when I'm flowing So cold my flows frozen I'm a rowboat rowing in an open ocean And I'm hoping, to blow up with no promotion But dam, those explosions are so slow motion So, I need some honey bees to pollinate my money trees Cause fuckery of companies, accompanies that come between A couple bucks and me, turned my orange juice to Sunny-D Hide the cash for food stamps, no way i'm funded publicly I'm hungry, but not for sandwiches I'm ambitious A panhandler with gram plans and last wishes Ask for the last table scraps you can't finish Sell em back when you digest, and I repackage it Abracadabra, I'm an alchemist, my magic tricks are acting as contaminates I damage this establishment They enacted bans on urban camping If you ask them how they sleep at night the answer is Happily on mattresses
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Oct 21, 2014
Oct 21, 2014 at 12:43 AM UTC
The Tale of Bacon
I think I love too easily. I find it so simple to pick out the best traits in somebody. I like to know what makes people tick and what makes their pupils dilate. I can fall in love with the way they talk about their favorite shades of color and the way they pick out groceries. I am interested in the way people take their coffee and if they prefer tea better. and why herbal caffeinated I find myself loving people for their laughter and the crinkles beneath their eyes when they smile. And I think it’s so cute whenever they suppress their grins when they think of something funny or memorable. I love the way people talk about life and what’s on their mind; it’s nice to know that there is more more to discuss than the sounds on mattresses and the type of plant they inhale. You are beautiful. I love the way people spill their hearts out when they’re happy or when they’re sad. Sometimes, when they don’t let me love them, it makes me want to love them even more. And even when they don’t love me back, I still continue to love.
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May 29, 2014
May 29, 2014 at 3:01 AM UTC
love like no other
There are tents with tubs and tents with mattresses for the girls and women in the middle of the camp behind the front where they are buried alive Buried who they were Wishing to die from the pain, out of the hell of unknown soldiers who are honoured, for what they do does not happen Because it's not allowed, so they will get the flowers which are not at the camp that tomb of the human dignity of the snatched women
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Mar 7, 2023
Mar 7, 2023 at 2:39 AM UTC
Tomb of the Unknown Woman
His home is an orphanage in downtown Belize. Triple-decker bunk beds topped with ***** stained mattresses fill each room. An abandoned 10 year old lies paralyzed on the floor; "Don't touch him. Nobody ever touches him." A small child covered in sores sleeps in a puddle of his own ***** I offer a container of pink Play-dough to a boy who proceeds to sculpt me changing the pink to brown with his ***** hands. "What is your name?" "I'm Allen" He tells me about his dreams of leaving Belize and becoming a U.S. soldier. He tells me of how his mother, a **** addict, dropped him off at the doorstep when he was 8 years old and how he remembers the look of fear and disappointment in her eyes every time she looked at him and saw his father looking back. His favorite color is blue. Together, we make bracelets with colorful beads, and as I stand to leave he hands me a pinkish-brown heart warm and sweaty from his ***** hands. And in return I hand Allen, and every child like him, my own heart red and ****** dedicated and passionate, foolishly and hopefully attempting to change the world.
