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Carl Halling Jul 2019
I betrayed myself
During my younger days,
And opened myself up to shame,
I betrayed myself
During my younger days,
Over and over again,

And there are times
That knowing what I did
Is too much for me to stand,
And there are times
That knowing what I did
Is a source of the utmost pain,

I betrayed myself
During my younger days,
Repeatedly wrecked my dreams,
I betrayed myself
During my younger days,
Over and over again.
'Source of the Utmost Pain' was completed to my satisfaction on 26 March 2019, although it would not receive its title until early the following July, by which time the authentic unhappiness that inspired its creation had mercifully retreated into the background of my day to day existence.
Carl Halling Jul 2015
Two days ago, I decided
To realise
Some cherished memories
Of my beloved little pueblo;
So I drank about five glasses
Of Monteviejo
In preparation for
The rediscovery of
The town of my heart.
Firstly, I sat in the bar
Where I used to meet
All my friends,
And was assaulted
By the prices of the drinks
And the volume of the music.
I searched the place
With my eyes
For the innocence and laughter
Of yesteryear, but in vain.
The young people are forced
Into tight little groups,
So atmosphere
Is ponderous and alienating.
Where is the fun?
The wild and foolish socialising?
The comic local music?
All gone. I could cry.
Oh, these nerves, this living death.  
I am so full of fear,
Lethargy and fury,  
I can hardly function.
There's a lack of innocence
Of simplicity
And is this change
From deep within me?
The freedom,
The spark of youth
Is gone,
Or have I merely lost it?
Sophistication spoils,
The city ravages,
Senses refined
By knowledge and wine.
"Spark of Youth Long Gone" was based on an unfinished story written either in the late '70s or early '80s, in the spirit of the would-be "tortured artist", absurd, melodramatic.
Carl Halling Aug 2015
the catholic nurse
all sensitive
caring noticing
everything
what can she think
of my hot/cold torment

always near blowing it
living in the fast lane
so friendly kind
the girls
dewy eyed
wanda abandoned me
bolton is in my hands

and yet my coldness
hurts
the more emotional
they stay
trying to find a reason
for my ice-like suspicion
fish eyes
coldly indifferent eyes
suspect everything that moves

socialising just to be loud
compensate for cold
lack of essential trust
warmth
i love them
despite myself
my desire to love
is unconscious and gigantesque

i never know
when i'm going to miss someone
strange coldness perplexing
i've got to work to get devotion
but once i get it
i really get people on my side
there are my people
who can survive
my shark-like coldness
and there are those
who want something
more personal
i can be very devoted to those
who can stay the course

my soul is aching
for an impartial love of people
i'm at war with myself.
"Strange Coldness Perplexing" was forged using notes scrawled onto seven sides of an ancient now coverless notebook, possibly late at night following an evening's carousal, and in a state of serene intoxication. The original notes were based on experiences I underwent while serving as a teacher in a highly successful central London school of English, which I did between what I believe to have been the spring, or summer, of '88 and the summer of 1990.
Carl Halling Sep 2015
I love, not just those
I knew back then,
But those
Who were young
Back then,
But who've since
Come to grief, who,
Having soared so high,
Found the
Consequent descent
Too dreadful to bear,
With my youth itself,
Which was only
Yesterday,
No, even less time,
A mere moment ago,
How could
Such a short space
Of time
Cause such devastation?
Such a Short Space of Time was based on a few pages of some kind of story or kindred piece of writing I briefly worked on sometime in the 1990s, perhaps 1995, or later, I can’t be sure.
Carl Halling Jul 2015
Early days as a flaneur;
I recall the couple
On the Metro
When I was still innocent
Of its labyrinthine complexities;
Slim pretty white girl,
Clad head to toe
In new blue denim,
Wistfully smiling
While her muscular black beau
Stared straight through me
With fathomless, fulgorous orbs;
And one of them spoke
(Almost in a whisper):
"Qu'est-ce que t'en pense?"
Then it dawned on me...
The slender young Parisienne
With the distant desirous eyes
Was no less male than I.

