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I don't know you anymore,
ever since that staycation
with your Beloved.

You were the only one who held
my heart and brain
in your pearly, white palm.
Now it's stained brown
from the endless supply of caffeine
and mugs.

What about
the scars on my back
(from my travels to many places)
that you and only you saw?
I can't help but wonder over the picture you have
of me
if they now rest in a new rucksack.

My soul,
is now in your little backpack
where everyone else lie in.

Tell me,
where did you travel to and what happened?
Did the airlines lose your culture
and replace it with a complimentary
substitute?

You've lost the identity for which
I came to know you of.
May this just be a
stopover.
Jesse stillwater May 2018
.

He liked to gather up the silence in the springtime
  Pack it up and carry it in an old timeworn leather rucksack
From a distance it looked like he was a senseless fool
  Picking up handfuls of nothing;  then putting it in an empty jar


No mind is paid to the fleeting glance in the corner of a stranger's eyes
  They were out of reach from the box he was living in
He kept gathering up the endless silence like missing pieces of a lost soul
   It seemed to be everywhere ―  and in it heard,  the only voice he knew


Supposing all his thoughts pondered come forth of silence
  Often resting sheltered beneath branches where it grew on the trees ―
It wasn't just the songbird that broke the stillness in dappled sunlight
  It was the dearth of love that rivers through a strong heartbeat’s
silenced words ...


Jesse Stillwater

04   May   2018
Thank you for reading and considering "gathering silence"
Martin Narrod Apr 2014
angry men who do not know I do not have a dollar or a cig to spare. Ugly irrefutable contagion-handed howlers. Angry mischievous heathens that pantomime on 6:00a.m. sidewalk, Wicker Park gallow stop-sign, choreographed gutter-punk drunk walk. And of all he wants and could ever want splits down his gooey membrane brain in the outline of a noun shaped fragment of a clause, "Couldja spare 80¢ for the train," but of course I don't spare on the ellipsis or the period. Semi-colons I won't! My rubber-bottomed leather boots lash out, heavy scraping sounds trail this mirrored shadow half an angle behind me.

*****!! Blonde framed sunglasses from American Apparel, a gift from my sister in a folded Ray-Ban case is scattered on last nights bedroom floor, my girlfriend has certainly not noticed, the gloom-coated morning sun spray has not noticed; but I have unzipped a fissure in the ocular lens. My heart skips a beat. Her bedroom might as well have swallowed them whole. Now the house can halt and have the shade, swaying in Spring air in 10:22a.m. shadows. The aviator himself Howard Hughes would strike me with his 488 aircraft. Edwin Starr in his invincible sinister calypso of War would turn me round. I was sturdy as a rock until I began to forget my forgottens. These unknown unknowns I knew I needed. I'm over a quarter-century on to noon going nowhere- and quite blindly.

But then, still she could stand upright and find me. Her neck crooked, looking onward through the East, the gristly roots of rhubarb buried in her searching fingernails. She's threaded worse, and of course if I could just tell her- this is the kind of nursing which requires acute temperament and flexibility. I am thus on a journey to strike nonsense and fear from the idiotic vocabulary that put this nonsense in my head. Split through me like a butter knife into my apotropaic. Perhaps tar water could cure my ails. If not, certainly a sliver of vanilla would set me straight. Or if could just rain rain rain all day, then I'd make do without, but she is at school. My pistons are racked and nervous, and I'm not going anywhere but my rucksack stoop. I am camped in midwestern Spring soup. Fog, rain, and shade. The nightmare of day.
Inspired by William Butler Yeats 'Beautiful Lofty Things'
Josiah W Menzies Mar 2013
You grip my throat sporadically, erratically – not often.
And trickle in through passages and pores I can’t defend.
Treacle through fingers.
But you avoid me too, and I hate it just as much.

I wait for your hand to loosen,
I breathe cool air,
Then I feel your absence.

Your gloopy venom is addictive.
I tasted you once, and now my tongue yearns,
And eats itself –
It flickers and twists and spits its serpentine-self out. In vain.
A vague, dull shadowy lustre remains,
Undulating under baited breath,
For another foul injection.

In reality I fear you. I despise you. I hate you.
If you’d only never return,
I could spit you out forever,
And tongue sweeter, healthier, more benign stuff.
No more swilling,
No more idiosyncratic sways upon social norms,
High Society and empty smiles that stifle natural intentions.

You are a disease, and far from untreated.
You are the last drag, the last hit,
The very last dose that no one actually wants.

I rebuke myself wholeheartedly
At even entertaining the idea of having you in my company. Yet there you are –

In every message, in every ransacked draw,
In every turned out rucksack, every old coat pocket,
Every ***** shirt, every unstitched button,
In every visitor’s news, every car back-seat,
Every dusty notebook, every empty fruit-bowl,
Every old, long-unseen smile, every dowsed fire,
Every man woman and child I sit across the table from.

There you are. Somehow. In some form.
Turning my sweat cold like cheap wine,
In what is otherwise an already disturbingly depressing
Struggle to maintain some kind of equilibrium or serenity,
Let alone with your smug mug cropping up scornfully uninvited.

You ****** me before I recognise you.
Helping yourself to the food on my plate with a wink,
While I do nothing as if handcuffed, and chained at the soul.
Then I move to eat.
Hand to fork.
Fork to mouth.
And it tastes of you.
It reeks of you.
And if I were anything but human,
I’d spit you out onto the kitchen floor,
Stamp on the bile you’ve stolen from me,
Burn you with kerosene,
And wage a third world war on the very concept of you ever existing.

But I am a human.
And moments later you have me
‘******* and thinking of death’
As coy and Marvellian as you like.

I indulge in full-knowing paralysis,
Lapping up your unvanquished honeyed venom,
With a voraciousness that redefines Lovesick –
Giving it a whole new meaning
Going beyond the epitome of disgust.

Enslaved, you have me smash myself against the ceiling.
And eat myself over again from within.
Consuming me like the fire I found you in.

You have me rage and conspire against those I don’t know.
But I will conspire against you one-day.
You have me hate others, but I will forever hate you.
You have me search my soul and grate it upon street corners
And the pavement of city-centres,
While you gleefully, whimsically **** my past
Or polish vain, rose-tinted hopes that without you
I’d know were futile and unjust –
Until I ruin them myself, knowing all the while
That you are the author of my unnecessary devastations.

But I will smash your green demonic skull into obsolescence
In some back-alley where none will find your
Bubbling frothing corpse.
You will be utterly repudiated even by the rats.
And the flies will drop you,
Iota
By
Iota,
Onto the tracks at Dalston to be rendered into absolute oblivion.
And I will go, a man unshackled, about my business –
Whether it be of importance or not,
It will be with a conscience cleansed.

But for now, vile sham of an emotion that you are,
I do your inglorious bidding.
Zombified and putrid, my actions smell of you.
They reek of you.

