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Rosie Dee Dec 2014
Deoxygenated blood flows from the body to the right side of the heart through the Vena Cava.
From the Vena Cava to the Right Atrium.
From the Right Atrium through the Tricuspid valves.
Through the Tricuspid valves to the Right Ventricle.
Up the Pulmonary Artery.
Through the semi-luner valves.
Out the pulmonary artery.
To the lungs.
Blood becomes Oxygenated
Oxygenated blood flows from the lungs to the left side of the heart through the Pulmonary Vein.
From the Pulmonary Vein to the Left Atrium.
From the Left Atrium through the Bicuspid valves.
Through the Bicuspid valves to the Left Ventricle.
Up the Aorta.
Through the semi-luner valves.
Out the Aorta.
Oxygenated blood is sent around the body.
Blood becomes Deoxygenated
Deoxygenated blood flows from the body to the right side of the heart through the Vena Cava........

SO If you tell me your heart is "literally broken" just don't.
It isn't broken.
It just hurts.
It's just feels horrible.
Painful.
A feeling that hurts you and feels like your heart hurts so much that it's actually broken.
But your heart doesn't actually hurt.
It's just a feeling.
The cycle stills goes on.
It is still functioning.
So, next time you feel your "heart breaking" and literally being "torn apart",

Remember...

Deoxygenated blood flows from the body to the right side of the heart through the Vena Cava.
From the Vena Cava to the Right Atrium.
From the Right Atrium through the Tricuspid valves.
Through the Tricuspid valves to the Right Ventricle.
Up the Pulmonary Artery.
Through the semi-luner valves.
Out the pulmonary artery.
To the lungs.
Blood becomes Oxygenated
Oxygenated blood flows from the lungs to the left side of the heart through the Pulmonary Vein.
From the Pulmonary Vein to the Left Atrium.
From the Left Atrium through the Bicuspid valves.
Through the Bicuspid valves to the Left Ventricle.
Up the Aorta.
Through the semi-luner valves.
Out the Aorta.
Oxygenated blood is sent around the body.
Blood becomes Deoxygenated
Deoxygenated blood flows from the body to the right side of the heart through the Vena Cava.............
So it's been a while since i wrote here..Maybe i just gave you a biology lesson instead of a poem who knows. (also i it is isnt perfect biology wise im sorrrryyyy...i tried-the heart's supposed to be the area i'm good at.kinda ironic really). I got quite angry writing. Lot of strong feelings appeared to come out of me...i wasn't gonna post this because i don't know how i feel about it till but i was encouraged to so here goes. Criticize all you like Opinions are great-good or bad.
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Kalena Leone Oct 2012
The lights swimming in my head look like shimmering fish. I’m underwater. The pressure and the sand are so inviting. To just stay down here and watch the way my fingernails turn into an even paler pink. like my cheeks. when I first fall in love. And my name changes. I’m no longer Kalena. I’ll be whoever you want me to be, baby. Anything at all. If you want me happy I’ll leave the stories at home. Home. She’s bipolar and I’m depressed and in love and no one else is. My creases where I carry you are sore from all of your emotion. I’m consumed by your pumping heart and electric nervous system. The one that doesn't come in effect, when I’m around; when I touch you. The rock I sat on today was misted by my thoughts on how you won’t ever see me how I see you than how misted it was by the actual water. My stomach is winding and alls I want to do is shove you inside of me and bite your neck. To this beat. I want you to smile because I make you so **** happy. I’ll give you everything. Everything. I just miss laying on someone’s heart beating life into them. And wishing and praying you’re another thing beating the life in their entire being. I want your finger tips and valves. watch thousands of you bloom. watch that look boys give to pretty girls falling over your face with every birth. So I won’t ever worry about you dying. About losing you. Because I’ll just plant you when I need eyelashes to kiss. Or fingernails to chew and paint. Maybe I’ll just live through you. Call you my tree of life. Tree of life. I don’t even like trees all that much.
Revolute Jay Aug 2012
It’s true. There are things I always rethink over.
I want to talk about this life, and the numbered corners
We back into, as each one before becomes a blur
I need to find those escaped outlawed words
Those thoughts that are dreams that are life I never said
Or ever read
In the newspapers full of despair & odes to the dead

Here I am, again. Scratching my head..
Solitary confinement in the tip of my pen
I hope I can hear the rain on a tin roof again.
I want to rescue each petal of this tired rose
Been told they hate getting wet, maybe they should close
Perhaps that’s a tangent better left to the prose..

I want to discuss the melody the earth plays as it spins
One day the clocks will melt, and time then will win
I want to pick these roses, struck by a thorn or two
I’ll rescue the weakest and give them all to you

I want to speak for every part of me.
Pronouncing the syllables of my arms through my neck
Feeling that same stutter I can’t ever forget
Or enunciating the words of America
It sounds like the inflection of grief
She’ll lead you to where hearts now lay limp
As all of her feels the pain in her feet
Composed of beings accepting defeat

But I can tell you about my motherland, or the hardness of her hands
As she struggles at the top, or the bottom of the can
Can do little more without much help to survive
First world problems? How about just keeping this life.

It’s ok if you’re lost. Go ahead, misunderstand.
Don’t tell us to work harder, poverty wasn’t planned

America, my other parent, imposed many countries
But Nicaragua is in tune with my heartbeat.
Now, how many secret wars are we fighting?
Like you’re ******* Genesis, the beginning of country
Well this is not why God himself sent me.

The great immigrations to one, emigrate with frustration
Looking for a better life, not just land; a nation.
We’ve graduated, far past the burning of witches
Although love may have been present, it was absent in ditches
Dug for the masses all over the world
Tell me the numbers don’t make your toes curl.

Like the owned. the bedraggled one in the line
Each of us in some way forever confined
To the cuffs of dark pigment or hair
The accent that these tongues flick out in the air,

I wanted to talk about the sky at jet-packed speeds
The broken men and that mystery
The wonder hiding on the other side of the reef
Or how certain dogs are not dogs, but a four legged beast
We put our ideas on those who can’t even speak
Judging and pointing deflecting our peak
Of feeling internally smaller and weak.

I want to talk about the man who hit on me last week
And the secrets that I have no real reason to keep
Perhaps tally up the hours and days without sleep
Or the relative meanings of victory or defeat.

I want to talk about the boy who was shot next to me
And the eyes on the girl who got away this past week
And now these heart valves have sprung a leak

There’s a reason I passed that spelling test in 4th grade
It’s a pact that me and some other nerd made
This test for some homework was the almost real trade
But then I studied anyways, suddenly was afraid
To be a real cheater at such a young age
So I waited until I was tired and baked
To cheat off of Tee Kay in the 8th grade.

I wanted to talk about the wonders of our skies
We see breathtaking birds and flutterbys take flight
Or how about the negative connotation with night
Instead of endless wonder, it’s dark, dead and trite.
Only letting the positive notions be awarded to light.

I want to talk about the things we all know
Like when someone asks you “what did he say?” at the same time as you
Following the first line in the show

Or

Wait, I forgot what I came into this room for.
I am now in my phonebook, what now?
--Swinging door.
Falling and yelling about what was left on the floor
Forgot that fearless child with instinct to explore.

And of course what about Fidel, the betrayal, conclusion
All in all, that epic Cuban Revolution
Or how we are scared to research the real scale of pollution
Settling for ignorance, unwritten, accepted solution
(I’m not a tree hugger, I’m a writer arranging each word just to lose them.)

