It's 3:09am
I'm im the library
Desperately trying to write a research paper:
'LGBT Familes'
How fitting.
Caffeine courses through my veins
Coffee overloads my bladder
Bathroom.
I hate bathrooms.

When you have no gender
The simple act of relieving yourself becomes a chore
The heavy weight of that key decision
Chokes your lungs as you stand outside the doors
Two doors.
Men.
Women.
Not me.

The choice becomes simplified:
While I sometimes pass as a man
I often do not.
I can choose the men's bathroom
The consequence of which could end in physical violence
The same hate I explain through my essay.
The same fear that plagues my community.

The women's restroom is also an option
The consequences likely less dire than the former:
Heavy side eye and the potential of yelling.
A much safer choice.
Obviously.

Per usual, I walk into the women's room.
I take three strides inside.
Then I stop.

I've never used the men's room.
My fear of violent reactions has always won.
Yet at a time like this
How likely is it that someone is inside the men's room?

Now is my chance to face my fears.
Now I have a safe chance at peeing in peace.
In a bathroom potentially more suiting
Of my gender identity
So I turn around.
Let the door slam behind me.

Half a step into the men's room
The smell of rancid ***** hits my senses
Toilet paper liters the stalls
I have missed absolutely nothing in my years in the women's room

Women have nicer facilities
A significantly more advanced hand dryer
Cleanliness
Air freshener
Men do not have these luxuries

Now I question,
Do men not take as good of care of their bathrooms as women do?
Do the workers intentionally prioritize women's sanitation?
What causes this undeniable divide?
Is the messiness of the men's room a result of their conscious decisions?
Or simply a response to societal expectation?

Regardless,
I think I'll stick to the women's room
While I add bathrooms to my compilation
Of more discrete gender inequality

Some of my friends and family do not understand anxiety
“It can’t be that bad”
“You don’t have anything to be afraid of”
“Just calm down”

“It can be that bad” I tell them
Anxiety strings barbed wire across doorways and coats people in broken glass
You can’t go anywhere
Anxiety is like a room in an adventure movie where water is steadily pumping onto the floor until it’s up to your chest
Except there’s no magic lever or button for anxiety
It just keeps going until you’ve drowned
Anxiety is a boulder strapped to your back
It keeps pressing and pressing
Even when you’re tired and you just want to sleep, it keeps pressing
Even when you fall, it keeps pressing
Even when you stop struggling to move, to survive, it keeps pressing

“There’s plenty to be afraid of” I say
Anxiety is a monster with giant bulging eyes and thousands of teeth and claws
And the worst part is that no one else can see it following you down the hallways at school
Stalking you in the bathrooms at concerts
Hiding under your own bed
Anxiety is like an uninvited party guest
You never know when Anxiety is going to join the party
It just shows up
And you never have enough snacks or blankets for Anxiety
It always wants more
And it doesn’t leave until 4am when you’re shaking from exhaustion
Anxiety doesn’t even say Thank you
For taking up everything you had in you
It just leaves
And you know Anxiety will be back
Eventually
What’s scary about Anxiety is that it keeps you from doing something you really wanna do
Like spending the night at your friends
You really wanna go but you just don’t
Because you don’t want to have to explain why your body has begun to unravel itself, time traveling back to when anxiety kept humans alive and why apparently your body thinks your friend’s sweet little French bulldog is the equivalent of a modern day saber tooth tiger  
Another scary thing about anxiety is the fact it’s something your brain makes up and your body BELIEVES it of all things
“I’m dying” your brain says
And so your body believes it
Because why would a piece of your body lie to itself?
Why would you lie to yourself?

“I can’t just calm down” I say to them
The whole thing with Anxiety is not just the fact that the guy next to you could be a suicide bomber or that the girl across the isle could have a knife in her pocket or  the fact you’ve got a test to pass or that your shoelaces aren’t symmetrical
It’s that anxiety gives you anxiety
What a beautiful self-destructive cycle
And if I could calm down don’t you think I would?
Do you think I would scratch myself raw trying to force the anxiety out of my skin?
Do you think I would spend my friend’s birthday party having a panic attack in the bathroom?
God why is it always bathrooms?
Do you think I would spend my every waking hour anxiously figuring out how I can avoid all the things that give me anxiety?
The thing about anxiety is that nothing can “get rid of it”
There is no cure
A million billion poems and hugs and dark closets and angry songs and therapists could not get rid of anxiety
Anxiety has embedded itself into me and I don’t have enough strength to dig the scalpel into my own skin and carve it out
I don’t think anyone has that kind of strength

“Anxiety is a part of me” I tell them
And the thing I ask now even gives me anxiety
Isn’t that ironic?
But I still ask it
I always ask it
“Will you still accept me?

call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in
strange places.
the jobless men went mad
confined with
their once beautiful wives.
there were terrible arguments
as notices of foreclosure
fell into the mailbox.
rain and hail, cans of beans,
bread without butter;fried
eggs, boiled eggs, poached
eggs; peanut butter
sandwiches, and an invisible
chicken in every ***.
my father, never a good man
at best, beat my mother
when it rained
as I threw myself
between them,
the legs, the knees, the
screams
until they
seperated.
"I'll **** you," I screamed
at him. "You hit her again
and I'll **** you!"
"Get that son-of-a-*******
kid out of here!"
"no, Henry, you stay with
your mother!"
all the households were under
seige but I believe that ours
held more terror than the
average.
and at night
as we attempted to sleep
the rains still came down
and it was in bed
in the dark
watching the moon against
the scarred window
so bravely
holding out
most of the rain,
I thought of Noah and the
Ark
and I thought, it has come
again.
we all thought
that.
and then, at once, it would
stop.
and it always seemed to
stop
around 5 or 6 a.m.,
peaceful then,
but not an exact silence
because things continued to
drip
  drip
    drip
  

