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Keith J Collard Dec 2012
I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends
I'm would find cadavers
in your heart
(If I really wanted to look.)
Bones and permanent shocked looks
on their cloud white skulls
(Those ***** lovers of yours.)
How they once meant
the world to you.
Now, They have no importance.
Like a Jack O' Lantern after the children
stop pretending to be monsters.

Some will be though;
they just have to grow.
Like those lovers of yours,
until you're able to let go.

Ring up your white flag.
Give up, let go;
no more.
tread May 2013
Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'

Ankles dry, calloused thoughts, skin peels to reveal oozing flesh. **** sinks in and swallows floating zinc; immune. Consuming ex-cadavers in mall parking lots and pushing the crippled in shopping carts, an ankle twisted, a mother swallowed monetary *****, the stock market became the shelf market, and creation wondered if we were okay with frozen pizza for dinner.

Life dragged on and on, the world swirled on twitter feeds and Facebook statuses, the streets completed laps around our better judgements and our better lives, we sank to scheduled escapism and believed that one day we would find the light despite our never left-look.

Massive intention swelled to disjointed shark search. A witch-hunt to burn unhappiness in it's own angry passion. Bones; cost efficient at the least and designed in the weirdness of erosion-return. Miniature intention swelled to grabs solidarity. A manhunt to freeze stillness in it's own endless silence.

What complete? What shatter-tastic ******?

Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
The Dedpoet Apr 2016
If your poor like me,
Your flesh is gonna be burned
And added to the pollution problem,
And our smoke will rise
And be added with said skies,
Should I romanticise
Your body's burning a bit?
OK:
You shall join former skies
Like a mist of your essense,
Your embers will burn forever
Until they fall back from the waves
Of winds that have carried those before
You, and those that have yet
To join you.

And if you have enough money
Your get a proper burial
And get seen by many people you
Really weren't close to any more,
Those who already became cadavers
Long ago in your heart,
They walk with other corpses
That never penetrated your true self.
      And $5000 in a plot of dirt,
Your picture on a slab of marble,
     A song sung awkward by some
Niece or nephew,
Tears for the day,
And your body cannot rejoin the
Earth because the coffin
Isnt bio degradable.

Its just your body,
But the soul is finally free
From the riff raff of the flesh.
Alexa Sep 2012
Ushers clad in white rush the masses to their seats.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
             they say.

The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.

Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
       and he snaps a shot of bourbon.

Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
    and dig into their subjects.
They pick through pith and pulp,
     casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
   the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
   but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
             they say.

The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.

Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
             they say.
Martin Narrod Apr 2014
Not an amulet, an off white vertebrae; bone.
Brass wire, a loop at one end.
It bends as to make sure this will fit.

A gauge that measures mesmerization,
And we both must get along, but
Not because we're not tough enough:
Most of us aren't soft right yet.

So many stiffs, folly after folly.
The whole carful of loose cadavers,
Dangling, their feet hang with wet snow
And carnage,

Not even musk deer pop up,
They've all gone. Roosting in a parabol,
With X's sprayed to their groins.
Burning pop couples

Doing it like laboratory mice. Capybaras
Hiss, my own burnt blood is also
Flocculating.

Turn the cup upside down and
See the fire's balmy lachrymal opaque
Moss while it does not drip.

This is the story of man you asked me about;
Devoid of a muzzle, fur onto his chest; coarse
Hair in a garland.

It is the God of a tool that buzzes into the night.
A plateau for this most sensible study.
We feel another coming.

And when you awoke, your larval tongue
My eye mush, a song of verse and melancholy.
This half list of greatness, a tally we both wish to see.
I hope that if you read this, you will understand fully the journey it took to get here.

i've heard every excuse, i've heard every justification. you have to understand, the worst part of it is the feeling that it is something about me that makes them do it.

i don't think you know how much it hurts, when you tease me about the mysterious stranger with whom you now share your bed. i know he is a stuffed animal, but until you stop teasing, until you stop toying, all i can feel is the ******* blood boil in my veins, and then the anger subside, and anguish churn my stomach.

everyone has their trouble, and i have mine. the trouble with me, is that i trust you with my life, and at the same time, i have learned from experience that i will always be betrayed. it's not me, it's her. i just wasn't there enough. i just didn't care enough.

i've always known that every excuse given was false, the truth is that i cannot provide anything but love and happiness. i cannot guarantee wealth, nor riches. and in a world where dreams die young at the hands of reality, i have no future. there is no world for me, only the corpses of my dreams, smiling cadavers, waltzing to their demise. this is a weary world for the honest and good.

i want you to read this, and at the same time i don't. but most of all i would just like you to know that i love you unconditionally. i would like you to know that i trust you. and i would like you to know that the sick feeling i get in my guts when you're not here, is not mistrust, just bad experience telling me that

things don't seem to change.

