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Carl Halling Jun 2015
This place is always a little lonely
At the weekends...no noise and life;
I like solitude,
But not in places
Where's there's recently been
A lot of people.
Reclusiveness protects you
From nostalgia,
And you can be as nostalgic
In relation to what happened
Half an hour ago
As half a century ago, in fact more so.
                                                            
I went to the Xmas party.
I danced,
And generally lived it up.
I went to bed sad though.
Discos exacerbate
My sense of solitude.
My capacity for social warmth,
Excessive social dependence,
And romantic zeal,
Can be practically deranging;
It's no wonder I feel the need
To escape...
                                                       ­     
Escape from my own
Drastic social emotivity,
And devastating capacity
For loneliness.
I feel trapped here;
There's no
Outlet for my talents.
                                                        ­    
In such a state as this,
I could fall in love with anyone.
The night before last,
I went to the ball,
Couples filing out,  
I wanted to be half of every one,  
But I didn't want to lose * * *.  
I'll get over how I feel now,
And very soon.
Gradually I'll freeze again,
Even assuming an extra layer of snow.  
I have to get out of here.
A Cambridge Lamentation centres on my brief stay at a teacher training college contained within the University of Cambridge, with its campus at Hills Road just outside the city centre. A fusion of previously published pieces, it was primarily adapted from an unfinished and unsent letter, penned just before Christmas 1986, but never sent.
Carl Halling Aug 2015
I feel at one with sweethearts
Through the years,
With the wartime lovers
Who went overseas,
All the shattered hearts,
All the rivers of tears,
I feel them all.

Verses of love,
Lovers who must part,
Portraits of love
Worn so very close to the heart,
All the lovers lost,
Loves that never even start,
I feel them all.
"All the Rivers of Tears" was originally part of the coda of a song written in ca. 1999.
Carl Halling Jun 2015
As a young man,
I was always obsessed
By melancholy.
I saw deep sadness,
The quality
That so tormented my heroes,
Such as Arthur Rimbaud,

And Montgomery Clift,
As glamorous and romantic,
But it’s not…
It’s not remotely romantic,
When you yourself are adrift,
And weighed down,
By a multitude of woes.
Based on diary notes from 19/3/14.
Carl Halling Jun 2015
I remember the grey slithers of rain,
The jocular driver
As I boarded the bus
At Temple Meads,
And the friendly lady who told me
When we had arrived at the city centre.
I remember the little pub on King Street,
With its quiet maritime atmosphere.
                                                                  
I remember tramping
Along Park Street,
Whiteladies Road and Blackboy Hill,
My arms and hands aching from my bags,
To the little cottage where I had decided to stay
And relax between rehearsals,
Reading, writing, listening to music.
I remember my landlady, tall, timid and beautiful.
The origins of "An Actor Arrives" lie in the barest elements of a story started but never finished in early 1980, while I was working at the Bristol Old Vic playing the minute part of Mustardseed in a much praised production of Shakespeare's "A Midsummer Night's Dream. It was originally rescued in 2006 from a battered notebook in which I habitually scribbled during spare moments offstage while clad in my costume and covered in blue body make-up and silvery glitter. And while doing so, some of the glitter was transferred from the pages with which they were stained more than a quarter of a century previously onto my hands...an eerie experience indeed.
Carl Halling Oct 2015
It’s happening again,
Such unbearable pain,
And if my soul is crying
As my heart is breaking, then that’s fine…

I’ve let so many people down,
Lost so many beautiful opportunities
I feel so failed and forlorn,
But is that really such a tragedy?

Perhaps, rather,
It’s a positive thing,
Shouldn’t a true artist be suffering?
At least I’m feeling something…

It’s happening again,
Such unbearable pain,
And if my soul is crying
As my heart is breaking, then that’s fine…
For some time now I've been prone to spells of abyssal sorrow that come, remain for a week or less, and then pass; and I wrote this piece straight from the heart during one such recent spell, although I no longer identify with it.
Carl Halling Mar 2018
I go back,
Though sometimes it’s filled with pain,
I go back,
‘cos nothing will be the same
Precious places
I first knew,
When life and youth,
And hope were new
I flow back,
And memories flow back too.
'And Memories Flow Back Too' started life as a song written in ca. 2017, and recorded in that year or the next.
Carl Halling Jul 2017
I yearned for another,
Who wasn’t you,
But she wasn’t there,
Unlike you,
At a long lost party
In old Cambridge town.