and there was no smog then
and by 8 a.m.
there was a
blazing yellow sunlight,
Van Gogh yellow-
crazy, blinding!
and then
the roof drains
relieved of the rush of
water
began to expand in the warmth:
PANG!PANG!PANG!
and everybody got up and looked outside
and there were all the lawns
still soaked
greener than green will ever
be
and there were birds
on the lawn
CHIRPING like mad,
they hadn't eaten decently
for 7 days and 7 nights
and they were weary of
berries
and
they waited as the worms
rose to the top,
half drowned worms.
the birds plucked them
up
and gobbled them
down;there were
blackbirds and sparrows.
the blackbirds tried to
drive the sparrows off
but the sparrows,
maddened with hunger,
smaller and quicker,
got their
due.
the men stood on their porches
smoking cigarettes,
now knowing
they'd have to go out
there
to look for that job
that probably wasn't
there, to start that car
that probably wouldn't
start.
and the once beautiful
wives
stood in their bathrooms
combing their hair,
applying makeup,
trying to put their world back
together again,
trying to forget that
awful sadness that
gripped them,
wondering what they could
fix for
breakfast.
and on the radio
we were told that
school was now
open.
and
soon
there I was
on the way to school,
massive puddles in the
street,
the sun like a new
world,
my parents back in that
house,
I arrived at my classroom
on time.
Mrs. Sorenson greeted us
with, "we won't have our
usual recess, the grounds
are too wet."
"AW!" most of the boys
went.
"but we are going to do
something special at
recess," she went on,
"and it will be
fun!"
well, we all wondered
what that would
be
and the two hour wait
seemed a long time
as Mrs.Sorenson
went about
teaching her
lessons.
I looked at the little
girls, they looked so
pretty and clean and
alert,
they sat still and
straight
and their hair was
beautiful
in the California
sunshine.
the the recess bells rang
and we all waited for the
fun.
then Mrs. Sorenson told us:
"now, what we are going to
do is we are going to tell
each other what we did
during the rainstorm!
we'll begin in the front row
and go right around!
now, Michael, you're first!. . ."
well, we all began to tell
our stories, Michael began
and it went on and on,
and soon we realized that
we were all lying, not
exactly lying but mostly
lying and some of the boys
began to snicker and some
of the girls began to give
them ***** looks and
Mrs.Sorenson said,
"all right! I demand a
modicum of silence
here!
I am interested in what
you did
during the rainstorm
even if you
aren't!"
so we had to tell our
stories and they were
stories.
one girl said that
when the rainbow first
came
she saw God's face
at the end of it.
only she didn't say which end.
one boy said he stuck
his fishing pole
out the window
and caught a little
fish
and fed it to his
cat.
almost everybody told
a lie.
the truth was just
too awful and
embarassing to tell.
then the bell rang
and recess was
over.
"thank you," said Mrs.
Sorenson, "that was very
nice.
and tomorrow the grounds
will be dry
and we will put them
to use
again."
most of the boys
cheered
and the little girls
sat very straight and
still,
looking so pretty and
clean and
alert,
their hair beautiful in a sunshine that
the world might never see
again.
and

it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

My my, what a special little snowflake.

Why did you choose to be this way?

You chose to be different, you chose to rebel.
No binary for me!

You chose the grief, the pain.
You chose this abuse, bruised by
the verbal ferociousness, forged by physical fallacies
To be thrown out of bathrooms
because doing your business in the bathroom is abysmal.
You chose to be derided by decisive discrimination.
You chose to be murdered by misconceptions,
***** by ridiculous requirements.
You chose to be beaten, assaulted.
You chose the words I weave to weaken your will.
You chose the sacred sermons I spit at you.

You chose to be
What I find disgusting, despicable
because you chose to be what you aren't,
but I realize what I really regard you to be.

My my, what a special little bigot.

You think I chose to be this way?

You think
I chose the injuring, injustice,
the jester, the joke
the target, tortured,
This pain, my poison,
the prey, praying,
the sinner of sins so bittersweet,
So I could be "special"?

Special isn't a sacrifice of physical self
Nor the gunshots and gruesome grief
Nor even the crass comfort of a half-assed comrade.
You think I CHOSE this,
and you didn't choose
to spit and spew your sour speeches
to disperse your disgust in discrimination
to integrate your ignorance into my existence.
Or did you not choose
to deal the abuse
by your hand
yourself?

My special little bigot,
You live as you are.

So be it, if I am so "special", the special little snowflake.
Yes, we are the little snowflakes that your palm's presence melts away,
And you're that burning persistence of life
Blocking with your own self our slow, wistful descent,
As if it were futility and not of your own will.

If I am the snowflake, you are the fire.

Dear America,

Do not call my generation stupid.
We were the first group of kids to learn a computer.
Think about that society: A group of kids learned this intricate machine.* Yes, I'm talking about the O.G. Apples with the green type where you had to save with a floppy disk and if you put a magnet to the screen it went purple forever.
Yes those, same kids grew up and created everything you see before you now.
Everyday.

Do not call my generation ignorant.
In a short time span of years, as children, we learned about oral relations with interns and terrorist attacks.
From Clinton's impeachment to the World Trade Centers/Pentagon/Flight93 Somerset.
As children we learned; emphasis on the children part.
Our minds grew knowledgeable of a world at hand long before society gave us credit.
We grew up.

Do not call my generation lazy.
When we were sixteen and just received our license, gas rose to the highest it had ever been in our country's history.
We got underpaid and  disrespected jobs:
cleaning up bathrooms and serving your foot-longs.
The ability to travel on our own, it was our new found freedom.
Like the early travelers roaming new found lands:
Our wings were spread.

Do not call my generation weak.
We are the same group of people who entered college or the workforce with the worst economic fall since the Great Depression.
You ask, "What did it do to you?"
Buried us in more and more debt until it consumed our life.
But, we became enlightened.
We majestically thrived in the chaotic times by finding out who we are, what we are capable of and that life will take us our journeys before we even see it coming.
The light still shines even when you are buried the deepest.
It does not matter what you throw at us next.
We will rise and conquer. It's the world's hidden secret.
I'm proud to live in this time.
I hope you are too.
Never giving up is our morale.

Respectfully,

THE PERENNIAL MILLENNIALS.
cc: *(No HashTag Necessary)

I don’t trust you
the same way I don’t trust the towels
in hotel bathrooms

But if I could stop time,
I would cut all the strings
So you could pick yourself up
And move forward

You are beautiful
In the way that makes babies
Slowly stop speaking the unexplored
And stare with eyes too big
And too wide

But you are sad
In the way that makes people
Slowly stop speaking the explored
And stare with eyes too big
And too wide

Fred Gorgeous works as a Valet
at a reputable tall hotel
with pools
with marble bathrooms
and those marble bathrooms have marbled *******
marbled sinks where the elderly pinch out blood from their lungs
Fred Gorgeous is balding
he wears glasses
Fred Gorgeous isn't gorgeous at all
Fred Gorgeous listens to love songs in spanish alone
Fred Gorgeous has a Dog
his dog barks at nothing
his dog never sleeps
his dog is ugly too
his dog has brown black eyes and a blue collar
Fred Gorgeous has eyes too
his eyes are green

Fred Gorgeous lives in an apartment downtown
Police sirens quake through the city atmosphere like World War 1 **** chemical war fare
Fred Gorgeous submerges himself underwater in his un-marble bath tub
Fred Gorgeous can still hear the Police Sirens
they have tainted the water too

Fred Gorgeous was in love once
many times
but mostly once
Fred Gorgeous smokes cigarettes
Fred Gorgeous listens to Spanish music in the afternoon
while the city is at work
while the kids are at school
while the drunks are drunk in drunk encouraging residents
Fred Gorgeous buys cheap wine
3 dollars a bottle
Fred Gorgeous isn't gorgeous at all
Fred Gorgeous is 34 years old
He is bored
He is not tired
He has 3 pairs of shoes
All of them leather
Fred Gorgeous gets drunk and lays in his closet
the size of a Coffin
and smells his shoes
Fred Gorgeous enjoys the smell of leather and shoe polish
Fred Gorgeous isn't special
Fred Gorgeous isn't great
Fred Gorgeous isn't brave
or a hero
Fred Gorgeous isn't anything at all
Fred Gorgeous has a painting of a tornado on his wall.

