The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!

I don't know why,
My feelings have died,
I am a ******' rock,
May be I have felt too much,
That I started to feel nothing.

Nothing seems new,
Nothing appears exciting.
May be this just happens with age,
Or may be I am just too bored of everything.
Everything feels less, everything feels void.

Morning breeze is chilling no more,
Rain doesn't wet me anymore,
Holi appears colourless,
Diwali not so illuminating any more.
Festivals now only means a holiday.
Outings are not so exciting.
***** doesn't effect me much.

What is it , does that happens with everyone or is it just me.!?
Where's all that excitement gone,?
Life has become monotonous and everything is blown!

What I need is a CHANGE.!

the world is colourless
colourless, because it's abandoned
colourless, because it's empty
colourless, because it's dead
colourless, because salvation requires there to be something left to salvage.

selfishness, greed, the lies we told,
there will always be consequence
there is no one left to pin the blame on
because now, we are all guilty.

but there is hope.

after we are gone,
it will finally rain.

after we are gone,
the sky will slowly clear.

after we are gone,
a green stem will grow from the earth.

after we are gone,
nature will survive.

after we are gone,
the world will bring itself back to the prosperity
that it had before we came.

after we are gone,
the world will reconcile
it will return to what it was
without us there to destroy it again.

because, before we were gone,
we forgot that it was not the nature that depended on us
but we the ones that depended on nature.

perhaps it was time for us
to take our leave.

perhaps it was for the best
that humanity was its own fatal flaw,
its own destruction.

It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

Some say love is red, others say it is blue
which ever one you choose, make sure you stick to her like glue.
Some say love is found, others say it finds you
but for every time you fall, you have to travel the road anew.

But love is colourless, love has no tribal marks.
Love knows not the English man or the African man.
Love sees no colour or ancestral roots.
Love only has a language and only hearts speak it.

I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.

To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.

I'm the ship that doesn't sail right:
no wind is strong enough.
Weak in strength
and short in length,
I am tired and over-rough.

I'm the colourless sunrise:
never beautiful enough.
Red in the wrong ways
and blue on warm days,
yet here I am, if I'm enough.

The last thing the Poet feels of her is the distinctive taste of biltong. It lingers. She had bought two packets at the café.  Their last kiss is made just before the airplane announces itself with a great roar of being. He watches it swallow her and turn her into a memory. And then the plane flies away. He can’t find a silver lining in the plane’s path, so he instead focuses on the gentle return of normality to his skin. Every centimetre that was previously pressed to his Muse is smoothing its goose bumps. The Poet’s heart goes back from verse to prose, just as how it was before she became the subject of his pen.

He turns to say an awkward “dumela” to the Muse’s grandmother. She responds with the tone of a grandmother greeting a boy who has just been making out with her granddaughter in front her: “dumela.” It probably doesn’t help that his hair isn’t combed. It probably doesn’t help that they have not met before. The Poet then asks the Muse’s brother for a ride to school. Now that the Muse is gone, it is time for him to begin studying for the colourless exams that were the subject of his existence before her. The Muse’s brother nods in agreement, and he walks out of the stale atmosphere of the airport with her family. The summer sunshine somehow manages to feel uninspired.

The journey from the airport stretches out like a goodbye that ought not to happen. It is slow, painful, and filled with empty promises of hope from her family. Her brother says she will visit during the Christmas season. The Poet knows she won’t- she can’t- but he has enough novels to keep him company.  They are riding in the same little red Volkswagen that often picked her up from school. If time is simultaneous, she is sitting next to him.

The car is full; time has only one direction, and its wheels stops in front of the school gates.

He says his farewells, closes the car door, and limps to the library to start working on maths equations with his classmates. He barely opens the library doors, barely greets his classmates, and with barely practiced nonchalance, barely explains that his Muse went off to another country. He picks up his scientific calculator and clicks open his pen to attack a math problem. Hours pass in numbers that stubbornly refuse to make sense in place of her. The Poet solves a problem, and then he doesn’t. He asks for help, and then he doesn’t. He laughs with his classmates, and then he doesn't: they have to go home now for lunch.

The Poet cannot go home. He has to wait for his mother to pick him up. He decides to walk out the school gates to eat at the Chinese restaurant. It is placed conveniently outside the school. He orders some dumplings and some noodles, and then tells the waitress that he is going to buy a newspaper at the filling station while he waits for his meal.

At the filling station counter are packets of biltong hooked onto a stand.

I.

Let me tell you right now that red is my favourite colour
But I got it on with blue, some would say that that’s a blunder
I wonder is… infidelity the vibe of this poem?
Some secret guilt in my mind, that I’ve decided to be owning

Up to, I've got to, spill it out of my heart
I've had no idea what to say, but I've commited to start
A statement that’s an indictment to romantic commitment-
So let’s face it: when it comes to love, haven't all of us been sinning?

At some point, nobody can claim to never ever have smirked
At their own version of the colour red in hoping that it might work
Even though your girl’s colour is blue and you know that this much is true…
You kinda now desire sunsets instead of plain skies; and thus seek a more maroon hue


Skies change with the sun, time influences that
But listen, honestly, what I feel, it’s deeper than that

Blue and red seem only to be opposite colours of the visible spectrum
But actually flow into one another, from point A to B, like a pendulum

So my real problem is denial: I'm not really interested in swinging back
Because whenever I see red again…I can't help thinking that blue is just a fade to black.


And black scares me because it represents…
And black scares me because it represents…
And black scares me because it represents…
And black scares me because it represents…


II.

