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28.8k · Nov 2014
A Shot: Moonlight Swimming
Maggie Emmett Nov 2014
Moonlight swimming
bodies of shadow
wet skin-bright cloth
My Shot poems are modern forms of Haiku
15.0k · Aug 2014
The Mathematics of Poverty
Maggie Emmett Aug 2014
The poor keep moving
as if relocation
could reframe the algebra.

They cannot see that repetition
traces patterns
in their life.

New beginnings become as hopeless
as stale finales
of debt and desperation.

Wishful thinking makes for certainties
gambling against the odds
of possibilities.

Whispered prayers and incantations
leaves no space
for reason’s compass to steady and settle.

If they stood still and mapped the moment
both sides of the equation
would simplify

and they might construct
a new geometry
of anger.

© M.L.Emmett
14.4k · Aug 2015
Lady Macbeth
Maggie Emmett Aug 2015
Lady Macbeth washed her hands
cleaner than Pontius Pilate
with a new improved, bio-enzyme
oxy-bursting, 99.9% germ-scouring
recommended by dermato-logists
scented with rose attar
oils from Arabia
and spermaceti soothing
unguents from long dead whales.

She’s going to the nail bar
for a manicure and application
of semi-permanent, diamond-
tipped, acrylic base-coated
in red blood enamel.

She’ll scratch
and etch rich tattoos
on her husband’s back
with every ******, he will shudder
with pain and delight
He’ll soon forget long, dark nights
bewitched by ghosts and ambition.

© M.L. Emmett
Alternate views of Literature
13.1k · Nov 2014
Ginger kiss Tanka
Maggie Emmett Nov 2014
****** nut crunch base
creamy Philly cheese
bitter **** lemon filling
birthday cheesecake
tongue tasty sweet when we kiss
A non-traditional taste Tanka
11.0k · Aug 2014
Rain Haiku
Maggie Emmett Aug 2014
Steady rain falling
end of a five act day
applause
11.0k · Feb 2015
Arctic Adventure
Maggie Emmett Feb 2015
Advice from Freuchen , the explorer

When Arctic blizzards blow
in Northern Greenland
and your supplies are low
and dwindling
the best advice is build an igloo
and wait out the storm.

And when you hear the wolves
howling with hunger
and prowling on your igloo roof
it’s best to go outside
and sing - only occasionally
though you will fight to be heard
above the judder of the wind.

Inside the igloo will be problematic
the walls seem to close in
as claustrophobic days proceed
it’s not an illusion
but a fact
each breath freezes moisture in the walls
and breath by breath they thicken
spaces close around your body
breathing yourself in a coffin of ice.

There’s no instrument of death
devised by man to so terrify
as being locked in space and time
each breath reminding you
of that closeness to that final loss
of breath and an icy Arctic death.
© M.L.Emmett
8.4k · May 2016
Gendering Woman Breasts
Maggie Emmett May 2016
Gendering Woman *******

Beautiful, anatomical part //  ****, anatomical part
Natural, pleasurable             //   Burdensome, loathsome
Female Symbolic                //    Femme Symbolic
MALIGNANT                             HEALTHY

fearful, tearful, wretched     //  joyful, hopeful, euphoric,
bereft, wept, grieving          //  embryonic, rapt, relieving
leaving, loss                         //  believing, gain
m a y b e - d e a t h                                            r e - b i r t h
                                                   BI-LATERAL
                                             MASTECTOMIES
Operating Theatre

SURGEON                                         ANAESTHETIST
cleaning/ cutting/ knife/ scalpel   //   doping/ unconscious/ airway
blood / tissue                                 //   hypotension
loss/ damage                                 //   shock
drains                                             //   sinus rhythm
stitches                                           //   pain deadening
tight binding                                 //   reversal drugs
                                    
POST-OPERATIVE
a l i v e                                                a w a k e

draining, bound & stitched               draining, bound & stitched
                                            DRAINED
    ­                                   ~ UNBOUND
                                       -- UNSTITCHED –

Empty chest                                                    Flat Chest
FREEDOM from Disease                               FREEDOM from Dis-ease


© M.L.Emmett
This was written to explore the different responses to bi-lateral mastectomies, one woman with Cancer; the other trans gendering. It was inspired by reading The Argonauts by Maggie Nelson, whose partner, Harry, was pleased to be rid of these cumbersome appendages & by my friend, Angela who had breast carcinoma and felt very differently towards the loss of *******.
5.4k · Nov 2014
Tasting Love Tanka
Maggie Emmett Nov 2014
Fragrant hot laksa
thick wriggling yellow noodles
creamy coconut
green coriander and lime
eaten with hot chilli you
Non-traditional Tanka for two!
5.2k · Aug 2014
Cancer
Maggie Emmett Aug 2014
~ for Angela Scuteri ~

Cancer cells bloom and open
their capsules split apart
and spit the pips
on the red tide.
5.1k · Jul 2014
Anorexic Girl
Maggie Emmett Jul 2014
You're only seventeen -
the light seems to shine
right through you,
peach-furred skin
dessicated
drawn in upon itself
- and old.