i've been through so much ****, i was broken until i met you,
but you'll always be the one i think of when i wake, my soul mate.
There was a town beyond the woods,
Ne’er there any water stood,
Alas, a Well, of the purest kind,
The aquifer under, is here described,
Beyond a thousand gallons under
The diamond-esque rubble and sunder.
But one bucket, at but one time,
Kind, the town, taking turns of rhyme,
This essence, used to bathe and cook,
To drink, to create, a cozy nook.
-
The happy town, the gorgeous shire,
The crops grown there as green as Ire,
No law exists, they live but civilly,
A fetching, quiet community,
But always there exists a one,
Who would want power, want this undone,
So it was said regretfully,
Poisoned their Well, emotionless he.
-
Now this village was quite secluded,
No one not there born, ne’er intruded,
Deep in the forest, behind a mountain,
Over a peak, under a cloudy curtain,
It existed in secret and abolition,
And one did seek its demolition,
Knowing the only flaw to here exist,
The essence of life, no man resists.
-
He crept at night, while the guard did sleep,
Promising the pure water to weep,
Dropping the genocide with bucket and crane,
Releasing its Demonic Alchemic Strain,
The Well did hiss as the poison moaned,
Recoiling at this unwanted drone,
The assailant then brought to his steady lips,
A cup and was first to take Devil’s Kiss.
-
On the morrow of the mentioned crime,
Busy bodies awoke to start the day’s time,
Queuing at bucket and awaiting turns,
Each family there a portion yearned,
Not one did from the water strafe,
Each then bathed, then drank, unsafe,
No one could tell different taste,
Water is water, but not today.
-
The plague did start like any disease,
Sore throat, fever, stopped nose, displeased,
The people sought the witchdoctor,
But he from bed, would rise no longer,
He caught ill too, and wouldn’t budge,
Afraid for his life, afraid of this grudge,
He knew this sickness, had heard before,
But told no one, the end was sure.
-
In a week, vomiting and nausea,
Nasal passages sealed, no nostalgia
Brought to memory of any like sickness,
The virus brought about decrepit afflictions,
But slowly and steady, worse and worse,
The people became, some saw the course
But kept silent, to avoid alerting,
The so many children in need of comforting.
-
In two weeks’ time, the pathogen,
Had taken wits of sensible men,
At night, they screamed in somber fright,
Their deepest fears, real now, and bright,
The lutes died out, the bards not singing,
An unfortunate time, but this was only beginning.
-
Fingernails rotting off at the cuticle,
Too much blood for any receptacle,
Leprositic, the fingers came next,
One by one, extremities hexed,
Children lost their legs to run,
From mothers’ faces rotted, undone,
In every other step, heard were bones breaking,
Kneecaps cracked open, shins splintering,
Eyes turned cadaverous, awake, but not seeing,
Cataracts formed, blinded from viral being,
In cradles were witnessed toddlers there suffering,
Their mothers watched with empty sockets, but listening
To the cries impossible to stifle,
The pain too much for these tiny disciples.
The dogs normally to their masters zealous,
Became of them mortally jealous.
They bit the hands that fed them well,
For watering them from the cryptic Well.
Men watched their sons dive right under,
The bridge that harnessed a valley of blunder
Hundreds of feet above sharp rocks and stumps,
Their namesakes leaped, impaled in clumps,
For those lucky enough to still have eyes,
Cried tears of acid for images despised
Sickness was spewed upon the walls,
Entrails adorned the Gathering Halls,
Some had turned to mutilation,
Blood-letting for some, abomination,
Some crazed enough to “cure” themselves,
Clawed throat and stomach til flesh dissolved,
Some rich with elixir tried to embezzle,
Upon some of the poor, tired and grizzled,
Riot broke out amongst the walking dead
Fortune or lack of, irrelevant,
Black pustules broke out that looked Bubonic,
But the cure for that failed, how ironic,
That it rather hastened the steadfast curse,
Faster than iambic verse,
Molecules turned to embryo,
Rising like a great Pharaoh,
They became flesh parasites,
Taking internal organs, slow and precise,
They started with the liver and spleen,
So there lasted hours of wretched screams,
The intestines of some would close and then
Becoming septic, they passed, bile in stem,
A few had throats seeming cauterized,
Friends watched friends closest, strangle alive,
There were in fact, some optimists,
Among them, talk of being “rid of this”,
They too died while clutching life,
Endeavoring their eternal flight,
From noses, there dripped blackened murk,
Thicker than combined oil and dirt,
It then secreted as sweat from all pores,
Fatigue then struck those left to the floor.
Upon broken knees some prayed,
Usually the skin under ribs was flayed,
Trying to understand what went wrong,
Dissecting the dead was not headstrong,
It only furthered viral progression,
The open corpses breathing infection,
The cadavers would move still, the fleshbugs active,
The horror of lifeless movement, corrosive,
The minds of the weak, it pure happenstance,
One found eating dead flesh for a cure, no chance.
All in all, this lingering curiosity,
Provided once good people with animosity,
One man turned good people to hate,
Their neighbors in ways that were irate.
-
The chaos was not anarchy,
For, as I said,
It was civilly,
But verily, I do decree,
That no one knew such misery,
The inhabitants of this village,
Did not suspect innocent visage,
Or perhaps, their cherished Well.
To be culprit behind this hell
So they drank and drank to remedy,
To recompense this malady,
To no avail did blood get thicker,
Alas, they got but sicker and sicker.
-
This hell, the townsfolk then realized,
Wouldn’t end til they all were nullified,
Eliminated they were, eradicated at that,
This pathogenic virus had verily spat
In the faces of the people here,
Decimated they were, not quenching their fear,
Murdered they were by a systematic
Suicidal psychopathic,
Inflamed in the mind of darkness thereafter,
Only satisfied by his own laughter.
Not many, til now, know of this town,
From lowly peasant, to “Godly” Crown.
An explorer found the deserted hamlet,
Body parts and questions then found the hermit,
He had heard of a town like this, he wrote:
“It was a new age Roanoke…”
But the village, not a town to cause commotion,
All that was left of them, a tree scratched, “CROATOAN”.
Reece Dec 2013
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay

That interim between dreams and consciousness, that momentary lapse of reality
When slave children don't howl and the wild animals lay tamed in sun traps, weary

Your scattered thoughts betray reality
and you
question everything - now waking
Smiling chief, chirping loud
Your body gathered and prepared
under torchlight in dusty tents
Ingesting iboga and that old familiar numbness overpowers
You've been here for a life now, looking back on your life now
hatasha hullah - dey
vey, okay, huttah, ulay

Witch doctor, tribal medicine, fanning smoke from a wild fire
flashing imagery akin to memories of when life was decadent
you remember the taste of stray rain drops on your upper lip on muggy British summer days
and waking on a beach, bloodied as the sand at your feet is the next recollection, how powerful
the act of reflection, as you recall the mirrors of the sea and your torn body weakened and inept
The gathered village chant in unison and splinter groups fall off beat only to rejoin intermittently

Remember the Burmese boy far from home on the Gabon shoreline
and he informs you of your own death,
and asks you why do you breathe still?