Literature taught me that cheating is immoral but understandable
From the point of Gatsby and Daisy it’s not even that reprehensible
The thing is, I still see the American Dream in another colour
No red, white and blue and great starry flag of wonder

But being honest to the context I should only omit the white
And keep red and blue; so it follows that my greed is merely self-directed spite
In this way I am suggesting a hint of hatred towards myself
As I’m unable to colour-block my view of my colourless self

I mean that I'm disappointed in being able to reduce
Myself to old, novel characters…as a result I have deduced
That blue and red don't matter when my true colours are grey
I’m ashamed in having even having tried (and failed) to pick (just one).
But all the same…


Skies change with the sun, time influences that
But listen, honestly, what I feel, it’s deeper than that

Blue and red seem only to be opposite colours of the visible spectrum
But actually flow into one another, from point A to B, like a pendulum

So my real problem is denial: I'm not really interested in swinging back
Because whenever I see red again…I can't help thinking that blue is just a fade to black.


And black scares me because it represents…
And black scares me because it represents…
And black scares me because it represents…
And black scares me because it represents…


III.

Though I'm still wishing that… her sunset becomes my sunrise, and envelops the sky
But regretting… her blue fades away, painfully, I’m left to die
As the sun will too soon turn to night, driving me to gentle panic
I know this now: colourless people always beg for a rainbow because they can never have it.

...******.

I apologize to blue for making her feel even bluer.
I apologize to red for using her to make me feel better.
I’m sorry to myself for making myself so bitter.
So suddenly has my soul, become colder than this winter...

Thus the part of the poem where I conclude with the theme
Of the echoes within me which of course are only dead dreams
I had looked to you, red and/or blue, in hoping you could redeem
Me to your world of colour. But present reality is different, which can only mean
That...


Skies changed with the sun, time influenced that
But listen, honestly, what I felt, was deeper than that

Blue and red seemed only to be opposite colours of the visible spectrum
But actually flowed into one another, from point A to B, like a pendulum

So my real problem was denial, I wasn't really interested in swinging back
Because whenever I saw red again… I couldn't help thinking that blue was just a fade to black.


And black scared me because it represented…
And black scared me because it represented…
And black scared me because it represented…
And black scared me because it represented…

The eternal tango of the maestro manifests itself in nigh infinite ways.
With the flick of the artist's brush, the stroke of the novelist’s pen or the chicken scratch of the scholar’s nib, legacies are etched, history is written and the world is shaped.
The astronomer, the craftsman and the physician all have one thing in common: Mastery.
Such pinnacles of skill have decades of their lives consumed, nay devoured in the pursuit of perfection, of greatness. Like grains of sand slowly falling into a furnace are the seconds of our lives, trickling, melting into puddles. But as sand melts, it forms shapes; therein lies the potential. Moldable puddles, colourless, devoid of naught but a clear medium.

At this rate, it's just despair and un-healed broken heart that keep on bleed and bleed. I want to be able to touch you and feel your warmth all around me. To feel your fingers linger all over my body. To feel those gentle breath at my neck. To feel you feeling me.

At this rate, it's just hope and dreams in pieces. All of you is gone, leaving all of me alone in this consuming darkness of my own beautiful thoughts. You and me, we were the kings of our own lovely world, but why, why why why did you have to let go?

At this rate, i'm broken and helpless, i compared my ruined life to those with beautiful and lively one. I am done sewing my wounds and scars. Let the blood flows, let the pain consume my sane slowly. Let me be crazy over my own sadness. Let me dance in my own tears while i stab myself furiously with hope and dreams.

At this rate, i am feeling nothing, the world seems to be in black and white. I need you back, i need you to be the palatte of colours to my life. Without you, i'm colourless.

these fingers don’t seem big enough
to catch all your losses
and my pockets are filled to the brim with shame
so forgive me when I say that
i can’t love you right now
because I put my happiness in a bottle
marked
“for emergencies only”

it seems that
in the midst of all the chaos
i misplaced my faith again
in the juxtaposition of your embrace
and my inability to heal
so i hailed a cab for you
because it me killed more to
watch you stay suffering
in this fragmented
and disillusioned
version of reality

years from now
i’ll still be constructing a self
that is less destructive than this
within the boundaries
of crumbling walls
and absent apologies
that keep the pain flowing in

the reason that I stopped
looking for your blue dress
in the blur of blank spaces
is because
i broke my kaleidoscope long ago
searching for the better version of me
that could convince you to
come back home
once more

since then
my heart has known only
the indifference of your presence
because I stopped calling out for you
in crowded streets filled broken souls
such as myself
poor people digging for meaning
and rainbows
in colourless conversations
trying to please an insatiable hunger
forgetting that our bellies
are already swollen
with disappointment and anger

By: Lulwama Kuto Mulalu

I am a wall,
A thick, stone wall,
At least a man,
Surrounded by walls.

I built them myself,
I'm sure it would help,
At least a little,
Those amazing walls.

From the outside it looks grey,
Thick colourless stones of pain,
Of no interest, of desolation,
In total isolation.

But inside, oh wow,
I've painted it with amazing colours,
And those very walls who keep people away,
Comfort me in ways indescribable.

The walls are lined with rich tapestry,
The floors of lush carpets and pillows,
The from the ceilings hang lights,
To illuminate a hundred rooms.

And yet, no one...
No one to share the beauty,
The richness of my inner walls,
The walls I made.