How about what lies from sea to shining sea
And the immigrating souls giving testimony
To those who do, and will never know me
Each sea runs through the other
Like the veins in your body
And we all sadly add to our planet earth rotting

I wanted to talk about the first moment a hand brushed my cheek
My muscles finally gave in, tense to shameless defeat
The ridiculousness of the odd days in a week
Or how every sound in my almost mute world goes to the same beat
And the hook is brought to you by the bird’s tactful beak
And the beautiful colors the sunset uses to light up the streets

I want to spill each morsel of knowledge I’ve stolen, and the little that was free
And that I’ve learned from those before the ones that came before me
Being all of natures beautiful things.
Yes, did a bell mentally ring?
If you are alive, then you are one and more of all these
Even more beautiful with those scrapes on your knees
Standing with blood down your leg forgetting the dirt and disease
Carried away with the breeze through the trees

I can tell you those unspoken unwritten words from lost poetry
But that would be like asking you in the theater to scream
At that alien’s awkwardly shiny green screen moon beam

But maybe you should go out and growatree
Johnny the Appleseed Infantry
Or something to remember the free.

Discovery: Victory is only for the relentless
Walk up to a great oak, give thanks; we are rootless
Master ignoring those who labeled you useless
You decide what you are, and there’s no need to prove this

The heart that is mine beats with the rest that are beating
Trying to prevent a few scars and stitches from bleeding
Past error and self is no new acquaintance we’re meeting
Enjoy this life on a stage, I promise good seating

Fighting to clench onto every painful recollection
Every past hopeless pothole of the moments of rejection
Letting go is the key; allow me to mention
Freedom was, is never any man’s invention.
I’ll talk about the concept of our intentions
Hopefully you have good mental retention
There is one truth, and for some no redemption

I’ll give you one more line of ADHD poetry
I can put it short, and maybe even soerty
Some say  farfetched, or insurrectionary
Holding life’s weight at times sans what was necessary
Wide eyes at my inner strength, each arm is tearing
Felt each torn ligament swollen and flaring

Yesterday someone used the word evolutionary

I always write 'I am' before 'revolutionary.'
Copyright © Jimena Zavaleta 2012
Amit Shroff Dec 2014
Lie beneath the galaxy in a cathedral silence,
Stay up till the moon dives behind the beige mountains.
Rest on your beast, let the valves take a break,
Treat yourself with a feast, its the only time in your fate.
Slithering into my sack I rest under the canvas,
How peaceful it is far away from all the ruckus.

The monk's prayers bid me with good luck,
I'm off riding in the sparse cold desert.
I stop with the view of a disputed lake,
Miles long the jade blue reflects the golden tops.
In refuge at a monastery, fuel is a luxury,
I'd give up everything for a piece of this little heaven.
Catrina Sparrow Jul 2013
with well worked hands
he pulls on the sea
     like the hem of a pale skirt dancing 'round his lovers hips

it's what she loves about him most

the way that the tide ebbs and flows
     with the rise and fall of his sun-stained chest

seashells
and gull feathers
and bits of fishing net
     woven into his hair
like the threads of canvas sails

aqueous thunder-head eyes
look like they've seen the fall of every empire
      and soon
they'll witness the fall of ours

he smells of salt-cured wood and the sun
and it's the kind of smell you'll never forget
nor properly describe

he moves like magic

     like waves
          lapping at the shoreline in the calm of dusk

with an anxious tongue
and an appetite that's never satisfied
     he licks the wounds of any heart
he's strong enough to bare the weight of any burden
          of any trash barge or sea ferry

ear pressed to his chest
     like a conch-shaped vessle
          the labor of his heart valves plays like sailor songs
in an empty cabaret

     nerve-wrackingly beautiful
sunburned little diddy about the love of my life.
<3
good ol' h2o.
Emma Livry Apr 2014
I've never been admitted to a hospital.
But yesterday I was.
I went through registration and
They put this bracelet on my arm to identify me.
I am sitting in my bed now.
It moves to adjust to my body
So that I don't hit a pressure point while I sleep.
Doctors ordered an echocardiogram.
They did an ultrasound on my heart.
I could see everything.
All of the valves and movements.
The technician doing it said that even
My heart loves to dance.
Everything was normal with my heart,
But I will never forget how the aortic valve looks.
It is quite terrifying with all the other valves around it.
It looks like a face, just distorted.
And it moves,
But the two smaller valves on top that look like eyes,
They never stop looking at you.
Paul Hansford May 2016
This small green bear,
your name embroidered on its chest,
was never yours. It would have been
our Christmas gift to you,
had you lived a month longer.
The ones you would give
you had already bought,
wrapped, labelled -
thoughtful, organised
to the end,
to the bitter end.
We unwrapped them on the day,
smiled at your kindness,
wept at our loss.

Early Christmas gifts
that you had not organised,
that nobody could have anticipated,
went to strangers: your pancreas,
a life free from daily injections;
your kidneys, two lives free from dialysis;
your liver, divided, to a young girl
and an older lady, who would
quite simply have a life
they had almost given up hoping for.
Your heart, damaged by extended life-support,
not suitable for transplantation,
yielded its valves
to repair the damaged hearts of others.
Even bone and skin were harvested
for people you never knew.
That Christmas you gave hope
to so many people,
and to us the consolation
that they live on because of you,
and that you live on in them.
Ayaba Babe Feb 2013
I can feel you near me
Whenever you are close.
You're like an overdose on
E
My tank is on
F
I want to swim past your knees
And take one last deep breath before
Submerging myself
Into the salacious, incredulously insatious, Caribbean Sea-warm Oasis
At the apex of your thighs.
I will set sail ships in your eyes
Questing for you to magnetize me in the direction towards the destin of my fate.
The question is
Once I'm in
Can your Vaginal Strait
Navigate me
In the deep dark cavity of your hips
Or can your lips
Narrate
Irrigate me to the waterfalls of your heart
I want to split your valves apart and
Let
Love
Pour.
I want to anchor permanently on the sink-sands of your shores;
I want to be closer to you than I've ever been before...
I want you to feel me.
Lawren Jul 2015
Flexibility is the presence of structure
In the absence of rigidity.
Like the valves in my veins
That keep my blood flowing in the
Right direction.

As limber beings we can sway and bend without snapping.
Even under intense pressure,
We are able to return to normal
When we call upon our inner strength.
Our minds, like muscles,
Must be consistently stretched and tested
To remain pliable.
Allowing us to become more accepting of ourselves and others.
The virtue of flexibility
07-16-2015
Rl Apr 2014
The past can make it so easy to relapse

not because of the past itself

but

running away from it

and burying it in the subconscious,

hiding it away and letting it silently

fest fest fest.

Is what causes you to be haunted.

---

Pain;

A raging sore, a deep wound, an eternal scar,

just wants to be felt; acknowledged.

So I try not, to ignore it

when I see the marks of the past; knives

digging into the valves of my heart; pain

even when it comes back

strong and hard and fighting

like a hurricane

carrying me away under water

suffocating the freedom in my punctured lungs

I will not let it destroy me.

—-

Its not because I am weak that I struggle with it

but the brain is strong; be aware...

For thoughts can make you a victim of your own mind

though I hope
there will be a time when

healing, that miraculous God-sent healing is at the end.

When

you stop ignoring the past

and instead start loving those broken pieces, the shame you felt,

the fear that crippled

and realise

it will soon ease, soon melt away, soon diminish

and you’ll remember

**pain has no authority to hurt
Kam Mar 2018
I envied the cadavers haunting my nightmares,
watching those before me
spread upon a metal slab
bodies are hand-me-downs of regurgitated poetry,
with wretched closets in which I take their place.

