Untangle my body from yours
                        Step number one
Untangle my gaze to stop from speaking volumes
                        Step number two
Untangle my dreams from reality with you
                        Step number three
Untangle my definition of happiness from your presence
                        Step number four
Untangle the future from possibilities containing us
                        Step number five
Untangle my person from yours
                        Impossible

go on your way
My beloved child
turn aside from
the swerving path
untangle your gaze
to center on Me
stand in courage
hugging wisdom
guard all thoughts
leaning upon My love
release what's behind
and walk on in joy

i don’t think my mother
ever brushed my hair.
and if she did,
i can’t remember it.
i could lie and say
that i wonder why,
but i know why.
it was because
she was busy with
my sister’s brand-new curls,
busy tending to her own
dark roots and dry ends.

when i am a mother,
i will balance my sons
and daughters on my lap
and one by one
comb through
their soft mops
with patient hands.

they will never wonder
why i left them
to sort out
the knots
on their own.

they will know
i am there
to help untangle
the predestined messes
caused by the wind,
and caused by me.

Eyes sliver open languidly, feel out the corners
Stretched, palms pressed against white walls
Pull the covers high above my head
Building courage to greet the day

Lungs fill with a familiar scent
Smile, reach and caress a glowing cheek
Next to me, he turns, all elbows and sighs
Find him  in a second with tingling toes and fingertips

Untangle the limbs and sheets
Firm and nut-brown, coarse in the right places
Soft in the best places, he's flawless
Dare to disturb the rhythmic breathing


Wake up, I whisper
Coffee, he groans

I want to untangle this
Web of you all of
You your hooded eyes your
Pursed mouth your
Ebony Eyes that pull me in,
Shatter me like black holes. 
Untangle the web that you 
Have woven in my
Mind unconsciously and 
Im trapped 
Trapped
Tra-p-p-e-d
Flies in a spider
Web I'm cornered,
Helpless but do I really really 
Want to untangle you
I do but i dont i dont i dont
I dont i do dont i do Dont want to
Untangle me from you.
Me and you we're too 
Past gone to
Be saved, or is it just
Me and my fraying strings and 
What is left of my heart maybe 
Just maybe

Spt 5-- domestic dispute inv alcohol + firearms Hawkins Terr. area-- Spt 7-- burglary purses stolen from 3 cars Wipple St-- night of Spt 18-19-- vandals untied shoes of large statue Center Park-- Spt 20-- mugging homeless suspect young woman cheeseburger Rt 8--

I try and untangle the emotions that bound me
How shall I define myself?
I’m sure you’ll tell me
Should we begin at religion?
Lets categorize this
What about the color of my skin?
Where do we begin?
The injustice seems to paralyze me
Shall we go back to the day of slaves?
Perhaps teach discrimination and hate
Looking through a jaundice eye
We disgrace through cruelty and condescending tones
Who would of thought that millions of people could be wrong
Its taught ingrained into our skin
We become frightened of the truth don’t perceive an end
Words that like to hide disguised as our friends

Like a bird with lost wings I need music to help me sing
Teach me to f l y
To run away
And I promise to return one day
I need you to untangle me
Free me of these rusty chains
Let the wind b l o w
And through the clouds we will g o
Flying away from are troubles
And out running time
Flying faster, and faster
Intill we can't go on
And again s o a r i n g toward dawn
Basking in the beatiful sunrise
I'm finally free
Because
My dear
you have untangled me.

