Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End

Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.

how do you stop your throat from burning
from salty tear-stained gulps and gasps
for oxygen that is no longer there?
there is too much carbon dioxide in the air now
and i want to fast forward into a world
where i can breathe in sweet helium
and ask for it to stop.
because there are times
when it's impossible to breathe
and when my puffy red eyes
can't open more than a millimeter
because you have glued them shut
with your accusations.
i didn't want to be gas station concrete any longer
i didn't want dirtiness to be my middle name
i only wanted to cleanse myself of you and your fists,
you and your laughter
you and your hatred.
i wanted to be clean.

*(a.m.c.)

Yogurt.
"I begin the day buying yogurt in a small favorite grocery store."
Not pizza, nor gatorade.

Bananas
although they are imported from afar and grown in monocultures.
Attract fruit flies in August.

Peaches
locally grown with rainwater. I ate all the farmer's peaches alone
stacking them by the railroad tracks.

Water --
rainwater, tap water, distilled water, carbonated water, spring water –--
deep gulps, infinite sips.

Nuts
in moderation, or not, unsalted, raw, replacing chips. His bowl
of filberts, almonds, walnuts quiet weekday mornings.

Edible plant parts --
roots, leaves, stems, flowers, fruit, buds. In olive oil
or butter.

Potatoes --
look online how best to prepare. Baked or fried. With a little
fish or meat.

Tea and honey,
play and prayer. Swimming and running,
talking quietly.

Bread?
Bread's possible as the Bible. Each is liable
to bloat us.

Wine and dandelions.
Dandelion wine's Ray Bradbury's story. Cans in a pantry, books on a
      shelf
to the end of time.

Pasta
we used to call spaghetti, never noodles. I wonder if I can remember
      how to make
grandma's sauce.

Tomatoes --
cherry, grape. Grab God's eye
going by.

Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!

I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.

IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a

My friend puking out her Christmas dinner like a little girl trying to scrub off that uncle’s touch who tells her she is his favorite kid.
For her dad fat shames her every day.


My friend’s parents sending her to therapy because they don’t get how she can like a boy as well as a girl. Or rather don’t try to, because calling it phase is so much easier than explaining to the neighbors how that is who their daughter is. They are oblivious to what it is like to live in a home where you are treated like a victim of your existence.


My friend needs help, a little attention and someone to talk to.
His family is ashamed, how they could have done better for him, how they’re responsible for the things inside his head and I still don’t know what depression does to him, his family doesn’t like to talk about it.
They’d rather consider him possessed because anything is better than people knowing that he needs therapy and love and care. “Their son can’t be suffering from mental illness, they’re a happy family.”


My friend tells me she’s turning into her mother, and her mother let me tell you, she’s fabulous and fierce for she has been through things harsher than a lover who never says,'I love you’ but wants you to be their ***** little secret and you love them a little too much to deny. My friend, she had an anxiety attack last night for she can’t go out with her guy friends, neither talk to a classmate for too long because her boyfriend might start ****-shaming her. I disapprove and tell her she is not turning into her mother but when I sit in their living room, and aunty brings me snacks while talking to me about life within these faint green walls of the house and what did I eat for breakfast. I ask her to go out sometimes because there are so many things out there that she’d be experiencing and creating, friendship, weather, languages, people, art, emotions. And smell some sunlight in the lush greens fields. She says she’s not allowed to, like a kid calling its mother, "Ma". Her husband loves his ***. And her helplessly hazardous heart, too drained to take ‘harlot’ for a word from an alcohol-soaked throat.
The same walls that once adored their wedding photographs now question their love.


My friend’s girlfriend telling him she loves him but they can’t be together because she’s doesn’t want to be seen with him in the streets. But she seeks his warmth in the winter and leaves right before spring. He loses a little bit of himself every time she does that. He blames himself for what love does to him.


The woman who wears a heavy heart to the bed, finds it difficult to put herself to sleep, holds her dog for a little too long. Whose husband refuses to try therapy.
For I can't margin in metaphors, the agony within the wives who haven't been touched for years.
And the woman who feels a little less human after every night her husband forces himself on her. Because she's, his wife. His. Possession not prized but objectified.
The wife whose husband refuses to wear a ******, she gulps down pain every morning with the pills.
Families of these women, who were taught to think that is how the society functions and who are unwilling to unlearn.      


My friend’s brother asking her to stop wearing that short skirt around guests. There's a hole in her heart every time she remembers the traces his hands left on that infertile body of the kid that looked just like her. He pretends like it never happened.

Strangers known
by shared room
Honey voiced , high cheek *****
no less, no more

Licorice words pounding
on a chest
scrambling to wrap fingers
around a single perfumed breath
Two days dragging on
pulled through mud
stuck in fog
seconds are hours too long

Then ringing came
answered by drops of syrup
pouring out a reply, yes!
drinking it in with big gulps.

Mirror reflects practiced hellos
swishing hair put in place
teeth and lips splitting
breaking through stone face

Pacing back and forth
frantic footsteps pounding
crushing carpet in a line
south, north, south, north

No ring, no change
red blushes fad grey
phone silent, gaze up
stare blank



Is the swooshing hair the wrong way?
Is the grin too toothy?
Is the face not constructed right?

Stood up and let down
sailor on a ship
already sunk and drifting
off the starboard bow
Stood up and let drown

by the honey voice
the high cheek bones
Failure in hindsight sighing
“I should have known
I should have known…”

Existence
by Fadwa Tuqan the "Poet of Palestine"
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
And in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of your spirit in flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.

Keywords/Tags: Fadwa Tuqan, Palestine, Palestinian, Arabic, translation, existence, love, darkness, star, stars, orbit, radiance



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.

Published by Palestine Today, Free Journal and Lokesh Tripathi



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal this happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth gulps up the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—and nothing remains.

Published by This Week in Palestine and Hypercritic (read in Arabic by Souad Maddahi with my translation as a reference)



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.

My translation follows one by Azfar Hussain and borrows a word here, a phrase there.



Biography of Fadwa Tuqan (aka Touqan or Toukan)

Fadwa Tuqan (1917-2003), called the "Grande Dame of Palestinian letters," is also known as "The Poet of Palestine." She is generally considered to be one of the very best contemporary Arab poets. Palestine’s national poet, Mahmoud Darwish, named her “the mother of Palestinian poetry.”

Fadwa Tuqan was born into an affluent, literary family in Nablus in 1917. Her brother Ibrahim Tuqan was the most famous Palestinian poet of his day. She studied English literature at Oxford University and won several international literary prizes.

Tuqan began writing in traditional forms, but later became a pioneer of Arabic free verse. Her work often deals with feminine explorations of love and social protest.

After the Nakba ("Catastrophe") of 1948 she began to write about Israel's occupation of Palestinian territories. Then, after the Six Day War of 1967, she also began writing patriotic poems.

Her autobiography "Difficult Journey―Mountainous Journey" was translated into English in 1990. Tuqan received the International Poetry Award, the Jerusalem Award for Culture and Arts and the United Arab Emirates Award, the latter two both in 1990. She also received the Honorary Palestine prize for poetry in 1996. She was the subject of a documentary film directed by novelist Liana Bader in 1999.

Tuqan died on December 12, 2003 during the height of the Al-Aqsa Intifada, while her hometown of Nablus was under siege. Her poem "Wahsha: Moustalhama min Qanoon al Jathibiya" ("Longing: Inspired by the Law of Gravity") was one of the last poems she penned, while largely bedridden.

Tuqan is widely considered to be a symbol of the Palestinian cause and is "one of the most distinguished figures of modern Arabic literature."

In his obituary for "The Guardian," Lawrence Joffe wrote: "The Palestinian poet Fadwa Tuqan, who has died aged 86, forcefully expressed a nation's sense of loss and defiance. Moshe Dayan, the Israeli general, likened reading one of Tuqan's poems to facing 20 enemy commandos." In her poem "Martyrs Of The Intifada," Tuqan wrote of young stone-throwers:

They died standing, blazing on the road
Shining like stars, their lips pressed to the lips of life
They stood up in the face of death
Then disappeared like the sun.

Yet the true power of her words derived not from warlike imagery, but from their affirmation of Palestinian identity and the dream of return.

"Her poetry reflected the pain, loss, and anger of the Nakba, the experience of fleeing war and living as a refugee, and the courageous aspirations of the Palestinians to nationhood and return to their homeland. She also wrote about resistance to Israel’s injustices and life under Israeli military occupation, especially after Nablus fell to Israeli forces in 1967, heralding Israel’s long-term occupation of the West Bank, which remains to this day." - Zeina Azzam

Teacher: Alright Panda what are your Favorite colors?

Me: My favorite colors are Red and Black

Teacher: Interesting colors Panda, why are those your colors?

Me: I honestly doubt you want to hear the answer to that.

Teacher: Come on Panda, tell the class why those are your colors.
--------------------------------------------------------­---------------------------------------
In my head the decision warred to tell but then my life was already hard enough as it was......More and more my demons wanted release so finally I gave in prepared for the looks, name calling, and lonely life again.
----------------------------------------------------------­-------------------------------------Me: you really want to know  why?

Teacher: Very much yes, we would

Me: Ok then, Red and black are my favorite colors for their meanings.

Teacher: And what are their meanings?

Me: Red, stands for The blood that is shed during death, The blood that I shed when the knife glides over my skin, The blood that can be heard rushing through your veins when the fear becomes to great....The blood that your heart leaks from the poorly covered cracks from being shattered so many times....

Teacher: (Gulps) And what about black Panda?

Me: Black.....My true color.....Black, stands for the darkness and destruction warring in my mind, body, and soul, The darkness after death, The darkness in my heart from all the hatred thrown at me, The Darkness and destruction from my inner demons who keep warm and safe at night, The Darkness that one day we will all see, because nobody can escape death....Hes one bad-*** ******* who always gets his way....Those are my colors....The colors that make me and I stand for...

Teacher: Ummm....Very...Very Interesting Panda (Gulps and steps away) You know I think it's time for lunch why don't we all go to lunch yea? ( Scurries away)

Other students: I told you she was a freak......Crazy......Belongs with the dead if you ask me.....She talks about demons so much I would be surprised if she wasn't one.....

Me: Smirks You guys should learn to keep your opinions to your self, they might get you hurt one day.... (Get's up and walks out the door leaving a note for the others)

*Note- "Roses are Red, Violates are blue, Red like your blood, blue like the sea....Keep on talking soon you will all see who the true demon is and hey it just might be me." Yours truly Panda <3

Fadwa Tuqan has been called the Grand Dame of Palestinian letters and The Poet of Palestine. These are my translations of Fadwa Tuqan poems originally written in Arabic.



