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Julian Jul 2016
Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam
Neha D Jul 2014
I watch the prom Dance,
In an awkward stance,
my friends walk in with dates,
and the excitement Abates.
Alone in a corner,
I mope like a mourner,
With no partner to dance with,
No gentleman to prance with.
Amidst the mirth and cheers,
My eyes fill up with tears.

I rush out into the open air,
And by Jove! I see Voltaire!
With his satirical charms,
He draws me in his arms.
As I sway to the beats,
I'm waltzing with Keats.
Causing my funny bone to arouse,
Enters P.G.  Wodehouse!
Using nonchalant wittiness,
He acknowledges my prettiness.
And then walks in Shakespeare,
Who  wipes away my tear,
And my senses curdle like curds,
As he showers me with words.
While I repress the excited child,
I'm swaying with Oscar Wilde.
I'm rendered helplessly mute,
With his phrases so astute.
With a proposal so verse-y,
I'm serenaded by Shelly  B. Percy.
And before this fantasy can spoil,
I fox trot with  Conan Doyle.

And thus literally seduced,
into putty I'm reduced.
I am platonic-ally smitten,
By the genius of what they've written.
The dating circus can’t make me cry,
because a host of paramours have I.
I've never been to prom. No one asked me to prom during High School or college. And while that saddened me, I found solace and acceptance in the arms of my Literary heroes.  
Here's to them :)
Terry Howe Jan 2014
(This poem doesn't belong to me. The rightful owner is the author Darren Shan who wrote the Demonata and the Cirque du Freak book series. This poem is from his first book of the Demonata book series: Lord Loss.)

Lord loss sows all the sorrows of the world, lord loss seeds the grief starched trees

In the center  of the web lowly lord loss bows his head

Mangled hands, naked eyes
Fanged snakes his soul line
Curled inside like texture sin
****** curdle sheets for skin

In the center of the web vile lord loss torments the dead
Over strands of red, lord loss crawls
Dispensing pain, despising all
Shuns friends, nurtures foes
Ravages hope, breeds woe
Drinks moons, devours suns
Twirls his thumbs till the reaper comes

In the center of the web Lush Lord Loss is all that is left.
How sweetly shines, through azure skies,
  The lamp of Heaven on Lora’s shore;
Where Alva’s hoary turrets rise,
  And hear the din of arms no more!

But often has yon rolling moon,
  On Alva’s casques of silver play’d;
And view’d, at midnight’s silent noon,
  Her chiefs in gleaming mail array’d:

And, on the crimson’d rocks beneath,
  Which scowl o’er ocean’s sullen flow,
Pale in the scatter’d ranks of death,
  She saw the gasping warrior low;

While many an eye, which ne’er again
  Could mark the rising orb of day,
Turn’d feebly from the gory plain,
  Beheld in death her fading ray.

Once, to those eyes the lamp of Love,
  They blest her dear propitious light;
But, now, she glimmer’d from above,
  A sad, funereal torch of night.

Faded is Alva’s noble race,
  And grey her towers are seen afar;
No more her heroes urge the chase,
  Or roll the crimson tide of war.

But, who was last of Alva’s clan?
  Why grows the moss on Alva’s stone?
Her towers resound no steps of man,
  They echo to the gale alone.

And, when that gale is fierce and high,
  A sound is heard in yonder hall;
It rises hoarsely through the sky,
  And vibrates o’er the mould’ring wall.

Yes, when the eddying tempest sighs,
  It shakes the shield of Oscar brave;
But, there, no more his banners rise,
  No more his plumes of sable wave.

Fair shone the sun on Oscar’s birth,
  When Angus hail’d his eldest born;
The vassals round their chieftain’s hearth
  Crowd to applaud the happy morn.

They feast upon the mountain deer,
  The Pibroch rais’d its piercing note,
To gladden more their Highland cheer,
  The strains in martial numbers float.

And they who heard the war-notes wild,
  Hop’d that, one day, the Pibroch’s strain
Should play before the Hero’s child,
  While he should lead the Tartan train.

Another year is quickly past,
  And Angus hails another son;
His natal day is like the last,
  Nor soon the jocund feast was done.

Taught by their sire to bend the bow,
  On Alva’s dusky hills of wind,
The boys in childhood chas’d the roe,
  And left their hounds in speed behind.

But ere their years of youth are o’er,
  They mingle in the ranks of war;
They lightly wheel the bright claymore,
  And send the whistling arrow far.

Dark was the flow of Oscar’s hair,
  Wildly it stream’d along the gale;
But Allan’s locks were bright and fair,
  And pensive seem’d his cheek, and pale.

But Oscar own’d a hero’s soul,
  His dark eye shone through beams of truth;
Allan had early learn’d controul,
  And smooth his words had been from youth.

Both, both were brave; the Saxon spear
  Was shiver’d oft beneath their steel;
And Oscar’s ***** scorn’d to fear,
  But Oscar’s ***** knew to feel;

While Allan’s soul belied his form,
  Unworthy with such charms to dwell:
Keen as the lightning of the storm,
  On foes his deadly vengeance fell.

From high Southannon’s distant tower
  Arrived a young and noble dame;
With Kenneth’s lands to form her dower,
  Glenalvon’s blue-eyed daughter came;

And Oscar claim’d the beauteous bride,
  And Angus on his Oscar smil’d:
It soothed the father’s feudal pride
  Thus to obtain Glenalvon’s child.

Hark! to the Pibroch’s pleasing note,
  Hark! to the swelling nuptial song,
In joyous strains the voices float,
  And, still, the choral peal prolong.

See how the Heroes’ blood-red plumes
  Assembled wave in Alva’s hall;
Each youth his varied plaid assumes,
  Attending on their chieftain’s call.

It is not war their aid demands,
  The Pibroch plays the song of peace;
To Oscar’s nuptials throng the bands
  Nor yet the sounds of pleasure cease.

But where is Oscar? sure ’tis late:
  Is this a bridegroom’s ardent flame?
While thronging guests and ladies wait,
  Nor Oscar nor his brother came.

At length young Allan join’d the bride;
  “Why comes not Oscar?” Angus said:
“Is he not here?” the Youth replied;
  “With me he rov’d not o’er the glade:

“Perchance, forgetful of the day,
  ’Tis his to chase the bounding roe;
Or Ocean’s waves prolong his stay:
  Yet, Oscar’s bark is seldom slow.”

“Oh, no!” the anguish’d Sire rejoin’d,
  “Nor chase, nor wave, my Boy delay;
Would he to Mora seem unkind?
  Would aught to her impede his way?

“Oh, search, ye Chiefs! oh, search around!
  Allan, with these, through Alva fly;
Till Oscar, till my son is found,
  Haste, haste, nor dare attempt reply.”

All is confusion—through the vale,
  The name of Oscar hoarsely rings,
It rises on the murm’ring gale,
  Till night expands her dusky wings.

It breaks the stillness of the night,
  But echoes through her shades in vain;
It sounds through morning’s misty light,
  But Oscar comes not o’er the plain.

