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Jack Groundhog Dec 2024
While walking through a wintry town
of weavers’ crackerbox houses of stone,
all with carved shutters and panes of wood,
I noticed I was far from alone.

A tabby cat sat on a sill
and looked at me with wet jade eyes.
I asked her what she for Christmas wills,
what sandy claws might bring as a prize.

She winked a blink as slow as tar
and gave me a sideways smile.
All she wanted was a door ajar
to sneak into with all her wiles.

Why yes, I opened the door for her,
and scarcely had she gone inside
that she returned with a satisfied purr
and said that she’d changed her mind.

This cat will do as she may please —
She’s a feline, fickle as a winter breeze.
Inspired by a cat I met and made friends with while walking in Nowawes, a scenic part of Potsdam-Babelsberg known for its many quaint weaver’s cottages.
Jack Groundhog Oct 2024
A trembling pale girl enters a stone
fortress of faith, buttresses flying outside,
in hopes of finding a way to atone,
find an anchor in the world’s shifting tides.

This Gothic cathedral lifts her wet eyes
to its heavenward ribbed vaulted peaks.
They’re painted deep blue like starry skies
in remembrance of what Creator to old Abraham speaks.

There, where each vault’s stone arches crisscross,
shines out like a clear harvest moon
the radiant burst of a gilded boss
that gleams in the recessing gloom.

Adrift in this vast and sacred space,
thin curls of burnt incense waft by
to fill the young girl with scented grace
whilst she sits in this place with wide eyes.

The gold on the stone catches candlelight
and reflects its flickering blaze
as the quiet chanting of canticles might
let her senses be softly amazed.

While the twinkling of these numerous stars
fills her rediscovered heavens within,
the tides of her fears recede past sandbars,
leaving puddles of patience therein.

The promise made by the Father long ago —
Abraham’s children would a galaxy be —
finds fulfillment in this starry girl now aglow
since from her darkness she’s tenderly freed.

She found her anchor and cast it up to the skies.
It caught a bright star and held fast.
New dawn lit inside her in quiet reply,
telling her no tides of tempest can last.
A meditation on how I feel just being in an old church (using a timid young girl to represent anxiety). The title refers to a German Old Catholic hymn.
I stand in front of a stone library
that once held great knowledge therein,
but stands now empty under skies dreary.
I whisper a prayer for our sins:

Please, Lord, let the children who follow us
grow wiser than we ever were.
Let them yet be the loving kindness
that we have signally failed to confer.

I doubt that they will ever forgive us
for this fallen world that we’re handing down
thanks to all the blind disservice
by leaving little but ash on the ground.

Before us all stand two stone gates
each leading to diverging roads:
The one leads to our visible fate
while the other fate overthrows.

Please, Lord, let those born in these days
choose the path of the unknown
instead of taking the road that behind us lays:
They shall our foolishness swiftly outgrow.

What few blessings I may pass on to you,
O dear reader of the future’s present,
I give you freely in hopes of a new
rebirth in a world without end, amen.
Inspired by this photo I took of the Gothic Library in Potsdam: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lfzgvhjnck25
I’ll take a stroll
through wintry night air
to free my mind
from its dark wisps and snares.

While walking in the night’s leaden fog
that weighs upon both eyes and mind,
a building emerges from dampening slog
adorned with columns of marble refined.

The fog oppresses all the known world,
with eyes and ears slammed shut by fear.
Its thralls have spread, its pall unfurled
to wring out all sense of what was clear.

And yet: Here rises
from black fog’s embrace
the lights of a campus
that spite fog’s dimming wastes.

Upon building’s brow, above the main gate,
two words inscribed. Letters gleam through gloom
and icy tendrils of iron mist’s weight:
“Auditorium Maximum” —

— the place of the greatest hearing.
If only this hall could vastly hold
the sum of all in fog a-fearing,
to teach each to hear and be thus consoled.

