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Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
"Back from vacation", the barber announces,
or the postman, or the girl at the drugstore, now tan.
They are amazed to find the workaday world
still in place, their absence having slipped no cogs,
their customers having hardly missed them, and
there being so sparse an audience to tell of the wonders,
the pyramids they have seen, the silken warm seas,
the nighttimes of marimbas, the purchases achieved
in foreign languages, the beggars, the flies,
the hotel luxury, the grandeur of marble cities.
But at Customs the humdrum pressed its claims.
Gray days clicked shut around them; the yoke still fit,
warm as if never shucked. The world is still so small,
the evidence says, though their hearts cry, "Not so!"
Martin Narrod Apr 2014
what is more gentle,
than this pillow of the light?
a life narrowing,
in a bright feather dance
that sweeps across the sea
or covers our faces in shadows.
where do you go when you leave me?
now I am nocturnal,
a bliss bandit,
cooing at stars
one thousand miles high.
shaking like a tea kettle,
I am the black *** black,
shaking,
shivering.
Swallowing pieces of your light,
in the back-room jungle where I sew,
tears to the bottoms of my eyes,
where no one ever goes.


I know days,
hours,
one minute
where I gambled time
and stood behind you
with my fingers
on your shoulders
and my mouth on your neck.
What it takes to be apart,
split in half,
shucked from birth;
it takes every thing I
ever owned,
every note I ever sang,
each breath that I will make-
some thought I stand up on,
my knees quivering below me.
five kinds of drugs
just to see straight, to hold
my hands steady or
sleep at night.
your lavender flavor
is still in me.
you in me.
one.
two.
soaking in this forgotten city,
Earth's heroes drifting away.
I could never eat again, or
cast a spell, or touch the same.
while burning I may never
stand
on these same two feet again.


four years,
a photograph.
one voice,
softening into my skin,
that I never may forget.
that this beard is of
an old man, should I never
count again
blessings or songs.
I dive into the flame
and study this journey backwards.
so I should never forget,
everything so serious
as this
as you, in me.
In Response to a Poem by Leila R.
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Martin Narrod May 2014
Memory

     is  the birth of cool, it is rapture and ignominious spokesmanship unearthed. Packed into a slatted-wood crate, milking the obsession from cash-toting hands. Freeing itself from your bottom lip while life ticks itself away on a digital stock-exchange display. I am down and you are up, and you save pennies while I search for Chrysanthemums and vanilla-scented candles. Scent is my fifth grade spaceship,
     I hide it in my pocket and take it into the forest when the week is over. Adventure is the part of our story that's caught in between complaining about money and having clean sheets. Tuesday, Thursday, Friday and Sunday my hands mend themselves back from bleach, their crevices cave under bright lights, I go to the garden strip and put dirt on my face, over my shoulders, and on my back. I make a altimeter from an alarm clock, and worry what will happen if your feet should ever touch the ground.
Relief
     is a sarcophagus, the satiny silk chrysalis I weave into invincibility. I make myself a small child with a demon-proof lair, no one comes in, not even you.  I see

     how drugs take out your heart and put you anew, fresh: orange, pink, ultramarine. A wave is a soft gesture for twilight, a slow walk among the greying statue towers, bliss extracted from person to person tedium. How you exclaim about **** music as if your temple home was unfocused by jazz or synth-electro.
     I forgot your room of quiet had no bells, no hope, and no notes of resolve. Tragedy was the desert of your six to sixteen, while I made an opus out of crystal glasses and Cran-Raspberry jars. Then it was the relief, Neptune's hands on your *******, red dots of ecstasy connecting you to a higher vibration. You felt it was time to start exercising. I didn't **** you for modifying your perception of color, degrading in a salt pool- I didn't own your ****** it was just a place I went into to write.
    
    Three years later. I was growing backward, I was sixteen, making you the muse in my doorway, a James Bond goddess unraveling my fingers on her silky skin, except your golden crown was really a turban of snakes, and instead of silk I was groveling underneath you. That was the sweat that Ryan Shultz said I garbled up into two pedestal doves, I aimed by eyes straight at the city of gold, and then inside me shucked out every piece of self-respect and vitrified my spirit, castrating my lips and my tongue for something to come to or come at, he said I lived under pointed stars and that lying isn't a good way to get over past phases of silence.

     A few days ago, it all game back to me, in a random series of songs on an iTunes playlist. One memory from an isolated beach outside a strawberry patch near Santa Cruz, a second, two hands cupped over the ears, my face closing in on her smoothed-out pink bottom lip on an over-exagerated car ride to the San Francisco airport, and the third was the mention of non-vegan banana cupcakes with cream cheese frosting, a birthday I celebrated several years earlier. All of them in the coda.
    
