Cross upon cross upon cross
were stacked to make the Union Jack
but with one saltire feeling salty
will Andy make Jack fade to black?

In the house by the lake
sat a man of few means.
He dwelled on his mistakes
that had left his life lean.

In that house in a place
by rippled waters’ edge
he saw just the faces
in the photos on the ledge.

Outside rang the birdsong
and the sun sent her rays;
the trees stood there strong
and the clouds went their ways.

But in that tiny home
a man just sat to dwell
to brood on being alone
and missed out nature’s spell.

While walking through a warm afternoon
that suddenly turned from bright to dim,
with blazing clouds that began to loom
and shadows grew deeper and light was thin:

My way ahead was unexpectedly barred
by an iron gate, its lock snapped shut.
It’s topped by spikes well made to ward
off hurdlers, sharpened, made to deeply cut.

Past the gatehouse, a tunnel, a fallen shelter
from the rapidly coming hard rainfall
that once was sung about by a jester
in time with a tambourine, as I recall.

It leads to a light that’s still ablaze
where sunbeams’ sheen still sparkles bright,
beckoning us all to pass this gate
that looks at first glance a menacing might.

To stay before this wrought iron fence,
its spikes tipped with red poison that drips
into the soil that’s in cracked distress?
I won’t just wait here in the dawning eclipse.

No lock is unpickable, no wall too high
for those with the will to reach new skies.

Gunmetal grey skies
loose leaden teardrop tempests —
Lights in the window

Had a chat with my cat.
Now how about that?
She spoke with a twitch of whisker
and slow blinked her eyes to whisper
that she’s feeling quite content
to be in this moment.
For though she’s told me her life story
of all the times she’s been crowned in glory
by defeating her toy mice —
which is really not a vice —
it’s in the here and now
with no sweat upon her brow
that she’s glad to becuddle me
and from worry be wild and free.
Watch her fur belly rise and fall
and her purr keeps me in her thrall
as I scratch her fluffy chin
and feel peace spread within.

In the sallow sea of sable ink
that breaks upon my splintered prow,
fire beacon’s beam a-lightly winks
and casts gold light upon my brow.

I see a man walk on the swells
and wave to me through sheets of sleet,
his silver voice a tolling bell
that beckons me to take the leap.

His shining rope crests upon the waves
that rend my vessel in tempest flares:
Across black brine the lifeline sways —
My callused hand will take its dare

to grasp the line that more life gives
and feel its pull to once more live.

The bright death of a star
lights the black night from afar.

Astrologers walk from east to west
and follow the nova’s fiery arc.
The burst of white in heavens’ dark chest
gives sign of a birth, love’s new spark.

They walk on through sandy shards of this earth,
past broken glass of our days
to find the one whose heralded birth
gives hope that our world is reglazed.

Held in their hands are gifts replete
that tell what the child will become:
Gold for a king, sweet incense for a priest,
for a healer, myrrh that will scent his tomb.

And the lodestar that died
signals the birth of a child
whose death and rebirth
lit a new star on this earth.

Selah.

Each year I watch them travel in a snow globe
that hangs upon my Yuletide fir tree,
a glowing glass sphere where waters flow
’round these Magi walking magically free.

On a church, Mother Mary gazes up high
with her saving babe on her stone arm.
On her alabaster face: a cryptic smile
that has its own fine chiseled charm.

While I stand in the old town’s cobblestone street,
my mind sees me in a far distant place.
The visions I see speak of defeat,
a void that devours all grace.

I see myself floating in a brittle wood boat
with sails torn to shreds by the storms.
Frantically I toil to stay afloat,
tossed by black waves which ebb and reform.

Her disk halo of gold shines out in the dark,
glinting to those who sail by.
I ask her: tell me what can give me a spark
to let me soar up into the sky.

She offers no answer in so many words
and just smiles on, stonily serene.
In her silence is where her answer is heard,
a quiet reply — I know just what she means.

The rock of her tells me what I must hear:
No need to soar nor fly nor flee.
Let black tides flow past me ‘til they clear.
Like this old pale statue, just simply be.

A-walking ‘round a stony crag
atop which stands a castle strong:
I know each rock and brick and ****
that went to build it for so long.

My forebears helped to build this place
from its earliest days, just a palisade.
Thence it grew into this mighty space
that would touch the moon by fear unweighed.