Your moisture-dewed youth
has evaporated.
It’s been emptied
****** clean
dried and drained.

You reach out
with snappable wrists
Your brittle bones
bulge and bow.

Your ribs vibrate
with every breath
air thrills and ripples
the whole chest cavity.

Your hands and feet
Minnie Mouse big
too big
for the fragile framed
tiny dancer.

Your hips have become
pelvic bone butterflies
that arch and flare out
from your sunken abdomen
concave
and strangely hung
with loose folds of skin.

Your eyes like oases
in the desert of you
cartoon-cute big
but sunken deep
into your head
as if drawing away
from the sight of you.

Just a few more Kilos
and you’ll be gone.

© M.L.Emmett
Maggie Emmett Aug 2014
You breathed your last breath from the air
in this room;
that threadbare Persian carpet
holds flakes from your skin;
hairs from your head
corkscrew the dented cushions
scattered and idly waiting on the sofa;
bed linen scented with your sweat
the goose down doona that stole
your last warmth;
sleep spit and tears
human moisture that permeates
the acrylic layers of your pillow;
an eyebrow hair wedged in the tweezers;
a clipped nail that flew off
somewhere out of sight;
that new toothbrush used only once;
your flannel and towel still drying out;
the wet press footprint on the bathroom mat;
the talcum powdered slippers
abandoned under the brass bed.
Each moment of everyday
we shed ourselves
shed dead cells and renew -
a cycle of shedding
until the last
shedding of ourselves.


               © M.L. Emmett
Forensic Science programs seemed to be everywhere and I minutely explore my grief in an unusual way
4.3k · Nov 2014
A Shot: Sea
Maggie Emmett Nov 2014
Beneath the sea
giant sand scratchings
saline bathing
My Shot poems are forms of modern Haiku
4.3k · Mar 2016
Waiting to Fly
Maggie Emmett Mar 2016
almost
at breaking point

almost
fleshed out of existence

she caresses
the white hospital cup

as if it were
a soft-feathered fallen dove

frightened and waiting
for a chance to fly again.

© M.L.Emmett
Observation & imagination
4.3k · Nov 2014
Sonnet CLIV ~ The Liver
Maggie Emmett Nov 2014
Oh mighty powerhouse and largest gland
Snug in the abdominal cavity
Though few thy function fully understand
Should praise thee with the utmost gravity
Three pounds thy weight, but worth thy weight in gold
Four precious lobes through portal fissure fed
Tiny lobules in hexagonal mould
Each one formed by cuboidal cells widespread
Arranged in columns round a central aisle
Converting glucose into glycogen
Form plasma proteins and essential bile,
A, D,  prothrombin and fibrinogen
De-aminates the protein that we eat
De-saturates the fat, produces heat
Sonnet of physiological praise to an important *****. Shakespearean form with a globule of satire.
First published in THE MOZZIE Volume 14, Issue 5, June 2006 & thereafter in the Medical Journal of Australia.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery ****;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
4.0k · Nov 2015
The Somme Sunset
Maggie Emmett Nov 2015
Sun swollen
reddening as it sank
that brutal ****** disc
scored by church steeples
and chimney stacks
almost lost in the drifting haze
of sulphurous yellow
and char-black smoke.

Duck boards dip
into the sodden earth
as men ***** along in conga lines
holding tight the pack of the man
in front, lest they should slip
lose quick their footing
be ****** down and smothered
by mud.

The walls of the tunnels
are packed earth
rich with blood and bone
bits and pieces of human
anatomy dangle and hang
as if posed by an artist
with a strange and cruel eye
for detail.

The scrabble for fox holes
and rough scraped ditches,
anywhere, below the line of fire.
The ting and ****-bang
of a night of action
The whistle, the dash
and the forward push
counted more in men
than metres.                                                                

© M.L.Emmett
3.5k · Aug 2014
The Summer Garden
Maggie Emmett Aug 2014
Underwater light faceted
in the enormous aquamarine
set in bronzed stones.
A pale green mist lifts from the pool
follows the lantern lit pathways
back to the dark and shady places
edging to the olive grove
and the blackness
of the wych elms
and the limes
enclosing the garden
like impenetrable walls.