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.

Published by Palestine Today, Free Journal and Lokesh Tripathi



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice—
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate and distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.

Published by This Week in Palestine, Arabic Literature (ArabLit.org) and Art-in-Society (Germany)



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal this happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth gulps up the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—and nothing remains.

Published by This Week in Palestine and Hypercritic (read in Arabic by Souad Maddahi with my translation as a reference)



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.

My translation follows one by Azfar Hussain and borrows a word here, a phrase there.



Biography of Fadwa Tuqan (aka Touqan or Toukan)

Fadwa Tuqan (1917-2003), called the "Grande Dame of Palestinian letters," is also known as "The Poet of Palestine." She is generally considered to be one of the very best contemporary Arab poets. Palestine’s national poet, Mahmoud Darwish, named her “the mother of Palestinian poetry.”

Fadwa Tuqan was born into an affluent, literary family in Nablus in 1917. Her brother Ibrahim Tuqan was the most famous Palestinian poet of his day. She studied English literature at Oxford University and won several international literary prizes.

Tuqan began writing in traditional forms, but later became a pioneer of Arabic free verse. Her work often deals with feminine explorations of love and social protest.

After the Nakba ("Catastrophe") of 1948 she began to write about Israel's occupation of Palestinian territories. Then, after the Six Day War of 1967, she also began writing patriotic poems.

Her autobiography "Difficult Journey―Mountainous Journey" was translated into English in 1990. Tuqan received the International Poetry Award, the Jerusalem Award for Culture and Arts and the United Arab Emirates Award, the latter two both in 1990. She also received the Honorary Palestine prize for poetry in 1996. She was the subject of a documentary film directed by novelist Liana Bader in 1999.

Tuqan died on December 12, 2003 during the height of the Al-Aqsa Intifada, while her hometown of Nablus was under siege. Her poem "Wahsha: Moustalhama min Qanoon al Jathibiya" ("Longing: Inspired by the Law of Gravity") was one of the last poems she penned, while largely bedridden.

Tuqan is widely considered to be a symbol of the Palestinian cause and is "one of the most distinguished figures of modern Arabic literature."

In his obituary for "The Guardian," Lawrence Joffe wrote: "The Palestinian poet Fadwa Tuqan, who has died aged 86, forcefully expressed a nation's sense of loss and defiance. Moshe Dayan, the Israeli general, likened reading one of Tuqan's poems to facing 20 enemy commandos." In her poem "Martyrs Of The Intifada," Tuqan wrote of young stone-throwers:

They died standing, blazing on the road
Shining like stars, their lips pressed to the lips of life
They stood up in the face of death
Then disappeared like the sun.

Yet the true power of her words derived not from warlike imagery, but from their affirmation of Palestinian identity and the dream of return.

"Her poetry reflected the pain, loss, and anger of the Nakba, the experience of fleeing war and living as a refugee, and the courageous aspirations of the Palestinians to nationhood and return to their homeland. She also wrote about resistance to Israel’s injustices and life under Israeli military occupation, especially after Nablus fell to Israeli forces in 1967, heralding Israel’s long-term occupation of the West Bank, which remains to this day." - Zeina Azzam

The river is polluted
The skies are grey in falling night
The stars are hidden from our sight
Constellations convoluted

Bilge water and bile
Corrupted hearts so vile
Defile of a sacred form
This is not divine
Only desecration

The river is polluted
The seeds we plant do not survive
And even life is doomed to die
The trees are all uprooted

          We want the leaves
          We want the flowers
          We want the scent of the forest

The river is polluted
Our dismay is all man-made
Unwholesome branch that holds no shade
Our hope for shelter all eluted

Brackish is the water
Swim if you care to drown
We take giant gulps
Deluded with hope
And still we die of thirst

Mother fish sees her eggs devoured
by alligator that gulps everything on the sand
save her own eggs and children.

Mother fish cries her eyes out
and seems not to be heard
neither by the heaven,
nor by the sea (their common abode),
that bore them, and now assists to her boredom
indifferently and silently,

which silence she condemns and curses.
She goes to the beach; she weeps
and seeks revenge in vain.
Now she sees a python that creeps
from the bush around the beach.

The creature she has never seen before,
as immense as the world,
eyes first the alligator
whose blood becomes as cold
as the ice under the sea.

They stare at each other
like someone intruder,
at a home where he is not wished as guest,
who faces the anger
of the owner who would not him host
but from there him usher out.

They look at each other
with sulks on their ugly faces
and fear as each one faces
this kind one for the first time.
However intimidations from each party
can’t touch the other party.

The cold war ends and becomes hot:
The Python and the alligator
get ready to come at each other
like warriors of different kings
ready to defend their kingdoms’ colors,
ready to defend the pride of their lords,
and ready to die for their honour
though they’d prefer to live
unnoticed and live longer.

Furious, the python throws her head up,
her dart flies like flash out and in
between the jaws of horrible sight,
and the beast tests she’s still unrivaled in
cruelty. She gets ready to attack.
As for the alligator, all her muscles she does check,
her arms dig into the sand,
And she flies to crunch the enemy.

She bites hard the neck of the python,
yet her teeth can’t tear the strong scales
of the mammoth reptile.
The python pretends to be provoked;
She wildly crawls and coils around the alligator
and holds tight her body from the tail to the head.
And alligator’s jaws, strong to weaker preys,
become useless.

Her mouth opens wide and starts to swallow the alligator
as the latter did when she chewed the eggs and children of the fish.
From distance the fish watches, admires
and enjoys the scene as the python
seems to be her avenger.

In the end the whole body of the fallen fighter
disappears into the trunk of the strange predator.
Then the fish wonders, “Am I avenged
or this strange creature merely needed food
as did the poor alligator
when she thought to rule over
our lives and made my children her food,
causing my eyes to shed floods of tears,
that she did not notice ‘cause mixed
with the waters?
And she ignored the mightier one existed.”

In conclusion the fish realizes
were herself or her children the first seen by the python,
they would face the same fate as the alligator she cursed
and that alligator’s killer may not be by the Maker blessed.
The most powerful predator
cannot be of the fauna liberator.

The greatest warriors
fight to shed the blood of their victims.
Only their aim they follow,
and they turn deaf their ears to the tears
of any fellow.
And as the fish thinks of this predator,
no ****** war winner will rule better
than a beaten dictator.

An empty park picnic table
cooled by the light,
whispering breeze,
spotted by the burning
life-giving sun.

I see us there.
chatting,
laughing,
enjoying each others company
in this never-ending summer.

I see myself
dressing up as the wife,
laying out a picnic basket
and table cloth.
Pouring iced tea
into a chilled glass,
Watching the condensation
slide down your fingertips
as your throat
gulps in the refreshment.

I lay a blanket
on the grass,
inviting you to come sit.
We lay.

And that chuckling breeze
picks up
and lifts the whole of
my 1950s homemaker dress.

You smooth it back down,
lowering your hand on my hip.
The wind has stopped,
but you keep smoothing away…
down my thighs,
across my backside,
up my back,
until my head is
cupped in your hands
nearing closer to your face.

I would not call it a kiss,
because a “kiss” is too
short a word, too precise
and too emotionless
to fit this phenomenon.
You embrace me fully
leaving no passion unaccounted for,
no ounce of me left untouched.

I succumb to your embrace
and we start to make love when…

A car horn beeps.
I blink.
Look around, and remember
that I’m sitting in a
library parking lot
looking at an empty picnic table.

It was late
And the night was beginning in earnest
When I learned about love.

I sat one night
And eavesdropped without intention
Into the intricate lives of a pair
Creatives, artists doomed to a life of non-satisfaction
Yet they are humans too
They may conjure out (in this case) music out of thin air
Melodic moments and sensuous sing-songs
But they feel pain too
And try to lose it in viscous, pungent, happy-making liquid.
This fellow, bearded and thick spectacles atop his nose
(Is there a more stereotypical artist?)
Would lose his father soon
Intuition and expensive healthcare told him so
What to do?
Well take a sip and another and another
Because drunken words are sober thoughts.
A dog he suggests, so that his mother will not be lonely
Who will care for it? We will of course he says,
And she is lost at 'we', a confirmation of their union
To take over the world, together.
Is this not love?


I sat another night
Encountering two whose sips became gulps
And gulps become swallows
Diving into the pool of intoxication
Rid of all senses they walked, together
Up and Down carriages,
Stumbling in unison
Destination unknown, they would find it together
Matching trench coats flapping in rhythm
Giggles as they rocked to the swaying melody of the train
They may have appeared as two nuisances, inconveniencing others
But they were two foolish lovers,
Holding on for the moment in a night they would forget
Is this not love?

The last night on the last train
A soft pitter-patter of midnight rain
An arctic breeze had blown in
Across me a couple huddled
Touching
Not groping and wandering with perverse hands
Subtle sensual caressing
Involving no movement
Just the pair joined in body and soul
Tucked into each others arms
Clicking together as two jigsaw pieces
Slowly slipping into splendid slumber
I wondered
Is this not love?
And when will I find it?

You once told me how you were captivated with photos, how it fills you with satisfaction capturing a picture perfect portrait of a moment, memory, or even a mere mortal. I almost always never understood this addiction of yours on why and how you’re more than determined to collect snips of your life in a paper inked by dozens and dozens of color to paint a single picture. It is somewhat a kind of a waste but you never thought of it like that.

“What is it with you and photographs?” a question I finally got to ask you after harboring enough courage. Yet you merely answered with a shrug and looked away, away from my prying eyes, away from the echoes of what I just asked you. I was on the verge of giving up on you when you suddenly held my hand tighter than usual. “Because…,” you muttered in between huge gulps of breath. I wrapped my arms around you hoping to shield you from your turmoil. For minutes we sat there, still and not making any sound while I let you hold on to me as if I was your lifeline. Anchored back to the present, you told me, “I’m just scared that’s all.” I waited for you to continue, to go on with what you were saying, but you just did not. I turned to look at you only to find you staring at the far distance, looking lost, gone.

I yanked my hand out of your hold but you were still transfixed far, far away from me, far from this reality. Your stare just did not falter at the slightest even as you told me the words which bugged me for the most of my hours, days, or weeks even. Those times following your passing that is. Yes, you left me. You left me hanging and alone without knowing the reason why you ended your life just like that. I’ve always been blinded by the pretense that you were more that okay amidst it all. Probably it comes with the denial of your loss. But if there’s any consolation, I finally know you aren’t okay at all, now when it’s all a little too later that I should have known.