To live in more than piecemeal peace
in a heartily hearth-warmed hall
where all must learn the art of hearing,
to share in the greatest art of all.
Inspired by seeing the building as described and named in the poem while walking in a dark foggy night through the New Palace and University of Potsdam grounds in late December.
Jack Groundhog Nov 2024
Candle, candle, burning bright
in this vast and dusky church tonight.
In its shimmering light I see
few fellow faithful kneel near to me.
Our chant is soft and barely heard
above this fallen world’s absurd
descent into a tyrant’s wrath.
Like those before, await his aftermath.
Therefore we must keep this flame alive
so that hope and charity still survive
‘til the fickle follies of sundown times
end again and new dawn shines.
Keeping perspective even after an absolutely awful week of news.
Jack Groundhog Oct 2024
Lost in cloudy thoughts of sleet
as foggy tendrils swirl ‘round my mind,
I took a walk through stony streets
in hopes that sunlight I’d find.

The mindscape groaned as rolling storms
marched grumbling across my inner plains
releasing grey drops of thoughts all torn
from past faults I thought of again.

While stuck in this cauldron of tempests within
I sensed others who walk by my side,
the sound of their footfalls’ quiet din
to pull me out of my darkened tide.

My eyes peeled open to see a stream,
a mass of people who walk on:
They, like me, are stuck in a dream
of sullen skies that they each prolong.

With eyes wide open, I stopped to watch
and saw how I had not been alone.
The weather clears by just a notch
and a sunbeam of silence now shone.
Musing about the irony depression and loneliness while being surrounded by others who feel the same, if only each would see the other and realize they’re not alone at all.
A cobblestone road
in a dark night dyed with woad.
Faint glitter under pale street lights.

Icy blue fog in the late night
turned electric by the passing lights
of rumbling cars that rush on by.

They leave their streaks of LED beams
that quickly fade as if a lost dream.
The night watches with a hint of a sigh.
Jack Groundhog Oct 2024
An old man walked up
to a great oaken door
and listened to a voice from inside.
It soon stopped, abrupt
as he strained to hear more
and wondered what the silence betides.

He thought he should knock
with a quiet tap of his cane
to ask for admission within,
but paused to take stock
and his ears were strained
as the sweat beaded on his skin.

Then the door was flung wide.
All he saw was a dark
that stretched far out to the deeps
and left him straining his eyes.
Not a sign of a spark
to guide him in taking the leap.

He must make his choice,
to turn back from the black
and return to paths better lit,
or heed the dim voice
that leads down a bleak track
but wear armor that of light is knit.

Take courage, dear friend
as you read these few lines
to take the dark stony road
while girding yourself as you descend
into the depths of the mines
of your fears and what they forebode.
A meditation on confronting one’s fears.
A Berlin building. Sunbeams of steel
made to shine in suns of future’s gold,
now dreary, dimmed and forced to kneel
to the timeless gods of growing old.

Its shining future could not last.
Sinking in a golden fade, a forgotten grail.
Of sunbeam ore, new futures are cast,
bright dreams unbound by fear’s black veil.

From the forge of steely sunbeams
comes a new grail of sunlit dreams
and the tireless gods’ tired reign
is overthrown for another day.
Inspired by the futuristic International Congress Center in Berlin, built in the late 1970s, but now mostly unused and decaying.
Jack Groundhog Nov 2024
What lies beyond this dour door
that leads to things ahead?
I stand and wonder what’s in store
behind this portal grimy with dread.

Its glass is cracked, its lead paint is chipped
while its brick wall is turning to sand.
Its handle doesn’t invite to be gripped,
nor does it tell me where I’ll land.

I look all up and down the street
and see only more doors that look the same.
Before each one are more: their feet
wish to walk away from these doorframes.

Each one of us is seized by impotent rage
at facing a choice that’s no choice,
to be fixed as if in a steel cage
and finding no cause to rejoice.

But one of us in this bleak boulevard
must be the first to twist the ****
with the will to face the path that’s hard,
to not let our lives by fear be robbed.

Let each of us kick in our doors of fate
and overthrow their grips on our lives,
smash the clock and pass through that gate
with heads held high, fearless of where we arrive.