You intoxicate what should be left alone
And endured with silence and rapidity.
Yet you elongate these private, personal trails torturously,
In some sensational Cold War.

It goes without saying,
The world would be well rid of you.
Yet godlike, you endure the ages
Just as we endure you.

Perhaps Keats was too afraid to admit it –
You are the original
La Belle Dame Sans Merci.
Pluto’s daughter in persistent disguise.
To be seen presently
‘******* and thinking of death’.
Krishna Mehra Jul 2018
Who are you
to tell me
to wear a Salwar kameez or a turtle neck
Who are you
to say that my body lacks flesh
Who are you
to make my body a symbol of *** appeal
Wait!!
you are no one
But someone who
Doesn't embrace one's body
Because
For me
My body is not a piece of meat
My body is not up for a bid
Moreover
You are no one
To tell me
To veil my ***** with blotter
And my hips with a rucksack
You better
Keep your ravenous eyes away
That try to strip me with its gaze
But say whatever you want to say
Because now i don't bother about your ******* comments anyway.
Body shaming
Poetic T Feb 2016
Years had past since PTD's cases, all was now
Play and fun. But the little man missed
The chase of what could be found
Mysteries,
Riddles,
Enigmas
Of what was hidden from view. He was
A bright young fellow now
Six years old.
Words are longer as gurgles faded into
Memories past thoughts. He had come
Home to mummy,

"How's my little man,

"I have a loose toothy peg Mummy,

"Well no playing,
"As we don't want it lost for the tooth fairy,

So little man played with his cars
"Brummmm,
Brrruuumm,
Screecchhhh,
"That was close the baddies nearly caught us,

He played till it started to get dark, then heard
His mummy calling from down stairs.

"Little man time to get ready for bed sweet heart,

"Ok mummy I'm changing now,

A jumper did fly socks also too,
Trousers flew in the air landing waist
Side up on his head too.
Jester
Clown
Fun
Times of an imagination as he runs around.
But in to jimjams he must now do,
his favourite ones were
Captain Carrot Space Ranger.
He has all the books reading them to sleep
His favourite story before he slumbers in to dreams.

~Captain Carrots Space Race~

Trix sat in his comfy seat, his friends
All waiting for his words of as the race was
Set in the dust nebula
 Atria
Its dark in space only stars glitter.
But in the dust cloud it was like rainbows blossomed
A light show of the universal beauty.


Right my fluffiest friends its time to launch.
       3
  2
1
Rockets ignited and away they went,
Captain Trix was nibbling on a cucumber stick.
Then from no where the naughty
  Cat Captain Frost
Bashed and knocked at their ship, and off the
Race course they fell. They tumbled into a pocket of

Darkest space. Captain its  dark  in here, the lights
Faded and all was dark.
  Trix  could hear teeth chattering.

Be calm my friends, there is nothing scary in the shadows.
Take out your carrot coins, and nibble, chew,
And with that, once finger licked and all was chomped
All that was heard was trix voice, right can we all
See? yes captain carrot vison is a go.


They set a course out of this darkest place and
Out they popped into normal space, colours gleamed
As they saw they were in last place.
Rockets burst into action and they flew in
And out, weaving through the clouds
One pasted, two pasted, three pasted
Now they were in second place.


Who should be in first place naughty  Captain Frost
He had a coat as white as snow. but that was
As far as his niceness did go. He was a naughty
Kitty and everyone did know.
Sir he is blocking our path, we cant get through
Ok secret decoy time fluffy friends.

           3
     2
1
Cats attention set adrift sir, and into space it wondered,
In sight of Captain Frosts view. Out came the holding
Claws, and the space wool did bobble and excitement
Was the pleasure of kitties day. While they entertained
Themselves, Captain Trix did glide on past.
Full speed ahead as they race past the finish line.


Yawns were the calling of the night as the story
Ended as eyes blinked soon to be shut

"Mummy Captain Carrot [Trix] won the race,

"Yes he did darling and that's why meanies are always last,
"Sweet dreams my baby now off to sleep,

The night drew on as eyes slept through, and little
Mans dreams were of carrots and rabbits
That whizzed through the night sky, ZOOM.
Morning broke through his curtains and
Yawns did come and go. Slippers were
On as cold it felt, and downstairs
He wondered dressing gown and all.

"Mummy what's for breakfast?
"Was that me Mummy?

"Open wide little man, goodness me....,
"There is a gap where there should be a tooth?

"O' no I have a missing toothy peg,
"***** trained detective is on the case,
"I think I may need a new name?
"Junior Trained Detective,
"No that's not right does ring true?
"Buddy The Trained Detective.

"That's the nickname you gave me mummy,

"That's excellent little man, I love your choice,

His mummy smiles and gives him a hug and
Kisses his forehead, they search under his pillow
"Nope? Mmmm... may have to get out the cap
And magnifying glass -o

"Mummy this is too small for me?

"Don't worry little man I thought this day may come,

Out of a box she pulls his new hat out, he tries it
On, perfectly it fits on his head and his detective
Days have started again. Fist my bedroom under
The pillow I will seek my tooth be it here or there.
But pillow case removed quilt removed o' so slowly
For a tooth we don't want to lose it, but nothing appeared.

"One place now searched with a keen eye,
"Now so many other places for it to hide,

He thought of where a tooth would place hide and
Seek from its home in the mouth, under the
Bed he thought.Torch in hand he wiggled under
The wooden from and what we he see but his
Car that vanished quite a while ago, I wondered
Where that went? a sweet, a pen, a coin for the piggybank.

"Mummy its not under or over the bed,
"I looked hard, but no where can it be found,

Little man was frustrated at the thought that the
Tooth fairy would not be rewarded with a tooth.
Right let me think? he thought of that night, it
Was their in bed, when story time was read.
It was their when mummy give him a kiss goodnight.
In the morning it was gone

"Captain Carrot,
"Trix where are you,
This is no time for hide and seek,

He found him tucked in his quilt, sleeping soundly.
"There you are sorry to wake you,
He looked in his hair "Nope not there,
Looked in his tail it was white and fluffy
"Nope not there,
He thought once again? if he were
Captain Carrot where would he keep his
Best friends tooth safe if it feel out in dreamy sleep.

A smile etched across Buddies face at the thought of
Where he would keep it safe for him.
In his little fingers did search around, and then
A little white rock, no a tooth was found.
Captain Trix had kept it safe in his uniform pocket.

"Mummy, mummy,
"The case Is solved I found my tooth,
"Detective work solves a puzzling case again,

"Where was it my little man?

"Captain Carrot had it snuggly warm in his space rucksack,

"That's fantastic,
"Now where does a tooth now found go,

She smiles rubbing his hair, off to his bedroom
He runs tooth proudly in hand.
Lifting his pillow he gently places it with pride
In the place where the tooth fairy could easily
Reach and find. Leaving a special present for this
Little boy who had found his missing toothy peg.