But now as I lay here, I come to think of the last thing you told me. *“If a picture is worth a thousand words, then as to what worth would a million photographs be?”

As I recall you saying it that night, hours before you pulled the trigger over your head, I assumed it was merely rhetorical. I merely thought you were playing Socrates in order to halt me from bombarding you with any more questions. It kept me up all night staring at the ceiling only to receive a phone call at 3:00 A.M. on how you were rushed to the hospital and how the doctors shook their head in the inability to save you.

Until now, I’m still kept awake not of the distraught on your sudden death but because of that question you took me by surprise. I answered nothing then but I am afraid I do know the answer now. You did not capture those sunrises and the blossoming of flowers out of sheer creativity. Instead, it gave you a glimpse of a new beginning that this life failed to give you. You did not capture the candid smiles of random individuals out of a coincidence but because your heart yearns for this kind of happiness to be instilled deep within you. You did not capture the city lights just for the vivid imagination it fueled your satisfaction. It was the colors which brought light to every impending doom you have yet to undergo. You did not capture the landscapes and skyscrapers out of nothing more than an appreciation of abstract art. Rather, it gave you the leeway to live in a fantasy as the surrealism in these photos fuels your unwavering resolve to escape the trap this reality caged you in.

Darling, you weren’t just collecting photographs out of a hobby, out of a custom. And now, I know why you told me you were scared that time I asked you about this obsession of yours. *You were scared to find out that your life is a meaningless pit, like a hollow chasm with nothing but a void. In search of yourself, you found fragments of ‘you’ in these ink-stained scraps of print. It was how you defined your existence: in shots of images of the existence of others. Some might not understand, but you are brave and brilliant to this all. Brave for facing all your demons alone, no matter how I would have wanted to save you from your distress, and brilliant for discovering that our lives are merely a collection of lives complementing each other.

So, darling, maybe this is the end of the line for you, the brink of your voyage to obtain a million photographs. And to answer your question, if a picture is worth a thousand words, then a million photographs would be worth a life. These million photographs are all you. These photographs are what make you whole, flawlessly complete. You will realize you always were as opposed to what the world let you believe in. And then maybe, just maybe, as you finally lay to rest, far-off from the tragedy this realm of this cruel dimension, you can be finally be at peace and eventually manage to realize that you lived not just a portfolio of photographs but a masterpiece.


*(k.p.)

I. The Encounter

I awaken to the lull of your voice: seductive whispers that send waves of electricity through my being. And then I see you. The demi-god that you are. And I worship you. Give me strength to endure your charms. And you do charm me, just as I know you will. Lapis eyes dance back at me. But then I'm dreamy; not awake, not asleep. Still in that state between dreams and realities. And to me, you are a god. But reality ~cruel mistress~ charges at me, and I see you for yourself. A mere mortal as I. But still I worship you. You've already begun your seduction. And I am a willing victim.

My first encounter with you is brief, only moments spent in your company. I would've scorned any human brave enough to insist that I would some day love you. I don't want to be aware that you have any power over me. No man has power over me. I have pushed all thoughts of men from the dusty corners of my mind. My life evolving around school and work and her, my lover. You know we are lovers. And I know you are married. Neither of us have scruples.

You offer me a bowl. Soaring above the world helps you cope. I am grounded and decline. But I watch you carefully. Pipe in hand, breathing deeply the smoke of the gods. And I find you amusing. Eyes turning glassy, mirroring my soul. Your face lit by uncontrollable laughter. And I am spiraling from the slightest contact of you.


II. The Seduction

Just a look. It takes only a look from those lapis eyes. And I'm hooked. Captivated by their icy-blue fire. And I'm burning there, burning in those lakes of infinity, those magnetic pools. Electric shocks wave through me, toss my senses, turn me into pure desire. And I desire you. You and the musky scent of your body lit by lust. Driven. Pushed to the insatiable limit. Inflamed.

Spoken and unspoken, your words ****** me. Enticing me, those words encircle me, swirl about me, intoxicate my mind. Notwords. Those words you say with your eyes, your smile, the rhythm of your body. And your whispers. Hot breath against my cheek, my ear, my neck; a trail of kindled passion waiting to explode. And I cannot resist the temptation. Tempted beyond reason, caught in the moment, trapped in the never-ceasing yearning of my body for yours.

Smoldering. You smolder me with kisses. Blaze my body with your tongue, your touch. Smooth skin against mine. A hand filled with impulses, pulsating, beating the rhythm of our hearts, like beats of the tunes you make love to. Wild, savage drums. Wild, savage love. And I long all the more for you. Your touch, your scent, the feel of you in me.

You recreate me. Change me. Make me want you again and again. Seduced.

III. Missing You

Missing you as I do, I cannot remember my life before you. Before your smile touched the depths of my heart. Before I gazed into those familiar eyes and saw my soul staring back at me. Before I felt your lips on mine, sweet, intoxicating, the slightest hint of tequila and lime. Your hands upon my flesh, electric waves. And the movement of your body with mine in cadence to the primal dance. Before you took me into your arms, I existed as only a shell of a woman. A tiny speck among specks in the vast universe. But you reshaped me. Molded me into a goddess. Allowed the woman inside of me to resurface and reclaim her sexuality.

And now you are gone. Out of my life for weeks. Out of my sight, but not my mind. I see you gazing back at me from the mirror each time I look into my own eyes. And then my mind takes flight and I escape with it. At that moment, I can once again feel your arms around me. Your soft, tender touch. The lulling of your husky voice. The musky scent of your skin. I watch from my grounded plane as you lead me to bed, turn down covers, and then motion for me to lie down. You remove my clothing, stripping away all resistance, all inhibitions. Prince sings seductively in the background. And I lose myself in your loving. You descend upon me like a child with an ice cream cone. Lapping at the cream you stir from within me. Your tongue tracing circles upon my skin. A flick of an ***** ******. Kisses trailing my body from lips to thighs and then there. And you linger there. Minutes seem like hours and hours like days. But I cannot imagine time without you. Only after I have traveled into the netherworld you lead me to, do I finally feel you. Hard and long, buried into my flesh. Deep inside me. Inflaming my body with each stroke. You take me, over and over again, to that netherworld of pleasure. And I want to stay. Remain there with you, eternally.

So missing you like I do, I have no appetite for anything but you. Depression falls upon me like a black cloak shielding me from the outside world. And I realize that missing you is missing a piece of me too. Missing my eternal friend. My soul's mate. My heart's constant pounding. Missing you is missing me with you.


IV. Betrayal

You said you'd made your choice: she and I, that's all you'd need. And I wanted to believe you; almost did, in fact, believe that two could be enough. I could've lived with that. She, bound by contract and children; I, bound by lust and desire. I know the game; have played it hundreds of times. And I put my trust in you to keep your word. But you don't belong to me. I have no control over you, no real ability to keep you under control. And so I baited you. Ensnared you in your own trap. Shoved temptation under your nose to test your honor. You have none. You accepted my trap; opened the door to her: a third, an easy, vulnerable prey.

And now you've lost. You will keep the first; she is bound by a higher law. But I am your loss.

Cheap words. You say whatever it takes. Words fall from your tongue as carelessly and easily as a dismissed annoyance. Your heart as cold as the snow surrounding us. You work emotions like a stagnate river: stuck in the routine of building up and tearing down the very dams of trust and passion you blueprint. But I am not like the others in your past. I am a true player. One of the faithful few. But you've destroyed that faith. I know where I stand with you. You've placed me in some category with your other casual notaffairs. But there is nothing casual about me. And if you had taken the time, been true to your word, you would've learned this. I give my all. All of my being, my heart, my soul. Not obsession, just loyalty. I await the rules, and when I have them, I play by the book. But you constantly change the rules, make them up as you go along. And since I cannot claim any part of you, I stumble over your turn of events. And although I try to keep up, I no longer want to match you set for set.


V. Exposed

You breeze through lives like a windstorm: tossing and turning, stumbling along into one life after another. *** appeal, your weapon: a loaded gun, a sword, a double-edged axe. You are crystal in your attempt. Pristine in your approach. Primitive, you take women back to the primal, the cave of the Neanderthal. Back to pure animalistic intoxication. And I almost allowed this. I wanted you. I did want you. You and the beauty that existed on the outside. Muscular facade that shields the turmoil within. And you could've had me.

Those eyes, so like mine, pulling, dragging me further into their blue lake. I would've drowned there for you. Allowed myself to get caught in the whirlpool of your loving. I wanted to more than you could ever know. Whirling there, swirling there. Sinking further and further into the fiery lake of your seduction. And I would not have defended myself. Passive. A kitten de-clawed. I would've sank into your abyss willingly, awaiting your strong arms to enfold me, save me, wrap me into your soul. Die from the shear ecstasy of you.

I confessed. Opened my soul to you. Permitted your entrance. And you took the challenge. Stepped in and put my inner world in order. Sorted through the chaos within me. Within. You were deeper than you knew. In that enigmatic space, you found the seed of my essence buried in a dry desert. And you rained on me, reigned over me, until I blossomed for the first time in years. I unveiled fully for you. A lotus petaled and filled with sweet, sticky nectar awaiting your touch. I removed all masks, all defenses, stripped away all layers. Showed you the sincerest parts of my being. Exposed. Naked. Displayed this being to you without shame or regret; I bore all. You knew me. The new me. The hidden me. The me that rarely allows passage. But I couldn't resist you. You entranced me. ****** me into you. Stole my breath. Exhaled. And scattered me into the wind.


VI. The Fool's Folly

Making restitution. This is what you say you want. And I struggle within, look to the stars, the cards, and my own inner voice. Should I trust you? My horoscope says a fifty percent chance of let-down today. And the cards say, sure trust him, you fool. But inside I scream I want to trust you!

Then I take a reality pill. Swallowing it hard and dry. And I realize this is what I do with you. I swallow you, refusing other nourishment. I swallow you in gulps, like a fine wine. Allow you to descend inside of me, make me raw from the wanting of you. And when the effects of you occur, I immediately become induced, intoxicated, high from the effect. I lose all sense of existence, except for you.

You become the center of that little world you say I've created for myself. You lay there on a bed of black satin, your body shimmering from the candle-lit radiance. And I see you there, there with me and in me, beside me, circling my body with your passion dance. Prince bellows another scream in cadence with my own.

