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Jun 2017 · 870
sights on sugar beach
Rebecca Gismondi Jun 2017
I.
she scratches her back,
marking territory on translucent skin
they are of the same opacity -
as if upon meeting they scanned each other’s bones
to ensure strength
one has a way of smiling
where her lips pull against her gums
and the other has the tendency
to flip the pillow to the cold side before sleeping
they are never not entwined
they never had to get used to
two sets of bras in the dryer,
a hairbrush constantly covered with
each other’s blonde hair,
never using the condoms in their jewelry boxes
it was easy
is easy
when one asked the other
for a matching tattoo,
she put her partner’s initials on the soles of her feet

II.
the birthday party was in full swing by mid-afternoon
no one in the party had hair any lighter than charcoal
and the birthday girl was four, wearing only one shoe
all the women were clad in floral bikinis;
the ripples of their stretched skin on full display
in this circle, they honed their cultural energy
with coconut water and bongo drums
the guest of honour was passed out within an hour,
but they had come all this way
and wanted to make the most of it

III.
the night before she had found herself
entwined with a bodybuilder ten years her senior
she turned her hands over and over,
checking for signs that she had changed
but as the dog licked the inside of her legs
she was at peace with the fact that she always
belonged in a stranger’s bed
he said she felt good
and pressed welts passionately onto her ***
he wanted to take her sailing on the lake the following day
but she preferred to sit on a man-made sugared beach alone
Apr 2017 · 681
saturday
Rebecca Gismondi Apr 2017
I.
my roommate is
an extended sigh
she wakes up every morning and
makes French-press coffee,
which is foreign in my household
she has a soft heart,
liked a bruised peach
and when I smoke **** in the evenings
she talks about art house films
over sautéed cucumbers
and I pretend to listen

II.
I read somewhere this morning
that you should replace all your
“I’m sorrys”
with
“thank yous”
like, instead of
“sorry I am such a mess”
it should be
“thank you for loving me unconditionally
thank you for wanting to have my name coat your tongue
thank you for refurbishing my past like an antique dresser”
I haven’t once spoken these words
since being with you

III.
I walked down College without headphones
I could hear my blood’s humming voice
I carried the same three treats I bought with you:
a brownie
a s’mores bar
a Ruffles chip marshmellow square
at Crawford, I could hear you in the box
scratching like a rat
when I got home,
I lit a candle
and ravenously ate you on my bed
Feb 2017 · 1.2k
saudade
Rebecca Gismondi Feb 2017
my atoms

have always loved your atoms.

you caught me off guard
like a subway pulling too
quickly

out of Ossington Station

(I couldn’t ground myself)

you remind me of my last breath:
taut, slight but necessary

stay

with me

I still feel your words
growing up my spine
there are dead roses
covering my sheets from you

and although he picked them up
and wrapped new vines
around my front door
and gifted me jars filled with conversation

the tattooed pilot wings on his chest
are reminiscent of yours flying above me
Nov 2016 · 670
three diamond door
Rebecca Gismondi Nov 2016
my favourite

part about being drunk is when
I hold the end of a cigarette by the flame
it doesn’t burn my fingers

I am invincible

I love when I’m drunk
and you weave your fingertips through
the holes in my tights

close but not enough

if I’m drunk enough I’ll let you
walk me back to your apartment in Bushwick

the hallways looking
like The Overlook Hotel

while you push me onto your bed and tell me
all you want to do is lay naked next to me

next thing you know I am your outlet

I am a thousand resonating nos

mine is every body you’ve ever wanted
covered with glass

and you wind my hair around your palm
and I am drunk
off the New York skyline
off the back of an Audi
off a taco truck in a bar

that I submit
and I beg you
to fill all my holes
Oct 2016 · 2.5k
the lobster
Rebecca Gismondi Oct 2016
king of the sea,
with a rigorous exoskeleton peeling away
moulting causes such distress,
exposed to the thrashing undertow of the sea
and enemies

who protects you?
a callow arthropod poised on fractured shells

it isn’t your father,
balancing a bottle of brandy between his lips
or your confidant,
skidding his tires across your mind

a starfish tried,
she threw her arms round your shell
as you added new muscles underneath
she stuck her tube feet in her claws
as you brittled her skin
she said I love you
and you retreated

when you are 70
and clamouring the floor
put your arms behind your back to beckon her to you
try –
she is the sea and no one owns her.
Sep 2016 · 974
distracting distance
Rebecca Gismondi Sep 2016
it takes 8 hours and 1 minute to get to Gansevoort Street

they say to truly love someone
you must know them through all four seasons

barricaded branches prevented you from coming February 6th

black leather interior seemed like the perfect place

to evaporate
like a cigarette outside Baby Huey
punch holes in your arm like a belt
so a finger can’t trace it

without being caught
hornets under Dixie cups
razored wings carve out this body
phantom knee, nerve extension
push your thumb into its stump

regret pushing the willow
walking the length of dead grass to a childhood hub
a reminder of which sits on your bedside
as an 8-year-old pilot
spearheading a UAV to TOR

Dundas Square sees you in an amber light.
Sep 2016 · 1.0k
Madonna + Child
Rebecca Gismondi Sep 2016
I always feared when I was young

that my blue veins would bulge out of my hands

like yours
they are now deft with our flesh
you prop us up,

tchotchkes on a shelf
talk of your impending spring funeral,
peonies and tulips

take off
“***** donor” on your health card
because they’ve already been given to us

at seven in North York you
danced to Elton John by the front window,
ducking at the sight of headlights

I can avoid you like
rush hour traffic if it would save you
the trouble
Sep 2016 · 947
dor
Rebecca Gismondi Sep 2016
dor
how often I wish for 91 Brunswick Ave
compressed together in a claw foot,
your flesh my home
cakes baked in too shallow pans
I forget what song was playing when
you told me you loved me.

how often I wish for the freeway between
Cocoa Beach and Orlando,
a friendly chaperone asleep in the back
hands knotted thinking:
“this is ours”

how often I think of August bonfires
the terror of an international move
“you would be a day ahead of me for ten weeks”
I felt stronger than the 100-year-old ruins we were
standing in

how often I wish for The Standards,
High Line and East Village,
bacon cocktails and antiquated photobooths and
windswept harbour panoramas
my insubstantial voice begging
“don’t turn the red light off,
I need you to see where my bones shattered
and pierced my skin”
Aug 2016 · 619
noon in Huntington
Rebecca Gismondi Aug 2016
a folding table bearing Super-8’s
sits outside as we leave lunch

pressing viewfinder to your algaeic eye,
you aim it at the sky,

at the soles of your feet,

at the dishevelled seller

but never
at

me.
Aug 2016 · 581
toska
Rebecca Gismondi Aug 2016
I saw two grown men cry this week.

heaving their bodies, weighted with wails

my father with guilt burrowed in his gut
live streams his tears asking anyone for
answers to fix his sick son

my lover wishing to be shattered into dust,
logging each passing thought in emails
parceled with regret

I carry them;
I bundle and swaddle and embrace

I light three matches for each of us,
the flame kissing my index finger

we are one

in the ember I hear

we have taken only one family vacation
I wanted to cut off my finger and send it to you
you promised to protect me

my father is martyred
my love is sleepless
these are my men

and although this week I have had
black thread weaved underneath my skin

and I have carved out my name in my stomach
with worry

and I have been swallowed whole by the memory of
my favourite small town in Long Island

he is black
he is in a drought
he is marred too
Rebecca Gismondi Aug 2016
I want to fill your mouth with pennies

I’ll pull your intestines out with my teeth

your hands are cacti,
your eyes rolled backward
like your rolling papers over kush

I am a cricket,
you are a size 11 shoe

I am click bait for your insecurities:

“self-deprecating,
emotionally vulnerable Canadian
seeks love and fidelity”

am I enticing?