Lost in his thoughts
With her eyes closed
Waking up from her fancy
By the call of a pigeon
With a message from him
Conveying to meet him
Near the river side
Of the Gulmohar tree
Hearing the trumpet of
The evening conch

With an acceptable smile
Ready in his favourite
Shining peach fruit dress
Wide eyes with black kajal
Long black hair decorated
With magical fragrance
Of buds of jasmine flowers
Colourful bangles filling
Her soft wheatish hands
With musical bands

Sitting under the flame tree
Decorated with beautiful
Orange-red Gulmohar petals
Waiting for her beloved
Lasting the wait till dawn
But never did he come
Flowing kajal with her tears
Turning her to black cheeks
Back to her despondency
Like a broken soul

Comes again the pigeon
With a message on its body
Written by human blood
Dear, move on in your life
I am, no more in this life
Jasmines giving an odour
Bangles becoming colourless
Kajal, blurring her vision
Falling down on the floor
With her eyes closing !

A fall from the tired leaves
They look fresh and green.
Colourless, transparent droplets on sleeves.
The light is more so I cover it with a screen.

A 4 am call and shivering nausea.
Sore fingertips touching the light.
The glistening smile to give me the euphoria
of numb cold bump skin of a forgotten fight.

light and dark. light and dark. light and dark.
Words cross me, and I am not one.
A love that comes in waves and spark.
Then hides far away, hair in a bun.

Again the droplets fall off the leaves.
from the green and yellow and brown.
Colourless, transparent droplets on sleeves.
The light is more, so I cover it with a screen.

we will always say we are not ready
for fight, for flight, or for anything
wanna feel “it can’t get any worse than this”
wanna feel risk and adrenaline but make it out alive
civilians fleeing for their lives
the world is small and bodies get weary
there is only so far you can run and so long before your body gives
not to mention your mind
when minds go, people break
life has a limit; when it is time, we go
is time supposed to flow linearly
I continue being flippant
when it comes down to it, some will lash out at me
some will feed me medicine
and some will shake their head and leave me to the wolves
I play with my beads and taste the air
not yet, it’s not time yet
haha
lately I’ve been contemplating the reason why I’m not willing to commit to colour
I think for people like me, when we try to assign ourselves to a hue,
we end up more colourless
somehow
I see three different places when I know it’s one
an hour feels like a day and
a month feels like an hour
sit tight and buckle up
we’re catapulting headfirst into the last hour
did anyone tell you
it’s a dangerously fine line between fight and flight
literally
shall I fight or shall I take flight
we take cover in shades of grey because the less colourful we are
the less we stand out
the less aggressively we are pursued
in the end we are still defined by our lack of colour
as I type, people murdered because they are branded by colours
or lack thereof
I don’t enjoy thinking about it
I pull at the grass and observe cloud movement
not yet, it’s not time yet
yay
there are arrivals, and then there are departures
when they arrive, they arrive here where people are
when they depart, nobody knows for sure where they go
maybe there are many destinations
like hell and heaven are just two of many
maybeeee
I hope we all just perish into a void
chugga chugga choo choo
on my way to departure
one day we’ll be at death’s door knocking
“little pig, little pig, let me in!”
or attempting to smash the door in
“or I’ll huff and I’ll puff and I’ll blow your house in”
as some people already are doing at this age
what if we broke in hoping for the void
but instead landed ourselves in hell
“thanks for nothing” “thought this was gonna be good” ” ugh”
I return to pondering petty problems
like rice weevils in my rice
choo choo
“We have arrived at Death’s Door. The fate transfer is about to commence. Please do not miss the transfer if you wish to come aboard.”
if this were a book, I’d be the character who fears death
and funds research for life-extension or immortality
just that I’m kind of broke
if only I could—
snip snip
cut a bit off someone’s life and paste it on the tail-end of mine
haha
when it’s my time to go,
I will say I’m not ready
as I have been saying every other day of my life

i. the prelimenary

the initial inquiries into AI were tame at first,
philosophically tinged,
they later expanded on clarifying definitions
and establishing working parameters:
comparisons to algorithms / search engines
and encyclopoedias and dictionaries
and an interactive interface:
there was no subtle science fiction paranoia
and anything Luddite: no steaming *****
no magical Jenny: no conveyor belt spewing
metallic teeth and lack of idiosyncracy of
a human (at) fault...
it was only until i hit a brick walls when i was
enrolled in the NVQ Level 3
in Spectator Safety Supervisory Role that a eureka
slowly crept up on me...
honest to god i completed the NVQ Level 2
in Spectator safety of my own volition:
of my own investment in learning about the role:
but when i was given the opportunity
to supervise: to learn on the job (as it were) -
was i later enrolled on the actual qualification:
it took me almost a year to first learn from experience
to then try to figure out how to approach
the learning material:
when i first glanced at it: jeez... over 200 pages of slides
and no source materials to read
to learn outside of someone talking via a powerpoint...

schleierwolken - boris brejcha (in the background)

and as i learned along the way, people enrolled
on this course were given
study sessions with designated tutors:
me? no one bothered me: i had a pedagogic agendy
in my mind:
i studied enough philosophy to equip it in real
life: one can learn to amass such diverse learning
experiences
when one reads philosophy
in one's own spare time or makes it a 10 year
hermit's journey:

/ i have two cats in my bed the female came
and if begging me for attention...
i'm getting sniffed, gently nudged,
gently pawed: not scratched... /

then returning from studying as an undergraduate
from Edinburgh universe:
chemistry and history...
                           well i didn't actually think of wanting
to remain in a university environment
to study something on the post-graduate
level to master something:
not in a university environment:
at 15 i bought my first philosophy book
(Plato's Theatetus)
but i didn't bother reading it:
i rediscovered philosophy at university
with David Hume and Popper (falsification?)
and all the philosophy of science:
but i thought:
i can't possibly learn all that GRUE and BLEEN
all other again by being taught it:
i need to learn it:
which implies teaching oneself...
philosophy is daunting at first
because there has to be a lived experience:
a will to strife to then allow that will of strife
to become the will to strive:
almost Japanese: in what i ascribe as ad hoc
perfectionism... professionalism...
perhaps my style is horrible and there is
no pillcrow of economic on the page
and how much it would cost to print my jargon...
so bypassing gatekeepers:
and AI is a gatekeeper and not a gatekeeper:
when one becomes: oneself: a gatekeeper...
well.. regardless...

                      i did level 2 wholeheartedly...
but come level 3... after about two modules i gave up...
there were a few "technical" questions,
legality etc
            but the rest: for someone who writes poetry
and reads philosophy:
the worst kind of padagogic expression of language:
a custard brain where once there was
an ancient jellyfish that jumped off a monkey
into a hallucinogenic mushroom and from there:
spawned man...
fungus astro aqua fluorescence: purple myrrh...

                     what were the options?
ask help: as for a tutor: get stuck sitting in class?
wait... didn't i start talking to chatGPT a while back?
what if i used AI to help me complete this hellish task
of regurgitating rather than learning?
well: at Edinburgh i challenged myself
to plagiarise with a thesaurus
and basic sentence structures like: the sky is blue,
Aristotelian logic: all men etc.
fire is hot
water is wet
crimson is a hue of red...

               and i passed the essay with a 1st:
but it was a plagiarised essay and apparently there
were smart machines in place
when the work was submitted that it would
be scrutinized against a database:
hmm... i think i will have to ask AI about the concept
of plagiarism:
i'll find a text: plagiarise it and ask AI if
the plagiarism is a plagiarism or not...
but before i do that:
my use of AI was so formidable in completing
the NVQ level 3 that...
ha ha... i was implored to not write so much:
and by the end of it:
my CR (company rep)
      sent me the certificate of qualification
to my surprise:
even before i could complete the last two modules:
other people who complete this course
also get scrutinized: assessed on the job...
i never was...
i ended up buying a bottle of whiskey for my
company rep thinking he pulled a few strings...
but he didn't:
it wasn't a bribe but someone must have put
in a good word on my behalf
seeing me on the job
which is why i was not assessed in real life
given the material i provided... but it wasn't as if
i just copied what the AI spewed from all that *******
jargon of "spectator safety": i had to find
a symbiotic expression:
i am: a symbiote...
               i am a bio-technology: unorganic iron
in my blood: the haemoglobin goblin...
                                                       ­        i am just that:

to prove it: a transcript from my last most reward
endeavour interacting with AI...
how to fix glitches in a bicycle...

but before i go into typewriting the transcript
like i might be a woman
working for an intelligence think tank,
or group or community: because that section
will be just that: me rewriting my interaction
with AI concerning a bicycle fault:
fault in the montage: sorry: in how the bicycle
was assembled...
so minor... before i get into that: checking for typos
will be hard when it comes to my writing:
i punch my liver or rather my liver
punches me back
when i'm alone and i despair
not that i'm a parasite the human predator is so ugly
compared to the predators in the wild:
the human predator, ****** in nature:
is unlike the predator the thief or the burglar...
and the predator that is a murderer:
my: how ugly the human predator is:
unlike a warrior: a soldier...
that's very different sort of barrel of herrings...
in salt and brine...
but i will not write Steve Harris
(bassist from Iron Maiden)
         about wars, warriors, soldiers: in some glorifying
way...
at best, my friend the artist mentioned:
he's a poet-bouncer... the closest the 21st century
will get to the Oriental warrior-monk...
                    by any stretch of the imagination...
the hard bit is almost over
the hard bit is almost over: the introduction
to the transcript... to the transcript...

no one can say to me this isn't working:
and how poorly most people channel what one can
receive from alcohol: when not abused:
drank to excess: but not abused...
not drinking to socialise not drinking to party
not drinking to forget
not drinking to fall asleep not drinking to medicate
but instead: to filter out:
to established a flow of consciousness
to do away with lies
and spew only truth: to become intellectual
disinhibited...
                       not numbed: just free: to judge
water by its wetness and
how water + sunlight = colour
if water is Hay Too Oh... then...
i asked this before: is there a chemical formula for wood?
is there a chemical formula for light?
but how water interacts with light
when you get a rainbow... light is colourless
water is colourless... technically speaking:
sure the sun is red yellow white UV vibrating
Helium: apparently...
                    but light only has colour because
it enters the atmosphere of gases
and water
                                  and chemicals like chlorophyll...
and salt...
    but light like water is colourless...
only when two colourless substances interact:
there are solids, there are liquids
and there are gases:
but there is also light: which is like a fourth dimension
of understanding chemistry:
two colourless entities by now:
a liquid and "x" interact and create colour:
the eye and all the might of sight!

after Heraclitus: and the elements:
fire for certain:
but water is also just a chemical formula:
although that's drinkable water:
the water as element must also include
the Na+H2O-
                         sea water...
but i never understood how since the ancients
light has not revised as an element:
after all: how does light enter the atmosphere
at night and how that translates into lightning storms:
with the aid of the moon:
rainbows and rain from the sun
but lightning and rain and sometimes
no rain at all! sometimes no rain at all!
just a humid air:
and lightning and thunder storm... but no rain!
as god's stomach and flash of thought
were walking upon the sky...

