Hello Poetry
Submit your work and get some sparkles! Create free account
"grayed" poems
eyes of ocean blue grayed by darken skies cry rain drown in flooding waves
0
Apr 4, 2017
Apr 4, 2017 at 2:00 AM UTC
a storm (haiku)
He is walking the white line his arm a repetitious arc sounding a single tone timed to the pace of hiking-boot feet treading the pavement. Saffron robes have grayed over long meditative miles witnessed by curious commuters riding the pendulum away from his purposeful daily counterpoint the freedom held in rhythmic ritual how the mind stills and gathers in the swinging blur of hand and stick. I roll the window down seeking precious solace as I hurtle past knowing he walks for me too I want to stop the car fall in behind feel the timeless drum the stillness of salvation.
0
Jan 12, 2016
Jan 12, 2016 at 12:30 PM UTC
Monk in Hiking Boots
Packed like sardines inside a jeepney— Too full, with a jeepney strike going on. Rushing, mother and child ride along. Greasy, ***** malnourished… The woman holds a can— a makeshift drum. Little boy hands out envelopes, he looks like he's 3 years old, he's most likely 6. Woman beats her drum, nobody listens chatter drowning out the rhythm… Invisible ears to go with invisible envelopes His head touches my legs, dissipating heat— an indicator of how long he's been under the sun and smog The thought chills me… He stares at my sister's shopping bags with searing eyes… Windows that I can’t bear to look into, afraid to see my reflection of clouded guilt and frustration I shake my head, no food to share but my hands reach out to his, to give him some money. My sister remembers a bottle of iced tea, and hands it to him. He has a hard time opening it, and asks for help from the school girls… Invisible again. I reach out and get the bottle from him Temporary refreshment for a body that is parched, for a soul who is thirsty for so much more. I cannot help but gulp in guilty air. He sits on the aisle, savoring the tea as his mother thumps on the can. The little boy retrieves envelopes, all empty— as hollow as the sound of the beating drum. What do you do, what can you do? The jeepney stops. They alight from it... The mother looks back and says, "Salamat." It goes straight to my heart. Her eyes move me most— one eye is cloudy, grayed out, perhaps a manifestation of the storms in her life? That single word seared through me, and I felt how much she meant it… Her thank you made me want to give so much more, to call out to her and give whatever I had at the moment but they are gone... Lost in a crowd of faceless people, and I myself want to get lost, hide my face in shame… What can you do?
0
Jan 25, 2012
Jan 25, 2012 at 1:06 AM UTC
Jeepney Ride
Packed like sardines inside a jeepney— Too full, with a jeepney strike going on. Rushing, mother and child ride along. Greasy, ***** malnourished… The woman holds a can— a makeshift drum. Little boy hands out envelopes, he looks like he's 3 years old, he's most likely 6. Woman beats her drum, nobody listens chatter drowning out the rhythm… Invisible ears to go with invisible envelopes His head touches my legs, dissipating heat— an indicator of how long he's been under the sun and smog The thought chills me… He stares at my sister's shopping bags with searing eyes… Windows that I can’t bear to look into, afraid to see my reflection of clouded guilt and frustration I shake my head, no food to share but my hands reach out to his, to give him some money. My sister remembers a bottle of iced tea, and hands it to him. He has a hard time opening it, and asks for help from the school girls… Invisible again. I reach out and get the bottle from him Temporary refreshment for a body that is parched, for a soul who is thirsty for so much more. I cannot help but gulp in guilty air. He sits on the aisle, savoring the tea as his mother thumps on the can. The little boy retrieves envelopes, all empty— as hollow as the sound of the beating drum. What do you do, what can you do? The jeepney stops. They alight from it... The mother looks back and says, "Salamat." It goes straight to my heart. Her eyes move me most— one eye is cloudy, grayed out, perhaps a manifestation of the storms in her life? That single word seared through me, and I felt how much she meant it… Her thank you made me want to give so much more, to call out to her and give whatever I had at the moment but they are gone... Lost in a crowd of faceless people, and I myself want to get lost, hide my face in shame… What can you do?
Continue reading...