The builders began, so constant and brave.
In Godspeed and discovery they came.
Once planted, a flower of May then gave
this rock two pillars of its fame.

Today it shines out far from its hill up high,
unhidden citadel of radiant beams,
reposed beneath the starry sky
while white and red roads to it stream.

Four hundred years — or thousands more —
has it took to make this fortress fair
at great cost to those who came before.
The scent of their toil fills the mountain air.

Yet this great rock is now on the verge
of toppling into the abyss below:
For those who claim it must be purged
now storm the keep with torches aglow.

Now there’s fear this fateful fortress will fall
to the whims and rage of a dishonest beast
who claims to just want to save it all
but will only lead to its defeat.

These castle walls shall not be breached
by the demons it once bred within.
The people who still build it shall reach
new vistas to the beast’s chagrin.

The mind’s a magnet
but also a sieve,
sometimes a dragnet
with nothing to give.

A mesh of iron —
or is it fool’s gold? —
attracts the ions
of whatever it’s told.

It scoops from the streams
of wisdom and truth
but catches jetsam —
what’s floating ’round loose.

Whoever may say
“Well, that’s just not me!” —
It will come, that day.
Just wait and you’ll see.

I’m walking by the dimming remains
of a building of future past:
its once stylish streetlight, now decayed,
points at the Moon that’s rising fast.

The old streetlight was made of globes of glass
that circle its core of steel bars.
It looks like a starship, sleek and fast,
but now its globes are dusty and scarred.

The globes, a circle of eight bright moons,
orbit the streetlight’s tall spire
that points up to the glowing sky jewel,
to the place to which it aspires.

Up there, on brightly lit lunar plains,
our spacefarers once walked in awe
and dreamt of Zarathustra’s booming strains
in two thousand and one proud hurrahs.

And so this spacecraft of glass globes
was made to look up to the stars,
to urge us on to launch further probes
and take wing from this blue globe of ours.

Years later, this dream has faded
to fleeting stars of reality shows,
who leave the people fixated —
not by the Moon’s, but by screens’ dim glow.

The streetlight was fixed firmly to earth,
iron bolted to grey crumbling concrete.
But it still points up to the heavenly berth:
Moon rises, a dream left on repeat.

In the ancient Gothic church
Mother Mary whispers here;
Her stony face looks out at me,
blank eyes that shed a granite tear:
There beneath her warming cloak
a mass of children huddle there,
seeking shelter and maternal love —
their fears and pains that she will bear
are lit by a sea of candlelight
that lifts cares hence, way up high,
borne aloft away from here,
to dissipate in distant skies

The embers fade
from passing year
and turn to ash,
then disappear.

A span of time
that fades to black
now melts into
earth’s deepest cracks.

From murky fog
and blackest night
emerge first shoots
of new year bright.

Now from grey ash
of burnt-out past
the shoots are fed
’til new dawn’s flash.

A simple draft of air in the lungs
like I’ve done a billion times.
Exhale to hum a song I’ve sung
that calms with comforting rhymes.

In and out and rise and fall,
to feel my stomach be moved
and breathe through fears and all
‘til wrinkles of worry be smoothed.

i.
I walk through the streets
of old Spandau
under a sky of slate and zinc
that lets loose its sleet
and drops of pale ink,
filled with burdened clouds
weary from hurrying onward
out of the iron east.

ii.
A church tower stands sentinel
watching over the people fleeing past
on cobbled streets paved with fate.

iii.
Once, to doubt was to believe
as Thomas, bereaved,
called out in awe
My Lord and my God.
Today there’s just doubts,
faith is fleeting as clouds.

iv.
The tower waits,
outwardly strong,
yet forlorn and alone,
abandoned by the faithful
as the sacred slips away.
It watches and waits
in hollow hope of a time
when its hallowed purpose
might yet be whole again.

An old telephone
hangs unused on the wall
What voices it heard
as people made their calls
fade into the ether
scattered electrons all

Dashes to dashes
dots to dots
All those things once said
now forever lost

Ornate iron bars that twist and swirl
on windows of a stone Baroque house:
Their billowing lines flow and unfurl
like the linen of a wan lady’s blouse.

Late sun casts her umbra on the stone wall,
a dark bramble of shadowy vines
that cling to the plaster in ways that recall
hung forests of lost memory and time.