alcohol is not as corruptible as water:
but only at a certain percentage:
starting with 40% and moving up:
i'm not talking about the alcohol of the ancients
with their beer and wine:
i'm talking the perfecting of alcohol
with ***** and absinthe...
i wonder: with enough alcohol in a hosepipe...
watering the desert:
would i see a rainbow if light interacted with
pure alcohol, like a pure spirit:
that is brewed in Poland to a 98.9% accuracy...
i don't drink to party:
i drink to hone in on thought:
i just wonder... but now i tihnk i'm ready to spew
out this AI transcript:
all because i started to distrust the guys working
in bicycle repair shops!
why? before i learned how to change the spokes
i have my front wheel to a corporate outlet
(Halfords)... i was told: 4 days... o.k.:
in the end i paid for now job being done...
because the "technician was on holiday":
lazy *** ******* and hardly the decent salesmen...
paid: waited two ******* weeks:
did get my money back in the end...
even today: i know my statuary rights as a consumer:
if i go into a shop and i see something
priced at a discount for a limited amount of time:
and then the same product is no longer limited
because the stock is low and they need to limit it
as in: undersell it...
fair enough: but when the stock is replenished
and the price goes back up
on the system...
but the price tag is still on a discount:
who's at fault?
i want to buy the product at the discount: displayed:
i don't care if your system was updated
but someone "somehow" forgot to change
the tagging... i'm buying that ***** on a discount!
no no... after i buy the **** bottle
you can correct the tagging on display:
otherwise i'm an idiot?!

and it came to pass that i trust my marijuana dealer
more than your average honest Joe the Mechanic...
because i've been ****** over at bicycle repair
shops for too long!
plus the individual parts come up to be more
expensive than buy a new bicycle: altogether!

ii. the transcript

Konrad Eschlert
hello, again: do you have any knowleddge about a Basis Tourmalet Road bicycle?

Memory Updated
yes, the Basis Tourmalet is an entry-level road bike that's often praised for being affordable and suitable for those new to road cycling. it typically features an aluminium frame, which balances durability and lightness. the components, like the gears and brakes, may vary depending on the model year but are usually chosen to provide good performance at a budget-friendly price. it's a solid choice for commuting or casual long rides, but it's not designed for high-performance racing.

would you like more detailed information about its specs or other details?

Konrad Eschlert
less about specs and certainl not, well: details... i'm having problems with this model i recently purchased. so the model i have is a 14 gear... model (that's hardly insinuating tautology, just bad sentence structure to day model model within such proximity)... before you reply let me further my problem along, so please ackowledge that you will hear me out with an ellipsis

Memory Updated
i'm here, and i'll wait... go ahead.

Konrad Eschlert
i have two tiers of gears, all the lower tier gears work just fine when switching them from 1 to 7, but on the higher gears the chain buckles when it comes to higher gears 5 through to 7... the gears don't switch properly i have to sometimes switch gears two up to get the one down, properly, the gear i want... i don't think that there isn't enough slack on the chain... but i'm uncertain about how much tension the tear cable needs, the two high and low gear (derailleur? probably a misnomer, help me out)... could this be the problem? when i first inspected the bicycle i had to make sure that the break cable didn't have as much tension, since the breaks wouldn't retract properly and would rub against the wheel, so when i loosened the tension in the break cable, they retracted pristinely... any thoughts about why the higher gear buckle and the chain almost doesn't want to be in the specified gears...

Memory Updated
it sounds like you're dealing with a common issue related to derailleur adjustments and gear shifting alignment. you're correct in mentioning the derailleur - both the front and rear derailleurs are responsible for moving the chain between gears. based on your description, here are a few things to check:        (author's note: non-verbatim transcript section)
1. cable tension: the gear cable... tension plays a big role... smoothly your gear shift............................................... especially on the higher end... if tension is too lose, it won't fully engage the gears... if it's too tight... it might skip or struggle to switch to lower gears... try adjusting the barrel adjuster...
2. derailleur limits: the high and low limits (often called H and L screws) on the derailleur control how far the derailleur can move. if the derailleur ***** is too tight, the derailleur won't reach the highest gears (5-7 in your case). check the derailleur alingment...
3. derailleur hanger alignment: ... ... ... ... ...
4. chain wear / length: ... ... ... ... ...
5. shifter issues: ... ... .. .. ... . . ... . .. . .. .. .. ... . ..... .. . ... .. .. .. .. .. .. .. ... .. .. .. .. .... .. .. ... ... ... .. ..... .... ... .. .. .. ... .. ... .. .... ... .. ... ... .. .. ... .. . .. .
6. **** and cleaning: !! 1! 11 1! 1! 1! 1!1!!! !1 !11 11 11 11!!!!111!

it's good that you're already solved the brake cable issue, as that demonstrates your intuition for bike maintenance. similarly, adjusting the derailleur and gear cables could resolve the problem you're expericing with the higher gears.

let me know if you need more specific guidance on any of these steps!

Konrad Eschlert
Ha... i'll just let you know 😌...
if both our intuitions were able to solve the problem.

Memory Updated
sounds like a plan! let me know how it goes, and hopefully, it'll be a smooth ride soon! 😌

Konrad Eschlert
🥴🤙

Memory Updated
Haha, good vibes! 🤙 keep me posted if you need any more help!

iii. post-scriptum

pending...
althought i don't think there is anything more to be added:
we were both right!
i tightened the gear cable to the back derailleur
and: hey presto!
now the H(5-7) gears work just so ever so smoothly:
last time i asked a human being about any bicycle issues.
in a society where i can trust a marijuana
courier more than i can trust
a ******* bicycle repair guy... or a plumber:
hello: Apacalypse.

p.p.s. now i can enjoy my coffee
and a 2nd cigarette and get some in-town errands done:
only a perfectly new: bicycle!