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey

On some beaten path lost in Angola you carried two packs, food for the world
but you fell starving and spluttered on the rock that looked like your home
Rebels run wild in jeeps black as night, your supplies strewn on rubble grounds
- hatasha hullah - dey
Taken in a flurry, twittering birds in far off trees betray your trust and fly away
in the opposite direction, and the juggernaut jeep catches air over uneven tracks
You were scared and crying under blindfolded eyes and captors jeered, captivated
- parablah nuh parrah
An orchestrated mass of military garbed children with rifles gather you abruptly
when the car stopped with a rumble
And tied to rusted rigs you're gagged and stripped, bloodied your face now
as they beat you and laugh
- vey, okay, huttah, ulay
Congolese giant man, sword in hand and grimacing through bared teeth
Making bold gestures and speaking some inscrutable language
You cannot answer and fear is now in control, you shiver in the ghastly draft
On failure to answer you must be beaten, your back is lashed, repeatedly
- narralah, narrah, nutay
You remain silent but cry in disparity, after shrieks of horror finally escape your barren lips
Through stinging eyes you assess the surroundings after hours of torture when they retire
to their leather beds of shame and innocence faltered, try and remember how to live
- Oh laa, ley ley lahh ley lah
Months must have passed, survive off insects and morning dew on the muddy floor
This African wasteland, time forgotten, child soldiers and lack of humanity is trivial
Always scheming, recollect the armament and through door-way shack trapped light
you see a clear path, and it is good
- ley hatasha hullah - dey
The pinnacle nightfall anticipated arrives, and your skinny wrists released now easily
(their faltering lack of knowledge and abundant braggadocio betray them)
AK laying in moonlight illumination, a sign of God perhaps, but experience proves otherwise
(How cruel the dreams you had of such a gift)
When they spot you leaving, the night lights up, wild crackle of gunfire, heart beats, tribal drums
(To massacre children, such proficiency, the dreams were mindful)
No lapse in concentration, you may ruminate on objective morality in due time
(Crawling through blood and bodies of children, so pure, cadavers tell lies)
The clearing ahead in giant trees, you run and don't look back, praying for no pursuit
(Another genocide committed by a white man, justified perhaps this once)
Weeks pass and you falter only to slurp rain water from Congolese sipping cups the leaves
(Blacking out somewhere in the Republic, or on a border or who cares, as you died long ago)
- vey, okay, huttah, ulay
  ley hatasha hullah - dey

To awake from hallucinogen dreams, and cruel memories linger, it's painful you agree
Witch doctor still sings, lonesome now as the tribe apply ointments and silently pray
The fire still dances to some incredible song and your scars redacted, physical and other
How incredible the mind feeling fuzzy and that insane dream is just that - a dream
You black out again, a common occurrence but upon waking you're free, no tribe exists
With a sheepskin rucksack full of cassava, plantains and sugarcane and cocoa beans
Months pass and you make it to the North, when you leave Africa your body is new
and your mind is stable, no lingering cognizance or frightful thoughts of a forgotten ordeal

You arrive in Turkey, to partake in ***** with nimble girls
and I see you floundering on silken sheets,
My memories were fresh as the nymph on your lap
I write to you a note, and you turn alabaster, moon faced being
I was there always and saw every moment
Your ideals on morality are hazy at best, and to your behest I detest all that you stand for
Is your afterlife so pure, now that bodies litter the forest floor
and do you believe that I am not (a) God
and is this mere poetry, or an indictment of your folly and a warning to all whom engage
but do you not also see that every reaction was an action taken to your original action
and when all is said and done, do you no realise that from the day you were born
you were born a God and that God was born dead
and this is just that interim between expiration and consciousness, that momentary lapse of reality
when slave children don't howl and the wild animals lay tamed in sun traps, weary

hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
hatasha hullah - dey
parablah nuh parrah
vey, okay, huttah, ulay
narralah, narrah, nutay
Oh laa, ley ley lahh ley lah
ley hatasha hullah - dey
Austin Heath Apr 2014
The sad part is that most of us, writers,
are almost ashamed to say it out loud.
We do it like a bad habit we can't escape.
****** junkies with the leash around our necks.
Treat it like a disfigurement; our
malignant entries spread like cancer from
under our pathetic, hypocritical hands.
We're sad.
Depressed.
"Heart broken".
Angst ridden.
Jaded.
Coping.
Coping.
Learning to cope,
but often failing.
Stepping on each other;
a sea of cadavers with
no bottom, surface, or center.
Full of brilliance/ brighter than the sun.
Collectively, we are a diamond made from ****.
A uselessly expensive commercial good,
nonetheless.
The next Bukowski will be a child molester,
or a sociopathic spree killer. Too bad
no one wants to be the great writer of course.
What greater shame could there be?
What bigger embarrassment could exist?
What insult and tragedy is more than being
a writer?
Begging he falls to her gun,
He ran so long but now he's rung,
She creeps up their bone flower,
But he died in this burning tower,

Her eyes break through dam cement,
Metal gowns the skeletal present,
This kiss will drop the brazier,
Third degree suits together they peel,

He felt reaction to pins,
She cried during the operation,
He'll spin her to the ground,
She screams when she's straight anyhow.