I Am The Sunshine
Upon This Land
I Am The Pure Love
Of Woman & Man
Creatures Of Sea
Creature Of Sand
Creatures Obove Trees
I Am Sunshine
Im Feeling The Heat
I Am Sunshine
Love Shining In Me
Through My Eyes
Timeless Sweets
I Am Purity
Healing All That Need
A Calling Of Leap
The Falling Of Leaves
That Tracends To Beauty When
Waters Affection Harvest The Neat
Harvest The Trees
Harvest The Fruits & Vegetables
For All Us To Eat
God Were Sunshine
I Am You & You Are Me
Realms Of Angels
Elves Mermaid Reefs
Purity
Illumniated With A Sphere In Me
Its Clear To See
I'm Near The Sea
Abundance Prosperity
Inside Manifested Through Charity
Expand Consious Clairty
Increase Awarness
Perception Cherry Trees
Beautiful Judgment Free
Free To Be We So Let's Just Breathe
I Love You , You Love Me
Meditation Vibratatin At The Peak Of My Frequency
Elvish Whispers In The Breeze
Angels Untangle The Tangled
I Angle Dreams
The Frequency Of Jesus
Is Needed
Let It Seep Through
You May Not See Him
But He Sees You
Bianry Ritual 3 Help Darknes Nailed
I'm From An Elvish Realm
Where Fairy's Bleed Blue
Its Easy To Relate
Escape The Hate With Aatral Gates
Be True
Be You Sunshine Light Bright
Right Through Ooh
I Feel It In My Soul
From Outer Space
Down My Face Waist & Shoes
Normal Is So Distant
Weird Is JDifferent
& Difrent  Is Just So Cool
Sune Shine Amazon Fine
Island Side
Frequency High
Twin Soul Flame Is Feeling My Vibe
Pure Dear Come Here
Feel The Kundalini Rise
Eye To Eye
Hands On Back Of Thighs
Hearts Hugging So Tight
Protected By The Eye
Private Meeting Souls Singing Ocean Side
Stars Cry Body's Weaving Greeting
Gentle Screaming Oh My
Dna Embedded With Electric Healing Rhymes
Were Amazing Gazeing Sunshine
Breathe Release The Beast
No Need To Find
All Is Within So Grin Ya Chin
Your In Ya Win
Sunshine Sunshine Fill My Fins
Swimming Through
Realms Of Elevish Kin
Affection Covers My Skin
I Am Sunshine
Sing It Again
Sunshine

I recall from some time ago
a pink plastic tea set
a white plastic rocking chair
and a yellow plastic pony
with blue plastic hair,
     which
was impossible to untangle
except for with the green plastic brush
that belonged to my blonde barbie doll
out of her plastic vanity cabinet
beneath her plastic vanity mirror,
     which
she checked her makeup in
before meeting her plastic boyfriend
in his plastic van
to go to a plastic diner
that served plastic pizza,
     which
was really just a sticker
on a tiny plastic plate
that would get lost in the bottom
of my plastic toybox,
     which
had a plastic lid
that was also my sailboat
that brought me to a plastic castle
with a plastic princess
who had the prettiest plastic eyes
and the most elaborate plastic dress
and the shiniest plastic crown,
     which
was the envy of all the plastic women
in the entire plastic kingdom,
     which
was really just a plastic castle
surrounded by an enchanted plastic forest
filled with furry plastic creatures
all atop a clear plastic box,
     which
held the plastic dishes
and plastic glasses
and plastic food
in case a feast should be thrown
for an unexpected plastic guest
from a plastic kingdom in the far east,
     which
was really just a plastic plate
placed on the plastic-coated windowsill,
     from which
I would peer into the blue sky
through broken plastic binoculars
while standing on a yellow and green plastic step stool,
     which
when turned upside down
became not simply a make-shift plastic sailboat,
but a glorious, luxury plastic cruise liner
for my pretty plastic dolls

     and I would board my toybox lid
     and we would sail into a perfect plastic horizon

     which
was really just a white plastic baby gate
that kept me from tumbling
into the world downstairs
where things are wooden
and glass
and cloth
but not plastic

for plastic is synthetic
and plastic is superficial
and plastic looks bad
against gilded wallpaper

but plastic is cheaper
and plastic is safer
and plastic is durable
and childhood is plastic

I want to write poetry,
I want to paint your sky with a million colors,
Or tell you how beautiful you really are.
But the words in my head are a thin gold necklace,
Knotted in 80 different ways
Impossible to unravel, except by those with steady hands
And patience.
Patience to sit alone and focus
To pay attention
As they pull at each part of the knot,
Slowly breaking away parts of the chain
Sometimes grabbing the wrong section, that isn’t quite ready to be yanked out yet.
It might take months, or even a year if you lose focus.

Once you finally see each loop of the delicate chain,
You can wear it upon your neck.
See how beautiful it really is,
And how easily it can break,
Or be knotted all over again

But jewelry can’t untangle itself,
And who has time to untangle a necklace when you can pick up some earrings instead.

Tell me, is it worth it?

Maybe it's the poet in me
that believes
that after all these years,
and miles,
and songs,
that you might untangle yourself from her arms,
tug on the string I tied to our fingers before you left,
and find your way back
to me.