Under the legs of giraffes falling in love by being licked to buy a deer deer licking giraffes Gareth Pugh transforming signs pigs that can't **** but **** bricks in the tea cups personal Hispanic designers transforming into anorexic girls tornadoes in Pennees that buildings can't stop where pro-skateboarders take millions of dollars of drugs that are crystals and mugs and improve haircuts to make mugshots better who go to bathroom the stress says this transvestites in British airways first class airplane ride bathrooms **** **** ******* ******* **** in and list ***** used who's spending money and and aunt uncle and uncle gay and lesbian **** show putting faces in the toilets and wedding the water stopping at rest stops work carnival junkies pay tolls and gas station attendants charge super fees going to grocery stores to buy cream soda likes Sprite flavored train send peanut butter cup chocolate **** sores and send aunts uncles and uncles undulates and pigs passing by signs changing words miss read words changing over and over again passing through Stardome popularity celebrity. Rachel Lynch by skinny victory over and over groups of people lost in bathrooms starting outs in the story telling each other being wet by Harry Potter. In the beginning their hair was wet eyeballs were sore they took drugs text transform them into night sweats and their minds ate breakfast as they arrived at the circus storytelling they wore black costumes and shrunk like Alice in Wonderland having to **** and **** and eat but they were silent until the drugs came back into their systems and then they remembered each other. My father's brother Jim's son was lost abandoned me inside a marketplace in Colorado roadrunner was treated having a disease rather than being a drunk and given medication while lost in the end of the world's apocalypse. Symphony after symphony lost and returned and lost an overturned enveloped in the mall or people in different sections provided different offerings like curiosity giving oral *** or rubbing ankles or kissing on heads or **** ******* each other to death. Moving through security checkpoints falsifying drugs by providing sticky chewing gum pulling it from their mouths while Hispanics were extradited to other South and Central American countries. Oh my God insanity bliss favoritism chocolate peanut butter cup Carnival riding red neck necking car crash crashing insanity. Goblins introduces lighting fuses of other uses oxymoronic hyperbole of onomatopoeia and sounds raking the ears, breaking Pap smears in the vaginas of men with penises of early surgeries. Michael Gottlieb as a hog, tigers and dynosaurs, Jim Morrison poisoned, Transformers rising to the Chicago skyline TIE interceptors of cellular structures musing youths. Hallucinations of blasphemous miniature creatures giving faith to words transforming to the name of this movement this movie: The Shīt Shūw.

I've only been camping a handful of times and this is the first we've been in about a year and its very nice and the outdoors is very comforting.  The stars in the sky shine so bright tonight, they remind me of my lovers smile. The bugs chirp and make so many noises it keeps me up, at late hours. The weather is hot and its humid so my hair sticks to my face and I sweat. I have to *** so bad but everyone is asleep and the bathrooms are unbearably disgusting. It took us almost an hour to set the tent up and we had hamburgers and hotdogs for dinner. The bonfire was warm. I can't wait to get out and go swimming in the lake later. Camping is alright.

I almost don’t want to voice my opinion
because I like staying in the back of the mix
but it’s hard to do.
Straight from the mind, the mouth,
of a transgendered person,
this is honesty.
I know that there are a lot of people going on about the bathroom laws right now.
It’s ridiculous we even have to get to laws for bathrooms.
They’re for
elimination,
but it generally doesn’t stay at that.
Gossip, vomiting, crying, ****, ******, etc. Things you’ll most likely, in this century, find in the walls of bathrooms.
People are posting the meme, about the ******. Trying to mix it in with these laws.
A ******,
who is a man,
and someone who is transgender, don’t fall into the same category, and even if it’s made to better the judgement of hate and redirect the criticism of keeping transgender people in a specific bathroom,
don’t compare.
Because he is a male, he is a ******.
We are not the same.
Now, recently, people are posting about the mass shooting and connecting the two.
Saying how the last thing they want to hear about is how dangerous a transgender person is in bathroom now.
And they’re correct, because it’s always the last thing on my mind. I hate myself, so you don’t have to.
I have enough hate in me for myself so everyone can leave me be, knowing its strong enough.
I don’t want to be me, I don’t want to be like I am and I live with that everyday. I haven’t been able to make peace with myself and love myself, yet.
But I hope I can eventually.
I just wanted to put this out there, so people can see this side of things. From someone who is transgender.
The last thing on my mind in the bathroom is: you.
I do not want contact with anyone in there.
I fear you. I am scared to be there.
I feel threatened. I feel in danger, not you.
You should be ashamed to feel such resentment towards someone you don’t even know, because I am in the one in danger, not you.
I feel ashamed I am afraid of you and that is embarrassing to say,
but I am.
So don’t dare make it about your safety, because you are the last thing on my mind,
I promise you that.
Being misgendered, being *****, being beaten, being murdered, slandered, assaulted, accused, uncertain, hated, dehumanised, alone.
Fear.
These are what I am thinking about when all I have to do is ***, but all I wanted to have to do was get groceries.
Or get McDonald’s, get cat food, my car fixed, an outfit, take my husband lunch, take my daughter to the park, etc.
I have a family I love, very much.
So yeah, you are the last thing on my mind when I just have to use the bathroom, and don’t even want to need to use one in public because I am so afraid for my safety and wondering if this time, is going to be the last time I walk in one and don’t get to go home to my family because of who I am.
I am sure people have reasons to fear what they won’t know or understand,
but understand this.
I know you have your own fears and your own needs and expectations, but so do I.
Don’t fear me, in the bathroom, because my fear is actually greater than yours,
I promise you that.
And honestly, that is the last on my mind, anyway.
**I just have to ***.