     Verse four unbelievable. It caught me straying from the next stressor at hand. What's next? I move my cold hands from a keyboard versing strange relapse of mind, or I tear out another page, whip across town, and peel stamps onto a postcard to send.
     They were all tails from a memory. A slowing ghost that cooed at me from far away, beating me up and down, pulling my eyes away from a scent I continually tried to remember.
I am the grand central
swirling vortex of the known universe

pathway of consciousness
a worldwide metaphysical interconnection

hub of modernity’s magnificent  metropolis
prime mover of it's empowered citizenry

eye of a Mid-Atlantic megalopolis
bridging an expanse from Boston to DC
trajectories of an Acela Express
accelerates time, coheres a region

magnetic compass axis
gyroscopic core
web of iron rails
touches all
transcontinental
cardinal ordinates

my constitution of chiseled granite blocks
manifests steadfast immutability

opulent terminus of marbled underground railways
subconscious portals to inter-borough worlds


the Zodiac streaks across my painted heavens
splashing aspirational mosaics of
bold citizens onto universal canvasses
my exhalations burst galaxies,
birthing constellations
promising potentialities of
plenteous abundance
as a right of all
global citizens

transit vehicle for mobilized classes
of fully enfranchised republicans

my tendrils plunge deep into
cavernous drilled bedrock
firming an unshakable edifice
-a new rock of ages-

rails splay out to the
horizons farthest corners
northern stars, southern crosses
nearest points on a sextants reckon

I am the iron spine
of the globes anointed isle
I co-join Harlem and Wall Street
as beloved fraternal twins

commerce, communication and culture
is the electricity surging through my veins

the worlds towering Babel
rises from my foundations
the plethora of tongues
all well understood

I open the gateways of knowledge
guarded by vigilant library lions

route students and scholars to
the worlds most pronounced public schools

beatific Beaux Art is boldly scrawled on my walls
in dark hued blues sung in gaudy graffito notes

swanky patrons sip martinis,
nosh bagels with a smear and **** down
shucked lemon squirted oysters

reason, discovery and discourse tango
to the airs of Andean Pipe flutes
with violence and discordant dissonance
deep within my truculent bowels

I am the road to work,
a pathway to a career and
the ride to a Connecticut
home sweet home

my gargoyles and statuary laugh
at pessimistic naysayers

I am the station for
centurions, bold charioteers
homeless nomads and
restive masses

I stir a nation of neighborhoods
into a brilliant *** of roiling roux

beams of enlightenment
stream through colossal windows
today's epiphanies of the fantastic
actualize resplendent zeitgeists

sipping coffee in my cafe's
the full technicolor palette
of humanity is revealed;
civilizations history is etched
forever upon the mind

eight million stories
of the naked city is bared
as splendorous tragedy
it's comic march
of carnal being
exalted

a million clattering feet
scurry across marblized floors
polishing the provenance
burnishing a patina
exuding golden footprints

I am 100 years young and
thousand years away from
the crash of a demolition ball

Doric Columns and
elegant archways
coronate commuters
each day with a
new revelation of a
democratic vista

I am the grand central
my spirit flows as
one with the mass
in the vibrant
heart of our
throbbing city

Music Selection: Leonard Bernstein, On the Town

written to mark the 100th Anniversary of Grand Central Station


Oakland
2/8/13
Seán Mac Falls Feb 2018
.
The moon undresses you, little bird,
Your eyes are indigo skies without stars,
Your breath is summer grass after shower.
How you hold your arms before the night,
A lance of milky sheen and flailing bliss,
Your arms arrest as they softly surrender
And your ******* overflow in moist shores
Of white sand and shells, little ears to kiss,
I am drowning in your curves on the waves
From the sea, delirious with eye of moon,
Drunk with wild ocean as it consumes me,
Your hair is new grassland to run through,
Windy as a child breaking for the beach,
I latch my fingers to yours like driftwood
Tangled in kelp, the salt we share, steeps,
Is **** and deep and our lips are shucked
Oysters, blind, iridescent, sliding with eyes
Into the famished throat of ***** heavens.
.
Irate Watcher Jan 2015
Eddie takes care of me.

Our heads laid neath
street lights, a wild sky,
turned wrong, then right
across the bend
we haven't seen —
just experienced.

Forgotten flock
with no stake,
who solopsize only
while hugging and kissing.
Getting old.
Craving more.

The harmony
of shucked
clothes guising
vulnerabilities
to someone
who will listen.


With peeled eyes,
and closed lips,
his hands ride my hips,
soft flesh meets tough skin,
collapsing in.

We look at the other.
Please the other.
Stroke the other
with cupped hands,
dead before bloom,
fallen,
uprooted.
brooke Nov 2015
conversations with paul are a one
way street, an play in a single act
between himself and a shadow (me):


in which Actor tells Actress he loves
her and then watches as her feet burn
holes into the stage and sink beneath
the floorboards, while he dons purple
prose and begins to blame your fire
for the forests he's burned with
his hot breaths and angry manuscripts

and the guilt he peddles is contagious
it wets through your layers to dillute
your kindness, your sorries, your innate
empathy for people in pain and when
he's not here, he's whetting his words
and staking them in your soft soil
in the middle of the night while
you lay unaware but dream
that a thief sweeps through
your garden and uproots
the best and most purposeful
foilage, unguarded even by
the moonlight because
such a thing could not
disguise a lack of a
a person.
(c) Brooke Otto 2015

I'm not sure if this is complete.
Andrew M Bell Feb 2015
Father, you are the blueprint of my soul,
And though I sense our parting drawing near,
The crucible of death will make us whole.