Here, on a very warm night
with a honeysuckle, jasmine breeze
heady, rich and almost liquid
You can stand on the sun-filled stones
stretch and hold
the heart-breaking sweetness
of the night.
Maggie Emmett Sep 2016
To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.
Poem 1755 by Emily Dickinson, 1830 - 1886
3.3k · Oct 2014
Spring Triolet for Martin
Maggie Emmett Oct 2014
Since his death, Bluebell woods are black with pain
There is no comfort, nothing can be said
The silent forest shivers in the rain
Since his death, Bluebell woods are black with pain
Everyone asks if he was sick or sane
My dearest darling brother he is dead
Since his death, Bluebell woods are black with pain
There is no comfort, nothing can be said.

© M.L.Emmett
First published in The Mozzie Volume16, Issue 7, September 2008
Poem written in the Triolet form about my brother, Martin
3.2k · Sep 2014
St Kilda Dawn
Maggie Emmett Sep 2014
Sherbet morning sky
orange juice sun glare
squeezes out
a flavour spectrum
of gelato delight
a sky to slowly **** upon.

© M.L.Emmett
St Kilda is a beachside suburb in Melbourne, Victoria, Oz.
Maggie Emmett Nov 2014
It happened on a Summer’s morning
Hiroshima’s bomb once dropped upon that day
She was feeling tired and started yawning
Her crochet rug was tucked around her knees

Hiroshima’s bomb once dropped upon that day
The yellow capsules easily went down
Her crochet rug was tucked around her knees
She’d sent Arthur on a journey into town

The yellow capsules easily went down
She couldn’t stand another day of pain
She’d sent Arthur on a journey into town
At 82, she hoped they’d judge her sane

She couldn’t stand another day of pain
Two wars survived and still it came to this
At 82, she hoped they’d judge her sane
There was nothing left on earth that she would miss

Two wars survived and still it came to this
There is simply nothing more that can be said
There was nothing left on earth that she would miss
In a little while I hope I will be dead

There is simply nothing more that can be said
She was feeling tired and started yawning
In a little while I hope I will be dead
It happened on a Summer’s morning
This poem tells the true story of my grandmother crippled with osteo-arthritis, who chose to **** herself on August 6th 1982. She had lived through both World Wars. Hiroshima Day was a very important day for her each year. She would have been 83 years old in the November of 1982. Her note simply said,"I can't stand the pain anymore.".
3.1k · Nov 2014
Night Killer
Maggie Emmett Nov 2014
In the moonlight, high in the Lemon Gum,
perched under the arching ghostly branches
two eyes of jet peer from a snow-white mask.
Tyto Alba, the Barn Owl, with heart shaped
****** disc, edged with ruff of stiff feathers.
Mottled pearl-grey body feathers above
the moth like plumage, purest white beneath
her slim legs are bare on the lower half,
with small feet that end with deadly talons.

Nocturnal, she roosts in the heat of day.
You will hear her screeching in the cold night
hear the scream before you ever see her.
She can see in the half light of humans
night vision even in total darkness
pinpoints her prey by listening to each sound
the desperate, scuttling little creatures make.

She is a well designed killing machine
with hooked beak, powerful feet and sharp claws.
Her flight feathers have softened edges
to make her deadly flight near soundless
She swoops silently down without warning
seizing victims with her claws, biting deep
into their neck arteries, puncturing
their most precious organs for a quick death.
Owls are deadly but fascinating birds of prey.
3.0k · Aug 2014
London Haiku
Maggie Emmett Aug 2014
Cold sunlight
River Thames shivering
chopped glass
2.9k · Jul 2014
Sonnet For a Suicide
Maggie Emmett Jul 2014
(inspired by Robert Pinsky)
              
 Morning sun on his face
steady motor murmur
vibrating the hose

Bluebells clamber
over the hill’s top -
nothing to remember

only the same engine noise
that keeps making the same sounds
under his head poised

and pulsing the same beat
no-one to say his name,
no need, no-one to praise him

only the engine’s voice - over
and over, running under him.

© M.L.Emmett
My brother killed himself on 26th April 2007 in a Bluebell Wood.
He died of Carbon Monoxide poisoning
2.8k · Mar 2016
Backpacks of Dreaming
Maggie Emmett Mar 2016
In the seventies
we brought back silks and saris
hot with colours
that shocked the nights
Punjabi embroidery
on cheesecloth kaftans
mirror glittered skirts
that were spun with light
Kashmiri shawls
and Afghani dancing dresses
arms full of bracelets
silver and brass
enameled and etched
and singing with ***
rings of Ivory, sapphire and jet
necklaces of jade and threaded apple seeds
rain forest timber bowls
white marble boxes from Agra
with precious inlay stones
our little Taj Mahals
we wandered the globe
like a magical village
of lovers and
and came back
with backpacks of dreaming
and hope.


