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sanch kay Jan 2016
pinecones are
childhood summers spent tripping over the syllables of dense forests
folded somewhere between real world Europe and my very real imagination,
nestled against each other on bookshelves made of pinewood -
a childhood game of hide and go seek pressed in photo albums
where a version of me lived;
a version of me who delighted my mother and father,
a version who to me remains a stranger -
smiling gap toothed, shoes in snow boots,
sticky fingers pressing pine cones against her nose -

the present, a fragrance;
the future, a rolling pine forest.

pinecones are what the years between 17 and 19 felt like
in perennial wanderlust,
soul spliced into shards trying to make sense of
everything I felt and everything I thought;
everything I needed and everything I still want.
pine cones perfume the edges of a dream
dipped in the streams and stories of far-off lands,
pine cones are the crutches of a crippled mind
still building a new home for itself
in the basements of other people’s hearts.

pinecones are
platforms which I danced from,
leaping limber, slaying fear, the win always near;
pine cones are a reminder that while
a man can break his shoulder trying to tear one from the tree,
the true mark of bravery lies in how well you can break free.

pine cones are
the skeletons upon which hang the colourless drapes of my future
before stepping into galactic puddles that splash colour
all over every unmade plan,
memories’ strands shining technicolour through translucent skin -
the touch of your fingers no longer feel like sins.

pine cones are young green and supple,
seeds of love lust and chance encounters
that blaze into fiery shades of yellows and oranges,
every colour turning a tinge darker, a daily time marker;
pine cones are what remain, dark and unyielding
after a lifecycle of fires starting
and dying
within the embers of consciousness.
hello, memory.

— The End —