Your heart
is pulling you across the ocean,
to ports with open arms waiting for you;
and I'm left here wondering
why it wasn't enough
that I would have tore out my rib cage
and made it into a boat
for you to sail yourself there in.

I would wait here,
at this port
that is both where you have been
and where you still are,
until I turned to stone.

It's the poet in me
that can't let you go.

boo croon the sunflowers
and **** squeaks the jay
this garden was not tended to
and when it was, it was done with bitter blisterless hands
the weeds are creeping out now and thickening stalks
and they move out
out out
goes any sense trust we grew in this garden.
and out
out out
goes my frothy yellow blood into the humid grounds of the garden
and you mop it up and glaze over my barkless parts

boo croon the sunflowers
and **** squeaks the jay
the hose to feed me
was bent at angled corners
and the water shrieked its way through
to come out a subtle flaccid
drop by
drop by
drop
on my parched cracked tan sun slapped skins
and i was angry
that you never felt the need to untangle the hose
because you turned the faucet to full volume
so you assumed that was all the water you could give
and i needed

boo croons the sunflowers
and **** squeaks the jay
the garden is all sand colored and tired
and you don’t feel guilty
you looked at it every day
and squirted what you could on it
and picked whatever weeds you saw
but you never went beyond what looked pretty to visitors
and you let the roots rot across the summer
and now that the winter’s fallen in
there’s not enough water to keep the garden beating
and all the melted snow in the world won’t make up for it

I want to be there when it's 4 AM
and your chest can no longer withstand the weight
of the demons that no one else can see
and you can no longer push them back
long enough to breathe
and the exhales smell of ***** and misery
when your very own fingernails
betray your palms
with blood that looks like it's not even your own
I will bandage your hands
and hold them gently until the demons leave

and when you are afraid
of your own reflection
I will hide all the mirrors
and sit by your side with the lights off and
run my fingers through your hair
as if untangling your hair
could untangle the knots you have inside

I will wait for you
I will not groan when it's three in the morning
and you stumble out of bed
to go sit under the streetlight in the rain
and I will wait inside
with tea in your favorite mug
when you say you must go alone

when your eyes are vacant;
a winter house
with no footprints in the snow
and newspapers piling up in the driveway
the lights left on to scare away intruders
I will be there when you come back

I just need to know you'll come back

I hope someday soon
My heart will stop
Asking about you
For my eyes to see you
In the faces of strangers
And my limbs to untangle
From the ghost of yours
That left a long, long time ago
I hope my heart will one day
Be able to forgive me
For giving it away to someone
So reckless and beautiful
And that my body stops aching
For the scars you left
Are constant reminders
Of all that was lost
Once upon a first love

You can fall in love
with the way
someone pours milk
into their cereal,
listening to the things they speak about
when they sleep talk
at three in the morning,
and by watching them untangle
earphones, which somehow
seems to be their biggest challenge
of the day.

You can fall in love
examining the face they make
when they try to hold back laughter,
if they put their head or their arms
through a sweater first,
and the way they shiver
when it is 23 degrees outside
and they are only wearing
a leather jacket
while drowning in a
thick red scarf.

You can fall in love.
You can fall in love.
You can fall in love.

And you will fall in love
with all of that.

i give them my executables and
ask them to reverse engineer me
to look into my code for reasons
reasons that i'm not just broken
not just slow
not just bad

if these letters
on this line
mean
that i am programmed to worry
then it is not my fault
not my fault that
i have wasted years
years of my life in fear

it's just a bug
looping too many times
using too many clock cycles

my code may be broken, but
if it is broken
then i am not

maybe, just maybe
i am a good processor
given bad code.

not my fault.
no one could blame me.

it would mean
i do what i am told to
perfectly
quickly
efficiently.

but
what i am told to do is
buggy
unoptimized
inefficient

my programmers are lazy -
not me.

when i find
a function in my code
that never works
and they say
"that code is fine"
then why?
why does it never run?

something must be wrong with me after all
me, myself, the processor
i don't do what i am told

but no, no, no
i don't want that
i can't be broken, overheating, dusty
segfaulting
bluescreening
panicking

no!

the code must be wrong
it must be

so i look again and again and again
i lose myself in my code
i click and click and click
2x more and 2x more and 2x more
COMT and DRD4 and ANKK1
rs53576 and rs7794745 and rs1858830
lower risk and normal risk and higher risk
of the same thing
in me at once
conflicting
overwriting each other

there is no code to add risk objects
and no one knows
whether
they make a group or a ring or a field
or just
something
useless.

like dividing by zero.
you can...
but it's useless in the real world.
just like me.

i look for more code
for more functions
for more comments
more more more
give me more
take my rights
make me open source
as long as i can see me too.