This ventilator called "loved ones"
forcing breath into anguished lungs-
tragedies belonging to these poets meant something,
a desire to save the words written,
but never the one who becomes a eulogy.

Agony burrows inside of me,
conversations with my mother's ghost
still,
the living are possessed by
the dead's shortened tomorrows.

To die by suicide wouldn't give,
authenticity to hurt.

I am learning the autopsy of a soul:
extracting a heart from the chest,
as it's sense of belonging was never there.
An inability to weigh the words bleeding from valves,
aside lungs I'm unable to breathe through.

How ungrateful is it of sorrow to ask for hope?
placed in a pill divider to swallow,
muscles within my throat so tight.
Wondering,
How many times did I diminish my voice?

Inside the brain,
schematics of labyrinths with no end to betterment.
Surgeons reach for a soul,
an iridescence small enough
held in a gloved palm,
watching it writhe.
Placed upon a slide,
but even a microscope
cannot perceive the pain a soul hides.

Once more,
stitched with needle and thread.

Wilting of my own garden,
comes one day-
an incision is made opening me up.
My heart showed the same
blood-red ink, writing apologies
on the marble floor.

They opened my arm,
displaying a noose of veins.
In this moment,
they removed my soul
only to gift it to another
birthed from torment
ripped out of the arm's of their mother
& into the embrace of woe.

—V.H.
Hopefully, it makes sense.
Pressure isn't always harsh.
It doesn't have to be the grim and guttural.
It isn't always in regard to the coarse.
There's the soft kind, sweet.
The gentle pressure of lips against a collar bone.
Fingertips tracing freckles,
Valves working at elevated speeds.
Pressure needn't be a villain.
It can be a tender confession by means of softly spoken words.
Poignant colloquy put down with clean intentions,
The hum at night of dulcet tones into a receiver.
Mellow pressures on the heart and mind are pressures, too.
The pressure of eyes directed toward skin,
A foot on a gas pedal.
The pressure caused by closing distance.

Pressure me.
Josh Bass Nov 2014
Those moments
They just hit you
Catch in your throat
Most often Sunday nights
But they can happen at any time
The most maudlin melancholy
Thoughts concentrated into
My chest
The sadness is uncontrollable
Everything is upsetting
I feel like a pressure release valve
For the world
Every emotion seems to have
a corresponding ****** fluid
The tears are welling up but have not
left my eyes
And just as soon as the feelings have washed
over me,
they are
gone.
The steam has dissipated
and I go about my evening
John F McCullagh Nov 2011
No one saw it coming,
that warm September day-
Not the workers at the pudding shack
Who mixed sweet treats for pay.

Not the Rookie at the pressure valves
Not the people in the town
It was the Rookies’ rank incompetence
That set in motion what went down.

Nine vats of Snack Time pudding
Exploded with a roar
Nine hundred thousand gallons
Went oozing out the door

The workers never had a chance
On this, their final day
Ending up like Easter bunnies
For a giant’s holiday

That mighty wave of chocolate.
Like a Tsunami hit the town.
Sweet creamy death swept over them
Deliciously, they drowned.

Others turned and tried to flee.
They ran for all their worth.
The swift were lucky to escape
This scrumptious hell on earth

The survivors of the snack slide
Lost all they owned in town
It was a diabetics’ *******
Everything was chocolate brown.

It was the worst snacktastrophe
Our land had ever seen.
Obama sent marines with spoons
The air force dropped whipped cream
From a story in the Onion
Brody Blue Aug 2017
I’m no troubadour
Who sketches and scores
A playwright’s lovely romance
But thru the valves of my heart
Song swiftly departs
As time releases its sand
The cracks in cement
I’ve tried to repent
But the rain and cold continue their rants
Till I’m slowly calmed
By the manicured palm
Of the one who has my hand

I’ve traveled down roads
Of dirt and of stone

I fell on when I left the nest
Though the metaphor used
Is often abused
I figured that it was what’s best
Though I’ve often feared
One will never be dear,
I’ll only be under arrest
I’ve finally been freed,
Chains are what I need,
Of mail, my heart they protect

The ocean is vast
So I stuck to the mast,
Handcuffed, overboard I won’t fall
But my crew was in shock
As I picked thru the lock
At the sound of your siren call
Your voice, although pleasing
Was mighty deceiving
For my fate was not why you bawled
You were above the abyss
Hoping I could assist
You, and you’re submerge I could stall

Thru the forest we walked
As you blindly balked
Your grin and the squint of your eyes
Until the leaves were billed
Of their chlorophyl
And the shroud of green withered and died
And a rumbling stampede
Of a single black steed
Proved your wrists were still bound with twine
And the faceless champion
Carved out a canyon
In my heart and my soul was fined

’Neath the street-lamp that glows
As dim as my woes,
My mind won’t allow me to sulk
Under it I have pondered
And learned nothing is softer
Than your lips the gods had to sculpt
I’ve done nothing but croon
Thru cycles of moons
That your touch was one to exalt
But I refuse to desire
A fuel-less fire
So your mem'ry's shut in the vault

Thru midnights of bliss
With restriction dismissed
I cheered and clanked my glass of ale
And though the red in my cheeks
Proved my health was not weak
My heart was green and pale
And I battled demons
With horns and in sequins
And they seemed to always prevail
As conquistadors
Till I stood before
A mana-filled holy grail

A lonely brass chorus
Throughout ev'ry forest
And desert and sea all alike
Played the song of hope
You wrote and composed
When I came back into your sight
Though I was still weary,
Your memory dreary,
A haze in the past moonlight
I was soon convinced
By what you commenced
And my lamp was soon burning bright
A song about my mistress' eyebrow
Michael DeVoe Dec 2012
In every moon there is a man
And in every man there is a heart inside of which lives a woman
Who doesn't clean
Who doesn't cook
Who doesn't serve him
Only lives within the walls of his heart
And within every woman living in a man's heart
There is a desire to be free
It is not odd to imagine her leaving
Merely odd to see her go
Riding on the back of an elephant
In high heels
With a bottle of Chateau de Michelle
And weilding the sword of a swallowing minstrel
Drunkenly yelling songs of a time in which she never lived
And that will never leave a man
Whether the next woman comes in riding a golden chariot pulled by blazing reindeer
Or mounted on a shark wearing a cocktail dress
And while he laments her going
She regrets her ever having left
So she turns around
Looks into the vast nothing behind her
Trampled under the weight of the elephant
Cut down by her drunken fit of rage
Burned and eaten by the coming and going of others
And she sees
That beyond the husk of the home she once knew
Lay merely arteries and valves
And no soft place to lay her head
So she dismounts her companion
Lays down her sword
Crashes the bottle upon the rocks
Tears the heels from her shoes
And limps into the desert
Looking for that which she had already found
While he lie
Filling the emptiness of his ravaged heart
With the tender touch of fleeting acrobats
This and other poems by me are available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Adasyev Jun 2016
Life stories of other people
are more important than
life story of ours

Life stories of other people
are easier to tell than
life story of ours
which we are unable to say anything about
and so we are unable to say anything about
our life story

The valves
are opening in our hearts

The valves
are opening in our hearts

Please
try to comprehend this part
Published 2008. From "Rok krysy"
Ralph E Peck Dec 2013
Simone was among the smallest of the small, a flutist of the smallest size,
Who carried herself well, and seemed to be taller than she was, at least in her mind,
Making her among the tallest, among those who could strut their stuff across the marching field.
She was proud, even on these practice days, when the dew of morning would
Make the practice areas so wet, and make her roll her pants up to just below her knees,
And her shoes would be soaked before it was over, and her heart would melt
Inside the flute, so big it seemed, compared to her hundred pounds.