Three days, three sleepless nights, the Chief
  For Oscar search’d each mountain cave;
Then hope is lost; in boundless grief,
  His locks in grey-torn ringlets wave.

“Oscar! my son!—thou God of Heav’n,
  Restore the prop of sinking age!
Or, if that hope no more is given,
  Yield his assassin to my rage.

“Yes, on some desert rocky shore
  My Oscar’s whiten’d bones must lie;
Then grant, thou God! I ask no more,
  With him his frantic Sire may die!

“Yet, he may live,—away, despair!
  Be calm, my soul! he yet may live;
T’ arraign my fate, my voice forbear!
  O God! my impious prayer forgive.

“What, if he live for me no more,
  I sink forgotten in the dust,
The hope of Alva’s age is o’er:
  Alas! can pangs like these be just?”

Thus did the hapless Parent mourn,
  Till Time, who soothes severest woe,
Had bade serenity return,
  And made the tear-drop cease to flow.

For, still, some latent hope surviv’d
  That Oscar might once more appear;
His hope now droop’d and now revived,
  Till Time had told a tedious year.

Days roll’d along, the orb of light
  Again had run his destined race;
No Oscar bless’d his father’s sight,
  And sorrow left a fainter trace.

For youthful Allan still remain’d,
  And, now, his father’s only joy:
And Mora’s heart was quickly gain’d,
  For beauty crown’d the fair-hair’d boy.

She thought that Oscar low was laid,
  And Allan’s face was wondrous fair;
If Oscar liv’d, some other maid
  Had claim’d his faithless *****’s care.

And Angus said, if one year more
  In fruitless hope was pass’d away,
His fondest scruples should be o’er,
  And he would name their nuptial day.

Slow roll’d the moons, but blest at last
  Arriv’d the dearly destin’d morn:
The year of anxious trembling past,
  What smiles the lovers’ cheeks adorn!

Hark to the Pibroch’s pleasing note!
  Hark to the swelling nuptial song!
In joyous strains the voices float,
  And, still, the choral peal prolong.

Again the clan, in festive crowd,
  Throng through the gate of Alva’s hall;
The sounds of mirth re-echo loud,
  And all their former joy recall.

But who is he, whose darken’d brow
  Glooms in the midst of general mirth?
Before his eyes’ far fiercer glow
  The blue flames curdle o’er the hearth.

Dark is the robe which wraps his form,
  And tall his plume of gory red;
His voice is like the rising storm,
  But light and trackless is his tread.

’Tis noon of night, the pledge goes round,
  The bridegroom’s health is deeply quaff’d;
With shouts the vaulted roofs resound,
  And all combine to hail the draught.

Sudden the stranger-chief arose,
  And all the clamorous crowd are hush’d;
And Angus’ cheek with wonder glows,
  And Mora’s tender ***** blush’d.

“Old man!” he cried, “this pledge is done,
  Thou saw’st ’twas truly drunk by me;
It hail’d the nuptials of thy son:
  Now will I claim a pledge from thee.

“While all around is mirth and joy,
  To bless thy Allan’s happy lot,
Say, hadst thou ne’er another boy?
  Say, why should Oscar be forgot?”

“Alas!” the hapless Sire replied,
  The big tear starting as he spoke,
“When Oscar left my hall, or died,
  This aged heart was almost broke.

“Thrice has the earth revolv’d her course
  Since Oscar’s form has bless’d my sight;
And Allan is my last resource,
  Since martial Oscar’s death, or flight.”

“’Tis well,” replied the stranger stern,
  And fiercely flash’d his rolling eye;
“Thy Oscar’s fate, I fain would learn;
  Perhaps the Hero did not die.

“Perchance, if those, whom most he lov’d,
  Would call, thy Oscar might return;
Perchance, the chief has only rov’d;
  For him thy Beltane, yet, may burn.

“Fill high the bowl the table round,
  We will not claim the pledge by stealth;
With wine let every cup be crown’d;
  Pledge me departed Oscar’s health.”

“With all my soul,” old Angus said,
  And fill’d his goblet to the brim:
“Here’s to my boy! alive or dead,
  I ne’er shall find a son like him.”

“Bravely, old man, this health has sped;
  But why does Allan trembling stand?
Come, drink remembrance of the dead,
  And raise thy cup with firmer hand.”

The crimson glow of Allan’s face
  Was turn’d at once to ghastly hue;
The drops of death each other chace,
  Adown in agonizing dew.

Thrice did he raise the goblet high,
  And thrice his lips refused to taste;
For thrice he caught the stranger’s eye
  On his with deadly fury plac’d.

“And is it thus a brother hails
  A brother’s fond remembrance here?
If thus affection’s strength prevails,
  What might we not expect from fear?”

Roused by the sneer, he rais’d the bowl,
  “Would Oscar now could share our mirth!”
Internal fear appall’d his soul;
  He said, and dash’d the cup to earth.

“’Tis he! I hear my murderer’s voice!”
  Loud shrieks a darkly gleaming Form.
“A murderer’s voice!” the roof replies,
  And deeply swells the bursting storm.

The tapers wink, the chieftains shrink,
  The stranger’s gone,—amidst the crew,
A Form was seen, in tartan green,
  And tall the shade terrific grew.

His waist was bound with a broad belt round,
  His plume of sable stream’d on high;
But his breast was bare, with the red wounds there,
  And fix’d was the glare of his glassy eye.

And thrice he smil’d, with his eye so wild
  On Angus bending low the knee;
And thrice he frown’d, on a Chief on the ground,
  Whom shivering crowds with horror see.

The bolts loud roll from pole to pole,
  And thunders through the welkin ring,
And the gleaming form, through the mist of the storm,
  Was borne on high by the whirlwind’s wing.

Cold was the feast, the revel ceas’d.
  Who lies upon the stony floor?
Oblivion press’d old Angus’ breast,
  At length his life-pulse throbs once more.

“Away, away! let the leech essay
  To pour the light on Allan’s eyes:”
His sand is done,—his race is run;
  Oh! never more shall Allan rise!

But Oscar’s breast is cold as clay,
  His locks are lifted by the gale;
And Allan’s barbèd arrow lay
  With him in dark Glentanar’s vale.

And whence the dreadful stranger came,
  Or who, no mortal wight can tell;
But no one doubts the form of flame,
  For Alva’s sons knew Oscar well.

Ambition nerv’d young Allan’s hand,
  Exulting demons wing’d his dart;
While Envy wav’d her burning brand,
  And pour’d her venom round his heart.

Swift is the shaft from Allan’s bow;
  Whose streaming life-blood stains his side?
Dark Oscar’s sable crest is low,
  The dart has drunk his vital tide.

And Mora’s eye could Allan move,
  She bade his wounded pride rebel:
Alas! that eyes, which beam’d with love,
  Should urge the soul to deeds of Hell.