"I think I may keep this cap,
*"Let Buddy the trained detective solve cases again soon,
I've been thinking it's time I retired,
acquired a rucksack to ******* my back
and returned to the slow track.
Hitting the road and taking the load off my mind,
with many needles to thread and a hay stack for my bed
I'd be content with it all,
to drift into the colour of fall and ever so slowly disappear,
never here for long,never there or anywhere but everywhere
I would be,
free from the trap laid by polite society.
Reece Dec 2013
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay

That interim between dreams and consciousness, that momentary lapse of reality
When slave children don't howl and the wild animals lay tamed in sun traps, weary

Your scattered thoughts betray reality
and you
question everything - now waking
Smiling chief, chirping loud
Your body gathered and prepared
under torchlight in dusty tents
Ingesting iboga and that old familiar numbness overpowers
You've been here for a life now, looking back on your life now
hatasha hullah - dey
vey, okay, huttah, ulay

Witch doctor, tribal medicine, fanning smoke from a wild fire
flashing imagery akin to memories of when life was decadent
you remember the taste of stray rain drops on your upper lip on muggy British summer days
and waking on a beach, bloodied as the sand at your feet is the next recollection, how powerful
the act of reflection, as you recall the mirrors of the sea and your torn body weakened and inept
The gathered village chant in unison and splinter groups fall off beat only to rejoin intermittently

Remember the Burmese boy far from home on the Gabon shoreline
and he informs you of your own death,
and asks you why do you breathe still?

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey

On some beaten path lost in Angola you carried two packs, food for the world
but you fell starving and spluttered on the rock that looked like your home
Rebels run wild in jeeps black as night, your supplies strewn on rubble grounds
- hatasha hullah - dey
Taken in a flurry, twittering birds in far off trees betray your trust and fly away
in the opposite direction, and the juggernaut jeep catches air over uneven tracks
You were scared and crying under blindfolded eyes and captors jeered, captivated
- parablah nuh parrah
An orchestrated mass of military garbed children with rifles gather you abruptly
when the car stopped with a rumble
And tied to rusted rigs you're gagged and stripped, bloodied your face now
as they beat you and laugh
- vey, okay, huttah, ulay
Congolese giant man, sword in hand and grimacing through bared teeth
Making bold gestures and speaking some inscrutable language
You cannot answer and fear is now in control, you shiver in the ghastly draft
On failure to answer you must be beaten, your back is lashed, repeatedly
- narralah, narrah, nutay
You remain silent but cry in disparity, after shrieks of horror finally escape your barren lips
Through stinging eyes you assess the surroundings after hours of torture when they retire
to their leather beds of shame and innocence faltered, try and remember how to live
- Oh laa, ley ley lahh ley lah
Months must have passed, survive off insects and morning dew on the muddy floor
This African wasteland, time forgotten, child soldiers and lack of humanity is trivial
Always scheming, recollect the armament and through door-way shack trapped light
you see a clear path, and it is good
- ley hatasha hullah - dey
The pinnacle nightfall anticipated arrives, and your skinny wrists released now easily
(their faltering lack of knowledge and abundant braggadocio betray them)
AK laying in moonlight illumination, a sign of God perhaps, but experience proves otherwise
(How cruel the dreams you had of such a gift)
When they spot you leaving, the night lights up, wild crackle of gunfire, heart beats, tribal drums
(To massacre children, such proficiency, the dreams were mindful)
No lapse in concentration, you may ruminate on objective morality in due time
(Crawling through blood and bodies of children, so pure, cadavers tell lies)
The clearing ahead in giant trees, you run and don't look back, praying for no pursuit
(Another genocide committed by a white man, justified perhaps this once)
Weeks pass and you falter only to slurp rain water from Congolese sipping cups the leaves
(Blacking out somewhere in the Republic, or on a border or who cares, as you died long ago)
- vey, okay, huttah, ulay
  ley hatasha hullah - dey

To awake from hallucinogen dreams, and cruel memories linger, it's painful you agree
Witch doctor still sings, lonesome now as the tribe apply ointments and silently pray
The fire still dances to some incredible song and your scars redacted, physical and other
How incredible the mind feeling fuzzy and that insane dream is just that - a dream
You black out again, a common occurrence but upon waking you're free, no tribe exists
With a sheepskin rucksack full of cassava, plantains and sugarcane and cocoa beans
Months pass and you make it to the North, when you leave Africa your body is new
and your mind is stable, no lingering cognizance or frightful thoughts of a forgotten ordeal

You arrive in Turkey, to partake in ***** with nimble girls
and I see you floundering on silken sheets,
My memories were fresh as the nymph on your lap
I write to you a note, and you turn alabaster, moon faced being
I was there always and saw every moment
Your ideals on morality are hazy at best, and to your behest I detest all that you stand for
Is your afterlife so pure, now that bodies litter the forest floor
and do you believe that I am not (a) God
and is this mere poetry, or an indictment of your folly and a warning to all whom engage
but do you not also see that every reaction was an action taken to your original action
and when all is said and done, do you no realise that from the day you were born
you were born a God and that God was born dead
and this is just that interim between expiration and consciousness, that momentary lapse of reality
when slave children don't howl and the wild animals lay tamed in sun traps, weary

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey
For instance, recall daisies,
or if you have not seen one, so much the better.
Paint me a crass picture and sleep
on the shallow crevasse. Stilt through
the orchard and search there: nothing still.
Even the nothingness is form-fitting, and thus,
your vestigial image of daisies. Mold something
out of the vacuity, and there a retrograde sculpture
will wind back to clay. Cornerstones have your name,
and your name even so, has taciturnly placed stones.

Stones. These tiny bodies that lay, undemanding,
scourged by the rapid passage of a carriage.
I wait there, with them, still thinking of daisies.
I know of a child, cylindrically obtuse, in front of the mirror.
Have you seen yourself in the hazy windows
of the Metro? What do you see? I still see daisies.
Or people with heads of daisies. But remember your
forethought of daisies? They are nothing. I am a beheaded daisy
in the lackadaisical wind of Summer. There is nothing to gain
here but the sadness of cold passing. And the child that I am speaking
of, his name, Magno. Sturdy like the rucksack he’s carrying,
lovelessly trundling altogether with the pipes and the
handrails, almost signaling the alarm without warning.

This uncared-for sultry evening decides to splinter
itself against the masses. Again, the daisies appear to me,
this time, in heady form rogue with peripatetic fragrance.
Magno used to unearth daisies and give them to her
mother when he was stiflingly young – he hustled through
the carefully placed furniture. Whatever happened to him,
I know not. And just like the daisies we have come to know now,
trains that do not belong to anyone, and the daisies too, that go
unheard of and unknown to the behest of the city,
have gone into the subtle beginning of everything
that once started in itself, the form of splendor. Nothing.
softcomponent May 2014
Called in sick to work, disappoint the boss, *** of a terrible ***** hangover I framed as the flu.