Simone left little to chance, her eyes were forward, yet they moved quickly
From side to side, always checking her position on the field, and her
Position among those with her, and her position in what she perceived to be
The best among them.

One, two, three, four, five, six.  Repeat. One, two, three, four, five, six.  Six to five
They marched, long strident steps for the five foot of her, almost as if she was
Carrying the length of the world upon her shoulders. Her back was straight, her head
High up, toward the southern sky that held not a cloud, and the footsteps of those
Around her, the Flutist, till the turn, then the French horns crossing her path,
And she listened for the cue among them, and realized they carried their instrument
But there was nothing to be heard, as their mouths looked as though they played
Yet only the mouth pieces knew, it was but a scam of time.

She was wrapped in the image, that being here, on this field of one hundred twenty,
There was a leader, if you thought of it, too lead them in their playing,
But the real leader was her, briskly marching; head up, down the field, and hearing
The slides of the trombones, bam bammer, bam bam, up and down, as they never looked,
But kept time, her flute so bright and cheery, and so lost in the mornings lift.
One, two, three, four, five, six.  Six steps to five, six steps to five, six steps to five.  
Other bands, no all bands, marched eight to five, which would seems so much more
Comfortable to march, smaller steps, smaller people, across the field so major in its size
But her band, marched six steps to five, making for cleaner, tighter lines.

Ta da, daaa da, tee dee daa dumple deed ah daa, the trumpets and cornets rang out, loud
And seemingly obnoxious, in their tee dahs and tee daaaas, making for a crashing sound
Of thuno didity thump thump as the drummers passed, all music ringing loose from her head,
And the crashing sound of the drum, and the Thump, Thump, Thump, Thump of the bass,
Keeping time, keeping rhythm, of the John Phillips Sousa march across the field.
Her feet kept time, her flute braced up to her lips, her breath pouring forth,
Blending in perfect time, to make the most pleasant noise, her breath taken in, and her breath out
She flowed with the drums, the trombones, the trumpets, and heard the bass attempts
To play of the baritones, God’s most beautiful instrument, and the caterwauling
Of the clarinets, tooting and playing and attempting to play, some brand of music,
Some portion of a song that must have been heard long ago, that seemed to have
Nothing at all in common with the song at hand, but each looking down to trace
Their finger patterns, to hear the music as it played.

Simone’s flute, for all it was worth in her small tiny hands, in her small tiny arms,
Across this major large field, with these bodies next to hers, with the blats and sickles,
The very intent of each one to make its noise across at one another, seemed
To be a cacophony of sound, a completeness of nothing, and mess of a wreck of instruments.

Then there was the noise.   A complete and un-fractured belt of wonderful musical sound
As it marched toward her, as it seemed to assault, but to pay compliments to her,
As it seemed to worship the very wet, damp ground, upon which she walked, she felt something
In her body, a stirring, a feeling, her stomach turning in a good way, as her eyes lifted
She saw him, marching, One, Two, Three, Four, Five, Six times across the field,
One step was starting on the yard line, the last touching the yard line, five yards later.

The sousaphone.  This mass of brass, wrapped three times at the valves, turned
Around his neck, ending in a massive, shiny, bell of a horn, bigger around than her body
Bigger than a freight train coming down the track at her, she saw him.  Felt him.
Could feel the cool timber of his breath and voice and song, played so well upon
That instrument.  He was over six feet tall, no six feet six, and that horn, dear god,
Was two feet and several inches across the bell, putting him eight feet tall,
Compared to her five feet, and her fragile weight, and the mass before her.  That sounded,
So beautiful.  So real, such a part of it all, its tone, its timber, its reality was there and Anthony,
Playing it with intensity, playing it so strong, its notes almost removing her light little
Shoes from the field.  She thought she could float, she thought for a moment, that she
Had died and was no longer walking, but floating across the field.

Boom. Boom. Boom. Down. The. Scale. Up. The. Scale. Boom. Boom. Boom. Anthony played the music,
And marched, keeping time, and handling the music well……and he heard her soft little notes
This miniature toy before him, this small flutist playing her trills, her melody, her principle
Piece so well, so that it sneaked in and captured his heart in a moment, his breath short,
His feeling of being the only person in the band, suddenly expanded to two, took him hard.

And they played their music, their parts, and the rest of the band tried to keep up.
Catrina Sparrow Sep 2013
the train whistles lull me to a dusty sleep
     an ancient sleep
primitive and timeless as the sage
          it tastes like rain
          and reads like a folk song

and when the engine songs are gone
the interstate strikes up it's serenade
     flooding my heart valves with gasoline
     and valvoline
     and the smile of what i can only hope to imagine are young lovers
with a fiesty case of wanderlust
and a puppy in the back seat
with a wagging tail

"happy trails" i whisper
and the stars flicker
and i smile

the walls let their secrets slide while they sleep
     all those restless memories they keep for themselves
floating around
and settling in the parlor dust

they trust me just enough
to let me cradle them in my chest
woven between my rebar ribs
and my flat-tire heart
     thud thud thudding as it speeds off into the distance

the dogs rustle the sheets as they rise
     just long enough to sigh
          dance a sleepy circle and a half
and put themselves back to bed

i finally crawl out from inside my noisy head
as the boy nestles up to my neck
and traces my clavical with his humid breath
and ropes me in closer to his chest
     with his big bear arms

his heart sings like a fire alarm
stirring the brave to save me from the shadows
     and chase the ghosts from my gallows
          and he even lets out puppy snores in his sleep
the tune that finally pirouettes me towards my dreams

where the birds sing like drunken sailors in the mango groves
and the rows and rows of lime trees
     my heart and mind innertwined to paint me a scene i've never even seen
          not with my own eyes

it's so nice to think it's within me
and not without me

yes
     for every sound, a source
for dave, and they days when we could stand to inhabit the same space.
303

The Soul selects her own Society—
Then—shuts the Door—
To her divine Majority—
Present no more—

Unmoved—she notes the Chariots—pausing—
At her low Gate—
Unmoved—an Emperor be kneeling
Upon her Mat—