Into this dark wood I walk with my mind
to retreat into the past of this place
and see how far the clock I can unwind
for to pass through its pale numbered face.

There faces now greet me, spirits of old
who once walked this very same street.
They look astonished at how I was so bold
as to travel there to warmly them greet.

To be remembered and seen once again
is a gift for which they’ve waited a year.
For as this day fades, the dark windowpanes
between our two worlds turn into a gauzy frontier.

And so the veil of the quick and the dead
turns thinner for just a brief night
while the faces of those who’ve gone on ahead
to the other side shine their dim light.

In the teardropped dew of golden hour
as dusk-sun dips below the edge,
an angel of bronze upon a stone bower
keeps watch as nighttime’s fingers stretch.

Across the spans of painted sky,
one by one bright sparks appear:
constellations form as portraits high,
a hunter, two bears, points on the sphere.

These starry creatures connect the dots,
parade across the firmament
and crown the angel deep in thought,
twelve stars, a wreathed encirclement.

The hunter wheels around the dome
of charcoal sky. His thrice-jeweled belt
shines out to mark him as he still roams
in pursuit of where scorpions dwelt.

Above him run two starry bears,
one’s tail-tip pointing to the north.
Though he lays his trapper‘s snares
the scorpion always hurries forth.

The angel watches the hunt go on
as it’s been since this our rock was made.
She hums her part in creation’s song
that set it all turning on time’s old lathe.

There in the shade by moonlight cast,
this angel smiles at the pageantry
of starry figures marching past
to mark her maker’s majesty.

In a cathedral of stone, stark and white,
with a lone statue from long before.
It stands in a niche, with a soft spotlight
shining on its medieval decor.

A ****** Mary, with her Mona Lisa smile,
looks down from her pedestal high.
In quiet, I stand and gaze at her for a while.
Did I just hear her audibly sigh?

Her gilded robes are weathered, cracked,
the once bright paint’s faded and spare,
many scars made plain by shadows cast
by a red circle of candles lit by prayers.

What crises has this scarred Mary seen?
Her sighs echo ours: This statue’s hallowed
by the pains the prayerful to her bring.
I hail thee, marred Mary, full of our sorrows.

A Berlin monastic church of blood
shed by true witnesses to freedom’s love:
These few who stood against the flood
of hate from tyrants they rebuffed.

Not far from here, these martyrs were killed
for facing down the brownshirts’ might,
in hopes that all would someday be filled
with the will to live for love’s delight.

Here Mary sits with her holy child,
carved of warm wood, set on cold stone.
She bears an expression, calm and mild,
with nothing around them: alone.

Her robes are daubed in palest blue
while her hair with a golden crown is wed;
her baby son wears redder hues
that foreshadow blood he and his martyrs shed.

This blessèd Mary’s calm defies the fear
decreed by despots in past and present years —
Softly, she whispers her granite will: Defy
all tyranny ’til hate’s tides subside.

Through twisted bars of dark wrought iron
I see the shining golden home.
There once I’d been in my personal Zion
from which I’d freely roam.

But now I note I’ve lost the key
to this imposing gate:
I stand outside, trying hard to see
what caused this change of fate.

When and why did I turn my back
on this inner keep of peace?
How to drop the sackcloth black
and find a new release?

Now I must pull me up
and scale these castle walls
that I myself had built
before I took this fall.

For my sake and for those I love
it’s time to find my way
back to where sounds of cooing doves
becalmed me, come what may.

A space-age fortress of glitzy build
stands empty. It had once been filled
with shining futures of tinsel, milled
of bronze for a time that all would thrill.

How empty the future past now seems
behind the glass of wasted dreams:
Once polished steel now dimly gleams
and old high tech lies there unredeemed.

Its giant clock now standing still,
the hands unmoving, like hopes that will
remain as frozen in amber that’s filled
with flies of dreams: placebo pills.

A dark clay raven hung at a windowpane
to ward off bright songbirds from glass.
It never spoke a word, nor did it feign
to know of a departed late lass.

I asked it my questions, expecting more
conversation than it had on offer,
but plainly it found me a tedious bore
for it stayed quiet. Not much of a talker.

The brief encounter left me po-faced
as I’d been led to expect more from him.
So I turned away, belying a trace
of disappointment weighing within.