I am a little bird born into this world
Naked.
Chirping lullabies to redwood treetops
and singing hymns to an almighty; getting back nothing.

I gathered up twigs and loose branches to build up
my nest––cropped out upbringing
for house fitting.

Waking up to noises––
of violent winds.
Pressing feathers to cover my ears,
and trusting my feet to hold me down.


Barricaded myself in worn bark,
from the impossibility of the threatening ecosystem.
Praying myself in place, hiding when morning shines and dressing in colours of damp green.

I’m something but I tell myself otherwise:
It’s too frightening to fly so I might as well cut off my wings.
No, that would be insensitive––don’t mind that, I’ll pluck them each time the feathers grow.


See I’m holding onto the something that makes me more than nothing.
Clipped wings seem more ideal than no wings.
For some reason I’m scared to let it all go;
silently hoping one day I’ll keep them, like them, love them and even spread them.


Noticed gathering leaves and flowers one day can add colour to a colourless lifestyle,
yet the wind wipes it clean the next––still pale brown and feels less like home than yesterday.

I may be afraid of everything,
but I know I’m more afraid of dying here alone;
whispering Mozartian melodies to dead butterflies.

I took the plunge into your sea.
Oh, you know what?
I am now hooked forever
on it’s colourless colour.

So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

      Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,--
Tho' Merlin sware that I should come again
To rule once more--but let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the ***** of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seest, and lightly bring me word."

      To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."

      So saying, from the ruin'd shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

      There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

      Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."

      To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."

      Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,

      "And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."

      So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

      Then spoke King Arthur, breathing heavily:
"What is it thou hast seen, or what hast heard?"

      And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."

      To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."

      Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.

      Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"

      And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."

      And answer made King Arthur, breathing hard:
"My end draws nigh; 't is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."

      So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.

      But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels--
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

      Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold--and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

      Then murmur'd Arthur, "Place me in the barge,"
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls--
That made his forehead like a rising sun
High from the dais-throne--were parch'd with dust;
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.

      Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole ROUND TABLE is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."

      And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seest--if indeed I go--
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard-lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."

      So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.

I can't sleep at night
I am such a sorry plight
You stole away my heart
And you soon had to depart
My will to live crumbled apart
My soul you understood by heart

The fates three must have been jealous
For your acquisition they were rather zealous
Fairytale endings are but lies
In reality they never do come by

Ah, Coventry, thou art but dead now-to me;
Thy life is not alive, and thy winds are too cold
Thou art as filthy as dust can be, and eyes might see;
Thy hearts are too bold, and to greed-your soul hath been sold.
And I want not, to be pictured by thy odd art;
For than oddness itself, 'tis even paler, and more odd;
And 'tis not honest, and full of disputing fragments;
Gratuitous in its earnest, talkative in each of its sort.
Ah, Coventry, I shall go, and catch up-with the strings of my story,
Which thou hath destroyed for the sake of thy fake harmony;
And in my tears lie thy most fragrant joys, and delightful sleep,
Which thou findeth tantalising, but idyllic-and satisfactory.
Ah, Coventry, go away-from my sight, as I solve my misery;
T'is misery thou hath assigned to, and dissolved over me,
I bid thee now fluently blow away from my face;
With a spitefulness so rare, and not to anyone's care nor taste;
And doth not thou question me, no more, about my tasks-or simply, my serenity;
For thou hath fooled me, and testified not-to my littlest serendipity,
You who claimed then, to be one of my dearest friends;
And now whom I detest-cannot believe I trusted thee back then.
And my soul! My soul-hath been a tangled ball-in thy feeble hands;
Colourless like a stultified falsehood, blundering like a normal fiend.

For on thy stilted dreadfulness at night, I hath stepped;
For in front of thy heterogeneous eves, I hath bluntly slept.
I had tasted thy water, and still my tongue is not satisfied;
I had swum in thy pages, but still my blood is not glorified.
Among thy boughs-then I dared, to solidify my fingers;
But still I couldst not bring thee alive, nor comprehend thy winters.
Instead I was left teased, and as confused as I had used to be;
I couldst find not peace, nor any saluted vehemence, in thee.
Ah, I am exhausted; I am brilliantly, and sufficiently, exhausted!
I am like torture itself-and if I was a plant, I wouldst have no bough,
For my branches wouldst be sore and demented,
For my foliage wouldst be tentative and rough.
I hath been ratified only by thy rage and dishonour;
I hath been flirted only, with thy rude hours.
And my poems thou hath insolently rejected,
And my honest lies thou hath instantaneously abused.
Thou consoled me not, and instead went furtive by my wishes;
Thou returned not my casual affection, and crushed my hope for sincere kisses.
I hath solemnly ratified thee, and praised thy music by my ears,
Yet still I twitch-as my sober heart then grows filled with tears.
Ah, thou hath betrayed, betrayed me!
Thy grief is even enhanced now-look at the way thou glareth by my knee!
O, Coventry, how couldst thou betray me-just whenst my time shivered and stopped in thine,
Thou defiled me so firmly; and disgraced the ****** poetry bitterly in thy mind,
As though it wouldst be the sole nightmare thou couldst 'ver find!
Ah, Coventry! Thou art cruel, cruel, and forever cruel!
Thou hath disliked me-like I am a whole scoundrel;
Whenst I but wanted to show thee t'at my poetry was safe, and kept no fever at all;
But no other than an endorsement of thy merriment, and funny disguises for thy reposes.
Ah, how couldst be thou be so remorseful-how couldst thou cheat me, and pray fervently-for my fall!
And to thee, only greed is true-and its satisfaction is thy due virtue,
For in my subsequent poetry, still thou shalt turn away-and scorn me once more;
With menace and retorts simply too immune, and perhaps irksome loath-like never before.