602,000 lines are not enough
not when i run millions

stick your wires in my veins
take the code from my blood
decompile it
untangle it
i need to see it all

i need to know
that i am a good little processor
even if i am doomed to
forever
run BASIC and
a million GOTO statements
and ugly ugly spaghetti code
i am still good.

the crickets have arthritis
so we're stuck here in silence.
no melody to lead us to our way
no morning song to wake up the day.

so the sun sleeps in
for the first time in weeks
and i wake up to darkness
resting on my cheek.
i untangle myself from
under this blanket
i turn to you and smile
a soft whisper lost
a cry that didn't make it.

restless eyes fight  the stupor
through this obscure enigma.
my mind’s overwhelmed  
my heart in a coma,
I’m trying to sort myself out
gather my words
when a kiss, simplest of sparks
turns into kinetic chaos launched
to the basement of my heart.

you stroke my face, a
hidden tear you smudge
i open my mouth to speak
but you’re too quick to judge.
so i bite my lip and  
lie next to you in silence,
moonbeams highlighting
the empty space inside us
inside me.
all because crickets have arthritis.

Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?
— by Mehmet Akif Ersoy, Turkish poet, loose translation by Michael R. Burch



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)

Odysseus struggles needs to prove to himself world he is talented painter determined to achieve recognition goes from art dealer to art dealer seeking support one dealer says Schwartzpilgrim stop changing settle on 1 style you can be known for what you’re doing now is good stick with it call me in 6 months with 300 drawings just like these another dealer says Odys you must learn great art is a **** beneath bed sheets another dealer says Modigliani knew how to paint flesh paint like Modigliani you need to learn more about painting Schwartzpilgrim you’re too young inexperienced another dealer says thank you for your interest in our gallery we’re not taking on any new painters at this time Odysseus knows there are people so much more talented better looking than him he feels inadequate intimidated

thinks to himself sister Penny is right female wish list is curse Bayli haunts she alone always be my ideal until i met Reiko Lee now Reiko Lee Furshe holds me captive i long for her voice eyes shoulders wiry delicateness crazy outrageous humor fiery ****** appetite i need to tear apart wish list leave myself open need to learn to seek inner beauty let anatomy fall where it will need to cultivate new standards it’s difficult to see with different eyes i am so biased how do i do this?

Odysseus muses with Reiko’s ghost 6 months since separation lights candles burns incense opens bottle of red wine pours glass for her and himself sips watches her glass while he makes toasts speaks elaborately of her beauty charm cites reasons why each of them does not need the other why couldn’t you have been the one? what is it about me you didn’t like? what did i do wrong? pours another glass begins talking louder ending in rage why aren’t you here? why? what went so terribly wrong? i love you where are you? how come you’re not here with me tonight? looks at her glass sees she has not even taken sip feels slightly drunk fearful he has sunk too deep  gets up staggers to bed sniffs blanket for traces of her tonight is their anniversary his only excuse

telephone rings sometime in late july hi it’s me Reiko how’ve you been Odys? he questions Reiko Lee? uh yes Odys it’s meee your stray puppy Reiko’s voice sounds playful tender Odys are you there? what’s up? let me come over **** and ******* please he speaks into receiver Reiko Lee is dead hangs up wonders if he has done right thing paces room writes a woman like that you tell yourself you do not need  ignore her deny her let her pass because if you admit how much you want her you become fugitive in chains running from dogs men with guns a woman like that is all you need a woman like that is motive seed chance of a lifetime a woman like that takes chances at twice your speed a woman like that keeps you guessing hoping waiting a woman like that leaves you destitute you cannot have her because she possesses you a woman like that is a wanted woman

decides to move finds new place blocks away apartment on lill street changes telephone number in his heart he knows nothing more thrilling beautiful than joyous girl yet he attracts women who seek abuse because they see themselves in him because he lets them try to mend his abused mind because he misuses them so well reaching finding joyous girl looms impossible breakup feeds venting bitter fires