'I've got the cold-body-shivers and a bucket next to my bed. I'd be no help to you, trust me.' Thankfully, one of the friendlier dishwashers agreed to work the shift in my absence. My hangover eventually plateaued into one of those fried-brain poetic calms, where you're pretty sure that terrible habit of yours shaved a few minutes or days from your life, and yet you're in some sort of involuntary (yet accepted and mostly secretly-desired) state of meditation and trance with the world. People walking past speak of strange, complex lives, with their own problems, their own triumphs, romances, fears, and aspirations.

Two young college-boys, dashing, laugh with each other at Habit Coffee. My debit card stopped working for some strange reason, with the machine reading 'insufficient funds' as the cause, and yet I managed to check my balance via online application, and I still have a solid $15.86 available so something is clearly wrong. I explain this to the baristas at Habit, and the girl understands my first-world plight, gives me a free cappuccino as a result, and I sit there at the clearest panoramic window overlooking the corners of Yates and Blanshard thankful for the kindness and finish Part One of Kerouac's Desolation Angels (Desolation in Solitude).

*****, echw. I spat at the brink of ***** above my ***** toilet seat, perhaps the more unhealthy fact-of-the-matter is that I somehow managed to keep it down. So it rots away my stomach and eats away at my liver. Disgusting. Although the prior stupor was quite nice.

On my way to the Public Library (where I sit now), some girl with a summer-skirt was unbeknownst of the fact that it had folded somehow at the back and as she ran for the parked 11 (Uvic via Uplands), everyone could see her thonged *** and they all looked back, forth, back, in *****-awkwardity (I included) wondering what was ruder: telling her? or just watching her spring away? I think I heard someone make a quip remark about it, and yet glanced away and forward as to seem unaroused (their partner was with them, holding hands and all, avoiding the lumpy desire and lust that always appears in short bouts during moments like that).

I need some sort of adventure, tasting the potential of existence as I called in sick to work and immediately felt better once the shadow it cast was delivered from the day. I think of Alex and Petter, with their motley crew of savages, riding highway 101 toward San Francisco. Last I heard, they had stopped over in Portland and perhaps had said hello to our friend Tad in the area. I wish I could have gone, felt the road glow in preternatural beauty and ecstatically bongo'd every breath. I haven't felt the true excitement of freedom and travel in so very, very long. Always, the thought of debt and labour. That's the niche I've crawled into for the time being, and I owe a lot to the friends who wait (without hate, without anger) for me to pay them back. I have some sort of shameful asceticism in the way I work now, as if I cannot just up and quit as I may often do, because I'm doing it for the friends who kindly (perhaps, dumbly) propped me up with coin. Even if most of it goes to an insatiably hungry MasterCard Troll living under a bridge of self-immolating sadnesses and post-modernisms, at least my fridge is full of food.

I lost my passport anyways, they would have stopped me at the Peace Arch and turned me back to Canada without exception. That's a modern border for you, there isn't much room for kindness. Just pragmatism.

*****, terrible, clean-cut pragmatism.

That house, at 989 Dunsmuir, the place I call home in the Land of the Shoaling Waters, is exceptionally lonely on days like this, even with Jen there reading her Charles Bukowski and offing a few comments about the gratuitous ******* oft-depicted in the book. I feel trapped, at times, by all those machinations I so deftly opposed as a teenage anarchist. In principle, I still oppose them. Most intensely when they trap me, although the World of Capital has successfully alienated me as a member of the proletariat work-force and somehow twisted my passion into believing that the ways of economy and rat-race are just 'laws of nature.' If this is true, which I believe for pragmatisms sake they are (*****, terrible, clean-cut pragmatism), there really is no such thing as liberty, and what we have called 'liberty' is nothing more than a giant civilised liability within which we are all guilty until proven guiltier. Yes, because I owe it to myself and to the landlord.

I realize, often, the endless love-hate relationship with existence that one calls 'life.' It seems undeniably true that everyone is in this same jam, secretly loving something, and at the same time secretly hating it. The distinction between 'love' and 'hate' quickly becoming redundant when they are found together drinking champagne at the dusty corner-table of the most indescript and ugly bar in the alley of eternal psychology.

My back hurts, my brain
clicks, it's all a little
melancholic; trapped,
finicky, yet calm,
hopeful, excited, and
real. About everything


all

at once.

How can you write like a beatnik in an age of eternal connectivity? Just keep writing messy, weighted passages, whine-and-dine frustration, and cling on to dear life as if it were better in a lottery ticket? Dream of a rucksack revolution, ask yourself how you're not brave enough to be a Dharma ***? Would you not question your motives in rebellion, keep yourself at arms-length for sake of self-hatred, and posture yourself on the sidewalk insisting it's not pretentious?

Ah, all the vagueness and all the creeps, all the I-guess-I'm-happy's and all the success stories mingling with each other on this planet-rock. Some sort of hybrid productivity asking to be heard. Writing about liberty and livers, both accepted as ok and yet all take a beating in the face of silence and revolt. There's a science to all this, no? Some sort of belief in mandalas and star-signs, opening portals to Lemuria to take a weight right off your shoulders. I am Atlantis, and I am sinking.

A cigarette doesn't care, and neither do I. Addicted to a moribund desire to live. To really live! Not just add a few more moments to longevity by swallowing a carrot twice a day. Not just brushing my teeth twice between sunrise and sunset to avoid halitosis. Not just sitting and waiting for language to speak on my behalf.

Be-half, be-whole. Be-yonder, lose yourself. Be-yonder, and travel. Be-yonder, and forgive. Be-yonder, and don't forget. Store those memories and add them to your landscape, next time you drop acid, run amok through those stairwells and fields, re-introduce yourself to your life and remember the every's forever. Become highschool you again, where you'd sit on your mothers porch June mornings on your third cup of coffee, writing a poem with the drive of existential freedom unpresented with fears of rent or labour. You want fast-food? *** the change off your poor mum, and meet your old friends down at the local A&W.; These days really don't last forever, and thankfully you were smart enough to avoid working all those years. They will remain the best years of your life for.. perhaps.. your whole life.

Some mornings, you would wake up late on a Pro-D day, sipping a fourth cup of joe and watching the Antique Road Show on CBC because it's the only half-interesting thing playing on a late Tuesday afternoon. Your mothers couch was leather at the time, placed closest to the deck window with some sort of ferny-plant right next to it making peace with the forest. You would get lonely at times, and it wasn't until you graduated that you noticed how beautiful those 4 high-lined stick-trees standing in the desolate firth as the last remaining survivors of a clear-cutting operation really were, the way they softly bent in the wind, some sort of anchor whether rain or shine. Your mother would be at work, your brother would be out, or at dads, or upstairs, and for half-hours at a time you would stare at those trees, warped slightly through the lens of your houses very old glass. To you, it seemed, the world could be meaningless, and these trees would go as a happy reminder of how calm and archaic and beautiful this meaninglessness was. Watching them always quenched a blurry hunger in the soul. Something happy this way came. Something tricky and simple.

