What a great reptile,
A Royal Python - no less,
A serpent so dapper;
Never seen in a mess,
Non-poisonous, deaf, mute;
Except for its hiss,
It likes nothing more
Than to hug and to kiss!

Though it has no arms,
Harmless it is not,
Make no mis-snake a
Mean streak it has got,
Outside of its coils
The view is just fine,
But if invited inside
You'd be wise to decline!

Don't be enticed in
By its hypnotic stare,
For when those coils tense,
They act like a snare,
For those patterned coils;
Look brill' from without,
But lose their appeal
When wrapped
Around your snout!

lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves

stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)

croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl

the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe

rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the  sepia face
(softened by the intricate frame)

donkey in tow
(with a fastened ***)
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells

tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
and that **** rabid fox
are drowning
deep in castles well

I take pride in my roots
I take pride in my melanin
And my ancestors
All those who have persevered
To get me to where I am today.
I take pride en mi pelo rizo
Gracias a Dios..

I carry my culture in my curls to
The poetry that runs through my
Veins
rushing
pulsing
sweat on the furrow of thy lip
beading
ache of the toil in their fieldwork
sweet
azucar negra
my ancestors blood was sweeter
they still don’t want us here
but some things never change
but we are able
and no beautiful ignorant person
Will ever take that away.

The darker the berry the sweeter the seeds
plant them because you sow what you reap.
My skin is magical you see...for I am a special kind of breed.
When I'm in the sun my melanin boils, plus heat is good for my ***** coils.
A shade darker I've just became...
From honey brown to a cocoa shade.
Time to untwist my bantu knots and free my natural fro.
The curly crown of victory as my melanin glows. I strut through the grasslands in tune with my inner goddess. My legs are thick and long, so now its time to flaunt this.
shaking my hair from left to right & pump my fist in the air.
Wish I was alive in the civil rights, but then I wouldn't be hear.
People they envy my complexion, they wish they had my perfection. But honestly you can't hate on something God gave.
Melanin queen, you reign in the lands.
Zion queen, lets do a foreign dance.
Melanin runs within my veins and pores.
Melanin I love to be, I'm wading
in the shores.

I
There is a 3% chance I'll find you here. But if in each pair of eyes I dip, I find 1/8 of you; I'll be there soon.

II
I didn't crawl here; I took a plane. I spent six hours tracing the Atlantic from my window and you rose from the sea, dry and unsalted, twice each nautical mile. I would say it was my imagination, or the California wine, but I wear glasses now and never lie about what I see. It was you. And you and you and you.


III
Stealing is easier here. Maybe it's the crowds or the way the men smile at me like I'm harmless, but my hands move without question. They don't fumble or miss pockets, my heartbeat doesn't even protest. In prayer beads, silkworm cocoons, oils and sea rings, I am in debt to a city who doesn't know it.


IV
I have no ethnicity. Deep in bone coils the apathy and flight of someone's non-heritage. But I am forgiven; in a world of paranoia, brown eyes are always trusted and the way my hair falls reminds them that I'm on their side. Even my name curls within itself, folded flat and dead before it's over. It's better this way; no allegiance, no responsibility.

V
From a curb in district nine, I see your star. It's hanging where you said it would be but I can't see god in it the way you promised.

VI
On the other side of the world you told me about a quad of green. You waxed flowers of every color, the sky I've only ever painted and the people, beautiful and dark, who will save me. I found it. In broken French and broken sandals I found it and the sun was setting and you had just left. So now we both know you won't be the one to save me.

VII
With one foot in the slanting gutter I walk until the city circles and I'm back where I started. In a daydream I found you. I smiled and quoted your book, the part that said 'When we heard the guidance, we believed in it' and you looked at me in a way that scared me. A way that translated your face into thousands of alphabets, ancient and invented. And I knew none of them. Suddenly I'm illiterate to you. Suddenly I'm gone.

VIII
I'm with a man who's made of smoke and each strawberry ring that escapes my lips is dedicated to someone that I’ve laughed with.

IX
With the intensity of archives on fire, I withdraw. You are still a body; a few hundred bones calcified and aging, a mind of words streaming like spider webs, blood you never shed, and  muscles that cross in blinding precision, but you are not who you used to be. You bound to me in a way that's irreversible and now we're both stitching. Awkward and broken we pull at flesh to remove each other. We have scars now, like stickers ripped from wallpaper. The outline of a palm stains my shoulder, a thumb the size of yours in the crook of my elbow. Small, white fingerprints tattoo your neck.


X
I might be free. Over cobble stones with broken sandals I don't trip until I realize that a city where I loved is now part of me. I can get as far away from her as the modern map allows but the red and gold bangles that crowd my wrists are not to be taken off. They're a part of me too. Like blood spilled on a cobble stone, you will walk over us every day of your life.

My chamber teems with tensions, taut, that logic can’t withstand,
fragmenting mental masonry with memories unplanned,
as bitter tears from hazel eyes reduce the stone to sand.

Dim shadows cast by candles flit across the haunted room,
beleaguer apparitions, pale, that stalk me through the gloom,
usurping purloined purple forms forgotten ghosts assume.

The tick-tock clock of time rewinds within the mirrored hall
and pendula suspended, pause, while creatures creep and crawl
on images of effigies, through memories that maul.

The madness of the midnight mass! Perchance it interferes
with spiders spinning spiral threads which bridge the chandeliers
when weaving minds' discarded coils to silken souvenirs.

Reflections graced the vacant gaze of idols as they fled!
Their futile, feigned, far-flung farewells now hammer in my head,
marooned like frozen silhouettes in footprints of the dead.

My lovers smile through marbled masks before they turn their backs
(like furnace flames deserting ash or phantoms fleeing cracks)
with faded, painted, wrinkled faces nightmares carve in wax.

Sometimes a gust disturbs the dust and secrets reappear,
which dance in silver slippers through the dusk of yesteryear -
it's not the screams that drown my dreams, but whispers which I fear.

The hangman posts a letter home, his message indiscreet
about the vestal ****** in the café (where we meet
to savour tea and crumpets) down a one-way dead-end street.

The rapping and the tapping at my tattered, time-worn door
repeat reports of migrant myths, of tales of nevermore,
strung far across a sullen sea, most shipwrecked near the shore.

Forget-me-nots, enwrapped in rain the while a wan wind blows,
recall the faintly fickle fates this drifter undergoes –
alone, unknown with tracks interred in teardrop undertows.

My feet, no longer tied or tethered, traipse within a squall
pursuing profiles long forsaken, buried in the sprawl
of spectres spread amongst the dead, some tattooed to the wall.

At times, the belfry towers toll of anarchy and gin,
of smoke and mirrors, rolling dice and other things akin,
impaled on forks down byway roads, and things that might-have-been.

The skies outside, beyond the night with shutters shut and drawn,
begin to glow on shattered shapes escaping ’fore the dawn
as clouds undone beneath the sun release this captive pawn.

THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.

You take your throne as winter comes,
Hail, oh, Builder of Storms,
Secrets rest as the Dead rise up,
Hail, oh, Builder of Storms,
We the Lost who few can see,
Hail, oh, Builder of Storms,
We hear your call of winter winds,
Hail, oh, Builder of Storms,
A fire lit that once was cold,
Hail, oh, Builder of Storms,
On winter winds you find your own,
Hail, oh, Builder of Storms,
The year grows nigh as time does stop,
Hail, oh, Builder of Storms,
The time has come for cold Misrule,
Hail, oh, Builder of Storms,
The Gates of Life and Gates of Death,
Hail, oh, Builder of Storms,
Flutter open to part the Veil,
Hail, oh, Builder of Storms,
Speak to me, oh cold Cold One,
Hail, oh, Builder of Storms,
Whom once rode forth all teeth and eyes,
Hail, oh, Builder of Storms,
Your time has come, the dice are cast,
Hail, oh, Builder of Storms,
Coils of ice and coils of snow,
Hail, oh, Builder of Storms,
The Serpent form among the trees,
Hail, oh, Builder of Storms,
The moving sway of Serpent hips,
Hail, oh, Builder of Storms,
The Ice Queen sits as Hallow's Eve,
Hail, oh, Builder of Storms,
Finds its way to All Hallow's,
Hail, oh, Builder of Storms,
The Regent sits high in the North,
Hail, oh, Builder of Storms,
And know her time has come again,
Hail, oh, Builder of Storms,
Hail to you Keeper of the Lost,
Hail, oh, Builder of Storms,
Hail to you who brings the tears,
Hail, oh, Builder of Storms,
The pale Blue Flame of Winter's Night,
Hail, oh, Builder of Storms,
We know your face and Serpent's Tongue,
Hail, oh, Builder of Storms,
The cold Black Altar in the Hall of Stone,
Hail, oh, Builder of Storms,
The Cutter there before the Black Gates,
Hail, oh, Builder of Storms,
Her Black Knife raised to cut the threads,
Hail, oh, Builder of Storms,
And Death's wings spread beside the Gates,
Hail, oh, Builder of Storms,
To guide the Living and the Dead,
Hail, oh, Builder of Storms,
For now the Veil is open wide,
Hail, oh, Builder of Storms,
The Gates are open and swing both ways,
Hail, oh, Builder of Storms,
The Mighty Dead we praise tonight,
Hail, oh, Builder of Storms,
The Blessed Dead we call your names,
Hail, oh, Builder of Storms,
The pulsing call of Bloodline blood,
Hail, oh, Builder of Storms,
The pulsing call of Loreline blood,
Hail, oh, Builder of Storms,
The pulsing call of Fateline blood,
Hail, oh, Builder of Storms,
Blood does call, it calls to Blood,
Hail, oh, Builder of Storms,
Bones do wake and speak once more,
Hail, oh, Builder of Storms,
Memory sleeps in sleeping Bones,
Hail, oh, Builder of Storms,
And Blood awakens the sleeping Bones,
Hail, oh, Builder of Storms,
And quickens now what once was dead,
Hail, oh, Builder of Storms,
On altar top and in the Halls,
Hail, oh, Builder of Storms,
We call you now to come to us,
Hail, oh, Builder of Storms,
To breathe again the breath we breathe,
Hail, oh, Builder of Storms,
And speak this night and speak again,
Hail, oh, Builder of Storms,
And as the Darkness now recedes,
Hail, oh, Builder of Storms,
The Darkling Twin awaits the Bright,
Hail, oh, Builder of Storms,
Misrule reigns and all is Öð,
Hail, oh, Builder of Storms,
Öð and odd, and Wyrd and weird,
Hail, oh, Builder of Storms,
And may the Hunt now pass us by,
Hail, oh, Builder of Storms,
Or may we ride the frightful ride,
Hail, oh, Builder of Storms,
By Winter's Night and crossroad light,
Hail, oh, Builder of Storms,
And ghost roads stretch into the night,
Hail, oh, Builder of Storms,
And troll roads strange and faerie roads,
Hail, oh, Builder of Storms,
That lead out there between the worlds,
Hail, oh, Builder of Storms,
Guide our way with lantern bright,
Hail, oh, Builder of Storms,
We are the Lost, you children tonight,
Hail, oh, Builder of Storms,
Toss your dice for us just right,
Hail, oh, Builder of Storms,
And may the year we now head to,
Hail, oh, Builder of Storms,
Find the dreams the Dreamer dreamed,
Hail, oh, Builder of Storms,
This year manifest this next.

~Hail, oh, Builder of Storms, a Hallow poem by Bethany "Lorekeeper" Davis, November 1, 2015

Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.

We sat in the overlook above the Serpent Mound
in the heat of that garish July afternoon,
sunlight scorching our pallid skin,
like rays through a magnifying glass,
till we could endure no more and
sought the shroud of skyscraper elms ---
halfway houses of leaf, bark and cellulose.
Minutes before we'd signed our names in the visitors book,
like giddy high-schoolers autographing a yearbook,
recording our wayward lover's sojourn
to a site the Hopewell worshipped in celebration of existence.

For what purpose do we worship this ground?
I wondered as we walked beside the curving icon,
that undulated in rolled earthen coils down the *****,
sine-waves loosed from a colossal oscilloscope.
Are these coils symbolic of our future's meandering relationship?
Her exploring hand upon my ****
drew me from thought to evaluation of this unexpected caress.
But for the heat, I'd have shown her what idle foreplay begets!
Great Serpent, this was not Eden's carnal karma
acted out in a second Genesis! ---
though a symbolic egg spews from your mouth.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.

I am not who I think I am—
I never said I was

Sometimes I’m
a monster—
swirling, yellowgreen skin,
bristly coils of
hair sticking
out,

strumlike underneath
your fingertips—

sometimes I’m
a normal guy,
angry and hungry
with greasy-tousled
greasy locks—

or a subaverage
woman,
curvy and compassionate,
warm *****
beckoning to all
bereft—

most often, I’m a
translucent ghost,
too little there
yet not enough gone,
genderless,
formless,
obsolete

An abstract gait
Surrounded by coils of binary and luminescence.
Suave, purple suits clasping to morphed skin.
Electrical vibes, transistors atomically sized.
Brain dives, the concept of thought diluted.

She can only wish it was palpable.

In a mirror mirage,
Static fumbles,
Repos the limelight.

Cyberpunk gen, neo-noir,
A relevant memento.
Deciphering the metaphysical is
Unattainable.
***** it all,
Maneuver the landscape.
Might as well enjoy the sights
In the nick of a quivering snap.

this is some ******* baby
u know i got the time
come unwind ur coils around
my soft body, make me
shiver, mr. knows me like
the back of his hand;
backhanded compliments
from tu pinche mamá
she thinks i'm perilous
never doubted u, but
she never believed in u either
& it's high time u and i
got high by the edge of the sea
in this world it's yeet
or be yote (u know i'm the goat)
baby it's just a joke, relax
the breeze is still blowin'
your hair into my face
& i can smell the fear in
waves crashing into the cliff
it's gonna be ok, corazón
sometimes u just gotta
yeet or be yeeted into
life, unhindered by her
& remember my heart is open
my body may be soft but
them waves ain't gonna break
against my soul tonight

in the year 2462 those with nails protruding from their palms
will talk in ancient tongues
& sway the tribes of men to eternal love,
& endless ammunition
of the soul.

spiritus.
kin, galactic
& the golden fire.
throb the saga of man,
into hip ****** illusions and combustive color schematas.
we bury our dead in flower clippings
or skull bits.

        [skateboarding rises as the highest form of intellectual sport]

thrum and plum-*** the sewers of electric babylon.
hive city reaching past gasp and wasteland,
her lips ruinous.
cement slabs and coils of fault with
vast artistic possibilities.
these skate-lords from their heaps, their clans, augmenting
& rattling bone masks
grinding themselves into meat-bit heroics
& death.
their teeth are yellowy awoken.

this is all seen globally,
via tele-cast-com-core-mind-warp-tech.
or video.

dreams impact reality
impact dreams
in such
that the cathode cortex filter, invented circa 2222,
evolves into a demi-god, a solar charged demon of unlimited knowledge.
& it mutates the psychosphere  of our mainstream public mind
with countless projected memories.
        [streamed alternate realities]
fills the belly and the brain,
but all those unhooked are skating.
sweet meat market.
ghost harddrives.

poor leftovers called children of the once-was-men
& their poolside parties.
they leap the rubble of centuries old plastic icons,
their boards, their weapons, their seeds and spit.
they hang chains from their necks
& spew black flame from their sunshaded boot-click
lickings.
they drink from large bottlesof elixer distilled
on old flowers
& worship archaic cassettes.

cults of cyborg women with gem-tipped-blade-additions
carve wooden planks from
groves of great oaks.
great oaken powers.
their creators chew gummies and bend time
to uphold
a proposed history of perfection.
they master pong from their crystalline towers,
& hire mathematicians to write
conceptual skate-deck algorithms,
solely for fun.
non-profit.

.
Aimlessly wandering
   with a feeling of agitation,
      caught somewhere between
         browsing with interest
            and prowling with intent.

Distressed and unsettled
   like anticipating trauma,
      mooching with an emotion
         that something is imminent
            yet its nature remains veiled.