the most dangerous woman eludes meall other women are too attainable chinese green tea gestapo limousine it doesn’t matter that you don’t understand that is the line darling dangling darjeeling your lips bleeding your ***** on fire imagine i am running sprinting in relay race just up ahead i’m about to pass baton this is life expectancy of poet indonesian cigarettes made of clove leaves i held your wrists pinned your fragile body to floor strummed you like guitar while other men looked on i knew one of them would take you next

miranda comes out on verandah with lemonade on hot summer day hair blows free in breeze leans back against beam softly hums inside time bomb ticks somewhere fly caught in room knocking itself against window ricocheting off corners  buzzing crisscross ceiling floor miranda sips just enough so lips are wet eyelids flutter like butterfly wings ******* swell in heat of midday sun she calls to us with hand stirs more sugar in lemonade late afternoon when fly is caught entangled in spider’s web buzzing is muffled ice has melted lemonade watery we are dozing in hammocks rocking chairs miranda is changing dress perfuming thighs crafting character in mirror screen door slams she looks up recognizing it is only wind sun is sinking orange ball spider crawls fixing aim grabs thread swings in for **** we are passed out in grass at dusk lights around verandah beam on miranda appears wearing low-neck dress with one strap down breath heavy with anise invites us inside giggling shyly as we follow timeless newsreel vision men hard at work war room spins as fly ***** desperately spider opens legs miranda lies arched on bed eyes weaving

he gets drunk loudly sings she must be some kind of witch flying in the wind she must be some kind of ***** to dig this grave i’m in he rhymes it was just another **** stunt forgive me for speaking so blunt she was just being a lady no need to get crazy it was just another **** stunt he scribbles she gets ****** hair styled eyebrows plucked nails done walks out new woman miss fox Mrs. G. Fox madame de faux meeting the girls for lunch wearing her pearls writing her name in swirls talking up a storm pack of women is worse than pack of hungry wolves wolves stop at carrion women carve combs out of bones

Cal is driving Odysseus sits in passenger seat heading to pit & pendulum for cocktails it is raining down hard Odysseus looks out beyond sweeping windshield wipers sees red cowboy boots the ones they found together at flea market there she is Reiko Lee Furshe arisen from wasteland Odysseus tells Cal to stop car turns to see her she is running across street his hand reaches for car door handle what’s happening? Cal demands are you there? i can’t stop cars behind me! this is crazy Odys what’s going on? i’m not stopping! Odysseus stares through rear window frozen watching her disappear behind red brick wall in pouring rain

ghost girl it’s difficult to write in comatose passage apart i am in theater of mirrors with empty seat beside me black hole inside me itinerary of fears i’m seeing dancer but haunted by you look in your eyes smell on your fingers clonking up stairs of your wooden clog shoes feelings we dared plans we knew might never come true la laahh la lay la lay dee la lady of shady lagoon weeping willow pisces moon like India ink you’ve left indelible stain i fumble in dark of empress’s tomb like necrophiliac i grip onto memory stroke ashes of you lantern licorice amethyst bone you are gliding in your canoe cutting through mist swirling whirlpools that untangle themselves behind you dancing nearer to flame la shady lady does pirouettes in rain

there's a knot in the middle of my spine -
a knot made with flaming fuchsia rope -
that i have never been able to untangle.

my fingers aren't able to reach it quite right;
no matter how much i rub or how far i arch my back against the mattress,
the knot remains as taut as a lifeline.

and i can't cut it loose also,
i don't leave no scars on my back for i have promised myself the blade's lips can kiss my wrist and my wrist only.

there have been people who have encountered me in this life to whom i have mentioned the knot.

a couple of people only nodded and avoided my troubled eyes.

some people have had the pleasure of fastening it even tighter.
experienced sailors with impressive tying skills,
that can secure an entire ship of agony and relentless torture to a worn and raw anchor as heavy as my body,
with the vessel of malicious fingernails and empty words.

most people have only soothed my aching back with gentle fingers;
caressed and patted the knot with a tight lip drawn upon the face
and pitied my sorrow with forbearing eyes.

no one has ever cared to untie the unforgiving knot.

no one has reached out to pull the burning end of the rope and set it loose.

no one has carelessly ripped out of me the sigh i have been guarding in the hollow of my throat for so long.

no one has set me free.