The day or hour is not ours to control
Yet even strangers read your passing here.
Father, you are the blueprint of my soul.

In paradise's fields I see a knoll
Where, shucked of flesh, we sport without a care,
The crucible of death will make us whole.

As age and weight make diamond from the coal,
So I am fashioned from your smile and tear,
Father, you are the blueprint of my soul.

I will not dread the shedding of my role,
A promise waits beyond the footlights' glare,
The crucible of death will make us whole.

So, father, do not fear to pay the toll,
I am the sun, your shadow I revere.
Father, you are the blueprint of my soul.
The crucible of death will make us whole.
Copyright Andrew M. Bell. The poet wishes to acknowledge the Naked Eye anthology (Western Australia) in whose pages this poem first appeared.
Gabrielle Dec 2020
Poseidon reared his unkempt head
Above the waves today
An ocean monster dripped in dread
Chest to chest with the bay

“Today, or any day at all!”
The shore-side heard his plea
Salt shucked shoulders tall as islands small
“No being shall ever challenge me!”

One gull omitted a thoughtful word
Which sounded much like “Rak!”
One offended brow raised at what he heard
Poseidon countered with a slap

Five foul fingers touched the sky
And fell upon the sea
A wave as great as mountains high
Sighed upon the beaches knee

With a drunken beat of lazy wing
The gull escaped his perch
Finding another on which to cling
Without a moment’s search

Fists clenched around the shallows
Poseidon was enraged
With urchin riddled lips pursed he bellowed
And blew the beach away

Up went beachgoers along the coast
Into the sandy storm
Sun chapped mums beginning to roast
Castling children, One man named Norm

Gull glided softly on the wind
Providing a flap or two
And to the defeated Poseidon's chagrin
Let out a cantankerous coo

In one last fit of aqueous rage
Posiedon surfaced to land
And in a briny blind rampage
Grabbed the gull with swole hands

Gull in hand Poseidon yelled
“What dare you mean sly poultry?
My kingdom is unparalleled,
All pilgrims seek my choultry”

But the oily gull slipped through his grip
And flew quite far away
And as he watched it dive and dip
He came to see the bay

Debris was strewn across the sand
His subjects were in ruin
Disaster spread across the land
And it was all his doin’

A desperate shade turned Poseidon
As he returned to the great deep
“What use am I as a mighty king
If protection I cannot keep?”

That is how a seagull won
Against The God of Sea
Who forgot about his job, just one,
To keep the big blue world carefree
This poem is a story about Poseidon and a seagull, initial draft
Nat Lipstadt Jun 2013
Cloudy, 70 degrees Fahrenheit,
Outside on the beach, and inside my head,
Weather, overcast, color and temp., coordinated.

Early risen like some other Jew,
The waves say:

Hey, Hey! Yo, Yo! We're available,
Walk on us and drown your sorrows,
If they're original,  we'll Jonah-spit you back.

Most likely, common enough, and we will
Keep your body, Mr. Word Sailor,
Recompense for suffering your trite insights,
Swallowing whole, you and your appetizer poems nobody reads,
Body and soul buried side by side
In the cemetery's ocean, just one more
Dead Poet to add to the Society,
Our very own collection.

No Thanks, says my pride, still got one more left inside,
Bait taken, gotta catch and release,
Cause I'm an environmentalist,
Or, at least, a plain old mentalist,
Whose words escape his body,
Thru his eyes, ears and fingertips,
Sustainability for a few more days.

Beach walking, my eyes are not deceived,
The shells, the husks, the dead upended,
***** and mollusks have hora-circled me,
Holding hands, they too, dance and sing their
Lamentations, as if I didn't have enough of my own,
To keep myself self-employed.

Look at us, turn not, Sir, disguised by word-stubble,
Face not away from us and our exposed-now, truths.

Upon Silver Beach, we preach,
This our death spot, our crematorium,
Hunted and gull-pecked,
Our shells, teenage broken,
Holed, shucked, stepped upon,
What ignominy for proud sea creatures!
Is this the death we deserve?

Why to me whine, wail and cry,
I, nothing to your deaths, hasten,
Do, did or done,
Though I plied the waters of
Noyack and Little Peconic Bay but yesterday,
Not one of your kind did I disturb,
For your kind,  my God, consuming disallowed.

Take your sad eyed tales to the under-towing waves,
Perhaps, they will listen, for they enjoy containing
Morted objects on their invisible sands,
The waters will take you and your plaints,
Soundlessly, you will be accepted, upon their plains.

No, No!
Instructions sent and well received,
You, poet, are the one, needs notification
Our doom is your doom, symmetry to
Your gloom, for one and the same.

What meanest thou, meanest creatures,
Commonality nor companionship,
Kith nor kin are we!
Our connectivity is but
This beach we presently share!

Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!