Spurred by the clarion call: it came to pass
our pent up waters burst the dams.
No captives are we! We struck en masse:
Battering rams forged out of lambs.
Jack Groundhog Dec 2024
A marble altar
in a gilded Baroque church —
Poor babe in manger
Jack Groundhog Dec 2024
A Christmas market —
smell of pastry, baubles shine,
bright star lights the night.
Jack Groundhog Oct 2024
The hulking buildings, sharp and spare,
slow march along the boulevard
through grey foul fumes of city air
as cars give chase on roads of tar —
A single tree stands in the waste,
last stand of nature against our haste
Inspired by the sight of a concrete jungle of a former East German apartment complex with a few forlorn trees in its midst.
Jack Groundhog Nov 2024
Man builds his palaces and fortresses of stone
to last him a thousand years
while clouds drift by that last not long,
as brief as the drop of one tear.

The clouds’ only constant is their change
as they curl into filigrane wisps,
or flocks of white sheep on a blue range,
or black towers wreathed by blitz.

But one day these monuments will topple and fall,
leaving behind only a trace
for future archaeologists who’ll struggle to recall
whatever had been in this place.

The clouds, meanwhile, disperse and reform
in the wandering winds that cover this earth
to tower up high in each new storm
as they constantly repeat rebirth.
Berlin, Berlin,
contradiction city.
Grey concrete hulks stacked around
old buildings rising pretty.
A never ending construction zone
that tries to top the past
while dancing ’round her history
whose pallor shadows cast.
Jack Groundhog Nov 2024
A **** of lightning’s searing blast
that ripped across her rib cage’s sky
had torn anew through clouds aghast
at what the storm had loosed from on high.

The brooding might of the blackened squall
kicked up the chill winds of her innerscape
and hurled down hailstones, icy *****
that pummeled the pit of her belly’s nape.

To tame this tempest, this wrecking gale,
felt too by the kaleidoscope of her spirit’s kin,
she in and exhaled breaths of kindness to regale
her kinsfolk around her with fresh air within.

Though the storm reared terrible and bleak
above these heads bowed and burdened below,
their sparks of lightning that blazed and streaked
were together tamed to a shared soft glow.

They held tight the hands of those around
who quailed in fright as thunder drums
to form a circuit bright which surrounds
and transforms dark sparks to delightful suns.
A meditation on togetherness and mutual support to get through times of crisis.
In the night of purple murky clouds
that fell from heaven, a heavy haze
envelops the old palace, a velvet shroud
that blinds all but the keenest gaze.

Yet there atop the palace gates,
a spotlight sends out golden blades
to slice the velvet and spite its weight:
gleaming swords by brighter spirits made —

A signal to the clouds, return up high,
cast off their shroud and kiss the sky.
Inspired by a photo I took in dark fog at night at Sanssouci Palace. (Yes, it’s a Hendrix reference.)
Jack Groundhog Oct 2024
Cold walls rise up and ring around
and close in to keep at bay.
Blow off the roof with a thunderclap sound,
then soar off and fly away.
Jack Groundhog Dec 2024
I am the night
that never ends.
I weight your world
until it bends.

My cloak of fog
devours your light
and deprives the soul
of inner sight.

Once Dante stood
before my gate:
Abandon hope
and seal your fate.

Selah.

A distant presence
now calls me out
to challenge my
dark seeds of doubt.

My choking mist
and gripping vines
are loosened by
an else divine.

My nine circles
now fall to one.
A white-gold flame:
My time is done.
A meditation on severe depression with references to the Divine Comedy and the Psalms.
Jack Groundhog Dec 2024
The copper dome
of this domus Dei
provides a home
where I may in silence stay.

Beyond its great doors,
a sea of candles like a hearth.
The cool marble floor
reflects the roof mosaic’s warmth.

In this vast space
my silence softly echoes
and in my vault vibrates
a secret libretto.
Inspired by the dome of St. Nicholas’ Church in Potsdam. One of the most calming places for me in being alone in the quiet of a church.
Jack Groundhog Nov 2024
In sleet and rain of Edinburgh
a cathedral rises from the deeps.
The salt of sea and old coal blur
veil her face in grey-cast sheets.