Did I fall
Just a little for you,
While longing for another,
Who wasn’t you,
At a long lost party
In old Cambridge town.
While the preponderance of this piece was penned over the course of the evening of 3 June 2017, minor modifications took place on the 4th, almost certainly between 7 and 8.30 am, and then again on the 6th; while the 16th witnessed the removal of an entire verse to produce the definitive version.
Carl Halling Jul 2015
South Pacific, Jiminy Cricket,
This world
I tried to gain access,
I tried to write
A book
That would capture
All my happiness,

Full of romance,
Life that was enhanced
By beauty and love,
Carousel and Disneyland,
Babycham deers
And romantic lands,
These patterns I wove.
Babycham Deers and Romantic Lands was recently versified, having been reproduced verbatim from a song written when I was ca. 19 years old.
Carl Halling Jun 2017
One summer’s eve in Spain,
I fled through an open window,
Butterflies aflight
In the very pit of me,
And I tramped the streets,
My heart abrim
With such a love,
But a love now long gone.

With my final matches,
I forged a heart
At that maiden’s doorstep;
I was like a thief,
On that torrid night,
My heart abrim
With so much love,
But a love now long gone.

And what of the maiden in azure?
O! What an inferno raged
Within my soul for her,
But that love
Never bloomed beyond a dream,
My heart abrim
With such a love,
But a love now long gone.
'But a Love Now Long Gone' was written in late June 2017 as a translation of a song, originally penned in French around 2013, itself based on an earlier - autobiographical - song dating from when I was about 19.
Carl Halling Jan 2017
Costa Calida sun,
I hope we’re reunited,
Though I can’t say when,
I may see you again,

Costa Calida sun
Means memories romantic,
Of when that I was young,
Memories of Spain.
'Costa Calida Sun' was written specifically as a song in 2016.
Carl Halling Jul 2015
Auto-annihilation is stupid,
It breaks hearts.
And ruins lives,
I hate that I was ever self-destructive,
I rue the day I became entranced
By its shadowy charisma,

While alcohol spoiled my life:
Poor Jo-Jo was right
To warn her cherished daughter
Of its insidious malignancy.
I was one of the felicitous ones
In that it didn’t entirely destroy me,

But despite its lack of glamour,
In comparison to
other more romanticised intoxicants,
It’s among the most lethiferous of drugs
That stole from me
What remained of my gorgeous youth.
Taken from diary notes from 22 to 23 August, 2014.
Carl Halling Jul 2015
O how
Ruefully I pine
For a long lost Espanya,
What I wouldn't give,
To be young again...
And happy as I was back then...

Maria, full of peace,
Do you remember
Francis Albert
Sing songs of Tom Jobim
That mournful afternoon...
Happy as you were back then...

O for
That wide-eyed
Impression of yours,
Paquita La de Murcia
Of your beloved Marilyn...
Happy as you were back then...

O how
Ruefully I pine
For a long lost
Espanya,
What I wouldn't give,
To be young again...
And happy as I was back then...
For a Long Lost Espanya, recently versified, was based on diary notes dating from 28/3/14.
Carl Halling Jul 2015
I was in a ****** bar,
Or public house,
Being threatened,
For something I’d done.
Darting furiously…
Through city streets,
Running, running,
For something I’d done.
My companion hailed,
And stopped a bus,
Its metal doors flew open,
For something I’d done.
Had to get to them,
Had to get through them,
Under furious pursuance,
For something I’d done.
Taken from diary notes from 15/9/14, but inspired by a dream.
Carl Halling Jul 2015
my paris begins with
those early days
as a conscious flaneur
i recall the couple
seated opposite me
on the metro
when i was still innocent
of its labyrinthine complexity
slim pretty white girl
clad head to toe in denim
smiling wistfully
while her muscular black beau
stared through me
with fathomless orbs
and one of them spoke
almost in a whisper
qu'est-ce-que t'en pense
and it dawned on me
yes the young parisienne
with the distant desirous eyes
was no less male than me

dismal movies
in the forum des halles
being screamed at in pigalle
and then howled at again
by some kind of madman
or vagrant who told me
to go to the bois de boulogne
to meet what he saw
as my destiny
menaced
by a sinister skinhead
for trying on tessa's
wide-brimmed hat
getting ****** in les halles
with sara
who'd just seen
dillon as rusty james
and was walking in a daze
sara again with jade
at the caveau
de la huchette jazz cellar