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Feb 27, 2013
Feb 27, 2013 at 3:51 PM UTC
For Allen (Originally posted: December 3, 2012)
To Marianna When blue night mattresses cover the city Schizophrenia , depression , deception they all cross the avenues or rather swim in redness the green rain stagnates in the brothel's garden the cat leaning on the stair landing shuffles the deck of cards a sweating Eros slides on a female yet so manly river his signature Monet . Giorgos Vlachos 10.11.2008 Translation : Christos Rodoullas Tsiailis
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Mar 21, 2015
Mar 21, 2015 at 2:04 PM UTC
Under Monet's signature
dissuaded seamstresses seamlessly string together thoughts throwing out convention and convection ovens hold the bones of history hot air blows through them and out the mouths of bloated politicians red faced with misplaced values and encouraging a broken caste systems’ continuation as classism hides beneath value menus radically altering the fabric of not only society but also the genetic code in which we all stem wilted flower petals stick to flattened tires wired children snorting Ritalin pick locks placed by scared parents frightened by Fox news and Vioxx side effects stashed cash smashed in mattresses waits for the next prescription election
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Mar 5, 2014
Mar 5, 2014 at 11:49 AM UTC
5th pile of garbage
meanwhile, at the capital... streets lined with mattresses like piles of flesh trees above that shudder like a final breath a branch of cherry blossom like baby pink fingertips of limp forearms dangling off edges of crinkled white mattresses, a flower
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Aug 21, 2018
Aug 21, 2018 at 8:07 PM UTC
cherry blossom
He started feeling sorry for himself long before he had seen his reflection in shimmery linoleum tiles that stretched into blind corners before the snap of magnetic doors woke melancholy macaroni people strapped to rolling recliners staring past Plexiglas TV's He wore yesterday on his shirt a step at a time... one two, one two felt breaths collectively stop when he walked the halls... one two, one two like watching a one legged cricket with your hand over your mouth As cold as this place was his head had been on fire slammed into paper cups filled with pastel colored blues and pinks and why pills rattled at him like a baby He fell face first into tomorrows slobbered on wooden spoons for vanilla ice cream that he said tasted like Wednesday He would get animated when they ran out of Wednesday and had many rattle cup nights ****** up through a syringe hands and thumps pressed him up against heavy beds of oak bolted to the floor gloves pulled his hair when he smelled like yelling into plastic mattresses the same color as his ***** and no one wants him ******* while their eyes are closed they want to see it they want to say things like "we'll talk about this later" wrap his wrists in sheep's wool, in skin from his ******* clasped by buckles, pulled tight enough to close his eyes He should have **** his pants because chocolate doesn't have a taste and neither did feeling sorry for himself
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Sep 5, 2017
Sep 5, 2017 at 9:26 PM UTC
Thorazine Shuffle
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
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Dec 27, 2010
Dec 27, 2010 at 5:16 PM UTC
Christmas at Macys
Customers have torn open the Christmas chocolates. Shoving it in mouths, shopping bags, children’s eyes. Quiet. We are shopping. as. a. family. Smoke accordions out of Santa’s mailbox. The sprinkler system hisses stale air. Custodians ride by on their metal cart laughing, sanitation chemicals flickering out of buckets. The 80 year-old piano player is hammering out Schoenberg. Customers shove lamps into their shopping bags, shove children into them. Turn on the light Jimmy. The ninth floor is barricaded off by old woman. They have turned the clearance divans on their sides and are throwing toasters. Down in the basement, the security staff have locked themselves into 2’ by 2’ cells. Fetally-positioned, their panting echoes off stone walls. Static sizzles on the array of sixteen camera screens. Customers have begin to bow in the reinforced door next to the two-way mirror. A fat man is leaning against it. He has been dead for over an hour. Restaurant staff are tearing down the great tree. Ornaments funnel down pop-crashing upwards from the floor. Three pound ceramic dinnerware crashes into the walnut bar The customers are putting mattresses in their bags, they are putting the offices in their bags. Human resources are backed into the employee orientation computer lab. Customers have poured Starbucks on the circuit-breakers. The lights are dimming, Escalators are jamming. Children scream I want to see Santa. Santa is dead. Employees calmly walk over his protruding belly. The velvet and fat feels good on tired feet. An inhuman voice garbles The store will be closing. Families grab onto shelves, racks, other families. Employees pick up the registers and slam them on granite counters. Coins explode out like bells. The rotating doors are not spinning. They are stuck, crunching on limbs.