The boy who ran to the subway,
He left his girl at their wake that day,
Take care till the day she leaves,
The last Fall leaf is gone in the Spring.
David Williams Sep 2012
As poppies drip blood red petals
Among the fields where souls do roam
A silenced voice, away from home
Buried deep with twisted metals

Khaki men, are dead and rotting
As poppies drip blood red petals
Overgrown with rats and nettles
Men and women stood reflecting

A resting place to end the fight
In peaceful slumber they settle
As poppies drip blood red petals
Weathered cadavers all bleached white

Depressions fade, vista settles
Bodies and branches both stripped bare
Once passionate men, showed they care
As poppies drip blood red petals.

© 27/6/2012
gd May 2014
I held a real heart in my hands today.

I held it in my palms so cautiously
as if it were gold,
yet that didn't stop me
from feeling as if it were going to break.

I saw a straight incision
slice down the middle and
felt the eerie texture of its atriums
sit on the base of my fingertips.

And I realized just how fragile
this person's heart must have been.
I wondered if she ever got her heart broken
much deeper than some superficial carving.

I wondered if her heart ever pumped
faster or harder or
stronger or passionately
at the sight of another.

I wondered if maybe she gave hers away
thinking of it as a last plea
to the one person she loved most,
but it just ended up in my fragile fingers.

gd
Julian Dorothea Dec 2011
water
splashing on the banks of this urban river

another tropical rain
storm

puddles of rainbows
by the auto shop

foil fossils
plastic skeletons
trash cadavers
block the concrete mouths

gaping, open, waiting.


children's hands
bowls of chocolate liquid
thrown, given, shared

gifts of laughter and disease.

mosaic of colored umbrellas
limping
open
close.

rubber slippers
flopping
running
slide.

there is no shelter
there is only rain.
krm Mar 2018
I envied the cadavers haunting my nightmares,
watching those before me
spread upon a metal slab
bodies are hand-me-downs of regurgitated poetry,
with wretched closets in which I take their place.

This ventilator called "loved ones"
forcing breath into anguished lungs-
tragedies belonging to these poets meant something,
a desire to save the words written,
but never the one who becomes a eulogy.

Agony burrows inside of me,
conversations with my mother's ghost
still,
the living are possessed by
the dead's shortened tomorrows.

To die by suicide wouldn't give,
authenticity to hurt.

I am learning the autopsy of a soul:
extracting a heart from the chest,
as it's sense of belonging was never there.
An inability to weigh the words bleeding from valves,
aside lungs I'm unable to breathe through.

How ungrateful is it of sorrow to ask for hope?
placed in a pill divider to swallow,
muscles within my throat so tight.
Wondering,
How many times did I diminish my voice?

Inside the brain,
schematics of labyrinths with no end to betterment.
Surgeons reach for a soul,
an iridescence small enough
held in a gloved palm,
watching it writhe.
Placed upon a slide,
but even a microscope
cannot perceive the pain a soul hides.

Once more,
stitched with needle and thread.

Wilting of my own garden,
comes one day-
an incision is made opening me up.
My heart showed the same
blood-red ink, writing apologies
on the marble floor.

They opened my arm,
displaying a noose of veins.
In this moment,
they removed my soul
only to gift it to another
birthed from torment
ripped out of the arm's of their mother
& into the embrace of woe.

—V.H.
Hopefully, it makes sense.
Emmky Aug 2018
It's dark and cold here, frozen hand is creeping up my spine
My lips are trembling as I recognize your scent and smell
Of all the numb cadavers you left long untouched
Piercing canines reflecting an end of my joy and pride
And my fear of your claws getting near my crippled body, making more cuts

And it hurts, it hurts so much
But I won't scream tonight
I'll cover myself with blood that's flowing from my wounds
Making an art piece worth the gallery
Of my own collapsing skeleton that's falling to pieces
So you can take it
Make me your trophy

Cut off my limbs and make me believe
That I'm an animal, a stupid omnivore who refuses to eat a soul
Strip me out of my skin, I can't stand it anymore and make sheets out of it
And eat me alive, chew my brain and break my heart in a habit
In routine that's going in circles, 'cause you can't think of anything else to make me suffer

Spitting my parts out, what a terrible taste of flesh that was once yours
What a disappointment am I
No good for mouth nor father's pride
So why do you keep on me an eye?

Hoping I'll be like you, so you
Don't have to paint kitchen with my blood
And keep my eyes under your pillow
Or stitch with my hair another cut
Making teeth and gut necklaces for those who follow
Your cannibalistic rules, making their kids hollow

If only you had the decency to bury my bones in a piece of silky cloth
Instead of putting me back together like a jigsaw puzzle
So you can make fun of me and say comments that make me weaker
In an unfortunate attempt to make me a hunter

But I won't be like you, I won't
Eat another living being's soul or flesh
I won't cut their veins open to swim in their liquids
Because I'm not a cannibal
For the man who doesn't get my intentions

A/N: For some reason I've got a feeling this one is too much drastic
Noandy Oct 2014
To all the empty rooms
And trapeze windows
The tiles decomposed

Before the holes in bed,

We were in joy
In the name of death
And for death also,

We had fathomed
Each other

We have long known
Death and its embrace
Where we sheltered

But for the sake of
Morbid sanity and flooded colors
We have never been used

Of death

If all these sad songs rejoiced you instead
If all my ballads for you lead to ballistic
If all your weary hair untangle your tears
When will the sun droop
For the teapot heat of your dimmed heart
Will never cease like unclean dagger
Lathered by
Our blood-bound love

In the empty rooms
Before the trapeze windows
By the dirt you dwell in
Degraded by shallow affection of
Blood, coldly overflowing from
Earthly remains so cold
Getting blue forever more
And leaving me in
Hollow-soaked world
specifically for my friend whose dad passed away just some months ago.
Pedro Tejada Jun 2010
You don't love
me;
you love the
tip of the iceberg
that is your idea of me;
the sugar-coated mute
leading herds
of unfinished sentences
down the copious hills
of his insecurity;
the nice little writer
whose constant attempts
at legendary one-liners
are as hit-or-miss
as a sitcom still airing
far past its prime.