cash squandered
on a gold tootbrush
two tone shoes
from close by
to the place d'italie
portrait sketched
at the place du tertre
paperback books
by symbolist poets
but second hand volumes
by trakl and deleve
and a leather jacket
from the marche aux puces
porte de clignancourt
losing gary's address
scrawled on a page
of musset's confession
walking the length
and breadth of the rue st denis,
what an artist's paradise
(as juliette once wrote me).
Carl Halling Nov 2015
There was a sadness I revered
But never possessed,
Because there was youth
And hope to spare,

But as youth ebbs,
And hope recedes,
I know that sadness for real,
And how sad true sadness feels.
"How Sad True Sadness" is a short piece torn from me during a recent period of intense sorrow that lasted for a bout a week, but which has since passed, so that I no longer identify with the sentiments expressed.
Carl Halling Jul 2017
When I was young,
I was so carefree,
At least that’s how
It seems to me,
Isn’t it strange,
How things turn out to be?

Full of hope,
Full of passionate dreams,
A thrilling new world
Lay right before me,
Isn’t it strange,
How things turn out to be?

Glass half full,
Then it’s half empty,
My mood can change
So very unpredictably,
Isn’t it strange,
How things turn out to be?
'How Things Turn Out to Be' is, as the lyrics make manifestly clear, a song from one of my episodic ‘glass half empty’ periods, this one dating from 2016.
Carl Halling Apr 2018
You told me that your name was Maria,
And that you came
From the Netherlands,
But you looked more like a Latina,
With flowing dark hair,
Perhaps a natural tan,

I was in love,
So much in love,
But I let love pass me by,
All through my life,
So much of my life,
I have let love pass me by.

You left me with a casual ‘I’ll see you’,
But I looked for you
All over London town,
It’s like that I was paralysed with fear,
I could have sworn
I saw you on the underground,

I was in love,
So much in love,
But I let love pass me by,
All through my life,
So much of my life,
I have let love pass me by.
'I Have Let Love Pass Me By' began life as a song, based on a melody I sketched out when I was 18, and with sketchy lyrics related to a lost love, while new lyrics were recently written as of April 2018, but still referring to the same incident of lost love that took place when I was 18.
Carl Halling Sep 2015
What was I thinking,
I let you go,
I wasn't drinking, still
I let you go,
Where was my head at to
Let you go,
I can't accept that I just
Let you go.
                                                                    
I wish I could make
Amends,
So we could at least
Be friends,
I have no real
Reason why,
I let you
Say goodbye.
                                                                    
Did I confuse you when
I let you go,
Such a fool to have
Let you go,
You were so precious, still
I let you go,
Worth more than jewels, still
I let you go.
                                                                    
I wish we could
Start again,
I'd be quite
A different man,
I've learned quite a lot
Since then,
I know how
To keep a friend.
                                                                    
We could meet up in the
Centre of town,
And I'd explain my motivations,
About how I came
To let you down,
And all those other
Explanations,
And crazy complications.
                                                                    
I'm not asking for
Romance,
Just give me half
A chance,
I’ve come to have
A good, kind heart,
So how about
A brand new start.
                                                                    
What was I thinking,
I let you go,
I wasn't drinking, still
I let you go,
Where was my head at to
Let you go,
I can't accept that I just
Let you go.
"I Let You Go" was adapted from  a series of songs, some new, some reworkings of ancient tunes, recorded in 2003.
Carl Halling Nov 2016
He had no insight into the mysteries
Of the gilded sports
Of the British social elite,
By the time he arrived at his beloved college,
Long, long ago in a long-forgotten England,

And in later years, when he looked back at his beloved college,
He'd insist if he possessed a single quality
That might be termed noble
He owed it to his education,
And not least the four years he spent there,

And there’d be times when certain pieces
Of quintessentially English pastoral music
Still had the power to evoke his strange and sudden flight,
While seeming to him to bespeak a passion
For the Arcadian soul of England that verged on the ecstatic,

And others when he’d dream of a day
He might return to the scene of his flight as if in atonement,
And commune with the soul of his beloved England,
With a passion verging on the ecstatic,
And then put the memory to rest for all time,