© M.L.Emmett
2.7k · Nov 2015
The Somme Offensive 1916
Maggie Emmett Nov 2015
For nine days the artillery barrage
rained down on us
that June of summer in the Somme
machine gunners like me waited
in our concrete bunkers deep in the earth

When the shelling stopped
we rushed to the surface
and began our job of mowing down
the slow walking British Infantry
stoically advancing as if in another war
in another time where they might choose
to die bravely and with honour
a hero fighting for his life
his king and country

But here he dies unknown
by the chance turning of my gun
in his direction at that one moment
and the random number of bullets
left to fire.



© M.L.Emmett
Read at a show at the Art Gallery of South Australia for an exhibition of the etchings of Otto Dix
2.7k · Aug 2014
Feminism's Babes
Maggie Emmett Aug 2014
Young women know all about style -
how to fix the decimal point
between them and their mothers
differentiate themselves
from Special K over 40s wanna bees
mini skirted and high heeled
trying to catch their husband’s eye

Yummy mummies in their 30’s
are separated from the new stock
by firm elastic flattened midriffs
no bulge or wobble
unlined skin taut sometimes
navel peirced or *******
their legs wear the 4” heels again
on winklepicker pointed toes
for a mid century crop
of bunioned feet.

No scraggy necks or waddle
no tea tray arses only
plump peaches
in the bend over show
of skimpy, lacy thongs
of ****** floss

So, **** femme fatale is cool
body object the thing to be
flouncing and  preening
flirting and *******
random hook-ups on the run
in the alleys of time on the net
in the warp of space
Killer !  Whatever !
Wicked ! Yeah feral !
An ironic take on **** feminism and glam-**** kulcha.
2.6k · Aug 2014
Bavarian Aunt
Maggie Emmett Aug 2014
Aunt Lottie had a slow and careful walk
every step could jar
the delicate balance
of the fragile grand piano
she had swallowed.

It was no ordinary instrument
it was entirely made of crystal
which added to the fears
of its disturbance
or destruction
by the simplest slip or stumble
or missed footing on a step.

It was a slight inconvenience
she had taken in her stride.
Matters concerning the said piano
were only discussed in hushed tones
on Wednesday afternoons
and only with her dearest nephew, Ludwig
who sensitively seemed to understand
the precious nature of imagination
and the tickling discomforts
of digested furniture and such things
as fancy may create.
2.6k · Sep 2014
Shameless in Norwood
Maggie Emmett Sep 2014
He weaves slowly between the tables
at Buongiorno's

stooping over each diner's ear
close and intimate as a lover

He asks if they can spare a little
money for his lunch

He's gaunt each cheek shadowed hollow
his skin bleached white as bone

Each vertebrae is marked prominent
Each finger skeltonic thin

Unsocked, in shoes laced with knots of string
leather uppers baked, cracked and crazy creased

His hair is dry-straggle stalks of corn
Eyes hold a stare that fixes fast the lies

He cuts a powerful figure under that cosy awning
though some name him worthless beggar

Fearless of taunts and titles offered from shamemongers
and well-respected-men-about-town

there is no guilt in asking for your basic needs
from the latte-ccino mob who have so much to spare.

© M.L.Emmett
Buongiorno's is an Italian Caffe on the Norwood Parade, Adelaide, South Oz.
2.4k · Mar 2016
Spinning Out
Maggie Emmett Mar 2016
My Maypole mind unravels
reverses centrifugal force
its streamer shreds of ribbons
spinning backwards
in one grand and splendid rush.

Mind loosened and snapped
tatters
fluttering free
electric after-images
of me.


© M.L.Emmett
unpublished poem 08/02/99; revised 16/02/2012
2.3k · Sep 2016
Summer Solstice
Maggie Emmett Sep 2016
The cram of stars in the navy-night
blue-light of summer solstice.

The majestic zodiac sprawled
across the ever-stretching sky.

Ancient definitions of myth
star-stories of pre-determined fate

mapped in the moment and place
of our birthing; such fantasies

such imaginings of stellar systems
and mankind’s significance.

Heavens and humours; rules and rights
from Gods to kings and subjects

All settled in an ordered Universe
until, curiosity, ingenuity and invention

observation and record, rigor and Science
with its license to question freedom.


