I.  ****** Transient

Overnight takes on new meaning
when the sun never sets and will never rise.

This time i didn’t bring words, i brought lines.

And Esmeralda danced circles around my eyes.
You gypsy ***** You.
Leading me confused,
                  with knees low and back hunched,
                                    into a labyrinth of solitude.

Embarrassed of what exactly?
i’ve barred scars more deep than scars
like profound pools of black sticky tar
that almost suffocates with its gluttony
and still You wouldn’t look away.
And now i pay a price as images intertwine
                           creating zebra patterned designs
                                             on the alcoves of my mind.
         Black, White
They contrast in spite of the connection.
         and I wear this contrast like an emblem,
                  hanging from my throat,
                           heavy on my heart.
                                    yet with the delicate touch of some
                                             slippery silvery chain…
                                                      It almost rids me of the pain.


Back turned or give me the front,
i still want either way.
A petrifying carnival of desire,
making my eyes tire of this display
and my lips itching to play,
a lilac purple tongue,
and bronze arms on the way.

You feign revolution by shutting the door in my face.

A shuddering sigh and flutter of a heart,
                           as caged ribs start to part,
                                   liberated room for more,

i’ve become an emotional *****,
lips wet with anticipation,
pulsating with a passion,
that You defined as infatuation.

And that i just couldn’t define.

-or rather-

defined as a transition in time.

****** Transients* would abstractive-ly be the best,
         but the abstract, once put to the test,
floats past concrete lines,
and creates a world of its own where, even as a stranger,
                  i feel right at home.
                                    Lioness of the abstract dome.


Razor sharp You
        sliced a tingling into the souls of my feet,
        and week after week i did nothing but smile at my own loss
        of balance.

The feminine reemerging as the phallus,
and the phallus in comfort with its feminine home.

         i patiently wait for my Special Kinder Surprise,
                                    and meanwhile,
                                             satisfy myself with imagination,
                                                    ­           to which an interpretation,
         would require the use of a million scholarly texts,
                                    which still wouldn’t attest to this degree
Of Vulgarity,
         or this degree
Of Sexuality,
         or this degree
Of Spirituality.

Like the slaughter of fowl for mythological pride;
                           You hide behind an altar,
                                    and with all the holiness i posses,
I intend to pull through and impress with Determination.
                           --and the petrifying realization—
that You are Artemis and i soon to be set upon by the hound
                                                           - choking ego to the ground.


But ****, it was worth it.

worth the,
vulnerability
worth the,
audacity
worth the,
ecstasy,
-It naturally dissolved within me.

Only to be pushed down by an incessant flipping of the door,
an incessant call to reality.

is the overnight truly Over?
      —or pray mercy and tell me its begun.

The rising Sun seems determined to puncture the fun,
And the valiant battle with Apollo seems already to have been won.



II.  ****** Ensnared
  
I’m getting tired of this ****.

A tantrum fit as if we were kids of three.
Stomping on adult realized priorities.
We wear our hair like a mask,
                  we analyze our clothes,
                           personify the persona we wish to adapt,
         and commend that same personal persona
         complimenting its research studied aura.
                                                    
--I’d rather stay in this dream forever.
  (you judged me by my hair
   yet remained unaware
   to what it masked.)

Please don’t preach to me about consideration.

The obliteration of that term in action shocks me.
Truth be told?—I’m quite Angry, and I feel used,
Yes, believe it or not, Abused.
Infiltrated and Dominated.

And I am a Leo at heart.

So to part with my throne will only be met with roars of defense;
                                                        ­       to be direct, Aggressiveness.


My interlude is met with seclusion—
         isolation to the utmost degree—
and I see that the world agrees, as I’m met
with a phone with no tone
and a power-cut of electricity,
while the world contracts visibly
and the static in the air
ensnares my fiery wrath,
and storms overhead
are weighed down with
anxiety and dread
that express themselves
in raindrops, that I lovingly
call tears.