The horizontal line defines a stability and yet,
it has started to list off to one side.
Tiny perforations promise fragmented logic
by osmosis revealing the storm implied.
The tap of excitable energy is dripping slow
threatening balance with a flood rip tide.
Empathy walks with the expectant father pacing
and coils of despair knot so deep inside.

A nervous anxiety
   grips psychology and waits,
      caught somewhere between
         bleak submissive acceptance
            and stark naked panic.



© Pagan Paul (22/05/18)

Shane Page made a quick call to his daughter, LeAnn, as he waited in the hospital lounge. “Hey, Dad, what’s up? You sound kind of upset.”

“LeAnn, Grandpa had a heart attack…”

LeAnn’s dark brown eyes grew large. “Is Grandpa dead?”, she asked. She was fourteen years old, and a wise, sensitive girl who cared a lot about her grandpa.

“No, not that, hon. The doctor says he will recover, but he had some blockages and he needs some fixing up.  He’s resting right now, pretty comfortably. I just wanted you to know where I was and that I’m okay—so don’t you worry. Look out after your brother…” He sighed in exhaustion and ran his fingers through the top of his dark hair. “It’s going to be a while before I’m home.”

“Well, wait a minute!” she protested.  “Why can’t Trevor and I go with you? Maybe Mom can drive us up there.”

Shane started to raise his voice, “Leave your mom out of this!” Then he realized his tone was a bit harsh and said more calmly, “You two got school tomorrow and there’s no need for you to be here now. Anyway, I don’t want to involve Mom.”

Shane and his wife, Megan, have been separated for four months now. It would be more than likely that they would be getting divorced. LeAnn, and her brother, Trevor—who was eleven-years-old—were staying with their father. It worked out that they remain in their home.  

“Dad”, LeAnn insisted. “She’s still our mom…”

“Just look out for Trevor. Ok?”

Shane got off the phone, and just sat there staring at the television but having no real desire to even pay any attention. That was the farthest thing from his mind. Around him were a few other tired people, looking about as frustrated, tired or worried as he was.

It has been a trying year for him. Still struggling with his marriage issues and now he was dealing with his father’s health problems. At age thirty-six, Shane was a young father when he married Megan. He felt it was the right thing to do considering she was pregnant at the time. The odds were against them remaining married, but they made if farther than anyone would have expected.  He certainly remained married longer than his parents—who were married for seven years—but he blamed his parent’s divorce on his womanizing, cheating father, a man he did not want to follow in his footsteps.

Dr. Bakkal had spoken to Shane, earlier. “Your father’s fortunate he made it in when he did. He was in requirement of two stents, and he was resistant to having them put in. I told him if he wants to continue to live, he’d be wise to get them. Otherwise, he’ll be in the same boat, but now we can prolong his life.”

“So he’s refusing?” Shane asked. That was his father, alright, stubbornly pigheaded to the bitter end.

“Thankfully, he signed for consent and he’s allowing you to be included in conversation over his medical issues. But really it is a good idea for him to have a power of attorney. You are his only son? ”

“Right.—I’m it”, Shane responded. “Well, that’s my dad for you. He thinks he’s got it all under control. Anyway, I’d be okay with being power of attorney, but who knows if he’d even have me. I don’t need to tell you he’s a stubborn man. He’s a proud man—too proud.”

“That he is”, Dr Bakkal agreed. “He doesn’t have a wife who can step up to the plate?”

Shane laughed a little. “He’s had four wives. My mom was the first. The lady he has been seeing now I’m sure saved his life. She was the one who demanded he go to the hospital and she drove him here. But she called me up and says she’s done with him.” The strain was obvious, as it was written all over Shane’s face. “He’s a headache, Doctor. He drinks too much. He smokes. He has yet to meet a vegetable…”

The doctor stated, “But things don’t sink in until we are forced to face them, sometimes. And he thinks because he looks alright on the outside, he’s okay on the inside—a fairly handsome man—a ladies man—who is, one used to being his own boss.”  

Shane agreed, but his face was grimaced. “That he is, Doctor. That he is. Yeah, but when the ladies get wind that he ends up treating them pretty shabbily—well, I’m not going to fill in the details. Four wives should tell you the answer.”

Dr. Bakkal put his hand on Shane’s shoulder. “Ah, but you seem to have a good head on your shoulders. I’ve no doubt you have some sense.”

Shane nodded.

Nodding his head—drifting in and out of sleep—Shane continued to wait in the lounge. Soon, Shane’s dad, Carl, had been able to get into his own room. Shane was able to go in and see him. Like Carl had told one of the nurses, he was “all wires, tubes and coils” and he had “enough numbers lighting up on fancy gadgets to keep the place busy” as his vitals were constantly monitored. Soundly sleeping, he seemed much smaller in his hospital bed with his face half shielded by an oxygen mask. What a strange sight it was. He hadn’t seen his dad in the hospital since his gall bladder surgery several years ago.  It was a bit unsettling for Shane to see him this way.

He didn’t want to wake his dad, so Shane just grabbed up a chair and sat by the foot of the bed. Before long, he had fallen asleep, too. When his phone range, he was entirely confused as to the time, even to what day it was.

“Hey, Dad, how’s grandpa doing?”

Looking at his watch and then peering out into the darkness out the window, he answered, “What’s that I hear…in the background? LeAnn, is that your mother there?”

“Yeah, Dad, I told her. She felt like we needed her and she’s making dinner for us.” Megan could be heard in the background talking with Trevor.

Shane frowned. “Oh, great! Didn’t I tell you not to involve Mom? You are perfectly capable of cooking, LeAnn. You do a good job, and—“

LeAnn abruptly handed her mother the phone. “Shane”, Megan said. “You can shut me out from helping you, but you can’t shut me out from helping my kids. Don’t act like you couldn’t use a hand.”

“I’ll be home soon”, he insisted. “It’s really not necessary. I’m not trying to be a **** about it…”

“You stay there as long as you need to. I can call Uncle Sal and tell him you might not be into work tomorrow.”

Shane worked as a manager and mechanic in his maternal uncle’s car repair shop. “Megan, I am quite capable of doing this kind of stuff, you know!” He hesitated and gave in to what he saw as interference.  Perhaps, guilt compelled her to come over. After all, she was the one who walked away. She was the one who was unfaithful, the one who strayed.  He added, “You want to look after the kids—then fine. I’ll worry about me”.  

“Well, you got it! I won’t interfere too much in your life, Shane. You’re just a chip off the old block,” she remarked, referring to his stubborn father. “The kids and I are doing just fine. I got it covered! Okay?”

“Hi, Dad! Love you!” Trevor boomed out from the background.

Megan laughed. “You caught that, didn’t you? I think the whole neighborhood did”.

There was no use trying to resist Megan’s help. “Tell the kids that their grandpa is comfortable, sleeping like a log. They can see him soon enough.” He stopped as a nurse came into the room to check in on his father. They briefly smiled at each other.

“Give them each a kiss and a hug for me”, he said, lastly, almost choking up. He wished it was like it was before—the four of them under one roof. But that was not going to happen.    

Shane met Megan at a party. She was a college student learning to be a teacher. He was working for his uncle in his auto repair shop. The plans were set for Shane to take over that shop one day. Uncle Sal had three daughters, none of them the least bit interested in taking over the business. When he met Megan, he was doing well for himself.

It was love at first sight for him. He was attracted to her fun loving personality, as well as her beauty. Her blue-green eyes would light up the room. At first, Megan wasn’t feeling the same way. Shane did slowly grow on her, this “grease monkey” with his serious nature and beyond his years. They would talk about their future together, for they really did enjoy each other’s company. But then reality hit them in the face when Megan became pregnant with LeAnn, and they married very soon. He wanted to marry her anyway, but now it was a matter of integrity. Shane wanted his child to have parents who were married and for his kid to know him better than he knew his dad.  

Megan gave up on her schooling, not becoming the teacher that she dreamed of. Shane often wondered if she resented him for this—like it was entirely his fault—though Megan never expressed that to him. A few years later and Trevor came. Plans to go back to school were put on hold. That light in those eyes seemed to grow dim, but he didn’t really notice that she was unhappy. He seemed to lose focus.

Such thoughts were punishing at this time, and he tried to bury them deep down. It was amazing that he was able to have a sound sleep in the hospital, resting in the chair in his father’s room. Next time he opened his eyes, the sun was shining. He looked up, disoriented a bit, as he noticed his dad looking at him, a small smile on his face and no more oxygen masks.

“Hell, Son”, Carl said in a gruff voice.. “You look worse than I do”. Carl’s thick head of grey hair was disheveled, and his usually, neatly trimmed mustache was invaded by surrounding ****** stubble.  

Shane got up and stretched and said back, “Thanks, Dad. Good morning to you, too.”   He looked at his watch and added, “Glad you’re alive. You scared the hell out me. You got your grandkids worried.”

“Well…get me out of this ****** hospital and I’ll show you I can get around just fine”.

“Whoa! Whoa! Superman—you are not! Just lay back, relax a while, and do what the doctors tell you.”

“Like what?” Carl asked with a furrowed brow.

Shane was careful not to lose his temper. “Well, for one, you can quit smoking. Two, you can give up the *****. Three—take your cholesterol medicine…”

“Ok….ok….you sound like your mother now”.

Shane knew it would go in one ear and out the other. He stood by the window looking down in the parking lot. “Yeah, Dad, Maybe I do sound like Mom, but someone’s got to tell it to you straight. Put some sense into you. Stop just for once and think of someone else besides you. If no one else, think of LeAnn and Trevor.” He paused and added, “Think about me for once.”

Carl laughed and mocked him, “Poor, little Shane’s got it so bad. I’m not against you, Son, okay? You’re a big boy, so man up! I’m sixty-nine years old! My old man was gone by fifty.” He started having one of his coughing spells, his cough like an old smoker’s cough.

Shane shot him a sharp look. “I guess I’m a fool to expect any better. Can’t make a silk purse out of a sow’s ear—as mom always says. Obviously, just wasting my time here!” He went to grab his jacket to leave.

Carl boomed, cheerfully, “Well speak of the devil!”

“What?” Shane asked, unaware of what was going on. He turned around and there was his mother standing in the doorway. He smirked and said, “Mom, I’m surprised to see you! LeAnn, right? ”

Rosina smiled and nodded as she entered the room. With salt and pepper hair, and an olive complexion, she commanded the room with her presence. Carl always referred to her as “Queen Bee”, for she had that quality—regal like a Roman statue when he first laid eyes on her—though she was down-to-earth in reality.

Carl groaned at the thought of her coming. “Is it safe for a person to be in here?” she asked, in her grand entrance.   She whipped Carl a stern glance. I’m not here for you!” Then she gave a look of concern her son, and told him, “I’m here because I’m supporting you, my dear. And yes, LeAnn called me.” She gave him a kiss on the cheek, and a quick hug, and he returned the loving gesture.


“Mom, you didn’t need to drive over an hour to come up here. But since you are—have a seat.”

“You sure as hell didn’t, Rosie”, Carl echoed.

“Oh be quiet!” she ordered Carl, putting him in his place. She dismissed the offer of the seat, and told her ex- husband. “I’m worried about my only son, but I also am interested in how you’re doing…if my grandchildren will still have a grandfather. Take better care of yourself and maybe they will.”

Shane comments were sardonic. “Maybe miracles still happen…like quitting smoking, boozing, and maybe doing some walking and healthier eating…but since when has Dad ever listened to you or me?”

Carl attempted to sit up and get out of bed, but the effort was ridiculous. He groaned in pain. “Give a poor guy some rest, already! You two are just a couple of nags!”

Rosina sneered. “Old nag—old hag—*******—say what you want about me, but you know I’m right! Anyway, you are outnumbered. Or am I, Shane, and the nurses and doctors all talking out their rear ends?”

Carl made a face. If only he could just get out of here.

“Honey”, she said to Shane. I’ll be downstairs in the cafeteria. I’d like some coffee. You can join me down there if you’d like and we can talk.”

“In a little while, Mom, thanks”, he replied.

Rosina walked up closer to Carl and put her hand lovingly upon his chest. “I really do want you to get well, old man. I wouldn’t be here if I didn’t care.”

“I know you do”, Carl admitted. “That is one of your faults. You don’t stay ****** forever.”

Carl was more scared than he would let on. He hated hospitals. He would do anything to just be back home in his recliner, watching a football game and having a few beers. What he wouldn’t do for just one puff on a smoke, too. Anxious, he tried to hide his fear, but it was just a smoke screen. He didn’t want anyone to know how he truly felt, nor did he want anyone to feel sorry for him.

There was silence for several minutes. Shane had said all that he should say. After all, he knew his dad probably wouldn’t listen. “Hey, Dad”, he finally said. “LeAnn’s going to her school dance. There’s a boy that likes her, but I’m really not ready for that.”

Carl grinned. “She’s a pretty girl, alright. Takes after her grandma when she was something else—way back, you know. The girl looks more like your ma than you do, though always felt you took after her look instead of me”. Carl’s background was English, Scottish and Welsh, and Rosina was full Italian. To Carl’s side of the family, he looked like his dad. To his mother’s side, he resembled her. Trevor took very much after Megan, with light brown hair and those blue-green eyes.

“Yeah, she is growing into quite a beautiful young lady”, Shane agreed “I got to still go dress shopping with her…and, oh, let the fun begin!  Can’t think of anything more enjoyable than a day of running her all around the malls.”

“Well, let Megan take her, for God’s sake! Or let your mother do it.”

“Dad”, “It’s fine. It may not be my thing, but all the stuff I do with Trevor—going to his baseball games, soccer, to karate. Well LeAnn was more into that stuff but she’s getting more into girly things.”

Soon, a young woman came in with Carl’s lunch, and placed the tray in front of him on his table. “Cute, huh?” Carl remarked about her after she left. Shane did not say a word.

“You need to get back out there. Get out and meet a nice girl”, Carl said, picking over his food. Jell-O, apple sauce, broth, a roll and juice—he wanted a hamburger. But how could he get a good one here? There were too many “spies” as he called them watching over him.

At the moment, Shane seemed miles away from his dad. Whatever he was saying made no impact. He made it a point not to speak of his problems with Megan to his father, and he liked it that way.  By Shane’s expression, he felt his son was holding back on something. But the truth was, so was he hiding something.

“I got myself into this mess, I know”, Carl declared about his heart attack. “I came close to saying, ‘Sayonara—that’s all, folks!’” His remarks were typical—just blow everything off. He joked as if he wasn’t fazed by it all.

Shane had now closed his eyes, and kicked back a little, “Uh huh”, he agreed, though he was simply responding without thinking about what Carl really said.

Carl didn’t want to be tuned out. He had something to get off his chest. He said, “ Well, all that’s done and said, maybe this is the right time to tell you. Got plenty of time here with my own thoughts.” He hesitated, for it wasn’t easy for him to say it. “ It’s bout time you know”, he said. “I think with me almost bitin

Danger

It’s a trap

Don’t go in there

Beware the dog

Who both barks and bites

Brilliant steel overhead

False bottoms

Coils spring to life

It’s a trap

Fall in

qiss kiss ts'kammen
ordeal of the dyslexics.