For he absconded once...just the once it was...
To avoid being chastised for something foolish he did,
And he finished up wandering, forlornly wandering,
His boots freshly caked with the purest English soil,
Long, long ago in a forgotten field in England.
'In a Forgotten Field in England' was distilled in late 2016 from an autobiographical piece entitled 'Leitmotifs from an English Pastorale', dating from several years earlier, and which will ultimately undergo a process of systematic marginalization, as I no longer identify with it to any degree.
Carl Halling Aug 2015
Dear, I haven't been in touch
For a long time.
Sorry.
The last time I saw you
Was in St. Christopher's Place.
It was a lovely evening...
When I knocked that chair over.
I am sorry.
Since then,
I've had not a few accidents
Of that kind.
                                                              
Just three days ago,
I slipped out in a garden
At a friend's house...
And keeled over, not once,
Not twice, but three times,
Like a log...clonking my nut
So violently that people heard me
In the sitting room.
What's more,
I can't remember a single sentence
Spoken all evening. The problem is...
"Incident in St. Christopher’s Place" is also known as "A Letter Unsent", because it was based precisely on that, a letter, written to a close friend, almost certainly in the early 1990s, but never sent.
Carl Halling Jul 2016
In every case, there is a sorrow
Attached to advancing age,
And the decline attendant upon it,
Decline physical, mental, emotional,
In every case, there is a sorrow.

But somehow, there is a special sorrow,
In the pathetic tears
Of an ageing man,
Looking back at the thousand plus follies
Of a stupidly misspent youth,

But somehow there is a special sorrow,
Attached to those who look back
With eyes filled with the tears
Of fathomless and torturous regret,
And of promise unfulfilled.
'In Every Case There Is a Sorrow' is a recent piece, patently inspired by one of those periodic bouts of, well, sorrow, to which I'm subject, but with which I am at present unable to identify.
Carl Halling Jul 2015
In Hamburg I loved
A strange girl,
She put my whole being
In a whirl,

She spurned everybody
But me,
I made her happy,
In Hamburg.

But if she had
Spurned me,
I'd have looked her in the eye,
And run away,

And in my room,
I would have cried,
I might even have died,
In Hamburg.
In Hamburg I Loved a Strange Girl was recently quite faithfully adapted from a song written when I was ca. 18 years old.
Carl Halling Aug 2015
Kind faces smiling,
Nodding politely at words
They don’t seem to understand.
Show me pictures
Showing the richness of
A faraway distant land.
Multicoloured motor cars,
Brown apartments rising high
In Puerto Rican skies.
"In Puerto Rican Skies" was based on a song I wrote at 18 years old, and hasn't changed a whole lot since.
Carl Halling Jan 2017
I feel a deep, deep sorrow,
As life nears its final page,
The hardship that comes with age,
I simply can’t help but rage,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.

I feel a deep, deep sorrow,
In promise that’s unfulfilled,
In youth that has been misspent,
In a life with so much regret,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.

Angel, I remember you,
I’ve missed you for so long,
Angel, you belong
To memories,

Angel, when I think of you,
I hear sad romantic songs,
Songs that make me long
For yesterday.

I feel a deep, deep sorrow,
As life nears its final page,
The hardship that comes with age,
I simply can’t help but rage,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.
'In Remembrance of My Lost Angel' was written ca. 2016 as a lyric to a song, originally featuring different lyrics, and dating from towards the end of the millennium.
Carl Halling Aug 2015
And so the party...Zoë
Called me...I listened
To her problems;
References
To my innocent face.
Linda said:
"Sally seems elusive
But is in fact,
Accessible;
You're the opposite -
You give to everyone
But are incapable
Of giving in particular."

Madeleine was comparing me
To June Miller;
Descriptions by Nin:
"She does not dare
To be herself..."
Everything I'd always
Wanted to be, I now am.
"...She lives
On the reflections
Of herself in the eyes
Of others...
There is no June
To grasp and know."

I kept getting up to dance
Sally said: "I'm afraid;
You're inscrutable;
You're not just
Blasé
Are you?"
I spoke
Of the spells of calm,
And the hysterical
Reactions,
Psychic exhaustion,
Then anxious elation.
"I Spoke of the Spells of Calm", also known as "Gallant Festivities" was based on a series of informal diary notes dating from 1981 to '83.
Carl Halling Aug 2015
She's precious as can be,
She means so much to me,
So much to me.
She spells generosity,
And she's always been
A friend in need.
Been so many years
Since that we
First met in our heyday,
So young and so free,
Sun-soaked days,
No tears, no cares,
Back in our heady heyday,
What I'm trying to say,
Is I think the world of she.