I possess three biomes,
or, rather, three networks
of personalities and identities.
I am much more than
the Jack Macfarland archetype
lip-syncing to Cher in the one
gay bar in town, tyrannically
governing your wardrobe,
possessing a razor-sharp wit
cast toward the backs of his community
in the form of an outdated punchline-
my work on that show
lost its Willful relevance
and Graceful naivete
years ago.

I am of the generation
fed media saturation
three four-hour meals a day,
who ingested cardboard cadavers
as if they were mother's milk
and internally mutated their
thoughts and desires
to fit the compact time frame
of 30 minutes
to settle the series' worth
of traumas and neuroses
while making it home for dinner
to stay tuned for what's
next in the lineup.

Speaking as a casualty of this
inevitable chain of events,
I regretfully declare that even
those who have seen
every episode of myself
for the past six seasons
are still light years away
from the room full of faces
unencumbered by euphemism.
iridescent Jan 2016
"shop closed"
the sign never sat
perfectly on any hook
or nook
or cranny
you are an echo bounced
perfectly in every hook
and nook
and crook


"considered sold once broken"
consider it done
once dealt with the devil
his ornamental fairies
consider them whole before
they were bought


"trespassers will be prosecuted"
bedsheets spun out of cobwebs
sandcastles spun in of air
floorboards swallow you in
you dreamt of
anchoring yourself
to the ground


"wine house"
lustre of turbulent pirouttes
trapped within the walls
of wine glasses and
wine-stained dresses
in cadavers' masquerade


"emergency only"
they pushed you in the operating theatre
and cleaned their hands with soap
opera
amputate these phantom limbs
pain has been the only anaesthesia


"in loving memory of"
he is the protagonist
he is the antagonist
and all stories
end*
(with)              
                     the former
Third Eye Candy Oct 2012
however i choose
to abuse these loose reigns
to gain whatever gallops may overtake
to overrun the rampant jade
in summer's plum, my teeth in no shade
but the plump flesh
of a ****** day; brightly at heel
of my toes, bejeweled
in ocean spray
fresh cut lawns with diamond dew, disarranged
sprinkler cast before midday
to cheat the sun,  a sip or two -
and slake the thirst
of emeralds
i would soon delight
to cantor through.
to roam
with eyes too wide
to choose
a culdesac ... to dread-
or view. Perhaps
a glance at crates
and crude cadavers of a life
removed -
from every thing i worship twice !
while prancing, ever-prancing -
through
the manicure
that has ' no cure '
for Nature's way
of tending too the over-groped
and fussy plucked,
some Charter barks
you have to do; What Art dispels
what man has framed ?
what power drapes
the Land more true ? A dozen Elves ?
Prayer in school ?
what genius
never fails to ask -
the question that reveals the fruit ?
or listens .... to the loamy grass ?

a very
few, if any who -
would
do
the same; the
mortgage and a
landscape, paid;
' in-full.'  [ The first ]

with love, the glade ?

The Earth
is all i know,
would do
for nothing,
all...  Spite all -
we do.
however we blockade
or stake
the acreage
we have papers prove-
belong to every
dispossessed
with keys to doors
that lead to
rooms -
that seldom have the sun
inside the red Redwood
the old thing died
too raise your roof
under god's blue
sky.

To shelter
men from other
men,
who covet what
you keep in
them.

a 1000 yrs of Life, undone  
to build our vapid
ornaments.
a forgery
of hearths; and hardly worth
the vasty parlors
lost.

we parcel, carve
and auction
off
our petty Lots of
*******...

the empty ones we polish
while our homeless
remain home-
less

the echoes of a simpler time
too weak to even haunt them.

our shame intact, we slash
and burn, for coffers have
no conscience.

our charity is scarcely more than earplugs
for a blindness; a band-aid for an Apathy
a thimble and
a wine list
etched inside the hollow
just below the milk of kindness
that soured
in a palsy hand
that brought a drop
and spilled it.


However
I have chosen more
than fiberglass and
fountains
my habit is to wander off
the beaten path
to mountains.
To slopes
of avid avalanche
and quiet shouts
of Silence -
that echo and return
as if to soothe
my withers'
finally...

an
ache
to meadowlark and leap
for leagues without a harness
without
a gate to keep
the lush pavilions
at a distance

nothing
to contain
the gift
and no one
there to
name
it.

nothing but the wind to kiss
and no books to
explain
it.
Terry O'Leary Mar 2013
1

The drummer beats slowly, the drummer beats loud
     as he beats of humanity wrapped in a shroud.

Well he beats of the **** and the killing of war
     and the mind mangling sorrow we blithely ignore
          and he beats of combatants who’re dying deceived
               while the merchants of ****** count profits received.

And he beats of civilians so savagely slain
     and of bundles of bodies cast off in distain,
          and he beats of the butch'ry that's feeding the flood,
               clogging drains with our flesh, filling swamps with our blood.

And he beats of cadavers, by famine defined
     that has ravished and plagued since the dawn of mankind,
          and he beats of big biz letting oranges decay
               while a child suffers scurvy and passes away.

He beats and he pounds till our consciences gnaw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

2

The drummer beats slowly, the drummer beats loud
     as he beats of abuse that we try to becloud.

Well he beats of the barons and princes and kings
     who have broken broad backs with their clubs and their slings,
          and he beats of the toll of divine royal rights
               when the droit du seigneur sullied white wedding nights.

     And he beats of the bribes that the powerful make
          to the pale politicians who wax in their wake,
               and he beats of the waifs bound by chains to machines,
                    and of slaves sporting nooses, and other such scenes.