Shell-shellacked, be refted, be reaved,
The be-each minions have crucified my anything,
Truth, the sword for ribbon cutting ceremonies
Risen up from these waters, to cut me down,
To complete my shame, the duo,
Wind and sand combinate to sting my eyes,
But succeed not, for I weep so copiously,
Their endeavors re fused, but what's the point,
For I am a results-oriented man,
My results, naught.

I know now where to go
When the silence external is needing coordination,
UnSound symmetry, with a silenced mind.

5:52 AM
Silver Beach
June 30th, 2013
This poem I wrote, but was freely given and dedicated to RR Richardson, comrade in words.
Meena Menon May 2021
Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity,
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity
toiling for love and  truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremimi mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists, poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow,
the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.
I love my yoga practice and I’m finally taking a poetry class for the first time in my 41 (almost 42) years, though it’s online and free.  Our assignment asked us to fill blanks into this:  the [concrete noun] of [abstract noun].
betterdays Aug 2014
there are some things,
that just smell so good:
corn freshly shucked, potatoes roasted in campfire coals, carrots fresh from the ground, then washed   and stovetop roasted
basted with butter
and lavender honey.

the nape of my toddlers neck,
that clean fresh hopeful little boy smell.
coffee, straight up, freshly brewed
caramel warming,

passionfruit, strawberries, citrus any type, zested. freshly planed fennel curls, mint crushed for a mojito, roast lamb and rosemary gravy.

the smell of planed wood in the palms of my man's hands as i kiss them. frangipani, coconut tanning oil,
earth newly rained upon. popcorn popping, chocolate melting,
jasmine, orange blossoms,
a grove of pine trees.
warm gingerbread and mulled wine.

salt tang on the morning breeze.
the smell that lingers after the lovin.
garlic and ginger in a hot wok.
salt tang on the evening breeze.
prawns all sea salty and
a crisp cold beer.

sandlewood and citrus aftershave lotion on your smoothed cheek.

nectarines, apricots,
a yellow juicy peach,
freshly bitten.

apple scented shampoo daphne & lilac my nana's smell,
bay *** newspaper print and palmolive soap,
my pop's study.

rose petals crushed.
earl grey tea,
toast just before burning damper and cocky's joy
crisp fresh linen warm from the sun.

so many scents, so many smells...
these are my favourites please feel free to add your's, as long as it's clean
and above board.
damper=camp fire bread similar to soda bread
cocky's joy=goldensyrup.
Seán Mac Falls Apr 2019
.
The moon undresses you, little bird,
Your eyes are indigo skies without stars,
Your breath is summer grass after shower.
How you hold your arms before the night,
A lance of milky sheen and flailing bliss,
Your arms arrest as they softly surrender
And your ******* overflow in moist shores
Of white sand and shells, little ears to kiss,
I am drowning in your curves on the waves
From the sea, delirious with eye of moon,
Drunk with wild ocean as it consumes me,
Your hair is new grassland to run through,
Windy as a child breaking for the beach,
I latch my fingers to yours like driftwood
Tangled in kelp, the salt we share, steeps,
Is **** and deep and our lips are shucked
Oysters, blind, iridescent, sliding with eyes
Into the famished throat of ***** heavens.
.
Aaron Mullin Jul 2020
The clock smiled at us
as if it knew we were lost.
Unable to see the path, we continued along
on the wrong side of the ones and zeroes.

Tired of our aimless float;
tired and disoriented in the vacuums of our ignorance.
With all kinds of navigational aids to chart our journey
we mostly relied upon the compass tattooed over our hearts

While lost in the chasm of our indecision
our bodies and minds listed.
Our attempts to unpack the endless
parcels of our unrest ... proved futile.

So carefully, we re-learned the ABCs
and re-interpreted the Western Canon, finding
that it was only by closing our eyes
that we were able to see; were able to feel.

However, the rhythm was off
which was immaterial  as
our feathers were ruffled and
the rhetoric was pluming.

With the overture of the new day dawning
we turned our back
on the algorithms of our demise
and shucked off self-imposed limitations.

You see, it was thirty seconds to midnight and
the world that never seemed to want us
needed us now.
So like anemic royalty, we took flight

breathing down rarefied air and
gulping the nuances of our resilience to swallow:
our intergenerational trauma
one more time.
Submitted to SAAG writing prize competition on July 1, 2019 (slightly modified version)
Claire Waters Aug 2013
1.
he left me by cemetery road
with no money and no place to go
because he had to go back home

you've never really felt bitterness until
someone you've done everything for
walks away from you across an empty parking lot
in a town you do not know
and doesn't look back

2.
next, in an empty elevator
and he went for a drive
because some people just can't stand
blood that's not their own

it's fine
i'll fix it myself
it's fine
i clean up nice
it's fine
i understand

3.
he never had any guarantees
mostly i'm sorry's which
might as well be free
the way we shell them out
mornings at his house
are no less lonely than mine

but lonely is not a problem anymore
lonely is just normal
lonely shows up most often
with a crowd of friends
or with a boy who says
he thinks you're fascinating
than it does in your own
asphyxiated skin

you tried to shed it like a snake
but the delicately fake chords
of romantic language
are wrapped around your neck