Perfect timing. Too perfect. You give away your method of operation. But only I know of its existence. I have one of my own. And so we come full circle. Knowing you as I do. Knowing your secrets, your methods, your devices of seduction, can I allow your restitution? Fool me once, shame on you. Fool me twice, shame on me.

Can I risk playing the fool?


VII. Vanished

You've vanished again. Escaped to god-knows-where without me. Again. Without me in your life. Recluse, you've turned me into you. A recluse without explanation. Locked me into the world that exists around you. Trapped me there, helpless, without you to guide me through. And only you have the map, the way to the gate: the escape route you use to flee when life attacks you in the dark. And I want to explore the passage with you. To tell you all that I feel. Feel you with me, in me, beside me. But I'm covered by this web of confusion. A thick heavy blanket of your tormented soul. And mine is there with yours. Our lives intertwined as they are. Twined into enigma. If you would only step from the shadows, motion me forward, I know we could make it out again. The blinded-by-lust leading the blinded-by-lust. And together we could cut our way through this thicketed labyrinth.

Upon a beach, Lysseus found himself alone—gasping
in gulps of moist air like that of a new born baby first
experiencing the breathe of life. He felt as if he would
never become dry again… the salt burning his skin as it
crusted over when the water evaporated into the air.
Taking the first night to rest, the set out the next day to
make shelter and wait for a rescue crew to arrive. Out he
stared at the crashing waves hoping for a plane or the
faint form of a ship upon the horizon. Days and nights
spun into an alternating display of day then night then
light then dark, light, dark, light, dark, grey, grey, grey…

He gave up marking the days whence he realized that the
searches were over; they had given up after looking in the
wrong places—he did not even know where he was…the
cold waves and currents took him to a safe shore  away from
his ship and crew in a limp unconscious float… From the
trees, and what he could find on the small  island, he
fashioned a catamaran to rid himself of the grey-waiting.

Out he cast his meager vessel into the
Battering surf; waves broke over his bows
and centre platform—each foot forward the
waves threatened to push him back twofold…
he beat the water with the oars he fashioned
rising and falling with their energy. Lysseus
stole brief looks back in hopes of a disappearing
shore, but it refused to vanish… His wet tan
arms started to grow tired—yet he pushed on
knowing he would soon get out passed the
breaking water and then he could relax and
hoist sail. But the waves grew taller and broke
with more power… Lysseus kept beating the
water with his oar, but anger was welling
inside, which ended in splashes of ivory sea
froth instead of forward progress. Eventually,
his arms went limp beyond the force of his will
and the waves tumbled him back to shore
as he did the first night upon the island…

Dejected he lay in the surf for the night—the gentle
ebbing of the sea just added to insult, but hid the tears
that formed in the corner of his eyes—salt water to salt
water… The next day he took inventory of the damage
done to his humble catamaran; the mast had been
snapped in a few places, the rudders askew, but the
main  hulls and centre structure remained intact—solid.
The  oars lost; or at least Lysseus did not care to search
the  beach for them. Over the next weeks he set out to
improve the design and efficiency of his craft; the first
had been hurried and that of a desperate man to leave
the bare minimum that would suffice to leave as soon
as possible. He set to create something that would
ensure his leaving that desolate pile of sand and
vegetation. He worked on his strength; pushing his
arms passed the point of where his mind thought they
could go; eating the hearty, protein rich, mollusks, and
small shell fish he could find in the shallows and tide
pools—if lucky larger fish that dared the reefs.

Patiently Lysseus observed the tides and the
breaking waters—he wanted to find the right
time to set off to ensure success—when the
waves would not toss him back to the beach.
The day was a calm clear day; only within a few
metres of soft beach did there exist any
breaking waves—and those who did were
barely a metre high. Loading up his provisions
upon his catamaran Lysseus bid farewell to the
island out of wont for the sustenance it gave
not for a nostalgia. Grasping his oars, he set
forth to find open seas where the waves do not
break. Lysseus paddled out past the firs few
breakers his heart pounding with hope, but he
stifled the thoughts in his mind—he would
celebrate whence the island was but a subtle
blue curve on the horizon. Whence the  island
began to shrink in his vision he the sky to his
back grew darker… the waves started to
swell—moguls grew to hills that Lysseus
stroked up and rode down. The Island refused
to shrink… if not begin to grow wider… Stroke
by stroke Lysseus began to grow frustrated
stroke by stroke that frustration grew into
anger stroke by stroke the anger grew into
violent beatings of the water with his oars; he
struck and struck at the water eyes closed
white knuckles trashing he did not even know
which direction he was paddling any more the
sky dark now and the wind blowing on shore
he cried out to the Sea in inarticulate roars of
hateangerfrustrationpitysavageragedesperation!

At his in-linguistic roar, the sky let out a
crack of  authority and a wave washed the
flailing Lysseus  into the water—the cool
water only heated the  rage in Lysseus’ head;
all he wanted in his half  empty heart was to
sail home and become whole  again—to sit
under and olive tree and stroke the chestnut
hair of Penny as she drifted to sleep on  his
chest while he would whisper sweet verses
into her ear… His rage was beyond any reason,
forgetting the boat and all sense he began to
swim  away from the cursed island; scrambling
up waves only to be tumbled back with their
breaking peaks. His mouth could only taste
salt, his stomach wanted to puke, his kidney’s
praying that he would  not swallow anymore…
His gasps for breath stifled  any curse that his
head wished to express to the  Sea—yet she
would swear she heard one escape his lips,
and at that she tossed him into his ghost-helmed
catamaran and all was dark for vengeful Lysseus.

Seeing his rage and knowing the monster it makes
him, Lysseus looked into the band inscribed into
his ring-finger and saw the knot connecting him to
Penny—shame at his arrogant-uncontrolled-fury
sent Lysseus into a meditative exile inside his
mind upon the exile of that cursèd island… In his
mental exile Lysseus spun into deeper despair at his
two failures—even more at the prospect of failing
the vow he gave to Penny to return home—home
from his final voyage—to grow old with her upon
solid ground—to never die away from her and
cause the pain of losing a loved one and never
having the closure of truly knowing the death is
real—to die by her side white with the purity of
age… his anger turned inward at his anger—his
lack of control—the monster he becomes when
rage surges through his muscles and give him wild
strength with out direction or self-possession—so
much potential, yet no way to use it… Lysseus’ half
full heart burned and ached—with passion and
anguish—all desire he had was focused upon
home, the return, but the mind’s despondency and
insistent ‘what-ifs’ kept poor Lysseus prostrate in
his mental cave—for all his wishing for anger and
violence to force his will to be, it did more to set
him back to the cursèd island than to bring his
heart closer to fulfillment from his long await home…

Out of his mental exile did Lysseus’ irises
contract with blinding illumination—self-pity
is not what make things happen it would to only
anger Penny for nothing other than I can be to
blame for my continued absence from home I
am stronger than that—looking at the tattoo in
his hand, he remembered the reasons for the
perennial brand—the eight-spoke ship’s helm:
the eight-fold-path—I must cut off my desire for
anger to be the solution and focus on the path to
Penny the mind can push the body further than
the body believes is possible—the star: the compass
to guide—me via the celestial bodies to where my
*heart can see the guiding beam of my lighthouse!

.               "Peter Look at me." Lexi whispers moving closer to him, The hot spray from the shower head scalding her back. Peter had his back flushed against the back of the shower, his eyes, the red of an Alpha wolf, wild with pure animistic rage. He's lost his humanity, she thinks, I have to bring it back, Peter Snarls and lunges for her. Lexi just holds out her palm and water tentacles from the streaming water behind her snake out and wrap themselves around his wrists and ankles, locking him in places, vicious snarls escaping him, his eyes burning red. Anger wells up in her chest making her own eyes Flash violet, her powers rising inside her. She closes her palms and the water restraints tighten cruelly against him, a small whimper coming from him. She looks him in the eyes and steps even closer, leaving the comfort of the water. "Peter please, come back to me my love." She whispers moving closer still until she was standing right in front of him, his breathing echoing off the shower tiles. She stretches her hand out and touches the hard muscles of his stomach, making him flinch violently, struggling against his restraints as he tries to move away. Lexi thinks back to the time when he would have done anything just to feel her touch, now with his humanity lost,  and the wherewolf taking hold he couldn't bare it. She splays her hand across his abs, tracing the hard muscles, trying not to wince as sounds of pure distress came from him. Looking back up into his eyes she searches for the Peter she had fallen in love with, imprinted with, and found nothing but a cruel cold hearted Animal staring back at her. She takes her hands away and sees the distress turn quickly back into a murderous glare as he pulls against the restraints trying grab her, his claws glistening with spray from the water. With a flick of her wrist the tentacles pull at his arms until they are spread out, far from touching her, another viscous growl, more tugging against them. "Peter I know you can hear me,try to fight this I know you can." She says pleading to any shred of humanity that might still be lurking within his soul. For a split second his eyes lose some of the bloodlust as her words penetrate the wolf that was rising, his face twists in concentration

               "Lexi- I can't Save yourself" He gasps through clenched teeth, His eyes begging her to run before he closes them. She steps near, her heart soaring with hope that she might be able to save him. When he opens his eyes again though all hope she just had shatters as the cruel animal returns. With renewed strength He lets out a harsh howl and yanks his arms, the water tentacles turning to puddles, slipping down the drain with the rest of the water, in the small space of the shower he lunges toward her. Fear ripples through her but she quickly shakes it off and once again lifts her palm stronger tentacles obeying her command wrap themselves around him just in time, as his sharpened fangs came three inches from her face. His body is slammed back against the shower wall, his head bouncing painfully off the tiles. As he trashes and pulls at the restraints Lexi moves back close to him, shutting her eyes in concentration. "His ego cuffs concatenata bestiam, relaxare scintillis humanitas seen, With these cuffs I chain the beast, only loosen with sparks of Humanity seen." The Latin words falling easily from her lips as she casts her spell on the water, knowing they would hold and only lessen their grip when the Peter she knew and loved came back. Her strength leaves her as the spell takes hold and she sags against the other wall, seeking its help to keep her upright. She leans her forehead onto the water slicked tiles and breaths in the steamy air, her eyes drift close. Knowing she was safe from anymore escape tempts she turns her back toward the beast that wore Peters face and steps back into the scalding water of the shower, letting the heat seep into her cold riddled body, and washing away any remaining fear as she lifts her face to the spray. Anger toward herself bubbles up inside her, how can she be afraid of the man she loves? whimpers fro behind her make her sigh and step out of the comforting spray. Turning around, she opens her eyes which were flashing Violet with her rejuvenated powers, she once again faces the love of her life. Hope once against swells inside her as she faces her task of Being Back Peter's humanity.