I sat at your window and waited
to see you come up the drive

I am fiction

at the lake where I spent my childhood
you pressed your cheek to the sand

as I held the hand of my 6-year-old self in the water

you left yourself in my mouth
and I am still picking out your remnants
from my teeth

I see no better solution

than to hack away at my joints

and mail them to you

with the note,

“I share this with you”
Jun 2016 · 724
high fidelity
Rebecca Gismondi Jun 2016
top 5 things I miss about you:

1) the sunburn on the back of your legs
    the
    way you flinched at the touch of aloe;
    peeling off your skin
    layer by layer

2) dancing high in your room to Pulp Fiction;
     trying desperately not to wake your parents,
     standing in your
     driveway as minutes feel like hours

3) our horrific inability to take
    a single good photobooth picture

4) driving
    driving home from the beach,
    sand
    coating your mats
    sitting in cars writing poems,
    while you wrench tires underneath me
    pulling into parking garages to photograph
    torn stockings against the car’s blue
    exterior
    your hand on my thigh driving back from Ludlow,
    as I am fast asleep
    breaking your backseat as I ****** myself into you
    you naming it after me

5) your drunken texts;
    your colloquial musings at 3 a.m.
    your
    professions,
    your proclamations
    waking up your grounded words,
    despite your swaying body.
  
    I long for your surprise pronouncements
    while I sleep alone 551 kilometers away.
May 2016 · 562
24 to 25
Rebecca Gismondi May 2016
“please be as
big as your space.”

shelve
every moment, big or small for all to see
consume sushi burritos, ice

cream tacos, disappointment and success
you are both the product of your upbringing and
the slick Toronto streets:

your inherent judgement your guide
slide breath into books
and memorize landscapes

and capture soundscapes both mundane and enigmatic
ensure both shoelaces are tied
blazer pressed straight

ensemble thought through;
never neglect finishing touches
absorb Toronto skylines from an Ossington rooftop

walk through frayed soles until heels become flats
leave yourself enough buffer time after clocking out to say
yes to lakeside movies

be here now
May 2016 · 617
hozhoni
Rebecca Gismondi May 2016
“the beauty of life as seen and created by a person.”

we draw shapes in

steam on each other’s backs

worthwhile chatter and brave silences between us
our home is wood-paneled and

rehabilitated

tell me you love me in the kitchen
between hot breath and under salt water moons
pull exoskeleton from steamed baths and sunshine beds
sleep soundly on chests;

your moon and mine are the same, the same sky

I long to
crawl and lie in the hollow between
your shoulder and collar bones

sew roses on your jacket

I’d pluck out all my eyelashes so all my wishes
were yours

slide under my word covered sheets
hear my thoughts as you duck under them
of all the songs I’ve heard, yours is the most tantalising
even in a snow covered maze I’d find you

heaven is coming home to you at my table with a cup of coffee.
Apr 2016 · 454
osculate
Rebecca Gismondi Apr 2016
that summer I tasted music for the first time
I loved a boy who said my knees knocked together like

commuters during rush hour
in his eyes were waves against Barceloneta
and

he slid lyrics in between my ribs at every traffic light

when we made love I saw sound
and

his breath coated me

like varnish

I dreamt I lost him between books at the Rylands;
sliding in and out between hardcovers
I found him soaking

in a clawfoot
masked in steam, coaxing me to slide in

there is a bustle of him in the square,
gradient beard and all

I visit it when we’re apart

despite the stone,
I feel his warmth
Apr 2016 · 381
nebulous
Rebecca Gismondi Apr 2016
you look purest in blue light
I sway constantly between self-assured

and broken hearted

every question I’ve had covers my walls
your answers arrows
tied with affirmation

I’ll fill a room with photographs of us when I tell you I love you
catalog every expression
why am I calloused and you so smooth?

promise me you’ll fly me to the moon
I’ll hand paint golden flecks in your eyes

will you maneuver a tweezer through my pink matter –
**** out the burrs?

slide your hand on my thigh
while we drive into Brooklyn

I’ll push myself off screen when the fear takes over

pull me in
wrap me
I am yours
Apr 2016 · 768
tub
Rebecca Gismondi Apr 2016
tub
bubble up to

the surface.
your perforated skin swallows
my wayward tears
I sit in vivacious waters;
your eyes my captain.
your

beauty is kinetic – yet stillness becomes you.
I’ll read one more poem before you uncover the core
of my shriveled

skin
each time we step in, our waters are forgiving –
scorching only patches of us while I rub out the redness with ScarGuard
in our waters:

you grow three bubble beards
and I
submerge myself under running taps
and we coat our lips with soap to press against each other

your every angle catches light

I’ll swaddle you in terrycloth and carry you
to save you from the raging jets –
our former trysts swirling down the drain
kiss me so the heated water will go from you to me
I’ll disappear beneath the surface to guide you up

find my tender hands in this hollowed mould
Mar 2016 · 2.5k
limerence
Rebecca Gismondi Mar 2016
if I could be any one of your body parts I’d

be your fingertips.
when you break my gaze on screen, I yearn for it like

a lost child.
keep pushing others out of the way at aquariums so I can
touch the stingrays

and nudge my calves with your nose when you
want to be brushed

I promise to always remember where your car is parked,

if you let me keep that photo of you as a young pilot
in my pocket

in public spaces, we fill the

air between us with supernovas.
you are Sirius
you are the lobster
you are the look across the room at a party;

feel my phantom hands on your shoulders
I’ll crawl into the nape of your neck and make a home

plaster myself across your skin so you can find me

in the grooves of your hands
I’ll sew my words into your sheets so you will never be without them

promise me you’ll comb out your tangled hair if it gets too much

and wait for me by the Whitney
as I walk 341 miles for you.
Feb 2016 · 675
flood
Rebecca Gismondi Feb 2016
animal heads float above the surface

sheep’s matted wool and dead rats amongst the debris

worst rainfall since 1911, and

I am all alone.
the confines of this bucket dig into my lower back
and wet metal indents my calves