And he beats of the tyrants in clerical garb
     who have tortured with ******* and thumbscrews and barb
          and he beats of decrees claiming all men are free
               while ignoring cowed thralls and their agonised plea.


He beats and he pounds till revealing the flaw
     and his fingers are battered and ****** and raw
           and his hands are all broken and bleeding and raw.

3

The drummer beats slowly, the drummer beats loud
     as he beats of the strength of the rebels so proud.

Well he beats of the spirit the rack couldn’t break,
     and the fragrance of flesh that was burned at the stake,
          and he beats of gray witches submerged in a pond,
               being swum to nirvana and even beyond.

And he beats of the minds that could never be chained
     by the faith that was living while ignorance reigned;
          and he beats of bold battles when Spartacus rose        
               having tired of shackles and slavery’s woes.

And he beats of bent women who’ll fight to be freed
     and will never give up till they finally succeed,
          and he beats of their progress, belying the jeers,
               overwhelming the pessimists' fatuous sneers.

He beats and he pounds till we stand back in awe
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

4

The drummer beats slowly, the drummer beats loud
     as he beats of the sights that he’s seen from a cloud.

Well he beats of the passion when lovers have lain
     with their bodies entwined midst a field of fresh grain;
          and he beats of the joy when a mother has smiled
               while she’s nursing a baby, her newly born child.

And he beats of the sorrow upsurging inside
     leaving shadows and ruins when loved ones have died.
          Then he beats of an image that looms as a dream
               of a time when compassion and love reign supreme.

And he beats of lush meadows pale yellow and green,
     shining lakes in a woodland, a river serene.
          Then he beats of a planet that dies in a sweat,
               and of smirks of the dullards denying the threat.

He beats and he pounds till we see what he saw
     and his fingers are battered and ****** and raw
          and his hands are all broken and bleeding and raw.

*

The drummer beats slowly, the drummer beats loud
    
     And he beats of humanity wrapped in a shroud
          And he beats of abuse that we try to becloud
               And he beats of the strength of the rebels so proud
                    And he beats of the sights that he’s seen from a cloud.

     And he beats and he pounds till our consciences gnaw
          And he beats and he pounds till revealing the flaw
               And he beats and he pounds till we stand back in awe
                    And he beats and he pounds till we see what he saw.

And his fingers are battered and ****** and raw
     And his hands are all broken and bleeding and raw.

          And his hands are all
               broken
                   and bleeding
                        and raw.
Martin Narrod Apr 2014
Can I show you how beautiful you are? Can I take out the old photo albums and push my index finger into the faces, the places, and seas? I want to peel back the plastic and remove the square photographs from their sticky setting. I'm alluding to ideas that exist more formidably on the internet- there are no paper photographs, no sticky settings, there aren't even faces in the numbers; it's only ever been you or me.

Some of my things are crooked. The strings don't work, the wires are twisted and make the sounds all come out funny. There's a strange buzzing everywhere, it's like Mickey's gray cloud, a cloud Koopa throwing spiked shells from Park Avenue beach to Montrose street. Everything is quiet, consuming, unassuming and still recalcitrant. I'm showing nothing to nobody. Coaxing storm systems and netting foul play and ***** tricks, with my pants around my ankles or my fly unzipped.

I'm stinking of this stuff. These sudorific crevices on the insides of my thighs. I'm more or less always pacing. Rocking. Rolling. Small room I'm living room, cadavers I stuff my skinny fingers inside of- cold, wet hollow places I'm seeking skin covered gods in. I'm craving tastes and flavors. I'm looking at these pictures of me, of my face and the clothes I wore, the people that knew me. Where have I disappeared to? Every place that I went, every condition of my humanness has gone. Five minutes past my certainty, squirting hot molten magma from my ****, my lips, and my fingertips. Hysterical thoughts and homily. I want just a hello. I want just a hello.
mira Sep 2018
i. reward ten thousand dollars
it scares me to think you will drive me home one day, one night, one night when i am very drunk and the stars do not glisten because there are no stars left! i am sure of the reason:
upon being conceived you swallowed them all whole. this is not purposefully clandestine so much as misunderstood knowledge:
in our lifetime these celestial objects will be mistaken, much like a well-intentioned teratoma, for
cancer
countless times you will be plucked, yet unripe, from the fire that will as soon liquify your flesh and cleanse your soul

ii. wanted, dead or alive
psychosis is not a watershed.
it is an amalgamation of the bugs who have crawled up your legs and gorged themselves on your fruity blood before hibernating
it is a room of walls plastered with ******* of nauseating pale cadavers, of empty homes, of longing hands, of breast buds and tied legs and virginal lips and bare ***** and stained sheets
it was in you forever and there is nothing to blame but an imbalance, for
you are the duality of...girlhood.
you are soiled ******* and unkempt hair, abused plush dolls and sticky hands, infected wounds and sunburn sting, stale cereal and coloring pages
you are satin veils and vain slumber, tired tears and starving entrails, hesitant touch and static vhs, shrill laughter and breathy song
you are itchy bug bites. you are snow in my eyelashes.
you are a lissome angel pregnant, god bless you, with a fetal (fatal?) evil; perhaps my fear begins here, or perhaps it greets me when your aura bites my eyelids...alack!
it must be so. **** orange light suffuses my thin veins. the sun exudes apprehension and abruptly the car is totaled and
this is why you cannot drive me home. even when i have become quite inebriated:
it is not natural for the air to be so warm; only ere our galactic body closes her eyes.
surely you will **** me. you are no creature of the night. run me over; crush me between your toes; let my nectar grow trees in the cracks of this, our, every godforsaken town.