Then I heard the wind, and nothing much else
except the song of birds who’d survived
thanks to the clay raven who hung by a belt
in front of a window to keep it disguised.

From the leaden sky
descends a dark winged lady —
Black sunbeams dawning.

Reddened night replies
and locks her blackened aerie —
Hunter’s moon is rising.

Morning herald cries
to summon sunburst faeries —
Sparks rise a-flaming.

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair.
The rosehips have hairs all wiry and grey
that also break off, one by one.
Her color is gone, she fades away
until this rose lady’s season is done.
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again.

In the dark of the whispering nave
as rosy incense blesses the scene,
old hymns once sung in chanted waves
still sail through hearts of choirs unseen;
Dimly lit by a sanctuary lamp red,
the altar lies in stony repose:
a throne for him who for all bled
and wished us love by the Holy Ghost.
Streaming, rippling ocean hues
with light washed bluer than Jonah’s whale
flow from stained glass richly imbued
by a Jewish hand with swirling detail:
This sturdy house is a bobbing ark
floating through our tempestuous time,
marked by a seagull who soared and embarked
on making his art for all sublime:
to fulfill the promise of rainbows above
for all those who seek the light of love

My heart’s ventricles
form a vast vaulted ceiling —
Crumbling cathedral

Two marble columns
hold up the high temple roof —
Lovers holding hands

A-walking on a wormwood path
that’s paved by age’s cobblestones
on past a palace of distant past
in a Prussian park, a mind unthroned.

He walked, a shadow
through the foggy night,
his pulse beat faint and shallow
as the pale and fitful light.

In the lace of this quicksilver mist,
a fellow shade now walked along.
She emerged from dark, adrift
like him. They hummed the same black song.

In what had been a pitiless pit
of icy fog and stony walks,
she was there as if summoned by fate’s writ.
In whispers, she and he began to talk.

They shared their bleak
and tattered tales
to raise the wreck
of where they’d failed.

And as they talked
their once distant light
began to shine
out in that night.

Here in their pale of desolation,
two kindred shades touch shadowed hands
and in their touch found consolation
to rekindle light in benighted lands.

Asphalt night
by red dawn’s light
descends into deepest fog.

A glimmer of bright
on the edge of sight
shimmers blue: I begin to walk.

The mason chipped flecks
from slate with a nail,
each tiny grey speck
carving a brief tale
that strips a life’s fame
down to the merest detail:
two dates, one name,
in letters faint and pale.
It asks One to bless
them who’ve passed through the veil,
to grant them their rest
’til resurrection prevails.
The mason too is long gone,
none live who his name still bewail;
he lies beneath the stone
that another past mason regaled.

Tangy, pungent, sweet
tastes and smells fill frosty air —
The solstice scented

There is no pity in Berlin,
a place of prickly wounded pride.

A city of angels
who fell like scars of lightning
from gunmetal grey skies.

I watch old silvered rolls of film
and see flying columns of seraphim
as they march on by
row upon row
eyes ablaze
flaming swords drawn
in a parody of paradise.
They descended into hell
and are seated
at the left hand of the Kaiser:
Gott mit uns.

This sullen scene of no regret
stains the present with the dead and past:
It fits the flinty nature
of the blunt Berliner
under the ashen skies of winter.

I trudge across a gravel path
in the bowels of Berlin,
hear the grinding crunch
of brittle bones below,
and gird myself for the grim winter ahead.

At night, a Christmas garland brightly lit —
Milky Way, spine of the sky.

Hey, little frog
on your pad in a pond
surveying your kingdom green
You don’t have a golden ball,
no princess came to call
and these lily pads are all you’ve seen
You’re just fine in your domain
and have no reason to complain
with your fine banquet of flies that teem
So you sit strong and alone
on your very own green throne —
just now swims up a queen

The promise of a future bright
encased in a temporal temple:
It sits among Berlin’s blinking lights,
a spaceship made to resemble.

Its oracles stood in this aluminum starchurch
dressed in sparkling ABBA track suits,
alit by glittering disco ***** with lights that search
for the future’s many loyal recruits.

But futures seldom turn out the way
that priests of the modern prophesy,
and this once sleek starship sits, decays
while stoic streams of cars drive on by.