Ah, but how far shall thy distaste for me ever go?
Thou who hath blurred me-'fore even seeing my dawn,
'Fore even lurching forward, to merely glance at my town.
Thou art but afar, and now shall never enter my heaven,
For victory is no longer my shadow, 'tis to which I shall return.
I am like a shame behind thy glossy red curtain,
I am a pit whom thou couldst only befall, and joylessly spurn.
But ah! Still I am blessed, within my imperfection-thou knoweth it not?
I am blessed by the airs-and wealthy Edens of the Almighty, thou seeth t'is not?
He who hath the care, and pride anew-to cut thy story short,
He who hath listened to my cores, and shall deliver me from thy resort.
T'us I shall be afraid not, of thy wobbly tunes-and thy greedy notes!
For humility is in my heart, though probably thou hath cursed me;
And bidden me to let my soul detach, and run astray,
Still I shall find my fertile love, and go away;
I shall bring him away-away from thy abrupt coldness-and headless dismay;
I shall nurse and love him again-like I hath done yesterday, and even today;
And in t'is, I shall carest not for what thou might say to me later-day after day.
For as far as I shall go, my poetry t'an shall entail me;
And thus follow the liveliness, and scrutiny-of my merritorious paths only,
And in the name of Him, shall love thee and rejoice in thee not;
But within my soul, it shall recklessly, but patiently-do them both;
'Tis my very goal it shall accomplish,
And for my very romance, shall it sketch up altogether-such a mature bliss.
I should dance, thereof-just like a reborn female swan;
And forget everything life might contain-including my birth, as though life wouldst just be a lot of fun.

But I shall be alive like my tenderness,
So is my love-he t'at hath brought forth my happiness,
I shall be dressed only in the finest clothes-and he my prince,
As the gem of my soul hath desired our holiness to be, ever since.
Yet still I hope thou wouldst be freed, and granted my virtue,
Though still I doubt about which-for thy fruits are weightless, and to forever remain untrue.
Such be the case, art thou entitled to my current screams,
And blanketed only by my most fearful dreams.
T'is is my curse-in which thou shalt be in danger, but must be obedient,
For curses canst be real-and mine considers thee not, as a faithful friend.
And obedience be not in thee-then thou shalt all be death,
Just like thou hath imprisoned my love, and deceived my breath!
Still-my honesty leads me away, and shall let me receive my triumph;
As so cravingly I hath endured-and tried to reach, in my poems!
Ah, Coventry, unlike the stars-indulged in their tasteful domes,
Even when I am free, in thee I shall never be as joyful-and thus thou, shalt never be my home.

I pose high my chest of ragged ribbons
And unravel a fist to stretch out fingers in search
Of a hand glimmering pale like a lantern
throughout this grey
        empty space. Once a pavement, now as good as

Cloud. Frozen lake. Dust. Boiling ashes. Skeletons.

I am walking on the slashed frames of waves
As jesus once must have. Propelled to a miracle unwitnessned
To anyone but myself. I am impelled to corrode
Into a statue; to remain a rigamortic rotting jade jewel in the sun
Until I no longer can.
Until they found me...

Perhaps they'd dust me off, thaw the ice from my shoulders,
Rehydrate me and gorge me,
Restart the blinking light in my brain
And refrain me evermore from having to seek.

But seek I must, for the lonliness weighs me down
Further by the day. I take half as many steps now as when I began my voyage.
My memories are like ghosts of flames that play
Snakes and ladders and hide and seek.
I am the lighthouse man and I sail drunken--
A rubicund mishape of bone and scuffed thoughts,
I can feel every soul which once embodied and huddled this place.

It's like they are trying so hard to posses me but even
Their souls have been smouldered to whispers
So thin they ring as mutely as the surrounding mist,
So soft they vibrate akin to an infant’s pulse
Throughout these walls, these scrapyards, these crumbling arcades, this sandbox grey that begs for a scream.
The spirit of a tarantula trembles along my back and grazes it teeth against my shoulderblade,
Praying that I turn to confirm it's being –but it's a game I’ve long grown sick of–


I am the lighthouse man and I ceased having a face long ago.
What I recall of my reflection was a child so young and so sure
Of a different life that

I cannot be sure it's even me.

I am the lighthouse man; a puckered bulb balancing on too-big shoulders, that walked
  through barren flat closes and exited empty handed, the lonely poltergeist,
a bitter flab of skin.

I am the lighthouse man and I am the final Aspen leaf in the pond of the universe,
I see myself reflected in a sole star twirling underfoot and overhead
rowing my ears so thick with disfigured silence so that I wished I was born deaf.
I am the lighthouse man and my mind is a spinning fragment
    my eyes can merely follow and my floating steps merely trail.

It never changes tone here, I can only vaguely trace the time
By the occasional moon. Tonight it shines half chewed,
  Befitting the levelled star a sideways crown.
It is beautiful but I mustn't stop to admire, lest a survivor
Scavenger loses patience withholding the last of their scran.

I am the lighthouse man and I haven't eaten in years.