iii. have you seen me?
her neotenous thighs stick, like sap, to the concrete floor, water seeps beneath the cinderblock. dust collects between her fingers in which she clutches, with the brutality of youth, a softened - if garishly colored - carton of apple juice. four-o'clock sun pierces the thick glass window (if one will call it such) and she feels listless; rather than squint she pores over the illumination with intent that, in her unsuspecting naivete, she is not yet aware she holds. before she ***** in enough light to blind her she hears a voice that feels familiar:
come upstairs
soon enough it will be ruefully forgotten
soon enough she will realize she was bagged and thrown in the trunk
too late she will wish to exact her revenge
you are harder to reach but my love only grows
Bobby Dodds Apr 2021
Another day, another hour spent looking at cadavers,
Surprisingly fun, and suspiciously fresh bodies-
"Hey Mrs. Johnson, what do you think John did with his life?"
She gave me a look that didn't seem too pleased at my inquisition.
Or the fact that I named our body John.
Morbidly, I thought she looked at me like a zombie would look at our friend John like a cold cut subway sandwich,
Although I figured if I were a zombie,
I'd prefer my meat fresh, and not embalmed
with formaldehydes and ethanol.
"That thought seems inappropriate and not respectful of the medical sacrifice 'john' made " she said dripping with in my opinion too much sarcasm for me to NOT respond too.
"Well, John is dead, I don't think he's getting offended anytime soon," I retorted.
Her smile contorted like the prudish smile John offered me in support.
"I'm not worried about offending the corpse as much as I am the ghost, and this Lab will NOT be haunted under my watch"
(Her pride in her wit inflated much like Johns body inflated with decomposition and bowel gases.)
I apologized internally for the comment and action  I was about to make-
"This medical dictatorship has to collapse sooner or later-
and I still want an answer too my question"
And with that,
I took the nearest scalpel to his bloated stomach,
and watched in disgust and glee as everyone else ran for cover amongst the ****** of stomach contents and Johns final retribution in death.
I got an A+ in that class.
Probably one of my favorite classes I've ever taking, I don't think Mrs. Johnson was too pleased either that John's name resembled her own so closely. hahahah.
Med school, here I come.
Leah Rae Jun 2012
My Name Is Leah Waughtal
Yes, The 'GH' Makes An F Sound. No My Middle Name Is Not 'Blue Berry'. And Yes, Leah, As In Biblical, As In The First Unwanted Wife Of Jacob.
I Like Cupcakes, Cadavers, And Drinking Tea.
I Don't Like Losing Arguments, Or Being Told I'm Being Indignant.
I Make Ice Cream For A Living, And Pray For Rain Everyday.

Mirrors Are My Best Enemy. The Longer I Stare, The More I Hate, So Someday I Hope I Can Stop Looking.
I Write Like I Have Something To Say, But I Really Don't.
I Want To Be Brave, But I Don't Really Know What That Means.
My Language Is Filled With Terms Like "Don't" "Can't" "Always". These Verbs, These Tenses Of Past And Future, As If I Have A Clue. As If My Palm Prints Would Last Longer Than A Few Seconds In The Wet Concrete That Is This Moment.

My Name Is Leah Waughtal
I Pretend That I Can Speak Italian, And I Bite My Nails When I Get Nervous.
I Memorize Poems, So I Can Act As If I Have Important Things To Say, When Silence Swells Around Us.
I Miss The Ocean, And I Wear High Heels Because I'm Afraid Of Feeling Small.

My Name Is Leah Waughtal,

And I Just Want To Be Remembered.
JAM Aug 2013
Jack and Jill were two mentally ill verbally armed cannibals
Doing there best to switch their diet to farm animals

They found this rough, like eating crackers with cotton mouth, this task proved to be little more than tough
They promised each other no more cadavers, but a month after this, they called each others bluff

Jack ended up addicted to crack, dope, and smack
Cause the supply of bodies was beginning to lack, spinning more off track
He began to look at Jill more like a tasty snack

Jill took the pharmaceutical cryptic approach
A pill could **** her flesh craving will and keep her from feeling like a post apocalyptic roach
She too was starting to drool and think of Jack like a snack bar,
and couldn't help but remember her first taste when she bit the arm of that high school track star

One night when Jack was asleep, Jill began to slowly creep
Into his room she crept as he slept stuck the knife in and drained the blood from his neck
Jack was gonna be her tastiest snack yet

Jill always seems to forget
Jack is always playing games and putting her to the test
She ends up paying, for Jack knew their growing hunger would soon cause a mess

Jack stepped out of the closet

Jill pulled back the covers to see she just killed her own niece
Jack said "Haven't you ever seen "Hannibal?". "If your gonna be a cannibal, you gotta be smarter than Clarice".

-J.A.M
Mellow Ds Feb 2011
I always wanted to compose symphonies,
But my hands and my head could never agree.
I got the blue curse, because I always feel beats,
But my fingers freeze up when I get to melo-DIEs.
Recede. I want to live the nihilist's dream,
Smoke packs a day to intensify screams.
Maybe if I stare into the middle distance,
After hours I would build up a tolerance to listen.

IN THIS town, there are only 2 kinds of people
Girls who pierce their NOSES and THOSE IN the steeple
Walking down So. Auburn in bare feet and short shorts
Catching the gleam from the street (of course),
With their dreadlocks all up in auburn buns
And their eyes shooting diamonds in the autumn sun.
Bullet-belt vests draped lazily over their shoulders,
With double-zero earrings and squirt-gun holsters.

And the police-dogs and the SWAT cars are all powered by indulgence,
The doctors are up to their elbows in cadavers by self-expulsion
The men are splitting at the seams from over-eating obsessive compulsion
And the shameful deception of upward inflection to change my direction and wind
UP and the inanimate DUCKling with a large crank between its shoulders
In the shape of a black key to the black energy that makes the cold rooms colder
Is a disguise to the spoken word hurricanes brewing inside me.
Set me to zero then make me the hero so physicists can derive me.