She's tender as can be,
Her kindness is for real,
So real for me,
She sends her warmth to me,
Like gentle poetry
That I can feel.
Been so many years
Since that we
First met in our heyday,
So young and so free,
Sun-soaked days,
No tears, no cares,
Back in our heady heyday,
What I'm trying to say,
Is I think the world of she.
"I Think the World of She" first saw the light of day in the shape of a song composed for a close friend in what I believe to have been 2002; perhaps '01.
Carl Halling Aug 2015
Love, you've left me once again,
Gone to catch an early plane,
Where you gonna fly this time,
In search of the perfect clime?

I am the one you leave behind,
Worried out of my tiny mind,
I was the one who saw you through,
I need your care and loving too.

Love, you've left the happy home,
You've pledged your solemn word you'll phone,
But I would rather you were here,
You've no conception of my fear.

Halfway across a crazy world,
Is no place for such an unknowing child,
If only you could see me cry,
Then maybe you'd stop to wonder why.
"Left Me Once Again" was written as a song in 2003, but never recorded, having been inspired by the true life adventures of a beautiful young English backpacker of the mid 2000s.
Carl Halling Aug 2015
If I fell in love with you,
I would like to
Make my dreams come true,
You could fulfill all yours too,
So come on, honey,
Just one look will do,
I'll lose my heart to you,
Like all the moonstruck do.
                                                                    
We could go all round the world,
Just like other
Moonstruck boys and girls,
So come on, honey, don't be scared,
We are only young once,
Say the word,
I'll lose my heart to you,
Like all the moonstruck do.
                                                                    
Bali, Frisco, Rio, or wherever
You may choose,
The world's our oyster, honey,
There'll be no more bad news,
We could leave tomorrow,
I tell you we can't lose,
We will soon be
Saying bye bye to those blues.
                                                                    
If I fell in love with you,
I would like to
Make my dreams come true,
You could fulfill all yours too,
So come on, honey,
Just one look will do,
I'll lose my heart to you,
Like all the moonstruck do.
"Like All the Moonstruck Do", also known as "I’ll Lose My Heart To You", was written as part of a series of songs, in 2003.
Carl Halling Jul 2015
Until recently, I had the impression
Of decaying
Along with the moral standards
Of contemporary Europe,
With London as the lieu
To which all Autoroutes lead.
                                                           ­         
In my room, I was surrounded
By debris
Of my existence,
Lacking the will even to clear
The carpet, whose colour,
Incidentally I came to forget.
                                                         ­           
I ceaselessly tampered with my hair,
Growing it long,
Having it cropped, hennaing it red,
Dyeing it blue-black, bleaching it near-white;
It fell out in bunches,
Desiccated and exhausted.
                                                      ­              
My face grew sallow and haggard,
With bloodshot, inflamed,
Glazed, blue-ringed orbs,
And bitten, bloated, ravaged lips.
My body lost its athletic aspect,
And became shapeless and emaciated.
"London as the Lieu" first existed in prose form in the 1980s as part of an absurd - which is to say entirely fictional - unfinished story.
Carl Halling Jul 2015
Yesterday for my birthday,
I started off
with a bottle of wine...
I took the train
into town...
I had half a bitter
at the Cafe de Piaf
in Waterloo...
I went to work
for a couple of hours or so;
I had a pint after work;
I went for an audition;
after the audition,
I had another pint
and a half;
I had another half,
before meeting my mates,
for my b'day celebrations;
we had a pint together;
we went into
the night club,
where we had champagne
(I had three glasses);
I had a further
glass of vino,
by which time,
I was so gone
that I drew an audience
of about thirty
by performing a solo
dancing spot
in the middle
of the disco floor...
We all piled off to the pub
after that,
where I had another drink
(I can't remember
what it was)...
I then made my way home,
took the bus from Surbiton,
but ended up
in the wilds of Surrey;
I took another bus home,
and watched some telly,
and had something to eat
before crashing out...
I really, really enjoyed
the eve, but today,
I've been walking around
like a zomb;
I've had only one drink today,
an early morning
restorative effort;
I spent the day working,
then I went to a bookshop,
where, like a monk,
I go for a day's
drying out session...
Drying out is really awful;
you jump at every shadow;
you feel dizzy,
you notice everything;
very often,
I don't follow through.
“Lone Birthday Boy Dancing”, which was almost certainly drafted on 8 October 1992, or perhaps a year earlier - serves to evoke a twilight mood, with the birthday boy performing his Dionysian solo dance in defiance of the wholesale ruin of mind, body and soul he's so obviously invoking.
Carl Halling Aug 2015
From morn to friendless night,
He tramps the streets,
Just in case he might
Come across her, he's a tragic sight,
But he doesn’t care,
Love gives him might,
He haunts the cafes and the discos
And the bars, so lovelorn.
                                                              