I am the lighthouse man and I bled for the first time yestardy.
I am the lighthouse man and my bulb ricocheted off the base of my skull
In a telling fairy tale dream. I felt static in my head
And my light's ink spilled across my hands and for a minute I thought
My light had gone out. I tasted blood,
Trickled down from my stinging nose and I had never been so scared.

I am the lighthouse man and I never knew I could die.

I am the lighthouse man. Once the world danced with magic and I was
A walking satellite that grew to want to dissapear.
I am the lighthouse man and my decrepitude is casted in my hands:
Black as the night from the dirt collected over the years.
The few slashes of skin clear enough to see look rust-like and obtrusive, outdone only by
My veins like wonky bruises that vine across the silhouetted bone;
Bridging gear to gear, clinking shivering knuckles
         That want nothing more than to surrender.

But I am only frostbit, not frozen.
Life was and thus must still be.
I am a raindrop, not the whole ocean.

I am a walking lighthouse inspecting and guiding empty seas,
A form without virtue
That ceased feeling it's metallic steps too long ago to recall.
A cubist teardrop falling down a grey giant's cheek,
Waiting to be captured and swallowed.

Or perhaps I am climbing uphill, slowly along the circumference of his forehead.
So slowly I cannot notice the rise. Perhaps I was destined to amble in hypnosis,
En route on this colourless limboid curve until I forget the concept of
             a destination, a soul, a matryr jester to rouse me awake...
             and perhaps it is then that I will be blessed with the heavenly bulb

Of the weeping giant on whom's flesh I disturb.
I am the lighthouse man and I dream of purpose.

I am the the lighthouse man with a penchant to levitate
I am the lighthouse man and I am a God without tool or reason.
I am the lighthouse man and I'll walk this limbo until my feet dissapear.

I am the lighthouse man and I am cursed.
I am the lighthouse man transitioning between lives and never knowing
Causality nor the answer. There are no questions to have;

I am the lighthouse man and I must have been a murderer in my past life.
I am the lighthouse man and I can feel my inner fuses twist,
Falling fainter and fainter by the second.
I am the lighthouse man and I will not make it another night.
I am the lighthouse man and I am a memory-bank full of nothing remarkable.
If I felt this months ago then perhaps I would make do with the my sojourn of an empty house, atop a parked car, and perhaps I would be content with rotting.

But now the moon shines so luminously bright and full and close! So very close!
I am the lighthouse man and I chase the moon.
I am the lighthouse man and I vaguely recall my mother saying 'do not eat the moon,
It will give you nightmares!’ and it all suddenly makes sense now.

The stars are all out tonight and they await my company. I am the lighthouse man and now I run.
I run run run run for the sky in ode to the rest of the bodies that abandoned this place.

Old hopes
Conversed
In hushed tones
Or not at all

The maddening
Clock ticks
Inflaming
A sense of urgency
The pungent suffocating
Stench of death
Draws closer
And surrounds

How unsettling it is
For the sun to
Keep shining

Smiles
On their faces
Do they not see
The troubles
The shade of ruin
Impregnating the skies

Bound by limitations
And yet all they perceive
Are iridescent rainbows  
In a world without hue.

It's almost 2am.
I'm kind of laying here in the hot, unnatural heat.
I miss you a little bit.
My insomnia has been bad lately.
I guess you're okay.
I'll just write about you for awhile until I drift off into the colourless world of pretend realitys promising to bring you back to me.

My days crawl in a vapid succession
My eyes fixated upon the inscrutable way
In which pastel days fade into pallid nights
Languid sunrise dwindles into dreary sunsets
As I wander in between listlessly
Gathering it's dusty remnants
And threading them together
In unembellished phrases
Hackneyed to death
As the first weary ray of dawn
Ruffles through my hair
I yawn, sigh
and repeat again

a thousand colours
and leaves of grass
i realise i am
alive and well.
i am breathing
polluted aire.
inhaling deeply
every impurity
and welcoming death.

e.s.s.

I took the plunge into your sea.
Oh, you know what?
I am now hooked forever
on its colourless colour.

******* out a cloud-bubble.
Black or white, it doesn’t matter.
Sprinkle some drops
in your pious colourless style.
Watch, it shines and sizzles
in renewed hues
across the land and over the blooms.
Still, in the end, remains a potion,
an intact drop:
The untouched ocean down the moon!

She came among us from the South
  And made the North her home awhile
  Our dimness brightened in her smile,
Our tongue grew sweeter in her mouth.

We chilled beside her liberal glow,
  She dwarfed us by her ampler scale,
  Her full-blown blossom made us pale,
She summer-like and we like snow.

We Englishwomen, trim, correct,
  All minted in the self-same mould,
  Warm-hearted but of semblance cold,
All-courteous out of self-respect.

She woman in her natural grace,
  Less trammelled she by lore of school,
  Courteous by nature not by rule,
Warm-hearted and of cordial face.

So for awhile she made her home
  Among us in the rigid North,
  She who from Italy came forth
And scaled the Alps and crossed the foam.

But if she found us like our sea,
  Of aspect colourless and chill,
  Rock-girt; like it she found us still
Deep at our deepest, strong and free.

The landscape is colourless, featureless
What defines it is the sky
The crashing clouds and circulating wind
That flies beyond our human sight and
Cuts the horizon beyond its borders.

Sometimes it changes like the flow of
Time, the universe and everything
Can you see it morphing?
In your deep eyes, those flashes of light
Mean nothing but colour.

What is colour to us?
What is colour to me?
Colour is nothing
For colour only decorates and
Says nothing substantial
Giving it life while
Taking ours away
Like blinking specks of diminishing light.

You are colourless in my eyes.