Part One

One day while in high school (am now out of college) I, Mattias,
went over to my best friend Joey's house. When I got there, as
usual, he was working; he's a nut job, or better known as a handy
man during the summer, but keeps up the big old house where Joey's
family, (Mom, Dad, five daughters and one son, Joey, the youngest) eat, sleep, and amortize the dwelling mercilessly where it's in
constant need of maintenance. e.g.: 5 girls, all girly girls and
their mother = 6 females, copious use of the room where one
rests (rest room), an enormous amount of toilet paper with all
that other female stuff that is jettisoned down the commode.
This impaction desperately attempts to navigate an old, cast iron,
privately owned (not city) sewer line and sewage system.

So one can see,
and smell, huge problems, almost daily. Btw: they have five
bathrooms. One can only connect the dots to each one of
these strategic stink-bomb sites and see a pungent, pontifical,  stanky  mess on their hands. Half the time a
bathroom is cordoned off with yellow tape, like, where's
the detective? A crime has been committed in this bathroom
by a bunch of
females.
Strangely enough, the olfaction in this old castle didn't seem to
bother these girls. As long as it was their crap, all mixed together,
they all are of the same bloodline, who cares? It was almost as
if they liked the smell, since it was theirs. It was creepy, but
these girls were so good looking it didn't matter to me. Joey
would laugh as he could see how I was enamored with them all.
Yeah, I didn't mind hanging at Joey's house. His sisters:
their beauty; was through
the roof. They were cool
inside too!

So Joey is pretty indispensable in their household. He has tons
of other jobs, paid ones, to perform, but maintaining the five
bathrooms for these girls and the two men of the household was
a full time non-profit summer job, except for expenses; how quaint?

Part Two

This one particular day I stop over,
                                                       like I do almost daily; cut
through the open garage to their entry.
                                                       Joey knew I was coming
so both glass and fire door were unlocked.
                                                       ­ I walk in, shut the latch
to the glass door and saunter straight
                                                        ­into the Kitchen and
see Joey fishing through his junk drawer
                                                        se­arching for a bolt. He
said he was working on the plumbing in
                                                        one of the bathrooms.

The next thing I know, one of the neighbors in the culdesac of
which they live, Mrs. Turigliato, knocks on the door and tries to
open it but the latch is locked. The old fire door was open, so I
could see her. I waved and walked over to open the glass door.
Says Mrs. T, “Oh hi Mattias.” I reply “Hello Mam.”

She locomotes by me with coffee
in one hand, cream and sugar dripping
on her robe and coffee droplets free-falling
onto the VA tile floor with little splatters.

A tiny planet is being hit
by mini nuclear bombs, yikes!

She approaches Joey; he's scrambling and rummaging
through their seriously versatile junk drawer for the
right size bolt to perform surgery in one of the rooms
with a bath (bathroom). She cackles,
“Hi Joey, whatcha looking for?”

Part Three

Stop here a sec!**

If Joey would have said “I'm looking for a bolt” this story
would be over. In fact, there would be no story except a big house
with a sick septic tank on private property not run by the city.
Instead, he says “I'm looking for a *****?” While we both
(Joey & I ) might have quietly chuckled, Mrs. T's response
was a bit more than I could handle at this delicate age. Says Mrs.
Turigliato, “Go see Trudy, she will give you a *****.” Trudy was
our age, Mrs. T's daughter, and she was hot, but this was too much,
my abs were killing me. It doesn't end there:

Our mouths are tongued tied shut; taut. Unbelievably, Mrs. T
presses on;

“I'm serious Joey. Go, right now, and get a ***** from Trudy.”

At this point we were holding it in, suffocating, choking, yearning
for oxygen. Eggs and bacon started to make their way up my throat. I couldn't take this. We both quietly gather some air.
Not a ******* word from Joey or I,
Mrs. T is on an oblivious roll:

“Don't you want to get a ***** from Trudy, Joey?”

I can only imagine poor Joey's mind, thinking “Yes Mrs. T, but not the type ***** you're thinking about.”

We stay quiet, not a word..... then the miracle. Joey says “I found the right bolt.”
Hearing the word bolt and not ***** evoked an inquisitive, clueless, look from Mrs. T, her painted and pointed brows scrunching up and taking on new formations, but out came no words. She turned around and waved good bye, never saying why she came over or what she needed. Joey's Mom wasn't home but Mrs. T didn't even ask or say what she wanted. Strange ****.

Conclusion

Being a few years later, Joey and I still laugh our **** off when one of us tells this story. Even at parties, dudes and girls go nuts. Maybe some day it will be one of those “you would have had to be there” stories to maintain its staying power, but so far both Joey and I have gotten dates from girls at parties after we tell this story. I guess they like something about it. That's cool with me. Mattias is my name, and my best friend is Joey.
________

Hometown girls
are real with you.
If they don't like you,
they'll even make their *****
look ugly;
pulling them in all the way
to the tops of their thighs
through their buttholes
and you can smell the stench
in your brain.

But when they let you in,
when they let you sit on their ears,
it's like warp-drive.

They smoke virginia slims,
because that's what their mom's smoke,
and the bags under their eyes
are filled with nicotine,
but they're pretty bags,
purses of flesh
full with the kinetic beauty of coal.

Hometown girls are mostly black,
mostly white,
fifty-fity,
but nobody's checking
and when they whisper something nice in your ear
it's colored with a microbrew
or a wheel of Jim Beam.

Sometimes they'll take you by the wrist
into the bathrooms;
sometimes they'll take your drink
when you're not looking
and smile when you catch them
with it on their lips.

But that smile is good even,
on par with a supernova
in its ability to crush
and make beautiful.


But most of the time,
they stand around
outside Casbah
and Motorco
--if they're bougie
it'll be West End--
in the middle of the night
under the porch of the sky
looking out with amber
slitted eyes
like cats,
their legs twitching thoughtfully
as they wait for cabs
and pick at the night.

Hometown girls
are ****/beautiful
because they'll watch your every move
from the gallery
out of empathy,
knowing they've been that ***** before,
knowing they've been that lonely,
knowing they just want to get drunk
and want to be around randoms
that aren't so random.

Visits of condolence is all we get from them.
They squat at the Holocaust Memorial,
They put on grave faces at the Wailing Wall
And they laugh behind heavy curtains
In their hotels.
They have their pictures taken
Together with our famous dead
At Rachel's Tomb and Herzl's Tomb
And on Ammunition Hill.
They weep over our sweet boys
And lust after our tough girls
And hang up their underwear
To dry quickly
In cool, blue bathrooms.