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36
This is a place on the way after the distances can no longer be kept straight here in this dark corner of the barn a mound of wheels has convened along raveling courses to stop in a single moment and lie down as still as the chariots of the Pharaohs some in pairs that rolled as one over the same roads to the end and never touched each other until they arrived here some that broke by themselves and were left until they could be repaired some that went only to occasions before my time and some that have spun across other countries through uncounted summers now they go all the way back together the tall cobweb-hung models of galaxies in their rings of rust leaning against the stone hail from Rene's manure cart the year he wanted to store them here because there was nobody left who could make them like that in case he should need them and there are the carriage wheels that Merot said would be worth a lot some day and the rim of the spare from bald Bleret's green Samson that rose like Borobudur out of the high grass behind the old house by the river where he stuffed mattresses in the morning sunlight and the hens scavenged around his shoes in the days when the black top-hat sedan still towered outside Sandeau's cow barn with velvet upholstery and sconces for flowers and room for two calves instead of the back seat when their time came
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2.7k
Vehicles
Under a large, round, yellow Full November moon The chill of the cold, dark night Slips in through my window It fights against the heating To send a shuddering shiver down my spine Under the full November moon People spill out of noisy pubs Leaving heat, light, music A false, inebriated happiness To stagger, swirling home To warm beds of love Or cold, empty houses And late night T.V. Under the full November moon Teenager's breath leaves clouds in the air Hanging heavy and mingling with smoke From spliffs secretly held in cupped hands Hanging around shops, parks Even the disappearing phone boxes Feeling the arrogance of youth Course through their veins Under the full November moon The middle aged sit In armchairs with tea mugs T.V. droning as they dream of their youth When they were slim and **** Or hungry and virile Before it all slipped so quickly away Under the full November moon Swingers swap flesh and fluids In hotels and motels With no more passion or emotion Than passing the salt Under the full November moon Prostitutes haul their tired, aching bodies From car to car for the price of a hit The dealers swagger, stoked full of ******* With the power and arrogance of mediaeval lords Under the full November moon People sweat in police cells Under grey, itchy blankets On blue rubber mattresses In a white - tiled nightmare Under the full November moon I think of them all As I sir writing ideas In a cheap, lined pad Then turn off the lights As the full November moon Bids goodnight To us all
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Nov 25, 2017
Nov 25, 2017 at 4:06 PM UTC
Under The Full November Moon
Under a large, round, yellow Full November moon The chill of the cold, dark night Slips in through my window It fights against the heating To send a shuddering shiver down my spine Under the full November moon People spill out of noisy pubs Leaving heat, light, music A false, inebriated happiness To stagger, swirling home To warm beds of love Or cold, empty houses And late night T.V. Under the full November moon Teenager's breath leaves clouds in the air Hanging heavy and mingling with smoke From spliffs secretly held in cupped hands Hanging around shops, parks Even the disappearing phone boxes Feeling the arrogance of youth Course through their veins Under the full November moon The middle aged sit In armchairs with tea mugs T.V. droning as they dream of their youth When they were slim and **** Or hungry and virile Before it all slipped so quickly away Under the full November moon Swingers swap flesh and fluids In hotels and motels With no more passion or emotion Than passing the salt Under the full November moon Prostitutes haul their tired, aching bodies From car to car for the price of a hit The dealers swagger, stoked full of ******* With the power and arrogance of mediaeval lords Under the full November moon People sweat in police cells Under grey, itchy blankets On blue rubber mattresses In a white - tiled nightmare Under the full November moon I think of them all As I sir writing ideas In a cheap, lined pad Then turn off the lights As the full November moon Bids goodnight To us all