               "Peter I know you are still in there, I'm going to touch you now." She says with confidence as she steps closer once more. Hot spittle flies from his mouth as a deadly snarl comes from deep within, his fangs fully elongated, his claws at full length, clawing wilding at the air trying to tear her apart. She ignores the snarls and the beast and focuses souly on her task, She reaches out and touches his chest, right above his pounding heart. Moving her hand upward she runs her hands up his muscled well toned arms and with her left hand she places it carefully on his cheek, keeping away from his deadly venom coated fangs, knowing that one bite would have her transforming into a werewolf like him. The terrified whimpers he made makes her heart squeeze, knowing that the touch of a human in his wolf fill brain was torture for him. She looks in his eyes and silently pleads for this to work, knowing that with each touch the Peter she loved would have a fighting chance to break through and once again take hold of his body. She steps closer and kicking his feet apart she presses flush against him, the roughness of his soaked jeans rubbing against her naked body, his shirtless upper half smooth against her own chest. A strangled growl leaves him as he tries to shrink away from the closeness. She takes her hands and places them on either side of his face yanking it back to look at her. "Peter come on love FIGHT THIS!" She hisses pressing herself closer to him. The blood lust fades slightly, his arms sagging slightly as the restrains register a spark of his humanity. Her eyes shine with joy when she realizes it was working. She takes her hands away from his face and wraps them around his neck, stretching up on her toes to reach his mouth with hers. She kisses his mouth, not afraid of the snapping teeth, and feels the growls dissipating in his throat, as his arms continue to sag with the loosing cuffs. She watches as his eyes close and feels his lips returning the pressure to hers. A small gasps escapes her as she feels his arms finally wrapping around her body crushing her to him.

               "Lexi Stop, I can't fight this for long," he pleads against her lips, and on Que his arms are softly yanked from around her as the restraints sense the animal rising again. Going against her intuition she lifts her hand and the spell is broken letting his arms sag fully to his sides, giving him full use of them. He growls "That was a mistake, Lexi AH" He chokes out shutting his eyes and shrinking away from her half turning his body, trying to keep himself from slipping away. She moves, easily deflecting his feeble attempts to push her away, she takes hold of his arm and turns him to face her again and softly pushes him up against the wall which they had started to stray from, pressing herself firmly against him.

               "You can fight this Peter," She whispers in his ear before claiming his mouth again. It was her mistake. He kisses her with desperation trying to fight back the Wolf that was clawing it way through him. IN a split second He looses control and the beast takes hold. Giving off a murderous howl he sinks his claws deep within her back, Her scream tears through her, echoing off the tiles. She sags against his claws, making them sink in deeper as whimpers of agony spill from her kiss swollen lips.  With a grunt he rips his claws out and watches as she crumples to the ground, her strength deserting her. She splashes in the water built up in the tub , barely noticing the sting as her knees and hands hit the porcelain. Her arms wobble as she tries to keep herself up, her eyes cast down as she stares at his bare feet, the hem of his jeans dark with the water sloshing around him. "Pe-Peter Fight, pl-please" she mumbles as a fog starts to creep into her mind. Her arms fail her and she splashes face first into the ***** water. The water was tinged red and tasted like cooper with her life's blood as it oozed out of the ten claw marks on her back. Her breath quickens as it become shallow, the fog creeper faster, her vision starting to unfocused. Tears spill down her face and mix with the ****** water as she realizes she was going to die, and without saving Peter.

               "I failed you Peter, I'm sorry, Forgive me," She whispers unable to lift her head to look at the beast that claimed him. " I- I love You" She manages to sputter out before the fog took hold of her, rendering her unconscious.

               Those three words reached the beast, traveling down to Peter who was growing weaker by the minute LEXI! he screams mentally and pushes past the beast. He throws his head back, letting out a tortuous howl, as his eyes go from blood red to the Ice blue some Beta wherewolves posses, his original state. The beast retreats, never fully gone, just hibernating until the next best moment to strike. Peter looks down at the naked girl at his feet, and he drops to his knees in the red waters.

               "Lexi My love" He whispers his voice full of agony. He lifts her limp body out of the water and cradles her in his arms, He wipes away the hair that was plastered to her face and rests his hand against her cheek. "Open your eyes my love, you didn't fail me, you saved me, I'm right here, just open your eyes." He says, his voice choked with unshed tears. When she doesn't respond he cries out , placing his head on her chest, taking his hand away to wrap around her body in a tight grief stricken embrace, his blond hair making a curtain around his face as his grief pours out of him unchecked. A strangled Gasp makes her chest rise and he wipes his head up to find her eyes fluttering open, focusing weakly on him.

               "Peter, you're-" her words fade away as her strength seeps out of her. she lifts her hand and he quickly grasps it in his lifting it to his mouth kissing the fragile pale skin before putting his face in her hand, trapping it between his face and his hand.

               "Yes Lexi I'm me, I'm here, Don't give up" He says smiling through his tears. A faint smile spreads across her bloodless lips as she closes her eyes, her breathing was struggled but she clinged to the last bites of life in her as she pulls her power in, drawing strength from the water around them, the air that fought it's way to her lungs, the Fire from the small candle she had lit in the bathroom earlier for strength, the minuet grands of dirt that always managed to find their way in the house. But most of all she Draws on the Spiritual world the one that swirled around every living creature. She draws all this power inside her and wills her body to heal itself, Fighting for her life. Her power pulls and a soft warm glow fills her body as the wounds slowly pull themselves closed healing themselves. Her breathing becomes easier and she gulps huge mouth fulls, coughing as she takes too much in. Peter tighten's his hold on her and stares at her in wonder as she pulls her broken battered body together. "Oh Lexi," he gushes as color returns to her body, making it flush a pale pink, her eyes going from their crystal green to the purple as she works her magic. Finally the wounds were sealed shut, and her eyes return to their crystal green, her body sagging in exhaustion in his arms.

               "You're you, you're really you." She whispers, happiness ringing in her soft sleepy voice. Peter smiles at her and strokes her cheek, his fangs had vanishes and his claws had retracted.

               "Yes Lexi I'm really me."

               "I thought you're humanity was lost,"

               Peter just shakes his head at her, tightening his hold on her he stands up, carrying her bride style he steps out of the shower, not bothering to shut off the water. Holding her close to his body she rests her head against his bare chest and sighs as she hears his heart thumping at a normal pace. Leaving the bathroom he pads down the hall to their room. Once inside, with one hand he pulls back the covers on their king sized bed and gently deposit her onto it. going to his side of the bed he quickly strips out of his wet clothing and slides under the covers with her, drawing her close to his body, skin to skin. Lifting her eyes to his he smiles at her.

               "NO Lexi, I don't think I can ever lose my humanity again, want to know why?" He says, his eyes hypnotizing her. She snuggles closer to him, her legs tangling with his,

               "Why?"

               "Because YOU are my humanity." He says as his lips crush her in a passion filled kiss.

No One Knew His Name
when the woman called nine eleven she said
there is a guy sitting on the stoop
he's dead..
the nine eleven woman, martha, said
how do you know he
s dead we get plenty of calls like tha
t

she said, the woman, said
he
s got flies in his eyes

martha said we are gonna
be right there!

2.two condoms and a crucifix

when the coroner people cam
e he was still sitting on the stoop
still dead his breath no longer
straining the winter air
then they took pix and measured things
rigor mortis already had set in
and when they took th e pix
they showed two condoms and a crucifix
falling out of his pocket into the light of day

the woman who found him so still
she said it is strange
to see such disparate things spilling out of his pocket
he
was still dead and i believe he
s kept his state of being stubborn as he is/was
he remains forevermore stilled

we talked about those three things
two concepts really
two condoms and a crucifix
and we could not figure out which
he loved the most
because we never heard him speak of
anything but god crack *** amphetamine
trinity cooh, ya know?

3. Discovery Indeed

he came from wolf lake mn
population 31
when he left it went down to 25
ten thousand lakes
he could not imagine living there
anymore
but did he know at the end of the trail
what was he looking for?
two condoms and a xfix
my god he said
although he did not ever believe in such
extravagance
just before he went to sleep
perhaps to be still forever more
my god he said
as the soporific hit blessed
whatever was left of his short life
my god he said
although he was agnostic or so he said
my god
he could not have believed had he not heard them words
himself
as he grabbed the condoms and kissed the xfix
or maybe it was the other way around.

4. No ****
sitting on his ***** chair
he put his hands between his legs
reached for the ****
and squeezed:
yellowish stuff strained out between his fingers.

his grandma slapped him, hard

5. Things Looking Up

he lay down on the floor
to look up the neighbor's dress
he saw a pair of legs descend
from pink *******

then his grandma picked him up
slapped him, hard.

6. Harbinger

winter flew in harsh in minnesota,
battered houses, pine trees,
the wide landscape into submission
let the wind run whistling, whipping
subservient snow, whitewhirlwinding
down desolate fields and lanes

one day it got so cold
spit froze before it hit the ground
it made a little noise midair

7. Cold Dogs

one time he saw some fifteen dead dogs
piled by the side of a road
frozen like the rest of the landscape

even as an adult he wondered
what THAT had been about

8. *** Is Child's Play

in the first grade he fell in love with miss renee
the teacher who let him put his head down on her legs
and petted his head while he glowed glowed glowed
he learned to love school and read read read
so ms renee would say Joe, read!
and he would

one time he dreamed he had *** with miss renee
*** was tying something between her legs
a knot of love in her ******

so how did he know about such things
at five? he always wondered about that.

9. Revelation

his fishing pole was gone!
he looked and looked while spring time
raised giant mosquitos that buzzed and buzzed
about his head

he never found his fishing pole
he thought that maybe when you die
and go to heaven
god showed you in a sort of movie
what had happened so you'd nod yer head and say
yeh, i'd never would have guessed grandma

gave it away.