I’ve known her—from an ample nation—
Choose One—
Then—close the Valves of her attention—
Like Stone—
Robert Gutierrez Jul 2014
I've always been cold until I visited the Far East and you pranced into my life like a wild gazelle in the grasslands. I've always been cold until you laid your head on my chest while you fell asleep and the aroma of your cocoa brown hair intoxicated me to the point of snores and the most pleasant dreams I've ever had. I've always been cold until you wrapped your arm around my stomach and I could feel your veins circulating on the contours of my abdomen. I've always been cold until you looked at me with your macchiato eyes and my state of matter went from solid to liquid as I tried to construct myself back together like an artist sculpting an ice statue outside in the middle of May in Mexico. I've always been cold until your kiss electrified my lips like an underwater eel and I felt 12,000 watts circulate my body bringing to attention every cell that flows within my valves. I've always been cold like an iceberg near the Antarctic and nothing's ever changed that. Nothing except for you. Thank you for being my fireplace in the middle of an ice cold winter. Thank you for being my heat.
Fermented undergarments
farmers markets, Targets, turn tarnish!
An angle of self-righteousness moves to left.
.
a group of cleft palates peel all the way back for the attic
after a thousand years of theft. (Arent you in awe?)
when hairless hands wrap and grab Tef – lon
get on one of the seven horses.
Hercules the matter seems urgent
Please
create morses.
.
Your Torsos show their bland position
portable valves, three of horse pistons.
so if they want violence, they certainly will achieve.
shout above the crowd and call for former foreigners – roll up sleeves.
in the white and black reality  
we flee once we believe
.
but perfection is a perspective
the artist is just an elective and a given
IN GETTING BITTEN BY THE SOCIAL TAPE WORM –
we let the world squirm  -
and turn
tighter in silky cob webs
the spider traps and they took laps
‘til the insect bled out
the original name for this was backwards society until i found something that meant more to me. just as an insider sunflower seeds make me **** grain-like sediments and is literally a pain in my *** - but like many of my self destructive tendencies i will not stop abusing them.
Shofar  Ashera
Once set, they begin to direct their destination to the heart of the nativity area, where their origins and areas of the omnipresent West Bank belt were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of sun were distinguished orange-reddish weakened before the stormy gradients of the Red and Mediterranean Sea appeasing the Hexagonal primogeniture. Although they were seen squalling and with agile movements on the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful bluish and orange tints from the Red Sea and the quarrelsome storms of Aserá "The mother of all gods", and The one who was the "father of the gods." Known among the Babylonians as Ishtar, originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it is called Astoret, a distorted pronunciation of the original 'Astart, through the inclusion of the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan deities. Bronze Age Ashera (before 1200 BC) the Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, it is Ashirtu and Ashratu. The Ras Shamra texts identify Ashera ('atrt = atirat) with the goddess wife of El; They call her "Lady Ashera of the Sea" and "progenitor of the goddesses", here she would be the mother of Baal.

These discredited Babylonian forms caused discomfort and discomfort, in the face of a living past and present in the intangibility of the inheritances that greet others that could supplant them. This caused soil heating in the legs of the animals with abnormality of Greek-Babylonian wormwood prostrate on the feet of Ashera, leaving an odorous wormwood atmosphere in the land of two native Kings of this jurisdiction. Attracting dissipation from the roofs of some neighboring houses to the precise place where the Messiah saw the light of the lights and of those who waited for them cabi-together lighting it with candlesticks. This sacred wind caressed everyone's hands, insinuating them to take hold of the new Bethlehem, an event that was being reborn with the Apostle's illustrious visit. Their consolations expanded, like any caravan that increased its predictive volume, equalizing the pressures of the air that surrounded the streets, where no one appeared and was seen generic. This centrifugal force rotated their earthly spirits, originating a thick source of the orange gases that populated the roofs of the village. Creating greater weight and highlighting the freshness of the essences that were torn from the soils with the aroma of grazing.   Explaining to themselves the presence of sub-zones in the West Bank, insolating redemption of the arrival towards a protocol merit contrasted by the permission to be hosted next to this at night.  Varying many times to bring them the blessed condensed sacred water, deregulating the thermal sensation.

The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that rose and fell rose on the walls of the few rooms linked to the stable of nativity, pressing on them the adjacent words that joined from the ground to soon arrive in an upward spiral, turned into light and wind on the seventh horseman ; King David, appearing to them right there…, right there before Him, his Abigail, the third wife who gave him an early re-conception, presenting him with an altar, which he will endow with Eucharistic missions during his admission to Bethlehem. An unexpected phenomenon swirls on the gradient that led to the hill of the stable, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging the winds on the ground and upper external part of the stable, originating an anticipated effulgence of space that would prolong them to understand that they had already arrived, but they were still seven hundred meters from the main access and that the city was not Bethlehem, but another that It seemed to emerge from the arid soil, next to the stable, dividing itself into inter-zones that rubbed against the original and current ones, in such a way as to generate a great development of the sub-soil on the vertical that sounded stentorian and vibratory, as in a long stay, on the distributed assistants in this supra-abnormal regimen. They arrive exempt from grievances but dismounting gentiles ..., they leave the twelve camels in a friendly and predisposed circle, so as not to expose them to the strong winds that raged from the Canaanite gods that prevailed in personalized and ceremonial theocratic.

David speaks: “when I approached where Moab I requested asylum in protection of my parents…, thus I myself would burst the eardrums of the Philistines for each mountainous network of links that join me to the refuge of my advance counterattack towards their dominions. In its unknown enemy territories, a noble and friendly joy appears before me; Abigail, who fills the history of my land with beauty, before a very cruel Canaanite son; Nabal. She enriches my lands more than the entire multiplied population of animals, every time I count the units, I look into her eyes and I forget the greater amount that moves her heart towards me, because of that I did not shed blood on Nabal's house . Being Abigail the one who replaces my union with the Faith that moves my passion. "

Then Abigail kneels and touches the ground where he was, crossing himself after assigning a cross that kissed his hands, on his forehead and his chest. Thus from somewhere her parents rearranged the garments to enchant Vernarth for her bi-related purge with that of David and the Messiah-Vernarth. As in the Jericho story, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel. With all the strength of the steed's Golden hooves, they kicked liquid dust from the Bethlehem's fleeces. Alikanto did not carry a mount on his back ... he carried an Aspis koilé from Hoplite Vernarth. It was useful to re-sediment the sand covers sifted by the ergonometric forces of the shield, thus causing everyone to retreat and take the reins of the animals, to resume their advances in buttresses to build the walls that they had to mediate, to weaken Ashera's insinuations to disagree with the edges of the citadel. The Apostle, Etréstles and Vernarth blew the shofars, the times they surrounded the perimeter of the city, and they believed that there would be more turns ..., on the couch was the Shofar that could sound more times and louder, it was intact ..., but it ran to blow it Vernarth not leaving a drop of air looking at the sky that would appear with three bright stars filling the anxiety and love to break Easter bread for everyone. But it was not that effect; it was the astral echo of Betelgeuse of King David, which emanated with his blowing also helping to raise the walls that would protect him from the staunch invasions of the lackeys of Ashera. In such a way, the partitions were raised until reaching the governorships of the words of the watchdog angel who coordinated everyone saying:

Guardian Angel: "For us the partitions, for you the rooftops, on the heights mediate the limits and on their Shofar they will end Aserá, without any city to come and go" Such exordium is fulfilled and Bethlehem is surrounded by golden barred partitions, Walls were hoisted at remarkable heights to appease the winds and roars of the Canaanites, as in Jericho, but the other way around, here they succumbed by divine command, to allow them to settle in that millenary town hall.

Finally they withdraw the twelve camelids from the front circle that did not allow them to settle in the settlement, and they manage to settle to revive the bi-natality and double reign of whose splendor he will only speak with the luminances of the Messiah and King David embracing them. From the continents outside of the walls left desolate, revive Abigail's pristine and angelic countenance by bringing dinner and an amulet Shofar to each of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah.

Magraner's ministers "Punica granatum", were bushes that appeared to him in the focus of the micro center of the fire, they entered with some tenuous and sinuous branched thorns becoming muddy as they descended from the tassels of the Shofar, feeding the curiosity of all who were camped, surrounding a campfire full of sounds with new positions, of devout sounds of pupils from high Jewish principalities, cordoning off the objects of the Apostle, who shared it with Etréstles ..., who gave sonorous instrumentalizations to the rams that approached around them ..., looking for the crows that were missing from their heads. Due to the cracked set of the shofar, in the opposing works of the luminosities of the bonfires, the wise ministers hung on the same faces, who displayed them with their young branches, glossy sheaths before the yellowish-greenish under-exposed with their obtuse apices. Leaving in its marginalized exceptions, polygons of pre-flowering  shofar-form, on the valves that escaped from the ashes of the valves that were released from the last fleeting flame of each minute run to the right. Everyone collected the nectars that the ministers poured into goblets, drinking them lying down to swallow them reclining and being able to look at the stars that emerged from their albiceleste flavors, rinsing each one's arms by touching them with the shofar, like petioles stalks on the seven rams that they sought to recover those that made themselves sound heavenly.