4.
maybe you will understand
i'm not interested in infatuation
because it wanes faster than the moon
and burns itself into your DNA like the sun
breaks your nerves like twigs
and sprinkles your scalp with ash

until everything good you've ever had
feels like
a sin

but i don't
think
you do understand

5.
he swept me out the front door
disappeared with his cell phone for twenty minutes
to brag to his famous friends
and came back to hand me a couple bucks
as the bus pulled up

at the time i didn't quite know
why i felt so sick to my stomach
so i said it was the beer
and then i said it was the money

but now i know it was
the significance
of how much our encounter
was quantitatively worth
in his eyes

6.
to him i am not me
my interests are "cute"
i tried right? i'm just too much of a female
to ever understand you
and yet that's all you allow me to be
because denial is so much easier
than seeing other humans
for the first time

7.
i am commodity
i am a nice figure
i am innocent eyes
i am a checklist of angles
and sweet little gestures
and the same words
the same words
the same words
the same words
the same ******* words

i am simple, right?
and sweet, correct?
and so charming
and ****.
Girl

8.
last time i checked
i was a person
not a categorized priority
that didn't quite make
the top five list

and you wonder why i get angry
about not having a voice
about being talked to like a child
when you can send me off to take care of myself
but you cannot respect me as a self sufficient being

when you can dump me in a cab like your ***** laundry
that you're just taking care of before work
and yet you are afraid of my blood
disgusted by your own ******* stains

9.
i think you treat me just about as much Woman
as you feel Man
i am not a rib
to be shucked away
from your heart
i am not a snake in your garden
i am not a scab waiting to be ripped off
i am not a breast, or ****, or thigh
because i am not ******* poultry
i am not made for consumption

and i have to tell you
Girl is not here.
and Woman bleeds red
and so do you.
Martin Narrod Oct 2015
How can we tell if anyone is at home?

I wish you had come in a box, I'd open you now
A tin can would be too small unless we were playing dares.

I don't accept these terms. We could have been arrested together
And then we'd have another piece of paper with our names on it to enjoy.

The letters I've been sending you are shorter.
I prefer when our names are closer to each other.

That copper lithograph you made and the limited edition prints,
Those are still so ******* rad.

You left that white leather bag with the gold hardware at our apartment,
Iridescent purple crochet needles, what appears to be the beginning of

An autobiography you must be putting together. I'd be lying if I said I washed and folded your clothes. I only folded them.

How long will someone's natural perfume stay on clothes?

I don't delete some period's.
Sometime's the worst punctuation is the kind that stays forever.

I miss you more than the addiction to painkillers I kept up until
Two months ago. I've been making the necessary upgrades.

They don't have a word for how much you mean to me.
A monogamous flightless bird that serves at the pleasure of its mate

Was the closest I came to showing you not only that I'd carry you
So you didn't have to walk over the scalding lava, but that

These limbs are fitted for your form. My legs will never grow weak.
Beautiful extraordinary things adults do with their mouths

For hours and hours and hours if they like.
After lips move and speaking does not require voices, whispers, or tells.

Waking up with my arms wrapped around your leg, My head laid
In the valley of your belly button.

Everything great of me was incubated with your body in our time.
It seems we shucked everything good from your tiny body

Until you lied yourself into believing you weren't worthy of such
Immense happiness and pleasure. You have not put me away.

Your lies were lies, if only to reinforce cognitive distortions.
Being brilliant and beautiful is the curse we agreed.

This venom is three years young and flying first class, one way, with four Checked bags, rocking forward to urge time forward.

What will bring the smiling back?

The temple mounds and eyelids sewn into the lines where lips
Greeted the fantastic strands of gleaming threads in your birth crown.

I have pictures of our pictures.
I have shoes for my shoes, and their tongues are hanging out.

We introduced each other to cool. I introduced you to your body
And for three years we ****** six times a day at least.

I wear your California necklace and studded leather cuff always.
Still nothing and no one could ever come between.

Heavy flow, blood letting, and mainstream apostrophes, and
Still we are bending time and making up gravity as we go along.

We became the Villains we hoped we'd become,
But the monster that is ripe on my skin is glowing.

This is the fight I'm not going to let up on, I will not sit down until your Cappuccino with agave and steamed milk is ready for you in bed.

You wait on me like a polaroid whose shadow looks to be a ghost
But ends in contrast and a lack of exposure.