10. Alone At Last

say to the darkness this
emptiness covers all this
suffusing light scrapes away
some pain some excruciating i am
lucid preamble to my nevermores
in plural congruent universes
coexisting rapt in its own
say this is a dream a vertigo
a swirling metaphor for then/now/and again
can days still mean something new
today everyone left
everyone left


staring out the window at six years old
he saw woods slowly fade into the night
he thought they sank
into an oblivious fog

why didn't i go to the neighbors' house

11. Death Becomes The Fisherman

the lakes were all around
they said let's go see the drowned man
so they went to the shore
a boat with two men rowing
approached
you could see a hand and an arm sticking out
from somebody lying on the floor
someone said "hey, he
s waving"
close to the shore
the wind brought the overpowering
stink of death
that shocked him because he'
d not thought of "drowned" as "dead"

they brought the body out
to the shore
covered it waiting for the coroner to show up

mother and sister cried nearby
neither could approach the stinking corpse

he then realized that no matter what
you can't kiss a rotting corpse.

12. Rubber Match

the first time he met a ******
there was no formal intro
he just found it in his father'
s drawer
filled it with water
dumped it on the neighbor
s'
yard

later on he could hear them fight

13.Prurient Discovery

when he was 13 he made love to her
who was 16
and all he could think about
was how gross it was and wet

until he came

then his opinion suddenly
changed

for the

better

14. Death Is

his grandmother was sick
in the MN winter cold home
she coughed and coughed
so she
put kerosene on her back
and chest
he saw she got blisters
he did not want to help
clean them up
so he hid
until she was quiet for a couple of days

he went to see her she was dead
so he stayed drunk for a week or so
until he could not stand the stink no more

15. The Beginning of the End

he went to a foster home
there were 5 other teenagers there
the first night
he went to bed
someone put a pillow on his head
while hands turned him over
held him down
pulled his pjs down
5 guys ***** him then and there

the next day he ran away

16. The End of the Beginning

they brought him back 23 times
on the 24 he met one of the kids
by the lake
stuck a knife under the guys
ribcage on the right side

all the guy did was sigh
and slide slowly down

he pushed the guy into the water
somehow it took weeks to find the body
by then nobody could tell he'd been stabbed

but none of the kids ever held him down
again

17. COOH

alcohol alcohol
its sweet old name tells me all
i need to know how spinning
the world distances itself
in a warm blood red haze
and only a swollen torpor remains
alcohol alcohol
its sweet old name tells me all
i need to know
and not to know

18. Not Late, Just Timely

time 'sss a stone a sash a thunderbolt up high
a rudder a list a lisp a restless meandering
time 'sss a spire a fish still below the waves
a constraint a push a shove a deal a nothing
time 'ssss a look a lock a rail
a sunrise a fall a crack a vial
time 'sss a sock a pen a handgun
a radiant breeze a solid solid hand
two elbows and one mouth

he took his time and time took him
step by step he climbed the stairs of his cognizance
such as it was just this
no hope

i say no hope but no despair either
the world sometimes it's just the way it is
he understood that but what to make
of this breathing hearing seeing tasting feeling smelling
thinking self
he knew not
and in not knowing
he passed the time that isss not
what you think it isss
time 'sss not even a ticking tocking clock
just let it be he said to himself
time 'sss not me
yet time isss me

and he took another ****


19. Luger

his father came back to town one day
the war had been over for a few years then
they told him where he could find his father and he went
and watched his father, dressed in combat rags,
as he counted the fingers of his shooting hand

they exchanged glances and he left

got drunk and did not hear or see his father ever again.

20. Life As A Long One Night Stand

the girls are many the girls are new
every day they seems to look at you
and you melt and then you are gone
in another trip with another stranger
in your bed do not say much
cause *** is just another drug

just cheaper and easier to get
than smack

21. Epitaph

he learned a song and a little dance
at the emergency rooms where he got
the prescription pain killers man he could
lie and act and pretend so much
he knew they'
d really have to give him stuff
cause that'
s the way that things work
in big city hospitals
he re-membered a doc who smiled at him
saying man you'll be dead soon
although you think you are fooling me
the only fool in this room is you

he laughed cause he could not agree more
put that in my tombstone he said
the doc said no, you are gonna do it all by yourself

22. Lost Weekend
-.- -.- -.- -.- -.- -.- -.- -.-
-.- -.- -.- -.-
-.- -.- -.- -.- -.- -.- -.- -.-
-.- -.- -.- -.-

23. Dashes and Spaces
---- -- -- - - --- --
-- - -- -- -- - - -- - -- -- -
--- - - - - - -- - -- - - - --- - -
-- - - -- -- -- -- ---- - - --

24. Two Condoms

at the end of the road
the road the empty road
the sinuous complex road
the road the heavy road
where lust and love entwine
who knows the end or the beginning
who knows alpha or omega
who the what who the where who even
the hidden sentient how
the nothingness the emptiness
of come and come and come
just emptiness of not becoming
he heard himself saying screaming
at the end of something like a bumpy ride
she was who knows who but she was
you know the hole the whole the mankind whole
the all embracing whole the whole hole
the destination origin
the one and all
he said here i belong elementary
i exist because of this
he pounded pounded in his anguish
of becoming one and whole
he howled his grief intermittent
as pulse wave of heart
the heat of his despair
the only drug that it's living protein
he felt his way
and then was gone from virile crisis
to distant remote self acquiring its orthodoxy of despair
because as he put it once you cannot ever **** yourself
square the circle as it were
so he accepted two trojans
at the bar when a guy in the adjacent ****** said
these are the best and yes
we gotta protect ourselves
and left the couple of rubbers
by the sink
and he would have washed his hands
had he known how
but instead put them products in his pocket
a premonition of some kind of future bliss
tugging the sleeve of his presentiment

carving already a vast innocent tomorrow
while he walked out

he truly did not care

25. Crucifix

at the end of the road the empty road, the road full of lies, deceit and a hunger so great it overwhelmed all else, at the end, the terminus, the appointed hour, at the end of the alpha, the omega, the in-between, the road sinuous road that led down the miriad steps to the steps on a stoop in the city of new york, at the end of a long concatenation of minutes, each ethereal, insubstantial, a construct, a vapid dream or nightmare indeed he sat down one last time with his burden of hours to dream one last warm oblivious cozy, embracing shroud, sweet balm to assuage the freezing claws of grief. in the seedy bar last
night he met a blonde who said, your eyes remind me of a long ago boyfriend, he said well, he musta been one hell of a guy, she said indeed, he died in iraq, suicide, ******* he said that is not right, she said we are all at war, daily intimate war, i think, who said we met the enemy and it's us? he did not know but understood, he said although denial is more than a river in egypt, ha ha, but they both got it since they both craved the same intoxication, the same zig-zag and feint, she said the first time i got drunk i was eleven, that was my first time for *** too, he said the first time i got drunk i too was eleven, the night had fallen i was alone in wisconsin among the wolves of winter howling their relentless wind outside, i found a bottle of the hard stuff, not beer like everybody drank i could not stand the taste it was too bitter, but gin, and i drank it convulsed at first by the shock, then not, just drinking a few more gulps and believed i had found the greatest gift on earth, the greatest warmest kindest confidant, she said you talk funny, but i understand what you are talking about, i know the allure but my hangovers, wow, he said no, i never got one, but. here is the but. i knew a limit, i was never blind blind drunk until much later in new york, she said we each have our cross to bear and laughed and dontcha just wanna do a line now ha ha, and it went on like that for quite a while. when she was leaving she said, you wanna see something funny, yeah he said, she brought out a crucifix and it was indeed jesus, his mouth open, imploring relief from his harsh dad, and he had a gold tooth, blue eyes and dreads, he laughed and said that's quite contemporary and she said wha? you don't think he looked like that? but really who knows what the truth was, he said or is, so they both lifted one in memory of the dear departed one who had caused so much trouble here on earth, but, she said, he did not mean it, here keep it and he did. later on he found his fix it was extra good ****, too good in fact, and who knows, when he sat there with flies in his eyes, his life a dream, invention, make believe, whether any of the episodes were true at all, sob stories to assuage the beast of craving within, get his hand in your pocket and whether, as he sank below the surface of his tortured bliss, he saw his true light at long last.

Depression tends to have a manipulating and controlling manner that spits and hisses from behind her snarled teeth,
Depression swallows the light.
And in doing so, depression gulps down yellow, drowning the sun and all his mighty.
Depression chomps on green, bits off grass and shrubble stuck to the inner corner of her lip.
Depression chews pink, each candy floss cloud tickling her taste buds.
Depression chugs blue, the ferocious waves sloshing down her throat with ease.
Depression regurgitates darkness, there is no colour when depression grabs my hands, looming shadows engulf my vision,
Depression’s feet start to move and I realise we are dancing to the dull thud of my heartbeat,
I dance with depression all through the dark, but it isn’t just dark, it’s the kind of dark with no moon, no stars or streetlights, it’s the kind of dark that creeps up on you until you cannot even see your nose.
The darkness slithers under my fingernails and slices back my skin, slipping beneath my flesh, it wears my hand like a glove,
It wanders upwards and claims my face simply as a mask,
As it seeps down, down, down, my legs now become stilts.
I am no longer dancing with depression, depression is dancing me, I am her puppet.

I am a miner. The light burns blue.
Waxy stalactites
Drip and thicken, tears

The earthen womb

Exudes from its dead boredom.
Black bat airs

Wrap me, raggy shawls,
Cold homicides.
They weld to me like plums.

Old cave of calcium
Icicles, old echoer.
Even the newts are white,

Those holy Joes.
And the fish, the fish----
Christ! They are panes of ice,

A vice of knives,
A piranha
Religion, drinking

Its first communion out of my live toes.
The candle
Gulps and recovers its small altitude,

Its yellows hearten.
O love, how did you get here?
O embryo

Remembering, even in sleep,
Your crossed position.
The blood blooms clean

In you, ruby.
The pain
You wake to is not yours.

Love, love,
I have hung our cave with roses.
With soft rugs----

The last of Victoriana.
Let the stars
Plummet to their dark address,

Let the mercuric
Atoms that ******* drip
Into the terrible well,

You are the one
Solid the spaces lean on, envious.
You are the baby in the barn.

There's something majestic, yet also extremely gloomy, about a streetlight at night in the rain. Something, some unplaced dimension within the echoing cars and within the particles of water, as they spray...into oblivion*

Mother, do you recall that rainy day?
The day my gumboots soaked through,
I beleive we were waiting for a bus. It was one of those city rains, when all you could dream of was home or the warmth and comfort. When all you wanted was a bath and hot-chocolate or another item of food, steaming with love. Mother, I remember holding to you're body for warmth as we sat under that old wooden bus shelter.
I clung to you're body and melted into you're lingering scent, you're falling breath and you're human form.
You held me, you hid you're shivers so as to warm mine.
We watched the cars spray etheral mist into the orange lights of the city.
We watched lovers rush by under umbrellas, we watched rain curve down the cement like a snake on it's own journey.
We listened,
oh did we ever listen, we ate up the noise, the stories within the rain, we cuddled until we felt the warmth from our bellies rise out of us like smoke or a dragons breath, tainting the air.