He knows that he won't find her,
But he's got to keep on trying,
It gives some meaning
To his life,
It gives some substance
To his time,
It is his motive, and his project,
And his plan, so lovelorn.
                                                              
He only met her once,
But it changed his life,
And it changed his type,
And it changed his mind,
And he threw it all up,
As if he'd gone insane,
And he took to the streets,
And another man was born.
                                                              
They say love comes but once
For some, but when it does,
It's like a mighty
Atom bomb inside,
A disease that seizes
A gentle soul,
And if it comes for you,
You'd better try to hide.
                                                              
From morn to friendless night,
He tramps the streets
Just in case he might
Come across her, he's a tragic sight,
But he doesn't care,
Love gives him might,
He haunts the cafes and the discos
And the bars, so lovelorn.
"Lovelorn in London Town" existed initially as part of a series of songs written in 2003, although the music had already been written for a different set of lyrics.
Carl Halling Jun 2019
I go back, though
Sometimes it’s filled with pain,
I go back, ’cos
Nothing will be the same,
Precious places
I first knew,
When life and youth
And love were new,
I flow back, and
Memories flow back too.
'Memories Flow Back Too' began life as an idea for a song around about the decadal midpoint, only to be reworked both as a song and piece of verse some three years later in early 2018, with a final edit taking place on the 28th of June 2019.
Carl Halling Aug 2017
O how
Ruefully I pine
For mi pueblito perdido,
What I wouldn’t give,
To be young again,
And happy as I was back then.

Maria, full of peace,
Do you remember
Francis Albert softly keening
O Amor Em Paz,
And other songs by Jobim,
Happy as you were back then?

O for
That wide-eyed
Impression of yours,
Paquita (la de Murcia),
Of your beloved Mary Lyn,
Happy as you were back then.

O how
Ruefully I pine
For mi pueblito perdido,
What I wouldn’t give,
To be young again,
And happy as I was back then.
Spain, Happy, Sinatra, Murcia, Young
Carl Halling Aug 2015
my life story
is littered
with the ghosts
of golden
opportunities gone.
"My Life Story" was adapted - as I recall - from an email sent to a friend possibly around 2010.
Carl Halling Sep 2015
One day I'd like to go
In search of my past,
Of all the memories
Of my youth.
I cry for all my souvenirs,
And I dream of a future,

Where I can atone
For all the follies
Of my existence,
And where I might
Contemplate my past
In peace at long last.
"My Past in Peace at Long Last" has been based on the portion, originally in French,  recently added to a song written in 2003, and which I translated not so long ago.
Carl Halling Jul 2015
My travels start
Right here
Deep in my mind
My travels take me just where
I please I don't have
To leave my warm room

My travels start
Sixteen sun
Beating down
Sinatra's crooning Jobim
And I'm just dreaming of my
Great romance to come

I don't need a little ticket
Tells me I can take the train
I don't even to risk it
There's no blistering sun
Or driving rain
And it's here that I remain