I drank the poison too and left enough for you to use.
hurt britniwest addiction punctuation forever oxy opiates painkillers birds dreams dreamgirl mygirl mydreamgirl exposure photo photographer writer writing publish shadow selfloathing confusion jimihendrix  sanfrancisco sf california chicago hangingout tongues lips mouths kissing kiss ******* lust crusader warrior trials elliottsmith  paloalto lava true life nonfiction poem poet poetry beauty extraordinary tiny funsize lifestyle style mate wife come lost disappeared shoes gender apostrophes menarche periods period 20 mainstream jetstream private blood heavyflow Villains villain poison agave coffee cafe espresso sittingdown sleepgirl girls beauty lovers' spit beehives broken social scene portolavalley thebayarea the bay sfbay waiting waitingtodie waitingtolie neverforget infinitememories autumn fall winter photographicmemory recall nostalgia britniwest martinnarrod
Perig3e Jan 2011
Us
Us,
not
us in any common sense,
our skin pod hulls,
nursed by different rains,
pulled from divergent fields,
shucked under different moons,
no, not us
in any common sense,
but us
in a deeper vain,
not as in fruited seed,
chaste to the disappointments
of common ground,
chaste to the harness
of sun baked sweat,
no,
us as in
a deeper sense,
an us
that is rarely found,
but in poesy
we both profound.
All rights reserved by the author
A B Perales Jun 2014
Graffiti covered
stones litter
the once pristine
shoreline like
crude markers
over forgotten
graves.

Shattered and
shucked Abalone
lay about like
enemy bodies
across a losing
battle field.
And I see no one
whole enough
to count these
casualties.

Tide pools sit
like silent
trapped galaxies.
Hermit ***** ,
some dead, some
alive enough
to know
these discarded
bottle caps are
not meant
to be a home.

Abalone shell,
a poor mans hell
where one flicks
his cigarette  butts
into empty
Abalone shells.

The Sea Otter
can't be
all there
is to blame.

Tell me old
Salt Dog,
where has
all the
Abalone gone?
zebra Sep 2020
princess blood cult
throne of tethers
rumor's of frazzle drip murders
and blood spatters
on a bed of grinning hooks

X
marks the *******
she bled they fed
in love in bed

torn dress and flutter ******
form her squandered torso
as bare feet dangled
while skies shrieked knotted eyes
watching her get it hard

wet **** drunk
she tumbled
in this little black house of madness
****** her in a sack of sins
while **** buckarooed  
in a wood shed paradise

welcoming death by sexicide
she backstroked head over heels
exposed
flirting in the graveyard hacked and black

beckoning orchards that
caressed her by squirming *****

she adored the mole that snuggled her
while thighs shuddered with anticipation
hurricane tongued
she licked grinning *****
for pudenda's pillow
shimmed black light disco daggers
down her lips
to ****
to thighs
to drooling
raw lips

her ****
like a shucked oyster

whimpering disciple
of enticing wounds
bloom in gloom
she tasted like taffy panicked *******

erotomaniac
from head
to lips
to feet
chanting squeals
of infernal opera
in the throws of blood *******
and weeping barbarous 
stammer
beezel blaba blaba
Beelzebub

her body stained labyrinth floors
in soiled cathedrals of desire
while growing phantasm babies
he whispered death music
in grottos of legs over head
that made her hotter than
boiled fish eyes

chopped her in two
she  squirmed
shivering inkblots of madness
cu cu cu cu cu cu
*******

swing the scythe
and
get the knife
she shrilled

pump the ****
split the bone
smudge the lips
spit and blood
moon eyes turn blood gauze
and heads swivels hula

the **** yields
a spooled mouth contortion

her *** crack
a smile of accomplishment
and tormented ballet feet
stretched tickle toes
for heavens edge

she panted rolling away dark air
in an uneasy creeping
and widened thighs
she lost her head
like a chopped carrot
for the miracle of oblivion

you could hear the last thump
falling as silence falls

she spread like bat a wing umbrella
Don Bouchard Apr 2016
Starbucks cups of Kenya (fair trade)
Academic palaver and ennui
Interrupted by a hovering sparrow
Just outside our glassy corner
“Sparrows can’t hover”
An ornithologist told his class twenty years ago…
And here’s this sparrow,
Uneducated, I guess…
Hovers above and between us
On the other side of the glass…
Just hangs there
Maintaining for a count
One, two, three, four…
Slips down and then back up
And toward us, just above the glass,
Neatly picks a moth from the brick casing.
The helo-sparrow descends
To consume the pinched moth,
Its dusty wings
Resembling sunflower hulls
Shucked and discarded
Near bleachers after the game.
Seán Mac Falls Feb 2015
The moon undresses you, little bird,
Your eyes are indigo skies without stars,
Your breath is summer grass after shower.
How you hold your arms before the night,
A lance of milky sheen and flailing bliss,
Your arms arrest as they softly surrender
And your ******* overflow in moist shores
Of white sand and shells, little ears to kiss,
I am drowning in your curves on the waves
From the sea, delirious with eye of moon,
Drunk with wild ocean as it consumes me,
Your hair is new grassland to run through,
Windy as a child breaking for the beach,
I latch my fingers to yours like driftwood
Tangled in kelp, the salt we share, steeps,
Is **** and deep and our lips are shucked
Oysters, blind, iridescent, sliding with eyes
Into the famished throat of ***** heavens.
Waverly Dec 2013
It's that time of night when i get feverish
in my dreams, ******* girls with **** loaded,
thighs gloating and supple, pressure of *******
in between us, when I hear the thump.

A slamming; a jarring; a catapaulting into never.