65
I’d kissed neon once before; It scolded when it shouldn’t And took half of what I Owned. I’d kissed neon again; Come a night with, “Dylan,” And ***** when the beer Went dry. And I’d kiss neon forever; Come a’grayed hair’s gossip, Words ‘bout our first night, And, “we,” We’d cackle on our backs, jubilant.
0
Aug 7, 2015
Aug 7, 2015 at 9:28 AM UTC
To catch a dragonfly
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
0
Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
Continue reading...
67
darling let us fill our lungs with corruptive smoke and descend into delirium so we may appreciate the moments when our breaths consist of purely air let us drown our stomachs with poison so we may savor the potent mix of acid and alcohol searing our throats and numbing our skin let us sink our teeth into the ripe flesh of the forbidden fruit and swallow the pit while we´re at it let us drink to forget and kiss like careless strangers as we bury ourselves under bodies so we may feel something other than the weight of the world let us dance beneath a storm not of rain but of blood spilling out of open wrists with mouths gaping and hearts shattered let us relish these blurred eyes and hazy memories as our hands touch but do not meet let us hold each other too tight skin bleeding into skin nail marks freckling your back i can no longer hear the music so let us sing our beautiful lies take my hand and let us run through grayed streets with reckless abandon and as we go we can pick the roses allowing their thorns to imprint new scars between our fingertips let us tear the feathers from a white dove so we may weave ourselves wings to fly to touch the sun and steal icarus´ name let us ignore our ambitions and explore extremes together let us shatter our expectations and as two beings collide let us breathe each other in and indulge as if it were our last moment on earth darling let us taste death together x.
0
Jul 24, 2018
Jul 24, 2018 at 2:53 AM UTC
lust for life, taste death
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
0
Apr 9, 2023
Apr 9, 2023 at 2:12 PM UTC
19.4% lesser
tattoo ourselves in electric ink memorializing calendars, diaries of observantional digits, black on white, no gray, birthdays, anniversaries, dates of passing, starting lines, occasional achievements, departure dates, even glaring failures, sundial mundane records of diurnal habitude…even defining self by, bye, byte marks upon flesh, upon our calendar *not my first trip-tracking, he ruefully rues, wry smiling, many voyages of indeterminate measuring length, leaving litter of arrays of hopeful estimations & destinations, each unequal, any or all possibilities, each day notated, without critique or commentary, the numbers are the gaols (jails) of goals, target, indeterminate determination, terrific, horrific, introspections, inverse images resolve, resolute* a year ago, +/- a few days,, new travelogue commenced, notated but not annotated, just  numerical truths, (sans comments for the divine nature of numbers don’t lie) and today my calculator app informs, that I am now 19.4 % lesser, but that clarifies less than expected naturally this provokes a natty, spirited, self-inquiry, lessened, lessor, for better or for worse? have the physical alterations accompanying this reduction mean exactly what, if, it should be, a greater lesser? here is the hard part. your have always been a mirror~poet, laughing, bemoaning the unvarnished, unshaven AM sightings of a human perpetual dissatisfied, the external never denying the interior “less~than,” a J Peterman catalogue of weathered ****** expressions, counter-parted by multiple Venn diagram intersections, of experiential labeled bits & pieces of emotional empirical less than good, not even close to perfect, so now that I am *gaunt, spare, lean, grayed, narrower, again ruefully rue, the even more visible truth reflection eye~hidden:* I, am the sum of the weight of my history, my deeds, my disbeliefs, murderous deeds, weak choices and that hasn’t changed nary an ounce, no matter many times examined, indeed I am forever a lesser man, there, internal infernal too…
Continue reading...