****** innuendos aplenty:

i cycled with a rucksack full of empty cider bottles
and one tiny 35cl where whiskey would
otherwise be found... i have a fetish for recycling,
a fetish for recycling, not owning a car but rather
two bicycles, long walks in the forest alone,
scratching my head and pretending to braid parts
of my beard: rather, pinching it and twisting the pinched
part so it might appear that i have saber-teeth either side
of my chin...
                   little pleasures...
i would otherwise be known as a: KLOSZER...
KLOSZ... lampshade... kloszer is a derogatory term
for someone in Eastern Europe who collects empty bottles
from skips to later bring back to a shop
to get his WACŁO (VATSWO) - i guess i imagined this word:
in the olden days of the early 1990s...
us boys used to play during the summer running mayhem,
on our breaks we'd go to the shop and buy
TURBO gum, chew chew chew...
and have a little prized paper of a car,
and we used to buy lemonade, later pepsi...
if we bought a lemonade (always in a glass bottle)
and drank it on the spot, returned the bottle to the shop...
we weren't charged extra for the drink...
but if we decided to buy a glass-bottled drink and not
return the bottle on the spot? we'd get charged extra:
glass was precious under communism...
KLOSZER? the person who would scout the urban
environment and pick up leftover glass bottles
for a drink of *****... but i'm recycling and i feel mightily
proud of... "proud"... of this Achilles heel...
baron of crashing chandeliers...
                     but it wasn't raining when i performed this task...
when i cycled to the VAPE shop on North St.
inquiring... i was giving this ASPIRE Typhon 100 as
a present... but the more my lips and breath snuggle on
this **** no smoke comes out... and the smoke is harsh...
coils?! coils?! over-used coils?
i walked in to the shop with the sort of would-be
girlfriend with piercings and tattoos
   and all that jingle at the counter... some random guy
sticking around for too long, i broke his train of thought...
i was trying to break past the smoke pretending
there was a dead carcass in the room and instead of smoke
there were flies... **** me... i'm looking for a new coil...
new coil she says... she starts rummaging...
it started raining by then...
           she picked up a £15 packet of five filters... coils...
PnP-VM6... like this sort of detail actually matters...
i ask her... so how do you change them?
she replies: you just pull it out...
so i pull it out... oops...
                     *** scene worded...
my flask is full of blueberry oily liquid... it spills...
all while there's this: now turning into a creepy guy
in the background obviously not buying just
trying to work his game with this woman behind
the counter... the liquid spills...
playful innuendo conversation: oh... i'm not intimidated...
i have underperformed in my life...
not exactly premature *******... it's just when
she's the madam of the "parlour" and i have no energy
and i need to chop my **** off and replace it with a *****
the fluid spills my hands are greasy
she tells me that she'll get the tissue...
oops... once more... obviously it was a super-charged
***-metaphor...
i can't remember the last time i was called HONEY
and the whole affair was brushed off so easily with
***: in my mind, guiltily displaced...
   i bought the filters and pushed when the sign on
the door indicated PULL...
as confused as anyone might be...
when, where? apart from a VAPE shop will you get to pull
out an intricate part of a tool...
spill juices and have a woman retort with: let me get you
some tissues... i mean... that's super-charged Freudian
forbid might have any choking-jokes aside beyond
the already made via innuendo...

i'm richer than the rich having none of their worries
or the follies,
i do own what the rich own: and for that i am
rich in not having to worry about owning
things that might cause me to worry -
                   if it might be only for a minute or two:
this moulded heap of cow dung
    and mud - and milk and water -
   leave behind all the chains of gravity and marry
air: marry air and rise higher to the highest
point - touch the membrane where air disappears
and what is left is the vacuum where stars dictate
what is and what isn't...

or to better translate...

    reading one poem: Zbigniew Herbert's
   Former Masters while listening to Faun's
Sonnenreigen

and as if by magic my knowledge of English
disappears in my mind to a silence...
eaten up twice, ejected thrice!

\ \ \ \ \ \ \ \ \ \ \ \ \ \ \

dawni mistrzowie
obywali się bez imion

        (in der goldnen morgenstund
     ziehen wir aus des tales grund)

   ich sygnaturą były
białe palce Madonny  (und wir tanzen
                                               froh hinein
      in den frühen sonnenschein)

albo różowe wieże
   di città sul mare    (hoch hinauf auf bergeshöhen -
                      
  a także sceny z życia
   della Beata Umiltà      / -  um ins auge lughs zu
                                               sehen)

   roztapiali się   (lasst uns feiern
   w sogno              (             diese zeit
miracolo                  ( die der sommer
     crocifissione              ( hält bereit...)

    znajdowali schronienie
pod powieką aniołów        
                                                (du lässt deine raben ziehen
                                               in die felder golden stehen
                                                und das helle lichte rad
                                                dreht sich über lughnasad)

   za pagórkami obłoków
w gęstej trawie raju
                                                (muzik gemisch nach chor)
   toneli bez reszty                                      "
w złotych nieboskłonach                          "
  bez krzyku pzerażenia                            "
bez wołania o pamieć                                "
                         ­                                             "
   powierzchnie ich obrazów                    "
są gładkie jak lustro                 (es war nun ein
                                                             ganzes jahr)

nie są to lustra dla nas      (seit ich dich beim tanze sah
   są to lustra wybranych      (allzu oft in langer nacht)
                                                 habe ich an dich gedacht)
....

     sprawcie niech spadnie ze mnie
wężowa łuska pychy           (könig sommer führt den tanz
                                               dem ich folg im blütenkranz
                                               und so dreht sich unser kreis
                                               in der alltbekannten weis')

  niechaj zostane głuchy
   na pokuszenie sławy    (du lässt deine baben ziehn
                                           in die felder golden stehen
                                              und das helle lichte rad
                                              dreht sich über lughnasad)

/ / / / / / / / / / / / / / / /

ehemalige meister
sie lebten mich selber
    ohne namen

       (w porannej godzinie, złotej)
    pull us from the grand valleys...
oh ****... incursion of the English:
the red-coats are coming!

       ciągnąć nas z wielkich dolin...

   ihr unterschrift war
weiß finger Madonna  (i my tańczyli
                                               radośni zu-hausen, W
                                 wwww to:
schdat:  frühen-para-freeze: fruit:
early... sonnenschein - sun-lighting
oblivion... sun-glee: shine...)

oder rosa türme
   di citta sul mare    (wysokie
                 ÚP z  
wyżyny górskie -
                      
  und auch sZenen mit leben
   della Beata Umilta      / -  um ins auge lughs zu
                                               sehen)

geschmolzen sich   (liście nas świętować  
in sogno              (             ten czas
miracolo                  ( there the summer, to i too
                                           that: there, the: to i too:
                                        ta jedyna stokroć:
                                         zerk chłodem oka: powieka...
                                   okno na świat... rano:
                                              i modłem: terz:
                                          anatomia bosa noga...
                                    dzicz: bosa noga boga...
rap rap... all that rap might bring to suffice:
the polyglot presence of an African incursion
into Europe... mumble mumbo jam: tát tát... jum-b'oh!

a thought experiment one awry: trying to exclude
English from my psyche for a little while
proved insufferable, even if listening to a song
on Deutsche and reading a Polieren script...
sneaky ******* has a way to return...
i wanted to keep a perfect translation
of: reading a script in Polieren while listening
to a song in Deutsche...
subsequently translating the read Polieren
into Deutsche and reimagining hearing Deutsche
al Polieren... not in the right interest of
the English philosophy ("esoteric aesthetic")
of queuing... ****** just butter in: elbows held high!

SMUTNA SUKNIA: OGIER: PEJCZ!
   co stonoga-noga-o-gołą: nogę...
widmo... język... mów a mowa...
                                     bzdeta: mów!
ogier: stonoga... wilko-kroć...
  step... mowa: noga... ogień: zór...
jęk: kleṅska: ogień: ozór...
                            język: ksieżyc...
ogień: rosputsta: i nadal mi brak słów!

     crocifissione              (trzyma gotowość...)

    sie fanden zuflucht
unter augenlid auf engel        
                                                (wypuszczasz swoje kruki
                                               by stanąć na złotych polach
                                                i koło jasnego światła
                                                zakręty samo-w-się nad
                                                lughnasad!) ­                                     

   hinter hügel wolken
in der dicke gras auf paradies
                                                (muzyka­: tylko muzyka,
                                                     bez, słów)
   sie ertranken ohne der rest                    "
im golden himmelneigung                       "
  ohne schrei auf grusel                             "
ohne anruf um erinnerung                       "
                                                               ­       "
   oberflächen ihr gemälde                        "
sind glatt wie spiegel                 (to był jeden dobry
                                                           ­  cały rok)

nien sind dies spiegel für uns
   sind sie diesser spiegel die ausgewählt

                                               (odkąd ja i ty na tańcu okiem wgląd
                                               także często w dłuższej nocy)
                                               miałem ja, myśl twoją)
....

     mach es möglich lassen werde fallen
    von mich
serpentin schale auf stolz  
                           (król lato prowadzi taniec
                           za którym podążam w wieńcu kwiatów
                           i tak obraca się nasz krąg
                           w znany sposób)

  lassen ich werde bleiben taub
   an verlockung von / auf
                       RUHM        (pozwalasz odejść swoim dzieciom
                                              stanąć na złotych polach
                                              i koło jasnego światła
                                              odwraca Lughnasad -
                                      
płuco - singular... plural?
   płuca... lungs....
    garden of breathing!
soul always escapes the noun...                       

\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \

just to double check, translating from ******
to German and German to English,
that how i would have otherwise arrived
on these shores if my only mode of transport
was the tongue:
if i had no legs and perhaps no eyes...
if i were an idea of English that could express
it as I, Ja, Ich...
        and, yes, theirs'...
       iota > whatever might come after...

ah! this is one of those thought experiments!
it has to be! i'm excited!
i'm truly awakened!
this muddle of memory, dream, imagination,
reality a sprinkle of words and hey presto!
starved from images having moved
from the Age of the Image
to the Age of the Music...
it's so simple...
once upon a time you could only hear
music if someone played it good
or you played it badly...

yet when someone wrote a word...
or when someone painted a painting...
it could be written once
yet preserved by time
by this ingenious overcoming of God
(no, not man)
and if god "wrote" mountain man "wrote"
Pyramid,
if god "wrote" river man "wrote":
boat bridge watermill...
if god "wrote" forest man "wrote":
pluck out these trees stop looking
for berries and mushrooms...
look for grass, edible grass! find me arable
land that's not a desert!
of once mountain ranges that passed
from time into non-history
    into keepers of time by the whims
of the fluted wind...
                  
by wind my breath...
by my breath the decay of creative rust...
     i can only create dead things...
with me the power of death-creativity...
i invented the stirrup with me gone
the horse might finally not graze so easily
after the work of civilization has been done...

only then might the four horsemen
come with me dead and the stirrup
   i can only create dead things...
i am the death-creativity...
with me there will not need for the fork
or the knife the spear and the rope
upon waking a new world
i will only know words like mountain
apple tree i will know the word cloud
i will know to say the sea and that sea
i will call the caspian sea: sea...
and the atlantic sea: sea...
    and i will call the Danube the Oder
and the Oder the Vistula
but i will not know what is Danube or Oder
i will be unable to say or dream or conjure
a fork without: the fork
i will be in Paradise...
i will not know the concept of ******
because there will be no word for ******
there will be no Madonna or pregnant woman
there will be no foetus there will be so many words
missing! so many words will be missing...
all the basic words of coordination
will be there: and the Highest Abstracts
will be there: will, hope, dream,
    there will be there: be, am and i,
             there will be: because, are you,
there will be giggle and there would be crying,
there would be sad and there would be happy...
there would be: because and after and by
and there would be...
there would be no knowledge nor anything
concerning grammar...
this revision of "vocabulary" would imply
there being no real vocabulary,
a dream-world vocabulary of:
if said thing goes not exist... there's no word for it...
there would be no word: hammer
because there would be no need for hammers
indeed: nails...
motion of hammering...
there might be a rock and a trick of a hardened shell...
there would be no word for distance:
mile... by looking upon the sun...
there would be the Eye of the Blue
and the Eye of the Navy-Glee... there would
be no Night no Nothing
    no Night in this Hanging Pyramid of Babel...

there would be no Moon or Sun
only the Eye of the Blue
and the Eye of the Navy-Glee...
Glee? SH.... what's SH in shIMMER?
what's IMMER?
(oops... a Socratic stumbling block)
   immer... ALWAYS...
      what's SH+H? shh? be quiet always?!
SH... sound, vibration is sound...
            shh! yes: i'm telling you: it's going to be
like that, always...
   promised you 72 virgins?
wouldn't you just want your mind un-muddled?!
what's un- and muddled?
un- is not... not of when coupled to a noun
that works like a verb... doing the muddling...
medley muddling mummifications: toilet... paper...

toilet? no... no knowledge of toilet in "heaven"...
no paper too...
     word... what's word?
God... what is God... no God...
word is the a priori already invested crown
of curtailing words to begin with...
not imitation sound: __S

ah... sobering up... i love this bouncing along of English
dynamic like everyone is invoked to be involved...

                                          Z__­___

that's how the West met the East in writing

Z_________S

my "god" will be the word ONOMATOPOEIA...
and his son will be MIMIC
and his wife will be NĀMÉ
                        alternative written by angels
as NAMEH... because by then only angels will have
knowledge of the clue, not God,
of YHWH... YHWH will become as comical
as the 21st graffiti spray-painted by some boy
in the outskirts of London...
this scribble should have been preserved by the angels,
but like Prometheus, the arch angel Samael
brought down this scribble...

they brought the mummies and their hieroglyphs
that turned out to be Emoticons...
the Egyptians had two brothers...
the brother Aztec who copied the eldest
brother, Egyptian in constructing the Pyramids
and brother of the Great O of the Orient
who squinted his eyes with avarice and lineage
and said: i'll write like you, i'll see through you...
you give me mummified bodies
i'll give you skeletons...
the Aztec was the youngest,
the Egyptian the Eldest...
  the Khan was in the middle...
and Khan was right... he employed a pre-digitalisation
of scripts... imagine throwing
the letter G into Egyptian hieroglyphs...
some ****** did that to Khan's great counter
of hieroglyphs full bodied...
to hieroglyphs pure skeleton...
prior to Latin: not even Greek was a skeleton-key?
what? letters marrying numbers?!
unheard of?

1111111... one... lllllll (little l)... IIIIIIII (big iota)

imagine dropping a latin letter into Egyptian
"script"...
look what happened when someone dropped
something foreign into
Chinese hieroglyphs and so was born
Katakana... Chinese hieroglyphs came first...
then came Katakana...
then came the elevated:
if the story is true... and the Austrians
think themselves better than the Germans...
someone gave birth to the scribbles...
Korean came last...

       that feeling you get when you're trying to look
for an actor's name:
he playss the role of Grand-Duke?
Emperor? of the Habsburg Dynasty...
the elder brother of Marie Antoinette...
beautiful actor...
                          lips like purses...
who threw that ******* bone against the Chinese
hieroglyphs that spawned Japanese minimalism
that translated: ha! translated Chinese through
Japanese to Korean... split the ******* in two...
towing two! towing two!
                          Zhin Chin ****... silly!
   i'm not joking...
           Žin vs. Żyn... Rzym! Rzym... Rome! Rome!
hmm...
           Źın...          Žiń...
  
ha ha... the Nazis smoked out the son of the devil
of the people who gave them abode for almost...
whenever Poland, converted (insert a snigger...
i have the noun-spelling for it...
but not the onomatopoeia, ha ha... laughter
and rugby)...

change of direction at work...
i'm feeling an aura of: DISTANCING...
people are feeding off the appetite of me: leaving...
and their lives being over...
of course they will not be over...
they'll be feet in not worn shoes
in shoes boxes on shelves in libraries
of fickleness of the female side of humanity...
only angels should have been given
the crack-head code of the 4 letter "signature" of
YHWH... i'll give Jesus credit...
well... Beelzebub...

HANGU:L! that ingenious king of Korea
that: seeing a stick being thrown
at a bunch of sticks assembled as a shelter
of the Chinese hieroglyphs witnessed as the Japanese
folded... worked on an argument
of introspection: kept it...
hmm... what are those weird ISLADERS
******* around it?
they have the BOLD katakana
and the ITALIC hiragana...
two ******* trenches...
just let some westerner know:
the Hiroshima (katakana)
and the Nagasaki (hiragana)...