I, you're daughter. You, my mother.

You're long hair curling down your breast. Me, like a little berry scrunched up as close to you as I could get. Like our bodies would drip into each other as one, our breath the same. Only my gulps of air came much sooner and you silently resisted my subtle games. When the huddling was done you reached out to me with you're strong hands and you led me along the night of echoes. I can't remeber much else, asides from sitting with you in the empty pizza shop as we both savoured and satisfied our cravings for comfort. Cold-handed laughter as we danced over the most delectable pizza.
Then we caught the bus home, you sat on the red leather, grabbing the creamy yellow bar, I jumped onto the ratty blue seat beside you and leaned once again into you're body, melting into sweet harmonies.
Eating in the sounds of humans and the sound of the bus, splashing through water
and journeying on through the deep
and endless city night.

Cast among the downpour,
gates beneath dark clouds are left open
The creek is rising, drowning underbrush,
darkening tree trunks,
moving swiftly the discarded,
Collecting at the walls of this place,
as stone and mortar slowly crumble

From a desperate vantage point
overlooking nature’s angry powers
I see a shape, a floating aura,
eyelet gown of gold stitch, woven ribbon dreams
Mahogany hair flowing, eyes captivating,
drifting atop muddied raging waters,
directing the flow with blown kiss persuasion

Suddenly swept away, barely a breath remains,
swallowing life in surrendering gulps
Flailing intoxicated waves, undertow’s grasp,
when a hand reaches, fingers interlock
Glazing blue skies whisper in sunlit reflections,
ocean breezes soothe washed out tides,
as a sand dollar wishes on a seashell

And now upon this beach I lie safely within soft arms,
tasting her mimosa lips, warm and sweet
I drink in her flavor neath palm tree shadows,
cool in the heat, but hot of her skin
My heart hears the glistening, tingling my senses,
awashing me in desires impossible to imagine,
as I happily drown in her

I drank the alcohol, expecting something.
boy was I let down, when I got nothing.
No silly laughter, or grand horror story.
No youtube video, or easy talk for me.
Just a headache or two and a feeling of suffocation.
Just a scolding from people, and a dizzy sensation.
The bottle looked nice, and tv shows made it seem fun,
but after 3 gulps, I just felt like a street ***.
So I said goodbye to armpit beer,
and I assure no rose wine here.
*** is for pirates,
much too complicated for me.
I'm done with heartache alcohol,
as you can plainly see.

Tonight we’re aligned with the stars
I’m wearing Orion’s belt
You’re drinking in thirsty gulps from the big dipper
The little one’s in freckles on your chest
And now I can hear the wind chimes
On the porch
I can hear the leaves
Of the Bradford Pear
I can hear the cats and dogs and coyotes and deer and owls
Making nighttime noises
I can hear mom snoring in the house
For one of the last times
I can hear the trampoline springs creaking with age
And feel it bouncing and swaying under us
Like it did in its heyday
I can hear you sniffling, sister,
I can hear you crying
Your warm wet tears
Are drowning my ears
Like all those summers we did swim team
When I take your hand
It’s smaller than I remember
It’s Abby circa ‘99
Though you didn’t let me hold it then
And I never tried
Now our hair is curling in swirling halos
Around the same face
Mom’s face
We never did look like Dad
Now we’re gazing at the same stars
Under the same March sky
Thinking, saying, “God is good”
Saying, believing, “How can He not be?
When the sky looks like this”
Believing, knowing, that it’s true
Even while our hearts are rocks,
Our hands are clay,
Our minds are swarming
Teeming
Buzzing
Hives
But “God is good”
“How can He not be?
When the sky looks like this”
When our mother is a fish
How can He not be?
We know:
“God is good.”
While we’re reading the Braille of the sky
Two foxes slink by
Now we dismount the trampoline and go inside
Where we hear Mom snoring
For one of the last times

Poured a potion into a glass
I must pause pain just for the day
Make breaking down a distant past
A few gulps in, lots less to say

Numbing the cold cumbersome wind
Feeling the nice, warm, sensation
Silent smiles, eyes rolling in
I've missed this lone meditation

This poem is a creative response to
The Yellow Wallpaper
by Charlotte Perkins Gilman.

Alone.
Three years gone, all
Spent in this room.
I barely leave, I don’t try. I
Know I am desolate. I see it
And so do they.

I live, but I don’t feel alive.
Why eat? I don’t deserve food.
I don’t feel the need to indulge
in the senses. I merely don’t crave it.

Every night...
I stay up staring at the dimly lit Walls.
Every day...
I Lie awake while the sun peaks
Through the cracks in the blinds
Illuminating my only companion.

I gaze into the eyes of the Walls.
They stare back
Watching me struggle.
Laughing at my regression.

What is happiness? Joviality?
What is a gleeful day?
A happy thought? I
Wouldn’t know. Because I...

Well I am nothing. Nothing
To him, and nothing to you.
I am repulsive. Who could
Stand my reflection, it’s
Repugnant.

I have removed the mirrors
In the room that holds me
Captive. Like my self-esteem
They are shattered at my
Own gross reflection.

Gave up.
I gave up long ago,
I’m hopeless. Incurable.
I have become nothing. And
Like the rest, my Husband
Will leave me soon.

I don’t concentrate. I can’t.
I used to pulse energy of
Knowledge to minds that
Drank the gulps of enlightenment
Making their brain’s throb.

He tells me; I’m sick. I
Tell him; I’ll cope. He gives
Me a pill once a day,
I keep it under my tongue.

He repeats over and over…
‘I am a Doctor, and I will help you.’

He’s not helping me.
It’s for himself. His own self
Appearance. He wants to look
Proficient to his patients. If he
Cared he would listen to my words.
He would have heard the cries
In the script I taught and wrote.

My friends are gone, they
Left me to wallow in the
Eyes of the paint that covers
These Walls.

Sometimes I’m disillusioned
That people care when I speak,
Until I realize that we are all
The same. In small groups
That my Husband leads we talk
About our lives that are left in
Shambles…

We discuss our own
Worthlessness. Utter forlorn diction
To one another. We understand
The lexicons we produce. We are
All alike. We write our thoughts
But no one cares.
Together we look for Happiness,
But she hides from our group.

My Husband, the Doctor
He pries when we talk.
Pries for more. He questions me
About the Walls. He thinks they
May be alive, in the eyes of myself.
He thinks they talk, he thinks I talk
Back. But the Walls can’t talk;
The Walls can only judge.

They judge my dreadful appearance,
They judge my inability to change.
The Walls deem me an unfit wife,
A Mother of nothing, a friend of
No one, a tragedy to this World.

He thinks I misplaced my Sanity,
As if I’ve gone madd. I may see
No light in the day, for I am
Not blind, I am just alone.

I have made the attempts
But I have never set a plan.
I don’t have the capacity to
Project my future, I can only react.

Reacting is what I did... What I’ve
Done. I reacted to the Walls constantly
Judging me. I reacted to a three year
Aversion to the outside World.
I reacted to *my reality.

The only way I knew how, I
Reacted. The Walls think they
Can judge me? Now the Walls are
Judged. It was your fault, your
Eyes pierced my soul, and
Stole the breath from my lungs.

I was not deranged, my faculties,
Were never vanished but my heart was.
I lost my smile, I lost my life... everything
I knew... I reacted. I left my body contained
To those Walls that judged my dreadful display,
I rose above and looked down... And I saw a smile.

1

Sunrise, late winter
skunk smell
turkey flock
playful otter, too.

The white heron
a great blue,
white phase,
in the abandoned ****** pond.

Purple clematis
its long-awned achenes
in globose heads
spidery, fiery, extravagant fruit!

To identify or classify
birds by
the complexity or beauty
of their songs.

And so
what is over that
ridge or hill
a sink-hole, a sand dune, a steep bluff.

2

What must I do. Organize
the heretofore unorganized. The rabble
of unemployed child abusers.
Molesters of their intimates.

Are there dysfunctional bird families?
Simply put, they do not survive.
We have hope
that everyone alive is essential,

consequential. We classify
and specify.
The commonplace and everyday
is sanctified.

What happens everyday?
Morning is quiet, everyone at work.
Home writing, watching birds.
Afternoon, kids come back from school.

Evening, watch tv.
Scotch and Star Trek.
Captain Picard's problems eclipse
ours who stayed behind.

3

Pray to Allah
and maybe he will spare you
when he sets the world
on fire.

Where or with who
will I be on that day?
And how many people and adventures
will I find in the wind storm and rubble?

I may live, but will it matter
whether or not I help anyone else to live?
This is no Last Judgement.
Those who have learned or who still know how to live

will survive.
Nobody will go to hell, they will just die.
There is no limbo either.
Anyone who didn't find a way to be immortal is just dead.

So, what am I trying to do.
Organize the unemployed, the welfare mothers
and alcoholics
into a flying chevron of purposeful explorers?

4

The doctor's conscious, organized,
naive attempt to do good,
his legacy, versus the randomness
of the road and the war zone.

There his legacy is his rectitude and natural
rough compassion for the damaged people
he encounters. The difference
between planning a legacy

as if you knew enough to control events
and letting the legacy arise
from events themselves, controlling,
insofar as you are able, only

your own actions and reactions.
The doctor's leadership role such as it was
grew out of not his material possessions
like the car

but his mission, his personal quest
to find the young doctors he had naively trained
and sent into the war zone
where all died.

5

July-a cold city
not as great or as gritty
as I thought, summer theater left
the shoe shine bereft of customers

eyes cold as a bureaucrat's
except for our soles
and their leather. Sweat-soaked
girls, the beautiful ones left town.

Emotionless as a bus.
Sparrows, no chickadees.
All that's important happens indoors.
Exercise to philosophies.

You get what you see.
The panhandlers ask
just once, won't risk
friendship, justice.

No sale today
in the finite city
where, for the shoe shine,
pedestrians are infinite, times two shoes.

6

Faith = wait + trust.
But don't anticipate.
Popper prohibits prediction.
Niebuhr expects destruction.