Once I sat on the steps by agate at David's Tower,
I placed my two heavy baskets at my side. A group of tourists
was standing around their guide and I became their target marker. "You see
that man with the baskets? Just right of his head there's an arch
from the Roman period. Just right of his head." "But he's moving, he's moving!"
I said to myself: redemption will come only if their guide tells them,
"You see that arch from the Roman period? It's not important: but next to it,
left and down a bit, there sits a man who's bought fruit and vegetables for his family."

I've never gone anywhere
without seeing crows.
In fields and malls,
classrooms and bathrooms,
they're never missing.
Sometimes they'll come right up
and those moments are petrifying
because there aren't any breadcrumbs
but the bits of fears on shoulders.
When they land before you,
you can feel a massive pressure
on your chest, trapping you
and catching your breath.
I know other people see them too.
I've seen people cursed
with crows always hovering,
whispering in their ears,
pecking at their insecurities,
and screeching self doubt.
Mine is never far behind me
and he'll never leave.

you walk into bathrooms singing
singing
it’s sweet and soft
high in your register
not spoken
just floating on your breath like a dream

my voice teacher would say you need to support your tone
but I like it the way you do it
you do it the way a mother might sing a child to sleep
but you sing only for yourself
not to sleep or to perform
not making any fuss
just letting the wordless song be sung
by you
to you
for you
with no accompaniment but the sure click of your heels
against the bathroom tile

I spend a lot of time in bathrooms
(at least I used to and these days
I find myself returning more and more
to old habits)
the walls know me
the tiles are familiar
the locks protect me more than any living thing ever did

the sinks know my blood
the floors know my rage
the toilet knows that my insides are acid
and not sugary sweet like I once thought they were
(I respect it for not pretending
like others have tried)

I spend a lot of time in bathrooms
I want to thank you because
you make it easier
because you walk into bathrooms singing

you stop by the mirrors and
fix your makeup maybe
or adjust your jacket or swish your skirt
and I hope it’s not strange
but sometimes I watch you through the crack in my stall
(not so long that it’s creepy
just a beat that’s all)
and you always make me feel just a little bit better
because you’re so **** pretty
and so **** aware of it
your voice is sweet
you know it
and you’re not afraid

I love that
please keep singing
I don’t care if I’m there to listen
I just hope you sing

at fifteen i drew a map of my high school
and stuck gold stars on all the girl’s bathrooms -
this is the best one for crying , for hiding , for skipping class because you are afraid of the wrath of a teacher whose class you skip too often .
i used to sit in the stalls and draw hearts on the scars on my knuckles .
at fifteen i was afraid to raise my hand , to break the spell of invisibility .
i thought nobody could see me
and i liked it that way .
but today , on the edge of eighteen , feeling golden
i went to the bathroom that used to be the best room for hiding.
i went to wash my hands and check my makeup ,
not to run from any demons except the fullness of a lit class lecture .
and i expected to be alone ,
but i wasn’t .
she was on her knees in a stall ,
high school sophomore , sobbing and coughing and gagging .
when i came in she started gasping
and scrambled to her feet .
here she was , hiding like i had for so many years
and i was banging on the stall door .
because i have always been the unfunny tall one ,
unable to connect or understand or relate .
i have always felt like an alien , gasping words in a foreign tongue
before an audience of unforgiving strangers .
it isn’t funny ; it’s scary .
and when you are tired , kneeling on the tile floor of your high school bathroom ,
vomiting lunch and flushing ,
you understand more than anybody
that hell is not in the afterlife :
it is a place we visit on earth .
so i was banging on the stall door ,
praying she was a stranger .
she said , “ leave .”
and i said , “ god , i can’t .
hell is a high school bathroom .
will you talk to me .”
she was fifteen , blonde with scars on her knuckles and makeup stains on her cheeks .
i said , “ listen to me .”
i said , “ you are brave simply for existing .”
and she cried , and she cried , and she cried .
she said , “ i’m only fifteen and i’m sorry .
i didn’t mean to end up here , with a stranger staring me down .
i didn’t mean to be so ***** and worthless ,
but i don’t think i can do this anymore .”
i gave her a tissue.
she said , “ i’m failing math and english class and i have a D in science and my friends can’t stand me , and lunch is awful alone ; no one ever invites me to parties , and boys think i’m fat and i’m ugly and i’m lonely , god , i’m so lonely and no one can save me and nothing’s worth saving .”
when i was fifteen i used to practice writing suicide notes in my diary .
it was never serious ,
it was just an idea to play with when i felt unwanted :
letters from the deepest cracks of high-school society .
god , it was like looking into a mirror .
i saw the blush in her cheeks , the brightness behind her eyes , and the fading scars on her thighs .
high school sophomore , you know you will not be this girl forever .
beyond the unfinished homework and the test scores is an entire world worth seeing .
she said , “ i am in love with a boy and he doesn’t love me .”
i said , “ it’s the same for everybody .”
“ i don’t want to live , but i don’t want to die .
i guess i don’t want to do anything .”
she was fifteen and as wild as a poisonous berry .
i told her i could hear god in her raw throat and see infinity in her eyes .
there isn’t much you can say to a girl who doesn’t want to die ,
but at fifteen i didn’t feel like doing anything either .
i told her , “ a year from now you will see things clearer than you ever have before .
a year from that you will be back in the bathroom , looking at the floor and seeing ghosts .
there isn’t a lot you feel like doing , but right now you don’t need to .
i feel happy for you .
soon you will be lifting yourself from the floor of the bathroom , and walking swiftly in the direction of your dreams .
at the first sign of change you will feel your insides exploding .
it is beautiful ; there is so much to learn about living ,
so much to learn about humans and strangers and the feelings that keep us connected .
what is happening now is not worth forgetting .”
and she said “ i’m scared because i skipped class for the first time two months ago , and now i skip an average of eight classes a week . last month i smoked **** for the first time and now i feel guilty .
my best friend hates me . i don’t know what to do because i keep crushing delicate things with my fists . there is a scar the shape of a cross on my wrist, but last week I burned my bible .”
i smiled and looked in the mirror .
i told her ,
“ at fifteen i was just as lost as you are . i’m still lost , for the most part . i still want things i don’t need and feel emotions too deeply , but i’m learning .
and i learned a lot more by burning on the floors of bathrooms than by sitting in classes .
keep your face forward . trust everyone . you are living in the world like a wildflower , and you will be just as beautiful .
god , high school sophomore , you will find everything you are looking for .
just remember nothing matters
as much as you think .”