I hope you, too, have a bucket
my love

for although your legs are sturdy
you cannot hold yourself above the roofs
the plaster walls breaking off and sticking to your skin,
imprinting

memories of others onto you

but remember:
the crème brûlée at 3 a.m. after you returned from the docks
and the drunken dances in the kitchen to BB King’s voice

maybe my wedding dress is drifting

between the gardens and
I can wear it when our buckets meet somewhere along this natural disaster
-- the fragmented filled canal --
and you would immediately recognize its bell sleeves

amongst the damp wood
and loose shingles
Feb 2016 · 693
lycanthrope on Lexington
Rebecca Gismondi Feb 2016
gnawing

at my lapel, you beg for me to stay

you push me further onto the pavement on Lexington
and your hot breath

glistens on my neck.
“you’ve changed,” I say,
as your eyes lose colour and hair sprouts behind your eyes

I used to sit on your chest and
paint your body with my favourite

colour
and you would carry me on your back
so my feet wouldn’t be wet when it rained

but since the full moon
you hover above me while I sleep
and your hairy

hands feel foreign on my body

and here, on Lexington, my new silk dress is ruined

no more thrashing
no more howling
no more public indecency on 29th and 9th

“you’ve changed,” I say,
as I heave you off me
and grab my bag off the floor
Feb 2016 · 1.4k
February in New York
Rebecca Gismondi Feb 2016
two MTA

workers play invisible baseball across platforms at Union Square

the runs in my tights mimic the skyscrapers
whose marks I see across the black sky from the rear

window while he ***** me in the backseat of his Audi

an alley in Brooklyn,
the threat of a subway slasher,
the likelihood of getting lost,

but the questioning by tourists for direction

if I say “I am one of you”, it

discredits my memories here:

[pumpkins on 34th in July
kisses in bathtubs in Meatpacking
top of the Whitney]

but I am not (yet) one of you:

impatient drivers,
L train riders,
rainbow bagel obsessers

I still feel a hand grip my throat when walking down 5th
and throw my bones off the Chelsea Pier
before I spend 11 hours wondering why I haven’t yet committed myself to you.
Jan 2016 · 2.0k
3 months in Europe
Rebecca Gismondi Jan 2016
coffee tastes better in Spain

a simple hello is groundbreaking

comfort can be a warm bed or a “like” of a picture

the cold is different in the UK (you can feel it in your bones)

they will always give you a knife and fork to eat a hamburger

sometimes you need to eat at a Hard Rock in Lisbon to be reminded of home

if you eat the bread, they will charge you 1€

crying alone in a hotel room or at a Chinese restaurant in Italy is perfectly normal

never doubt the power of distance

now you can never say you didn’t try

just because you don’t speak the same language, doesn’t mean “*******” isn’t universal

sometimes sleeping next to someone who peeled your outermost layer off is the most intimate you need to be

“I’ll never see these people ever again”

have pride

ask me now what it is that I want

I have come to loathe all brown bags and black suitcases

vulnerability does not necessarily equal intimacy

remember that you pulled yourself out of the sea

your feet tread castles and cathedrals where thousands walked

art galleries are best enjoyed alone

now you understand when mom and dad don’t answer how agonizing it is

write it down if you want to forget it

acknowledge buried truths

eat paella and shnitzel and pizza and fish and chips and don’t think

go to movies at the tallest cinema

slip a little on the cobblestones

lay for hours on the beach

then

go home
be humble
remember
reminisce
teach
embrace

Glasgow – 1/8/15
Jan 2016 · 569
anoesis
Rebecca Gismondi Jan 2016
I peel

away the enamel mask from your hollow bones.
when the bullet hit, you

said it felt like “a glass
bottle dropped into a porcelain bathtub.”
I mould a

foreign flesh around a sunken cheek,
and you wish to still make love to woman
under a willow tree

and run into a tattoo
parlour to engrave moments across your chest
your breath escapes between your porcelain teeth

glancing over at the wall of borrowed expressions,
you ask which one will

be yours,
covering the blemish.

I paint a new disguise for you:
afraid of water
fond of caves
enamoured by hurricanes
down to delicate hands

I hope it fits

I hope to see you buried in this mask
and not by a second shot
through the skull to gray matter
below the surface of your skin.
Jan 2016 · 943
atelophobia
Rebecca Gismondi Jan 2016
it rained the day after Christmas and

you said you’d prefer snow.
it reminded me of London

so I kept my mouth shut and pushed your hands
further between my legs.
“eat my pineapple,” I instructed
as the *** coated my tongue.
“carry me through

the tiki bar and do pushups in the empty
space while I brush my lips on your temple.”

we were married on the corner
of Queen and Dunn;
our officiant on one knee, clad in blue knit
I

never thought I’d be here.

across oceans you recessed
further into my insomniac brain.
your eyes are green, right?
turn around:

it’s less romantic if there’s no eye contact.
track our distance across my sternum --
I’ve never been to Azerbaijan.
I took advantage of the fact that you were wearing black
and forgot to outline my
shape in chalk.
Nov 2015 · 976
august long weekend
Rebecca Gismondi Nov 2015
I couldn’t

be further from the truth now even if I tried.
We broke up

on Sunday and one week later, C tells me that a moon is now

orbiting her planet.
When we were young, I would always complain
that she was growing faster

my breath was taut
the rain was enraged
and the car was thick
and she had thought it through.

and on Night One I drank
myself from Tiny Beaches
back to Toronto
in my mind
to see you

and on Day Two, C swelled
at the sun and I remembered
our summers lining Queen Street
to see famous faces in June

and on Night Three:
a strummed aria,
twelve cigarettes,
mason jar tears,
warm bodies
and bear rugs.

C was too tired to drive home
the apathetic sun
and foreign limbs pressing
behind her eyes.
Nov 2015 · 1.9k
aeipathy: a trilogy
Rebecca Gismondi Nov 2015
I.
you never saw me in winter:
shearling fur and kettlebell boots
my outer crust cracking from one step outdoors.

I wear socks to bed
and smoke Belmonts to cover
my breath with toxins
instead of you.

II.
I never wear pants when I’m with you
mostly because I’m hoping to re-enact me walking
over the Millennium Bridge
in May.

if the wind pushed any further
up my skirts, it would force my lungs right out my throat.

my hotel room called for us
but you were on a plane to Norway
and I was in my head.