   Chernobyl and Fukushima...
the pregnant women were advised to drink iodine...
boom! boom! boom!
ergo? no real, comparatively: "boom" as boom!
or  BOOM...

it's the second morning i'm woken up from briefly dreaming...
point about dreaming? the content doesn't matter...
i'm not a hyper-focused Freud...
dreams are dreams in
how fog is fog and a hurricane is  hurricane...
dreaming heavily:
you feel exhausted if you slept for 10 hours
or 5... dreamless...
you slept: you didn't dream...
but dreams creep up on you:
they play fakery with your body:
you weren't sleeping: you were dreaming...
unlike getting blind drunk
and... sleeping: not dreaming...
with the lesser baggage(d) people...
snails? no... elephants! no ivory tusks...
already no fur... no drunks...
edible cartilage of the ears...
flapping... hmm... i might have to invent
a rug... a place to take off one's shoes...
shoe?
shoe prior to sock? obviously...
shoe prior to sock...
sexed up legs... procreation by the chemical
demise of acting...
if not sold to actors:
a god-send...
i could **** each any every ugly *****
but... god almighty... the impossible feats...
with Xerxes on your back?
the second battalion ambush of Greece?!

currently as is "currently": and, ahem... "history":
a history of plug-hole psychology
of inescapable Darwinism: cuckoldry...
or Plato's ***** joke about the feminism
of Hindus and their tired, wasted concern for Hygiene...
they bathed with the dead...
so the dead came and ate up the living...

for the past days... of note... two...
upon waking i hear my name being called:
Mateusz!
not twice, thrice, just... once...
i rush down and ask my mother: have i overslept?!
did you call me?
the replies: no... i haven't called you...
why am i: Matthew?
                     i don't think i'm: Matthew Smith
or a Matthew Czopek or a Matthew Eschlert..
or a Matthew Matthews...
why was Jesus Christ not Jesus ben Josephus
ben Matthias?
                i wonder... not really: "wandering"...

it was but a little nugget of inspiration of marijuana
and i went off the tangent...
i would not replicate the original ******
poem into German
   and the German song into ******...
because... springboard og ingenuity
English woke up!
as if: spontaneously...
i can't appreciate poetry written by
mono-linguists or ****-up: kissy: tut-tut..
smooch kiss-up immigrant ****-wits
of: this is only a Lingua FRANCA...
"franca"... a tourist-tongue...
it's a ***** tongue...
people speak it, leave it, abandon it...
sometimes perhaps frame it...
it's a tongue of commerce and Babel
and... at the end of all the tongues coming
together to speak it...
a rather: unsatisfying tongue...
over-salted... over-pompously-self-solidifying
complicated-soliloquy... solipsism...
something this: that: self-
    +-evidently apparent that children ought to
be teaching this modus operandi... *******... ha ha!

letter will not be know since words will not be known,
we will, although know words, that will be sounds
not scribbled down, imagination will be
nullified and nothing will be born with sleep
and dreaming will be alien to us,
since we will not be myopic
*** will be friendship and: we will know not
the word for tool and the specifics of ingenuity
and genius...
there will be no word for man...
and there will be no word for woman
and there will be no diatribe of death and child...

my uncle is in hell and i can almost count
this auditory hallucination:
i will have no concept of auditory: because i heard...
within the non-existence of my bones
and body and blood and brain and heart
in the water and earth turning to air
with each breath...
i will not hear... how my uncle: calls for me...
and how did you live with your mother,
when she aged to a nearing rot...
i lived with them and not people i would exchange
for a properly working bicycle-lock...

for each ******* i would replace the glorious
half hours i had with them
the months i spent with my supposed "lovers"...
i'd take one half hour with a *****
to replace the courting with said woman: unsaid:
to procreate and teach "my" children:
children of the times... flawed lessons
of the march, ancient march of typology
and non-writing and Time as Dust...

am i to help you when i implored the non-existent
deity into my *****,
indirectly you might implore for me:
will i reply to the heaven sent:
what am i to do?!
do as i did: absolutely nothing and nothing too,
that's twice that's hardly not a scone
scuffed and chained to Baron Zung...

            speak two tongues and tease a third...
come the fourth... letters have to turn into images...
in this heaven of no sheltered virgins..
in my noun-basket i will not have words
like pen, or: boiler, roof, eyeliner,
i will not have:
          screen, cinema, actor,
           philosopher, poet, psychologist,
soul: i'll have my self-eating cannibalism of breath...
verbs will merge with nouns
and the only nouns worth existing thereby will
be: specified and "corrupt" by a localised
specialisation:

                 god will be ONOMATOPOEIA...
the son will be MIMIC
and there: within the confines of said time
MIMIC will battle Chimera...
MIMIC will look alike: Chimera
but Chimera alphabetically:

    CHIMERA = ACEHIMR

                   the dead are not so displeasing
when it comes to the living-as-if-dead...
and there are plenty of those
living such: body-and-soul-crushing...
no... i couldn't imagine myself marrying
a troll... just to somehow oddly fit it...
i'm not going to reply to a message:
me and Nicki... says Frankie... are over...
reply: to what? and did you hear
my side of the story? no? no?!
i don't have to hear your side, either!
oculus per oculus!
like for like:
dislike for dislike!

           i'll wait... i'm not actually waiting
for anything other than:
can you please leave me alone?
i'll reply you whenever i feel like it...
i don't feel like
wanting human connection for at least
two days...

there's a hell and a privacy one earns to have
earned it that one rarely wants to
have it made public...
albeit in the "public anonymous"...
all the more willingly... since no immediate
consequences are to  be met: face-to-no-face...
tired of replies...
walking lesbians into the night
is like pretending to not walk
cows into the slaughterhouse...
ego-***** replacing what once was?
Plato the Plumber and the blocked toilet
of reincarnation...
i'm done with pride... Herr Dapf...

             for the waiting to be dead,
falte der primast schattierung:
für das Warten tot zu sein:
ich möchte auch tot sein...

   a death with the hollows
of the hallowed wooded emptied bark....
suffer the sound of a thunder-stroke...
donnerschlaganfall:
all aligned with things living...
nearly: or waiting to be towed toward
A... death...

           morgen?
                          tòmāté...
*******: SPUD!
           morgen butter-kneaded? by the hollows
of said, suggested juices..
my knees are not enough:
meine knie sind nicht genug!

Darkness, Shadows, Fright’ning screams
Red eyes haunt you in your dreams
With serpent coils and spider crawls
Clouded skies and banshee calls

Cold chills running down your spine
Something’s counting down your time
Monsters wait to draw your blood
Don’t listen for that sick’ning thud

With every turn you hear a howl
Eerie, freaky, creepy, growl
Apparitions all around
Voices groaning underground

Death and phantoms at your neck
Pirates on a grim ship wreck
Something’s coming down the hall
With fangs and claws and dying squall

Darkness, shadows, is this real
All this fear and dread I feel
I must wake up and see the sun
Or this nightmare won’t be done

Mother fish sees her eggs devoured
by alligator that gulps everything on the sand
save her own eggs and children.

Mother fish cries her eyes out
and seems not to be heard
neither by the heaven,
nor by the sea (their common abode),
that bore them, and now assists to her boredom
indifferently and silently,

which silence she condemns and curses.
She goes to the beach; she weeps
and seeks revenge in vain.
Now she sees a python that creeps
from the bush around the beach.

The creature she has never seen before,
as immense as the world,
eyes first the alligator
whose blood becomes as cold
as the ice under the sea.

They stare at each other
like someone intruder,
at a home where he is not wished as guest,
who faces the anger
of the owner who would not him host
but from there him usher out.

They look at each other
with sulks on their ugly faces
and fear as each one faces
this kind one for the first time.
However intimidations from each party
can’t touch the other party.

The cold war ends and becomes hot:
The Python and the alligator
get ready to come at each other
like warriors of different kings
ready to defend their kingdoms’ colors,
ready to defend the pride of their lords,
and ready to die for their honour
though they’d prefer to live
unnoticed and live longer.

Furious, the python throws her head up,
her dart flies like flash out and in
between the jaws of horrible sight,
and the beast tests she’s still unrivaled in
cruelty. She gets ready to attack.
As for the alligator, all her muscles she does check,
her arms dig into the sand,
And she flies to crunch the enemy.

She bites hard the neck of the python,
yet her teeth can’t tear the strong scales
of the mammoth reptile.
The python pretends to be provoked;
She wildly crawls and coils around the alligator
and holds tight her body from the tail to the head.
And alligator’s jaws, strong to weaker preys,
become useless.

Her mouth opens wide and starts to swallow the alligator
as the latter did when she chewed the eggs and children of the fish.
From distance the fish watches, admires
and enjoys the scene as the python
seems to be her avenger.

In the end the whole body of the fallen fighter
disappears into the trunk of the strange predator.
Then the fish wonders, “Am I avenged
or this strange creature merely needed food
as did the poor alligator
when she thought to rule over
our lives and made my children her food,
causing my eyes to shed floods of tears,
that she did not notice ‘cause mixed
with the waters?
And she ignored the mightier one existed.”

In conclusion the fish realizes
were herself or her children the first seen by the python,
they would face the same fate as the alligator she cursed
and that alligator’s killer may not be by the Maker blessed.
The most powerful predator
cannot be of the fauna liberator.

The greatest warriors
fight to shed the blood of their victims.
Only their aim they follow,
and they turn deaf their ears to the tears
of any fellow.
And as the fish thinks of this predator,
no ****** war winner will rule better
than a beaten dictator.

Capitalism swings securely
from the crook of her arm
while Slavery  gently
coils itself
around her
beautifully damaged waist...

Racism coats the
soles of her
brand new shoes
and leaves print print print
on the harsh
unforgiving
unemployed pavement.

The world cried, died
as she dyed her hair
to Honey Suckle Blonde.
It hangs: drab, limp,
strangled by the Ignorance
sitting firmly
on top of that
pretty little head.

Jagged, matted wrists
rattle around inside
imported bangles
(or manacles)
of Oppression and
Depression and
Suppression
They're in fashion.

Her eyes are drowning
in Jealousy Mascara (new)
and I Hate You shadows (old)
and, together,
her weeping heart
and painted nails
claw at Fame and Fortune
but the new shoes
and gorgeous boyfriend
just aren't tall enough.

She limps
past shattered windows
in which she glimpses a girl,
or rather, a young lady
who is very much a
prisoner of today and not
A Leader Of Tomorrow

The Airn-Wanderer:

WÆPEN WUNDUM SUNDORGENGA

Waes Ah! Waes Ah, noo!
Beguid! an’ Greatly, unco Greatly Hye, IT!
Wi'in Abysmal-Deep Primal Fyre, IT!
Great Fair Thor's Orrah!
Lookin’ yondir! lookin’ yondir, noo!
Afore avidly, unco avidly
Drank hynne Ah! Great Warlike Orrah!
The Gowblat o’ Noble Precious Gowd Shimmerin':
Gleamin’ further, IT! Ane an' the Same, hynne!
Wi' the Verra Glare frae Bein' o' Power Supreme!
Gift Invincibly Purified IT, hynne!
Thad Enraged Wotan’s ain Verra Chalice o’ mine,
An’ Toast frae Hye-HEREHAND!
Great, in Fyre Ragin' noo, Ullr's Orrah!
Frae Noble Valhalla Rairan Deep
Wi’ ITS Metal Fiery Soul, hynne!
Orra Skye-Substance, orra Skye-Schorcin’ o’ mine!
Noo, verra unco! Core-Martially stylle grabbin’,
Wi’ Black Leather Glove
O’ Total Dazzlin’, an' Verra, Verra ​Core-Abysmal, IT!
Whyte-War, hynne!

ÞUNORE HWÍT CEALLA,

Fyre-Flowin’, the Verra Northumbrian Mead!  
Livin’, Tasty wi’ Pow’r, Great Warlike Orrah!
Niflheim-Watery, IT!

BEADWE, MĪN SWÆTAN,

Frae yon Ironclad Norþan-hymbre!
Frae Hel Itself Delicious,
Unco dyrinkin’, downe the hatch!
Hynne Ah,
My by-gone Days left orra Aflame:
Great Vision! Great Bellum! noo dyin’ o’ mine!
Whileas stylle waes hynne Ah!
Thro’ the Bare Highlands Dreary,
‘Yont South Ruins’ Bluish Burnan Wa,
Deep-Wanderin’,
In search for the Verra Lightnin’ Raed,
An' Flashin' Guide o' mine Devastatingly Immortal!

BĒOWES RĒADA FÝRTORR,

O’er Thae Cauld Moorlan Heights hynne,
Leisurely, implacably, Great Warlike Orrah!
Amyd Hye Rocky Smeddum all abowt me
Strollin’,
Intae the Verra Mirk Unfathomable,
Airn-Flesh o’ mine, hynne
Throwin’,
An' my Wise an’ Bold an’ Proud!
Sensual Noble Dame,
Gerðr galdrs Scho!

MĪN FÆÐMLICE OND BRYNIGE CWÝNE
SÉO HYGEÞRYMME ÁDRÍEGEÞ,

A' Oor Inflamed Naychts! Verra Wyntry Naychts!
Afore the Sacral Stane-Hearth:

WINTRES WÍDERFEORLIC HEORÐ,
HWÆR ÆFRE OND LÍGBRYNE
ÚSERE BRÆD GEMETEÞ,

Stylle deep-burnin',
Guid, Verra Guid Bleezan Orrah!
Scho unco weall! Scho unco weall! Ah say!
Rememberin',
In Lang Robes o' Deep Crimson Fyre, noo!
Her Superior Womanhood,
Full! An' divinely, orra divinely!
Thro' Her Glowin' Mystery Sinuous, o'er endowed!
Hynne stylle, unco ardently! in Primal Lowes, fully Sinuous!
Whare, Thys weall! weall! Scho unco knew!
Ah! Guid, Verra Guid Thundir's Orrah!
Used tae ay lose! nae abeigh!
Wi'in an Abyss Interminable an' Endless Contynent!
Ay, Great Guid Orrah! Masell!
An’ Verra Firey! sinuously Trowe! Verra Soul!
Unco tightly, wi' Norland Passion
Stylle profoundly Wemenlie o' Hers!
Shrouded,
Scho saw me! Scho orra saw me!
Noo, wi’ Courage Ablaze an’ unco Wreððe
Ascendin’
To orra desire! to orra possess,
To hae IT! To unco hae IT! back again!
Ah! LEOFLIC IREN HÁTAN!
The Lone Airn-Wanderer, SUNDORGENGA, Ah!
Frae yon Auld Götaland:

LAND GUMCYNNES GEAT-MÆCGUM,
BEADWE-HEARPENÆGLES EORÐRÍCE,

My ain Lost, the OVERMAN'S HIS-SEL!
Great, Great Mjölnir's Warlike Orrah!
Wi’ Bluish Skye-Gore, frae Thae Cauld Heights
Unco! Verra, Verra Guid O'erhuman,
Hynne, neist tae the Forgotten Firey Ruin!
Totally 'Yont-Human! The DAZZLIN' OVERMAN'S AIN!
Ah noo say! Ah noo tae the Moorlan Stormy Cluds yell! Orrah!
Skye-Imbued

Thundir-Bluid:

NORÐÞUNRES WÆLDRÉOR

Tae feel IT hynne! Tae unco feel IT:
Great Guid Warlike Orrah!
Total, unco Total, in Full New Skye-Gore IT!
Verra, Verra Thor-Hye!
Frae afarre! yet tae me Verra, Verra Skye-Close!
Rumblin' Skye-Destruction o’ mine!
Hynne Total Skye-Rebirth O'erhuman,
An' the Roaran', unco Skye-Roaran', IT!
Great Kvasir's Warlike Orrah!
Afore the Verra Disc o' the Full Mowne Murky,
Orra, unco, IT! in the East Dreary skye-risin', IT!
'Yont-Human, Great Jörð's Orrah!
Supreme Transformation!