Carlos lost his wife, she dipped in the middle of the night
when he'd passed out, she'd slipped out, gripped the kids
over their hidden mouths and whispered something about tipping out,
Pop had gone insane now.

Carlos broke a month later.

Told me and Ash to take everything. Exhaled a marlboro,
shucked his shoulders, ripped open that tiny Celica
and shifted. Gone.

Burns black-eyed into the carpet, bottles on the sill, pacifiers thrown like condoms--
haphazard, but carefully placed.

Now the people living there
throw the girl around,
she cries.
Early 2013.
Seán Mac Falls Jun 2016
.
After childhood sleep,
Of days into dawning,
Shucked of dusted clay,
Eyes set unto fawning,

Then, the rowing began.
Shy gentle waves lulling
As it does for Everyman
Who seeks loves' culling.

In a tempest of blue sky,
I was engulfed so plain,
That time was sore to eye,
All suitors never maidens.

One true love never came,
Nor to fly as birds teeming,
Now all is shipwreck of age,
Ah, but to drown dreaming.
Seán Mac Falls May 2015
.
The moon undresses you, little bird,
Your eyes are indigo skies without stars,
Your breath is summer grass after shower.
How you hold your arms before the night,
A lance of milky sheen and flailing bliss,
Your arms arrest as they softly surrender
And your ******* overflow in moist shores
Of white sand and shells, little ears to kiss,
I am drowning in your curves on the waves
From the sea, delirious with eye of moon,
Drunk with wild ocean as it consumes me,
Your hair is new grassland to run through,
Windy as a child breaking for the beach,
I latch my fingers to yours like driftwood
Tangled in kelp, the salt we share, steeps,
Is **** and deep and our lips are shucked
Oysters, blind, iridescent, sliding with eyes
Into the famished throat of ***** heavens.
Martin Narrod Apr 2014
Martin Narrod [Chicago] to Adam Holzrichter [San Francisco, via NYC]*
June 26 2005
Guild Printers Press
122 Bedford
Brooklyn NY, 11211*

I peeled back the polyurethane bandage that wrapped together my two toes where I had dug them into the armoire once again last night. It's a raggedy old mess of green goop like your brother had when he returned from Sicily. Those posters and solipsisms of war, how could we forget, right?

The scene here is really frantic. There's a whole room knotted up with tea heads, loaded up on benzos, looking for green doves or any of the MDMA that came through Fulton Market last week. Mr. Popular is revealing any details, though I expect he'll want more than his own hands throwing around his dining room furniture. I count three days since I heard them through the wall, but I did go out yesterday for a brief walk to buy an 18-pack of ******, just in case I decide to come off the drink for a bit, I do have a blood disease you know that right?

Noon

It was about a month ago, I was at April's house, and I had woken up on the couch, standing up I felt a bit dizzy and realizing I hadn't had a drink of anything for about 12 hours I pulled a Red Stripe from the fridge. I shucked the cap off and put down nearly half of it, it was that cool Jamaica that rocked me man. As I was headed back to the couch I could tell something wasn't right, and that's when it all goes blank- they told me I had suffered a grand mal seizure, sister, brother, and April standing over me with Ouakimbo there too. He gave me those sterile gray straight eyes and a thousand yard stare. Then he popped right up and grabbed my wrist and held it. They put me on a cornucopia of blood thinners and muscle relaxers, it's grand, just ******* grand. I make a fist and my toes wiggle, blink my eyes and my tongue comes out. There is nothing truer than this humanness I now am enjoying. 2 days more they say it'll be before I can go back to the pen and our flat. Geoff just had a baby I read in a post I saw today that Ashley brought in, but i tell you. If you don't bring me a dollar slice from Jack's on Metropolitan you ain't gonna have any of this.

9:00p.m.

First it's cool down the back of the spine, like my bones have unhinged themselves and are resorting their positions to suit a more comfortable order of things. But I repeat, I REPEAT with all SERIOUSNESS. DO NOT TAKE ANY HALLUCINAGINS UNDER ANY CIRCUMSTANCES - Perhaps I have not explained myself too clearly - Guy is at the ice- the onlyu hope now is some morphine. In dealing with these underwear midettttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­tttttttiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiotttt       vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv­vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv­vcccccccccccccc.
Elise Davis Jun 2015
Shucked oysters on the table,
horseradish and shells left on the plate,
empty glasses of beer,

He looks at me and smiles,
Under the bar lights I notice
His black wavy hair has thinned a little in the part,

Oddly it filled me with love for him,
I imagined him as an old man,
Gray hair... maybe none,
Lanky as always but moving slower,
His bad back bugging him more than ever,
His skin rough from too many sunburns,
Still telling strange jokes…

Only by then they will truly be dad jokes...
Grandad jokes...