Lo! see’st thou not a lonely tomb,
  Which rises o’er a warrior dead?
It glimmers through the twilight gloom;
  Oh! that is Allan’s nuptial bed.

Far, distant far, the noble grave
  Which held his clan’s great ashes stood;
And o’er his corse no banners wave,
  For they were stain’d with kindred blood.

What minstrel grey, what hoary bard,
  Shall Allan’s deeds on harp-strings raise?
The song is glory’s chief reward,
  But who can strike a murd’rer’s praise?

Unstrung, untouch’d, the harp must stand,
  No minstrel dare the theme awake;
Guilt would benumb his palsied hand,
  His harp in shuddering chords would break.

No lyre of fame, no hallow’d verse,
  Shall sound his glories high in air:
A dying father’s bitter curse,
  A brother’s death-groan echoes there.
BJ Oct 2017
I love you for no reason
So it's not going to change with change of season.
I love you for no reason
I know it's hard to trust a guy like me
But i want to become a guy you want me to be
Pick out the good from me and leave the rest
Alter me into what suits you best
I will be proud to fulfill your every condition
I love you for no reason
It's you my princess that's all i need
What's in your mind i wish i could read
So that i can do everything before you say
I want to make you smile everyday
You are my desire my zing my ambition
I love you for no reason
You hair are like brown strands of silk
You are fairer than milk
Chubby chicks and baby soft skin
Pointed nose suits best with nose pin
Those plumy lips i can die to kiss
It kills me when you smile with a bliss
Your waist curves are like of a snake
Mole on your face is cherry over cake
Mind and body both you have got
I swear you are god's perfect shot
Beauty with mind is a perfect fusion
I love you for no reason
I will love you forever same as now
With you i am ready to take the vow
I wanted to be with you anyhow
After that my life would be wow
But i know you don't have the same vision
I love you for no reason
You for me is my sweetest dream
Your beauty is something i can not redeem
Best you have a golden heart
Your words hit my head like a dart
I can listen to your chit chat for my whole life
I pray to god to make you my wife
I will pamper you praise you serve you please you
I will hug you poke you curdle you tease you
It's going to b real or it's just an illusion
I love you for no reason
I know we are east and west
I m not good even and you are the best
We can't be together it will not work
How can an angel love a devil rebellious ****
One day may be you will say yes
Might be this poem works full to impress
If it's a no not a big deal
Hug me enough for my wounds to heal
I don't want to force your decision
I love you for no reason
I love you for no reason
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Sparrow Oct 2012
I once left my heart in the pocket of a saint
blinded by sunset light, drunk from midnight madness,
and falling into the monotony of broken dandelion stems and lost eyelash wishes-
I didn’t think I would need it much longer
The burden of rebirthing beats continuously
stamping out the keys
Of my empty piano chest –
As I held onto the breaths of broken warriors
Sponging the blood off their slashed

double
layered
skin

And praying
they could keep their fight for just

One
More
night

He never noticed the extra beat
added to the twitches of his time-ticking body
deaf from the ringing calls to heroism
only on the odd hours he didn’t have muffled
by the recipes of the women he’d saved
buying out bravery like it could shield his soft tongued love
leaving nothing but the clothes on his back
woven from stardusted bomb shelters
And
left over hopes
selling the silver lining of every breath he took
just to buy the next broken-bar girl a drink

He was a saint after all --

born from the innocent hopes I wish I still had,
tucked in the corners of sun-freckled smiles
and
Mothering seatbealt arms
and
Careless Carnival Food
the kind I know some of my soldiers withered against
writhing their souls from the bodies they had been straight jacketed too
prisoners of war stuck in the memory
of just how many calories a sugared funnel cake could have
did have
will have
add up to the self worth shot out of their chest
from last nights uncontrolled binge
of two apples and a cheerio promise ring

No,
he had never been in the middle of the war
never known the taste of blood
rusting in the rain of covered up skin
drenched in the salt water stings of failure
peeling away the scabs of
addictive adrenaline disadvantages
and mapping the battle plan of tomorrows attack
against an enemy so close
it was breathing the same air your lungs had not finished purifying

No,
his hands had never held the dyeing breaths of a comrade in arms
as they shook from the fears riding up their spine
praying the poison won’t take
praying the stolen bottles didn’t break
and that violent vomiting viguals
might burn just enough of the alcohol mistake
so their blood won’t have to curdle

No,
he had never heard the desperation
of sobbing secretes suddenly swindled
from between the lips of a girl who never wanted to remember
the night that never happened
one year, five months, fourteen days --
and three hours ago
her father had asked her why she never wore skirts anymore
and why she never brought boys over anymore
and why she never left her room anymore
and why her silent cheekbone cry for help never smiled anymore

No.

A saint is never found on the battlefield
never scared by the everlasting burns
of war paint psychiatric wards
and gun powder therapy sessions
sprinkled with the hope against hope moments that maybe
we’ll have a break through --

Like the ****** morning sun rebirthing the beats
of duck taped dreams
and
medicated eyes
and
catatonic lips --

I left my heart in the pocket of a saint
confessing the sins of the hopeless hospital it fueled
between our silent lipped kisses
squeezing out the stories of unnamed soldiers
between our woven fingers
and betraying my fear
in the tremble of my body against his –
I left my heart with him on the one-night-stand whim
that I would grow deaf to the sound
of TAPS played on my piano rib keys
and
blind to the specks of blown dandelion wishes

But I still hear the echoes of them
rattling against the stitching
of his bomb shelter pockets

and I wonder if he’s still searching for me
between the crumpled recites of midnight mass mixers
and
open cathedral whispers

