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the acorns tumble, the dried leaves slip slowly sideways,
each a slow motion death, almost balletic, or acrobatic,
the decedents, like bodies on the Field of Hastings, their
skeletons to be consumed by a history ******* earthy soil

this more than any thing, as much as covid deaths of known
older brothers more than the messages on the answering
machine from robotic nurses and truly concerned doctors,
impatiently waiting to discuss test results with still alive patients

four lines in each stanza was unplanned like sets of decades,
that the man’s life can be retrospectively be divisibly assayed,
each titled, consistent of games and sets, until the last match
not on center court, is finale tie-broken, the faults too numerous

he writes this unshaken, but stirred, for the hours spent observing,
of each trajectory of every fallen leaf is distinctly connected to losses,
oh! how the losses multiplied; loves, children, unspoken words of
affection and forgiveness, mounted, moats, barriers to fulfillment,

a lawn of dead shriveled things, mounting, dear mother of god, all

préludes that hasten(ed) the shedding of lives every August!
  Sep 22 onlylovepoetry
with a hellish mess of originality!

she don’t care, that my own estimation
is droopy, my slip showing, nah, she’s
howling and I’m returning her “favor”

*****, you’re my ruination,appearing
regularly around 3:00am,  with three
or more poems for me to store,  as if
the world awaits my/our awakening,
muse gaslighting, trolling my brain!

she replies:

“they come sad and easy, fed to me
in spaghetti string lines, forkfuls
of stanzas, wicked, which I lace
upon your lips for easy retrieving,
reliving them gloriously here on HP

Of course, if you prefer this woman
can disappear, like a rolling stone,
plenty new aborning poets, lyricists,
crying out for inspiration, satisfaction,
how about an adieu, bye to my how-de-do?”

she got me by my spectacles, knowing I’d
take her haunting just to write a single word,
all my own, even if took ten years long; laughing
at me, saying “you’re not the first to make that deal”

so if you see creations from a,
it ain’t me babe, just another man who sold his everything,
for a passing hallelujah, or worse, even a finale selah...
wounded heart

punctured heart, pinhole big,
pain rushes in, as loves leaks out
nature abhors a vacuum

a wounded heart
has both rights and wrongs
our wrongs, were all ill timed,
our rights, never strong enough...

now they want surgery, a transplant,
denial tho my first line of defense, can’t,
because even this imperfect heart is
the only one that loved her, albeit imperfectly,
and that, that is better than a new heart that
never knew the meaning of love for her!
this poem, my first, is my authorship.  Those that follow, the preponderance, will be by others.
Respect Copyright!
“and I think I could never write a good enough poem to explain how we each inside and outside coexist with engines of turmoil inside, churning, and the oceans and the rivers exist only to remind us that water comes in many colors, and when we dip even a finger in running flows, we  alter the course of history, humanity, eternity, and all words that end in Y, that are really big, the all encompassing ones;

every thought, every blink, every word, is so revealing and I rejoice, secure in that knowing, for it is the source of creating and here I am creating this one second’s summary and I must stop for here comes another second, another glance asking for love”
those who created wind and water had many reasons,
but their first purpose was to constant enliven the human mind
with the softest message that true freedom is never bounded

nature’s song is refrained, “man, be unrestrained,”
nature’s majesty is then greatest, for men fool
themselves with lines, divisions and walls.

Earth’s best, humans too,  best seen in its
    unconstrained, searching character.

this is the one, only truth.

12:07am Sun Jul 12
People say they don’t understand [my songs], but I never believe that.
It’s like understanding an embrace…
”Leonard Cohen

<>for cj<>

perhaps, there is someone in this world, who does not
understand an embrace; something physical no doubt.

perhaps, you thought that first kiss was the portal to
shedding the inhibitors, lobes stings, first arousal aroma.

but you’ve been practicing embracing from toddler age,
but someday, it traverses from hugs to all-encompassing,

the sensory adaptors, go wild from shock; and you think
to yourself, dear god, you’ve been holding back on me!


two hands,
smooth the shoulders, slide down, elbows grasp,
you’ve been taken unawares, while fully aware you’ve been,
taken, taken, and need to take, more and back, take again,
and you can’t decide between reciprocation or incantation
breaking separation, if only to start over from the last lingering...

touching vibration and every sense erupting, and you think
I’ve never been fully  embraced, and now I understand the
music and muscle of your poetry, and will add my verses,
lay on my stanzas,
ocean crossings, seafaring voyages, exploring hands on hips,
then encapsulating another’s face, stroke, not squeezing

arms come to rest on a pacific neck, the hairs tensile teasing,
and you can’t believe this newly formed addiction and why
everyone simply doesn’t go about constant craving embracing,
racingoverloading uncomprehending, it’s fulsome fulfilling, quenching
a new thirst, a new taste, extending your ******* reach everywhere

you clear the catch, the cache, and your voice now begs, announces,
commands, whispers, screams, so many things that all emerge as
simply a guttural exclamation raw and needy, again, again, again,
you say it as if that was your vocabulary entire, a one word language
because it is, it is, the language of insatiable, the speech of
only love poetry*
Hazy Day

rose at 3:30am, anticipating an aria of glorious
thoughts needy of capture, encryption, preservation,
three hours later, an empty vessel rides high on the empty
white screen waters of the Bay of Zero, fed by Nada River,
emptying into the Atlantic Ocean, where microscopic is ordinary,
my, my, not~noteworthy contribution, noted for its worthlessness.

delivered the coffee at 7:00am, put on the music,
climbed onto a fresh sheeted mattress, yawning, yearning,
seeking to recover the lost hours and instantly tumbler-in,
inundating random notions, hazardous thoughts,
dispatched to keep me awake, as I trajectory into sleepyville,
each one an angel, coming down Jacob’s ladder for to wrestle
me home, even as the daylight reveled~reveals that a newborn
baby, will be new hot, dangerous, burning hazy day.


Hazardous Thoughts

“It is easier to give love than to accept it.” (Walter W Hoelbling)

Walter, Walter, what an accursed blessing you’ve given me!

This simple declarative is a racking, wrecking, symphonic
synopsis of this man’s life, crying out for une écriture monumental,
that somewhere in a hidden recess has commenced composition,
know not the where or when of it, but the why is a tightening noose,
squeezing my brain, choking my neck, impounding the heart beating,
because with succinct brevity betrayed out loud, my essential secret.


Every night I sleep with a woman and a man; the woman, you need
not know, nameless is what you shall call her, but the man, instantly
recognizable as just Leonard, descendant of the priests in the Temple. Me and the baffled King composing our hallelujahs.

                                                  ­    <!>

Art doesn’t not imitate life. It plagiarizes, embellishes, improves, with
tinkered recombinant DNA, shamelessly swiped, for which we forgive the audacity of its thievery, for with each attempt comes a Confession, remorse, nobody cares, whatever. Art supersedes, supplanting and superimposing, by grafting new branches upon old works, even occasionally improving what was once brilliantly original.

                                                     ­ <!>

Note to self: Do not forget to wake ‘n take the garbage, the recycling, and the corrugated cardboard and all previous poems to the Town Dump, before they stink up the garage. Post Office, Pharmacy for local weekly newspaper, no candy.


Dozy, sleepy. Sarcastic “great.”  I’ll never remember this poem;
**** these hazardous thoughts on a hot, dangerous, burning,
innocent hazy day.
note to self: dreamt yesterday in the early morn;, composed in the afternoon, listening to Jonas Kaufmann, edited, posted at 3:30 AM Friday listening to Kris Kristofferson and Janis Joplin.
3:35AM Fri Jul 24.

the precedent predecessor:
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