Etréstles says: “When the shofar speaks, their past pastorals speak inside and outside the community; the most outlined thing has been to understand it as a trumpet; of a bony projection, that is to say, formed by a bone and pointed material that arises from the frontal bone, sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text by Saint Jerome. When Moses descends from Mount Sinai, where he has interviewed God, "the skin of his face had become radiant," says the Bible (Ex 34: 29-30). In the original Hebrew the verb "to radiate", "to emit rays", is from the same root as the noun "horns", so Saint Jerome did not think twice and translated: "cornuta esset facies sua", that is, "His face was horned. Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sounding with the golden patina, simulating with my Messolonghi fingers ..., which three by three piston their bony reaches, linking of some forms of beauty, goodness, clarity, brightness and stories that will accompany us in this bonfire between these raised walls to pave the vaults of the Messiah's nativity cries.  Calibrations and catechesis on the real moment of his symbolic Lineage in the awake dawn and alive. With waves of graces voices with goat hosts rearranging the urban matrix of the erected town ..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Ashera, in their desire to get away from the fundamental site. "

Vernarth intervenes: “In this passage it is clear the capacity of the shofar…, and the sound produced by it and our similar voices being amalgamated with it, shouting and modifying the environment, to a multipurpose physical dimension. Now we are a herald of goodness, beauty and reconstruction, part of a noticeable dialectic to the neighboring Canaanite cultures as a sudden reconversion between what is built and what is to be built, even if something in it itself had to disappear. The wall was actually rebuilt surrounding everyone, beyond the golden glow of the shofar. Producing today creation and not devastation, encapsulating kingdoms in wisdom and learning ..., this is where we have all come from the return of the didactics of cultural forms, independently to attract us to its teachings in an anonymous world converted with a purpose of reconverting itself, in solemn alert in the one that precedes us, before unilateral events of antecedents of an apocalyptic shofar period”.
Shofar  Ashera
Silence Screamz Oct 2014
Get me out of this jar of pain.
Tightened lid.
Pickled inside with devastation and destruction.

Blending in with the brine.
Seasoned by torture and violence.
Time to turn up the heat.

Pressure cooked inside.
Temperature rising.
Steam valves are about to burst.

Rapid boil begins.
Screaming release is heard.
Moments are building up.

Angst has set in.
Can not take any more.
Head explodes.

Was it all in my brain?
Casualty of society.
Tripped on the switch.

Pulled the trigger.
No more of me.
Lay here eerily quiet, gone.
Another school shooting I just heard on the news now, in Washington state at a high school. So sad.
Jon Tobias Dec 2014
The metal in this brass knuckle heart
punches my chest from the inside out

The valves, a semiconductor for the static
electricity of your touch

Who ever thought a defibrillator could be so soft?

And in the challenge of this love
I wonder what kind of mettle you're thinking
of now

And I think patience is found
on a molecular level inside the iron
in your blood

And love then, a stone ground down
from your ashes

I mean, pressure and heat are
what diamonds are made from

Tell me again of the struggles you shone through

And through that logic, we are precious stones
but so much softer than that

I want to hold you like the focused light
from a jeweler trying to make a sale
but so much more earnest than that

And what of the contradiction
between hardness
and softness

Because there is you

How can you be so hard
and so full of life?

How can you be so beautiful?
a maki Sep 2013
I want my heart broken open, apart on the floor
valves spilling out sunlight pouring out from my core

my warmth comes from you, your limbs and your spine
you pull me in closer to find what we hide
Lora Lee Mar 2017
last night
as I soaked my feet
       in hot water and fragrant oils
           put on some
              Bollywood tunes
           and let my hips
         start to sway
my head began
to swoon
and the binding
threads holding me so tight
inside myself
      began to fray
          my chest opening in
             rips and starts
                 to reveal its valves
             in engorged release
       of dark magenta shadows
of teasing, gnashing inner beasts
while this was going on
the moon lit up
around me
      in its eight different phases
its halves and crescents
        shimmering    
in incense-scented cadence
my fingers reached out
to stroke each one,
          unique in its own heated glow              
                          as I realized that
               they will never cease,
these sequined
streams of joy
in embroidered flow
as long as we are connected
            to the root point of self
the love pumps quiet fire
                         in our veins
           even when trapped    
in slamming undertow
     pressed tornado slab
                              of pain
and I have had my face
pressed under watery surfaces
for such a long time
that suffocation
almost feels like
        breathing
so it's time to
move these hips and thighs
                and get this soulspark
                                                 reeling
https://www.youtube.com/watch?v=_zPi6w1TWBg
so much fun
Poetic T Mar 2015
Tracks upon flesh
Stresses released, valves now eased,
Teardrops of crimson.
Megan Leigh Jun 2014
Some mornings, heartbreak is in your bones, settled deep inside though you can’t seem to recall sending the invitation.
Your rib cage stands like the bare tree of fall, the wind whistling through it’s frail branches, tapping on your window as if to remind you, you are alone.

Some mornings, heartbreak is in your skull, in the crevices of the pale blue casing that surrounds your every thought, the broken dreamcatcher trying to keep the evil away.
But ghosts can float between the bars, slip inside your deepest secrets, with no regret or remorse for making you cry out in the night.

Some mornings, heartbreak is in your spine, intertwining like ivy on a lamp post, leaving you begging for someone else to hold your own head up for you.
Comfort resides in the hours spent cut off from reality, for at least you have control of that, though the dreams leave you franticly reaching in the night for something unknown to even you.

Some mornings, heartbreak finds it’s way back to your heart, slides through the valves, into the ventricles, mixing with the blood that gives you life. Heartbreak gives you life. Heartbreak reaches every last corner of your body, crippling you and taunting you, but you are still capable of breathing on your own. Heartbreak may be a thief, but you are a statue, broken and crumbling around the edges but still standing after all these years.

Some mornings, heart break is in your body. It seems to make up the essence of you, but it is not your being. You are your being.
131

Besides the Autumn poets sing
A few prosaic days
A little this side of the snow
And that side of the Haze—

A few incisive Mornings—
A few Ascetic Eves—
Gone—Mr. Bryant’s “Golden Rod”—
And Mr. Thomson’s “sheaves.”

Still, is the bustle in the Brook—
Sealed are the spicy valves—
Mesmeric fingers softly touch
The Eyes of many Elves—

Perhaps a squirrel may remain—
My sentiments to share—
Grant me, Oh Lord, a sunny mind—
Thy windy will to bear!
M Jun 2013
I can't place my finger
On how you became so distant
And different
And difficult to tolerate.

I can't place my finger
In between the salt water trails
Down my cheeks because it won't
Stop them from flowing.

I can't place my finger
On how I precisely feel,
Or why I randomly cry,
Or why the stars make me feel so small every night.

I can't place my finger
On the moment when you became
A face in photos that I vaguely stare at
In attempts to remember who you are.

I can't place my finger
On why the sadness creeps up
And camps out in my chest,
And bangs pots and pans so I can't sleep.

I can't place a finger on your hand
When you're lonesome,
When you're tired;
I can't be there for you.

I can't place a finger
On the moment when I became the past.
I can't place a finger
On the moment you decided to let my words be the last ones spoken.

I can't place a **** finger
On my own valves and stop the blood
Pumping through my veins because if the pumping ceased,
So would these endless nights and thoughts.