I could never really reach myself back in those days. Not anymore, anyways. That old me no longer had a phone, had tossed it in a creek in a fit of idealistic rage. That old me was living in a tent somewhere, squatting on private property and working at a bakery north of his old town. He still worked there, last I heard. Every summer evening, he went swimming in the ocean, wafting along on his back to think and pray. He was a Buddhist if I ever met one, reading the Diamond Sutra and the Upanishads, cracking the ice of belief with Alan Watts's 'Cloud Hidden, Whereabouts Unknown,' and preaching to his friends in cyclic arguments to prove the fundamental futility of theory. He's the kinda guy to shock you off your feet and make you wonder. Really wonder. Whoever he's become is on the road to wisdom. Whoever he thinks he is has never mattered. He's just waiting on the world to change.

Fancy.

Above me, the patterned cascade of skylight-window in the library courtyard hints at sunset coming. I contemplate the warmth and company of Tom's house a moment and wonder if he'd like me over. I think again of Petter and Alex way down there in Cali-forn-ya. A holy pilgrimage to Big Sur, and I still wonder where my passport is. If hunger and destitution weren't a block to intention, I'd be everywhere at once right now. I'd watch this very sunset from the top of Mount Baker, and yet be singing along to the Rolling Stones with Petter at my side. The Irish country would be rolling by again, and I would wonder where I am. The happy patch-work of County Cork would invite me to the Ring of Kerry where I would wait and sip a cappuccino, pouring over maps of Ireland in hopes of finding my hostel, as I'm sure I booked online.

The warm-red stonework of Whitstable village in Kent comes to mind. I think of Auntie Marcia and Uncle Bob, soaking up the sunlight with their solar panels and selling it back to the grid. I think of Powell River and its wilder-middle-ness, the parade of endless trees stretching east out unto Calgary. I think of every public washroom I have ever defecated in, and wonder how noisy or silent they might be right now. I think of Sooke, and its sticks. I think of Salt Spring Island and my first collapse into adulthood. I think of work, and how I haven't missed a dime I've spent.

I think of wine in an Irish bar, that night I was in the homely town of Bantry, with its rainbow homes and ancient churches, reading my 'Pocket History of Ireland' in disbelief at how far I'd made it on my own when that strange old fellow Eugene came up to me and struck up a conversation on world events. He tried to sell me vitamin supplements, toting it all as a saviour. I wrote him this poem a day later, a year ago, and think of him now:

49 years old, names Eugene.

We talk politics like a plane
doing laps over planet ours,
North Korea threatens bursts
of lightening and Irish businessman
defaults on debts to UlsterBank in
the mighty Americas. He tells
me to guess his age and to be
nice I take a medium sum of
35 (white lies). He tells me
why he looks so young at
49 and tries to sell me a healthy
soul as if he were an angel of loves-
yerself or a devil
of capitalism pecking at
exposed heels. Tells me
he used to be drawl, pizza-
faced, suicidal before
production loved a spiritual
lung. Tell me what! Tell me
WHAT!
When life gives you lemons,
hug the lemon tree. Seems
the angels have sold out and
they're nice enough.



He really was a nice guy.
excerpt- 'the mystic hat of esquimalt'
mark john junor Mar 2014
mook was a strange old fella
could blown him over with a breeze
thin as a train track rail and just as rusted
he drank hard but his heart was soft
never had nothing but a kind word
always gave a helping hand

mook was down by the old platte river
fishing with an old line
lazing in the hot summer sun
when lucy happened upon him
now lucy was a fast talking girl
loose with her wares and cared not for a single soul
good lord never carved something as cold
as that woman's heart
mook wasn't no rich fella mind ya
but he always managed to keep his pocket full
and lucy laid into that poorboy with a vengeance
laid him low from behind
never saw it comin

lament the poorboy gone to rest
gathered like spoilt wheat before his time
can almost see him with his old
rucksack and a bottle of wine
laughin like the sun
dancing on summer lake
dancing like you was truly free
his was a time of life to see
always put a feast to the table
even if it was pork-n-beans an sour dough
never let a man go hungry at his table
lament the poor boy now he's gone

fool lucy went into town to the ***** house
laid about with cursing and braggarting her dark deed
she laid him down low with her cold hand
shes laid up in the old jail now
theres nothing to be learnt from this sad affair
nothing good ever comes  from dark deeds
but at least 'ole son is resting easy now
walking up the river road with his rucksack and bottle of wine
smiling like the sun
and holding love in his heart for everyone
(for "mcdonald's mark"...an old friend from miles past who is in a better place)
Matthew Harlovic Oct 2014
One for the man bunkered down in the trenches
sent in by his country as a henchman.
He's laying in the mud, praying for safety,
losing less blood than what's shed daily.
In this hazy hell, a drug buzz is needed.
Morphine seeps in, easing the beaten.
And in no man's land, a man cries for mercy
but his cries are cut off by the hands of Murphy.
Early in the morning, he packs his bags.
Rucksack on his back, heading back to base camp.
There's a damper in the room, sunken like the marsh.
Friends have fallen, it's clearly marked.
And his heart aches but they can't be dead.
Nah, he sees them every time he lays down his head.
From time to time, he jolts up out of breath,
but he never felt more alive, when he was close to death.

It's not a sob story, no it's just old glory

Two for the man bunkered down by the park bench,
clutching a cup, praying for penance.
He's laying on cement, waiting for change,
and trying to stay dry from the god-**** rain.
In this day and age, a drug buzz is needed.
Morphine tabs, tap in the defeated.
Lungs splitting, teeth gritting, he's wishing for mercy.
Two times the dose, he curses out Murphy.
Early in the morning he packs his bags.
Rucksack on his back, he heads back to PADs.
He grabs a tray, sits alone, and says grace
because there's no space open for the "nutcase".
Arm's race to golden gates, he dragged a debt.
He carried his country as heavy as regret.
He carries his friends, they dangle from his neck.
But the thing about memories is that you can't forget.