I fear this is me at my limit---
        And I exhibit nothing but ferocious gloom.

This room which contains me is not enough,
And I will huff
And I will puff
Until the walls come down.
                  And the only sound to be heard,
                           is the numbing effect of silence.

My Rifle stands ready to be shot and plunge through that stubborn heart
of yours until it is rejected or until the reflected opinion dominates. Is it
too much to ask for a change of heart?
Empathy? Understanding?
Basic societ-ical handling?
Apparently yes.
So I detest
having to put in.

The waterworks that I display
convey nothing but submission
to your inconsideration.
                  And the devil in me crosses her fingers
                  for experience by example,
                  as elephants trample over logic
                  and the symbolic is simply symbolic.
                                             That’s too much reason for my taste.
                                             And I see that it was a waste
                                             Trying to impress with determination.

****** Ensnared has denied a nation of people their feelings,
                  listening, with unappealing resolution
                  satisfying herself with this conclusion:
                  “Let them eat Cake.”


--It’s true.
You can’t have your cake and eat it too.



III. ****** Verbalize

On a park bench it took me quite by surprise,
my eyes met with scripture
recognizable though not to my hand,
the band on my finger tightened and
yet the anger seized.
         -- How could I not have surmised ****** Verbalize to enlighten me?--


“Your Majesty;
         I owe you My Apology-
                  And I couldn’t be sorrier for my selfish self
                  has decided to rest after this long period.

For She was too busy
trying to make you feel safe and home
--She was too busy trying to suppress her ****** up
whipped cream so that you can have you cake and eat it too—
But She failed.

        You believe ****** is selfish,
then I’m afraid you never knew ******.
                  --****** loved you with wide arms open and she
                  Was pleased to meet you.

She hopes it was a useful transition for You.

.THE END.
The ******”

i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.

I've never gone anywhere
without seeing crows.
In fields and malls,
classrooms and bathrooms,
they're never missing.
Sometimes they'll come right up
and those moments are petrifying
because there aren't any breadcrumbs
but the bits of fears on shoulders.
When they land before you,
you can feel a massive pressure
on your chest, trapping you
and catching your breath.
I know other people see them too.
I've seen people cursed
with crows always hovering,
whispering in their ears,
pecking at their insecurities,
and screeching self doubt.
Mine is never far behind me
and he'll never leave.

I turned lesser men to stone, snakes nipping idly at my dress:

I am monster, living incarceration of a profane affair.

I turned sacristy into brothel, my beauty was perverted to despair.

I am monster, grotesque face topped by a hissing nest.

As you approached, and I felt a grim shiver in my chest;

I glowered my petrifying glare,

But you were given hiding-cape', sword, winged sandals to wear,

And mirrored shield my powers to arrest.

My mask of potent shame was made:

Lips blood red and eyes of smoldering coal,

Around my face writhing serpents twist and roll.

I saw my eyes in your hand, I wailed a last serenade.

Gasping in the instant before – everything went stone cold.

I am weapon, crafting you a garden of entombed souls.

1Hades’ cap of invisibility

I-AM-NOT-A-DOG.
Today,
I cut loose from your leash of degrading comments.
My ears have learned to ignore your whistles
and the only thing I am going to fetch
is my dignity.

We all have cracks.
People’s words creep into our most foreign parts
And bother us like gnats in our food.
However,
At a young age my mom welded me by hand.
Sealed off every corner so
Your undignified vernacular wouldn’t disturb my peace.

Your mother must’ve had deleterious effects on you.
She told you that love can only be found through intertwining genitals.
I have iron fists and your forcefulness will not supersede my strength to protect what I own.


Let me tell you sir,
Obeying men is an archaic practice
And I wasn’t born yesterday.
I endure life with fortitude even with the threat of your loaded fist 2 inches from my face.

Your catcalls sting like the hearts of mother’s who have lost their daughter’s to the streets.
I hold my mace like a loaded gun walking in the petrifying night.