after years of pondering in musty libraries and public bathrooms and on my bedroom floor i think i finally understand why the face staring back at me in the mirror is so unfamiliar

i am not my dark eyes, i am not my crooked nose, i am not my thin lips, i am not my rosy cheeks

no, i am the hairstyle that my mother taught me how to do before middle school started so that i could take care of myself
i am the love poems that run through my head all day because language is so wonderful and you are so wonderful and sometimes i can't help but experience certain compositions as many times as possible
i am the friendship bracelet that i wear on my wrist that matches with my best friend who would never wear a bracelet in a million years but did it for me
i am the whirlpool of love that exists behind my eyes that shy glances and awkward eye contact put there

i see myself in my fingers mindlessly tapping out rhythms from my favorite songs, not in my tears, but
i see myself in everything i mourn for

i see myself in the money i saved from my grandmother's funeral three years ago because i am too attached to part from it, not in my smile, but
i see myself in my inability to keep a straight face when someone laughs at my jokes

the years of pondering in musty libraries and public bathrooms and on my bedroom floor was worth it because i see myself in those too, more doodles in the margins of the storybook of my life

in the end, i became who i am because of you

hereunder is served some poetry pouches full of love,
dear reader, stir them as you like,
if you wish you may crack them to pour into mouth,
you may smear them on your body
or you may sprinkle them on the ground
and then chant the name of god
with love and enjoyment

1.
the simplicity that rolls down
from the body of the sweet-meat
made by my mother

let it brings light
to our radish-red love-story

to hear or to notice
love
does not need
putting an ear on the wall
of the wall-street journal

the bottle could be filled
from the voice

when you go to fill the bottle
you would see that everywhere
the arrangement of picnic is ready

when i want to take part in that feast
my neighbours would drive me towards
the home  

although i’ve spent all my life
running behind the love

2.
who’s won the muddy-battle
was yesterday’s politics

my addiction is actually to cater
the pouch of love
to develop all vitamins
and all bathrooms

people say you don’t love
the claps of the rats

yet i’ll come down
from the branch of a guava-tree
as a wave-of-shopping-mall
to the lake of your love

now i’ll jump out
from this computer screen
to register a kiss
on your lips

don't miss to applaud
by clapping the hands


3.
the heart is half-sunk
in the window

to some extent
in the lipstick too

on the dinner-plate
there is the feelings of the lord

that means
i’ve to be burnt more
i do agree

i would become
the sculpture of khajuraho

this happenings may have been
the right search for love

on either-side of which  
a green is being worked out
by the nostalgic-cycle

whose colour-texture is very much harappa
which has too many geometric-memories

4.
an undertone is speaking
from within the solitude

now i’m in very much
distress

or i’m in love

i don’t know my love is what-for
may be that’s an arrangement only

so easily are those interactions
stitched with words

strenuous or effortless
in flight
initiated
with seclusion

but when in the sinking of the playfulness
i  write the games of the street-charmers


the birds again and again
pierce the archery

thus becoming ashes
through travelling

in time-gaps still
the audacity to compose poems
on you

5.
is it true love
or i do take it granted
that i’m in love

or i do love to think
that i’m loving

and there is
neither any welcome address
nor any opening song
in my love

my experience with heat of fire
and with burning pain
in the flames of water
is nothing less

6.
in course of burning
i look around

the chilly-plant  in the tob
planted in my won-hand
producing green-chillies

oh-** how sweet they are

it is no chilled-body
that has earned
my life or death

no remarkable mark
is endorsed
on the lotus-leaf

now easily some words
can be written
on you

i don’t know whether
those would be at all
some lines of a poem


7
someone falls in loves
someone makes love
love comes to some another

there is the far-off
whispering

at first she constructs me
then destroys rightly

i notice her
for the first time in six weeks  

the love
that writes
in the footnote of the tennis-ball
a desperate struggle for existence

within our skull
there is the love

or the midnight of the orion

the little squirrel asked now
are you in your seventies
or eighties

those houses with the coating of
the sky the air the light-and-shade
provide me with the presentation of
a wig and
a set of artificial teeth
8.
the love
that touches the hand
in drizzling

the love
that gets lost in the brandishing
grasses

would they want to inform
that the flowers don’t have any skyscraper

in the layers of the flesh and blood
of the detergents
as if  a whole human civilisation has been suffering
from suppressed pain

within it with the dry spell of
anger and cough
the time

had there been no feeding from the love
does the human civilisation stagger

9.
do you think those words
or it’s myself

whatever may you say now
i’ll travel within a great death
to die

rather after my demise i may tell
i’ve informed everyone …look

beneath the large evergreen flower tree
the game of light and shadow continues

beside those simple households
besides a high-head mobile-tower
what else would you like to be

is it a bath in the ganga-river is it a leaf
of the water-lily or it’s a king-cobra  
tell me

i would now make love
with that idea from you

10.
the  apparent golden *** that i thought
to be the underneath of a kadam-tree

in the dim light i can notice that
the stars in the sky are disappearing  

this session of poetry
is coming to an end

now where would i
go

to that little home

the home
a tiny word of 4 letters

within that home
the children are giggling
playing … and making funs

when i entered
with a tri-cycle in hand
for them

i have been perplexed
many old persons are waiting there
to shake hands with me

10.
almost most of my desires  
are very much hurt

to show it publicly
i wrap bandages
around all over my body

i keep on the stage-drama  

in our programme of reading poetry
tea is served twice
current has gone off for three times
for four times the mobiles ring

to pick up love  
some people think about returning back
from today’s dais to the ancient stage
of performing folk-drama

then they are also sympathetic
to my sufferings

12.
everyday
on my way to return home from the school
when my mom took hold of my hands

i could see in my body
the dancing of an unforgettable
aura

even now that mystical halo is walking
on the leaves of the trees
to fulfil my mornings

that wayfaring along the road
is ringing far and far-off

thus taking bath in every day’s  
dust smoke hue and cry

many such love
gradually gets aged

is it true
in the long run
i too
would be the ingredient
of a fairy-tale

just because i love
that paddy field

some time later
she will also become
human

13.
then she will make all of us  
join her walking

those inmost feeling
those memories meditations

the loneliness  and solitude…

sans the touch of the imagination of
a crater…
a creator…

this blunder…
this socially outcast white …

this type of uneven…
and irrelevance…

sume words
when peep in the mind
i surprise to see that
it’s ten to 2 at night

then in the balcony
my father is crying

he always notices some grave-yard men
in front of him

and sheds tears  

14.
after the dry leaves of the winter
fall in innumerable drops
the spring comes

the cover-face of spring means
a note-book of the rain-tree
letting float in the sun-water

and mr harry says that
this question of change
is a major pull

because all the unreal talks
you are delivering one by one

to keep pace with it
the ambulance comes at 10am
with a stale dead-body

in it’s shirt
is written the spelling of myself

i then sat on the grey volume
of the college-campus

in the front
a beggar from the war of waterloo
is passing by

over the dust of myself
with a faster pace
blowing is the thoughts of

ataraxia  
in the air… and air… and air…
    

15.