WULFES GENIWUNG,

Wi' the New Skye-Knowledge Scorchin'
Owre, owre imbued!
An' in the Soarin' Zenith-Fyre
Deeply, deeply hawkan IT, hynne!
Thro' Thad Cauld Moorlan Secret
Ah am noo about to owre yell,
Frae the Thundir's yon Rumblin'
Verra, Verra Skye-Pride!
Intae my Veins Fiery
Fore’er an’ e’er, wi’ Ragin’ Skye-Bluish Hue
Noo flowin’,
Com on! Com on, hynne!
Dearest Mountayn-Thunderbolt o’ mine!
Taukin’ Ah noo am to ye stylle!
Struck me deep! struck me noo, Ah yell!
Great Fair Thor's Orrah! deep,

ÍSENSCÚR,

For fully Covered! orra Skye-Covered hynne!
In Feudal Skye-Airn Indestructible
Am Ah heare! for ye noo!
Tae attract hynne! out o' Thad Norland Verra Blue!
As the Skye-Magnet attracts the Rare Shinin' Metal,
Yer deadly Skye-Rage wpon Airn-Skynne o' mine!
Tae catalyze hynne yer loudly tellin',
Frae Yon Abysmal Distance! Lone Skye-Voice,

SCÍRHAM IC! BEADWE LÍGETUNG,

Whyle Ah stylle! intae Hye Lowes unco climb
Thad Cauld Rocky Soil,
Whyle Ah stylle unco tell
Thad Vision, most Solitarie o’ mine,
Whyle Ah stylle restlessly, implacably seek
My ain Lost Skye-Sel!
The Hye, Verra Hye! Adamantine Person o' the OVERMAN!

SUNSCÍNE SEOLF OND LINDGEBORGA,

Want Ah! truly unco, want Ah! owre want Ah, hynne!
Beguid an’ Great Guid! Hôm Loga Himna Orrah!
Noo, richte noo!
This kin Ah! still noo unco truly yell!
'Yont yon Whunstane Stronghold's Mirk Well!
Feel, unco o'erhumanly live, hynne!
Thad Continual Flashin’
Frae the Grayish Leaden Moorlan Cluds
Noo the Zenith-Sunne Invisible behynde
Hye-glorifyin’!
Thro’ the Verra Tundir Voice o'er an' o'er echoin,
In shape o’ Norland Hammer frae the Battle, IT!
Intae Veins Skye-Bluish o’ mine!

NORÐANWINDE! BLÓDWRACU OND FÆHÞ,

Next tae my Feudal Airn-Side noo still wounded
By Enemy an' Cowardly, tae Human, tae Cowardly!
Frae the Distance, hynne! shot at me!
Still Mortal Arrows!
Nae Fear, hynne! tae Earthly! tae Miserable,
Surpassingly Miserable, IT! unto the Verra Core!
To the Hye Fair-Haired Gods,
In Strang Norland Dignity an' Supreme Pow'r,
An' Skye-Vengeance frae Enraged Sacral Thule blowin'!
Noo! thro' Noble an' Future Skye-Gore o' mine schawe!
In my stylle the Verra Lightnin':

VICTORIAE SANGUINISQUE SIGNUM
OVERMAN

Noo implacably approachin'!
An’ ye! Sweyt an’ Scaur Enemies, not Quhone all ye!
Ye still cannae, cannae hear?
Yell an’ Furious Bellum, aye!
Frae Loud Thundir-Voice o’ mine?
Skye-Crash frae my Battle-Wounds IT:

MĪN HEORUDREÓR GLADAÞ,

Wi'in yer ignoble ears noo!
Wnto the Sacral Open Blue
Risin’ unco Freed!
Ye still want to *** to orra Heaven?
Hynne, heyre Ah am!
Com on! Com on! All ye Cowards!
Thys is whate Ah orra cam for!
Fecht me! Hand-to-Hand Strang!
Do signal the Attack!

ÞINE UNEARH GÚÐÞRACU OND GEWEALC,
ÞUNORRÁDE, MĪN HILDERÆS!

Glitterin’ Skye Axe-Blade o’ mine winna, IT
Cease to wait to orra shatter,
In a single Thundir-Blow, all yer Targes!
Com on! Com on hynne! ye Cowards!
Do noo hae the Warlike Verra Guts to taste
Gleamin' VARGS UNDA Alone o' mine!
O'er ye thys single Thundir-Blow pourin'!
Ye want still to unco give
Unto Enraged Airn o’ mine, Wonner IT, lo!
Yer Hand-to-Hand, hynne Feudal an’ Essential
Battle-Bluid?

HEOLFRE ANWIG,

Wha hynne want to be the First?
Wha hynne ready is noo to unco suffer
Frae my Verra Skye-Airn noo Skye-Flashin'!
Gunnþinga Called, IT!
Hys, alongside the Skye-Foreign, Nadir's ain!
Miserable, tae earthly, tae human orra Defeat?
Fecht Ah! for the Glare an’ Hye Glory O'erhuman
Frae Bein’ as Pow’r, Bluish-Firey IT!

ÞUNORES HAMOR,

Hynne heyre glowran at ye Ah unco stand!
Wi’ Great Clan-Vermillion Wyld Wraith o’ mine
Hye, Norland-Fair, an’ orra Warlike!
Wi’ Battle-Axe o’ mine gleamin’,
Unner yon War-Glare, ne’er, ne’er settin’,
An’ the Sunne’s ain Disc Refulgent,

BLŌDE ANWEALD, HWÍTE HEAÐUSIGEL,

Wnto deep the Wanwordie World, Mirk hynne, IT!
Richte, orra Ancestral an' Warlike Richte!
Greatly, unco greatly! Flamin'-Firey an' Zenith-Supreme, IT!
Verra Iron-Curse Blindin'!
An’ He cam! the Thunderbolt at length
Unto me He orra cam!
Thus struck waes Ah!
My Flesh, an' Bluid, an' Spirit!
Intae Thor's ain Skye-Force
At once turnin'
Tae greatly, tae unco! Verra Guid Orrah! see
Thro' Nyow Total Skye-Blindness O'erhuman o' mine!
Altogether hynne noo, Great Guid Saxon Orrah!
The Forerunnin’ Presence noo Devastatin’
Wnto me, stick-an-stowe, noo orra IT! comin',

IRSERN-SCÉAWERE IC,
CWIOFYRES BURHWEARD,
BÆLÞRACE OND BRYNEWIELMA GEBORGA,

Frae thowa, IT! in Primal Wreððe

Skye-Essences
Or
Twæȝe Strang Sunnes

Hwenne! Beguid an’ Great, Great Warlike Orrah!
Out-owre Hye Mountayn Glade, sic unco Wide:
The Cauld Vitrified Fort  
Wha's Sharp Surroundin' Gleamin' Wa
Thro' Hye Heat Monumental generated!
TAP O' NOTH waes:

FÆRBRYNE GLÆSFÆTES STANWEORC,

In Thundir-Bluid an’ Frame,
An' further unco Skye-Imbued Ah!
Wi' the Earthly Unidentified Energy
Frae thad Towerin' Verra Steid,
Noo still walkin’,
At length thare surveyed hynne Ah!
Wi’ Fyre-Sight, Deep-Penetratin’ IT,
An’ Auldfarran, Lucid Reason o’ mine,
The Heaven’s Blue Verra Vault:
Proud Storm-Shrine, Dearest o’ mine!
Ane wi’ my Skye-Rage Hye,  
An’ the Atmosphere, waes IT, waes IT,
Intolerably close, yet unco Potent, Heimdall-Divine!
Hynne beheld Ah, lo!
TWA ESSENCES O’ FYRE!

BRYNEWIELMUM CAMPWUDA,

Intangible, Untouchable, Impenetrable, baith Thay,
O’er the Whole Uranic Skye-Arch,
Their Skye-Dominion an’ Primordial Skye-Dignity
Unco haudin’:
The Essence o’ the ΛOΓΟΣ an’ the Essence o’ the REAL, Thay:

STĪELENRA-HEÁÐUSIGELA FÝRBÆREAN
GÆDERSCYPE OND GLÉDEGESA
ÞĀ HLŪDE BECWÆDON,

Twa! Tangible, Visible MICHTY SRANG SUNNES!
Twa, hynne! Let me stylle noo distinctly remember!
Unco Martially an' Norland Colourful!
Great Orrah! Rotatin', Thay A'! Thay A'!
Great Lone Sight o' mine!
Splintered nae! Round Shields o' War Dazzlin':
Ský Skǫglar frae the Auld Wondie Hólmganga, Thay!
Frae Auld! Verra, indeed Verra primevaly Auld!
Thro' Deep the Firey Tyme Conquerin', an' Ruthless,
An' towardis the Fleysche, Fallacious hynne Mortal, unforgivin'!
Crucial Gory Soil in yon 537 A.D. CAMLANN called
Thad haes bin, IT! a Witness tae my ain Shed Battle-Bluid!

BRYTENCYNING,
IC WIÞGEHÆFTE HINE, BLÁCAN ÁNWÍGE,
EFENLÍCAN GÚÐHERE BLÆDE,

Meany, Meany Kingdomes, an' Onslaughts,
A' Bluish-Ironclad Thay, ago!   
Hynne noo, whileas Ah stylle speak, Immortal am, an' waes awready!
Yet Thad nae, nae enough IT proved
Afore the Presence Devastatin' o' the OVERMAN!
Stylle, Ah knew, HE noo in waitin'!
HE WHA! HE WHA! HE WHA unco:
The Verra ENS! thro' the Dazzlin' Skye-Bluish Revenge o' HYS,  
Hynne Mine!
Tae the Yieldin' Ground o'ershadows! an' in an Ultimate Whyte War
Flashin' tae Fathomless Eternity, in Gore Shinin' defeats!
Intense Meanin' Primordial o' Battle Fierce baith Thae!
Hynne unco embodyin',
Afore thys, thro’ Verra Lowe penetratin’,
An’ wi’ Hye, Verra, Verra Skye-Hye!
Thundir-Bluid Thunderous
Awa, awa flowin’ IT, orra!
Loneliest Vision o’ mine:

GEBYLD,

When, Great Thundir’s Orrah!
Wi’ a speed Wicked yet Prodigious, lo! Sublime,
Closer, closer, wi’ the Impetus frae Twa Skye-Rams Wyld
They orra cam!
An’ in a Common Skye-Embrace!
Their Dazzlin’ Blades o’ Vibrant Steel!
Hynne crossin’,
Thus unco, owre imbued waes, waes Ah!
Wi' Thad Verra Hye Steel-Glare, Ah!
Wi' Thad intae Deep Fyre afore Wounded Step o' Mine meltin',
Feudal, unco Feudal Skye-Knowledge, an' Airn-Revenge!
An' advanced wi' Firm Martial Gait hynne, towardis
The Lonely Gleamin', Flashingly Firey,
Rewb-Gem o' Moorlan War Forgotten,
Thro' ITS Sheer Inner Foirce hynne unco Reddenin'!

HERECIRME, RÉOD GIMCYNN,

Whileas the Stellar Wynde silently ensued
Frae Thad Last Titanic Encounter an’ Battle,
Wi’ unco deafenin’ Core-Clash,
Frae Thor’s His-sel, again,
The Whispered Warlike Voice!
Hynne intae Ane Nucleus Whyte
At length blendin’, afore wnto me
Noo orra comin’ IT:

The Shield-Blinding:

DÆGSCIELD GEBLENDAÞ

For rendered orra, orra sightless!
Waes Ah noo,
Yet still able to distinctly behold,
An’ e’en deeper, unco deeper! Great Warlike Orrah!
The Verra Dazzlin’ Core, IT!
Wi’ Verra Bluish Flash, an’ the Skye-Gore
Frae Thundir-Eyes noo o’ mine
Sheer Sharp, IT!
For Thad Sudden Thundir-Blindin’ o’ Mine!
Ah am noo taukin’ abowt,
Great Dunnottar’s an’ Tantallon’s Orrah!
Gift Supreme frae Hye the Zenith-Skye!
Orra Skye-Generous hynne, IT!
Intae an All-Powerful, unco All-Powerful, Ah say!
An’ All-Seein’ Thundir-Force
Thundir-O’erhuman, hynne frae the Thundir ‘Yont-Human!
IT, in Hye Fyre! Skye-turned,
An’ New Unknown Fiery Demons IT
Orra, orra! unveiled:

ÁGLÆCAN WUNDORSÉON,

Athwart Noble Airn-Person o’ mine,
Thro’ the Cauld Blast frae Thad Moorlan Wynde
O’er an’ o’er fallin’,
For the Verra Skye-Vision o’ the OVERMAN,
Guid Orrah! Great Warlike Thundir’s Orrah!
Unco Profound IT waes!
An’ unco killed IT the Unprepared,
For waes IT for nae Unworthy Skellum  
To Feud an’ Sword Foreign!
An’ the Whole Wnivers, in a Verra Flash,
Thro’ the Same Auld an’ New Thunderbolt
Ah waes lookin’ for,
Penetrated IT orra waes:
THE HERACLITEAN, DEVASTATINGLY PROPHETIC, IT!
FIERY SKYE-FORCE!
FRAE THE VERRA AIRN-PERSON
STEEL-CONCRETE, IT!
DAZZLINGLY 'YONT-TELLURIAN AN' SKYE-CENTRAL!
O' THE OVERMAN:
THE 'YONT-HUMAN HYNNE NAE HUMAN!
THAD LIKE CONQUERIN', RAGIN' WHYTE-FYRE,
WI'IN THE YIELDIN' MURKY MIRK VOID SHINES!
INCANDESCENT O'ERHUMAN VERRA BODY!
THAD MINE AIN, AH KNEW,
SUNE AN' SYNE! UPON THAE BENS DREARY,
IT SHALL, GREAT GUID ORRAH! BE!
AN' WHA'S NOBLE AN' SOLEMN NAIM
HYE! HYE! THE ETHER'S AIN SKYE-SUBSTANCE
INTAE ALL-FERVID LOWES AN' METALLIC BRILLIANCY
TURNIN'

ΥΠΕΡ-ΚΕΡΑΥΝOΣ

WAES! THUNDIR-CONSCIOUS, AN’ DIRECTIN’,
THUNDIR-DESTROYIN’, HYNNE CRAETIN',
O’ER ALL THUNDIR-DOMINATIN’,
TO THE INFINITE UNCO THUNDIR-GROWIN’,
MINE AIN BLUISH MOORLAN BLUID
TO THE INFINITE ORRA THUNDIR-FEEDIN’,
Together hynne wi’ my Arteries o’ Skye-Blue
In Baith Spirit an’ the Verra Flow,
When orra struck again waes Ah!
Wnto Verra Death, an’ e’en ‘yont! waur e’en waur!
Skye-Waur, Great Warlike Orrah!
Towardis the Verra Dazzlin’
Skye-Weregild o’ Gowd:

GOLDWEARDA FORNÉÐAN,

For the Loneliest Vision o’ mine
To in Fyre, still unco blinded Ah!
Distinctly behold,
At bein’ hynne, Great Warlike Orrah!
The Sole Ironclad Witness
O’ my by-gone Path Aflame,
Intae ‘Yont-Human Will o’ mine!
Noo unco forged, Great Hye Orrah!
Wnto the Auld Bluid-Rock o’ Rebel Sacrifice
Far awa! in the Snowy Caucasus
Nae longer IT chained!

HRINGUM SWEORCAN,

Meanwhile, lo! At my Mirk Cloaked Back,
Behold ye! Another Identical Skye-Fusion!
For Twa Dazzlin’ Whyte Glows,
Symmetrical Unco Mirrors They,
As if frae Myrddin’s ain Magic,
To View o’ mine orra appeared:
Perfect Pow’r o’ Infinite Reflection, They!
Mine ain Past, my ain Future!
Baith embodyin’,
An’ waes stylle Ah!
Intae the Verra Middle o’ the Glare
Standin’
Wi’ Gleamin’ Claymore drawn, Dearest o’ mine!
Thundir-Hurt stylle, afore noo the

Destroyer of the Past:

ÍSIGE CWYLMING

An’ noo, Guid, Verra, Verra Guid o’ Gowd
Warlike Orrah!
Thus willed Ah! the OVERMAN!

BISENE WRECEND,

Freish an’ Auld! Airn-Feudal an’ Strang!

DUGUÞMIHTUM OND HEORUSWENGE,
ĒACEN BIÞ ŌFER-MANN,

Wi’ Michty Inner Energy o’ mine
Great Feudal Orrah! unco Alone!
Wha's Sole Hye Naim Firey OVERWILL!
IT unco, oan the Gory Battlefield, Ah weall knew IT waes!
Frae the Verra Skye-Dragun! A' Destroyin' hynne HE!
Intae the Deep Fyre, wi' HYS Beastly Wings thus orra spread,
Unco, prodigiously o'er A' HE hoverin',
Towardis the Past allwayes Dreadful e'en, hynne!
Wi’ HYS Scales o’ Enraged Gowd,
The Shinin’ Horror wi’in the Skye, IT!