When I look at him
I can see a lifetime.
neth jones Apr 2022
at a glimpse i clock the sky
a curtain's been draped
     and we are all shaded
all of nature shares one direction
     narrowing on the horror :
a munking and blotted violation
     the sun has filled with dark ink
an embolism out of the order of life
     voiding over us
                     over the city
                     the world described beyond
                       all voided over

i fall
         dropped
         and shucked
the people around me go simple
dumb and bound with crimple gawps
     we are mugged by the sight

i feel like a farmed over minefield
              furrows being turned
trotted out
             anointed fears climb my throat
it is a show sung ill
          sol
       darker sunk
     than its surrounding leadened soak
yet ringed tightly with an annihilating halo

practical thought becomes clotted
   and my primal processor is tinkered with
evil witterings squirrel about in my thinker
my being is topped up with depravity

i must surely **** someone ?
but who..
(that kid with drool ? /
that business suit with brand name trainers ?)
   and for what reason ?

i madly stare about
look at them ; so human and null
potential victims all
                   raking in snapshots of this ecliptic venom
                     adding to the vat collective online
Prune The Brutes !
it is The Eighth Day and I know my role
Ha !
        such livid thoughts scheme

i shall wait out this exposure looked down upon
take some pics with the others
perpetrate goodly behaviour
mimic the tossers
pass through the ordeal
        with communal protection
                    and live another day
             happy slapped
                       with fresh mad
                               thought
palladia Jun 2013
was i that immature i couldn’t even handle it?
was i that irresponsible i couldn’t even pilot it?
tell me please...was i that juvenile?
                    tell me please...could i have done a little more
                                    to be little more mature?

was i that immature i couldn’t even tackle it?
was i that irresponsible i couldn’t even rival it?
                    tell me please...what happened to my rapport?
        tell me please...why did i go that route?
                                 why did i bottom out?

that’s where i’m leveled at, why i can’t interact
just marked as another cookie-cutter product
just some more by-catch trapped in the net
to be shucked off into oblivion next

and you always break it to me at the most unpredictable times
like i can’t take it seated down: one-to-one and the pressure’s on?
{come on!} why so self-confident? you’re not as rigid as you think
tough? no way! and out of sync

you’re so ******...
Everything goes in circles, emotions especially, like here: confessions → pity party → barrage → regain composure. Then it happens again. And again. And again. It’s a cycle—it never stops.
Wk kortas Dec 2016
Oh, there is light in such places:
The galleries of Soho, the catwalks of Milan,
The boardwalks of Blackpool,
But it exists to flatter, to obfuscate, to tell alluring lies,
A trompe l’oeil of a family picnic
Etched on the wall of an abandoned orphanage,
The siren song crooned by a spider
To the enraptured and wholly credulous fly.

Ah, but the illumination here!
The sun reflecting off the roofs
On those Bob Evans and Shoney’s you would shun,
The starlight backed by a host of owls, a symphony of crickets,
All serving to peel away the layers of artifice and cunning,
To be shucked away like so many cornhusks,
Allowing the secrets of the universe to be whispered to you,
Faintly yet unmistakably, and once moved by these epiphanies
What is to stop you from running along the narrow, unlined streets
And green open spaces in mad, unfashionable celebration,
Exempt from the clucking of the chic and the congnoscenti?
Stephan Sep 2016
.

As I count crows
sitting on the clothesline
I see a shape in the distance
that I do not recognize
I move a little closer
but the ash trees bring a sad shade
and the lawn flashes its blades,
cutting directly to the heart
in syncopated beatings
like chopping wood in August
when the last saw
is locked away in the shed

I wipe the sweat from my brow
with a scarf scented of past evenings
chasing fireflies and drinking iced tea,
foggy memories in place of
bi-focals smeared and blurred,
unable to focus on the sticker burrs
pulled from my socks,
hanging on for dear life,
let alone the figure approaching
just past the produce stand with
apples and aspargus in season

Still I look,
peering beyond a fractured arbor
of beer bottle skeletons
situated at the far corner
of nowhere’s homestead, off-white pickets
and a rusted gate now
overgrown and over sown
in rows of corn field miseries,
shucked and burned in a steel barrel
down by the mud creek minstrels
playing broken strings
and bent tubas

When I realize it is you
coming home to me,
walking through the sunflowers,
an effervescent blue sky background glows,
roses bloom in pinks and yellows,
robins tend to their young
beneath a rainbow of blessings
in assorted hues and feathers
as what was once what I dreamed
now slowly becomes what I see,
returning to its former beauty
and the sun shines again
DH Matthews Feb 2014
Beside me on the table lies a small green stem;
This stem once with it carried a lovely botanical gem.
Outside the window yonder is a city caked in snow;
Such that all is cancelled and I have nowhere to go.
It's funny that this stem of green shucked clean and here laid bare
Gets mention in this rhythmic verse 'bout all that white out there.
For you see, my friends, that stem, to me's a sad reminder
Of a time (and time again) to me, that's so much kinder.
And now, of course, I have a day, no deadlines, dues, or debits
But that stem is what remains of a stash worth several credits.
A tragedy to none but those who also will partake;
To me, a dearth that stonewalls my voracity to bake.
Alas, I open this white page and 'ply my verse unto
Lament for being 'void of green...what has my life come to?
ad lib and delightfully cheeky
Seán Mac Falls Apr 2015
Her unshelled skin shocked
Iridescent stars and moons
Shucked of her clothes

— The End —