if your wishes colour silver
then do return back to the x-mass dancing
of the autumn

sound of whose far-off hoof-steps
digging so much soil of
story-weeds

i went into the nail-polish
with the proof of tea-cup
in my hand

there in the midst of lot of snow-flakes
and in the bed soft with the light of the candle
is now that honey-name more tarnished

now the atomic-howling
does not follow the rules of nature

so the rain-tree that seeks a-field-more-sky
with the hope to become king after the sun-rise

so that king is now waiting
in the grocer’s shop
at a stretch  for an hour

16.
does her well-wisher esse then thinks
to escape from the love-making whirl-wind

on the dry branches of the axis power
the new generation of the birds

rather stop a while there silently and listen
which song is hidden in the bronze-buddha

or in the school of the terracotta-horse

i’m now opening the coating
of the night-enamel to read this home

and behind the coo of dove
is smiling

the god of the penalty-kick

17.
sitting on an orange-coloured balcony
in an outsider lane
the green is writing poems
  
better than the face-powder

from this side all long the famine
i’m the priest of the
agro-based civilisation

still-then i think
why so much light of partiality
is on the body of the chrysanthemum

within the monsoon
in collusion with the  hair-band
now thousands of birds are born  

they can hear my
dry straws and twigs

whose hearing is the police
in so depth of the forest

don’t move the
dreadful resorts

one such photograph of the girls
who wakes up in the midnight

speechless…
unmindful …
destruction…

that is you now

i’m then in the spore
of the perfume-bounded body
of match-making

18.

who has lied in the box
made up of the temperature
of god

all on a sudden
there is a hue and cry
in the abdomen of the time
wearing a ***** pajama

actually that has been filtered up
from the voices of rock-songs

the roaming
of a fatigued traveller …

the lies
within their wishes
write my existence

and then run
to buy vegetables
from the station-market

so many lay-offs
come to the body of paper-weight

to listen to all those
is not improper

walking through the traffic-jam
gradually
this home becomes solely my home

one day the golden of
human

then it is i
who is you

and walking through the
monsoon

on either side of the field
it is all autumn

19.
when borrowing the religion of
the night-queen  
i fall in love

then is it real
that our mangos and jack-fruits  
can make the perfumed-soap
vigorously from the light of the
blood-line

i count the bells of the churches
ringing repeatedly

and piercing the image
of your prominent face

rounding through lots of old
the love becomes exhausted

and the love comes back
in the form of college-classes

there are you myself
and so many notes
of the body

I am a guy.
Just a guy.
Not an "ummm...technically."
or "biologically female."
Not: "used to be a girl",
"Thinks she's a guy",
"Doesn't dress like a boy",
"What she got between her legs?",
"Wears makeup",
"Doesn't pass"-

Gender norms literally **** people.

Every "I'm sorry" is just a peeling paint job
over an intercity wall,
no one really wants to look at,
or fix,
or admit to.

This is not a problem I brought on myself.
My gender is not a problem,
You are the problem.

I'm not running from what's inside me anymore,
I know what's inside me,
I've made peace with what's inside me
It's the same old, same old,
with a new set of words
you ******* can't wrap your tongues around.

I don't care if you slipped up,
Fix it.
I don't care if you didn't know I was a boy,
Fix it.
I don't care about your cis guilt, cis excuses, or cis ignorance
Fix it.

Because you don't know the age limit
not to be Emily anymore.
The hundreds of dollars it costs.
Every: "Hello Ladies",
every "Sorry Miss",
every "What can I do for you Ma'm",
every "You'll always be my niece-"
"My daughter",
"My girlfriend".

The cis questions,
cis answers,
cis stares,
cis disinterest in my ******* feelings.

I am not going to hold your hand
and politely explain to you that
I
AM
NOT
MY
GENITALS.
That's your job cis people.
Fix it.

Every misgendering is peeking through the veil
of how people really perceive you.
It's all just a game they play along
with in your presence.
Going along with a trance they think
you've put yourself in.

They don't really see you,
When all it takes is
changing a single word
in one ******* sentence.
That would be no inconvenience to them,
But makes or breaks the world to you.
Covering it up with a strained smile,
Lying that it's fine.

Is it even a question that over 70%
of trans people **** themselves,
as opposed to 1% of the general population.
It makes so much ******* sense to me.

Because trans means knowing
I will never be properly gendered by a stranger,
Unless I get a **** I don't ******* want.
Being trans is waking up everyday
with the guarantee you can not
use the bathrooms in public.

Can't be called a guy
Hearing: "Emmett? That's a weird girl's name."
Having people ignore you
When you're on the verge of tears
begging them not to see
your soft curves and small chest and skirt
as one big sign that says 'SHE'.

Then being told:
"It's not their fault,
people just don't know."
"You have to be more understanding,
more patient -
be nicer about it."

How 'bout applying that to yourself?
Don't tell me I have to be kinder
about being denied my identity everyday.
Don't tell me to shut up about a system
so ingrained in my brain
I still misgender myself.

It's gaslighting,
A society denying reality
And telling us we are the confused ones.
The crazy ones.
For veering outside these neat little boxes
ahem, cages
of made up rules
they've tried to lock us into.

The consequences are absolutely deadly.
Is it any question
That people bleed themselves dry
Get drunk, get high
just to escape it all?

Then get thrown into a 'health care system'
for attempted suicide,
get misgendered by the nurses and doctors
who ignore why they're there in the first place.
Then denied hormones for their
'mental instability'.

We are thrown into a world of glass ceilings
and imaginary borders
with all too real consequences.

Make no mistake,
We are not dangers to ourselves.
You absolutely put us here.

Blame it on whatever generation or
individual you want,
but we are all participating in cisnormativity
if you are not constantly unlearning.

If you equate genitals with gender,
Ask what the baby's going to be -
As if it ******* matters -
Don't think to ask pronouns and get it wrong,
See every character, every face on TV
that doesn't look like ours,
have everything catered
to the way you turned out to be,

That's privilege is our danger.
The gaps in judgement
and consideration for our situations
is where we live
and our destined to fall.

Because when someone hits you with a car
It doesn't matter of they didn't see  you,
didn't mean to,
have never done it before,
are the nicest person in the world -
They ****** up.
And it still hurts.

Sure, if they meant to
it would be worse,
But I'm through with this rhetoric
about intent.