because I still think of him sometimes
absent mindedly pick pocketing saints for smiles
but I’ve only found lint and regret
tucked in the corners of their heroic attempt
to protect the bruised hearts of the saviors
who haven’t quite yet found salvation
Claire Waters Aug 2013
the words never seem to touch the tone
i am meaning to say i want to
weigh them with my tongue like pebbles
clattering under my teeth
i was never as lonely as when
i couldn’t speak
you must have felt that loneliness
you couldn’t swallow
we all have days when we get in our car
and think about what we could really do
if we wanted to
drive to the store or off a cliff
you choose the first
never let your brain teach your hands
to slip around the other one
possibilities are dangerous
when there are so many ways
to play in traffic
let me count the limbs
in this car wreck
let us count the ways
we have all been wrecked
by a promise or a minute
with a weapon in your hands
that you never thought about
until you were going to fast you wanted
to stop
Molly Pendleton Nov 2013
This is a tricky game
Infatuation floods the chest
Instantly; but it isn’t water
Far too vast for that
It’s warm, syrupy and thick
Wreaking havoc and
Producing symptoms
Glazed eyes
Flushed cheeks
Formed through
Indulgent nights
Grinning
Giggling softly
Instead of sleeping
It all feels so good
Within your chest
You would never want to
Rid yourself of it
But infatuation is disorderly
Overwhelming and easily spread
A molasses mess of fantasy
Of everything you think you feel
Once those feelings
Curdle inside your chest
Into a hardened truth
You will not be able
To breathe
Collette Abatta Oct 2011
The bad seed  ::  takes root  ::  roots extend ::  in the head  ::  A constant branching  ::  budding bursting ::  away  ::  and away  ::  and away  ::  roots branch and extend  ::  The Holy Schism  ::  Mother's breast  ::  bisected  ::  salt and milk  ::  curdle  ::  then settle  ::  into the nine creamy layers of Hell  ::  roots extend  ::  bury into Her pith  ::  bisected  ::  a honeysuckle rut  ::  Mother screams  ::  a poisonous  ::  foam  ::  spraying Her wither around  ::  killing  ::  the sacred cow  ::  ::  ::  there  ::  there She is  ::  the pretty blight  ::  the slit  ::  in the stem pursed tight  ::  down lower  ::  over two hills  ::  to a black and blue lagoon  ::  Mother in bloom  ::  Her putrid flower  ::  slaps open sloppy  ::  wide ::  open ::  for osmosis  ::  for curdled spore spew  ::  ******* flaccid  ::  with lips and teeth
1996-ish
Ooolywoo Jan 2018
A perfectly linear shape painted in gold
Is what you see
Through Instagram pictures Facebook posts Snapchat videos
The tacit life
I lead in the virtual stairway
I am living the life!
So you say
You painted my life in the most shimmering color
Turn on every light in the room to make it brighter
Gazing with admiration
Sometimes
Most of the time
With jealousy
Seduced by the lure of the blue light dependency
Turning this perfect lie into some meditation
And make it my definition
An image I’ve built to cover the within
A perfect fragmented me I post on social media
A habit I borrow for social gatherings
A behavior forced into me
For the sake of society!
An illusion so fragile made out of eggshell
A shell covering the true essence of ME
Uncovering myself for the world to see
The egg wall and make believes shattering
To life unpredictable burdens
That perfect golden shell cannot bare life’s hurdles
Holding something beautiful that doesn’t curdle
I am more of what you see
More of what I let you believe
More of society’s standards
More of you
More of me
I contained beauty and imperfections
I contained colors and bricks
Strengths and weaknesses
Enough to **** in all life’s miseries
And to also reflect confidence and vulnerabilities
I am not just one color
I am every shades
Every undertones
Every hues that follow the changes
I am the intense
The neon
The eclectic
The iridescent
From the lightest to the darkest
The contrasting
The complementing
The chromatic
I am in nature in art in paintings
Everywhere
I am every northern lights dancing to my own ballet
Don’t just paint me with your own palettes
Crack me open
And see what’s inside
For there you will see
My true colors
Inspired by one of my brother drawings
shamamama May 2019
.                                                 sea and sand,                                          .
                ­                          salt and surf, foam and
                                       froth, greet and gather, tumble
                                    and turn, rock and roll, spray and
                                 spin, cross and current,                roar        
                               and rise, crash and curdle,                mix
                            and mash, blend and bash, drip
                         and drop, pour and plunder, leap and
                     layer, mound and mist, shine and sheen, scoop
                  and scale, spread and span, fall and falter, leap and
               layer, splash and spire, bubble and brine, writhe and write
         s             e            a           w           o           r            t           h           y
reflections on the ocean surf
Faye Sep 2021
144
I don’t want to cut myself open on a stage,
Make my blood curdle on command.
Applaud me, will you?
This idea of sisterhood, this union
At the end of the play
One lives, one dies, and one has the glory
of letting the curtain fall down
Down on the story
Performed to move people.

I’m not a performer,
Not a thespian, actress or Janus,
I have the one face and that’s all I’ve got,
Like it or not.
My clothes are not a costume,
There’s no cue for me
That tells when to go on.
I speak now, with lines rehearsed
To keep playing the fool
The one no-one listens to.

Do you like me?
Do you like me?
Do you like me?
Please applaud.

I am not an act, waiting for an audience.
I do not respond to applause,
There’s no curtain call,
No stage light in my place
That tells me where to fall.

I can’t keep playing
Can’t keep pretending
I’m the one who decides to walk out
On all of this, now.
It’s the final call, that one last bow
And thus ends the show,
See you next week, with all your friends in tow.

A standing ovation,
A brief revelation
I don’t want this, quick,
Act like it’s all part of it,
Stumbling’s funny, err on the side of performance,
Don’t reveal the truth, don’t bleed on the stage floor,
It’s all fake. All pretend, I’m no actor,
but I perform every minute of the day.
I’m not sure my heart’s real.
Sarina Aug 2013
I could not imagine
not knowing who you are until I realized
I never did
anyway,
it felt so much like being a lonely child
in a small house. I swear
I can touch the walls of your heart
but there is no foundation, blood anywhere.
Who did I break my skin for
if not
a man who has eyes like new stars. Who
walked into me
then made the fireplace curdle.
Our life puts the "Sh..." back in
"Chicago."

This pulse could race, slow to a dull thud or stop and curdle like the residents of a container of milk who've been left out, and still you will never love me.  

Gobs of waiter phlegm we never detect in our bowls of soup and teapots beg our forgiveness and howl for our affection, and are invisible.

But where is the crime in not loving
when we are not loved?
How could there be a crime in not loving,
when we are loved poorly?
Loved so poorly we cannot afford
to ask ourselves where is the crime,
thus implying innocence.

We put the "mice" back in
"monogamous."

tip-toeing, silent but for mere squeaks, nearly inaudible whispers,
furtive looks, and how we run away, screaming,
or, like mice and Chicagoans all, we freeze.

Aquiver with fear, iced up in the Polar Vortex, hands raised in the policeman's spotlight.

But where is the crime in not loving
when you are not loved, or loved poorly?
Loved so poorly we cannot afford to stand up straight,
We scurry close to building walls,
trying not to be seen or see each other as we curse our fate.

Where is the crime in not loving those whom we hate?

There is no crime, but still, not loving is the heart of all crime.
To feel so deeply unloved we wish to destroy ... you name it.
Blot out, ruin and erase them; our enemies, our families, lovers, and even the world herself.

Jab a knife into her verdant hide and twist until black blood flows.
Gouge out mountaintops seeking iron for our towers.
Remaking her grace to build our graveyard.

These vibrant phosphorescent tombstones, overpopulated pillars of mutual isolation reach up into the clouds.
Announcing to the universe, we trumpet a loneliness as profound as it is absurd and ugly.
Marie-Chantal Sep 2014
Ruffles your hair in the soft of the summer patch, sunbeams cling to you like honey then later cling to my ever growing hopes of happy happy love. silly silly silly winky-**** he bruises you with stains of purple-pink which later fade to yellow like 'le soleil' friction burns will come from 'le soleil' and linger and cling to your chest like an arrow through the heart. heart-throb. you belittle me one too many times doodle-bug.