43
Wicked nether-land. Nether world, white, askance. Capitulating mangroves, verdant trees spliced with hyperbole, onomatopoeia, and manilla envelopes; her world is stuffed with secrets, she listens to gorillas cracking mussels a kilometer away, near a rill. Never she thought. Nothing that could provide....providence. Mangled heliographs sprayed all over the everywhereworld. "Don't be S.A.F.E.," she whispered. A bouquet of gorse, cistus, and pimpernels squished in her small fingers. She climbed her way through the pedimented stairway, then collapsing on the porch. Legs spent, and spread out upon the desiccate grayed four by four planks of the portico. And as time elapses, the shuttering shake of the hemlock, which writhes through her skinny nimble dactyls, upwards straining the heart as its toxic bends appendages- crisp cerise lumens bend on the Titanium White walls, where only shadows bend time. The hour, still nine. Every adornment, furnished with red and its hues. Not purple, periwinkle, or any masked enhancement. These are the symbols that reticulate splines, that curve temperatures, perverse hemispheres and debunk worlds. Upped antes, verbs that terns flirt worth, birth words. Ooh. Aah. Camera. The forest wraps her in its verdant pasture, where at last the moribund tamarisks disperse. While at the plateau she is quiet and longing. Arms astride, dangling. Vaunt with highs and bliss- a kiss of withstanding pleasure serves her the cure for a lifetime of whining. This, yesterday where her body rattled through crooked vines. Square ships toasting her vocal melancholy in the sweet-waters of Time. So that all of her ripened limbs could grow, no more sheepishly than the magic she knew as a child. Stress free. First among the Earth-words, verbed-up and made jealous by pronouns that encompassed her joy-brimming hide. Closing down her voice and hugging her from behind.
0
Apr 26, 2014
Apr 26, 2014 at 4:44 AM UTC
Vesper: A Dream of Boxed Jellies
Wicked nether-land. Nether world, white, askance. Capitulating mangroves, verdant trees spliced with hyperbole, onomatopoeia, and manilla envelopes; her world is stuffed with secrets, she listens to gorillas cracking mussels a kilometer away, near a rill. Never she thought. Nothing that could provide....providence. Mangled heliographs sprayed all over the everywhereworld. "Don't be S.A.F.E.," she whispered. A bouquet of gorse, cistus, and pimpernels squished in her small fingers. She climbed her way through the pedimented stairway, then collapsing on the porch. Legs spent, and spread out upon the desiccate grayed four by four planks of the portico. And as time elapses, the shuttering shake of the hemlock, which writhes through her skinny nimble dactyls, upwards straining the heart as its toxic bends appendages- crisp cerise lumens bend on the Titanium White walls, where only shadows bend time. The hour, still nine. Every adornment, furnished with red and its hues. Not purple, periwinkle, or any masked enhancement. These are the symbols that reticulate splines, that curve temperatures, perverse hemispheres and debunk worlds. Upped antes, verbs that terns flirt worth, birth words. Ooh. Aah. Camera. The forest wraps her in its verdant pasture, where at last the moribund tamarisks disperse. While at the plateau she is quiet and longing. Arms astride, dangling. Vaunt with highs and bliss- a kiss of withstanding pleasure serves her the cure for a lifetime of whining. This, yesterday where her body rattled through crooked vines. Square ships toasting her vocal melancholy in the sweet-waters of Time. So that all of her ripened limbs could grow, no more sheepishly than the magic she knew as a child. Stress free. First among the Earth-words, verbed-up and made jealous by pronouns that encompassed her joy-brimming hide. Closing down her voice and hugging her from behind.
Continue reading...