On her western pediment
within tympanum carved of stone
sits Christ triumphant and in judgement
where he calls us all to atone.

I stand before him, my head bowed
as I contemplate our shared guilt,
with mea culpas weighing on my brow
for the follies fallen man has built.

And so we’re burning Eden down
with flaming swords that we still wield
as once vast forests shrink and brown
and fallow lie once verdant fields.

Where trees once stood, smokestacks rear
their heads belching fumes up high
and in the deeps, the oceansphere’s
no more a garden for octopi.

For in this our earthly commonweal
that was a gift that’s given free
we prove that purgatory’s real
because we ourselves have made it be.

A whisper came from the carved face
to walk into this stony womb
where colored light and incense trace
a path to overcome the gloom:

Forgiveness for our many faults
comes when we change our ways.
There in this temple’s holy vault
I vow to fight Eden’s decay.

In Edinburgh I found Eden
in a vision of what can be.
For we are by no means beaten
and we can do it, you and me.
A meditation on COP29 and climate change. Worked in a Beatles reference, too.
Jack Groundhog Oct 2024
In a darkened church
hard by the dusky nave,
a brass lectern’s perched
with blue Chi-Rho engraved.

It faces to a reddened west,
its golden sheen aglow,
by light of candles blessed
as darkness ’round us grows.

Above the tall stone spires
dim stars come peeping out
to shine down on the quire
and the small knot of the devout.

We few sit as the gloom
grows deeper all around
and let ourselves be not consumed
by the chaos that abounds.

Once our Evensong is sung
for our time that slips us by,
a last brass bell is rung
as we hope for dawn’s reply.
Inspired by a brass lectern I saw in St. Mary’s Episcopal Cathedral in Edinburgh.
Jack Groundhog Nov 2024
What happened to the little boy
that I once knew so well?
He’d greet each new day with unfettered joy
and wave the last one farewell.

When oaks and maples began to turn
and the leaves had started to fall
the boy happily switched the TV on and yearned
for the return of his game of football.

Somewhere along this growing boy’s way
he became a great deal like me:
I wake and walk to the mirror today
to see where that boy used to be.

Now I cling to every last leaf
that falls from the branches up high
while stretching the days that are now too brief
as the winter comes rapidly nigh.
Atop the curve of a carved stone dome,
well gilded by rays of many setting suns,
Fortune pirouettes and prances all alone
while her clockwork wheels rhythmically run.

With each new tick of her timeless clock,
she spins the drivewheel another round
and dances ’round the clockwheels’ cogs
in freedom, from our cares unbound.

The spring in her step drives clock’s time,
a rhythmic dance with outstretched hands
that point to sorrows or high cloud nine
as suits her music: She won’t come to a stand.

Would that we could pass the years
like Fortune, a lady unwound by our fears.
Inspired by this photo I took of the statue of Fortuna atop Potsdam’s City Palace: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lglbyrewek2e
Jack Groundhog Dec 2024
A blanket black across the sky:
The ice-ringed moon lights backs of sheep.
We see our breath and hear the sighs
of gathered cattle that we here keep.

There in the dark on pasture fields
while we watch over our huddling sheep,
a silver seraph, her wings revealed,
now rouses us from the darkness’ deeps.

She opens up her thousand wings,
reveals a blaze of gilded flame,
cold air around us begins to sing
in tempest that her fire proclaims.

Our hearts now race, our eyes are blind
from searing light and disbelief:
in cowering terror we take our flight
and quiver as a quaking leaf.

Out of the cauldron of light she made
comes forth a voice of gold lyre strings:
Dear shepherds, my friends, don’t be afraid
for I am herald of glad tidings.

And all around, piercing the dark,
come further blazes of wings and song,
each calling to us to rest and hark
to this gathering radiant throng.

Their whirlwind song swells to a peak,
of peace and glory in highest heights.
We long to see of which they speak:
the wonder of this night of nights.

Their chorus gleams and softly fades;
the embers of our hearts now glow.
We stand in awe of what they said
and feel our veins with warm hope flow.