III.
the last time we had ***
you told me you’d finish me off first next time
but I’m always like your backup song for karaoke,
in case someone takes your first choice.

you never:

acknowledged that my rice was shaped like a heart
and yours like a star at dinner,

ask me what my tattoos mean,

but always ask me if I’m pregnant.

you’re a roll of film that needs be developed but
I keep smearing the edges with my fingers
and scanning the red light over myself.
Nov 2015 · 589
rantipole
Rebecca Gismondi Nov 2015
making do with what we had, we rolled dank ****

into receipts from the bar.
For once, I wasn't worried about getting

caught smoking in a bus shelter.
I fixated on the cheap shots of tequila
and this paper joint
and heckling overdressed blondes
on a Sunday night in

November.
**** "cuffing" -- latching onto a person for warmth and
intimacy as it rolls into December.
For now, I'll stand against this graffiti wall while those

closest to me take ****** iPhone pictures of me
covering my face.

For now, I'll walk up Bathurst
and discuss whether or not beards are a dealbreaker.

I'm picture-locking every look,
every turn
and sound

One day I hope one of my closest
calls and says:
"Remember that night when time stretched out?
Our three sets of footprints cemented a time when we were
in our bodies
and not in our heads."

We left our heads on Queen Street that Sunday.
Oct 2015 · 845
elysian
Rebecca Gismondi Oct 2015
you said you came twice but I
never felt you tighten around me.
I

wish you would look at me when it happened so I could see
what you looked like when
you peaked.
I couldn’t take my

eyes off your ribs as you
pushed each breath between
the bones.
You look happiest when you face away from me.

I’ve counted the pale hairs on your arms and I know

exactly what you look like the moment you fall asleep
but
you’ve pushed me into corners at parties
and
you hit me with a pan last week
and never apologized
and
when I tell you I miss you, you say
“How? We just spent 5 hours together.”

The first time I saw you
you were sitting in an empty bathtub,

a beer in one hand, and frat boys smoking joints around you

you said you’d never seen Star Wars
and you used to catch moths as a child.

You repeated my name twelve times that night
while I grabbed your hair
and your nails carved letters into the bark of my body.

Your face pressed my chest
and now it presses a pillow.

Your sighs sound exhausted,
not exalted.

I told you I loved you and
you said
“That word is used far too often.”
Oct 2015 · 800
thanatophobia
Rebecca Gismondi Oct 2015
The

parlour empties after the third song.
You tell me

you need a cigarette and dump the accordion on my lap.
The fog seeps in as you

open the front door
and I worry because you’re wearing black.

I worry because you’ve never offered me a cigarette
or asked

to go for a walk at midnight.
The champagne sticks to my fingers
and I wished I’d grabbed your hand
and said
“I’ll go with you.”
Oct 2015 · 768
common sort
Rebecca Gismondi Oct 2015
the musician on stage in front of a

rack of shoes looks like you,
although it may be

the fog of the free beer.
It smells like the 70s and even though I
never experienced it firsthand,

the red velvet pants on the rack next to me
take me back in time.
Surrounded by a trio of girls in striped shirts –
the three blind mice –
**** on lollipops
and there are too many jean jackets to count.

I can’t stop thinking about my arms around your neck
on a park bench

let’s go to Niagara Falls, or Pompeii

there are some soaps in the shape of fingers at the store next door
and I can wrap them around your arms
while we listen to Born Ruffians
and they’ll sing:

It ***** when you find someone
but they don’t find you.
Sep 2015 · 1.4k
nocturnal
Rebecca Gismondi Sep 2015
you

tried on my suit that night to
“see

how much space you took up” in it
your yellow dress looked like a hazard in the

moonlight.
turn head once, twice
your slight hands, like china,
foreign now.
In January, you tasted like cinnamon.
Now, in

August you taste like wheat.

You fold my sweaters like packages
and always offer to peel my oranges.

To you, attacks and bombs have rendered me incapable.

My mind is your Brillo pad,
and like my suit -
overwhelmed and ill-fitting -
I don’t see you in it.
Sep 2015 · 635
s.w. & the apple
Rebecca Gismondi Sep 2015
the first

time I taste it is on the subway going southbound to Osgoode Station,

red as sweet and sour sauce, incandescent and pure.
You hold it to my

lips and watch as I inhale its bitter air.
The last time is one hour ago,
when you push me to my knees and force

it down my throat.
It tastes like cotton.
You look at me with eyes like a disapproving parent
and I scrape away to its core.
I feel

the acid slide down my throat as you shove me
over the couch and watch me writhe.
Your serpent.
I wear the same blue and yellow dress as the subway ride.
It gathers at my hips now,
as I clutch at my throat
and look at my prince.
Sep 2015 · 646
bourgeoning
Rebecca Gismondi Sep 2015
a schoolgirl found me in
High Park with my hands
clutched to my chest
on a red

sheet, under a dead cherry blossom
the dress I was wearing was
the one you gave me to celebrate

our underwhelming tax rebate
and the fact that I was eating again
the examiner said I looked
apathetic,

like dying was the next item on my to-do list

I could have sworn I had only taken
                           2
                         (22)
pink

ones to match the blossoms
the *** sleeping on the bench was my new best friend
and the barista at Starbucks asked for my name

and I realized
I hadn’t been asked that in months;
                       my name
                      my blood type
                      my ETA
what colour was the mole on my stomach?
and when did I first learn to

ride a bike?

the last time I smiled was
June 17, 2013.
In the paper they put a picture of it
and wrote “Woman Found”
they should’ve put a close-up
of my hollow eyes.
Sep 2015 · 1.0k
study for abortion
Rebecca Gismondi Sep 2015
like the

Rialto, the Grand Canal flows underneath me.
Even as I hold my back

in my hands, I can no longer support my discretions.
Sixteen.
Twenty-one.
Thirty-three.
How

did I have the space?
You would think it would be engraved across my pelvis:
“wrap it up”
before you
hold me down

I ran with lit matches as a girl,
waiting until the flame kissed my thumb and forefingers
puckered pink under the surface.
I enjoy the boils left

behind by my recklessness:
every bruise from a fence **** and
every pebble-sized bump from my head
hitting the roof of a Camaro
sat underneath my skin,
just like Lil’ A
       B
       C
and I can lie flat
as the canal rushes over.
Sep 2015 · 1.8k
thalassophile
Rebecca Gismondi Sep 2015
bare chested and open to the sky, I wish I knew what

it felt like to see the future. At this moment, all I know

is that the rocks are making grooves in my shoulder blades
and my ******* may very well be burning. It’s time to turn

over; try facing the earth and be captivated by ants
traipsing across the rock.
Minutae.
Mundane.
The tide may swell over and engulf me, fresh, to rock me gently

maybe underwater I’ll catch a glimpse of strong words
or the place where I die.
I’ll see my lover amongst the seaweed
and our children laying in shells.
But on my back, by this

sea, I hear friends praising each other in French
and see the sun’s outline when I close my eyes.
I am still 23 with purple fingernails and shaved legs.
I am no closer to the water.
Sep 2015 · 550
sperlonga, naples
Rebecca Gismondi Sep 2015
you almost drowned that day, as we drank

in the sun by the coast. I mistook your flailing

arms for ones of praise, for the ocean smelt like safety.
I was selfishly tempting the rays to coat

me with a new skin, while she braided her salted hair and
you inhaled mouthfuls of souls lost at sea. When rescued,
all you said was:

“What a day.” And yes, the sand absorbed with ease between our toes
and the waves’ tantrum ended –
but it was the day. We became women who had to put on sunscreen

and eat three full meals and
lie in bed for a day after heartbreak.
My skin was coated with rules and reminders
and her hair was braided with questions
and your lungs inhaled fear.
We were different.
based on the painting "Les baigneuses" by Pablo Picasso
Sep 2015 · 735
pork rinds
Rebecca Gismondi Sep 2015
based on the painting “Prince Pig and The Second Sister” by Paula Rego

my hooves meant nothing

to her. She sat in my lap and stroked my chest
as if she was the

prince. It took everything in her power to reassure me
that I wouldn’t be slaughtered in the morning, but she looked
past me – an empty

gaze. Come dinnertime tomorrow I would sit on a platter and
she would feed off of me with an apple stuffed in my mouth
and a knife in

my shoulder. On some level, I cannot blame her – her hair is
caught between my hooves when we make love, and my grunting
keeps her up at night. She is worthy of soft fur

and slender fingers. I am desired, but only until I am fat enough to eat.
Her legs tighten on my hips but she is cold, like the chamber where
my blood will drain.
Sep 2015 · 1.0k
three years
Rebecca Gismondi Sep 2015
I. Café
the waiter has the kindest eyes
when he goes home after his shift he probably finds coffee beans tucked into his pockets
the whirring of the machine doesn't faze him as it did when he first started
he has become accustomed to the grooves of wood and the abstract art above the bar
he glances at the clock every hour on the hour, counting down the minutes until he is released
catching a glimpse of his face in the mirror is a reminder he exists
every time I see myself in it, my eyes disappear from reflection
I wish I spoke Portuguese – these tourists behind me make me embarrassed to be English:
man, loudly: She wants ORANGE JUICE!
waiter nods – such patience
for a moment I think of what it would be like to go downstairs to the restaurant
past the mahogany wood and chessboard floor
and **** on one of the tables
the next patrons would have no idea they were eating off of passion and stunted breath
“Enjoy: homesickness tossed with overwhelming contentment and a dressing of lust.”
I could drink every bottle of Campari, Bacardi and Jameson lining the wall and I still wouldn't have the courage to tell him how kind I think his eyes are
I really want him to drape me over the golden chandelier so I can be reminded of what it feels like to have an all-seeing eye
he has such routine with the way he places sugar packets on plates and lays them down for sleep-deprived and cranky patrons
maybe I should've ordered something
we should have an object at each corner of the octagon table – a spell, a hex
I need to be fed pastries to continue breathing
I would like for him to walk me home
it's just around the corner and I know its name and number are marked on the street but I have a terrible sense of direction
one false turn and I may end up in the water
and I won't ever see the waiter’s kind eyes again.

II. Ruins
if you held me the way you held that camera I'd melt into an exalted sigh
you told me you only take pictures of things you love but you never took any of me
I mean, I know the height and decomposition of this building is breathtaking but I could give you some air if you kissed me by the rusted trellis
your orange sunglasses look ridiculous
I would rather drape you in a cloak, like the Statue of St. John Nepomucene
two bells, like us, drone
as you speak, the sound of the Chinese couple is louder:
“We should go into this room… filled with artefacts…”
“No, here, let's stay…”
******* for saying you're leaving.
I have the urge to pound you with one of those rocks on a ledge so you are trapped here
“Can you imagine this place filled with people?”
you wouldn't belong anyway
you have no affinity for red tiles scattered amongst grey
or the all-encompassing silence of the venue
there is a concrete slab on the left where I could lay you down and take off those glasses
and pour myself into you
so you would take pictures of me
so you wouldn't move to New York
I can't fathom people filling this place
because it should really house two souls instead.

III. Mirador
the number on the floor by the fountain is the amount of times I've said no to you while standing out here
I'll tag another 0 on, just to be safe
the red roofs look like my skin after I've sat all day at the beach at Sperlonga
you almost drowned
your footsteps on the gravel are ominous and even when I look through the telescope I can't see you
I pick a point on the horizon – the blue cubist building; the odd one out – and stare blankly
that guitarist playing “Oh Darling” reminds me of the first time you called me that and I want to smash it so violently
I find myself staring at the trio of scruffy young bearded men instead of you
“What are you saying?! It was at least this big…” one of them says.
he looks like you but the you before you moved to New York
you lean on the upside down heart iron fence and say for the 15th time that you still love me
I'm pushing you over the fence now onto the path below
the garden will still look lovely after you fall
instead I pick another building – pink with white windows and a black roof – and stare
it blinks its eyes and speaks: “Leave.”
you're in the middle of saying how much you loved the fish last night and I break:
“I'm gone.”
Sep 2015 · 1.7k
the pelican
Rebecca Gismondi Sep 2015
based on the painting “Loving Bewick” by Paula Rego

He would feed me sardines perched above me
every night before we ****** in the big white lighthouse

I never bled more than I did that summer;
his beak digging into my back as I pulled handfuls

of feathers – but I loved the thrashing of his wings
and the uneven wood beneath my arched back.
He covered me when

we finished and I could smell the oceans he had swam
over on his neck. In the morning, he would open his gull and I

climbed inside as he flew me back to the city.
He would never let me sit atop his back to see
the flush of green or the meeting of mountains. Only inside

his mouth did I belong. I wished more than anything to be
a sardine – to be dangled above others, to have their adoration
proved to me before I slid between their teeth forever.
Aug 2015 · 1.1k
Georgian Bay
Rebecca Gismondi Aug 2015
we ran out of gas as we pulled
into the marina
and I thought
“how lucky it was
we weren’t stuck at sea”
it mimicked the moment
you called and said
“I didn’t feel how
I was supposed to.”

the dog was stepping on my toes
on board
and
the bare-chested captain
bounced me out of my seat
going parallel along the waves
the salt air kept catching
in my throat
it felt like your hand
was still clasped around it

I am at ease knowing
that sardines don’t swim
in these waters
I wonder if your fish pillow
swims sentinel –
no school surrounding –
watches you scroll past
pictures of my naked figure
with newly acquired tan lines

I am shallow water:
feel comforted knowing
you can wade in up to your knees
and not get in
too deep.
Rebecca Gismondi May 2015
I.
I think you would look brighter with a fresh coat of paint –
a pale blue would suit
your face looks red,
like someone described to you
how you looked in your skimpiest underwear,
like he used to say how much he loved
pushing down on your hips,
melting you into your aqua sheets

II.
the cherry blossoms look promising this time of year
I feel a longing to chop them down
and press them into all the books I own
I promise you that I will comb my hair 100 times in return
I will iron out the stretch marks on my skin –
I won’t pull at it, I promise!
stay vibrant

III.
in the middle of the night,
while I am surrounded by strangers,
home will call and exclaim:
I made fresh scones
and the smell followed me all the way to the top of the tower!
and
I finally took two steps
towards the German shepherd
that terrorizes me on the way
to Christie Pits!
and
he told me my eyes were like
the blue of his favourite childhood jean jacket –
he told me I felt like home.