5
#*“You cannot hold it, but it will cradle you. You cannot see or touch it, but when contact comes, You will see me, hold me, as in the days of your youth, When you loved me best, And I, you.”* **From: Seven New Poems for Seven Days #2: Hover ... by Nat Lipstadt** ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ in memoriam to memories: for Miriam and Nat reading each thought numerous ticks of days, imbibe the silent of the silence hanging from the rafters this wilderness roof; grayed heartwood walls that separate fractals of inseparable distances ― celebrations the roads taken ― memories of those left behind at the side of the mile untrodden Congregated love and sorrow’s spoken words scribed on paper bark touchstones ― etched watermarks of perpetual tides patina the afterglow of life's ebb and flow, traces of everything and naught can ever fill Experiencing intimate moments immemorial; the whispers of living pulse still murmurs in the gentle breeze between the gathered words of heart breathing deeply ― a rush of systemic truth born in the wholly sacred blood bequeathed A soul outside the lines ponders ― the sum whole of a life well lived; coming to understand, although all might not see the same light shine: there’s a place one day we’ll return we found along the way because one day will come by here … harlon rivers ... Memorial Day weekend ... May, 2018 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
0
May 24, 2018
May 24, 2018 at 2:29 PM UTC
in memoriam to memories
Frayed and grayed Oversized and overused Why you still hold onto it, has everyone bemused. Freckled and speckled Like a cinnamon stick warm winter stories Keeping it thick Pale fingernails, peak through the sleeves, Tears and holes decorate the wrists. From between cupped hands Rise cinnamon flavored mists Warm memories ride down your throat Thawed hearts melt with every sip Cinnamon specked bubbling froth Settles above your lip Cinnamon flavored laughs Punctuate the conversations Spicy aroma tickles the nose Sniffing for winter’s indications Warm memories on cold nights Fill up the empty holes in your sleeves Packed with stories soaked in cinnamon And the sweater becomes fuller with the memories it weaves
0
Dec 23, 2012
Dec 23, 2012 at 2:23 PM UTC
Wearing Cinnamon
The heavy downpour took longer, easily, it spread all over, the weight of water, drenched the ground, the plants.....it doused the body and silenced the mind. I stared at the gloomy, grayed horizon...while rain poured without end. the water level rose...and swelled, all active and dormant fears lost their tethers and darkened the floodwaters. It seemed, the sky really needed to cry. and here we are, humans, twisted...tangled up in the chaos of a grieving universe. With just thin raincoats and light scarves as shields, how do we escape the aftermath of life's heavy downpours? For lots of reasons, the sky disencumbers...and cries. sally b © Rosalia Rosario A. Bayan August 31, 2022
0
Aug 30, 2022
Aug 30, 2022 at 9:45 PM UTC
Escape
Pillow-fluff pads of sweet-rolling grayed, Teddy Bears fly and diamonds parade, Money for the wicked all pompous and pump... And Buffet's and Gates and Romney's and Trump, Soon there was nothing, left for a life, Of morals, hard-work, honor; families in strife. Great Purple Harlot on fire from distance, And laughter and singing at Devil's insistence. When it was done, the Elite made a pact, * “All Hail to Lucifer! Upon his will shall we act!” *
0
Jun 6, 2016
Jun 6, 2016 at 11:49 PM UTC
Disqus 10/18/2014(AmericanAristocrats)
هر دو بی فرزند هستیم (متفاوت)/we are both childless, differently —————————————————————————— *let us not ask each other or god the why, just how life worked out and maybe by a choice unconfessed* ~ yet we both lie. ~ you possess thousands of offspring, tend to their every need, breast feed them water, special nutrients, stroking their leaves, worry about their viruses, you, dying just, a little, when, one rooted looks up and says, “I am dying mother, thank you for your love.” ~ my ***** produced two men, each now, differentially, lost, lost to me, and daily privately, in word and wet, weep my losses, for what is a man who had children, but goes down into his grave gray haired, with none in attendance to refill the soil that his grave grayed body requires to hide his wasted, childless life.
0
Jul 25, 2020
Jul 25, 2020 at 8:52 AM UTC
هر دو بی فرزند هستیم (متفاوت)/we are both childless (differently)
Alorè, she-winged orb,      Aidenn's story, As of ev'ry of all stars absorb    Moorish wars and glory. Dulcet wings she tether,---   Mighty kinsmen grayed By unlocking clean of her    Beauty's Bridesmaid.   In each pearling Note     As syrup entwining Silently thro' her sacred throat---   Who here pins a-singing? Voyeurs there take pleasure        Leering forward *At the Seraph's ******** treasure,*   All mastered by one measure Of Alorè's harsh sharp-sword. Alorè's wings do they a-part       Off of the Empyrean Out the dead the sun of Lords depart     The Dawn of Aurorean.          Ancient welfare      Upon Achaean's Night, Where all the sea-seraphs a-delight, No mortal can't escape the light    *Of the She-Winged ******** affair.*
0
Apr 21, 2011
Apr 21, 2011 at 5:38 PM UTC