Don't think this is too drastic a comparison,
Gender norms literally kills people.
Every mark of 'self-harm' on our arms
Is a scar society put there.
Every trans suicide is a ******.

The question isn't why
we are killing ourselves.
It's how the ****
are we still alive.

It is morningtime in the hour that the day’s light shows its hem in the East. It is that time when dream and memory are replaced by invention and desire. Desire to invent, to feel the words form on the page: messages from the heart, an imagined landscape, a different time freshly peopled.
 
The mind’s eye, as though a flying sprite, enters the privacy of home, alights on a child’s pillow, marvels at the untroubled face, the easy limbs still resting in half-sleep before rising. In an adjoining room his parents, aware of night’s echo, stretch and touch, delighting in the comfort of those known places where love and desire visit, made precious through stroke and caress. Her dear head fast into the pillow, his right arm resting lightly across her body, his left folded into her back. He inhales her as though a most delicate incense slowly burning on the mantle shelf, on the altar of this gathered home; beside his glasses, her simple jewellery, the once jasmined vase, cards ascribed with the love of friends and family, endearments, a child’s gay picture, a photograph of a cottage in silhouette against sea and distant mountains, and five stones from different shores, each a talisman, a gateway to a memoried story.
 
Still this still time, this fragile cushioning of quiet before the necessity of movement, the need of thought to plan the must of the day, the have to in this hour or that, the when and then, the care to this and there. Another day beckons in a sharp noise from the street, a car starts, a door slams, away in the vallied distance the hoot of a train.
 
It is warm for a late December day, but against the possibility of damp and cold he takes the necessary gloves and scarf, though wears a lighter coat. He will walk purposefully, though unbreakfasted, through the grey streets, past houses where the lit opaque windows of bathrooms shine, onto the heath land and then into the woods of oak and birch and alder. The trees therein are pilloried hands stretching their gaunt fingers to the whitening sky, still in the still air, almost silent but for the change of the air’s resonance, that particular quality in a wooded space where sounds’ reflections have a confused trajectory: a bird rising at your footfall, its wingbeats echoing a cascade of almost touched finger strokes on a wooden drum.
 
Here in this dank wood the mind is restless; it moves ungraciously between what the senses tell of the now and the interventions of imagination and memory. Her fatigue at the dinner table, the dull green of unberried holly, the description of a woodshed its contents delightfully named, and that short paragraph about the similarity between books and trees (he makes a mental note to learn this: to keep this warm thought close in times of stress). This is why we read he thinks: to gather to ourselves a temporary safety, the consolation of another’s voice, an antidote to loneliness. She is waking he thinks. He can ‘see’ inwardly her movement as she shakes off sleep, raises her eyebrows before opening her eyes, sitting on the bed now (eyes still closed), she stretches her right hand for the juice he brought silently to her bedside, that little action of love borne up two flights of stairs, every footfall carefully tiptoed, to place very slowly, silently next the clock, her bedtime book, a pile of his letters, a scribbled address on a notebook’s torn out page. She will never be so tenderly beautiful as in that moment he so rarely sees but knows and thus imagines. This image reverberates over his moving body and he stops to calm himself, to enjoy for a few seconds this almost-presence of her in an imagined touch of skin to skin, his fingers stroking her naked back as she gathers herself to move.

I used to be unique.
Kool-Aid hair dye and all.
Boys wrote my name on bathrooms stalls.
I swore at teachers.
I drank ***** behind the bleachers.
I puked at football games on cheerleaders.
I had black eyes and cigarette burns and soccer thighs.
I used to wear my shirt undone.
I used to have fun.

Now I own a 6-room house,
a 4-door car,
a water-dispensing fridge,
bell jars.
Also, religion,
caffeine addiction,
magazine subscriptions,
diazepam prescriptions,
goldfish,
900 pairs of shoes,
PVA glue,
a self-inflicted curfew,
sexually transmitted virtue,
and many, many cats.

All this between walls painted in 6 muted shades of deja-vu
from whence I commence my pin-cushion voodoo.

I sleep in pajamas.
I set an alarm clock and my snooze allowance never exceeds 4 minutes.
I spend my mornings yawning
through thick oatmeal,
******* in the dark.

I work in a bank
in an office
on a phone,
making friends with dead ends.

I come home to wash, rinse, and repeat,
undress in the dark,
and brush away the question marks
of hair in the bathtub.

blip bleep beep boop
santas gonna watch me sleep
slip sleep seep soap
mommy wants to have a feast
avocados, bathrooms, teaspoons, menthol breath
so very special to watch you seek
bread, seven elevens, toilet paper, adjectives
the way you'd never see.

Same **** different day
But today is New Year's Day
....Same **** different day
Hung over
New Year's Eve leftovers
Stuck on resolutions & do overs
Picking up the broken pieces & starting over
I headed to work with every intention to make it all better
Then I picked up "Friday's paper"
Said it once then said it twice
A part inside felt a little less safer
Homeboy died in Friday's paper
police Closed his eyes
but he finally feels a lot safer
Mommas screaming why in Friday's paper
Rather die than suffer & stay alive
Spend eternity w| her angel
Because in her eyes
There's no survival
Where's God when all you know is sinning
Baby's hungry so he prepared to break in
But that's not what they saying
Friday's paper headline "**** break in"
He want the money & the drugs
So he break in
Food ain't enough & he breaking
How can he step forward in a world they already set locked gates in
In other words segregation
Buts it's decades later
Yea well you know segregation
White privilege
Under one nation
****, ain't nothing different
Just ask Friday's paper for confirmation
Poor white man w| mommy issues
finally had enough & shot up the whole school
Young black **** shot cs his black hoodie ain't seem too cool,
Ok Amber we coming to the rescue
Tyrone got kidnapped who?
I know y'all see this
or do y'all got a blind eye too
cs there's no reason why we have to fight to survive
while you ask daddy for a check or two
I'm living off a check or two
& you need 3 bathrooms to survive
why does the law apply to me
more than it does to you?
How do you look down on me
when I created you?
Lip injections,
hair extensions
ghetto expressions
that ain't you
but here comes Friday's paper right on cue
Zendayas dreads are unacceptable
twerking is ghetto too
While "keeping up" with the exact  life you ridicule
then have the caucacity to put it in Friday's paper too

                                      -G

I am truly myself in the bathroom.

The switch of the locked bathroom brings out the me that I see.

The me that I am always afraid to be.

I look in the mirror and I see myself not what others see.

It's not a monster that I see but an ugly being trying to hide whatever that would make me a monster.


I am a monster to be.


The bathroom is where my cage is.

The bathroom is where I rattle and fight until I break out.