IV.
my two brothers might have long, swaying limbs when I touch down
mom’s arms might wrap three times around me
she will say,
“I love your peonies growing the length of your spine”
and water them as I lie on my stomach
dad will have feet made of concrete
but his body will still be like palm leaves
I will have to laugh at my own jokes
and ice my own bruised knees
for a while

V.
above all, I wish for the following:
sturdy legs that don’t give out after I’ve walked the length of a strange station
searching for a runaway train
a glimmer from the sweet Parisian rain and the blissful Spanish sun
a new set of lenses with broad castles and rough cliffs and extensive oceans
a jar full of foreign voices, bright smiles, truths
and the fullest heart –
I hope to find me.
Mar 2015 · 1.3k
three fortunes
Rebecca Gismondi Mar 2015
5 8 15 20 24 29
SoHo seems nice this time
of year; although I am terrified of going
anywhere near a city that holds you in its hands and above me, too high
to me, you are New York. but when I walk down Central Park West my shadow clings to my shins
you scrape my skin with your breath and I feel hot July air that is trapped between your buildings – these subways are too stifling
I will let you lift up my skirt like he did, but only because I know that it’ll rain heavily the Chelsea Pier after.

1 17 23 25 41 47
Churchill
I think my eyes are permanently squinted; agonizing over the shape of your eyes and how they
relate to mine – even in the light you’re missing pieces, your rocks are crumbling away, you are sand – your grains hold words –
unmentionable, special, temptress, miss, you, nothing, work, in my dreams, diffuse, instantly, affection, with, you, stuck, darling, attention, far, vivid, feather, waking, wasted, sweet dreams, worth, wish, awake
I always feel my conscious wrap her delicate hands firmly around my throat and pour salt water into my eyes when you are in front of a screen, in front of me – I think maybe I should cut pieces of me
could I mail them to New York? to SoHo? you can curl up with them in bed and try to find the grooves where you fit in, or just fry me on the grill. Ideally, you should consume me so that I may never leave. only if –

15 18 30 32 40 42
I’ve been pinching and piercing my skin to prevent me from crying more often than
I sleep. I know it’s morbid and dramatic but being slaughtered by tears is not how I want
to spend my Saturday night. I’d rather see Basquiat on a wall or short films screened while I watch you instead. I would walk until my legs gave out and
trace one single finger along your spine. And here I am, grasping my skin between my fingers and pinching, squeezing you out – I can just scrape the excess off after you’re gone
tomorrow I plan on eating as many seeds as I can to grow flowers in my throat and have them sprout past my eyes so all I see are petals. They’ve been missing for a while. The weeds still cover
my stomach. If only when I thought of you I thought of flowers. Most of the time I see a hand reaching through the thickest fog. As I reach for you, all I hear are 35 words that cover me.
Jan 2015 · 577
give me your mouth
Rebecca Gismondi Jan 2015
I once knew a girl who dragged cheese graters across her ribs
just to hear them clatter against her skin
she would repeat on end:
if you hold your hand out the window long enough,
something might rip it out of its socket

when she was young she would poke the pin of a poppy under her palm on the 11th
and jump from one barrel of hay – she flew for three summers;
someone came one night last month and clad her in stone
her face was pressed in a pillow and she didn’t scream.

she pulled her nail back farther than it was meant to
she was told she’d see a map of her thoughts underneath
she just saw the marsh where the grass used to brush her
-- the pussywillows

if you push a button she will slide down a conveyor
right in front of you
you can take her clothes off with your teeth
put your ear near her mouth to feel –
proceed

a zoetrope of faces, bodies
if you press hard enough you might see
her blood line pulsing
if you find it, track its beat.
Nov 2014 · 499
Os
Rebecca Gismondi Nov 2014
Os
I am searching for my bones;
fissured and brittle,
scattered haphazardly amongst full, upright skeletons
between the hairline fractures lie Polaroids of moments,
I slid them between the spaces so they wouldn’t fall out,
I took the sharpest point of lead to all the surfaces and traced the pattern of our descent;
– mine,
have you seen my bones?
I am sifting through dirt and sand to find them,
through shrub and bush,
through strewn sweatshirts and muddy shoes;
the archaeology of my body is missing,
I am weathered;
decayed and holed
I give each bone away in the hopes that maybe later it may be rediscovered
I gave you my wrist for you wanted to write upon it how much you want to hold on to it
and I gave you my pelvis to grasp and grip as I feel yours slide against mine
and I gave you my foot to pick up and place where I should be.
I feel extinct –
do I exist without that which holds my mass of muscles?
I collapse under their weight
I strung up my fingers and hung them around your neck to feel them on your chest when I couldn’t
I broke off that rib and moulded it around your coffee cup to see every morning when you inhale its bitterness
do you read what’s written on the fissures?
I know my writing may be illegible but you must strain, as I did, to see –
those Polaroids are fading; the landscape of the ocean you once photographed is disappearing into white
I am aimless, frameless without them
I am searching for my bones
to gather,
and pile
all in one pit;
a hole of calcium:
built, hollowed frames
and take a hammer to them all;
a mallot,
send shards of bone soaring
I cannot have them in my possession,
holding my poor structure,
my amorphous figure,
and neither can
you.
Oct 2014 · 1.1k
Cluster
Rebecca Gismondi Oct 2014
you are post-apocalyptic
cluttered with debris
ruins
under siege,
destructive.

you are filled with nothing but smoke,
I fight for you,
search for one flash of light,
for one hidden memory of brightness within you:
the lights are gone at Yonge & Bloor
the 501 to Roncesvalles has disappeared
the condo showroom at King and Blue Jays Way
is no longer filled with your hands on my hips.

you are empty,
vacant,
save for the souls of those who choose to remind me
of days long forgotten:
a hand grasped at Harbourfront,
tears littering the patchy expanse of Bellwoods,
your laugh at Queen and Dufferin.

you are a nightmare;
a poltergeist,
you are breathless
and soulless
and hopeless:
nothing

you are cavernous
Toronto –
so encompassing,
you will cut me in half
before I heal
and gain
the desire
to fight
to stay.
Oct 2014 · 619
11:11
Rebecca Gismondi Oct 2014
I’m anticipating the day when I wake up with no eyelashes
or when the four ones of my clock turn into two’s
or when all the stars are reabsorbed into the blackness of the sky
because I’ve used them all up