© M.L.Emmett
2.2k · Sep 2014
Slaughter Circle
Maggie Emmett Sep 2014
The scent of death
lingers for years
in a place

lodges in the soil
rots
and slowly compresses

composting down
deep down
in dirt

earth turns
seasons pass
time and space and silence

until the coiling roots
draw back again
and all that grows

from baby's tears
to blood red poppies
oaks and elms

bear testimony
to the forgotten
dead.

© M.L.Emmett
Thinking of War and the forgotten dead. The new harvest about to begin.
2.2k · Nov 2014
War Tetractys: War
Maggie Emmett Nov 2014

                                                    War
        ­                                         is good
                                            for business
                                       both big and small
                        Profits will rise and make inflation fall
                        But soldiers, sailors, airmen, warriors all
                                        must heed the call
                                             face fighting
                                                  even
         ­                                        Death
Revived poems to honour Musarrat Bte Salam and her use of this highly unusual form
‘War’ won equal first prize in the Tetractys section
It was first published in Yellow Moon Issue 17, Winter 2005; p. 47.
2.0k · Nov 2015
Where Ships Come to Die
Maggie Emmett Nov 2015
On the mud flats of Padma Delta
where the mighty Ganges slides
into the Bay of Bengal
ships come to die.

Rusting oil tankers,
container ships from Panama
passenger liners,
and cargo ships from Zanzibar
North Sea fishing boats
research vessels and mother ships
anything that floats
each one has made its final trip.

Steel Leviathans
low tide beached
oil-slick stuck.

Metal monoliths
****** deep
into black sand.

The people of Sitakunda
come marching, ants
across the slippery surface
of diesel sand
to pick the carcasses apart.

Barefoot, with only blow torches
hammers and brute strength
wrenching rivets, nuts and bolts
breaching beams and deck
splitting welded seams
until the hulls are gutted
ribbed struts broken down
and torn from the edges of shape

Bit by bit
they scour and empty
right down to the core.

Bit by bit
they carry *****
to the waiting shore.

Where melting pots are kept boiling
giant stock pots stewing goodness
in a broth
but metallic flavours and oily spiced stench
hang in the misty bleakness of the bay

Skeleton hulks shift and ride
lurching, lifting with the tide
rolling, dangerous still
collapsing, with groaning creak
to maim, to crush and ****
the daring, the slow and the weak.

© M.L.Emmett
First published in New Poets 14' Snatching Time'
2.0k · Aug 2014
The Element of Fire
Maggie Emmett Aug 2014
At Summer Solstice, the Sun is far
distant from the celestial equator
and that day is the longest of the year.
From Khufu’s Great Pyramid at Giza
the scarlet Phoenix with the golden crest
swoops silent and low across the Delta.
Only half a millennium of life
before it passes to the flames of fire
and is reborn again from charred ashes.
This yang bird, fiery and blood cardinal
a solar flare blazing incandescent
pumps joy from the igneous heart of earth
erupts red hot energy volcanic
exciting and swirling the power of Qi.
Sun’s light and heat brings universal life,
and worshipped as Samash, Mithras and Ra,
Aztec God Tezcatlipoca,
Greek Helios, Phoebus and Apollo.
Now comes the agile Phoenix, sunset-stained
Broad-winged and gliding in the cloudless skies
Certain source of abundance and plenty
Plump-rich each berry, mango, peach, pear, plum.
Squeeze juicy sweet and succulent to taste
Summer full blown, mature and glorious.

© M.L.Emmett
1.9k · Aug 2016
Spring ~ The Element Wood
Maggie Emmett Aug 2016
At Vernal equinox, the Sun crosses
over the plane of the Earth’s equator
and equalises the night and the day.
Then will the Emerald Dragon awaken
from his hibernation beneath the earth.
Rising in the jade forests of Ghizhou,
this yin creature transforms the cold, dead land.
Primal and powerful, he gathers the Qi;
melts the mountain snows to ribbons of fire
igniting the frosty hillsides to growth,
fuses each thing with verdant energy,
revives again the seed, renews the bulb,
sprouting tender shoots juice-rich and sap-full
Shy blossoms set to bloom and burst with fruit
Fresh scented breezes ruffle foliage
maiden ferns shiver with their thrill and ******
Grasses and reeds bedewed and beryline,
murmuring and humming low and dulcet,
dancing and swaying at the river’s edge.
Roots of every tree draw deep from the earth
Magnolia and Frangipani breathe
and pant out fragrant honeyed lusciousness
Spring sparks and quickens, kicks and is alive.