FÝRDRACAN GLÆD GRYREBRÓGA
SÉ FORÞGEWITENNESSE UNWYRCÐ,

Skye-Perfect! intae the Mirror-Glare Image o' mine, HE!
The OVERMAN o' Deep Fyre,
Th'gither wi' my ain Reflected Bluid, hynne!
Noo, in Feudal Tartane-War stylle thundir-flowin'!
More intensely! o'er an' o'er in Steel hynne,
HYS Supreme Presence greatly tae the Infinite!
Orra skye-increasing!
Intae the noo Unleashed Skye-Pow’r!
Unto my Wounded Spirit o'er an' o'er
Hynne HE skye-returnin’!
As ane wi’ the Moorlan Rumblin’ Thunderbolt
Ah waes lookin’ for,
The Sacral Dazzlin’ Chain Mail Ablaze:

SCÉAWERE-HRÉOH,

In the Skye-Identity e'en most Skye-Asolute IT!
My ain! HE orra, unco flashingly wearin’,
Thus willed Ah! Past o’ mine back IT!
In Feudal Person o’ HYS, my ain! empowered:
GORY GHAIST! by-gone Immortal o’ mine IT!
Still orra Alive an’ Fiery!
Flowin’ an’ flashin’
Thad not Identical unto ITSELF IT waes!
Hynne unto ITSELF most identical!
Quhenne! in Feudal Airn-Flesh o’ HYS,
Great Warlike Orrah!
Thro’ Ragin’ Skye an’ Earthly Pride at once IT,
Most fleshily, intae Hye Fyre Purifin’
Waes incarnated,
Thus willed Ah, Future o’ mine, tae, hynne!
Wi’ the Iyce Cross o’er Moorlan Coat o’ Arms,
Frae Noble Dundarg’s Hye Wa,
In Feudal Steel, Greater, unco Greater IT!
Shimmerin’,
For the Past lived in the Verra Bluid o’ HYS,
Thynce thro' Hye Firey Gore Immortal:  

FULMINE VICTOR
MAGNUS INVICTUSQUE
OVERMAN

Let me Thys, NOBLE GLAMIS’ GREAT ORRAH!
Truly, unco truly yell! waes IT potentiated,
An’ sae waes the Future, stylle my Verra, Verra Ain!
Wnto Dazzlin’ Airn-***** o’ mine  
Wi’ Increasin’ Ocean’s Rage Tempestuous
Fore’er returnin’,

CRÆFTUM OND RÝNE STÍELE!
BEADUWÆPEN,

Intae Single Will O’erhuman
An’ Unforgivin’ Continuum, as Ane,
Whare Ye! Dearest Hye Thundir o’ mine!
At the Verra Skye-Zenith,
Still silently dwell!  
Hynne willed Ah! my ain Image
Frae the Past! Frae the Future! wi’ unco Force,
At once IT emergin’,
Towardis the Past! Towardis the Future! wi’ orra Dignity,
At once IT rushin’,
Intae the Implacable Spiral o’ Becomin’
Thad Ane wi’ the Verra Vortex o’ Return
IT! Great Warlike Orrah! waes,
The Past burnin’, the Future hynne IT affirmin’,
An’ unto the Verra Skye-Core!
GREAT HÖÐR’S AN’ WOTAN’S ORRAH!
Directed,
Noo afore my ain wi’ Fyre Wounded Eyes,
Thro’ each Revolution, ITS unco Strength,
Great Warlike Norland Orrah!
Unto the Fathomless Fiery Infinite
Increasin’:
The Verra Mountayn Thunderbolt!
Ah waes lookin’ for,
For the Increase o’ Pow’r ne’er Identical
Unto itself IT waes,
Hynne waes unto Itself most identical!
As noo met wi’ Ah

THE DESTROYER O’ THE PAST,
THE CREATOR O’ THE FUTURE,
O’ LYFE FORE’ER CHANGIN’
THE GREAT AFFIRMATOR,
HYE SKYE-VEINS O’ HYS
O’ERHUMAN, MY AIN!
THE IRONCLAD INCARNATOR
AN’ THE FEUDAL WITNESS!
O’ MY BURNAN MOUNTAYN-PATH
DYIN’:
THUNDIR-FRAME O’ MINE, HE!
STRONGER! STRONGER!
O’ER AN’ O’ER,
UNTO MY BY-GONE DAYS BLEEZAN,
AN’ THE ROARAN’ FUTURE!
AS MOLTEN SKYE-GOWD INCORRUPTIBLE
NOO RETURNIN’,
WHAR IMMORTALITY ITSELF HYNNE,
IN FORE’ER INCRESIN’
HYE FYRE AN’ BATTLE-GORE,
O’ERSHADOWED IT WAES,  
INTAE DEEP THE WHYTE SPIRAL,
SKYE-RECURRENCE INCANDESCENT, IT!
ANE WI’ THE LONE IRONCLAD IMAGE
UNTO VERRA, VERRA PERFECTION!
SKYE-SPECULAR O' MINE!
SCORCHIN' AN' SHININ' AN' UNCO TANGIBLE, HE!
THE CLOAKED SKYE-FIGURE
THAD WAES NOO
'YONT THAD AULD FORGOTTEN WA,
MY BLEEDIN' SKYE-COURAGE
IN WARLIKE SILENCE AWAITIN',
FRAE THE DEPTHS O' THE ROTATIN’ SKYE-ENERGY,

WEALHFÆRELDES DÆGWÓMA,

PROUDLY AN' INVINCIBLY SKYE-STANDIN'!
WHAR, GUID SKYE ORRAH!
FIERY WOE INTAE FEUDAL STEEL MELTIN',
DEEPER AN' NOBLER IT PROVED!
AN’ WI’ DAZZLIN' SKYE-REVENGE
O'ER AN' O'ER, GREAT THOR'S ORRAH!
IT SUPREMELY, IN BLUISH NORLAND AIRN FLASHED!

For, lo! the Verra Blank frae the Past
Together wi’ ITS Inevitable Feud-Foreign Woe
Hauntin’
Thad cannae be avoided hynne!
Mirk an’ Invisible, IT!
It nae longer existed! It nae longer existed!
For unco filled noo IT waes
By the Devourin’ Lone Lowe an’ the Verra Frame:
The Chain-Mailed, Heated in Airn War-Wame
O’ THE OVERMAN! HE:
WILL, AS THE VERRA INNER ENERGY!
VIGOUR, AS THE VERRA INNER WILL!
FRAE THE PAST, FRAE THE FUTURE!
TANGIBLE, VISIBLE, INCARNATED,
NOBLE WYLD DRAGON,
SKYE-BEAST O’ MINE,

GRYREBRÓGA OND FÆRGRYRE,
WUNDORA WYRM! ÚHT-SCEAÞA HÉ!

FYRE-WOUNDED IN NAE GOWD-CAGE, HE!
O'ER SKYE-SPIRIT O' MINE,
HE! HYNNE, UNCO SKYE-FLYIN'!
WI’ HYS SKYE-GORE O’ER THE BARS INVISIBLE
TRULY MINE AIN! GREAT GUID ORRAH!
DOWNE, DOWNE! NOO
LIKE THE PUREST RHODIUM
WI' THE FYRE-BLUISH
SKYE-ARTERIES O' THE LONE THUNDERBOLT
AH WAES LOOKIN' FOR
AGAIN UNCO BLENDIN',
Unto at Braemar the Verra Battle-Gore,
Afore the Lang Hour, in Kyng Eochaid’s
Martial Hidden Lore,
By the Force o’ Flowin’ Lava
Frae the Cauld an’ Dreary Highlands Implacable
Echoin’
Thad Becomin’ as Increase in Pow’r
IT, Great, Great Orrah! waes,
Backwards intae Tyme! Intae the Future hynne!
For the OVERWILL kan IT!
Destroye the Feud-Foreign Gory Bygane!
When o’er the Gleamin’ Skye-Cuirass
O’ the HYE OVERMAN ALONE!
IT lies visible an’ yieldin’ an’ razed an’ burnin'!
When o’er the New Soil o’ Dazzlin’ Alabaster
Conquerin’
Intae Deep the Future, thro’ Renewed Rage
An' yon Incandescent Skye-Thundir!
Ah waes lookin' for,
HE! My Specular Skye-Incarnation!
Fore'er orra creates!
Whileas thae words, in Roaran’ Wreððe,
Flame-Wounded,
Ah still loudly whisper,
But lo! Great Warlike Orrah!
THE IYCE CROSS FIREY
O’er Mirk War-Tartan, Dearest o’ mine!
Next to Dundarg’s Hye Wa, Ah well remember!
Embroidered,
Close to my Ruby Brooch strangely IT,
Unco strangely, like a Verra Premonition
Gleamed, afore noo

The Mirror-Fusion:

WĒOHES MELTAN

When, lo! Airn an’ Thundir!
Great Immortal Warlike Orrah!
Thro’ the Loud Whisper o’ the Thundir
Ah waes lookin’ for,  
The Image o’ the OVERMAN
Detached ITSELF, lo!
Frae baith the Surfaces in the Twa Opposed Mirrors:
Frae baith thae Reflectin' Skye-Furnaces Gleamin'!
Afore Noble Feudal Person o' mine,
Unco Sightless! Still unco Skye-Sightless!
E'en more! noo unco Sightless!
HE hynne, orra Ah beheld cam!
Wha’s Supreme Hieland Emanatin’ Force
Frae the Directin’ Skye-Lightnin’, IT!
Ah waes lookin’ for,
Na orra, orra Prodigious Sight!
Nae e’en Vör’s, or Heimdallur’s, or Snotra’s Ain!
If nae in Thundir Skye-Blinded as noo Mine!
Cuid, cuid IT! humanly, still tae humanly!  
This noo Ah! in Thad Skye-Fyre ‘Yont-Human!
Soarin’ heare in Dignity o’er Tap o’ Noth’s
Black Vitreous Smeddum an’ Cauld Martial Sand,
Cannae, cannae doubt!
Thro’ Thad Flashin’ Skye-Reflection withstand,
Frae the Past! frae the Future, hynne!
Great Warlike Orrah!
To encounter Spirit Ablaze o’ mine,
To Unleash Wyld Beast Immortal
Thad My Verra Mountayn Path  
Guarded still,
Some Bluish Bluid Stains IT leavin’
O’er the Michty an’ Pure Glass still:
My ain! frae the Clash o’ Life,  
An’ noo! Great, Great Warlike Orrah!
A LIGHNIN’-SHADE IRONCLAD!
Unto me, ITS Skye-Bluish Garb o’ Hye Skye-War!
In an Identity an’ Heat, e’en the Most Absolute!
To Verra Perfection reflectin',
Towardis Feudal Person o’ mine IT noo!
Wi’ Slow Skye-Gait,
Devastatingly, IT advanced,
An’ when afore me at length
IT standin’,
Thro’ the Loud Sound o’ the Thundir, lo!
Ah waes still lookin’ for,
In a Great Whoosh an’ Roaran’ Rumble
Non-Human Deep Voice, IT!
Frae the Past! Frae the Future!
Frae the Verra Brunan’ Throat
O’ the LIGHTNIN’ HIS-SEL!
Ah waes still looking for,
Wi’ Spiral Exhalations unner the Form, schorcin’ IT!
O’ Just Anger frae Primeval hynne Most Real
Forgotten Feudal Lore
The Hand-to-hand Wapin-Storm Harsh!
An’ Skye-Revenge, still Mine Ain!
Unco an’ owre loaded,
As Maddenin’ Heated-Airn, IT again!
Unto the Cauld Blue Vault o’ the Verra Skye
Wi’ orra, orra Dignity
Lonely risin’,  
Thae Verra Syllables!
The VERRA SKYE-INCARNATOR O'ERHUMAN!
Intae Deep noo, Great Orrah!
The Abysmal Skye-Core Bluish-Aflame, IT! o' the

Total Specular Skye-Force:

BRYNEWELMES WORDHLÉOÐOR

The Skye-Conscience, Víðarr-Hye o’ mine!
Most distinctly! Great Warlike Orrah!
HE, THE BLUISH INCARNATION HYE
O' THE HYE LIGHTNIN' ITSELF!
Ah waes lookin' for,
Wi' a Skye-Cowntenance Storm-Hidden
Flashin’ frae Deep the Obscured Skye-Mirk
Thro’ a Battle-Scar intae the Fyre gleamin'
O'er HYS left Sword-Offended Cheek:
Thys cuid Ah! unco Blinded, see!
Intae Deep the Skye-Unknown,
Still, Great Guid Glamis’ Orrah!
Stick-an-stowe a Wonner, Mine Ain!
Thro' HYS remarkably Echoin',
Non-human, hynne 'Yont human!
VERRA SKYE-RUMBLIN'!
Noo unco earthily uttered:

YE, WOLF-WOUNDED!
AN’ PROUD, IN BLACK TARTAN O’ WAR
MUFFLED,
KEEK AT ME! KEEK AT ME NOO!
IN NAE TAE EARTHLY TOWMOND!
DO NOO HYNNE LISTEN TAE ME!
YE, NOO FYRE-IRONCLAD WOUNDED!
THE HYE NORLAND GODS INTAE OWRE FYRE
STYLLE HYNNE HONORIN'!
BETTYR BIDE AN' DIE OAN THE NOBLE BATTLEFIELD GORY,
AN' STYLLE, 'YONT BAITH LIEFES AN' DEATH,
FORE'ER ALIVE HYNNE BE!
THEYNE BIDE A MISERABLE LIEFES!

WULFE BLŌDGA HEONAN!
ÞŪ BLADESUNGA OND LÉOMENA HEOFONFYR,
WACA BYRNSWEORDES WIÐ GEHATUM!

FOR DAINGEROUS! VERRA, INTAE THE FEUDAL FYRE DEEP, IT! DAINGEROUS!
MUST TREOWE IDEAS, IN VERRA HYE LOWES, BE!
FOR THE VERRA MICHTY, WHYTE ZENITH-SUNNE
AN' THE ALLWAYES UNKOWN MIRK DEATH!
THE SAME THAY! GREAT THOR'S NORLAND ORRAH! ARE,
FOR THE SELECTED FEUDAL MAN, IRONCLAD HE!
AS YE, IN THAE HYE LOWES, UNCO ARE!
NOO AFORE ME! INTAE THE AULD LONE TARGE-REFLECTION
THAD IS, WAES, AN' SHALL IT BE, THINE!
HYNNE, HEARE AH AM! FOR FRAE THE AULD SHIELD-MIRROR YER RICHTE SKYE-VENGENCE!
FOR YER AIN SKYE-FORM AFORE YE HATH RISEN NOO!
FOR FREISH VALUES ARE NOO OWRE NEEDED!
WI'IN DEEP PRIMAL SKYE-FYRE UNCO SKYE-LIVED!
SAE, SKYE-LIVE THAIM! UNCO DRAM THAIM A’!
WHATE'ER THE RISK INFERNAL, AN' MOORLAN AMBUSH!