Granted I can't place a finger
On why I'm so "damaged",
As you would say;
I'm not sure why I am perpetually in limbo between extremities.

I just can't place my finger
On why I even care so much;
I promise it's not because I miss us.
I'm quite fine without.

I can solely place my finger
Upon the fact that I'm out here
Blazing a trail on my own,
And I'm scared as hell I'll waver and trail down into the darkest parts of my being,

And just remain there, sleeping on the dark path that is carved out in my heart where only these thoughts resurrect themselves and lie down with me too, long enough for me to forget how to place my fingers into a fist and fight them off; I can't place a finger on why I'm fighting in the first place, why sometimes I place a finger to my face and there are streams of unplaced, uncalled for sadness and delusion.
It's probably too personal to be relatable, and I'm so tired of writing about sadness but it's been relevant and it always helps to write.

One second I'm fine, the next I'm wondering when being okay will come again. I'm trying to figure out how to fix this and be more okay than I am sad. I don't want to be this way, I just am. I've always been indecisive, I just didn't know my well-being and emotions could be too.

I'm tired of being that damaged girl that only writes sad poems and can't seems to be okay. I don't want people to pity or fix me.
Opening the channels
Flowing
through the grid
Pumping up the pressure
as
earthing ever
dig
Signals from
the heart
Electric from the touch
Amplify the senses
Compounded form the rush
Ellie Jun 2017
Brian Doyle, who died on May 27, considers the capacity of the heart

Consider the hummingbird for a long moment. A hummingbird’s heart beats ten times a second. A hummingbird’s heart is the size of a pencil eraser. A hummingbird’s heart is a lot of the hummingbird. Joyas voladoras, flying jewels, the first white explorers in the Americas called them, and the white men had never seen such creatures, for hummingbirds came into the world only in the Americas, nowhere else in the universe, more than three hundred species of them whirring and zooming and nectaring in hummer time zones nine times removed from ours, their hearts hammering faster than we could clearly hear if we pressed our elephantine ears to their infinitesimal chests.

Each one visits a thousand flowers a day. They can dive at sixty miles an hour. They can fly backwards. They can fly more than five hundred miles without pausing to rest. But when they rest they come close to death: on frigid nights, or when they are starving, they retreat into torpor, their metabolic rate slowing to a fifteenth of their normal sleep rate, their hearts sludging nearly to a halt, barely beating, and if they are not soon warmed, if they do not soon find that which is sweet, their hearts grow cold, and they cease to be. Consider for a moment those hummingbirds who did not open their eyes again today, this very day, in the Americas: bearded helmet-crests and booted racket-tails, violet-tailed sylphs and violet-capped woodnymphs, crimson topazes and purple-crowned fairies, red-tailed comets and amethyst woodstars, rainbow-bearded thornbills and glittering-bellied emeralds, velvet-purple coronets and golden-bellied star-frontlets, fiery-tailed awlbills and Andean hillstars, spatuletails and pufflegs, each the most amazing thing you have never seen, each thunderous wild heart the size of an infant’s fingernail, each mad heart silent, a brilliant music stilled.

Hummingbirds, like all flying birds but more so, have incredible enormous immense ferocious metabolisms. To drive those metabolisms they have race-car hearts that eat oxygen at an eye-popping rate. Their hearts are built of thinner, leaner fibers than ours. Their arteries are stiffer and more taut. They have more mitochondria in their heart muscles—anything to gulp more oxygen. Their hearts are stripped to the skin for the war against gravity and inertia, the mad search for food, the insane idea of flight. The price of their ambition is a life closer to death; they suffer more heart attacks and aneurysms and ruptures than any other living creature. It’s expensive to fly. You burn out. You fry the machine. You melt the engine. Every creature on earth has approximately two billion heartbeats to spend in a lifetime. You can spend them slowly, like a tortoise and live to be two hundred years old, or you can spend them fast, like a hummingbird, and live to be two years old.

The biggest heart in the world is inside the blue whale. It weighs more than seven tons. It’s as big as a room. It is a room, with four chambers. A child could walk around it, head high, bending only to step through the valves. The valves are as big as the swinging doors in a saloon. This house of a heart drives a creature a hundred feet long. When this creature is born it is twenty feet long and weighs four tons. It is waaaaay bigger than your car. It drinks a hundred gallons of milk from its mama every day and gains two hundred pounds a day, and when it is seven or eight years old it endures an unimaginable puberty and then it essentially disappears from human ken, for next to nothing is known of the the mating habits, travel patterns, diet, social life, language, social structure, diseases, spirituality, wars, stories, despairs and arts of the blue whale. There are perhaps ten thousand blue whales in the world, living in every ocean on earth, and of the largest animal who ever lived we know nearly nothing. But we know this: the animals with the largest hearts in the world generally travel in pairs, and their penetrating moaning cries, their piercing yearning tongue, can be heard underwater for miles and miles.

Mammals and birds have hearts with four chambers. Reptiles and turtles have hearts with three chambers. Fish have hearts with two chambers. Insects and mollusks have hearts with one chamber. Worms have hearts with one chamber, although they may have as many as eleven single-chambered hearts. Unicellular bacteria have no hearts at all; but even they have fluid eternally in motion, washing from one side of the cell to the other, swirling and whirling. No living being is without interior liquid motion. We all churn inside.

So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one in the end—not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman’s second glance, a child’s apple breath, the shatter of glass in the road, the words I have something to tell you, a cat with a broken spine dragging itself into the forest to die, the brush of your mother’s papery ancient hand in the thicket of your hair, the memory of your father’s voice early in the morning echoing from the kitchen where he is making pancakes for his children.
Brian Doyle- 1945-2012. This story was shown to me by my high school lit teacher and it inspired me to write my first short story. Maybe I'll post it one day
jerard gartlin May 2010
the day you called me
i could hear that tin can tear drop echo
in the midst of my happy hello,
but my hopes crashed faster than my ego
as you recited those rehearsed lines of let go,
& the words were wet with sobs & sweat
& love wasn't mentioned amidst the mess
of apologies & idle threats.
& i listened with my full attention
until you ran out of breath,
& i responded cautiously
with tiny verbal tip-toed steps.
& while your eyes ***** dishonesty,
your heart hunts for a better chest
because you're aware of it so sparingly
it's just a ribcage ornament.
& i felt empathetic as you wept
because your valves were finally thawed & thumping
& i wonder if you felt the weight
on your breastplate
as it was shocked into a waking state,
& made up for missed decades
by pounding at a rapid pace
& revitalizing vapid veins.
& as i listened to you come alive
over that claustrophobic cell phone line
it floods my ears & drains my eyes
& makes my heart divide...
Taylor St Onge May 2014
I’ve been thinking about hands
a lot lately and how fingerprints are like
permanent, foreshadowing tree rings
etched onto our beings; I wonder if
the number of rings on my palms have any
correlation to the number of years I’ll live or
the number of years he’ll live or the number of
years that she lived. I’ve been thinking a lot about
        life lines        and        heart lines
and if there is any stock to be found in palmistry;
I wonder how my fate line got to be
so muddled with my luck line.  

I see my life the way a clairvoyant would:
in cut-up and choppy strips of film—
I should have seen the omens,
I should have read the smoke signals,
I should have recognized the cards.

Act One began on a waning crescent moon
and continued until its gluttonous belly
had swollen with light; I thought to
myself that craniums made of gallium
often melt the quickest, that blood filled
with plutonium often flows the slowest.  I would
have given my body up to the pathologist free of charge,
would have let him dig his hands into my entrails for
some sort of divination, some sort of revelation—
I was never told to beware the Ides of June
nor the Kalends of November.