It's not a sob story, it's just old glory

© Matthew Harlovic
This is a hip hop song that I wrote and soon will be releasing on soundcloud.com/outtatune-1 You could argue that hip hop isn't poetry or you can read the story I wrote. For clarification, this story is about two different lives of the same man. The first, is of his time on the frontline. The second, is his time as a homeless Vietnam war veteran.
Caitlin Drew Mar 2014
Don't let my absence take you by surprise
I promised I'd wait for you
When you wake up and open your eyes,
And turn to your side
But I'm gone.
Never to return again.
Johnny Noiπ Oct 2018
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I wheel it out, my green and black bicycle
The roads shiny and quiet, the grey skies overcast
I start slow, breathing in the clean morning air
The fragrance of wet leaves and mulch, moss and old trees

I hear the morning song of the birds
And see the blossoms heralding spring
I nod to the old woman walking her spaniel
And notice the beating of my own heart

The rucksack a comforting weight
My breath even and warm in the wintry air
My derriere sore from yesterday’s excesses
The road, glorious, wide, welcoming and endless

Crossing the road, I am struck by the symmetry
Of a lone tree, leafless, bare, proud, naked
And the beauty of an old, stone church
And the wheels of the cycle keep spinning

The roar of traffic on the motorway always a shock
As I adjust, I breathe in the manure
From green fields so vast, flanked by white
And pause to see the muddy, turbulent stream

As I rack up the miles
My heartbeat is a sledgehammer
My legs are on fire
And I feel alive
Michael R Burch Sep 2020
Poems about Children


The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.I wonder how
he learned at all...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates' necks.

He played with pasty Elmer's glue
(and sometimes got the glue on you!).
He earned the nickname "teacher's PEST."

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer's glue...
and you'll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor's yard.
So very hard across her yard
the bat that boomed a mighty "THWACK! "
now shows an eensy-teensy crack.

Originally published by TALESetc



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira's a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies' wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair...
I think she's just you when you're floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life's not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves ...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Keywords/Tags: Nature, spring, birth, baby animals, babies, fawns, fledglings, angels, prayer, heaven, mercy, compassion, chesed



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! ―
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Limericks

There once was a leopardess, Dot,
who indignantly answered: "I'll not!
The gents are impressed
with the way that I'm dressed.
I wouldn't change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can't sing,
but now, here's the thing—
just think of the tunes you can carry! "
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, "Hey, it's great
to be alive! "

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Mother's Smile
by Michael R. Burch

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much."

So more than "much, " much more than "all."
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you!

Originally published by TALESetc



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there...

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes)ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad's...
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats...
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride? "
"Nevermore! " bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

"Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard."

"Don't eat the berries. You see—the berry's no good.
And you'd hav'ta wash the leaves a good long time."

"I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst."

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—"pokeweed"—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

"Well, chile, s'm'times them times wus hard."



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house—
actually his third new wife's,
in her daughter's bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and "civilization."

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are your tears?
They will not spare the dying their anguish.
What good is your concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is gone,
how many more will die
with bellies swollen, wasted limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of their souls departing...
mournful, and distant.

How pitiful our "effort, "
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.

It's hard to be "wise"
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.

The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we'll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker...

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair...

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing...

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken...

cannot grow brightly, steadily, into himself—flying beyond us?



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick ― most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss...

... hangs weeping gently downward, maidens' hair
who never were enchanted, and the stairs...

... that led up to the Fortress in the trees
will not support our weight, but on our knees...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers...

... of voices of the wolves' tormented howls
that died, and live in dreams' soft, windy vowels...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker's knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We'd like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!, " only two.

We'd like to think his reconstructed face
will be as good as new, will often smile,
that baseball's just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren't easily fashioned, that his smile's
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion. O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life's Mysteries...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It's me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

―for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon's table
with anguished eyes
like your mother's eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother's hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother's lips
seal up your lips
from the Deluge of her tears...



This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it.

Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended... far, far away...
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden batter was our only lust!

Then we never worried about what we had,
and we were both sure-what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to injustice, or fate.

Then we never thought about the next day,
for tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things didn't last.

Still, we never worried about getting by,
and we didn't know that we were to die...
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility...

when we might have made...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never learning the golden rule?



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Life Sentence or Fall Well
by Michael R. Burch

... I swim, my Daddy's princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down

to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers "precious son"...

... the Plunger worked; i'm two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i'm three; yay! whee! oh good! it's time to play!
(oh no, I think there's Others on the way;
i'd better pray)...

... i'm four; at night I hear the Banging Door;
She screams; sometimes there's Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it's great to be alive if you are five (unless you're me) :
my Mommy says: "you're WRONG! don't disagree!
don't make this HURT ME! "...

... i'm six; They say i'm tall, yet Time grows Short;
we have a thriving Family; Abort! ;
a tadpole's ripping Mommy's Room apart...

... i'm seven; i'm in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...

is that She feels Weird.


Keywords/Tags: child, children, childhood, son, daughter, grandchild, grandson, granddaughter, family, mother, father
Anais Vionet Jul 2023
Lisa and I were watching one of our favorite series last night, a Japanese manga called “The Way of the Househusband” and I could barely keep my eyes open. I went to bed at a decent hour (11:30) but when I got in bed, I couldn’t sleep, I just laid there. It was rude and caused me to oversleep.

I don’t mean to brag, but I can go from oversleeping, to bushed and showered in less than 15 minutes, I’m really a marvel of efficiency (with still wet hair), especially since we wear scrubs.
I grabbed my iPad, stuffed it in my rucksack, and hey, I was ready to go.

In the living room, it took me a moment to situate myself - it was a very noisy and disorienting environment - what with Lisa yelling at me for running late, but soon we were off.

Just a girl, her lemon ginger Kombucha, and her angry roommate, ready to face the world.

We stepped out into the morning and.. Ughh! I’d forgotten my AirPods. I double checked, not there.
Lisa gives me a threatening look. “PLEASE,” I begged, desperately, “MY AIRPODS!”
“OH, my GOD!” Lisa said, glancing, irritatedly at the Apple Watch I gave her for her birthday.

I ran up the stairs and was back in NO time, really, really ready to go.
Just a girl, her Kombucha, AirPods and angrier roommate, ready to face the world.

My sister’s apartment is about 7 walking minutes from the hospital. As we were walking, I had my AirPods in and was rolling with Kanye. I in NO way endorse his CrAzY. But If I start the day out, with “Through the Wire” and “Jesus walks,” I’m tweaked for whatever gamut Rebecca (my surgeon) has in store for me. I paused the slaps, momentarily, as we passed a herd of boys, but I was bouncing again in a blink.

Lisa and I are in the second week of our two-month, summer fellowships - shadowing surgeons (different surgeons) for “clinical experience.” The first thing I do every workday morning is bring Rebecca a large coffee (from the cafeteria). She comes in at 5:30am every morning of the week and leaves God-knows-when - certainly, well after we do at 4:30pm.

She spends the three hours before I come in, reviewing patient notes and surgical plans. I gently rapped on her open door. She doesn’t look up, but she knows it’s me.
“Good morning,” I whisper, Rebecca’s seated at her desk, working on her laptop. I set the coffee on her right side and after I remove the pre-existing empty cups, I hesitate.

“What’s up,” she says, leaning into her screen to check something as she keys to enlarge it.
“I have a small question,” I say, “Are we supposed to be filling out timecards?” She doesn’t say anything, continuing to examine the - whatever. After a few seconds, I added:
“Quinn said we have to fill out timecards.”