What happened to the dreams we had
of federations who deep space explore?
Was it all just an ephemeral fad
now left in twilight, to be ignored?

Then again, this is Berlin, the place
that is built upon its broken dreams —
Utopias all cast aside, but which grace
this city with abandoned and fading gleams.

The starship sits in unending preflight,
awaiting the signal to lift off.
Its digital clock counts down to delight
but never makes it past Hasselhoff.

Climb aboard Battlestar Berlin, my friends,
fly with warp speed to nowhere at all.
Before you know it, the latest trends
will leave you yearning for total recall.

On the face of a tombstone there
I saw an epitaph made for evermore,
its letters eroded and worse for wear
and covered by moss that grew long before;
the trees’ roots twisted around its base
to nudge the old stone out of plumb line
and wrap the tomb’s body in wooden embrace
while draping it all in verdant vines:
The permanent stone turns slowly to sand —
a world without end that brief time spanned

When I was a kid in the Virginia mountains, we had a train line that ran yonder through our quiet little town, a few miles from our house.

In the warm summer months we’d have the wooden sash windows wide open, their screens strummed by the breeze and humming a hushed lullaby.

Each night, lying in bed, I heard the remote rolling roar of the train when it blew its whistle as it neared our town.

Every night, as the dusk fell, it came: the slow rush and roar of iron engine wheels that glide along on roads of steel. The engine‘s sacred heart was stoked white hot, fed by black coal dug from those rolling hills.

Then the hush of night lifted for a rolling moment: The engineer pulled the whistle cord — releasing a long plaintive chord of a melancholy choir, pitched just so, for to sound softly through the coal-hearted hills of the Blue Ridges as they echoed in quiet reply.

It was my signal: It’s time to sleep.

The nightly ritual chuffed on. Boxcars rumbling on rugged rails. A distant engine roaring by in steam and stoked fire. Waves of lightning bugs that rose and fell in the sticky summer night while foxfire faintly glowed blue in the brambled underbrush. High above the rolling green hills, between the watchful blue mountains, the stars arced past on their tracks of old.

I’ve long lived far from home. Longer still has the now lonesome line been turning to rust. Now I know why the whistle wailed: It was wistfully aware that its last stop was near.

But I still hear the ghostly wail of the whistle past, as the slow steam train of memory glides through the dusk of my soul.

In an aisle of a great stone church
by flickering light of candles perched
under finials and arches tinged with gold,
flags fly for blood shed on fields of old:
They wave with wistful dreams of war
and tell of great esprit de corps
in a house made holy for a prince of peace
whose dreams of love they speak of least

Christ and disciples
gaze from the stone tympanum —
Frozen redeemer

An old man climbs into a vintage car
to smell the sweet upholstery,
caresses the steering wheel’s steel bars
and grips the gearshift **** of ivory.

He pulls the heavy door to close
it and hear its deep, dull iron clunk
that fuel-injects him with a dose
of chrome-clad metal hunks.

The streamlined car doesn’t move.
Still, it takes him on a favored trip
down a grey road well grooved
that his whitewall mind-tires firmly grip.

Its tires spin in grooves and sing
a well-pitched tune of rolling on.
Seams of concrete slabs now bring
the bumping heartbeat of this song.

His greying hairs match the road
which stretches out into his past,
leading him back in freeway flow
to a love that he’d made last.

For in a leather rumble seat
in a sleek car just like this one,
he’d kissed her hand and lips to greet
his sweetheart hunnybun.

She smiled as bright as high beams
at her motorheaded beau,
with wide eyes that stole his dreams
and made his fuel more quickly flow.

With hair like raven asphalt
framing lips in brake-light red,
in her saw he no faults,
but thanks to him, she’d end up dead

in a shattering crash
as they slid into a tree,
his youthful driving brash
and far too wild and free.

He swore to never leave
her by that bleak perditious street.
Resolved, he chose to grieve
her and keep the rumble seat.

So once a year he sits in this car.
He never drove again.
But each time it takes him far,
right to where his hunnybun had been.

On the day of all souls in the fall
as leaves lose luster to winter’s bane
my father’s shade returns to call
while I walk along a splintered lane:

His memory murmurs in a darkened nook
of years of yearning and wasted days,
as the distance that filled up the book
of our lives still grows as I turn to grey.