Being screamed at in Pigalle,
And then howled at again
By some kind of wild-eyed
Drifter who told me to go
To the Bois de Boulogne to seek
What he clearly saw as my destiny;
Getting ****** in Les Halles
With Sara
Who'd just seen Dillon as
Rusty James,
And was walking around in a daze;
Sara again with Jade
At the Caveau de la Huchette.
                                                                    
Cash squandered
On a cheap gold-plated toothbrush,
Portrait sketched at the Place du Tertre,
Paperback books
By Symbolist poets,
Second hand volumes
By Trakl and Deleve,
And a leather jacket from
The flea market
At the Porte de Clignancourt.
                                                                    
Metro taken to Montparnasse,
Where I slowly sipped
A demi blonde
In one of those brasseries
(Perhaps)
Immortalised by Brassai;
Bewhiskered old man
In a naval officer's cap,
His table bestrewn
With empty wine bottles
And cigarette butts,
Repeatedly screeched the name
"Phillippe!" until a bartender
With patent leather hair,
Filled his wineglass to the brim,
With a mock-obsequious:
"Voila, mon Captaine!"
                                                                    
I cut into the Rue du Bac,
Traversed the Pont Royal,
Briefly beheld
Saint-Germain-l'Auxerrois,
With its gothic tower,
Constructed only latterly,
In order that
The 6th Century church
Might complement
The style of the remainder
Of the 1er Arrondissement,
Before steering for the
Place du Chatelet,
And onwards...Les Halles!
"Tales of a Paris Flaneur" is a relatively new work in its present form, having been based partly on a story written in about 1987 (and subsequently destroyed), and partly on material written specifically for what became the autobiographical novel, "Rescue of a Rock and Roll Child".
Carl Halling Sep 2015
I was once in thrall to the infamous myth
Of the artiste souffrant,

But I’ve come ultimately to see it
As the cruelest of delusions.

But could it not be said
That it’s still among us,

That malefic notion
That the artist is a spirit set apart,

For some special purpose
Of which pain is an essential component?
"That Infamous Myth" stems from a far longer piece; although it's long distanced itself from whatever roots it might once have had.
Carl Halling Aug 2015
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
                                                              
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
                                                              
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
                                                              
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
                                                              
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
When these are far behind me,
In fact, so far as to be all but imperceptible.
                                                              
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.  
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
"The Compensatory Man Par Excellence" possessed some kind of autobiographical novel written around 1987, and whose ultimate fate was, so I recall, to be destroyed with only a handful of scraps remaining, as its starting point.
Carl Halling Aug 2015
If I wasn’t sure
Of all the nostalgia
I’d endure,
I would wish to explore
Some of those moments again.

How your mummy, she knew mine,
They’d been friends
For a little time,
Like the time that you explained,
Your first name, it was Jane.

I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.

In our local swimming pool,
I swam so close to you,
Did you smirk
To your bob-haired friend,
Between the deep and shallow end?

So I just shyly slinked away,
Feeling such a fool that day,
Pet Clark reinforced
My bitter woe,
Singing "My Love" on the radio.

I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.
"The Girl Who Said Hello the First" existed in its original form as a song written when I was around 19 in memory of an early love of mine as I remembered it, an especially painful case of young or calf love suffered during swimming classes in West London, before being reworked in 2003, and then again in 2015.
Carl Halling Sep 2015
There was a long vanished England
Of well-spoken presenters
Of the BBC Home Service,
Light Service, and Children’s Favourites,
Of coppers and tanners, and ten bob notes;
And jolly shopkeepers, and window cleaners.

I remember my cherished Wolf Cub pack,
How I loved those Wednesday evenings,
The games, the pomp and seriousness of the camps,
The different coloured scarves, sweaters and hair
During the mass meetings,
The solemnity of my enrolment,

Being helped up a tree by an older boy,
Baloo, or Kim, or someone,
To win my Athletics badge,
Winning my first star, my two year badge,
And my swimming badge
With its frog symbol, the kindness of the older boys.
"There Was a Long Vanished England" was created out of two previously versified pieces, the first verse being based on the beginnings of some kind of short story almost certainly drafted in the early 2000s, the second from another unfinished story, this one sketched out - or so I remember - when I was in my early 20s.
Carl Halling Jul 2015
I awake each morning
With fresh hope
And tranquility;
I might go for a saunter
Down quiet London backstreets...
Soon my aimlessness
Depresses me,
And I realise
I'd been deceiving myself
As to my ability
To relax as others do.