“Did he?” Rebacca asked, rhetorically, after a bit. She’d stopped studying the screen and gotten a faraway look. Then, after another moment, she said, “Well, bless his heart,” which made me chuckle, because we’re both southern girls and that’s shorthand for “f**k him.”

“Thank you.” she says (for the coffee). I’d been dismissed.
We have rounds in twenty minutes.
BLT Marriam Webster word of the day challenge: Gamut: “a series of related things.”
eldis Feb 2013
He had a bag.
The books he packed in the sack on his back
Gave substantial sustenance to open his eyes to the sequins
To him this was indispensible.
More and more he stuffed into the sack on his back
Wiser was he but heavier his baggage became.

The clothes he packed in the sack on his back
Kept him secure and safe, like superman under his cape.
The more he brought the better he felt
The more he had the better he felt
Comfortable was he but heavier his baggage became.

The liquor he packed in the sack on his back
Helped with the pain of perseverance
And the acknowledgement of self-alteration
As slowly as he was transformed by the rucksack on his back
Began a man now a creature, a lost cause with no features.
Sorrow hidden and demons remained as heavier his baggage became.

But as he strained to stay standing with the bag on his back
His view of the stunning sequins distorted,
Disappearing in the storm was the beauty of it all
The struggle with the unnecessary weight was the squall
That ultimately ruined whatever beauty he believed in.
Johnny Noiπ Oct 2018
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HD 4P is the best in Cratylum adjustable everyday terrorists out everyday, users of the new more 10 seconds from Hiroshima (-1000), which bombed the era 1000) • the start of the gel 3-42 Michael 4-P download online 2 -1000 · G Teixeira, George, George, 1683 Akasha Heights; ... Ashoshima,
the English, French, Colombo, Nintendo have circulation problems.
assign me a piece of your mind and

to the bottom of my rucksack it’ll go and

its whispering will shake all the change and

bad and same i keep stuffed in there too and

send shrapnel singing straight at my heart but

don’t worry baby, it’s as tough as

brand new pleather and don’t fret sweetie as

though i don’t really have the funds as

long as what seeps ‘tween front teeth as

whispered ammunition is still friendly fire as

i hold your pan, i’m your darling refugee but

don’t feel bad about it honey 'cos

if you smile just right, then we’re a rainbow 'cos

i’m the sun and you’re just rain 'cos

hell is hot and raindrops have halos ( i said that cos

you can’t trust people not to get mixed up) but

please,

please,

don’t be offended

you aren’t the first person to be so dependant

please,

please,

cut the drugs that you’re taking

and send some to someone whose fingers aren’t quaking

please,

please,

pass me the ***,

consult a dentist re: bleeding gums,

please,

please,

just let me cry,

**** your equations,

don’t be so polite,

please,

please,

please go away,

don't pretend not to hate me

and promise to say

nothing at all

but what is true

“that ***** only gave me  

standard super glue”
Paul Roberts Jun 2012
Bathing... she was waist deep in the river,
body glistening in the morning sun.
A sharp contrast to our eyes,
considering the hell we just came from.
The Lt became a West Point gentelman,
Pvt.Pete's face turned a brighter shade of red,
I gave the order to ground rucks and kindly turn our heads.
I walked up to the rivers edge and with broken words and sign,
tried my best to assure  this bathing beauty, that every thing was fine.
Seems though it was us more put out then her,
she gave us all a smile.
air dried her long black hair , then casualy walked by.
She disappeared into the same jungle we had been in for days,
gave one last look back and gave us all a wave.
Now the men all had been smoked, rucks had took their toll
but there was not a single grip when i gave the order to hit the road.
Stories like these can be found in my books,Red Clay Scholar and Tin Roof Memories. Enjoy the journey.
Zoe Irvine Nov 2012
Get it, India head
This is no bed of roses
Poses in prime positions
Are sublime repetitions
Of what has gone
Before

Karma comes knocking
Knowing
Falling flat on your face
Bindis race
First fast then erased
From your forehead
Forever more

Rickshaws run a mockery
Round rubbled ruins
Of modern mishapes
Monarchy's mistakes, perhaps
Perfect pictures of
Predictable
Misadventures

What everyone tells you
Pre plane departure
Setting one belief in front of another
One foot behind
Is what it does
To your stomach
Shaking heads full of
Heavy sighs

Cares to be taken
Clothes to be carried in case
For climactic changes
Of course
What to withstand
Understand
Undertake
When to be undeterred

When to stand your ground
Back down, barter
Bask
Busk your way through town
What to battle over
Where to bathe and how
When to show the colour
Of your mother's money

How to save a dollar
Raise a rupee
Meditate on more that
You could Be
Do the deed
Be caught in times of need
Phone home and find
No-one waiting for your call

All of this and more
You carry on your back
A rucksack full of love and
Missed kisses
But - the greatest part of this is
What no-one tells you -
What it does
To your heart

What you find
When your mind adjusts
And your eyes unwind
And great gusts of understanding blow you free
When you hand over the key
To your list of demands
And give in
To the easy unplanned

Exploring
Imploring looks
Hook your sympathy
Bait you easily at first
The worst
Are always
The kids
Thing is, how could you deny them?

Soon enough
Is enough
“Sister!”
“Look mister, I ain't no fool
And I ain't a millionaire either -
Leave her alone and go home.”
Thing is, how could you feed them all?

You triumph on trains
Blaspheme the buses
The driver's on drugs
Or a suicide trip
You skip rice-based breakfasts
For weeks
Seek out cereals then
Suddenly...you don't

Chinking chai glasses
Chomping on chocolate
A lot
More than most
Coasting roads
Filled with cows
On a scooter scuffed with sand
And stuffed to bursting point

Dogs with holes in
Infecting imaginations
Over masala dosa
Noses signalling distaste
This taste?
Hmm, tamarind - trees?
Try over there
Between the neem and the new banana circle...

Too many memories to mention
There's always one question
When you return to the beginning
Grinning, they ask
How was it?
But how can you say
It was everything
You've never seen
?

India
Get it?
INDIA!!
Get it India
But be warned...
You may never
Get her
Out-ia
Head
Edna Sweetlove Mar 2015
All the world's a *******,
And all the lads and ladettes mere defecators,
Gratifying oozing exits and entrances;
And one man perforce enacts too many roles,
His acts being seven deaths. D'abord, the baby,
******* and ******* on his mummy's frock.
Then, the errant truant with his rucksack
And pock-marked ******'s face, creeping like death
Foul-trouser'dly to school. Next a teenager,
Panting like mad dog, with an oozing pustule
Dripping oe'r his girlfriend's pubics. Then a hoodie,
Full of strange oaths, and dressed up like a freak,
Lacking in honour, decency, and up for aggro,
Seeking the respect of loathsome peers
Even on the street corner. And then the adult
With bulging beer belly, and ample burgers stuff'd,
With eyes dulled by unfulfilled promises,
Mortgaged to the hilt, and indebted to Visa,
And so he wastes his life. The sixth age dawns
Before he knows it, bald futility,
With ****** in pocket, five quid a pill,
His youthful hopes well ****'d, the world too much
For his ignorance, and his vain butch rantings
Reverting soon to teenage curses, coughs
And tobacco'd wheezings. Last we see him,
Ending a pointless and useless existence,
Clutching to his ****-stained Zimmer frame,
Sans teeth, sans eyes, sans taste, sans pension fund.
Yes! It's the melancholy Jaques' speech from "As You Like It" as re-imagined by me, the ****** Edna.
Matthew May 2014
She gives the gift of gab!