The care he’d showed I did not feel
as the pillars of our bridge began to crack.
Too late, I turned back to heal
the fallen span that we now lacked.

By then his old mind’s lantern had failed;
the new light I’d shone back went unseen
and broken arches into a chasm trailed
where once a golden bridge had briefly been.

Across the valley, dark, deep, and wide,
a spectral stretch of stones appears
to shine as a silvery coach now rides
across, to bring two sundered shadows near.

Now on this day of all souls missed
by those who find themselves left behind,
one faithful departed returns to kiss
the forehead of a son’s reopened mind.

In a nook of an old stone church
a cherub basks in the vesper light —
A childlike innocence for which I’ve searched
that seems to slip into the onset of night
Fade not away, you sweet dear boy
and never lose your childlike joy
Fight, fight
the snares of twilight

The village church was built to last.
It would stand until Judgement Day.
Its oak rafters would hold the roof fast
above the faithful who there prayed.

The grey stone is carved with inscriptions
of verses of scripture from Father God
who would grant the faithful benedictions
as they knelt on stone flagstones in awe.

The faithful had built for generations
and for generations still to exalt:
A gold, stone, and mortar salvation
rising up to a heavenward vault.

The stone walls were decorated, gilded,
lined with the lives of the saints
whose blessings had once gently lilted
out of the colorful daubs of paint.

The saints’ faces long faded away
and the statues have hair of green moss
while a few arches still try to stay
up like stone ribs of a body now lost.

The vault now lies open and broken
with a clear view to the old God above
and its grassy shell is now a mere token
of this cathedral built to love.

The broken flagstones are now a green mat
and the nave is barren. Its grey pall
belies the colors in abundance it once had.
There’s no more shine of gold at all.

Yet the grass that grows there is still blessed
by the faithful in ground hallowed below.
I’m touched by their hushed songs still sung, caressed
by soft breath of holy wind which there flows.

The plaster peels around the windowpane
as Virginia creeper clings, hangs low
on the old stone wall that crumbles, veined
by the cracks from the hourglass’s flow.
The weathered wood of her rafters frame
this battered house that’s fading away
like the troubles and cares she’d contained
which are silting fast into the sandy soil.
The creeper‘s five leaves grasp like a hand:
Gaia hugs this house in her tightening embrace
to fully devour all the follies of man
until only the quiet creeper remains.

A starless swart of night
has draped its murky veil
above my temple mount —
but the house of holies’
lifting light lingers on.

Its window eye shines bright
to lead upon the trail
that guides me to a fount —
its waters cool and ease
until new break of dawn.

Peering through a old stone gate,
its face well carved, in prayers attired,
I saw a golden wall of late
before which stood cracked streetlamps retired,
their warming light now long gone
yet they still glow stubbornly on

The king of what was stands in silence
and surveys his sunsetted realm.
His spine is straight in stiff defiance
of the twilight of the kingdom he’d helmed.

On a plastered pedestal high he stands
surrounded by the waste of his times.
Carved into it, once acclaimed in his lands,
was his name, now covered by vines.

The pale sheen of low sun as winter nears
casts shadows across his etched face.
Its grooves grow deeper year after year —
he’s the gnomon whose shade this sundial has traced.

He takes no note of the thorny brambles
that have entangled his fixed stony feet.
With flinty gaze and wrapped in a mantle
of granite, he keeps watch through storms and sleet.

Now stripped of his titles and even his name,
the proud king of the ruin’s still there.
For while the long night has broken his fame,
still he stands, marked by his unbroken stare.

Stuck on blackened spikes
and under stormy seas.
“Let’s go for a hike,”
my wife said to me.

Her sliver of sunlight
breaks through my fog,
a sparkling invite
to go for a little jog.

On a bed of autumn leaves
and crisp wisps of dew
the trees us receive
while I from black withdrew.

The flicking fire in the hearth
pops and cracks a wispy smile
while its embers send their warmth
into the stone house for a long while.

The chimney curls with silky smoke
that snugly signals a cozy place.
The walls are paneled with old thick oak
to safely hold us in wood’s embrace.

This warm retreat’s stout red door
is made and unlocked by my inner eye.
Its stone foundation and sturdy floor
are crafted well for brittle times.

Pull up a chair and join me here
in this secret safest place of all —
it’s in each of us, in constance near:
Take some rest in your heart’s great hall.