I believe in God
doesn't mean there's a sketch
of a man in my head. It must mean
all will be well in the end.

Satisfied with snow
or summer. And now
with dying old or younger.
Gold or paper clips. Gulps or sips.

In the final resting place
in the city of the dead
are there all night card games
and sometimes open swims?

Each inch, square, or cube of Earth
brim with grasses and sedges, dragonflies and spiders, sparrows and
      eagles.
The tiger lily and the water lily and the lily of the valley, the calla lily.
When a ******* a bicycle smiles, that is a smile.

I sit down in front of this piece of paper, pen in hand, the wind through my hair and a single dim light’s reflection in my glasses. I close my eyes, tired of repeatedly trying and failing to write an article. I wearily rub my eyelids and sit still for a while.
And that’s when I see him.

He stands against the backdrop of a waterfall, the green grass gently caressing his bare feet as he walks slowly towards the calm, turquoise lake. A sudden whiff of tulips assails my sense of smell as he walks into the water, his composed steps mirroring the complacence of the cool blue he walks into. He wades in till he is waist deep; birds chirp in the distance, trees sway in the wind and everything the sunlight touches melts into a golden brilliance.

As he walks in, ripples branch out from his torso, tattooing themselves upon the surface of the water. They move forward with him, each with a colour that merges into a thousand new hues as two of them meet. I stand there watching in stupefaction; he does not acknowledge my presence as he continues to walk forward, his eyes fixed upon the blue-gold sky over us.

All of a sudden, he climbs out of the lake and begins to hurriedly hunt around, muttering to himself
‘It has to be here somewhere.’ He darts off between the trees, with the raw agility of a young impala. As he continues to fly over the many shrubs and roots in his way, I chase behind him panting and puffing as the entire forest falls behind in a blur of green and brown. And then we hear it, the scream tears through the woods and the sky explodes into a whirlpool of colour; he turns back and looks at me, his eyes wide with horror and disbelief. I skid to a halt before him and I realize that we had reached the outcrop of a cliff. I turn to him, my back to the massive drop from the bluff, a quizzical look in my eyes as I find myself unable to articulate the words in my mind. He puts his hands on my shoulders, the fear etched deep in his wide eyes. And he pushes me off the cliff.

The air whistles past my ears as I fall to the ground; it seems like an eternity has passed before I finally rest my head on the hard ground beneath me. Every bone in my body feels like I have walked headfirst into a moving train, I gingerly raise myself off the cold floor to see him standing over me. He raises a finger to his lips, signalling me to follow him. We walk forward cautiously, the fear of an unknown disturbance still hanging heavy over us. We walk through an open field of wild grass, the pale silver stalks dancing in the breeze as the moonlight lit up our path. He doesn’t say anything to me; I walk alongside his shadow as his shadow. We come to a clearing with a single tree standing proud in the middle of a vast expanse of nothing. He gestures to the tree, we make our way there with haste. I walk into the cool shade of a massive oak and collapse under its mighty protection. He walks around the tree and returns with a figure in his arms. Next to my tired form he lays her down, a look of gentle calm upon his hard features. The moonlight dances upon her face and her shallow breath rattles through the night. Her stormy grey eyes lie wide open as she continues to struggle against an unknown force so as to keep breathing. He stands at a distance, silently watching the two of us on the ground; one battling for her life and the other silent and still like the great oak tree above us. Her lips part slightly, a single droplet of light rises upwards into his palm and she falls into a silent stupor. He gazes at the pinpoint of white in his hand, bringing it slowly to his mouth. I watch on as he proceeds to swallow it, confused about the events transpiring before my eyes. He throws his head back and looks up to the pitch black sky and a million tiny lights wink back at him in response. His eyes open wide, his jaw falls low and a burst of brilliant white light breaks through his tall, proud form. I see the mouth move, I hear him speak a few moments later. The voice rings loud in my ears, resonating from everywhere and nowhere and he says to me, “The path you seek is straight ahead. Do not deviate from the road and you should be fine.”

My head falls back against the firm bark of the oak as I witness my guide disappear into thin air with no evidence of him ever having existed. My eyes close of their own will and I embrace the comforting darkness of slumber enveloping my mind.

My eyes fly awake as a sharp ray of light dispels my drowsiness. I wake up to find myself looking towards a convoluted, winding path leading into the woods. Against my will, I find myself rising and walking down the dusty road. I try to hum to myself, no sound greets me. I try to dart into the woods, but something brings me back to the same path no matter which direction I turn. The sun beats down hard upon my head, and in the distance I hear the faraway call of an eagle. Resigned to my current fate, I walk forward taking in all that I see around me. The sunlight dances between the shadows of the twisted trees, the brown floor beneath my feet gradually begins to evolve into a lush green lawn and the air I take deep, calm breaths of is painted with the scent of rain. I brush aside a shrub and stop in my tracks as I take in the view before me.

I stand before an ocean. The sand twinkles against my eyes, giving me a psychedelic glimpse of a million pinpoints of colour every time I blink. The tide rolls against the shore lazily as the sunlight bounces off the surface of the water. The sky lies mirrored before my feet and my toes play with the fine grains as I walk onto the beach. I sit against the onslaught of the slow tide and feel the refreshing spray of water upon my tired form. The sun begins to drop gently from the sky, retiring to his home beneath the vast expanse of water. I watch the sunset, I watch as the sky is painted by the whims and fancies of the final rays of sunlight as they herald the appearance of a single crescent sliver of silver hanging delicately in the sky, casting a dim white light on me. An ethereal breeze gushes past me, and I find myself obsessed by an urge to enter the water. I stand up, the waves breaking around my ankles as I walk into the water with an oddly familiar slow, composed gait. I walk forward calmly, the waves breaking against my torso as I begin to feel the ground sink below me. I let the ocean cradle me; I surrender myself to the mercy of the sea as she carries me in her lap. All emotion begins to wash away from me; I do not feel the familiar wave of fear as wave after wave crashes over my head, pushing me down beneath the surface of the water. I feel no panic as I take in the water in deep gulps, I feel nothing but a calm of certainty as I feel the ocean filling up my lungs. I smile and close my eyes as I begin to plummet down under depths. I embrace the vast nothingness that spreads out before me and fall unconscious.

A blinding pain flashes behind my eyes, as I gasp and sputter to find myself on a jet black rock, sprawled out like an empty carcass. I look around, unable to find my bearings, and my eyes fall upon a massive, emerald green pillar. It stands on the shore, firm and unmoving even as the ocean tries desperately to push it off its pedestal. I lift myself off the rock with difficulty and force my sore feet to stumble towards the pillar. I fall at its base, every bone in my body feeling like a deadweight. I rest my head against my arm, panting and coughing when I feel a hand upon my shoulder. I look up to see a small boy smiling down at me with an odd benevolence, the light of ages of wisdom alive in his eyes. He puts his hand to the pillar, and I watch in awe as it begins to crumble to a vibrant green ash. I look at him in plain bewilderment, and though he chuckles silently, I hear his deep, rumbling voice in my head. “You have nothing to fear from me, I am merely here to deliver to you what you have been looking for all this time.” I hear his voice tell me. He walks over to the shimmering green pile of dust and pulls out a piece of paper. He places his hand on my head, clasps the paper in my hand and smiles. I see his small head throw my face into shadow as he blocks the sunlight falling on my face, and I sit still, relishing the cool shade.

I open my eyes in front of this piece of paper, pen in hand, the wind through my hair and a single dim light’s reflection in my glasses. And on the paper, I see this article.

21 years or older but I asked to use the bathroom first.
Then I slip in when the bouncer isn't looking.
Naked bodies hanging on poles.
Men, smoke, 90's rap music.
On the stage, they bend backwards like dogs.
Dogs staring back, mirroring the position
and her self - esteem.
A woman approaches two men at the table in front of me.
Her fishnet wrap shows she's naked.
*******, grinding, tossing hair.
Some slimy guys buy us drinks from a table a distance away.
Dorena gulps next to me.
I leave mine alone.
Absorbed into this vision because I have to immerse
myself in this because I must write.
I need to tell people that her hand slapped her ******
like it did something wrong.
She made her hand do that because that man
was giving her dollars as I watched them slide off her back,
her legs; the sides of them.
She gave his friend a dance and a magic trick.
Setting fire to matchsticks she placed on her ******* and her ****.
He blew the flame away.
The dollars blew to the ground
and after her performance she went on her knees,
and picked up the remains.
Her dress, the money, her composure.
Afterward, she lit up a Capri, the type of cigarette
I craved all night.
I bummed one off her and she fled out of sight.

Your name burns
at the base of my stomach,
it tastes like flames
when I say it
but I continue to swallow,
big gulps
that drown out the ringing in my ears

I wonder what it would have felt like
to kiss your lips,
taste the fire in your heart
blood red lust
like innocence dressed in her mother’s lipstick
to trace the outline of your freckles
on soft uncharted skin,
I wonder what it would have felt like
to be your cartographer
to sail the high seas in your iris
and find sand in between my toes
after every visit

I keep imagining the things I would say
if we had met at a different time
I could have started by throwing matches
into your puddles,
and noticing how you smile like sunlight
glinting of the ocean

you are across the world
exploring,
mapping your own skin
and sailing with a crew called options,
they beckon your name
and make you forget that our hands ever brushed,
that we ever exchanged smiles
like two preschoolers
making engagement rings out of fruit loops,
you’re standing tall and brave
shrouded in the peace of letting go
while, I,
wait at the port
for you to return
knowing at the base of my stomach
that you will pass me by on your way home.
“land, **!” means refusing to
acknowledge my tedious “hello”
you will step on my apologies
like the creaky old boards of a ship,
and I will become the tide
lapping at your bare feet

The animal inside me wears a sweater when it snows.
He lives in Logan's house with his new wife,
and is afraid of the neighbor's electric fence.

The animal inside me eats only cold food from a can
that Logen scrapes into a metal bowl,
and plays with scuffed, rubber toys.

The animal inside me hates the toys and the Alpo,
though he gulps it down and makes a show of play,
ever eager to please.

The animal inside me sings of the Ones who ran wild.
He has a fine collection of bones buried in the back yard,
and revels in rolling in fresh deer ****.

Sometimes, when no one is there to see,
the animal inside me chews the new wife's leather shoes,
although this is mainly a thing of the past.

The animal inside me loves to run, which hardly happens anymore.
He is waiting on the doe-eyed collie who lives down the road,
and wishes that Logan would just burn the stupid sweater.