We see a star rise in the west:
To the birthplace of a shepherd king
we walked in peaceful silence past
the watchful stars a-twinkling.

Along the path to newborn babe
are brambles, barren bushes’ thorns
that by the light the angels made
bring forth red roses with gold adorned.

Thus from the shards of broken worlds
comes sudden hope in wings unfurled.
Jack Groundhog Nov 2024
King David’s bard once sang about
ceaseless cycles of the tides,
a time to hope and time for doubt
as we the cresting waves must ride.

Once trusted boatsmen stopped to ford
the deep oceans that divide
and swung their oars in wrath’s discord
to scorch with flames of pride:

I walked across an iron bridge
that had once been made a wall.
Not so far back was it the edge
of two worlds to rivals called.

The warhawks of those bitter days
that swung hard over seas of steel
returned to their unspoiled state
of ivory doves whose touch can heal.

Some doves now blacken in their dirge,
their talons whetted for the **** —
it’s worth recalling when this bridge
its joining purpose re-fulfilled.

Fell waves will crest and seas will smooth,
our tossed ark will come to rest
upon a place where psalms will soothe
us where we by doves are blessed.
Glienicke Bridge is the famous Bridge of Spies connecting West Berlin with East Germany. During the Cold War it was not so much a bridge as a dividing line or wall.
In the bleak winter
under hurrying clouds,
the wind blowing, bitter
gusts through trees’ barren boughs.

A small house: Its nooks
in new Gothic style
once housed the old books
of a forgotten king for a while.

It had been a library,
a place filled with words;
now all that here tarries
are the winds and the terns.

Its glassless peaked window
looks out on the sky
to waters that flow
by the small palace hard by.

The window is incised
in stone shaded gold —
a warm tone that belies
its touch that is cold.

The red palace is crowned
in gold and white marble.
They shine out, gowned
in hues that spite winter’s pallor.

Now blue waters and birds
add color to the scene
that fills this blank window
with nature’s stained glass serene.

This house has stood waiting,
empty in wintriest times —
now it’s filled by nature’s painting
brushed in hushed hues divine.
Inspired by a view through the Gothic tracery of a small former royal library in Potsdam, the Gothic Library.
Jack Groundhog Nov 2024
Agèd lady sits,
holding her silver and gold —
Anne, Mary, the Son

Anne’s daughter’s the moon,
sits on the throne of wisdom —
crowned in golden stars

Moon begets the Son
who’s fathered by breath of flame —
Both pierced by a spear

Two women, one son —
A motherly trinity
that shines in splendor
Four haikus inspired by a gilded wooden carving of the «Anna Selbdritt», a medieval portrayal of St. Anne (****** and Child with Saint Anne), mother of Mary, together with her grandson, Jesus; both Mary and Jesus are shown as children.
Jack Groundhog Nov 2024
A fork in the road.
Will it stab me like a knife
or spoon feed me joy?
Jack Groundhog Nov 2024
Helicopter seed
comes to rest on the green moss —
A princess in bed
Palace in night fog
draped in a pale vestal sheen —
Moonlit débutante
Inspired by this photo I took in late December: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lfuvm7sqcc2f
Jack Groundhog Dec 2024
Many points of light
shine through blue streaks of hoarfrost —
One star leads the way
Jack Groundhog Dec 2024
The bleak sable night:
Leaden blanket drapes the world —
Supernova hope
Jack Groundhog Oct 2024
Graffiti artist
sprays to say that “I was here” —
Ozymandias
With a spray-tagged nod to Shelley
Jack Groundhog Nov 2024
A life after death
prayerfully sought in churches —
Mushrooms in tree stumps
Jack Groundhog Dec 2024
Waves in handmade glass
in old peeling wooden panes —
Ripples on the pond.
Jack Groundhog Oct 2024
In this dim night
before the dawn of All Saints,
no need to take fright
of the spirits you acquaint —
for they are merely the ones who went on before.

Beloved dead whom we miss
reenter the world of the quick
and blow us a kiss
with a treat but no trick —
as we celebrate their return from the dark shore.
Jack Groundhog Dec 2024
Goddess of harvests
calls out from wheat fields waving —
Heavy clouds marching
While passing by a great Gothic church,
I see sullen skies begin to glower:
a looming wicked curse
above the church corona’s tower.