I was told by my peers that letting my voice be heard was preferred, yet they say the words I speak are absurd

What's the point of freedom of speech if my words still have a safety lock. The day I will be happy is the day I find the key to chains around my throat

I don't want to drown in this ******* but just stay afloat. if I always wrote by putting my pencil on paper, why does someone else have to be my eraser

I am a chaser of dreams and a speaker of my thoughts. I will untangle the knots that they keep tying. I will preach my beliefs even when I'm dying.

secrets,
mysteries,
dishonesty,
misleading,
illusions,

all of this words mean a lot to me,
i've used all of them,
had them used on me,
but most of all i understand them,

understanding is the most important,
because its not just about seeing when they have been used,
but how to use them to protect yourself,
protect your heart and mind,
your soul and your life,

there will be times when you need to mislead people so you are safe,
times when you need to keep secrets so others are not hurt,
but also when to tell a secret or break one open,

but understanding is more than that,
its about seeing that no matter what you do,
it will be painful,
it will make you cold inside,
and it will change you.

secrets,
mysteries,
dishonesty,
misleading,
illusions,

all­ of this are important,
to see,
to use,
to understand.

life is hard, life is tough, secrets hurt but they also protect, mysteries surround every person we have to break and untangle them, dishonesty is hard and nasty but is needed in a world where every one leads us astray, misleading is every where we need to understand how to find the right path, and finally illusions are simple yet complex we use them to hide our pain but we get hurt by the through out our life.

for us to live,
to see,
to be free,
we need to understand,
to be set free.

.
Links in the chemist chain
laced in a double helix
defy the laws of the universe,
and the atavistic resurgence
creates isotopes of dream passion.
     Elements conspire in panic
     with a symmetry of casual chaos
     that mimics an atomic bomb,
     destroying its own creator
     in a cruel parody of birth paradox.
          Arresting the Iris of Dissolution
          with cuffed anxiety drowning
          in a pond of helium ore,
          carelessly drifting on acid flesh,
          coagulating in a soup of memory.

And the paradigm shifts again,
reality unfocussed clears, strains,
revealing your shuddering form,
next to me, keeping me warm.
Lids flicker and you open your eyes,
shining, smiling in cute surprise.
Moving my finger up to my lips
whilst I gently untangle our hips.

     Do you remember this night?
     Last night, tonight, tomorrow night?
     Time begins to slowly rewind,
     on the night you blew my mind.

My essence is filled with your heart,
a love I have yet to discover.
Whilst you wander between the stars,
my universe starts to recover.

So please don't break this silence now.
Please don't shatter this moment long,
I want this post ****** memory to remain
in the morning when you have gone.

© Pagan Paul (04/11/17)

We are afraid of tying knots.
Now, my brothers weren't fond of Boy Scouts, but those aren't the kinds of knots I'm talking about.
Our parents got us velcro shoes growing up (something about not wanting us to be overwhelmed with tennis shoes)
And that, perhaps, was the moment that started everything.
We could no longer trip on loose laces as we ran our races,
Our parents couldn't see our disappointed faces as we fumbled getting ready for school.
It was the perfect contribution to the flawed illusion that the human institution should be prevented from failing.
Oh, yes.
In my lifetime, cordless telephones were placed in every house because we did not want to untangle our own messes anymore.
Failure doesn't hurt as much when it is invisible.
We wanted wireless, no-strings-attached luxuries with no side effects.
But there were effects that couldn't be seen
(how could they until we were older than teens)
Because the end effect was this:
a generation that shirks responsibility
we have anxiety
because our parents didn't let us face our fears when we were young
we are jobless, loveless, purposeless
because we still haven't realized that everything has its opposite
love - lust
success - failure
happiness - sadness
peace - anger and commotion
you see?
there are full-grown adults living in the basements of their parents
watching **** from an illuminated screen
a no-strings-attached commitment to a video that will never require a vow or a promise;
so many see the term "settling down" as "kicking up dust" of a dull life "confined to a four-inch screen."

we've seen our own parents cut the ties
now living separate lives
better that way, but millennials can't fight
for love or for kids or for dreams
because their caretakers' examples couldn't teach
the right way to do a marriage
the right way to commit
we are shirking responsibility--

because we don't want to fail.

still as afraid of tying knots
as we were in kindergarten.