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52
They'll use Martin Luther King day to sell anything from mattresses to cars. Even he has been ripped up and replanted, capitalized, like Christmas or Easter, by the people who give us images of a white Jesus, but you bet they don't pay everyone equal. We have boulevards, schools, and libraries named after King, but streets over, we have Confederate soldiers carved into a mountain, we call 'em heroes, that's what I was taught, the ones who fought, the ones who ate lead, But, they aren't talking about who really put a bullet in Dr. King's head. What the **** is wrong with us? America will go see Selma in millions, this weekend, go back home to their all white neighborhoods, thinking about how it was bad then, but now, it's all good. Who are we really trying to fool? Stand up for the pledge in school Put your hand over your heart and forget all this country denies you telling you that there isn't a heart of a human beating inside you because you're gay, you're black, you're not like that, She was a flirt, she wore a short skirt, Every day you try to heal the hurt Justice for all? Like are you kidding me? There ain't such a thing here as liberty Do you know where you stand was Native American land? Ripped from their bleeding hands And don't even get me started on Iraq and Iran. You know that mountaintop? The one I was talking about, Did they tell you it was a KKK meeting spot? Bet not. I wonder, is the clay here red from all the blood? We hide our history, sing promises of liberty, say that racism ended with slavery, and it's Stonewall Jackson, he's a hero, they say but never speak of Stonewall Riots any day and I'm afraid for our children and what they will learn, in classrooms, will they be silenced? Come here kids, let me tell you a story, of Ferguson, New York, Hong Kong, about how people will look back and see they were wrong, But some never did, some died with hatred, some died because of it, Let me tell you about homeless LGBT youth Let me tell you about all these issues Let me tell you the truth And there are different ways of seeing it, but only one way to say it, you and I both know, You just have to listen for it.
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Jan 18, 2015
Jan 18, 2015 at 11:41 PM UTC
State Of The Union (originally titled Freedom)
They'll use Martin Luther King day to sell anything from mattresses to cars. Even he has been ripped up and replanted, capitalized, like Christmas or Easter, by the people who give us images of a white Jesus, but you bet they don't pay everyone equal. We have boulevards, schools, and libraries named after King, but streets over, we have Confederate soldiers carved into a mountain, we call 'em heroes, that's what I was taught, the ones who fought, the ones who ate lead, But, they aren't talking about who really put a bullet in Dr. King's head. What the **** is wrong with us? America will go see Selma in millions, this weekend, go back home to their all white neighborhoods, thinking about how it was bad then, but now, it's all good. Who are we really trying to fool? Stand up for the pledge in school Put your hand over your heart and forget all this country denies you telling you that there isn't a heart of a human beating inside you because you're gay, you're black, you're not like that, She was a flirt, she wore a short skirt, Every day you try to heal the hurt Justice for all? Like are you kidding me? There ain't such a thing here as liberty Do you know where you stand was Native American land? Ripped from their bleeding hands And don't even get me started on Iraq and Iran. You know that mountaintop? The one I was talking about, Did they tell you it was a KKK meeting spot? Bet not. I wonder, is the clay here red from all the blood? We hide our history, sing promises of liberty, say that racism ended with slavery, and it's Stonewall Jackson, he's a hero, they say but never speak of Stonewall Riots any day and I'm afraid for our children and what they will learn, in classrooms, will they be silenced? Come here kids, let me tell you a story, of Ferguson, New York, Hong Kong, about how people will look back and see they were wrong, But some never did, some died with hatred, some died because of it, Let me tell you about homeless LGBT youth Let me tell you about all these issues Let me tell you the truth And there are different ways of seeing it, but only one way to say it, you and I both know, You just have to listen for it.