I’ve tied a wish around every lash, number and star
and sent it off into the space between us
in the hopes that you have done the same
and our wishes will collide and be real;
tangible

on those four ones, I wished that
tonight,
more than any other night,
I could hold you in my arms
in my bed, or a bath, or a fluorescently lit parking lot,
and melt you into me;
grasping at your red t-shirt,
inhaling your scent
tonight, more than any other night,
I wish I could run across the distance that separates us
and just simply touch you,
run my fingers across your skin
and feel you flutter and sharpen when I reach your heart

all the fibers of my lashes;
tiny hairs of my DNA,
are covered with wishes
to see your whole body move in sync with your voice

and all the ones are wrapped with the hope
that I can see the expanse of pink and purple sky sitting next to you
and to no longer look at the same one together
but from afar

and those stars only brighten when I think of
how badly I want to kiss all the words and symbols that cover your body

but
I only have so many lashes
and maybe one day my clock will skip the ones before I can see them
there are only so many stars that remain
so I only have so many thoughts
and hopes
and wishes
to attach them to
before soon enough,
I will only be wishing on blank stares
and ticking stares
and tar-coated skies

I only wish on these because I can feel the memory of your escaping me
some days I can’t remember what your laughter sounds like
or how your fingers felt across my back
or how your voice quivered when you asked to kiss me
those moments are escaping me
and I want to be reminded
I want to expose the film of all the photographs I took in my mind
of our time:
T.O. and B.C.:
you and me
and I want more than anything to take more pictures
and record your laughter
and put paint on your fingers as you drag them across my skin
so I am never apart from you.

and so my lashes and ones and stars are laced with thoughts
and hopes
and moments
with you
to come back
to be near
to envelop me.
Sep 2014 · 631
Lessons I learned from 22
Rebecca Gismondi Sep 2014
Lessons I learned from 22:

1) You may be a cat person, but that doesn’t mean you love everyone’s cats. This is simply an indication that you should never take your cats for granted again.

2) Lobster grilled cheese sounds fantastic to celebrate a new year, but if it leaves you up all night in agony: don’t eat it.

3) If a guy calls you up and asks you to come over and **** him on his half hour lunch break: don’t do it. You are not a ******* and are worth more than a half hour.

4) Don’t ever go back to places that take you out of your body and back into your head, replaying moments that once were vibrant but are now clouded with noise. Don’t ever set yourself up to feel your skin boil or your eyes shift back and forth between the spots you once sat in or, or kissed in, or fell apart in. Instead, surround yourself with bright lights and warm fires and laughter because you must always be reminded of everything that has built you up and not struck you down.

5) If he burns a hole through your stomach, he isn’t worth it. If he makes you worry over the smallest text back, he isn’t worth it. If he hates that you dressed up for him and “no one comes here in anything but jeans”, he isn’t worth it. If he makes your re-evaluate your sanity he isn’t worth it. If he gives you the love you want but not the love you need, leave. You don’t deserve to have holes where you used to be.
You don’t need to avoid entire streets and parks and spaces because you see his ghost there.
You are allowed to inhabit this place you’ve called home without fear of shattering.
He is worth nothing and you are everything.

6) If you slay yourself open and paint the pages of your books with your blood and breathe heavily into the ink and produce something that makes you proud, than that is worth its weight in gold, pearl and sapphire. Do not allow one person or group of people’s words undermine the guts you have to put yourself on display.

7) If she holds your hand and then severs your limb, allow it to grow back but never to fit in her palm again.
This goes for all limbs.
She cannot squeeze your hand tightly with the intention of reminding you of your self-eruption and then expect to tenderly caress it with words of apology.
If your limb is gone, then so is she.
You will grow a stronger one in its place that will be impenetrable.

8) Sometimes you have to stand in front of a wall inscribed with all of the worst things you have said and you must read them and ingest them and take account for all of them. Even those said drunkenly. Because those worth belong to you and you can’t walk away from them. Besides, they will be a reminder of how ******/******/annoying/****** up you can be.

9) If you look into the future and see no image of what are you are doing but see where you are and who you are doing it with – that is happiness. That is your goal. The missing pieces will turn up later, maybe somewhere you didn’t expect.

10) Your family is your ultimate confidant. They have seen where you have come from and will unapologetically support you and carry your weight when you are nothing. They will wait in the ER with you when they have to work at 6 the next morning, they will drive to your apartment to pick you up and feed you your first meal in 4 months, they will remind you of what you were and push you back to where you came from but encourage where you’re going.
You are transparent to them and that is only good for you.

From 22, and now for 23:

1. Swiping left on a superficial app connected you with the person who now consumes your thoughts. The person you want to share grilled cheeses with, whom you want to take to your favourite places, and the person you wish more than anything to call your own.
He sees you. His glasses only shield him from the light he shines on you. Don’t forget to look down from the pedestal he has put you on. Feel the crown he has bestowed upon you.
Don’t think of the distance as a curse but as a blessing.
Don’t think of time as expansive but as a succession of moments built up until when you finally see each other again.
He is an anomaly, he is air, he is a sunset.
More often than sometimes, I say go for it.

2. Although you might not want to admit it, the energy you have put forth out into the universe has finally been rewarded and you need to grab onto it and turn it over and over and examine every crevice and inch of this place you have dreamed to go to and come back with exhausted eyes from seeing its landscape and your fingers bruised from feeling its people and your breath elongated from speaking your truth.

3. Don’t be afraid of switches being turned on and off and people entering and exiting and being pushed out of a wardrobe and into a new room you’ve never been in.
You’ve never been good with change, but you should embrace it to continue your path.