I decided on a Special B
Before the eve.
I bought a lager
At the bar
And chatted to Gaye.
Then Ray
Bought me another.
I appreciated the fact
That he remembered
The time he,
His gal Chris,
And Cary downed
An entire bottle
Of Jack Daniels
In a Paris-bound train.
                                                                    
A tanned cat
Bought me a (large) half,
Then another half.
My fatal eyes
Are my downfall.
I drank yet another half...

My head was spinning
When it hit the pillow;
I awoke
With a terrible headache
Around one o'clock.
I prayed it would depart.

I slowly got dressed.
I was as chatty as ever
Before the exam...
French/English translation.
Periodically I put my face
In my hands or groaned
Or sighed -
My stomach
was burning me inside.
                                                                    
I finished my paper
In 1 hour and a half.
As I walked out
I caught various eyes
Amanda's, Jade's (quizzical) etc.
I went to bed;
Slept 'till five;
Read O'Neill until 7ish...
Got dressed,
And strolled down
To Golders Green,
In order to relive
A few memories.
I sang to myself -
A few memories
Flashed into my mind,
But not as many
as I'd have liked -
It wasn't the same.
It wasn't the same.
                                                                    
Singing songs brought
Voluptuous tears.
I snuck into McDonald's
Where I felt at home,
Anonymous, alone.
I bought a few things,
Toothpaste and pick,
Chocolate, yoghurts,
Sweets, cigarettes
And fruit juice.

Took a sentimental journey
Back to Powis Gardens,
Richness
And intensity,
Romantic
And attractive,
Sad, suspicious and strange.
I sat up until 3am,
Reading O'Neill,
Or writing (inept) poetry.
Awoke at 10,
But didn't leave
My room till 12,
Lost my way
To Swiss Cottage,
Lost my happiness.
Oh so conscious
Of my failure,
And after a fashion,
Enjoying this knowledge.
"The Wanderer of Golders Green" existed in its original form as the melodramatic diary notes of a would-be tortured artist diary notes dating from the early 1980s; ultimately becoming part of the memoir, "Rescue of a Rock and Roll Child".
Carl Halling Jul 2015
Soon after I'd paid
My sixty
Or seventy pence,
I found myself
In what I thought
Was a miniature London.
I saw girls
In chandelier earrings,
In stiletto heels,
Wearing evening
Dresses,
Which contrasted with
The bizarre
Hair colours
They favoured:
Jet black
Or bleach blonde,
With flashes of
Red, Purple
Or green.
Some wore large
Bow ties,
Others unceremoniously
Hanged
Their school ties
Round their
Necks.
Eye make-up
Was exaggerated.
The boys all had
Short hair,
Wore mohair sweaters,
Thin ties,
Baggy,
Peg-top trousers
And winklepicker shoes.
A band playing
Raw street rock
At a frantic speed
Came to a sudden,
Violent ******...
Melodic, rhythmic,
Highly dancable
Soul music
Was now beginning
To fill the hall,
With another group
Of short-haired youths...
Smoother, more elegant,
Less menacing
Than the previous ones.
These well-dressed
Street boys
Wore well-pressed pegs
Of red or blue...
They pirouetted
And posed...
Pirouetted and posed.
Carl Halling Jul 2015
i'm not seeking an end to this sorrow,
because i feel that feeling as sad,
broken, remorseful as i am
might propel me
to doing something
about changing my existence
for the better, not temporarily,

but permanently.
i want this summer
to be the summer
whereby i effectuate this change,
effectively return to the world
from the shadowlands
in which i've existed for so long.
Adapted from diary notes from 16th-17th March 2014.
Carl Halling Jul 2019
I do not understand
Why he sabotaged me so consummately,
And made me look like  
Such a pathetic old patsy,

Could he not discern the misery
He was shoring up by degrees,
Over the course of the years
For the self he would ultimately be?