© M.L.Emmett
One of a series of poems on Elements
Although not Spring here in the southern hemisphere until 1st September, my snowdrops are up and about (revved up, no doubt by global warming) so that is my sign Spring is near.
1.9k · Mar 2016
Thames at Night
Maggie Emmett Mar 2016
The air is slow and still
faint puttering of the last barge
shunting coal downstream

city on the edge of sleep, settles
city on the edge of night, darkens

stretched steel and stone relax
cooling to a grey relief

reeds and sedges ripple
under bridges
and on the edges of the river

city in the gaze of moonlight, sighs
city in the haze of moonlight, slips

in the steady wash of tidal waters
and the brackish water of the estuary
come the bodies from the shore.


© M.L. Emmett
I was born in Reading, a town straddling the river Thames. It is an ancient river...
1.8k · Aug 2014
We Are Such Stuff
Maggie Emmett Aug 2014
‘...We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep’                      
Shakespeare The Tempest Act IV.i.156

We are such stuff of stars and light
our grasping hand, our gaping eye
our mind electric sparking
all atoms in the crystal night
connected matter
across infinity
still in one moment
collected together
in the universe
and my quiet garden
at midnight.
1.7k · Apr 2016
Sonnet for a Suicide
Maggie Emmett Apr 2016
(inspired by Robert Pinsky)
              
Morning sun on his face
steady motor murmur
vibrating the hose

Bluebells clamber
over the hill’s top -
nothing to remember

only the same engine noise
that keeps making the same sounds
under his head poised

and pulsing the same beat
no-one to say his name,
no need, no-one to praise him

only the engine’s voice - over
and over, running under him.

© M.L.Emmett
My brother killed himself on 26th April 2007 in a Bluebell Wood.
He died of Carbon Monoxide poisoning.
Reposted to honour him.
1.6k · Nov 2015
Lagoon Libraries
Maggie Emmett Nov 2015
Venice was a place for sudden ******
a stiletto plunged in velvet
vengeance tied in a knot of silk
piracy on any dark canal
robbery under quiet bridges.

Water laps the crumbling walls
salt hunger creeps up
seeps between stones
worms its way through cedar
settles in the sagging shelves
where old books bound in leather
edged in gold, embossed with crests
are best left well alone.

In these libraries of the lagoon
chapters and paragraphs
sentences and phrases fragment
nouns lay down with their verbs
creating images from metaphors
startling and sublime, but hidden
kept in these word-chambers
they slide away in time.

Each passing month, each day
restless and uneasy
festering in this state of decay
Venice is still
the place of death.


© M.L.Emmett
1.5k · Jun 2016
Anna Karenina
Maggie Emmett Jun 2016
You were no Eve of Russian literature
like Pushkin’s precious Tatyana.
You were no young, innocent, provincial girl
seduced by cynical Onegin, that bon vivant
corrupted by modern European values.
You were no mysterious Russian soul
brimful of essential purity and self-sacrifice -
with a love of pain and pure disdain of happiness.

Tatyana resisted all temptation, refusing
to take flight, rejecting the man she loved.
She was too good to be true; but you, Anna
what a pickle you got yourself in, choosing ****** sin.
You could share an affair with dashing Vronsky
elope with him and leave behind your husband
abandon your beloved son, Alexei.

But these were not the dreadful choices
sealing your tragic fate, my dear Anna.
It was those ****** feelings you chased
all based on the sin of selfishness.
You fed on romance, passion and desire.
Your hot-hunger was insatiable, a fire
rip-roaring through restraint and all decorum
You sweated and panted wild for ******.

They say you’re a ‘drama queen’; heartless and mean
a woman undone by excess, always longing to undress
nakedly making grand errors of judgement.
By ignoring Tatyana’s fine example, you certainly forgot
there will always be those who tot up the ledger.
Your blood debt was owing, it had to be paid.

You saw the light at the end of the tunnel -
cool down, Anna, let the raw feelings subside
be watchful, wary and ever-ready to step aside
let the moments of  menace and gloom drain –
it might just be an oncoming train is due.

© M.L.Emmett 2016
Writing a series of poems about women in literature. Anna Karenina is the title character from  Tolstoy's great novel.
1.5k · Aug 2014
Morning Armistice
Maggie Emmett Aug 2014
Morning pallor on a grey day
not a five cent shine
to the sun.

Bitumen hissed all night
trees tossed and tangoed
shuddered and split.

Navy clouds, blue with rain
surfed in from the ocean
racing on the wild wind
learning to scream.

The stones listened
moon listed and tried to find
a space in the cloud-tide rush
to quiet-light the gloom.