Rosie roses are nice to fancy and fathom but thorns only puncture pale skin and drain you of your ruby juice until you are nothing but a dusty, hollow skin shell. pale naïve and empty to be filled with dreams, desires and demands as well. hate is not easily boiled in your kitchen kettle water but I think that's a good thing munchkin.

Hold back your disdain bite your tongue crack your teeth and do not repeat what your brain whispered it has been lying to you since the day you were born you silly silly silly... this is a ripping seam in your moonbeam and your emotions begin curdle and to leak out like fish but then you remember crying is okay but **** such salt water back in and say naught. distraught.

At witching hour it will come at you a cold sweat in the night where your fingers tingle and your meat twinkles faces before you with holes for irises. they have been sent to inject mishap and upside down rainbow viruses. when was the last bedtime you had cloudless soul with organic thoughts? oh fleshly girl tip-toe lightly as blood trickles down your ego and melts it away to stardust to form another cheeky doodle-bug munchkin grin
Yv S May 2014
there is something tasteless
on the tip of my tongue
and as I bid it to stay still
you spill.
a broken dam.
I tried with all nerves
only for you to sit on them
tuning them to your song
to suit your voice.
puppet strings.
and hate is a strong word
feeling
which is the only thing I know
it seems.
bekka walker Nov 2015
I am the creamy glass of milk
you've stolen from the easterners gods you're hastily slurping down
"for my own good".
Willing myself to turn sour in your mouth.
Begging you to spit me out, because I'd rather be anywhere other than splashing around your rotten yellowed teeth.
Mindful of the approaching date you've slapped on my side,
robbing me of my cured potential, so rich and golden.
As I'm sliding down your throat I cheers to hoping I curdle your stomach, like you've curdled mine.
mark soltero May 2021
things are going to be grey
breathing tar inside
created nights without a sunrise

innocence breeds hopelessness in this world  
don't cry your pains in order to foster their intensity

dark things spoken will play around the mind
like children they scream and curdle throughout the night
chilling sensations wrap around while they mutate

greedy lungs withhold oxygen
their offspring drain the logic from reality

last breaths taken care for the innocent evils that live within
we don't lie for ourselves
when we begin to give life to those living inside our head
it's nothing but negative metamorphisis
Questions curdle
Each disdainful day
A glowering cloud
The threat of rain
Pounding footsteps
Troughs of anguish
Wavering moments
Images of altercations
The pleasure of detesting
Chocolate cake
Flavoured with money
Resentful ripples
Washed up on rocks
Drowning sounds
Solemn and deep
Slowly sinking
Disconcerted water birds
Shimmering reflections
Echoes in the darkness
Displaced by contradictions
Clanging, banging
Bouncing *****
Dissolving memories
Misplaced optimism.
Kush Nov 2015
The Stag trots across a bleached horizon
Howling into the wind with echoes that curdle blood
Its form is liquid nightmare, drenching snow in ebony flood

Wispy vapor flares around antlers of pure, lucid black
Moonbeams shimmer off plumage fraught with drear
Violet feathers assure that bizarreness the Ravenstag does not lack
Dark fangs ravage human flesh, infecting tissue with fear

The Wendigo glides past fallen pine and split oak
Its viscous hooves leave tracks of unearthly essence
Through white deserts flecked with red and bodies left to soak
Based on the Stag from Hannibal-I can't recommend the show enough
Jackson Freeman Sep 2013
You let me rub sawdust in your ears.
You let me drip wax on your fingertips.
You let me defenestrate your free time.
You let me run my voice across your lips.
You let me think I can.
It is of my opinion that the basement here smells
of expensive wood varnish
and it reminds me of what you are supposed to be;
an old thought.
A grimy vexation.
A copper colored conundrum,
antiquated and nauseously green.
I hate it when you waste time with me.
You make me feel like we're worthless.
Sitting alone in a stone darkness
with both purple hazes
hanging in the air like rhythmic skeletons
strung up in a celebratory gallows.
I'm happy when I'm with you,
you two-penny *****
of wasted yourself.
I love you.
Now leave.
Out of our lives.
I would be happier if you were out of yourself.
But you knew that.

I know a cedar chest of a hundred years
and you are knees-to-chest inside;
not dead
but breathing through the keyhole
in a white evening gown
with your skin growing tighter against your ribs.
One day I will open the chest
and your blood will flow
and your eyes will open
and your skin will hang more loose
under healthy fat and muscle and life
and you may throw your arms 'round my neck
and I will cry as I love your touch
as you smile with joy
as I take my hand and put it to your chest.
Push.
Down.
Hard.
You will not escape to make me love you.
The latch will close and you will be silent,
breathing through the keyhole,
and I will not mourn.
I will try not to mourn.

You are beautiful,Time.
Why?
You burn heart-shaped marks into the souls of lovers
and whittle them away through yourself
and that is horrendous
yet you change not.
Villain! A pox upon you for a clumsy lout!
You must undress in simmering water for ramen or tea
because you refuse to change until I look away.
You make the voices of a hundred years past
hiss and pop on gramophones
because you didn't feel like sharing 2008's MP3s.
Oh, you wretch,
you curdle milk
and Captain Crunch disapproves.
You make car rides to Washington, DC unbearable.
You masterfully draw out the suspense in waiting rooms,
dangling gender verdicts of newborns over the heads of expectant fathers.
You ****.
You ridiculously unfair goblin.
You murderer.
You toyer of lives.
You are so beautiful.
You make life short so it matters.
This hate is a necessary hate
but so is my love for you.
You will **** me one day.
For that, I loathe every second you give me in your pitiful pity.
I wish I could rip apart every second and return them to the sender
and have them ignite on your doorstep
and burn your house down
and have you cry "I was only doing my job"
as your home smolders to ashes.
But right after I would buy you a nice dinner
and tell you that it's going to be okay
because you made some months of my life matter
and enjoyable and happy.
I might even admit to arson
to make you smile
or grimace.
Time, you toothless wolf.
You spineless snake.
You stringless marionette.
I love you.
Kayla Hollatz Jan 2014
My touch can start brush fires.
My fingers are ***** matchsticks,
the kind your mother warned about.

My petaled lips spark against yours
like flint against steel.

My volatile breath, an overcast of smoke
creeping from the belly of my throat.

My twisted tongue douses your chalky skin
with fuel, a gasoline spreading to your logged limbs.

I leave your organs to curdle,
and by morning glow,
you’re nothing but a burn victim.
Notes passed in class:
Circle yes no or maybe.

Pages torn from diaries and journals:
Tonight I think I might love...

Haikus carved into the metal floor of the hole where your books are hidden during a quiz:
"School's a chore learning
2B a bore 4eva
while even ugly ducks soar"

Texts sent flickerfast explain why we're still fighting.
ME:     And then you said...
YOU:  I don't wanna read this ****.
ME:    OMFG this **** is what you said!