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52
- Why can’t I see past the buildings, skylines obstructing my view, collecting on the curb with doorways and steps inviting to someone else I suppose Still I push past, hugging the shoulder of a rush hour highway Staring into windows as they pass, staring back Exits signs point at me but I can’t listen Their warnings make no difference in cloverleaf grumblings and exhaust fume skywriting One foot in front of the other, worn converse high tops gray, the greens are lost with the sunset that breathes down my neck reaching for one more moon rise No rest, still creeping alongside sleeping 18 wheelers purring on their asphalt mattresses, straddling yellow lines leading to the bathrooms…not a chance 27 miles the sign reads in reflective lettering calling out to me It seems like nothing, compared to what is behind me now… My life or what it was But that is no longer my concern, my future is now 22 miles away Where your arms are waiting, holding my future…open, warm and I begin running faster Another 10 to go, down main streets with coffee shops and beauty parlours, one traffic light and a train station a kid on a bike delivering newspapers offers me a ride No need, it’s just around this corner… On the lawn is a flamingo, plastic and pink behind a white picket fence with a gate that creaks and a porch light comes on… illuminating my dream…as I see you, it has finally come true
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Jun 22, 2015
Jun 22, 2015 at 11:12 AM UTC
On the lawn is a flamingo
You were sap on my fingertips. Amusing, but tiresome. I always did like sticky situations. One must keep things interesting, you know. Our romance was utterly cliché; with the class of the **** you used to make. Circa 1975. Your capricious nature was infectious. And lucky for you, the ****** had already eradicated any morsel of logic or reason that should have been in attendance. I was ripe for the picking. With unfaltering, unwavering decadence you won a child's heart, but not without stealing the body too. Heartless ******* people everywhere. Shoving young girls flat on their taut tummkes for better access on beds, ***** mattresses and floors everywhere. I can still recall the scent of your pillowcase as your hand pressed, hard, my head to the center of the bed. I'm sure you remember, you know, the way my heroin-soaked body flopped, nearly lifeless, as you took and took and took what you saw to be yours. I hope I haunt some frequented highway of your psyche. Walking the wet roads, thumb extended at my side. You know me by the switch of my hips, the curve of my *** and the smell of naive innocence. I feel you behind me; I always feel you behind me. "Need a ride, kitten?" Glorious evil pulses through me. You're a sucker. You'd pick me up everytime.
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Jun 3, 2014
Jun 3, 2014 at 12:27 PM UTC
Heartless ******* People
In the freshly seared hours of the morning there's a hot, bothered growling coming from beyond the rose-studded chipping fence posts, sick with the stench of stained mattresses and mounds of cage-less garbage- tossed willy-nilly into a smoldering, contorted **** of stacks. Here, in this spot of dawn -in today's un-showered moist enclave- I find, syncopated by the vrooooming scooters and gassy buses, a fresh hope diffusing faster than the steam from drains, -subtler than the soft soju snores of last night's  curb cuddlers- slinking up, down, around convenient stores' corners past every security camera, bouncing off rib cages, tickling the barbules of  the songbird perched in my utility wires in a nest neater than my bed. This is summer, Korea. This is Korea in the summer.
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Aug 9, 2012
Aug 9, 2012 at 10:59 PM UTC
This is Summer, Korea: Stream of consciousness marries one stroke
Can you solve me? unfold me expose my problems.maybe not. a simple bow slowly becoming a masterpiece of interwoven components. pick up sticks. twister. limbo. on the brink of collapse. One. two. three strikes your out. those are the rules, are you ready? go! drugs. depression. disability.drinking. abuse. blasting any sound to keep out the shouts. deceit. lies. regret. curses spewed out. careful you might trip. Or maybe you already are. like I said a bow, so easy to undo, so simplistic, internally it becomes equivalent to rocket science. Where's the key to success? the missing puzzle piece? buried in as-seen-on-tv purchases and old moldy mattresses children's toys and croc pots. smothering the pain of a loved one passed. is he dead or alive?who knows. Is she going to make it to 50?unlikely. suicide just in time for a birthday. unfair exchange. continuing pattern. someone has to make up the hoi palloi no one can or will solve it. you can take that to the bank...just wait a couple weeks.