"Alorè"
Is the lawn, which scrapes the horizon And the hose waters where it may Fissuring long the earth where morning glory rises To strangle the gutters and ravage the fences Alone there is a woman in the doorway With blue eyes long since grayed Her fairness speckled with brutish black and blue For her husband is drunk And when he is he does what he pleases She screams, “You have no right” He replies, “That my dear is why I strike with my left”
0
Aug 13, 2011
Aug 13, 2011 at 2:17 AM UTC
Tall
An excerpt from           An excerpt from a poem by T.S. Eliot.     a poem by the False Poets Between the idea          no permanence in juxtaposition And the reality              where Falls the Shadow, the shadow Between the motion.     a divisive notion caught between And the act                    composition & action, the response is Falls the Shadow           Falls the Shadow      Between the conception grayed outline indistinct, the cognitive sap And the creation              leaks, contradictions irritating birth sac, Between the emotion      whereupon Falls the Shadow emerges And the response            the response conclusive, occlusive, collusive  Falls the Shadow             Falls the Shadow                                    Between the desire          juxtaposition insertion, need to achieve And the spasm                 *the blurted ****** of spurted letters born* Between the potency.      in the potent white seeds of black words And the existence            coming into existence as a riptorn issue, Between the essence        essences of scents blood+logic foretelling And the descent               birth & death, descent & the ascent, both, Falls the Shadow              Falls the Shadow Between the desire            the desire desired, completed, And the spasm                   the latency uncovered, Between the potency         the potent toxins of spit and tears And the existence              the birth fluid of  of existence Between the essence          the formulation of the human essence And the descent                 from blood dust to blood dust is where Falls the Shadow.               Falls All the Shadows
0
Oct 27, 2017
Oct 27, 2017 at 6:08 PM UTC
"The Hollow Men" / "Falls the Shadow"
An excerpt from           An excerpt from a poem by T.S. Eliot.     a poem by the False Poets Between the idea          no permanence in juxtaposition And the reality              where Falls the Shadow, the shadow Between the motion.     a divisive notion caught between And the act                    composition & action, the response is Falls the Shadow           Falls the Shadow      Between the conception grayed outline indistinct, the cognitive sap And the creation              leaks, contradictions irritating birth sac, Between the emotion      whereupon Falls the Shadow emerges And the response            the response conclusive, occlusive, collusive  Falls the Shadow             Falls the Shadow                                    Between the desire          juxtaposition insertion, need to achieve And the spasm                 *the blurted ****** of spurted letters born* Between the potency.      in the potent white seeds of black words And the existence            coming into existence as a riptorn issue, Between the essence        essences of scents blood+logic foretelling And the descent               birth & death, descent & the ascent, both, Falls the Shadow              Falls the Shadow Between the desire            the desire desired, completed, And the spasm                   the latency uncovered, Between the potency         the potent toxins of spit and tears And the existence              the birth fluid of  of existence Between the essence          the formulation of the human essence And the descent                 from blood dust to blood dust is where Falls the Shadow.               Falls All the Shadows
Continue reading...
26
Stare at your bedroom wall and bard me a story about the creeks of white between the sun-patches of blue paint, the faded yellow of the door where the damp towel was hung day after day after day. Tell me about the mark of a swept paintbrush that accidentally destroyed distinction between wall and radiator. They're no longer clean, either of them. How are the door handle dent marks from that hurried moment when you rushed into your room away from our argument? What of those stories? Will you need a new place to erase the memories from your mind? The flies and the walls cannot speak to anyone but you now. It's all rotten anyway. The sweet stink of evenings spent in an intimate supine, with a cleaver caught upright in the cutting board bedpost. We were atop one another with our faces to the ceiling, reading passages of poems aloud after drenching the bed sheets in varied indentations. Cut words and minced gazes, we grayed as shadows against those weathered walls. I remember those walls, moonlight had reflected off the frames of littered photographs, those stories, and created a dance floor pattern of crescents and plank-meeting-plank askew. Those walls will tell me stories even if you decide not to anymore. I'd buy them all up, I would, as I do the meat hook-hanging in the butcher shop.