Emails from spambots clot inboxes with poems that are better than those from most flapping quills and tapping claws,
because they have no reason:

"Earstwhile Hardly asked an clocks raging spleeded
Pills pull grimy stovepots into a curdle stoop.
Click Here.  Click Here.  Click Here."
Claire Waters Aug 2013
4 conquest - http://hellopoetry.com/poem/conquest-1/
exactly what it sounds like
slips - http://hellopoetry.com/poem/viscous-ugly-slips/
3 curdle - http://hellopoetry.com/poem/curdle/
the death instinct, i was mostly thinking about the idea that it's said all those who have tried to commit suicide by jumping off the golden gate bridge have confirmed that at the last minute they realized they didn't want to die.
2 branches - http://hellopoetry.com/poem/branches-2/
wanting simple honest relationships
1 beautiful spores - http://hellopoetry.com/poem/beautiful-spores/
what brings a city to life?

1 aspen - slippery ***** youtube
http://hellopoetry.com/poem/aspen/
http://www.youtube.com/watch?v=26JK5qP_rxk

anuljeezshia

this is about finding an awesome person and being afraid you can't be the best version of you for them because you're kind of emotionally blocked off at that moment in time when you met them. i think everyone's been there before.

2 hunter culture - this don't need no ****** music mang - holding the severed self
http://hellopoetry.com/poem/observations-from-a-daughter-on-hunter-culture-final-draft-shorte­ned-to-reasonable-reading-length-lol/

this one is about the way people treat each other in our culture, and the stigma around weakness and ignorance that breeds so much needless hatred. and getting out of the depressing closeminded little town you grew up in and realizing there's more beyond the horizon than this.

3 arrange disarray - without your love
http://hellopoetry.com/poem/arrange-dissaray/
http://www.youtube.com/watch?v=2RfBJkckN2I

this one is about feeling caught up in the chaos of modern society and having a lot of discomfort about what you see happening to the natural world.

4 leaving what you know - everyone alive wants answers
http://hellopoetry.com/poem/leaving-what-you-know-final-and-performed-version-of-piece-for-lo­uder-than-a-bomb-mass/
https://www.youtube.com/watch?v=NMoX7uL38os

about metamorphosis, growth, fostering positive change. it was sort of a response poem that formed in my head a couple months ago when i was thinking a lot about the saying "every man for themselves", and thinking about how it's not true because the most effective way to preserve yourself is through helping out others, because we all effect each other, and suffering isn't something that comes in one form, everyone has understood it to some degree. it's also about being belligerent about your general moral values, though. and trying to find a higher ground upon which to improve your life, looking for the people and the place where you belong, while feeling kind of lost in the bustle of everyday and the more stereotypical obligations you have like school, money, job, and so on.
She sits in the dark
clinging to wall spaces
where light switches used to matter.
The power's out.
He is her only light in a city turned black.
She fears the darkness.
It makes her skin curdle
like the warm milk sitting in the fridge.
The heat recedes slowly from the apartment.
He lights candles and brings her something to eat.
Her pulse steadys at the sound of his breathing,
but quickens as the winds thrash outside,
knocking trees, houses, people.
Inside isn't safe.
More often than not, danger draws her in,
but not now, not tonight, not with nature as a foe.
Her family has gone, evacuated with the rest of them.
So, she's alone, and
she sits in the dark,
with him.
aj Dec 2018
I experienced
and I wrote:

When I think of you I feel like I am going to cry.
Well, I don't cry
but my stomach decides to cave in and collide with some sort of fluttering that feeds into my lungs
my heartbeat turns into more of a tick

into my stomach a small rock is dropped
it rolls around at the bottom
slowly it gets hot
the heat spreads up my throat and across my chest radiating down to where my elbows meet the inside of my forearms
from there, the energy pulses to my fingertips
its like buzzing but with the addition of tiny little ******
I feel that in my wrists

The heat grows heavier on my chest
now I feel it a bit behind my eyes
my hands that pulsed now throb along with my thighs
now the rock in my stomach decides to put press up on my spine
it tickles in a way that makes me want to laugh to relieve the pressure

I laugh but laughing leaves me feeling winded
my esophagus now thinly coated with a foggy thickness
the word that comes to mind when I think of it is dread

my spine is now a magnet that my ribs want to meet
I breathe out
they sink back towards my spine, reaching for something
my breathing feels forced but at the same time I can't control it

my thighs feel warm and almost swollen
my feet are already cold
each hair on my head seems to gain a pulse
certain ones even feel electric
the stinging in my nose tries to curdle my expression
I try not to let it
but my nose wants my cupid's bow and my jaw wants the corners of my mouth

the rock shifts around again, renouncing itself
my ribs suddenly collapse causing my to inhale my own exhaled breath
the stinging in my nose rides up behind my eyes and

(this is where I usually stop it, often with speech or with another laugh
images carry away sensation
I place them back into those mental pictures of pastimes and things potential and things yet to come, replacing the label with "sadness" with "hope"

knowing now that the rock is just my heart, it finds its way back up to the tiny box where it beats on the walls, constantly trying to find its way back out

I remember that hearts do good
I remember my lips, only then do I realize that they had gone numb
I think of warmth

the stinging in my arms, the picks and the pulses in my fingertips
those are the only things I can't beat
the energy at the inside of my elbows goes back up to my chest and  hovers over my heart

the hovering feeling never goes away

but I remember this energy is mine to live with and move on)

but if I don't stop, if there is a sense of weakness to my day
I feel the urge to smile almost
the burning in my eyes gets hotter, it usually comes in bursts
my vision turns to stained glass
the rock starts punching its way up my spine
my lower eyelids want to sink back towards my face, my eyebrows try to tie themselves in a bow
I try not to blink

now
If I'm lucky, my eyes tear up
If I'm not, tears roll down

my stainless masterpiece ruined by a contorted, conflicted smile-frown

I feel air on my tears
I breathe out and remember thought

my hands want to hold
my arms want to hug
my lips are numb but they know jut as well