GÁSTCWALE HELRÚNENA FORNÉÐAN,

THRO’ HYE BLUISH SKYE-LOWES, SKYE-DESTROYIN’ THAY
WI’IN YER AIN LONE SKYE-VOICE IT NOO!
FRAE AFARRE! FRAE UNCO AFARRE RUMBLIN’,
FOR CURSED IS THE FLEETIN' HOUR!
AN' SAE MUST BE CONQUERED, IT! GREAT ORRAH! AYE!
IN YER SUPERIOR BLUID NOO O'ERHUMAN, MINE AIN!
FOR BRANDED HAE AH
RUDDY SKYE-FLESH O’ MINE
THAD WAES, IS, AN’ SHALL IT BE!
BY THYS VERRA, VERRA SKYE-IMAGE HYNNE,
YER AIN!
WI’ THE IYCE-CROSS FIERY
FRAE HYE THE THUNDIR’S LOUD VOICE,
IN NAE WHISPER DAMNABLE, NOR AIRN-FOREIGN!
AH NOO ORRA TELL:
YER SYMMETRICAL LONE SKYE-FORCE:
THE VERRA LONE THUNDIR-BLUID!
YER AIN LONE SKYE-WRAITH IRONCLAD!
THRO' ETERNAL SKYE-POW’R,
AN' OUT O’ THE BLUISH LONE SKYE-REVENGE
O’ER AN’ O’ER UNCO, O’ERHUMANLY MIRRORIN’!
TO YE HYNNE OWRE IN DEEP FYRE RETURNIN’,
YER AIN WANTIN’ SKYE-HALF, HYNNE!
TH'GITHER WI’ YER SKYE-SPIRIT!
IN HYE LOWES NOO UNTO THE CORE SKYE-DABBED!
A' THIS! A’ THIS! AH SAY! AH TRULY YELL!
TH'GITHER WI' THE LAST SKYE-PRIZE!
INTAE HYE THE SKYE-BLAZE,
THE HAIL ENEMY LAND HARSH NOO
FRAE CAULD HORIZON TO CAULD HORIZON
OWRE CROSSIN’,
A' THIS! A' THIS! AH ALLON, TRULY!
YER MIRROR SKYE-DOWBILL IMMORTAL!
THRO' STEEL CORE-METALLIC, IN HYE SKYE-FYRE AM!
ABYSMAL LAVA-BLUID O’ MINE!
FLOWIN’
FRAE HYE RED HEL, IT! THY LANE BEHOLD!
YER AIN!
INTAE DEEP THE FUSION-GLARE,
BLASTED SKYE-FURNACE IT!
UNREACHABLE, UNFATHOMABLE, MOST TANGIBLE, IT!
THE VERRA FRAME
LESURELY, NEXT TO YE IN BATTLE
STROLLIN’!
THE LONE INCARNATION
AN’ THE SKYE-ROAR
FRAE THE VERRA THUNDERBOLT
YE WERE LOOKIN’ FOR
HYNNE YER FUTURE, YER BYGANE:
NAE DIFFERENCE! THAA ARE MINE AIN!
INTAE THE HYE FYRE, FRAE YER TANGIBLE
SKYE-WILL! THAD AH NOO HEARE AM,
FOR SKYE-ENERGY CANNAE DERIVE FRAE NOTHINGNESS!
NOR UNTO NOTHINGNESS KIN IT RETURN!
HYNNE WILL, 'YONT DEATH,
THRO' THE LANG AN’ BLUISH
SKYE-LOWE
YE WERE LOOKIN’ FOR,
IMMORTAL AS CONQUERIN' PROVES,
STILL, WI'IN RAGIN' AN' VISCERAL
DEEP PRIMAL FYRE, YER AIN!
FOR YE SHALL STILL LIVE YER LIFE AGAIN,  
THIS TYME INTAE THE HYE SKYE-POW'R!
WI' ITS NEW ESSENCE SELF-OVERCOME,
HYNNE DO UNCO LIVE NOO!
THAD VERRA GORE HEARE,
FRAE MY BLEEZAN OPEN SCARS, YER AIN!
FOR THE WORN PAST DWELLS DEFEATED
IN THE FUTURE AS EMPOW'RED!
INTAE THE STEEL-BLUISH IMAGE AH HEARE AM!
NOO AFORE THINE SKYE-BLINDED EYES
THRO' THE LONE HYE LOWE WOUNDED,
THAD ARE ALSO MINE!
IN NAE SPECTRAL FYRE, HYNNE!
STICK-AN-STOWE, AN' VERRA VERRA SUNE!
YER AIN!
WI'IN THE HYE ZENITH-THUNDIR HYNNE,
YE WERE LOOKIN' FOR,
O'ER AN' O'ER FORE'ER LIVIN',  
AN' THRO' THE HIELAND FLOWIN 'LAVA:
THE BECOMIN' IN POW'R FORE'ER RENEWED
THRO' THAD SKYE-BLUID HYNNE!  
FLASHINGLY STREAMIN'
AS A CONQUERIN' WYLD FYRE-RIVER
FRAE NOBLE HYNNE SUPERIOR GORE,
DOWNE, DOWNE!
INTAE THE VERRA WHYTE CHASM, AN' FLASHIN' ABYSS!
FRAE YON SHARP AN' SHININ' AN' TOWERIN' MIRK ROCKS!
AN' THIS SACRIFICIAL BLUISH BLUID INCANDESCENT
FRAE O'ERHUMAN LIFE STILL WOUNDED, MINE!
WAES, AN' IS, AN' SHALL IT BE!
BEHOLD YE! UNCO SEE YE, NOO!
YE, O'ERHUMANLY BLINDED!
HE WHA! THE DREARY VOID O' DARKNESS
CANNAE, CANNAE! IN ANY MANNER NOO KNOW!
HYNNE IN HIELAND SKYE-RAGE,
AN' HYE! O'ER THE FEUDAL THRONE IMMORTAL,
AN' HEARE! OAN THE SURFACE O' THIS SKYE-MIRROR!
WAES, AN' IS, AN' SHALL IT BE!
WI'IN THE MELTIN' UNTO THE COSMIC CORE
SKYE-GLARE, YER AIN!
AN' NOO! DO ADVANCE!
DO TAKE A STROLL INTAE THE HYE SKYE-GORE!
GANG AYONT! GANG AYONT! AH SAY!
'YONT EVERYTHING! ‘YONT LIFE AN’ DEATH E’EN!
GANG AYONT!
AN' WHATE SHALL YE IN THE END SEE?
AT THE BOTTOM O' THE WHYTE CHASM FIERY?
YER FLASHIN' IN AIRN IMAGE ALONE!
THAD IS MINE AIN!
HEE HAW, HEE HAW ELSE, AH SAY!
WI’IN THE SPECULAR SKYE-POW'R INCARNATED,
THE VERRA SUM AN’ COMMUNION O’ THE ETERNAL TENSIONS
IN BECOMIN’ DWELLIN’ AH HEARE AM!
THRO’ THE LOUD SING FRAE THE THUNDIR HYNNE!
BY HYE SKYE-VENGEANCE FORE’ER INCREASIN',
O'ER AN' O'ER TO YER SPIRIT HYNNE RETURNIN',
YERS HYNNE MINE!

When noo, Great Warlike Orrah!
Upon thae Verra Words, thro’ my Ain
By noo Thundir-Voice!
In an' unco Skye-Rumblin',
Wi'in Thad O'erhuman Blaze wi' hye force condensin'
Intae a NEW THUNDIR-FRAME Skye-Concrete
In aspects o' PURE BLUISH HEAT!
HUMAN ALTOGETHER NAE LONGER, IT! tone,
Ah distinctly hearin’,
When noo, Guid Sundrum's Orrah!

The Fyre-Bringer:

FÝRHEARD HEREWULF OND HEREWÆÐA

A Thoosan Black Banners, in Hye Glorious Lowes,
Orra issuin’,
An’ wnto yon Whyte Chasm the Salute wavin’,
Wi’ the Hue o’ Red-Hel IT imbuin’,
HE, Hynne Ah: the Freish an’ Auld Titan
Far awa, far awa! wi'in the Dreary Caucasus!
Frae ayont yon Suthron, hynne!
Ah kin clearly see!
Rebel hynne Creator, HE!
HE, Creator hynne Rebel!
The OVERMAN! comin’ o’er, still approachin’,
Intae noo deep the Skye-Dance Everlastin’
Thro’ HYS AIN hynne MINE
Skye-Thunderous Sound
Ah waes lookin’ for,
Dominatin’,
Frae Thae Simmetrical Verra Fyre-Mirrors!
Still glarin’
Ne’er e’er to yield, the Twa Skye-Surfaces!
Nor in human, tae human!
Unco Gory Misery, nor Skye-Foreign Blasphemy,
Nor Damnable an' Cowardly Affront
To e'er wane!
At length thro' the Hye Vigour Supreme
Frae the Overwill Alone!
Dearest o’ Mine! Inner Energy Abysmal:
Still Uknown, IT!
An’ in Skye-Reverge freed!
A Thoosan Black Banners, in Fyre, Ah say!
HE, hynne Ah issuin’,
When noo, Great Guid Orrah!
The Skye-Bluid o' the OVERMAN:
Theis! oan Thae Countless Mirk Banners floatin'
In Hye Honour o' the Zenith-Sunne!
Wi'in abysmal whyte runes waes noo graven,
Hye Selective an' Skye-Supreme proved!
Nae, nae IT, for all!
For nae everybody is worth withstandin'
The Return o' Pow'r's Noble, an' Flashin'
Supreme Force, an' Infinite Speed, an' Spiral Revolution!

CÁFNES ÞRÝÞBORD,

Tae the Skye-Limitless fore’er,
In the Form o’ Hye Steel Feudal
Skye-soarin’,
ITS Verra Great, Verra Guid,
Great Guid Auld Carham’s Orrah!
Burnan Wheill o’ Universal Core-Energy
Skye-Central, Skye-Abysmal, IT!
Alongside the Rational Force frae the Thundir-Impetus
Thad waes, is, an’ shall IT be the OVERMAN’S AIN!
In Hye Lowes increasin’,
Tae the Skye-Infinite, hynne!
Most Renewed, most Identical,
Intae the Verra Spiral most Empowered!
The Worthy ENS, unco hynne Joyful, IT!
Immortal owre feastin’,
For intae Thae Rapid Coils o' Glorious Fyre hynne,
Frae Thys MICHTY TARGE O' SKYE-ENERGY PERENNIAL!
Nae for all! Immortality is solemnly worth
Thro' Thad Increasingly Growin'
Feudal Skye-Rebirth Steel-Mirrorin'!
Wnto ragefully Bluish-Ablaze an' Core-Feudal
Noble Hye Perfection!
An' in Eternal Steel Unconditional, IT!
Dwellin',
The Human, tae Human!
Gory Chains o’ Promethean Slavery
Bluish wi’ the Verra Reverberation
Frae the Lightnin’ O’erhuman
Ah waes lookin’ for,
They suddely becam!
An’ at length, Great Warlike Orrah!
The Lonesome Blindin’ Frame o’ Gowd,
Wha’s Sole Hye Thundir-Naim

Overman Skye:

SCEAWERES IREN-EALWEALDA

IT orra waes! Frae the Twa Dazzlin' Mirrors
In Perfect Symmetry emanated wi’in
The RETURN O’ POW’R!
Burnan’ Vortex-Event Universal, IT!
In Slender Lines o’ Whyte Fyre,
The Verra Core Heat
Reachin’,
Intae Infinite Reflections o’ Primordial Pow’r
Frae the Twa Lookin' Glasses, Blindin' They!
O’er All, Great, Great IT!
Njörður's ain Battle Orrah!
Limitless Dominion, an’ the Feudal Rule
Steel-haudin’,
WHILEAS WAES AH! WAES AH!
GUID, VERRA GUID EILEAN DONAN'S
WAR-TARTAN ORRAH!
STYLLE CHAINED IN BLUISH GORE, MY AIN!
HYNNE THE OVERMAN'S AIN, TAE!
WNTO THE AULD AN' HYE! VERRA SKYE-HYE, IT!
THUNDIR-GLEAMIN' BLUID-ROCK O' SKYE-SACRIFYCE:
NAE LONGER! NAE ORRA SKYE-LONGER!
An’ ITS central Rays an’ the Verra Lowes
Intae Ane Flashin’ Ironclad *****
Polarizin’,
A Thoosan Tymes Greater, Mightier hynne:
The OVERMAN!
O’er an’ o’er unto me returnin’,
‘Yont the Reddenin’ Pillars o’ Immortal
Skye-Renown!
‘Yont Death, the Mirk Unknown!
An’ ITS Feud-Foreign Fear,
Whyle, lo! the Steel-Vibration gleamin’
Frae Máni's ain Verra Crescent,
Dusky-Red, IT!
Waes, waes, in yon Murky West
Still IT unco risin',
Unfathomable, an' Potent, an' Dreary,
Unto the Stane Circles’ Builders
Wounded frae Life, at Skara Brae,
Appearin’,
At right angles to the Chain-Mailed *****
Noo orra descedin’
To cross the Region o’ the Heart:
Let IT fall intae the Verra Abyss!
Yet the Sceadewe! Great Wotan's Orrah!

ÓÐENES HÁLIGE CRAWE,

IT stylle leisurely stood,
In Hys Mirk Bluid Bleedin’,
Crossed hynne by the Verra Thunderbolt!
Ah waes lookin’ for,
An’ Hys, frae Kyng Rædwald the Gift!
Mask o’ War IT, lo!
Wi’ Black Fyre bleedin’,
Upon the Cauld Soil, together wi’ Hys Cloak,
Waes IT thrown,
Hynne Hys Mirk Warlike Self unveilin’,
Still Mine Ain!
Nae Gory Fear! tae owre hide:

SCEAD UNDER HELME HEARD BIÞ,
MĪN FORESCÝWA RÉADAÞ.

In the mustardseed sun,
By full tilt river and switchback sea
  Where the cormorants scud,
In his house on stilts high among beaks
  And palavers of birds
This sandgrain day in the bent bay's grave
  He celebrates and spurns
His driftwood thirty-fifth wind turned age;
  Herons spire and spear.

  Under and round him go
Flounders, gulls, on their cold, dying trails,
  Doing what they are told,
Curlews aloud in the congered waves
  Work at their ways to death,
And the rhymer in the long tongued room,
  Who tolls his birthday bell,
Toils towards the ambush of his wounds;
  Herons, steeple stemmed, bless.

  In the thistledown fall,
He sings towards anguish; finches fly
  In the claw tracks of hawks
On a seizing sky; small fishes glide
  Through wynds and shells of drowned
Ship towns to pastures of otters. He
  In his slant, racking house
And the hewn coils of his trade perceives
  Herons walk in their shroud,

  The livelong river's robe
Of minnows wreathing around their prayer;
  And far at sea he knows,
Who slaves to his crouched, eternal end
  Under a serpent cloud,
Dolphins dive in their turnturtle dust,
  The rippled seals streak down
To **** and their own tide daubing blood
  Slides good in the sleek mouth.

  In a cavernous, swung
Wave's silence, wept white angelus knells.
  Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
  Steered by the falling stars.
And to-morrow weeps in a blind cage
  Terror will rage apart
Before chains break to a hammer flame
  And love unbolts the dark

  And freely he goes lost
In the unknown, famous light of great
  And fabulous, dear God.
Dark is a way and light is a place,
  Heaven that never was
Nor will be ever is always true,
  And, in that brambled void,
Plenty as blackberries in the woods
  The dead grow for His joy.

  There he might wander bare
With the spirits of the horseshoe bay
  Or the stars' seashore dead,
Marrow of eagles, the roots of whales
  And wishbones of wild geese,
With blessed, unborn God and His Ghost,
  And every soul His priest,
Gulled and chanter in young Heaven's fold
  Be at cloud quaking peace,

  But dark is a long way.
He, on the earth of the night, alone
  With all the living, prays,
Who knows the rocketing wind will blow
  The bones out of the hills,
And the scythed boulders bleed, and the last
  Rage shattered waters kick
Masts and fishes to the still quick starts,
  Faithlessly unto Him

  Who is the light of old
And air shaped Heaven where souls grow wild
  As horses in the foam:
Oh, let me midlife mourn by the shrined
  And druid herons' vows
The voyage to ruin I must run,
  Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
  Count my blessings aloud:

  Four elements and five
Senses, and man a spirit in love
  Tangling through this spun slime
To his nimbus bell cool kingdom come
  And the lost, moonshine domes,
And the sea that hides his secret selves
  Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
  And this last blessing most,

  That the closer I move
To death, one man through his sundered hulks,
  The louder the sun blooms
And the tusked, ramshackling sea exults;
  And every wave of the way
And gale I tackle, the whole world then,
  With more triumphant faith
That ever was since the world was said,
  Spins its morning of praise,

  I hear the bouncing hills
Grow larked and greener at berry brown
  Fall and the dew larks sing
Taller this thunderclap spring, and how
  More spanned with angles ride
The mansouled fiery islands! Oh,
  Holier then their eyes,
And my shining men no more alone
  As I sail out to die.