It was perforce a former version of me,
Who led me to this place
Of near-incessant mourning,
A narcissistic anomaly,

Who never wanted the precious gifts
Of peace and domesticity,
The little ones that might have been,
He spirited them all away from me.
'This Place of Near-Incessant Mourning' is a recent work, fashioned from within ‘a place of near-incessant mourning’ as I described it, and yet as of 11 July 2019, the day a final draft was prepared, I feel no sense of mourning, so the term ‘near-incessant’ is not only no longer applicable, but - in the greater scheme of things - inaccurate.
Carl Halling Jul 2020
Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

In disguise as a young man in the city,
But the bright young life
No longer belongs to me,
I ain’t no London dude,
I'm just a carbon copy,
Doing some travelling,

Time travel, baby
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

Seeing places that I knew in ’77,
When I was young
And in love with London town,
Please don’t ask me
Where those fleeting years have flown to,
They’ve just gone travelling,

Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

In disguise as a young man in the city,
But the bright young life
No longer belongs to me,
I’m a visitor
From a distant generation
Doing some travelling,

Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me.
Completed 21 July 2020, with minor edits (22-24 July), but based on a song written ca. 1999.
Carl Halling Apr 2017
How I try to count my blessings,
They do little to ease my saudade,
Look to the past
For some consolation,
But the past remains resistant,
O woe, where is hope?
I feel so old, and so alone…

Twenty years to destroy an existence,
Is all it took,
To steal my contentment,
Look to the past for a glimmer of peace,
To the past for a little release.
O woe, where is hope?
I feel so old, and so alone…

On one level, I feel so blessed,
Cleave to life with all my strength,
There’s so much to be thankful about,
‘Til I sink back into deepest night,
O woe, where is hope?
I feel so old, and so alone…
'To Ease My Saudade' was written a few days ago as a song lyric, and at the time it reflected how I felt; but as of today, 9 April 2017, I don't identify with it so strongly.
Carl Halling Aug 2015
Come away with me
To toil upon the sea,
Come away and see
How sweet sea life can be,
I'll sing Bonnie Dundee
Off the coast of
Old Guernsey, you and me
As toilers of the sea, as toilers of the sea.
                                                                    
Help me put that wrecked
Romance away from me,
Help me understand
How it was lost at sea,
It wasn't destined to be,
She belonged to another not me,
What’ll be will be,
For toilers of the sea, for toilers of the sea.
                                                                    
I can stand it if you're
There with me,
For the solitary life at sea
Is enough to make you
Sea crazy,
With the whales
And gulls for company,
For toilers of the sea, for toilers of the sea.
                                                                    
We can ponder on
The ocean's mysteries,
I'll unveil a few of
My old sea stories,
You'll see how kind a tar can be,
I promise you'll be safe with me,
When we're out at sea
As toilers of the sea, as toilers of the sea.
"Toilers of the Sea" initially existed as a song, written in 2003, and has changed little since having done so, although the third verse was originally a - shorter - middle 8.
Carl Halling Aug 2015
To see you in the morning,
Be with you in the evening,
To see you here
At every time of day,
Such a simple prayer,
To see you at every time of day.
                                                                    
To hold you when you're laughing,
Console you when you're crying,
Take care of you
At every time of day,
Such a simple prayer
To see you at every time of day.
                                                                    
So tell me why you push me away,
When I've sworn to be
Forever true,
When I've pledged
My pure and simple heart to you?
How can you be so cruel?
                                                                    
To see you in the morning,
Be with you in the evening,
To see you here
At every time of day,
Such a simple prayer,
To see you at every time of day.
"To See You at Every Time of Day" existed initially as a song lyric, penned in 2003.
Carl Halling Aug 2015
Stevie, we were free,
Stevie, you and me,
On that golden day,
Was it '68?
The decade's last few days,
The whole wild world was crazed,
But where we were was peace,
For you and me at least.
                                                                    
If I stop for a moment,
I dream groves and country paths,
Green's Albatross is playing
In this our past,
Whole empires were falling,
The old ways were fading fast,
Things never last,
But you and I found peace at last.

We weren't friends for long,
Things began so strong,
We were far from home,
Together less alone,
We drifted far apart,
We grew up oh so fast,
We had so far to fall,
Four years took their toll.
                                                                    
We walked and talked
For many hours,
Safe under blue Berkshire skies.
"Under Blue Berkshire Skies", also known as "Stevie B and Me" was originally written as a song in praise of a friendship enjoyed several decades before.
Carl Halling Jul 2015
West London in the sun
Last summer of the millennium,
We were in love
And having fun,
But fun wouldn’t last too long,
Love didn’t have too long to run.

