fallen autumn leaves,
color the desolate path.
dreams dancing in breeze

alan Nov 10

The rusted red of your
ghostly lights and a
Chinese dragon
dancing through the November wind
your faint flushed face after you spinned
nearly as red as my lantern glow.

Recently visited Arkansas and saw a faded red Volkswagen, it had been painted rainbow colors with the words "SMILE" on the front and "it's all good" on the back. I took some pictures and wrote this poem afterward.

Fingers small this is the part of
Falling in Love that does not hurt
grab my hand for a second
(mine are cold as always)
tracing fingers I know you are
Because I am boiling
and there is nothing to be done other than to
and act unaware
you pretend to not see me dancing
the way I can dance when I am free
moving hips and legs and arms like melted sugar and heat
you pretend to look away
coffee dripping down my throat
all my books are stained and a bit torn
I am not gentle with books or bags or clothes

But oh
I am so gentle with living and you

here we go
Emily Miller Oct 31

The days drag out,
Unbroken by sleepless nights,
And a bone-deep,
But too tired
And too spent
To give to where I am and what I’m doing.
After the sun goes down,
I pace, despite the fatigue,
And let my imagination run in the dark,
To satiate that squirm beneath my skin,
Even if only briefly.
I gently place the needle on the record,
And strip down to a slip,
The sound of vinyl humming over my bare skin,
In a caress as intimate as the satin I wear,
And there it is-
And I know-
I have to satisfy it.
At first, just a sway,
Side to side,
Left to right,
Rocking front and back,
One foot,
Then another,
And spinning,
I’m swinging,
Working muscles that hadn’t moved
In what felt like years.
From my bare toes,
To my stiff neck,
To my tingling fingers,
I unravel that itch,
And dance.
Grinning from ear to ear,
I move like it’s the first time anyone has ever moved,
And I shake off the whole day,
The whole week,
Every worry,
Every word that weighs on me,
I dance,
Until my shoulders feel no burden,
And the ache is thrown from me,
In the shake, rattle, and roll of dance.
My feet don’t stop until the soles blister,
And my arms don’t still until the sockets are weak,
Until my fatigue is true,
And not the creeping,
Drain on my bones,
On my soul,
On my everything.
Until the tired makes me smile with gratifying exhaustion,
And my sheets are a reprieve
And not a ritual,
And my body can rest,
Now that the itch is gone.

Emily Miller Oct 31

The world from here looks like an endless landfill of human trash,
Crime, pollution, hate, and death,
Fill our ears and eyes and noses from the moment we wake,
Till the moment we medicate ourselves to sleep.
The air is too hot,
The people are too many,
And when I walk down the street,
I feel like an ugly alien,
But there’s a little place,
Nestled in the veins of the city,
And at night, when the air is heavy,
And the sky is quiet with darkness,
The doors open to this little place,
And the people go inside.
In this little place, everything is so lovely,
Even when the beer grows warm,
And the rain floods in through the poorly sealed garage doors,
Even when the powder on the floor is spread too thin,
And there’s not enough seats,
And the old curtains haven’t been dusted,
It’s perfect in every way.
Here, in this place,
The bar is unevenly lit, but it’s got what you need.
The old, black chandelier gives you just enough light to see what you need to see,
And the stage always has instruments,
Playing away your blues.
The curtains and tapestries swallow up the sound of the outside,
And when the music starts, you can pretend that you’re somewhere old.
A time with saxophones and an upright bass
That cry out an ode to the dancefloor.
It calls to people,
In trousers and Mary Janes,
As they swing, shag, and lindy across the concrete to the sound of their anthem.
Skirts swing,
Shoes slide,
And the people close their eyes when the notes are especially smooth.
Glasses of watered down scotch and lipsticked martinis are left at the tables
And inhibitions are left at the door.
Low, sultry tones resonate through the creaking wooden platforms beneath the tables,
So no matter who you are,
The cat swinging his gal on the floor,
Or the one nodding from the booth,
You can feel it.
But everyone,
Everyone down to the big man at the door,
Has to get on their feet.
The music is too sweet,
Too good and too smooth,
Not to try it on.
Gotta try a little taste of that jazz,
That old swing,
That smoky blues,
Whoever you are,
Oh, you’ve gotta try a little bit of that.
Someone takes someone else,
And off the people go.
One foot, two feet, three feet, four feet,
And on the floor, they slide, swing, and shag,
To the excited fluttering of everyone’s collective heartbeat
Into the microphone,
You can’t resist,
Whether you’re “good” or “bad”,
If you dance, you dance,
In jeans, in a dress,
Suspenders or sweats,
If you dance,
You dance,
That’s all there is.
Someone sings out your deepest woes from the stage,
And you shake, rattle, and roll,
Until your feelings are all over the floor,
You don’t need love here,
You don’t need any of it.
There’s no husband and wife,
You can’t go steady,
Romance is a faintly remembered legend,
All you need here is dance.
Rhythmic pounding of feet against the ground.
That bass starts to strum,
And everything you thought you felt is replaced,
Replaced by air moving through you.
If you thought you missed someone,
Think again,
If you thought you had unrequited love for someone,
Think again.
Here, the people hop, skip, and glide from wall to wall,
And whatever they felt before,
Flies off of them like dust.
Because we’re the dancefloor people,
And we can’t feel a thing.
By the end of the night,
You’re lucky to breathe,
Feet red and sore,
Body wrung out like a rag,
There’s nothing left to feel but your mattress and a gratifying ache in your limbs.
The dancefloor people can’t see the kingdom of trash,
We can’t see it from here.
Spinning, wild and hot,
Just trying to stay on our feet,
Grins splitting weary faces,
No, we don’t see that bad, bad,
Ugly, ugly,
We’re the dancefloor people,
We’re aliens, we’re characters in a story,
And when you come looking for us,
We’ll swallow you up,
And you’ll be dancefloor people, too.

Bret Nov 6

I watch the same white car drive by my window
Every day.
Each time, a little muddier.
Life is the most vicious of circles.
A whole structure of bells and whistles
Too deep under concrete
For our already bloody hands to dig up.

Is it truly a deja vu
If you're really seeing it again?

I lick clean the cold plate they serve revenge on.

The Devil is real
I made it breakfast.

As time passes by
I keep falling for you harder
like the rain falling to the ground on monsoon
pouring its love all around
As I frantically try to reach back for a parachute
to slow down my fall
I realize that I don't have one,
And that I cannot stop falling for you.
- ©M

Timothy Daly Nov 4

two lost souls
a sticky dancefloor
and yet, solitude

They call us wicked,
But they don't know the half of it
Cause all we are is shadow
When it comes down to it,
Sisters of Supreme Darkness,
Dancing with the flame within
No Earthly thing can sunder
These ties that bind us
To the sacred song.
Listen, Mortals, hear the spirits sing;
They call us wicked,
But we know where they all sleep
For we give birth to the nightmares they fear,
Listen, Mortals, heed and hear
Coven's cries echo through the night,
We fly, take to the stars,
Blow a goodbye kiss
To the fading daylight

This is a poem about how most people perceive witches in general (ya know, old and ugly and bad, right?). Believe what you may and what you want, either way, let it be a Blessed All Hallows Eve tonight.
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