My travels end
With a sweet
And peaceful time
I've found such sense deep within
No more will I feel
The need to go travelling again.
Written in 2003 as a song lyric, as part of a series of songs.
Carl Halling Jul 2015
The legs started going,
Howlings
In my head.
Thought I'd go,
Kept awake with water,
Breathing,
Arrogantly telling myself
I'd stay straight.
Drank gin and wine,
Went out,
Tried to buy more,
Unshaven,
Filthy white shorts,
Lost, rolling on lawn,
Somehow got home.
Monday, waiting for offie,
Looked like death,
Fear in eyes
Of passers-by,
Waiting for drink,
Drink relieved me.
Drank all day,
Collapsed, wept;
"Don't Die on Me."
Next day,
Double brandy
Just about settled me,
Drank some more,
Thought constantly
I'd collapse;
Then what?
Fit? Coronary?
Insanity? Worse?
Took a Heminevrin,
Paced the house
All night,
Pain in chest,
Weak legs,
Lack of feeling
In extremities,
Visions of darkness.
Drank water
To keep the
Life functions going,
Played devotional music,
Dedicated my life
To God,
Prayed constantly,
Renounced evil.
Next day,
Two Valiums
Helped me sleep.
By eve,
I started to feel better.
Suddenly,
All is clearer,
Taste, sounds,
I feel human again.
I made my choice,
And oblivion has receded,
And shall disappear.
"Oblivion in Recession" first existed as a series of rough notes scrawled on a piece of scrap paper in the dying days of January 1993, although I can't for the life of me recall any howlings in my head.
Carl Halling Jul 2019
Oh! With what unspeakable anguish
Do I regret the vocation
I came so close
And so oft to having
The sweet acclamation
That might have been mine.

Had I tried and failed,
That would scarcely concern me,
Yet, I squandered my resources
Time and time again,
And failed so unnecessarily,
That is what so torments me.

I only wish I could contemplate
More than a mere handful
Of past achievements with pride
And satisfaction,
But even this paltry compensation,
Remains stubbornly beyond me.

Oh! With what unspeakable anguish
Do I regret the vocation
I came so close
And so oft to having
The sweet acclamation
That might have been mine.
'Oh! With What Unspeakable Anguish' almost certainly dates from late May 2019, when it was conceived in a state of genuine anguish (as clearly evidenced by the piece’s title), related to my past; although this has since faded, so that I don’t feel it so intensely at the time of writing, viz., a little under two months after it assumed its final shape on the 16th.
Carl Halling Aug 2020
I’m so sorry, my beloved old friend,
I didn’t even know you had gone,
That you had left us very suddenly,
Some twenty years ago last February,
Please forgive me, my beloved old friend,

For failing to see you more frequently,
For I might have provided some comforting,
Even lessened your terrible suffering,
But I only found out recently,
Please forgive me, my beloved old friend.
Written 2020.
Carl Halling Jul 2015
I was happy,
TV nightly,
As a family,

Simple pleasures,
Any Umbrellas,
Family holidays,

I was happy,
Perhaps the world was happy,
Or happier at least.
From 2014.
Carl Halling Dec 2019
Oh, at long last
I’ve found you,
Only the news
Ain’t so good,
Seems you found love,
You seem happy,
And so fulfilled,
But did I think that
You’d be lonely
For all those years?
Oh, what was I
Looking for?
You tried so hard,
But I never thawed,
Seems you found love,
I’m so unhappy,
Cos I never knew
What I found and,
What I lost and,
How much I’d miss you.
Seems You Found Love was born of a sudden attack of heartache dating from around the 4th to the 6th of March 2019, and was subject to some editing some five months later to create the definitive version.
Carl Halling Aug 2015
Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?
                                                                    
Stuck in your room
With your winter curtains drawn,
While the suburbs
Are all bathed in sun.
                                                                    
No more winter time lows,
Only joy now because
We can shake off the blues,
Love, there's no time to lose.
                                                                    
We can go for a cruise
Down the Thames
Or down the Ouse,
Or just snooze under summer's sun,
                                                                    
Find a village green,
Watch some cricket,
Take some tea, as you please,
Summer's made for fun.
                                                                    
Get some sweet summer air,
Feel the breeze in your hair,
Forget that sad old affair,
He's not worth all the tears.
                                                                    
Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?
See That the Summer’s Come was adapted from a song, part of a series of songs, some new, some reworkings of ancient tunes, recorded in 2003.
Carl Halling Oct 2015
I was sad today;
Because you begged me
To think of your good points,
And I never told you any.

Rest assured there are many,
Very many, I would have liked
To have told you them
There and then.

I tell you so much about my past,
Quite a lot of which is conflictive,
As if several mes
Were struggling for supremacy.