that the catalyst has come full circle on this one, love
With this poem (monologue?) I had no intention other than to report with words the physical side of emotion. I just wrote as if I was reporting objective, physical sensations. My hope is to make this a series, maybe reflecting in this way within contrasting moments? Or maybe have other people report their own descriptions? Who knows where it will go. But please, enjoy.
Angelica Renee Apr 2013
I wonder what it has for me today, scratching beneath a loose surface,
reaching deep this time,
past the wrist, up to the elbow
for something beyond the dirt and the buried, sleeping
worms I regret waking -- I hate the way they move,
wriggling into the warm holes of my psyche.
This tombstone has witnessed my desecration before,
always silent, but I know judgment awaits.
I should keep it shut, think about putting up a door
with a lock and lose the key instead of
making a workout of moving this slippery stone.
But too late for me or my sanity -- one small push tonight,
and resurrected, they appear --
the slow beach days, the frantic Christmas mornings,
an evergreen in the foyer, dripping with pretense.
Days for miles along Manhattan Island, bright blinding lights,
nights spent whispering past the silent stroke of midnight
as adults stir on the opposite side of thin walls, begging us to sleep;
all of the memories driving me to the dull butter knife of self-hatred
twisting my guts into a Celtic knot.
Breathing hard, I arise, and the work is complete, my shame
left to spill and curdle like milk on a hot sidewalk,
seeping into the disturbed earth.
Blinking away the pain, I take my final breath slowly,
focusing on the rainbow of light glinting off of
my handful of fake pearls, the last bit of treasure I can glean
from this resting place.
My knees can hold me no more.
Consider this a mercy killing.
Saint John the Apostle says: “Hellenika and Tsambika, they will be the lily, the saffron, the rose and the violet, but also new, like the calendula and the chamomile, making of all a crown headband, to ad put the world of the Duoverse in everything its radius, for the star that illuminates par excellence as a white planet without thorns, which is the perfect one among the perfect ones, anti herbicide of language and incarnation, as in the Empyrean medieval zeal and in the highest of heavens. It is also the site of the physical presence of God, where the angels and the souls welcomed in Paradise reside, between Thistles and Roses towards the nourishing plane of the conventual voice and the tonic of the Milky Way; galactogens, ******* third grade milk to curdle in children who have not been a Messiah yet. Paths of thorns will guide the visitors of this gallery of flowers and plants, through the Panagia Monacal, for the holy homily with the Lilies and their lower valleys, where no more Lilies can evade their chains of the Liliorum genome and in their valleys of galactogenic virtue. As Mother Rosa and son Lirio, being the mother of all and of that one, behold ... your son, "I myself in the path of the three Marias. Over there in the desolate andurrial, an aquiline carries me imprisoned on my heels, as a bond of a son who makes my footsteps, the columbine sole of my saving feet.

At 320 meters of altitude, the Still Life appeared, concealed behind the Vas Auric, here everyone approached the auric circle of Morality that made them authors of the proximity of the Universe falling on Greece and Herbalism that fell with all its historical structure in the forest where many more species such as Caltrop, Laurel, Olive, Linen, Granada appeared, in a simple and flat devotional with nuances with pro delegating status; the same Hexagonal Birthright, to make the cinnabar fistulas, which was elemented by the different colors associated with the Grail tutorials, which were seen indigos on top of some Rhododendrons. If it is eschatological, it is in mystical nets of the Empyrean, further away in a form that is said to be called a form of gonism, between Cardinals and their dead Lilies. As the first among the last, the bulbous and clayey Tulip orb and basilica symbolism, peacemaker and philosophical Eritrean, for spiritual searches, which eager effusions of the Empyrean, reached the Messiah on his Pollino on the way to Bethany.

Around the Monastery, they could all be seen arriving to the beat of the cymbals and aulos, among the lyres that prowled, tickling the inquiry to rest their fingers, or perhaps by some augur Trojan villain in those of "Daedalus".  The latter being, here a tulip, with flames of a true seeker trying to sacrifice subsistence daring over the risk of the flame of saving death.

Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Talos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster. The labyrinth was a building with countless corridors and winding streets opening one to another, which seemed to have no beginning or end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave from Minos, in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth. I have to lament for the rapture of Perdix, now turned into Partridge, who now carries in his clutches the creation of the Universe-Duoverse, turned into his own, and me in envy, harassing me with the endings of my endings and not initiating nor ending. That is why I appear here coming from Crete, to wrap myself around the garden and its mystery, closing all the madrigals and trees, like a world that has created me. In its splendor, seeing the humility, fragrant of violets grafted into lavenders, with my soul now, of a somewhat  syncretism Hebrew-Hellenic and Mythological-sub Mythological, like a nobleman who walks free and without chains ..., passing through the Parthenon to put garlands, in dresses that are adorned with linen, but of evangelical lineage here in Kímolo. From here in the humility of heaven I will go with Kanti and Etrestles to unite on the prominent hills of the Hexagonal Birthright.
Daedalus
Claire Collins Feb 2014
we're alive too
too alive to die
and we're in love all the time and my sister says life is a movie
and every movie has a love story
and life is about love

which is why I
will starve my ribs to Adam
will return to dust
will Eve your lips, the darkest hue of moon I've ever met
insomniac hips guide constellations to lucid dreaming
constant smoking and distraction
we gather in sheds and houses

in shreds the ways we forgive and forget
and weigh decisions, the weight of responsibility nagging at my shoulders
ripples of anxiety
curdle in my throat
it is Thursday
i let an infant pull my hair
i rub your sick back

I miss my blood/ my brother
detained
by four walls of injustice
know
one
knows
the
truth

but I
believe you
and now your family
in various states of uncertainty
holds the threads of stories that you weave
stolen money and crimes against humanity
repossessed cars
bottles of liquor
sisters in law
above the law
held up by the law
interrupted
interpreted
and moment we spent was precious,
we laughed and were normal again
the satellites in yr eyes
who knows what they've seen
what they choose to believe
their is such madness in our blood
it runs
thick and rampant
galloping in our genes
and we
live for a living
you alive even when you dying all the time
swollen tears/dynamite boot you/hungover father/ surprise maker of cigarettes and smashed porcelain
born again/seventh day sinner/ come clean out the water/ baptized coffee
working class hands hung the rhythm of the drum in my chest
the tornado of my soul

too big
energy contained not mine anyway
for you i would unlearn so many consonants
i would forget to speak in sentences
for you make moonly gestures
move me to guessing in 14 degrees with ward of the state AWOL passenger seat
spill yr worries sister
we are not alone tonight

you are so much of my blood when i forget what we are made of
we come from the same stardust
however toxic
Hallie Bear Jul 2012
You make the twist and curdle of muscle look sweet
Hoods of flesh clench
Lines extending towards congratulating champagne toasts
Liquid turned taught
Floating like a pair of scissors
Most subtle razor to ever caress
The tissue paper lips of the floor
You wrap your heady-spice palms
Flourishing and dripping
Every pulse a dropped memory
They whisper of inspiration and dust
Licks of silver swim through you
Eyes misty rocks where dreams go to impale their masters
Commanding the lovely, forming it to fit
Frost spangles the trees that create pillars of tendon
The ease of sandpaper on granite
You make silken
Simple.
What to do when you are hopelessly in lust with your 35 year old Russian ballet instructor...
Marisa Bordeaux Aug 2012
There was a Mortician I used to know
With a chin of whiskers and sallow teeth
He didn’t comb his graying tresses
“Moonlight commence your drip” muttered he
But his hair grew stringier and his ligature looser
A man ever dingy with mourning

Shrouded with death was his visage
A man of fifty, shriveled like a rose
If you spend lifetimes watching milk curdle
And leaves stiffen
Traces of mortality will wrinkle you the same

Acrid appealed to the Undertaker’s senses
Drank black coffee to match his hue
Used to cloud lucid skies, he’d wipe out the blue

None spoke to him but the drawing room mirror
Listen he didn’t to its clamor of tongues  
For a reflection’s to blame for receding flesh