one: the first day my skin met yours god realized jesus was his one and only regret.
two: if i could untangle all of the veins in my chest, if i could make them stop strangling every last molecule of love i have left in my body, you would see the last words you spoke to me fall out of their crippled noose like teardrops.
three: will she ever love you enough to give you her lungs?
four: when she screams "**** me" before she comes i hope you hear me screaming "*******" the night you walked away.
five: i write words and stare at the letters. the arrangement of letters is a puzzling thing to me, the way these same letters that can hold so much hate towards you once held the same amount of love.
six: they say time heals all. well why didn't they ever ******* tell me what happens when i have a broken watch?
seven: i made the stars fall out of the sky like they were the moons teardrops for you on the 31st night of lying in bed alone. you didn't see it because you were catching her tears in your bed instead.
eight: you will still walk the same streets that i do from time to time and i hope you see a footprint that looks like mine and realize it belongs on your throat.
nine: you are nothing but a tragic, rusty, chipped nail. you are the nails that pin me to this cross. your palms once fit into mine but now there's only holes from these stab wounds.
ten: i thought about the time you said you'd never leave and it knocked the air you inhaled into my lungs the last time you kissed me right out. it hit me so hard two ribs broke. it was a tuesday.

Together we can

untangle our confessions --


before the mirror.

i’ve tangled with a lot of bodies
after we ended.

i’ve knotted myself with different hearts
pretentiously knowing that this pain i’ve felt could be mended.

i’ve scrambled those ties in my hands and how easy it was for me to un-knot them.

one knot comes in, after a few days, weeks, or sometimes but not often, months, slowly it detangles itself and i leave untangled, unbroken, as if nothing went past these lines on my heart, my body, my lips, like it didn’t happen at all.

i thought those messy tangles i put myself into would be as hard as when we had to untangle ourselves — or just me, i guess — from the oh so short but very sweet time we’ve had together.

but, i was wrong.

i wasn’t left untangled,
i wasn’t unbroken.

i still had a little not, tied in between my heart, body, and lips, which i try so hard not to notice by putting myself out there, messing my own lines up till i catch someone who ends up letting go afterwards.

to you,

we’ve already part ways,

to me,

you barely left.

i wish you could untangle this knot you left.
i wish you could mess with mine again, and probably leave a bigger knot — so obvious that i’d give up trying to fix it.
i wish to see how your soft hands would carefully untie, over then under then pull and stretch, this knot and maybe i could finally figure out that it was so easy that i didn’t even need your help.

but you’re gone.

and i have to accept that.

it’ll take time before this untangles by itself so i’ll just let it be for awhile.

and when someone does come not only to tie their heart with mine,
but also untangle what you had left behind,
then i’ll be fine,
and know that now’s my time.

Men fight great battles in the depths of the sea but when there toil and terror is at end they return to
The harbor that is woman no other creature is so endowed or gifted in the specific her voice soothes
Her touch turns back great emotional waves her very breath is able to untangle sorted knots the
Wayward wind is her ally it carries fragrances that the suspicion is they are other worldly they define
Majesty of power they still the warring that continues in the heart she takes up the place of the lone
Bugler she sweetly blows the call to retreat not of defeat but of honor now release of pent up
Impressions that fasten themselves in gentle souls there are pools of error that other men fall into
That endangers not our country only but their own if they are not opposed another made this
Remarkable image of a woman and called it harboring dreams a **** the color of bluish grey her arms
Across her chest her face turned to her shoulder looking down her hair gripping as it seems to be in a
Tight wind with strips of her hair carried out flaying in the wind as she looks down with intenseness
Vulnerability with determination truly a harbor of rescue but it doesn’t end the scene changes with in
A sea house she is positioned in front of a great window it is night and she with just a soft glowing light
Has a thin white blanket pulled around her as she sets on the floor with her knees pulled up under
Her as she stares into space but observe the eyes they are so large and liquid soulful eyes that speak of
Knowing suffering on personnel level it seems for lifetimes but oh friend approach them you will get lost
In them more of the harbor of woman hood is being reveled to you having passed under sea clouds you
Were adrift in the glowing moonlight your troubles were evident on your face they played the saddest
Dance pathos at every twist and turn but when she catches your glance the wings of healing descends
Two souls desperately out on the fringe hope has been lost in the foreboding wood but now feminine
Mastery through the softness of her nature covers you the enlightened rays of her thoughts will not only
Harbor you but it will instruct and be the freeing that was set forth in creation for that very reason when
Mans strength and power has gone as far as it can then the reserve of the soulful tender spirit will show
You wonders you never be held before can soft words save where might will only move matters father and deeper into conflict yes it can it truly is the hidden current undergirding all relationships the unstoppable undefeatable love of a woman the greatest harbor man can know other than God’s spirit that works the same way and it’s central elements and theme is undying love no greater refuge can be found