Much of the time,
There was a pretty normal me;
Oh don't get me wrong,
I was always an attention-seeker,

But I really do genuinely struggle
To make sense,
I really do genuinely struggle
To make sense of me in the past.
"Sense of Me in the Past" originally emerged from what I think was an email sent to a friend, being ultimately turned into a piece of writing, which only emerged in definitive form today, which is to say, the 3rd of October 2015.
Carl Halling Jul 2015
It was she, bless her,
who followed me...
she’d been crying...
she’s too good for me,
that’s for sure...
“Your friends
are too good to you...
it makes me sick
to see them...
you don’t really give...
you indulge in conversation,
but your mind
is always elsewhere,
ticking over.
You could hurt me,
you know...
You are a Don Juan,
so much.
Like him, you have
no desires...
I think you have
deep fears...
There’s something so...so...
in your look.
It’s not that
you’re empty...
but that there is
an omnipresent sadness
about you, a fatality...”
"She Dear One Who Followed Me" first existed as a series of scrawled notes based on several conversations I enjoyed with the dear one of the title, in 1982 or '83.
Carl Halling Aug 2015
I'm a restless man
I am never
Still
I'm always spurred on
By some perverse
Will
The grass is never
Green
No peace here
To find
Some demon
Of motion's
At work within my
Mind
No bed is too soft
That I won't
Abandon
Its sweet calm
And comfort
For a softer
One
I'm a restless man
I am never
Still
I'm always spurred on
By some perverse will.
"Some Perverse Will" dates from about 1980, and how much of it is reflective of my mind in that year, I can't say, as I no longer identify with its sentiments to any degree; but I may have been at least partially straining for effect.
Carl Halling Aug 2015
"Temper your enthusiasm,"
She said,
"The extremes of your reactions;
You should have
A more conventional frame
On which to hang
Your unconventionality."
"Don't push people,"
She said,
"You make yourself vulnerable."

She told me not to rhapsodise,
That it would be difficult,
Impossible, perhaps,
For me to harness my dynamism.
The tone of my work,
She said,
Is often a little dubious.
She said
She thought
That there was something wrong.

That I'm hiding
Some sad
Dark secret from the world.
"Temper your enthusiasm,"
She said,
"The extremes of your reactions;
You should have
A more conventional frame
On which to hang
Your unconventionality."
Some Sad Dark Secret was inspired by words once spoken to me by a former tutor and mentor of mine at university in London in around 1982 or '83, as well as my own reflections on them from the same era.
Carl Halling Jul 2019
Dear one, what did you say?
A dining hall, a distant day,
It seems it was time
For goodbye,
Speaking of my eyes,
‘They shine so bright’,
Words said (or words of this kind),

If this was true and that they did,
Because of feelings that I hid,
I must have longed
For you to stay,
But I didn’t beg you, ‘please don’t leave!’
I must have seemed so cavalier,
And something precious had to fade.
'Something Precious Had to Fade' was written in 2018 as a song of lingering regret for a romance lost several decades ago.
Carl Halling Jul 2017
Soon, I’ll sleep again,
I will feel no pain,

For a little time,
Peace will be all mine.

My mind will seek
Freedom from the past,

I’ll be carefree,
Although it will not last.

Soon, I’ll sleep again,
I will feel no pain.
'Soon, I’ll Sleep Again' dates from 2017, beginning life as a song which evolved by degrees into the versified piece featured below, and which accurately reflected my state of mind, even while my mood ultimately lifted.
Carl Halling Sep 2020
Soon, I’ll sleep again,
And I will feel no pain,
For a little time,
Peace will be all mine,
My mind will seek
Freedom from the past,
And I’ll be carefree,
Although it will not last.
'Soon, I’ll Sleep Again' dates from early 2017, having begun life as a song which evolved by degrees into the versified piece featured below, which includes further revisions made in September 2010, and while it accurately reflects my state of mind at the time of its original creation, my mood ultimately lifted.
Carl Halling Jul 2019
Another me
There was another me
But not the better me,
But so carefree,

A better me,
That’s who I am today,
So secluded that I may be
A better me,

I brought
Happy go lucky joy,
To many,
You might say I was a golden boy,

A better me,
That’s who I am today,
So secluded that I may be,
A better me,

I can’t be the madcap
I used to be,
Simply,
I would not wish to be,

A better me,
That’s who I am today,
So secluded that I may be,
A better me.
'So Secluded That I May Be' was completed as an autobiographical song lyric on 10 December 2018.
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