With bruised blue clouds brewing black
in the bellowing wide heavens,
hearts pounding, all shrink slowly back:
Blazing bolts scream and threaten.

Here comes the gale force shrieking wraith!
Take shelter from the storm
in the stout fortresses of your faiths
built with those who keep you warm.

For though some tempests last
over rocky spans of fears,
all the maelstrom’s wrath must pass,
even if it lasts for years.

In these sturdy stones you’ve laid,
rebuild for the coming of new days.
Inspired by current events as well as by a photo I took of St. Giles’ Cathedral in Edinburgh last August: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lgnrtak3gs2u
Week by week, winter
clouds shroud the sun, sullen sky —
Church arch, bridge to light
Battered plaster,
shattered glass,
splintered rafters,
a crumbling mass.

You former home
of…who knows who?
who left to roam
away from you.

Now you stand
empty, broken
but look quite grand
in scars unspoken.
Inspired by this photo I took of an abandoned and crumbling ornate house in Potsdam: https://bsky.app/profile/jackgroundhog.bsky.social/post/3lg6fgwou4s24
Jack Groundhog Dec 2024
In an Edinburgh square, pale frosty dawn,
my collar upturned to ward off the sleet
a-pattering on the grey stony lawn
of slate flagstones and cobblestone streets.

I see a creature of myth that flies a flag:
The unicorn wields a white cross
and spites iron clouds of sullen ****:
Her golden horn gleams in the dross

of short winter days of sickly suns.
As daybreak crawls out slowly from grey
and fog’s misty veil turns light to dun,
I long for a glimpse of sun’s gilded rays.

This Scottish sunrise sends its weak beams
of wan threads of silver to kiss the gold
which sheathes the unicorn’s horn and gleams:
Her white coat shimmers in summers foretold.

Her sunbright horn pierces the pall
of grim grey winter’s grip on my heart —
In this moment her lightness enthralls,
her horn a flame that freedom imparts.
Inspired by a photo I took of Mercat Cross in Edinburgh. It is a column topped by Scotland’s heraldic symbol, a white and gold unicorn, which is holding a standard with the Cross of St. Andrew. The day was very gloomy and dreary, but the unicorn seemed to shine out.
Jack Groundhog Nov 2024
I once checked into an old hotel
that’s served guests for many a year.
The white-clad staff will serve you well
and greet you brimming with cheer.

Its handsome brick and stone façade
shines gold in the bright morning sun.
Inside, the red velvet furnishings’ a nod
to the lovers’ tall tales there spun.

The rooms are filled with patchouli scent,
or perhaps with a strong note of musk.
At first you’ll easily make the rent
and stay there from dawn until dusk.

Oh, how well could I in that chamber sleep
on starry fields of Elysium each night,
my baggage packed in cotton I’d keep
to stow it from whatever gave fright.

But the longer this hospitality I had
the more a locked hospital it became;
the doors that’d welcomed this young lad
soon rusted, harder to open again.

I chatted with the friendly concierge
and noticed the crease of his smile
was curled into the quirk of a sneer
while his light humor shifted to bile.

The mattress that once was thick and soft
grew coarse and lumpy with age
while the vistas seen from the gilded loft
were obscured by the bars of a cage.

The red velvet’s colors began to bleed.
All was gilded with the gold of fools.
Once this hotel had for me filled a need —
but it sought to make me its ghoul.

This hostel had to hostile turned,
its host was revealed as a warden.
With time I learned its charms to spurn
and escape to a greener garden.

Even now that hooking hotel calls,
a sultry siren who woefully wails
and summons her guests — or thralls? —
to deep sleep in her heavenly jail.
Jack Groundhog Oct 2024
In an old Scottish town I walk in well-worn streets
framed by tall houses of stone.
I study their faces that lean in to meet
me: In their presence I don’t feel alone.

The old houses have faces with many glass eyes.
What have those windows all seen?
They stand watch over us like dispassionate spies
with a vision that’s eerily keen.