If the sum of all forces is equal to mass times acceleration,
Maybe the sum of world problems is equal to vanity times irritation.
Jeans cutting up my legs, purpling due to lack of circulation
Are developing holes, as well as the soles of my shoes, I'm growing impatient.
The production slows to a halt, pouring salt into lacerations,
And as boys grow into drunk daddies, women resort to migration.
This country isn't democracy, just a ghastly and pale imitation,
These people don't have representatives, only half-assed representations.
(c) Ryan Bowdish 2010-2011
Andrew Rueter Jun 2017
I have a light under my concrete
For others
It is fatally luminous
So it must be contained
I relegate rays to the darkest depths
So no light may exit
But then you walked on my blacktop
And cracks started to form in my road
Light began to escape
You were fascinated
I was terrified
Because the more you traversed my pavement
The further my road split
Brilliant flashes with increasing frequency surfaced
Your curiosities were piqued
Mine were plagued
By what lies underneath
And when it would blind you

I tried to warn you from inside my cocoon
You said you'd purchase sunglasses
You never understood
This light
Shatters glass like Stone Cold Steve Austin
It's intensity is a stunner
It may be the Sun itself
But you insisted on continuing
To travel down this path

As models import wrinkles
Potholes become sinkholes
Fears were realized
Senses overwhelmed
Skin burned
Blackened
Into something unrecognizable
As all signs of life fade
I'm stranded on a crumbled road
With only sightless cadavers to lead me home
Edward Hawthorne Mar 2013
All these children should ever know
are streams of light in summer wheat
flecks of sun between waves of grain
and feather strokes on roaming hands.

All these children should ever know
are tails of clouds in opalescent skies
whether sought after or decoded
between pillows of grass in dandelion meadows.

All these children should ever know
are dreams of flight over moonlit cites
of the scale to mountain peaks downed with moss
and the spray of saltwater on dolphin-back swims.

Never should these children see
the look of fear on cadavers non-blinking
the trail of blood on linoneum tiles freshly bleached
or the glinting smile of a curved blade.

Never should these children feel
the tilt of a barrel upon their heads
the chill of a stare from a face they can't see
or the rumble of a cry within their throats.

Never should these children long
for days past sitting in empty playgrounds
for moments spent dreaming without aim
for the knowledge to come of what they did wrong.
Poetic T Mar 2020
Your rhymes were a bin bag thrown
in the trash, couldn't even write a
         sentence, dyslexia of meaning


and ****** up sentences that
    weren't even spelt write.

Couldn't even spin a line,
   as it was meant to be straight


but your words were more wavy than
                a bad perm.



  There isn't room for a failed wanna be,

                    alone in your room *******
hard,

But your more empty than the raisin
                   ***** your trying to spit out of...

Non consequential wording that doesn't flow
down stream,
                   more like your floating bloated
breath  releasing putrid gas

that stinks more than what they were belching out.


I never insult the cadavers of dead lines,

but your words were buried even before
          you opened that hurse of dead beats.

a handful of rhymes that were more powerful than
           your buried career,

sorry you were a foot in the grave even before you
                                                   opened your mouth.


Song I wrote after I used your girl..


I wasn't the one she wanted it was you,
                but I gave her what she wanted

and that never included you..

Every thing you wanted I stole,
  and gave her fake wishes that were
tarnished but she never looked beyond
                 the moment seeing the stitching
of us was more fake than the smiles I gave her.

I knew she wanted to be with you,
   but I was the salesman of woman..

While you were the boy next door, I was the salesmen
                     showing her fake dreams..

Don't worry you can have her after I've used her enough,
          I'll even trade her in for a good price..

Ye, she'll be broken..

           But everything is always defective
after I've rode it enough...

Her crown maybe cracked,
  but she'll be yours even though she'll be thinking
of me even though your in her, I'm the length
        she'll remember but she'll be your crack queen.

Now this is enough of wording.

                   and I'm moving on to the next one.
y
Martin Narrod Sep 2016
My happiness comes from me ask my friends and the world around me blossoming in a spark of crimsony red moon glow on forethought walks through the shivering lenses of percept that trickle down our backs as we enlighten ourselves with all that is in between and unseen.

It is as if our aged limbs were caressed into a symphony of leverages and their shapes. We cannot be cadavers. We are arms of cheer and picture jasper, adolescent googled-eyes gathers with virile fixations on our partners as we prey on the map lines subtly employing our eyes as we dart across each dimple, pimple, freckle, and gently worn rash lines.

These are the dogs of our incessant barking. Idling for sincerity, as actors swiftly press Winter into us while our limbless diction presents our inadequacy Rd upon our ugly and I'll-tempered neighborly-things. Aliens of the afternoon, first floor agony and karmas standard for living in a reduced climate One.

Wearing down the hooves, undulates from Pepperdine mark trails with breaking breads and twigs and bones. Undulates from another world, behoofed and bemoved, curdling their sappy reselling a of drat and unkindly remarks. And we have begun to wonder when evolution will kick-in. When will the military come for them at the doors and vacate is all from our nontoxic lie-shrouded apartment complexes, condos, and cabins. Slaughter numbers of letters and integers right out in the street; loonies in the town square and the moose are crying.
Daniel Magner Jun 2014
I read a chapter on beating-heart cadavers
how they lay looking alive
chest rising, blood pumping
but brain not functioning
I started to cry
because once upon a time
you were a beating-heart cadaver
and now I know what comes after
how they probably slit you
from below the belly button
to just under the Adam's apple
practically unzipped you
then systematically took out organs
cutting arteries, clamping things
all the while your face
calmly looking asleep or maybe
hidden under a shroud
despite the initial stomach drop
I realized I couldn't have been
more proud of you
I couldn't have been
any more
proud
Daniel Magner 2014

which is why I am an ***** donor.

— The End —