Morning Armistice on a pale grey day
of debris and displacement
refugees and leaf litter
surrender and detachment
silent and still
only a five cent shine to the sun

© M.L.Emmett
1.5k · Nov 2016
October in Swallowfield
Maggie Emmett Nov 2016
Harsh wind screaming
moaning
with the crisp bite of Autumn night

Dark shadows dancing
tossing
with the branches of bare grey Elms

The lanes are winding
uncurling
in the pale orange glow of headlights

Sudden hedgerows
green
edging the limits of the night

Power-cut darkness all around
silhouettes
strange in the headlight beam

No farm lights distant on the Tor
guiding
beacons of open field and place

Cottages shuddering their thatching
thrilled
chimneys smoking message-morse

Pub signs banging wildly
flapping
in a crazy dance
inside candles flickering
distorted
patterns in tiny panes of rounded glass

Old stone steeple steady
dull toned bell
catching
a ride on the wind to the copse

And still the lanes thread out
beam-born
a ribbon of pebbles and stone
stretching into the night
until they melt
into the flat black tarmac
of the motorway.
A poem written about Swallowfield, Berkshire
Maggie Emmett Sep 2014
The white bleached corpse of day is fast
- reddened, bloodied -
torn to scarlet shreds of evening
slashed by wild and fiery crimsons.

Light leaching and passing westward
from bridge to bridge
garlands of mist drift up the river

Shadows dart, shelter and linger
blackness creeps and claws
the shades of night

Darkness spills down docks and ditches
fingers through the strands of light
by midnight every dock is still

Moon hangs full, ***** and weary
slow stiching silver threads
through tall ships rigging
in the dim and dreary night

A yapping dog disturbs the quiet
more insistent than the stars.


© M.L.Emmett
Response to JW Turner's pictures of the River Thames at sunset
1.5k · Jul 2014
Hot Boys
Maggie Emmett Jul 2014
Hot boys express emotion  
in the resonance and width  of their exhausts
in pipe dreams of measurement
in the rev and roar of super heated motors
mixing spark and sensibility
in the sudden screech and stretch of rubber
marking asphalt and *****-u-men
out there in the middle ground
where the road humps.  

Hot boys light up the night with high beams
cruise the darkest alleyways of masculinity
challenging old men at intersections -
in their soft leather seats and euro-neat boxes
of air-conditioned luxury and debt -
to pole position and the chequered flag of fortune.

Hot boys in cars that throb with bass notes
and bootilicious chick lyrics -
sung by black boys wicked in the zone
always bragging ’bout their bone
and how they make the ***** moan -
snarl abuse at walking women
fragile objects on the pavement shelves
shaped colour lost in time
that pass beyond their touch and reach.
                                                                                                  
Hot boys are tiny traces of an oil rich mixture
trailing blue smoke in their wake
foot to the floor high stakes, top geared no brakes
as they snake round the hills and the hairpin bends
as they wrap tight trees at the crash, crush end
and the hot boys cool in the night.
A black humorous poem about so many young men who believe they are invincible and who sadly, are not.
1.5k · Sep 2014
Poems and Love
Maggie Emmett Sep 2014
Idyllic love poems wander the hills
with a pining goat herd playing his pipe
and singing mournful song
echoing down the quartz sculpted gorge
beneath waterfalls
where alabaster-skinned Naiads
lithe and languorous
bathed in crystal brooks.

Romantic poems lounge on sofas breathless  
wearing corsets and crinolines
desperate
and untouched
*******
strands of hair

   John Donne’s love poems
are wet
  with wit.
1.4k · Aug 2014
Poets are...
Maggie Emmett Aug 2014
Poets are word canaries
prepared to die in dark, airless places.
Poets are sharp sirens
alert, alarmed and warning of the firestorm.

Poets can read
tree bark calligraphy of knots and scars.
Poets decipher codes
and shrewd puzzles, bold and enigmatic.

Poets ignore the talk of Angels
their prophecies and broken promises
Poets turn over Tarot cards
lay out rune stones, fearless of the future.

Poets steer clear
of treasure, jewels and golden ingots.
Poets climb ladders
and stairways cut in rock and stone.

Poets can see beyond
apple blossom, lilac blooms and dead lilies.
Poets find the past
in patterns of stars and the orbit of comets.

Poets lick salt
relishing the wounds and tears.
Poets throw life-belts
wreaths onto empty oceans.