Act Two began with the birth of Jack Frost
and has been continuing without intermission for
the past four celestial cycles; I thought to
myself that heart valves made of sodium polyacrylate
often love the most, that sinkholes disguised as
fingertips often feel the deepest.  He whispered
in my ear cliched words about not believing in
God, but how I made him feel blessed, and in
that moment I knew he was the oneiromantic being
that had been shadowing my dreams since 1996—
I guess you could say that, sometimes,
I believe in love.

There is an art to fortune-telling
there is an art to hands
there is an art to bones
there is an art to dreams, and over the years,
I have found them coinciding more often
than not.  In my sleep, in notebooks, in
irises, in mirrors, in poetry, in small little sighs.
I do not know if I believe in fate or destiny, in
God, in auras, or in the Blood Moon Prophecy,
but I do know that I believe in you.  I find myself writing
sappy verses and smelling your shirts and I do
not know if it is because I miss you or if it is because
I’m bored or if they’ve somehow
                       mergedintothesamething.  

I’ve been wondering a lot lately about
where you show up on my hands; about where
he showed up and where she showed up.  I want
to know which lines bisect and which lines fall
short; I want to know if the resemblance between
        mother        and         daughter
continues into that of my palm lines.  I want to know
if my life line matches hers and if my heart line
is even worth giving away—

find me in your crystal ball, make me
your sacrificed animal, look for my body
in the stars, and we will know that
        it was all made to be.
divination meets mommy drabbles meets boy drabbles meets words
Aa Harvey May 2018
Chernobyl.


A nuclear disaster, in a town called Chernobyl;
An odor-less killer, the invisible force.
As the radiation escapes, from the crumbling reactor,
We must cool it down, before it blows.


Evacuate Pripyat, the employee’s town,
The town of 35000; first on the list of infected people.
No warnings to the town folk, no evacuation,
The town’s men in the know, know the town is in trouble.  


People bathe in the sun’s rays, soaking up the sun,
Whilst the dizzy and sick, fall with blackened skin.
But the only burn you'll get, is a nuclear radiation,
That will **** you in the end, as it will lead to infection.


Send in the investigators,
To check the biggest nuclear explosion ever.
The rumble outside a final warning, the fire brigade are now here.
The firemen are next, to fall to radiation.
The workers wives at home, are still oblivious.
But now they see the smoke rising, over the town.
So they close all the windows, an in vein attempt to keep the radiation out.


The workers cry, as they learn how bad it is,
The horrifying sight, of a nuclear cloud.
All things infected, poisoned by the air,
DNA is mutated; the time to panic is now.


The bride and groom walk through the town,
Unknown to them, there is poison in the air.
3.6 on the scale, leaves no need to worry,
But the readout is wrong, as the gage goes no higher.


Do not wear masks, it will cause suspicion,
A press conference is called, 15 hours after the explosion.
The men in charge are scared of the truth, so do nothing,
The situation is now, worse than they think.


Faces burnt, comrade’s panic,
The nuclear core is burning, it's radio-active.
But panic is worse, than radiation,
So there will be no warning and no order for evacuation.


22 hours after explosion, think we'll leave it to burn,
But it will burn for 3 months and poison the air.
We must find a remedy, quickly and quietly,
Thousands of helicopter runs, to cool the burning hot core.
We must put sand on the reactor, to stop it burning,
Evacuating the town is nonsense;
Wait until we know what's happening.


First thing in the morning, we must evacuate only a day late,
The people must view pictures of their family
And kiss them goodbye.
The biggest nuclear explosion, the earth had ever known,
The town will become a wasteland, everyone will be gone


17000 kids, infected by the air,
Another 116000, people are evacuated.
The nuclear explosion in Russia, will radiate into Kiev
And Northern Ukraine will be uninhabitable,
For anything up to a century later.
And the towns people,
Could take the radiation with them into a new place,
So send them to Kiev with the poisoned nurses;
Infected by radiation, it burns their face.


Leave the pets behind, to become wild animals,
The army shoot the pets, because they can't live anymore.
All the people wear masks, to help themselves,
As they leave on the bus, their former lives are no more.


The skin folds down and falls from their bodies;
The men in the control room, at last begin to die.
The people are collapsing, all over the place,
The tears turn to burns, as the women begin to cry.


Drop sandbags into the reactor,
From helicopters whilst being infected,
We must cool it down and stop the fires burning.
We’re heading for meltdown, truly scared of the apocalypse,
'Count lives', means how many can we sacrifice.
Finding how many lives, it will cost to get the job done,
Unquestioned sacrifice and they were willing to go.


2 volunteers needed,
To swim under the reactor and open the valves by hand,
Swimming through poisoned water, this could **** you man.
If the water was cleared from inside,
There is no immediate threat of thermal explosion,
A million lives saved, said Gorbachev the president.


The A.Z. button was pressed, to lower the rods into the reactor,
But just the tips landed inside and shut it down.
A thermal explosion is on the way, to level 200 square kilometers
And wipe out Pripyat, Kyiv and 3 million citizens.


By day 3 they thought it must be a design fault,
By day 7 the radiations gone up and it’s getting hotter.
14 explosions in the past, were covered up,
This could take us years to clear up and make better.


60 days after the explosion, Moscow are told to shift the blame,
Chernobyl’s bosses had known, flaws in the design were classified.
Sat before the world in Vienna,
They blamed the men in the control room,
Even though they were ignorant, as to what would happen.
Not prepared enough, for a job so important,
A million lives in their hands; in the hands of the thoughtless.
Faulty design, in something so dangerous,
Will lead to our end, as were infected by rays, so radiant.


2 years after the accident, the inspector speaks out,
But his voice is covered up and his findings are not written down.
Valery Legasov, the inspector.  The man who made the reports.
The men in charge of the reactor, were sentenced to ten years.
The incidents of tumors rise to more than in Britain all together.
This will last for about a 100000 years,
The radiation will be there for almost forever.


(C)2013 Aa Harvey. All Rights Reserved.
JL May 2013
I have love for you
Rooted in my jawbone

Your secret perfume
Convection heat in a back seat

I want your thin fingers
Tangled in the web of my ribs

I want to lose you
In the honeycombed purple layers of my heart tissue

I will cradle your head on my sternum
Letting my lungs do the work

If only
Your elbows were not so sharp

Then I would crave the dig of your fingernails
Your pastures of hair
The butterfly tremble of your lips

Speechless- words no longer hold the weight
My tongue on the novel curves of your sigh
Tasting the twenty summers of your growth

Trembling due to lack of oxygen
Trembling at the onset of lust

The kneading want of knuckle bones
Drawing me ever closer to the colors of light

Static in the stereo of the
Cerebral cortex

Bunched nerves
Shocked into submission
By your bleached bone canines


Open and breathe
The quick pinch endocrine valves
Releasing steam


Drape me with your skin
Wrap me up in your pulsing warm veins

I bleed blue
On every day of the week

I am deafened
By the rage of your heartbeat

I am stricken dumb
The symphony of your eyelids
Swelling in my chest a familiar lust

The wind from your eyelashes
Could blow us out of this winter
And right into spring

All the days of the year
I bleed blue

The dedication of your palm
On my cheek
Warms me like a leaf in sunlight

Peel me layer from layer
You will find no lies in between the pages

I am your machine
Waiting to be properly lubricated
I cannot wait for our first day under the sun
I can't wait to get you out of the fluorescent lights
Of the Assembly line
We will journey together to forgotten realms
And sleep beneath the strange constellations

— The End —