When her love snapped onto my back, like a rucksack to be worn
The old me died, a rambling man was born.

My words are playing a twisted game of Temple Run
The monkeys are her eyebrows, cocked like pistols, and we're playing Russian Roulette.

My words are emptiness and hot air and imagined shapes, yet not nearly as two-dimensional as constellations.

She's a phrase I just learned, and will incorrectly overuse.
She's a worm in my ear, impossible to lose.

She feels like two cups of tea at three in the morning.
She feels like assembling an RC car without reading the instruction manual.

And by God, those eyebrows.

I need her like rocks need water and snow needs the sun.
I want her like turtles want to fly and eagles want to run.

She's that feeling when rain comes down on an empty highway.
She's half a bottle of Elmer's glue I just dribbled onto my hands.

I miss her like broken bowls miss Cheerios and holey socks miss feet.
I miss her like diarrhea misses constipation.
I miss her like NBC misses viewers who have turned to online news sources.
I miss her like journalists miss exposés.
I miss her like polar bears miss ice caps.
I miss her like avalanches miss snowy peaks.
I miss her like Hiroshima survivors miss World War One.
I miss her like cities miss silence.

Mostly, I just miss the silence.
Shevek Appleyard Nov 2022
Home is an old red rucksack that my mother took round Chile
filled with my baggiest trackies for months
where home is trains and tubes and my headphones on coaches
Home is the rain when it batters the outside of a humble caravan
Home is a little wood burner, and a long green coat that was gifted unintentionally
and worn by many

Home is waiting for the triangle bus
Home is a cup of coffee in the right shaped mug
Home is a cigarette, shared with my sister in a pub
Home is our brother owning the pool table, modest and silent
Home is now the sea, but not in summer
mid-November waves, rough and lonely

Home is the river, the flow and the feeling
the fish and the constellations of a shared celling
Home is mums’ casserole and fresh bread still warm but under proved
Home is a shed, strangled with ivy
Home is tea and malt milk biscuits
Home is magic stars pasta beans and cheese and Netflix
Home is my duvet
Home is crumbs creeping into a lumpy mattress

Home is the day, lazy and underwhelming
Home is grandmas own tomatoes
Home is a laugh from an inside joke
Home is her long red hair, her stumbles and soup
Home is hazel eyes singing, by light from candles in old gin bottles

Home is a spoons breakfast with zero sleep
Home is a sink full of washing up
Home is cobwebs and a faded hoodie stained with paint and the smell of hash
Home is sharpened knife that can nicely slice when I am cooking to the bass my mini rig creates

Home is in the woods a maze of plot twists
mapped in childhoods haze of coordinates
Home holds smiles from guests and strangers who become family
Home is vats of marmalade, in sticky jars that collect dust they sit for so long
Home is the chorus of a Finley Quay song
Home is the journey I am on

Home is the field
the mud when its ripe beneath my toes
the grass worn with love
Home is a guitar (sandy with stickers)
I am home in her lyrics that swirl through the air
captivate by this Home we created
and our feet know the pattens of the beat
Home is the taste of freshly smashed melon
Home is a cluster of tents around a fire
and a tarp of scribbles

Home is the purr of Roo
Her velvet fur and trills of love
Home is an overgrown garden I used to tend to
Home is holly leaves transformed into wishes
Home is memories of butterfly kisses
Home is a hug when words aren't needed
Home is where I'm not alone

Home is him, the smell of his car and comfort of his arms
Home is his orange overalls
Home is a rhetorical question when I’m looking at his face
Because home is not always a place
(Needs a big edit still)
mark john junor Nov 2013
bernie the cheese
collapsed at the side
of the road
his measured response depleted
he watches as she folds up
her neat and meticulously spelled words
plied on silver tongue into her rucksack
and through such ******* ******* of kings english
she entices him ever onward where
faint lines can be sought
and yet to be found
that echo the face of true madness
its laughing sweating continence
painted with watercolours and
can only be seen in the reflection of
a mirror reflecting another mirrors image

her face slowly releases its dire grip
and her eye looses it screaming aspect
as she finds herself alone on the ***** alleys cobblestones
the battered dumpsters spilling treasures for the divers to find
she begins to hum a beatles tune from '63
and fingers the lace shawl hiding her deformed mind
trying once more to capture that vast lost feeling from
girlhood that dances a
dubious little jig on her headstone of the heart
singing 'lookie here....look at whats buried here'
she remembers his face but not his name
he drove a silver buick with a skull painted on the hood
his blond features engraved in the notions
his words mixed with foul smelling chicken soup
he was a soup of the day in her salad years

bernie the cheese
chews on the charbroiled taste of his
blowup doll lover's lips and tries to say
the three magic words
'made in china'??
his own words spent he casts about
in terror for a phrase or two to quote from
the masters of deception
who gather round in long grey coats
sinister eyes on the fruits of his labour
their wooden faces warped by rain
their mouths only a dim perceived line of
mumbles written in childlike scrawl
on the backs of closet doors
we hide here because we cannot see
therefore we cannot be seen
you cant touch me because i cannot feel
they gift him at price unnamed some loose parable
naught more that glib reprise of his own perilous straights
his is the beast that labours in their stead
he is their human face
she is but the road they walk today
Your belongings (be)long to/for the materialist of Earth.
Your memories belong in the cradle of the hands of time.
Your talents belong in the rucksack of circumstance.
Your friends and family are shadows on the pavement
of the path you travelled.
Your lover belongs in the warmth of your heart.
Your bones belong with the typhoon of dust.
Your soul belongs in God's horcrux.
Your moments.
That's all that's ever yours.
Moments.
Anais Vionet Sep 2023
Tuesday lasses
we all have classes
get up and go
there’s no time to waste
join the flow
there’s no reason to wait
everyone’s hustling
coffee guzzling
bus shuttling
paper shuffling
syllabus assessing
apple-watch checking
there’s a fall-like feeling
making things more appealing
file off of the bus
and join the crush
trudging up science hill
thru the doors up the stairs
climbing in pairs,
in class, at last,
setup and relax.
I open my binder
and hand in the assignment
the guy beside me can’t find it.
and the TA moves on
the guy’s upset and I get it
he’s frantic and grim
I pretend I’m not watching him
as he ransacks his rucksack
too late, they’re taking roll
carelessness takes its toll

— The End —