Trying so hard
to straighten things out,
straighten myself out.
to untie,
unravel,
untangle.
all of the knots
in my stomach and
in my chest.
Life
is always leaving me a mess
leaving me broken
leaving me tired.
I'm sick of trying
to untie,
unravel,
untangle.
all of these
stupid
knots.

my heart is necklaces
tangled in a forgotten
jewellery box. no one
has the time nor
patience to untangle these
chains

but then you came
along to undo this
havoc, taking each link,
pulling it apart one by one

finally these chains can
shine like they once did

thanks to you.

Men fight great battles in the depths of the sea but when there toil and terror is at an end they return to
The harbor that is woman no other creature is so endowed or gifted in the specific her voice soothes
Her touch turns back great emotional waves her very breath is able to untangle sorted knots the
Wayward wind is her ally it carries fragrances that the suspicion is they are other worldly they define
Majesty of power they still the warring that continues in the heart she takes up the place of the lone
Bugler she sweetly blows the call to retreat not of defeat but of honor now release of pent up
Impressions that fasten themselves in gentle souls there are pools of error that other men fall into
That endangers not our country only but their own if they are not opposed another made this
Remarkable image of a woman and called it harboring dreams a **** the color of bluish grey her arms
Across her chest her face turned to her shoulder looking down her hair gripping as it seems to be in a
Tight wind with strips of her hair carried out flaying in the wind as she looks down with intenseness
Vulnerability with determination truly a harbor of rescue but it doesn’t end the scene changes with in
A sea house she is positioned in front of a great window it is night and she with just a soft glowing light
Has a thin white blanket pulled around her as she sets on the floor with her knees pulled up under
Her as she stares into space but observe the eyes they are so large and liquid soulful eyes that speak of
Knowing suffering on personnel level it seems for lifetimes but oh friend approach them you will get lost
In them more of the harbor of woman hood is being reveled to you having passed under sea clouds you
Were adrift in the glowing moonlight your troubles were evident on your face they played the saddest
Dance pathos at every twist and turn but when she catches your glance the wings of healing descends
Two souls desperately out on the fringe hope has been lost in the foreboding wood but now feminine
Mastery through the softness of her nature covers you the enlightened rays of her thoughts will not only
Harbor you but it will instruct and be the freeing that was set forth in creation for that very reason when
Mans strength and power has gone as far as it can then the reserve of the soulful tender spirit will show
You wonders you never be held before can soft words save where might will only move matters father and deeper into conflict yes it can it truly is the hidden current undergirding all relationships the unstoppable undefeatable love of a woman the greatest harbor man can know other than God’s spirit that works the same way and it’s central elements and theme is undying love no greater refuge can be found

Head start on a frozen night
we'll trickle slow down blighted
                                  street ways
and mix our crunching footsteps
with our ever-rougher laughs.

Grab a drink
too tired for sleeping.
Work weeks pile up, getting deep and
I don't think apartment walls
can contain us one more night.

So save a drink for me,
and meet me out on Longstaff Street

I've got all night and an axe to grind
You've got a case of cold friends
                                 and a troubled mind
so let's pace
                    this neighborhood.
Pull up my roots, we'll untangle yours
from Knowles Street, right on Marshall
                            walk and drink for hours
'til we sink
                  that slant street moon

Transplants grafted to this town
we'll spread roots in these downer
                                      regrets
and spill our gravel laughter
on the sidewalks with these beers.

South, back home,
a handful got it:
rotten nights pave paths to coffins
I don't know how many steps
it'll take to cool our heels.

So grab a drink for me
and we'll go walking Longstaff Street

We've got these drinks, we can disappear
into a slant street night
                      where no one'll hear
how ****** up
                       these days become.
I still think back on Emerson Park
that Summer night we fled from
                   the cops through the dark
when the Russell
                     Street traffic hums...