4) Light, not darkness.
Replace and recharge the battery if it empties.
Leave if you feel like falling.
Go home if you forget who you are.
Laughter and dancing and lights and sparks and yes and breathe…
If you can’t remember what you look like there will always be something around to check your reflection in.
There will always be someone there to tell you the story of how you sat by a planter and made him weak in the knees.
There will always be a voice on the line that reminds you that you are a dog, not a duck, but that just means you have to work harder to shake off the water.
Always remind yourself.
Remember and read your mind.
Sep 2014 · 456
Disclaimer
Rebecca Gismondi Sep 2014
caution:
please don’t tell me I’m beautiful
because when you leave I will let the tracks of my tears stain my face for so long they will bear holes in my cheeks
and I will sit in front of a mirror and draw on it with lipstick all the features you loved but I now loathe
please don’t tell me you get lost in my eyes
because then I will have to dig them slowly out of their sockets and throw them in the ocean so I don’t drown in them
don’t tell me you love kissing every inch of my body
for then I will have to place an X on every space until I am covered in marks and no one else may ever kiss me where your lips touched that X
please don’t hold me too tightly
for when you’re gone I might have to wrap tape around all my limbs to remember what it felt like to not fall apart
don’t cook for me
even if it’s my favourite: grilled cheese
because when you disappear so will my appetite and my palette
don’t tell me you love my new tattoo because instead of a heartbeat I’ll see your name next to my heart;
the sharp and blunt sound of it causing irregularity in my rhythm
don’t tell me you dream of me
because when you’ve left I will try and sleep forever so maybe I can find you on a school bus or an amusement park in my dreams;
you’ll become a monkey
- mon petit singe -
don’t send me pictures of your face in a content expression
because it is tattooed on my brain and when you choose to go it will be a slideshow of your face gliding its way in front of my eyes
I wish you wouldn’t tell me you want me
because as soon as you said that
I wrote letters with all my stories and sent them floating to you on the lake you go to every night
and I documented my face in all of its varying emotions to assure you that sometimes you may not “want me”
and I called you – long distance;
the space stretched over miles –
while you were watching planes land
and with every word I said I felt like I was nosediving on that plane
I’m stretching my arm so far I can feel my bone separating from my muscle,
expanding across the distance to touch yours
even if I only feel your fingertips
I want to graze them;
feel the spark,
because when we met that spark was dancing around us,
taunting us, breathing us in, zipping past our faces
and I thought you wouldn’t kiss me
I thought maybe your face wouldn’t mould against mine
and I was foolish to think that this was what I had dreamt of
but you asked to kiss me
and when you did the reverb made me lose all thoughts;
I was emancipated from thinking
-- from thinking --
but caution:
please beware,
if you place a thought into my mind it grows roots and sprouts and branches and the leaves drift to the base of my skull
and I am filled with them:
you coming to me
you staying with me
you holding me
the branches grow stronger,
critters stay in there from the past
the birds carry the old memories and sit dangling on the tree,
bearing them;
new and old,
beware my thoughts
caution: do not read
but although I place this disclaimer,
I want you to rake the leaves and climb the branches
and water the roots
and sit by the trunk
and read the book of my thoughts
to absorb all my information, acknowledgments and table of contents
don’t flip through:
read
but beware:
do not plagiarize them to say to another
and don’t copy them word for word
and please don’t highlight them
my leaves are falling around you
smell the bark
and breathe me in.
Aug 2014 · 584
a Site
Rebecca Gismondi Aug 2014
a wall has been erected in front of me
“new construction, do not pass”
right now it is made of bricks and mortar,
but in the past it was made of wood and bamboo
I have slaved away, day and night building this wall,
a barrier,
in front of me
because I would rather look at bricks than my own reflection
this wall protects me from my greatest fear, which just so happens to be myself
myself, particularly, in love
I spent months constructing this wall
slathering between the cracks all the food I haven’t eaten
painting on all the brick the words I should have said
and tacking pictures of myself in different positions of aching:
curled beneath blue sheets,
inhaling scents of a ratty sweater,
and so this wall is a reminder of who I become when I fall in love
and I have been walking around, behind this wall, with contempt
with ease
because I can laugh and engage and smile behind it
but no one falls in love with me
and I fall in love with no one
right?
until…
you
a six foot small framed high-octane energy bright spark sees me
he saw me
looked through me
past that wall
an anomaly
before I felt my bricks burning at the thought of another looking at me
and the mortar oozed out when a stranger’s arm wrapped around my waist and pulled me closer
and I boiled over and erupted
and I frantically built that wall right back up
stronger mortar, rougher brick
and continued along,
I have braved the inevitable
I was free from love
yes, finally
but you:
who forget words when I speak
who challenged me to a thumb war to feel my hands before my lips
who wants to make me smile above all else
you are a rarity,
you are air finally entering my lungs,
you see me
you’re chipping away at that wall so slowly
but I am so afraid
before, if someone showed me any sign of love I would leap into their arms
I yearned for warmth and space and heat and rush
I drank bottles of truth serum and I spilled it all until I was empty
this wall never existed
but now:
when you asked me when was the last time someone told me I was beautiful, I cried
and when you told me you wanted to know my past without judgment, I cried
and when you said how you fell asleep looking into my eyes and looked into them hours after yours were closed, I cried
and my chest keeps swelling and sinking and pushing
and it is because I feel as though I am so tainted that you shouldn’t want me
I feel so much; I am a walking hurricane
I breathe nothing but fire
I no longer see stars at night
because I want love more than anything
but I am so deathly terrified of it
this familiar coat of all feelings; a patchwork of combined thoughts
I’ve worn it so many times before that it has ripped in so many places
it’s lost its shape
so I pinned it to the wall
but you,
you stood on the other side of the wall
at a distance, where I kept you
and you took the smallest hammer
and began chiseling away at my brick
and I panicked
because you said I was beautiful
and you loved my eyes
and you see through me
but I stopped myself from building it back
you see through me,
past me,
I should let the rubble surrounding my feet be a reminder of my strength instead of a weakness,
a break,
demolish me
break me into pieces until I am surrounded by dust
you should see all of me
tear down the wall.
Aug 2014 · 825
Black Widow
Rebecca Gismondi Aug 2014
let me be her
that girl;
the one you have to block from your newsfeed because even the sight of me; even the thought that I still walk around unfazed burns your skin
I wanna be that girl that you see walking on Queen West and think:
“that will be the girl I starve myself for”
I strive to be that girl who tears out all your organs and pickles them in jars,
your kidneys and spleen and gall bladder –
and shelves them on display for all to see
“these are all the hearts I’ve stolen
are you sure you want to climb into my bed?”
I am that girl whose shampoo you buy and sniff in between gulps of Jameson
I am the girl whose grin makes your bones shatter
I am the girl whose eyes make your whole body dissolve into a river,
and then you’re swept away by my laughter
finally I’ll get to be the one who ruins all your favourite places for you
I’ll be the one who makes you put barriers up, guards and gates around your heart to prevent its inevitable breakage
I’ll get to be that girl who makes you weep at the thought of anyone else loving you
I will be her
that is my goal
I don’t want to be that girl who extends her pinky and then her hand and then her arm and then is thrown forward into your arms and is held by no one when you leave
I can’t be that girl who spins tales of you and me and my cousin’s wedding or you and me, doing the lap dance from Death Proof for you, or you and me smiling for a picture in front of an aquarium with the hashtag #thisguy
I am no longer that girl who becomes a ghost when you don’t say a word to me
I am not that girl who tells you how cute you are and how ******* smiley I am when I see you
I am not that girl who gets left
no,
this time:
I get to disappear
I get to walk away and leave you for an Asian guy (girl)
I get to unfollow you on Instagram because looking at pictures of you at the ocean makes me feel guilty
I get to be pretend that I am unharmed;
that I lit the fire but I’m not becoming ashes
I get to have people tell me they want to take me out for coffee, or sit by the water, or hold my hand at that ******* aquarium
I’m that girl now –
her:
the one your fear most
because I am
a caterpillar,
a peacock,
a fox,
and you are the forest floor,
and the desert sand,
and the thinnest branch,
and I will walk all over
and break you.
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