You, a Dance kid
Of sweet nineteen,
Your record collection’s
Rock and Roll free,
Me, a relic
From a bygone scene,

We had nothing we could talk about,
All you ever did was shout,
About the DJs you’d seen,
In Ibiza and Berlin,
In the Babylons of Dance,
I didn’t stand a chance…

West London in the sun
Last summer of the millennium,
We were in love
And having fun,
But fun wouldn’t Last too long,
Love didn’t have too long to run.
Written as song lyrics in 1999.
Carl Halling Jul 2019
How my heart can ache for the lonely,
Then I’d like to comfort them all,
Hold them close
Until their sorrow goes,
This great big world
Can seem so cold,

O woe, some end up alone,
Forlorn souls
Longing for someone,
That’s all,
Someone to save them,
What’s more, someone to love them.
'What’s More, Someone to Love Them' was completed on the 15th of March 2019 as both a piece of verse and a song, having been worked on for some days previously, and inspired by various people who ended up alone, longing for someone.
Carl Halling Sep 2015
Perhaps she lives
In our dreams alone,
She whose face is
Illumined
By the rays
Of the sun,
While the dansette plays
Some romantic melody,
O how I love
The one
Who lives in my perfect love.

It's so strange,
The morning comes,
And there are tears in my eyes;
My dream has disappeared,
Lost in the wind of time;
She who looked at me
With such tenderness,
While the dansette played
Some romantic melody
O how I love the one
Who lives in my perfect love.

Memories leave me in peace,
O my past,
Where did you flee,
My golden youth,
All squandered,
All gone,
My thoughts torment me,
Precious faith, please
Comfort me,
For what is my life
Without you.

Perhaps she lives
In our dreams alone,
She whose face is
Illumined
By the rays
Of the sun,
While the dansette plays
Some romantic melody,
O how I love
The one
Who lives in my perfect love.
"Who Lives in My Perfect Love" is a pretty accurate translation of a song I wrote - in French - when I was about 19, although verse three is a recent addition.
Carl Halling Jul 2015
When he made
his first personal appearance
in the ***** alley
on someone else's rusty bike,
screaming along
in a cloud of dust,
it rendered us all
speechless and motionless.
But I was amazed
that despite his grey-faced surliness,
he was very affable with us...
the bully with a naive
and sentimental heart.
He was so happy
to hear that I liked his dad,
or that my mum liked him,
and he was welcome
to come to tea
with us at five twenty five...
Our adventures were spectacular:
chasing after other bikesters,
screaming at the top
of our lungs
into blocks of flats,
and then running
as our echoed waves of terror
blended with incoherent threats...
"I'll call the Police, I'll..."
Wicked cahoots.
Wicked Cahoots stems a from a story written when I was in my early20s; first seeing the light of day in versified form in 2006.
Carl Halling Jul 2017
Yes, I regret
The scornful dissipation
Of my salad days
When I was strong,

Believe me,
They didn’t last too long,
Believe me,
They didn’t last too long.

Yes, I regret
All that I squandered
O’er the course
Of about fifteen years,

Believe me,
I’ve cried quite a sea of tears,
Believe me,
I’ve cried quite a sea of tears,

Yes, I regret
If I e’er acted cavalierly
Towards any who sought to love me
With a trusting heart,

Believe me,
I’m not so proud of my past,
Believe me,
I’m not so proud of my past.
'Yes, I Regret' was written - and recorded as a song - in 2017, with new, autobiographical lyrics tacked onto a melody sketched out on piano when I was about 24.
Carl Halling Aug 2015
Shooting star
With a quicksilver mind,
You deserve to go so far,
Can't someone stop you
Before you ruin your soul
With irreversible harm?
                                                                    
Drinking all day,  
Every single day,
Out of your head on *****,
Is this the life,  
Is this the way,
A gifted child should choose?
                                                                    
Your beautiful lethal life
My friend,
Has sent you around the bend,
Your foolish defiant
Decadent dance
Could soon be at an end.
                                                                    
But you don't care
Do you, shooting star?
As you drift in your blissful dream.
"Your Beautiful Lethal Life" was partly inspired by lyrics freshly written for the song a friend, who’d already written his own, around 1992.

— The End —