0
Sep 9, 2012
Sep 9, 2012 at 1:01 AM UTC
Carne
Grace Before Meals Sunday afternoon, a year ago. Early but late afternoon, end of July sun still high enough to provide a loving and kind warmth through fractus clouds, But doing double duty and Supplying continuous eye candy via riots of razzle-dazzles glistenings upon the prima facie of my friend, my boon companion, my bay. Sitting on a weathered Adirondack chair, grayed like me, a solitary outpost, our third Musketeer, it so belongs where I find it, in the corner of the yard, hard by a white picket fence and footed by an out cropping,     a patch of wild grass uncarpeted, we are aligned, the chair and I, in so many ways, we accompany each other beach-facing, one unit, designed by man but nature-made of, and signed by her in a cursive, gentle script as follows: **Quiet, please, for this is a place of our mutual quiet contemplation.** These regal chairs are tinged with green moss stains, as I am tinged with silver streaks so we laugh at each other and we laugh together, delighted to share the grandeur of the pleasure of the exactness of this precise moment. The bay claps its waves in honor of the symmetry of the trinity of man, wood and water, a more perfect union My woman calls to me, supper is ready and I smell the onions and the raisins and the love that singes our shared salted air With deep regrets and promises solemn, Adieu, Adieu my friends, bay and chair, sunlight extraordinaire, wait for me! This poem but my R.S.V.P. an oath of return sworn, for I am man, placed here only to sing the praises of my earthly delights, my truest friends, I sing of thy grace, Grace Before A Meal
0
Aug 3, 2013
Aug 3, 2013 at 4:06 AM UTC
Grace Before Meals
Grace Before Meals Sunday afternoon, a year ago. Early but late afternoon, end of July sun still high enough to provide a loving and kind warmth through fractus clouds, But doing double duty and Supplying continuous eye candy via riots of razzle-dazzles glistenings upon the prima facie of my friend, my boon companion, my bay. Sitting on a weathered Adirondack chair, grayed like me, a solitary outpost, our third Musketeer, it so belongs where I find it, in the corner of the yard, hard by a white picket fence and footed by an out cropping,     a patch of wild grass uncarpeted, we are aligned, the chair and I, in so many ways, we accompany each other beach-facing, one unit, designed by man but nature-made of, and signed by her in a cursive, gentle script as follows: **Quiet, please, for this is a place of our mutual quiet contemplation.** These regal chairs are tinged with green moss stains, as I am tinged with silver streaks so we laugh at each other and we laugh together, delighted to share the grandeur of the pleasure of the exactness of this precise moment. The bay claps its waves in honor of the symmetry of the trinity of man, wood and water, a more perfect union My woman calls to me, supper is ready and I smell the onions and the raisins and the love that singes our shared salted air With deep regrets and promises solemn, Adieu, Adieu my friends, bay and chair, sunlight extraordinaire, wait for me! This poem but my R.S.V.P. an oath of return sworn, for I am man, placed here only to sing the praises of my earthly delights, my truest friends, I sing of thy grace, Grace Before A Meal
Continue reading...
49
Do not look for your youth in me All you will find is a grayed wizened tree In the middle of the forest, hollow and empty Surrounded by lush, younger, greener saplings
0
Oct 29, 2013
Oct 29, 2013 at 11:35 PM UTC
Liebling
DEAR PENPAL PEOPLE, when you wish upon a star your dreams come true-Cliff Edwards---do they? :> remember when you called us quits too soon one year later in a **** same room all the blacks and whites grayed out a little on me but never returned the woods in thousand dreams remember when you took that hug in a theft burned the station down and couldn't hear a left but things a carry a chocolate cake would never cut all so small to you but me just a single much remember when the ice we clanged and freed even the cold I've missed the day you chose a fleeing cheat all the hours and runs we held the hands and lilac but I know again a no more a wont come back remember the dark ages we bled and rhymed cared and favored out on every other than not crime all the shadows and hunts tracing the midnight sky but the stars would never forget a lover's align but my heart and soul would never know to draw a line but my nights and getaways would never dim a dime but my soul can't erase veins on violin classic chimes but------------------------------------------------------------------ ------ravenfeels
0
Jun 16, 2021
Jun 16, 2021 at 2:10 PM UTC
But It's A Heartbroken Dream