Thirty years conducting funerals
Built a morose man
Quietly he wept
Though a furrowed rose cannot
Thus his quietus was born
Dreams are dark purple
  So lacking-light they're nearly black
  They are vibrantly ultraviolet
So thick one breathes them in
   You can taste them in your lungs
   Heady, intoxicating
A whirlpool of purple ideas in a turquoise sea
    Schools of merfolk glisten silver,                          
        flick through your sleep
        waltz in your mind

Dreams are luscious fruit
    Pomegranate seeds bursting in a spray
       Of bright red, like fireworks
       Just sweet enough not to pucker your lips
       Just sour enough not to curdle your tongue

Dreams are soft fabric
    Warm like cotton
     Smooth like silk
      Sensual like velvet
Blankets to cuddle and wrap up
    til just a nose is left peeking out
    eskimo kisses with snowy air

But always,
above all,
Dreams are seductive
   one must crawl out
   clawing at the waves
   Escaping up to lighter shades

Hitting air with a gasp.
A shock every morning.
Heart pounding pulse jumping

Every morning I must ask my self

Between the dark luscious soft seductive sea
And the cold rushing gasping heart attacking air


*Which is the dream?
Mikaila Dec 2016
New pain is always the worst.
The kind you never knew you could feel.
And I watch you stew in it as I did,
But my viciousness came later.
My stone walls,
My excuses.
I had to be kicked for a long time
Like a wounded puppy
Years
In order to gain the fangs I needed to survive
But what that saved me from was turning my bitterness upon others.
Since I learned only in self defense
My kindness remained.
I sacrificed other parts of me-
Oh, too many, I sometimes think,
To avoid giving it up.
But it remained, like a secret candle I held in the core of me
Its pure light peeking through the bars of my ribcage
When my skin stretched over it like bleached canvas.
You...
I am afraid you're not like me.
I'm afraid you will not give up your love
Like I didn't
But neither, perhaps, will you defend your kindness-
You may not have known cruelty for long enough to realize
You need to.
What you need to fight for is not your survival, not your freedom from the tyranny of feeling, not even your choice to love a girl who treats you so cruelly
What you need to be defending with every breath is your decency, and your empathy, and your innate kindness
Because the world does not love kind people.
The world soils them.
And if you are willing to suffer for love but not for kindness,
You will curdle inside like cream left in the sun.
I have been where you are.
I have been hurt by people like her
And by people like you
And what I have found hardest out of all the things I've survived
Was surviving with KINDNESS.

Survive with kindness,
I'm telling you,
Or your work will be
Wasted.
Some once called him a Grand Old Man,
Others called him a slime,
You couldn’t get a consensus that
Was even, all the time,
For some kow-towed to his money, while
Others fell by his sword,
His life was overall sunny, while
His victims quailed at his word.

He lorded it over his children,
He ruled their kids with ease,
A sullen look from beneath his brow
Would bring them to their knees,
His will was forever changing
As solicitors came and went,
One day he’d offer a mansion,
And another day, a tent.

When he finally died he was stony broke
And they wondered where it went,
He’d always been abstemious
But the money had been spent.
He left all their lives in ruins with
Their expectations gone,
A couple of ramshackle houses were
The only things they won.

There wasn’t the money to bury him
So they left him where he sat,
Up at the head of the table in
His black, beribboned hat,
He glared at them as he’d glared in life
One hand on the table-top,
Where he used to tap with his finger
As if it would never stop.

Tap-tap-tap on the table-top,
Tap-tap-tap it went,
His eyes bored into the back of your head
As if to say - Repent!
And people scurried, this way and that
To divine what the tartar meant,
The grim old man in his black top hat
Who ruled to their detriment.

They left him sat and they locked the door
Didn’t go back for a year,
Til the eldest, saying ‘let’s know for sure,’
Returned with a tinge of fear.
‘He might have stocks in his waistband there
Or shares hid under his shirt,
Or cash stuffed in his beribboned hat -
He treated us all like dirt!’

He ventured into the dining room
Where the grim old man still sat,
His eyes a-glare in the year long gloom
From under the brim of his hat.
But as the eldest approached him there
The finger began to tap,
A steady rap with a note of doom
That would curdle blood to sap.

So Toby dived to the tinder box
And he leapt up with the axe,
His face as pale as a ghostly tale
But determined to attack.
He raised the axe and he let it fall
Severed the finger there,
It skittered across the table top
As the old man fell from his chair.

The stocks were stuffed in the old man’s hat
The shares were stuffed in his sleeve,
And so much cash in his waistband that
They said, you wouldn’t believe.
But still he’s locked in that grey old house
For they found it wouldn’t stop,
That severed finger that skittered there
Still taps on the table-top!

David Lewis Paget
Parveen Sagar Feb 2010
He skimmed and slipped over
Your skin, which he wished
Was his to touch; he stitched
His hand to yours and gripped

So hard you felt your bones,
Crush, curdle, you plead, don't let go
But he did, he tore away
Two weaved hands, they bled that day

Raw, afraid, with dread you felt
Your way through the darkness in which you dwelt
The hand it scarred, it left its marks
On the walls you scraped, bled, dried and marred
Gabriel Jul 2020
i don't think i'm getting better
but i'm drinking oat milk again.
it's the stuff my parents buy,
rich and creamy, and it doesn't
have the aftertaste of thick curdle.
and, i mean, i'm still listening to mitski,
but it's strawberry blond, not nobody,
which is equally sad when you read into it –
except i'm trying not to read into things any more.

i got a degree in reading into things
from the same university wherein i walked
the unfamiliar city streets at three in the morning,
looking for a suitable canal to drown myself in.
it was all dropping rocks to test the depth,
hands stuffed in my bright yellow raincoat pockets,
van gogh quotes and 11am seminars
and "i don't really want to die thirsty, maybe i should just

go home, you know?"

but i did that. three years of it, and i went home
to a not-quite home. that's what my parents say.
"what time are you home?" and "aren't you glad to be home?"
except for me, home isn't a four bedroom in warrington.
it's not even a seven bedroom (or, as we had it, six-bedroom-and-one-unusued-gym-room) in lancaster. it's...

well, that's the thing, isn't it?
what is home?
it's certainly not a dairy substitute.
although, i suppose, i'd rather drown in swirls of oat
than swirls of lactose. my parents say i've always been quirky like that.

me. quirky little girl from warrington.
a draft that i'm publishing now.
Charles Smith Dec 2014
Now lights were always on,
Beyond my bed of sky.
Soul to pavement, pounding,
the hourglass near dry.

I forget you enjoyed my silence,
I was early, she says late.
But let's not dwell on me,
It was all about you, Kate.

Whisperings of constant doubts,
Curdle our shared air.
Caged passion,the ache of breathing
but soon I won't be there.

Then typing is your weakness,
Rain mirrored in the glass,
Is that what Daddy taught you?
Your word is less than last.

But if I could be remembered,
Forgive, my missing place.
Recall the touch of guilty hand,
Upon your fading face.

— The End —