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Braulio Romero Jul 2014
And I want
I want to go far
Far exactly from here
Somewhere
The noise, the corruption and I don’t
want to surrender through these politics
down south where they’re a backwards world
I need some release change

Where am I
Where do I go?
I don’t care
However where I go
Andalusia, Bratislavia, Coimbra, Cranberra, Gijon, Yemen
Dancing on the Dead Sea
On my feet in Turkey

I want to go far
Somewhere I’m not known on
Where nobody cares about my business and private decency
Let me breathe
Let me be calm
Let me be me
,
Martin Narrod Jun 2014
Most peculiarly of most things was that I thought all of this very fishy, daudry, drab, and boresome. This is where I turn on the second table lamp...

In a muster I arrived to the home of my aunt, where at once she drew me into the back of the house, down a flight of stairs made of tusk and bone into a catacomb where she kept a alive collection of wooly mammoths. She said the upkeep wasn't awfully horrendous as she had an invisible backdrop which led to a lion, a witch, and a wardrobe sort of thing. I stood in the gangway behind 10 foot high thigh bones waiting for one of the monstrous red beasts to come greet me, but what arrived was a very large elephant with longer tusks than usual. None of the red sillyness which I had dreamt of seeing in my previous years.

She could see I was not that impressed, and so I was led to another part of her home. Around the corner walked in my uncle in is superb and luxurious dress, reminiscent of 18th century British military fatigues. He said, "I bought the E.T. ride from Universal Studios, but as bringing the whole ride to my home I had them adapt a more suitable version to fit the property. A hangar opened and inside there were four chariots of orange and blue, diamond shaped school buses with their undersides aimed at withholding a V-shaped street. Then in two and two single file order all the classmates of my K-12 years arrived and took seat into the strappings of this 'ride' we were to take. Music played, John Williams even was produced by hologram, and after the ups and downs for several minutes we arrived to what I thought would inevitably be the forest, but rather was what I perceived was a Finnish town. The chariot I was in was stuck in the street, mud, rain, and soot entrenched us. I unbuckled the polyester straps and when I stood I realized that though the seats had built in urinals and toilets they were utterly noiseome to the senses. I followed a local girl to a food mart where I asked how I could find where I was but no one spoke a drop of English.

I corraled the group and told them to wait for me. I followed this girl who seemed quite younger than I to a small apartment in the uppermost floor of a very unsturdy chapel-like home several suburban blocks from our ride. She immediately removed her pants and I saw with my very own eyes that she was hairless and nubile. She insisted that we have a ****, and after I caressed her and complained too that she was far too young, she insisted that the age of consent in Germany was actually 13 yet she was 16. I remember it clearly. The most gigantuous feelings of pleasure as I mended a studio closet for my dining room furniture inside her ripening channel. Eventually after an hour we finished, she offered me a towel and some biscuits, which I consumed joyously.

Upon leaving her home I remembered that she had said we were in Germany, and so I produced a measure of Deutsch that I had been saving in my repetoir for the right moment. As Finnish is not my strongest language I was pleased of this and became instantly popular among the other candidates of our journey. This  E.T. ride is far different than  I remember it having been. Moments later I awoke quickly, a tuft of her black hair on my eiderdown comforter and a veil of tears from the merriment of glee shrouded over my face. After I rolled and balled into the soft feathers of my bedding, I twisted myself again into a knot, and allowed myself to rejoin the soporific treatice I was aiming for.

This is now where I turn off both lamps and go on watching films of a similar style.

Wishing You The Very Best,

Sir Martin Narrod

I keep my family of conscience
I shred my folly of heir
In case of torment or fondness
I never wear underwear.
Shaded Lamp May 2014
I shot up in 70's/ 80's England
For sale, there really was only one dream
It was sold to us through Thatcher
Star wars, Magnum P.I. and The A.team.

Now that dream is old and dusty
And the world looks for something new
Will it come from India, China, Brazil
Or will it come from the shaky E.U.

Or will, as I hope, there be choice
For my daughter and her 4 year old clique
Will she choose the American dream
Or will she dismiss it as a kitsch antique.
Feel free to use and abuse
Any comments and suggestions are welcome.
Martin Narrod May 2014
We know you, and your little dark colors too. A picture book in your purse penned in mustaches on the full faces of your fare. We call you from bed, 8 o' clock in the morning, dog-light you slow wander the Peruvian darkness making jellyfish tentacles with your hands while you feel your way through Salem. We're colder than night and we wake thrice the bits of your day gig. You collapse in a green field of dandelion where thrushes drown you in Brown. We gorge ourselves on mango slivers, pineapple yolks, a half of grapefruit. We know you are close to your end.

On the tops of the cities you call to your lycan friends, the half-sick and muted bray allures them to you, from Bratislava and Mimon, the thoroughfare through the suq. We wait. The foregone untold, the beep beep jug jug swoop sound of the nightingale, in all her dun glory, we wait. Then, as if descending through the moor-lounging silver smoke, the cool stickiness to your fingertips; the fog.

We are there when the blue-less and smoky screen surrounds you, when you shank the auburn Scot hair of the sly fox that stalks, say, a cigarette from your lips. When you take the corners swiftly, gadding the streets. The prize king of vulpicide. You rub its matte fur against your bristly gray beard. And while you lay in your lumps of twelve carat flesh you bleat and you nag. One day you will never come home.
*Johnny 3:16 is an unattainable film featuring Vincent Gallo. The trailer for the film is available here
Shylah S Apr 2014
Or, at least what you might think.
Judgement hurts in too many ways to count.

I stand in the local thrift market
looking for trinkets and such with my father.
He came here to look for vintage picture frames,
to put up on our pastel coloured walls.
He brought me to be a translator,
of his broken english.

I see the looks some give him,
but I am proud of my father.
And mad at how our society works.
Looking at my father you think,
he probably only knows his own mother tongue,
no education,
bad manners,
had lived in poverty before.

But you are wrong.

An Italian man sits by this booth,
selling picture frames.
I point and tell my father, and he walks over.

"How much for frames?"

I taught him how to say that well enough.
The Italian man says fluently,
"$40 a piece,"
but behind it you can hear a faint Italian accent.

My father hears this and his face lights up,
and he replies in Italian,
"Great, but can you lower it to $30. For me, man?"

The man seemed shocked to see a dark-skinned man,
speaks such fluent Italian.
The man got up with a smile on his face,
and told my father,
"Man, I was born in Italy, but you speak it better than me,"

My dad laughed.

Next time you see,
a strange man,
struggling with his english,
stop to think,
he might be able to speak to you in,
German. Italian. French. And in a tiny bit of Spanish.
And of course, his mother tongue.
He might have learned the culinary arts,
in a world-renounced school.
He might be able to do anything.
And he might even be a little more impressive,
than you will ever be.

Judgement hurts.
But all it takes is you to stop it.

— The End —