He was chomping on a dog a chili dog to be exact when he heard a crunch and felt a pain that seemed unusual to his lunch So with all the grace that he could muster he spit out all the dog and the chili and the mustard then smiled a toothless grin when in the chili he could see a bicuspid mixed therein He had been waiting for this day to the point where almost all his nerves had frayed and more than all his hair had grayed But now he knew for certain there would be no final curtain for at least another act because his bicuspid had given way to his third set of teeth
0
Feb 5, 2014
Feb 5, 2014 at 5:06 AM UTC
Third Set of Teeth
I wish I were six again if only to beg and plead my mother to read me a story before bed. I could read on my own when I was six, but I just wanted to hear another voice say goodnight to everything in the little bunny’s room. I found it funny when my mother said goodnight to the moon, and the mush, and the red balloon. It was soothing, relaxing after a long day, however exhausting a day in the life of a six-year-old can be. I would be on the bottom, my brother on the bunk above me. Mom would stand by the ladder, using it as a book rest. Or we would sit on the floor with her between us, looking at the pictures as she read. The green and orange of the room, blue and white of the bunny and his pajamas, the red of the balloon, colors etched into our minds. When I was thirteen and finally moved into my own room, I considered painting it green out of respect and admiration for the book and now, when I walk at night, I stare at the moon. On a Monday I saw a very full moon. It looked larger than normal, brighter too and I noticed something in the moonlight. A painting, attached to some metal box on the side of the road by liquid nails. I don’t know why the painting meant anything to me. It was simple, a man drinking a cup of tea. He was old and haggard, grayed a bit. But there was a corner, a solid background. A wall behind the tea-drinking man, bright red, standing out from the rest of the image. I took the painting, pried it off with the force of memory. it hangs in my home, that bright bit of red wall adding a needed splash of color to mundane rental property mauve. Though I wish that splash were green.
0
May 9, 2013
May 9, 2013 at 11:16 PM UTC
Goodnight, Moon
I wish I were six again if only to beg and plead my mother to read me a story before bed. I could read on my own when I was six, but I just wanted to hear another voice say goodnight to everything in the little bunny’s room. I found it funny when my mother said goodnight to the moon, and the mush, and the red balloon. It was soothing, relaxing after a long day, however exhausting a day in the life of a six-year-old can be. I would be on the bottom, my brother on the bunk above me. Mom would stand by the ladder, using it as a book rest. Or we would sit on the floor with her between us, looking at the pictures as she read. The green and orange of the room, blue and white of the bunny and his pajamas, the red of the balloon, colors etched into our minds. When I was thirteen and finally moved into my own room, I considered painting it green out of respect and admiration for the book and now, when I walk at night, I stare at the moon. On a Monday I saw a very full moon. It looked larger than normal, brighter too and I noticed something in the moonlight. A painting, attached to some metal box on the side of the road by liquid nails. I don’t know why the painting meant anything to me. It was simple, a man drinking a cup of tea. He was old and haggard, grayed a bit. But there was a corner, a solid background. A wall behind the tea-drinking man, bright red, standing out from the rest of the image. I took the painting, pried it off with the force of memory. it hangs in my home, that bright bit of red wall adding a needed splash of color to mundane rental property mauve. Though I wish that splash were green.
Continue reading...
53
(for Daisy, a true companion to poet rr) in the city, we fight daily the toughest of hombres, brown, grayed, mottled city pigeons, who fear no human predator, in the fight for the crumbs and crusts of inspiration however, they may come our way get a message, a post, with the words “a good create” the words form a chord, in my throat, taut, visible, tense even knowing it’s likely a typo, probably meant “creature,.” but the phrase strikes me as one too little spoke in our diurnal drudgery numbing~dumbing struggle, but, I take them as (a) writ, for the crumb of challenge proffered if we cannot justify our existence, daily with a new create, then incumbent upon us to cherish, double and thrice, the good and wonderful creates, the surround us been decades since my body was warmed by the shape of an animal’s curves fitted into mine, our sleep rhythm intertwined, nay, one <> so once again, I mourn a living poem who crossed my path in photo, in words, but never, not in, living color but the sighs of loss, real *so as is my wont, inquire within, where shelter? in the love we create tween us and our* creatures.
0
Jan 3, 2024
Jan 3, 2024 at 10:56 AM UTC
“a good create” (for Daisy, a true companion)