Poets split existence
into life and death with nothing between.
Poets sift ashes
and sand for the rough edges of infinity.
1.4k · Nov 2014
Fear Corrodes ~ a Villanelle
Maggie Emmett Nov 2014
Fear makes our rational minds corrode
Empty, paralysed and in shock
Our sense of hope starts to erode

Plane-bombed towers stretch and implode
Bone dust smothers a city block
Fear makes our rational minds corrode

Suicide bombs start to explode
None live to stand in courtroom dock
Our sense of hope starts to erode

Buses are blown up in the road
Red heart of a city they mock
Fear makes our rational minds corrode

Another gruesome episode
We’re held in a violent deadlock
Our sense of hope starts to erode

Where is the truth that we are owed?
Death’s time is set on Terror’s clock
Fear makes our rational minds corrode
Our sense of hope starts to erode
Villanelle form. Written first 24th October 2005 & edited several times since.
1.4k · Nov 2015
Predicting Death in Winnipeg
Maggie Emmett Nov 2015
In Winnipeg
they dig the winter graves
in autumn
before the sun sleeps
and the ground freezes.

They guess the number
of holes to dig.
They respect the cold
and the winter dead.

Death prediction
is a fine art
in Winnipeg.  


© M.L.Emmett
First published in New Poets 14: Snatching Time
1.4k · Sep 2014
Winter in Venezia ~ A Haibun
Maggie Emmett Sep 2014
I catch the rapido train from Milano and edge slowly westward through the stops and starts of frozen points and village stations. The heating fails and an offer of warmer seats in another compartment. I decide to stay here. I put on my coat, scarf, hat and gloves and sit alone. In my grieving time, I feel closer to the cold world outside as it moves past me, intermittently. Falling snow in window-framed landscapes.            

Sky gun metal grey
shot through
with sunset ribbons.
                                                                                                          
Dusk eases into black-cornered night. After Maghera, the train seems to race to the sea. It rumbles onto the Ponte della Ferrovia, stretching out across the Laguna Veneta. Suddenly, a jonquil circle moon pulls the winter clouds back and shines a lemony silver torch across the inky waters. Crazed and cracked sheets of ice lie across the depthless lagoon. The train slows again and slides into Santa Lucia. I walk into the night.                                                                                               
Bleak midwinter      
sea-iced night wind
bites bitter.
                                                                                                      
No. 2 Diretto winding down the Canal Grande.  The foggy night muffles the guttural throb of the engine and turns mundane sounds into mysteries. Through the window of the vaporetto stop, the lights of Piazza San Marco are an empty auditorium of an opera house. Walking to Corte Barozzi, I hear the doleful tolling of midnight bells; the slapping of water and the *****-***** of the gondolas’ mooring chains. Faraway a busker sings Orfeo lamenting his lost Eurydice, left in Hades.
I wake to La Serenissima, bejewelled.                                                                                                                           
Weak winter sunshine
Istrian stone walls
flushed rosy.
                                                                                                          
Rooftops glowing. Sun streaming golden between the neck and wings of the masted Lion. Mist has lifted, the sky cloudless; I look across the sparkling Guidecca canal and beyond to the shimmering horizon.          
Molten mud
bittersweetness demi-tasse
Florian’s hot chocolate                    

I walk the maze of streets, squares and bridges; passing marble well-heads and fountains, places of assignation. I walk on stones sculpted by hands, feet and the breath of the sea. Secrets and melancholy are cast in these stones.                                                                  

At Fondamente Nuove, I take Vaporetto no.41 to Cimitero. We chug across the laguna, arriving at  the western wall of San Michele.  I thread through the dead, along pathways and between gravestones. At the furthest end of the Cemetery island, Vera and Igor Stravinsky lie in parallel graves like two single beds in an hotel room. Names at the head, a simple cross at the foot of the white stone slab. Nearby, his flamboyant mentor Serge Diaghalev. His grave, a gothic birdbath for ravens, has a Russian inscription; straggly pink carnations, a red votive candle and a pair of ragged ballet shoes with flounces of black and aquamarine tulle tied to their the ribbons. So many dead in mausoleums; demure plots; curious walled filing cabinets, marble drawer ossuaries.
                                                                                                      
Bare, whispering Poplars
swaying swirling shadows
graves rest beneath          

I walk to the other end of the island and frame Venezia in the central arch of the Byzantine gateway.  I see that sketchy horizontal ***** of rusty brick, with strong verticals of campaniles and domes. It is here, before 4 o’clock closing time, I throw your ashes to the sea and run to catch the last boat.                                                                                          

Beacon light orange
glittering ripples
on the dove grey lagoon.

© M.L.Emmett
First published in New Poets 14: Snatching Time, 2007, Wakefield Press, Kent Town SA.
To view with Images: Poems for Poodles https://magicpoet01.wordpress.com
I wanted to write a Haibun (seasonal journey poem interspersed with haiku). I love Venezia but only in Winter.
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