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May 28, 2013
May 28, 2013 at 3:31 AM UTC
puzzle piece, missing
Lisa looks like she’s stood a little too close To Dante’s Fireplace A *** soaked ham left in the dirt Small crust spots where the skin broke She’s stopped wearing her dentures Looks like her face is sinking inside of itself I was napping Dreaming about a rock on a hill That overlooks my city Was dreaming about what the gun said to the mouth About how the bullet wanted a kiss Found her lying in a window Like a fish whose bowl has just shattered A bowl that has been ***** for too long It’s a mixed blessing The glass bubble burst The blood I keep my window shut The smell of the *** I dumped into the earth Creeps in Juicy apple pie smoke fingertips calling Lisa’s kids They don’t understand the anger Don’t feel the neglect until it’s too late I patch up her face As she begs Just don’t call the police Don’t call anybody I’m okay She passes out On a ***** couch The kids crowd their mattresses So they can sleep near her I think about something I read once About a company called LifeGem And how for a small fee They can turn your ashes into diamonds Enough for a necklace Or two bracelets Several sets of earrings Even when you’re worthless You’re worth something I buy dinner before work Something fatty and saltier than their tears She would always say things like YOLO You only live once And then have a drink Or hang up on a police officer Or shut a door YODO You only die once too I know how I want to be remembered
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Aug 3, 2012
Aug 3, 2012 at 2:51 PM UTC
YODO; or They Can Always Turn You Into Some Nice Jewelry"
She was old when I first knew her To an infant, parents are timeless; Fairy aunts are just… old. A tiny scarecrow of a thing, Her eyes glittered; her mouth Never offered an ill word of anyone. She was a good woman. She never tired Of talking about blind Jim – a good man – With girlish love in her face; One man, one love, one life He wove wicker and filled mattresses And listened to the wireless in the evening. Her constant thought companion As so many might-have-been heroes – Gone, before I could know him. Christmas would wend round each year, With Meg as star guest, Tipsy before the Queen’s Speech, Whisky rouging her cheeks; fairy lights Made envious by her laughter, My mother, and hers, basking in gleelight. I grew up there, every other Sunday, Overlooking the Hospital and the Tay From the safety of her living-room window, Inventing spaceships and spies, Dreaming of who I would be, As my mother and Meg made small-talk. Month by month, her daylight dimmed. I never saw it. She was only ever her; Happy, constant and true.  Afterwards, I learned about the Vying accountants and surgeons, Postponing, year and again, The procedure. She told me, when finally Her appointment was confirmed, That when the cataracts were gone, She was going to buy a ticket For the number nine circular And spend all day upstairs, Just looking out of the window At the city she’d lived in For nigh-on ninety years A week before the operation Her home-help found her in bed, with Jim; Smiling as they danced through the daisies. She seemed no older when she died Than when I first knew her. A good innings, they all said. Not enough. If only by the length of a bus ticket – not enough.
0
Feb 26, 2013
Feb 26, 2013 at 5:27 AM UTC
Day Tripper
She was old when I first knew her To an infant, parents are timeless; Fairy aunts are just… old. A tiny scarecrow of a thing, Her eyes glittered; her mouth Never offered an ill word of anyone. She was a good woman. She never tired Of talking about blind Jim – a good man – With girlish love in her face; One man, one love, one life He wove wicker and filled mattresses And listened to the wireless in the evening. Her constant thought companion As so many might-have-been heroes – Gone, before I could know him. Christmas would wend round each year, With Meg as star guest, Tipsy before the Queen’s Speech, Whisky rouging her cheeks; fairy lights Made envious by her laughter, My mother, and hers, basking in gleelight. I grew up there, every other Sunday, Overlooking the Hospital and the Tay From the safety of her living-room window, Inventing spaceships and spies, Dreaming of who I would be, As my mother and Meg made small-talk. Month by month, her daylight dimmed. I never saw it. She was only ever her; Happy, constant and true.  Afterwards, I learned about the Vying accountants and surgeons, Postponing, year and again, The procedure. She told me, when finally Her appointment was confirmed, That when the cataracts were gone, She was going to buy a ticket For the number nine circular And spend all day upstairs, Just looking out of the window At the city she’d lived in For nigh-on ninety years A week before the operation Her home-help found her in bed, with Jim; Smiling as they danced through the daisies. She seemed no older when she died Than when I first knew her. A good innings, they all said. Not enough. If only by the length of a bus ticket – not enough.
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