Apparently big butts lie, they give you the impression that you can squeeze, but back off the anatomy.
Remember that all women embody beauty and grace, not for you, but for themselves.

It's telling looking through
the window’s eyes ; 
a room with a paling grey glass view
befogs the clouds reign inside the storm
Often feeling misbegotten regret
for the unfiltered passing glimpses,
whetstone honed and splayed ;
raw hues of a latent life exposed

There's an uncertain hidden shame
in the unheard truth
starving out in the cold;
dwelling in a petrifying silence
of a common hunger
the lonely do ache
  
Merciless hunger pangs
manifest and shake
with an unrelenting bitter taste ;
loneliness grapples and grips
like a silent earth quake
rattling a rib caged heart — writhing
as Autumn bares the trees
  
A jagged ambiguous fault line
ripples through the hollow echo ;
a bolt of lightning caught in a bottle
strikes — silently contained
swallowing the unspoken words
in a greater good

This broken merry-go-round
keeps turning round and round;
the great mandala spinning on
like a worn out hamster-wheel
without a conscious trace
of going anywhere out there

The place you come from
is gone when you leave it —
even if you really never
feel you were from anywhere
but a thousand unmarked mileposts
from out here somewhere adrift;
a pilgrimage towards understanding
why sometimes I don’t know
if I know who I am — or could have been —
waiting on a threadbare prayer

One-day the winds of change
will shapeshift — bye and bye ...

"When the light that's lost within us
reaches the sky"


Jesse Stillwater

November 2018

Medusa's juicer
Used to confuse her -
The instructions
She said
Were obtuse.

By the snakes for hair
round my petrifying face
I swear that
This juicer's no use.

C'mon! Spank me like the naughty little girl I am!
**** ME! **** ME! Stop being a man!

See this? Right here? My tight little hole?
Put it right there, baby! Homosexuality makes you whole!

Put this on your tongue, this seed of pomegranate.
Have a little fun! Let loose your granite!

Ice shavings and ice cream, my sweet little angel,
Come closer, come closer, let me study your angels,

Put your **** in my mouth. I'll **** you off.
*** in my mouth, and let yourself loft.

I'm not one for chains and whips,
But I'm more than up for shafts and tips!

*******; sliding in; so sweet;
Pound me harder with your big, strong meat.

The good'ol in-out in-out ~ The rhythm of life.
The dullness of cream ~ the glint of a knife.

Petrifying pangs of pleasure; cross a prostate ~ pouring,
Sweetly like ~honey~suckle~ Alluring

Breathe, my darling, like music, like a breeze.
Like the blood in my ears; like the wind in the trees.

In the closet, we are allowed but seven minutes.
But that is not enough! By the time its up, I won't be finished.

So for now, my darling, put your lips on my cheek.
And allow me one, little, innocent peak.

It's the Grim Reaper
It's the Boogie Man
It's the wolf in the closet
It's the monster under the bed
It's the phantom that's chasing you in your dreams
It's the madman who dances delightfully in your brain matter
It's the poison in your coffee
Paralyzing
Petrifying and penetrating
A flesh eating
Bone chomping
Soul *******
Grave robbing Ghoul
Right within the halls of your head
Grotesque and greedy, it is
Gloom everywhere
An anxiety production line
Breeding anguish
Bleeding you out
Windpipe choking
Werewolf watching
Witches brewing
It's dreadful and dooming
It's horror at every corner
It's a newspaper dripping in disaster
It's a future forecasting fatalities
Your obituary in every new edition

BUT IT'S NOT REAL

There's a fear I can't shake.
It keeps boiling,
I can't shake it.

It's petrifying the way it takes my bones
And travels my veins.
It's petrifying me.

I don't know whether I try to control it,
Or just assume it as my own device.
'Cause either way it possesses me,
And demands my being.

I'm left shaking
And petrifying in doubts,
I'll never be good enough.