“How important it is to walk along, not in haste but slowly,
looking at everything and calling out
Yes! No!”
–Mary Oliver, “Yes! No!”

1.

The coils of this labyrinth remind me of the small intestine.  This vexes me.  Walking the labyrinth is supposed to be a spiritual experience, isn’t it?  Neither time nor place for unlovely images of the body.  The truth is that I dislike the labyrinth.  I find it too constraining, too tedious—all these looping, repetitive coils.  The truth is that I hate the labyrinth because it is pale and remote, and silently indifferent to me.  If I am going to engage with something, I’d like for it to talk back, please.  I have questions, you know.  I have some concerns.  And perhaps just one or two small issues with control, and delayed gratification.

2.

“I think serenity is not something you just find in the world, like a plum tree,
holding up its white petals” (Mary Oliver, “Yes! No!”).


3.

“Watch how we encounter each other,” you say, and we walk, slowly, separately.  Around one turn we meet, and you kiss me, and your tongue is muscular and wet.  Around another turn you say, over your shoulder, “Hello,” and continue walking.  It is hard for me to keep my balance even though the path is smooth and flat.  I feel like we are in a Magritte painting.  Your white shirt glows softly somewhere to the left of my awareness.  A voice not connected to your body says, “Do you like my hat?”  We are walking.  We are together.  We are not together.  


4.

“Imagination is better than a sharp instrument.  To pay attention, this is our endless
and proper work” (Mary Oliver, “Yes! No!”).


5.

So now:
Quiet, quiet—the darkness is full.
Your skin is listening
to the night air.

In the center of the labyrinth, someone has placed a gift.

Quiet, quiet—someone is telling you a story.
The oldest story in the world, and his body hums and pulses
under your fingers.

In the center, there is a gift.

Quiet, quiet—this is not walking.  
This is surrendering to the path, your body long and outstretched
against the stones.

In the center, someone has placed a gift.

Loudly it sounded,
The horns message clear,
The gods had been warned,
The giants were near.

From Jotunheim to Midgard
To Asgard they came,
Their intent was clear,
Their purpose the same.

Loudly they shouted,
They yelled, and they raged,
The gods and the giants
Were battle engaged.

Thor with his hammer
and Vidar with shoe,
One would think battle
Was all that they knew.

Tyr with one hand
And Frey with no sword,
They should have stayed back,
But of their own accord

Into battle they leapt,
Into battle they ran,
Against the giants
To make their stand.

The moon and the sun,
Luna and Sol,
Went into the bellies
of Hati and Skoll.

Tidal waves crashed
all over the world,
Out of the oceans came
The serpent of Midgard.

Thor ran at the beast,
The great Fenrir Wolf,
But he was soon
In snakes coils engulfed.

Thor pounded away,
He hammered the snake,
But he did no damage,
No dent did he make.

The great Fenrir Wolf
Rushed at Odin,
The god stabbed with his spear,
But the great wolf did win.

Vidar rushed at the beast
With his big heavy shoe,
Kicked in the jaw,
The Fenrir Wolf flew

Away from the battle,
away from the fray,
In the depths of space
The Fenrir Wolf stays.

The gods and the giants,
The battle they fought,
And in the end
it was all for naught.

They destroyed each other,
Each and every one,
And out of the darkness
Came a new sun.

In the sun’s warmth,
A great green was spread,
The great land had died,
And was back from the dead.

Two gods were left,
The young sons of Thor,
They were spared because
they were good and pure.

The gods met with two humans
Who had lived through the strife,
And together they planned
a new and better life.

And for this reason,
The Norse people say,
The gods stay in Asgard
To this very day.

But if in the future
The giants attack,
The gods will come to Midgard,
And they will attack.

Animated by twitch of muscle,
Electric spark through live wire,
Humming rail and synapse,
Wheels spin at the fingertips of maybe
An ineffable humorist,
The mastermind of this beautiful prank
Pocketwatch of silver and gold
That explodes in the hand
And leaves you stranded on the platform
The second you go to check the time.

Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?
— by Mehmet Akif Ersoy, Turkish poet, loose translation by Michael R. Burch



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)

relaxing? relaxing would be a sin against myself. see God spun and wove golden bits of wisdom in these curls that are mine. see these curls spring loud with
songs of my Nubian
mothers and war cries of my Rasta fathers. see these curls bounce proud to the rhythm of tribal drums and the foot prints of my sisters from Manila reside
there as they roll
lumpia between the coils and springs. see these curls have moved sandstone bricks cross deserts, building divine architecture so perfectly aligned
with cosmos and
planets until Moses told Pharaoh to Let My People Go. these curls have traveled cross oceans and triangles packed like sardines squalid below the decks
of ships. see these
curls have been ***** by the nasty ***** in the big house and suffered sun strokes in cotton fields. see these curls sing loud and strong. See these curls
were branded and forced
at gunpoint behind ******* barbed wire fences gassed to death in the name of so called purification. see these curls bleed the pain of fire hoses and dog
bites and whites
only signs. see these curls wont back down gainst no burnin crosses gainst no swastikas gainst no elephant ******* talkin all that jazz on fox and cnn. see
these curls dance
wildly off beat to straight rhythms that drone on in 4/4 time c major sixty bpm. see these curls are Mas and my Grammas.  see my curls are too proud to sit
back and chill and won’t take no **** or heat or hot air. see these curls cannot be contained in braids or scarves or jars of creamy crack. see
these curls dare you
to force them to
coerce them to
straighten up
their act. my curls.
my curls. my curls.
my curls. my curls.
my curls. my curls.
my curls. my curls.
my curls will not
******* relax.

Mr Darwin, please explain

Reading TS Eliot is to be drawn into timeless space where images of past and future combine in a continuous stream of thinking …. perhaps the immortality of ideas. The genetic material of life, DNA, is immortal, an unbroken thread linking life’s origins 4 billion years ago to the present ….. and future.

Sequence upon sequence of symbolic letters encoding countless forms of bodies, built to the same principles inherent in the genetic code, yet morphing in endless variety according to the tenets of natural selection ….. Darwin’s idea that transformed our thinking from a moment of purposeful creation to how life changes through time.

Cosmologists suggest we live in one of many possible universes perhaps in parallel time allowing parallel lives, one not knowing of the other’s existence because of the limitations of our three dimensional view of the world and its existence in the cosmos. We see in three dimensions and no more, but we are aware of more because mathematics tells us so.

Mr Darwin, please explain explores the seamless continuity of Darwinian thinking with the timelessness of Eliot’s poetry…..

I In my beginning is my end …. V In my end is my beginning.
(East Coker, Four Quartets, TS Eliot)


Mr Darwin, please explain

I

What is this selection of love so natural
To drive men insane and women to purgatory
Can Mr Darwin explain?
Some ask the question
But I doubt not, that his meaning is clear
Why love one to one remains so dear,
Though Karl denied it, Lenin too
And Uncle Joe dismissed it
As a plot to subvert what was good for the proletariat.
But in that recent time when ******’s darkness shadowed The Earth
Love glowed in the gloom of the despair of nations’ Terezíns
Which to-day helps to repair our broken dreams
Of why we love one to one.

Keats loved one ***** Brawne
And Coleridge his Asra
But what is ecstasy’s advantage?
When comes the pain of separation
Mr Darwin, please explain.
Is it lust, is it reproduction?
But then when love is thwarted
We cannot function,
Where is the advantage
Mr D --- what is the aim, can you explain?
How the coiled spiral passing from time to time
Its immortal message which condemns each generation
To the pain of separation
When the reaper calls, or the rival sunders
The coils of love’s message we’ve inherited
Since the beginning of time
Why? What is the advantage?
Mr D, please tell me your answer.

The whales they sing one to one
Like Eliot’s mermaids singing
Not to Prufrock but perhaps to you and me
The message of communication.
Is this love as one to one
Each supports another wounded
By the enormity of the harpoon?
The dictator’s message in another form
Devoid of love, sundered, never whole
Coming from that Terezín we never solve.
Dysfunctional Mr D, where’s the advantage
For such conflicting feelings to evolve?

David Applin
March 2012

II

Genes are the immortal ones
The links between past and future
But ever present
Unintentionally directing the future and fate of humankind.

Silent, unobserved yet Gods of their domain
Which is us and life past and future
Coiled threads of eternity that determine our happenings
Including our loving one to one.

Yet ….

In their entirety and interaction
Do they, in their interaction
Determine our loving one to one?
The bond that binds each to each
Perpetual celebration.

Or ….

Is their selfish blindness which some accord to be
Inconsequential
Like boats tossed helplessly on storm driven seas
Subject to the whims of wind and rain
No more than replicators housed in vehicles
Subject only to the chances of a changing world.


III

Bodies are vehicles, genes the replicators
Bodies and genes indivisible
At least in the present
But separated as bodies die after
Genes have passed to their immortal future.
Perhaps this is what is meant when they say
That the gene is selfish.

Accommodated in the selfless body at a particular time
But then discarded as genes pass its immortality
From past to future
Changes slow, quick depending on stasis or acceleration
According to Darwinian tenets that enfold the changes
In genes and therefore bodies
Through all time.


IV

Cycle upon cycle of genes and bodies
One perpetual, the other discarded each generation
By the unseen hand of an uncaring Nature.

Our nature, all nature, the beauty of sunsets
Driven by the mechanical clocks of cosmic cycles.

Yet Relative to other Dimensions where
What we see, we do not see
Because of the profound limitations
Of three dimensions.
We see only dimly what might be past
And what could be future
As we struggle in the presence of tautological explanation.

Body and gene, gene and body the temporary and perpetual
Bound in the dance of a living presence
The one ensuring the other’s future
For all time.
Circle upon circle, tautological argument
Explaining everything and nothing but all powerful
In its reductionism of humankind
And life kind as whales support the one
Wounded by the enormity of the harpoon
Loosed by the bodies of genes
Storm tossed and directionless
When thinking that others’ bodies
Can be discarded without thought or thinking
Perpetual damnation.

Tautomeric interaction.
We say the same thing in different ways,
Recycled ideas that parody the twenty different plots of novels
That return to the same point,
Come back to the common question

Why do we love one to one?

People ask…. ‘Can Mr Darwin explain?’

Perhaps not through bodies and genes
But instead, understanding the epistasis of genes and where we live.
We live in this world because of our past
As genes dance to the chance of environmental shifts
The whims of wind and rain, sea and wave
That blow and toss the genes
In their bodies, in random patterns,
Some sinking, others floating
Not always by chance
But because they float and fight
Yielding to the pressures of an uncaring nature.
Like soft down yielding to the thud of falling bodies
Softening their impact.

So to yield as well as fight
Is part of the selection of one by another
In the perpetual
Celebration of loving one to one.

We yield to the blandishments of the soft embrace
We fight to attain it

And once attained, what we do is all we do
To keep a hold on what we love
Only to lose it to the grim reaper of all our dreams
In this present world,
But to regain it in worlds to come
The link between past and future
For immortal genes
Of transitory bodies which is how
We think and see our presence
In time without end.



V

General relativity and quantum mechanics
The combination of infinity and the very small
Do not replace the Newtonian meaning of the day to day.
Just, that Newton is displaced to another time and place
Where description is precise but with uncertainty according to
Heisenberg.

To be certain is to fix ideas in time
Like natural selection in the Darwinian mind
To be propitiated without exception, else suffer extinction of self
And of all that matters to self and others
Sacrificed on the alter to propitiate the Gods of our certainty.

That is not to say that an idea cannot be fixed in time
That its central tenet is not true for eternity.
But truth is relative and uncertain
To be strengthened or cast aside
By better truths or developments of the same.

Our understanding expands with time
But often returns to something that was said before
And said again as if it were newly minted
In the mind of its creator
To become dogma
And as all dogmas
The truth unchanged in people’s minds.
Yet the central tenet survives, as survival is the result of natural selection
But with added components as
Understanding expands as to what is meant by surviving and survival.
To inherit the coils of love’s message is to survive.


VI

Can Mr Darwin explain?
Perhaps is not a whole question
In the same sense that answers depend on
The question asked and who is asking.

The truths that questions seek to answer
The truths of love, beauty and heating systems
Arise from answers to questions in different languages,
And languages translate imperfectly from one to one
As genes imperfectly translate proteins and therefore love in the
Darwinian world of our dreams.

Truth comes in different forms
And Darwinian truth is true to the questions it addresses.
But these are not the only questions of why we are,
Who we are, what we are
Who, what, why are we?

Questions past and future asked in the present
For all eternity.


Christmas (25th-28th) 2012
David Applin

Copyright David Applin 2015

This is a conversation I had with God.
In which I told the silence of my room
that surrealism is the only ism in which God makes total sense.

I could see the chalk whites of his teeth trying to bite down on his words
but before they could be derailed his tongue caught wind and his words assailed
as he said, "I hate surrealism."

As if his words would never be caught dead in an urn
sometimes his mouth looked more like a jail in an Old Western
and his thoughts fought like criminals desperate to break out
until they finally found a way to use his tongue as an escape route.

"No, I don't hate surrealism," he says
"I just hate surrealism as a movement."

Upon hearing this my spine coils like a wine-corker-spiral-staircase
upward; where my brain plugs my cranium like a cork
and my eyes drip like blank canvas,
I am one hollow statue decaying in a melting structure
with wax in my ears I feed landscapes to winged insects
as I drown in pools of water/color.

Behind me is a sky so burlesque it actually looks like the clouds are crying.
Under me is a ground so vast it has nine horizons wrapped in a double helix.
Reconstructed beside me is a tree so old it could be the same wood as The Crucifix.
Nested inside me where my spine should be is a coat rack made crooked by the weight of all-nighters.
The texture of my skin makes it look like god paints with typewriters.

"No, no," he says, his voice turning melancholy, atomic, uranic, idyll,
"I don't hate surrealism as a movement,
because hate's such a strong word. Oh god, I guess I just don't get it."

Now I'm overcome with a sincere desire to light an entire herd of giraffes on fire
and sip wine beneath the light as if it were dinner by candlelight,

"Seriously?" I say. "Under giraffes, in this light
I can't tell if you're Lincoln or Jesus.
In fact, we all look like swans with elephant reflections.
Your trunk is a trumpet.
Don't even get me started on where we derive our visions of god
from where I stand everything casts a shadow in the shape of where it's heading
and the sky, vast and pale and open, the sky is the only all-seer
and the truth is far less surreal:
if your demons are ants then your god is an anteater."

I can see the chalk whites of his teeth stall door,
squeaky hinge, his mouth-
occupied with a realization he can't pronounce.
A pause as pregnant as a desert landscape,
ornamented with butterflies.

His head is an empty room with an evaporating skylight,
his ears, hang like clocks on a half-wall, melting.
The escalator to his brain is a spiral staircase moving in reverse.
His eyelids peel back like the last page of a two-dimensional book.
I can see with my Spellbound eyes, we are finally on the same page.

When his tongue curls back into his saloon jaw
like a bee sting rifle shot back into the mouth of a lunging tiger,
swallowed deep into the wells of a fish belly.

"I'm sorry" he says, "that's not what I meant."

The snake hisses and slithers
Right into your mind
It fills you with wants
And fills you with dreams

The snake coils around your brain
And before you even realize
The snake has captured control
Of what you determine as your life

It bites when you deviate
It crushes when you try
It slowly kills
Any of you left inside

This snake, it's unwelcomed
But we grow accustomed
To the control of the snake
And yield to it's command

Few leave the snake, there is
No escape
And when there is none of you left
The snake slithers away
To find someone else

There is a snake
In everyone
There is a snake
And no way out

Serenity coils like a Babylonian serpent
around simplicity and sincerity.
The soul burns eternal, perennial fathoms
of expansion and purity in wisdom and the search
for the crown of grace in this reality.
A crown not made of gold.