What strange things that these walls could all tell
if their silent stones began to shout.
But they say nothing at all of the people who dwelt
all around them, within and without.

I came to trust these rock-ribbed friends
who give shelter and keep silent watch.
Reliably they forever our secrets defend
and are just there for us, a loyal lodge.
Inspired by seeing a jumble of tall stone buildings with many windows in the light of the setting sun in Edinburgh Old Town. An allegory of friendship idealized.
Jack Groundhog Dec 2024
Will she, won’t she
buy my Christmas wares:
If I work to sell me
will she take my snare?

The practiced pitter-patter
of my seller’s pitch
hangs in crisp cold air
and hopes to scratch her itch.

Her eyes dart to and fro
from one stall to the next:
the jingling coins’ fickle flow,
Christmas bells that leave me vexed.

Will she, won’t she,
see this heart that beats?
What if I add it free
to the sale of these sweetmeats?

Each moment wisps of tinsel
a-flutter in icy gales:
I fear her dismissal
as I grasp at just one more sale.

A spark of insight melts the ice
in a tiny warming breeze:
It’s not my wares I price,
but what I’m truly selling’s me.
Inspired by observing sellers at Christmas markets in Potsdam this December while taking photos.
Jack Groundhog Dec 2024
In creeping fog
of wintry night:
My eyes are clogged.
Billows of blight.

Dull cataracts
veil antique lamps,
gun cotton tracks,
pale wreaths of damp.

Yet though here loom
dun brooding hulks
of cold stone gloom
in misty sulk

the lamps shine forth
and shall not fail
’til dark fades north
and pulls the veil.
A meditation on surviving major depression inspired by a particularly bleak foggy night at the New Palace in Potsdam.
Jack Groundhog Nov 2024
Athena turned ’round her head
like a night owl on the sly
and looked up behind her
as gold Apollo crossed the sky,

riding with his four coursers’
flying gilded manes and hooves.
Their silver flanks and quarters
thunder across the earth’s blue roof.

The rhythm of their beat
stamps a lyric all their own,
blood coursing with the heat
of the sun-disk they all towed.

The she-god of the wise
observes this cloud-streaked scene,
the man-god shining out,
casting shadows ’round Athene.

Apollo’s path is sinking low
as the winter months advance.
The frost now blurs his glow
and bare forests fall into trance.

It’s in this creeping night
that Athena finds her time.
She draws her wisdom in twilight,
no need for blinding light up high.

For she shines not with a sun.
Instead she lights her own pathway.
By her craft and wits she’ll run
her own trail she blazed today.
Inspired by a statue of Athena in Park Sanssouci in Potsdam. She is posed looking over her shoulder, and at the moment I saw the statue, she seemed to be looking at the setting sun.
In darkness, a church
of carved Baroque stone
catches me walking
unawares and alone.

Two stone hands reach out
from the church outer wall.
A gesture of blessing
or a prayer for us all

in stony carved silence
that echoes the voice
of a God we can’t hear,
who stays quiet — by choice?

Just when we need
to hear they’re right here,
they feel like a veiled cloud
that is more distant than near.

Still these outstretched hands
remind me of this:
Divine’s in the touch
of human hands’ godlike gift.
Inspired by seeing a statue from the side on an outer wall of the French Cathedral in Berlin. Its hands seemed to protrude out of nowhere.
Jack Groundhog Oct 2024
Cross upon cross upon cross
were stacked to make the Union Jack
but with one saltire feeling salty
will Andy make Jack fade to black?
“Andy” is a pun on both St. Andrew and “Indy”, the local shorthand for the independence movement.
Jack Groundhog Nov 2024
In the house by the lake
sat a man of few means.
He dwelled on his mistakes
that had left his life lean.

In that house in a place
by rippled waters’ edge
he saw just the faces
in the photos on the ledge.

Outside rang the birdsong
and the sun sent her rays;
the trees stood there strong
and the clouds went their ways.

But in that tiny home
a man just sat to dwell
to brood on being alone
and missed out nature’s spell.
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