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"reopens" poems
my skeleton never liked me very much. it cracks in unusual places, ribcage poking out of its skin prison, the frailty of it breaking beneath the musical whispers of the wind through hollow spaces.  i see light bursting beneath the flash of a camera and my skin incinerates - do not look do not touch do not look - and the charcoal in my lungs is set on fire. i wake up with ash beneath my tongue far too often. my skin despises me now that i have bruises in places no one could kiss better. there's this scar above my right knee, which dislocates when my life falls out of its socket, and it reopens and blood pours from the renewed wound too often. i think i have a body that likes to believe it is dying.
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Oct 8, 2014
Oct 8, 2014 at 9:30 PM UTC
body
We all have the same envelope. Our bodies are different, but they look the same. Bodies are worthless. They mean nothing. The way the soul carries the body is infinitely more important. People carry themselves a certain way It is their tell People carry different hurts in life You can never know how a person has been wounded What type of weapon was used Where it struck How long it took to heal If it sealed itself shut If it is still sore from the blow If the wound reopens from time to time when no one is watching If any phantom pain rear its ugly head every now and then You can never know And for that reason Always hold a person like the most precious stone.
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Sep 30, 2014
Sep 30, 2014 at 5:49 PM UTC
Diamond
Isn't it funny how the whole world is ran on reputations. People bend themselves to match the expectations of others. They do not allow themselves to do things for the sake of their reputations. People don't let themselves be themselves Everyone tries to act like what they see. Its too bad most people cannot see the personalities of the goodhearted people. Life covered in a thousand scars. Each time we are seen as different, the scar reopens. The cycle repeats, and what is hurt can never be fixed. Reputations **** society. People strive to be smartest prettiest kindest hardest worker biggest **** and everything in between, and those who do not "fit"the category are discarded into the land of the lost. Reputations **** Why can't people just accept others for who they really are
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Apr 19, 2016
Apr 19, 2016 at 5:57 PM UTC
reputations
Hearing your voice puts knifes in my heart You'd think by now the knife would be dull But it reopens the wounds as easy as ever These scars are never to heal Hearing your voice makes my blood pulse The new wounds bleed faster You'd think I'd never forget this pain But every time it feels just as bad This blood will stain me forever Hearing your voice makes my breath short My vision goes black You'd think I'd wake up feeling confused But I remember it clearly; Your voice took my breath for good
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Mar 30, 2015
Mar 30, 2015 at 7:22 PM UTC
If I die young
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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Jan 28, 2013
Jan 28, 2013 at 3:17 PM UTC
She Won't
ACT I DAD: in his late 50's. TRISTAN: around ten or eleven-years old GLADWIN: in her early 40's. TRISTAN Dad? Scene 1 Interior of a cheesy, unkempt motel room. DAD channel-surfs the cable television, the remote in his right hand, a cigarette in his left. He's sitting on the edge of the bed. TRISTAN is on the bed behind him, crying. DAD Yeah bud? TRISTAN      Is Mom gonna **** herself? DAD      Well, I hope so. TRISTAN Dad! DAD      (Chuckles). What? TRISTAN      Stop! I'm scared. What if she does? DAD      Why are you worried? I'm not that lucky. TRISTAN      (Screaming). C'mon, Dad! DAD      What? (Chuckles again, longer this time). I'm not. TRISTAN      Dad, stop. What if she really does? DAD      Trist, don't be stupid. No one who's really going to      **** themselves tells you like that. They don't sing it      out loud. She's whistling Dixie. TRISTAN      (Sobbing at this point). Dad, I love Mom. DAD      (Pause). I know, and I-                (DAD'S cellphone rings. He answers                immediately)      Hold on, Trist. It's your fat mother.      Hello? Yeah. Yeah, you have this kid scared to death.      Would you just tell him you're--What? Alright, Glad.      Well enough's enough. (Pause). Okay. (Reacting loudly).      Oh, quit screaming in my ear! Trist, (extends the phone      to TRISTAN) here.           spotlight comes up on GLADWIN, who is stageleft,           lying in bed and on the phone. GLADWIN       Trist! Trist? Say goodbye to Mama. I'm going away. TRISTAN      Wait! Don't do anything bad, please. GLADWIN      I'm gonna swallow my pills, Trist. I'm gonna take them      all and I won't be around anymore, honey... TRISTAN      No! Mom, don't! GLADWIN      ...so just say goodbye to Mama and don't ever... TRISTAN      Mom! Stop. Please, stop, just don't! GLADWIN      ...forget that I love you.            Spotlight goes out on GLADWIN. TRISTAN      No! (Looks at DAD). Dad, she can't!                (He drops the cellphone)      Oh my God!                (Leaping off the bed and fumbling with                the phone in his hands, he hurries it to                his ear) Hello? Mom? Mom?                (He closes the phone and quickly reopens                it. He dials GLADWIN'S cellphone) DAD      Trist, take it easy. She's fine. Stop calling and go to      bed. TRISTAN      She won't answer! (Breaking down). She won't answer.      (Lets out a piercing cry). Dad!                (DAD lights another cigarette and pulls                TRISTAN onto the bed and under his right                arm) DAD      (Rubbing TRISTAN'S back gently). Go to sleep, babe.      She'll be there tomorrow morning. TRISTAN      But-- DAD      Ah, ah! What did I just say? Everything will be okay. TRISTAN      (Calming, but still anxious). You promise? DAD      Promise, kiddo.
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93
Lars lifts opens the toilet seat. The hinge squawks and he mimics the sound with his mouth. A dumb smile folds out on his face like someone unrolling a beach towel. He sits without dropping his pants or underwear. The cops are just about to leave through the screen door. Maggie offers a departing sacrament of right out of the oven of crispy flakey Pillsbury biscuits. They wave their hands parallel to the ground refusing. Maggie pulled the biscuits out too early. The bottoms are tan and dimensional but the tops are sloppy. They look like they have a glaze but they don’t have a glaze. They are pasty but still hot to the touch. The pan is hot. Maggie is wearing maroon oven mitts. One of the cops gets his foot snagged on the throw rug. They walk with their heads down but don’t notice the curled edges of the throw rug. They notice a black pug named Roger instead and nearly avoid fumbling over him. The cops scatter outside quickly like ducklings crossing the street. Lars’ dumb smile lingers and he laughs with a shushing lisp. He reaches between his legs into the toilet bowl. His hand disturbs the water. His nose is bleeding. Maggie closes the doorwall after the cops leave. The cops left the screen open. Maggie reopens the doorwall, closes the screen, shakes her head, and then closes the doorwall again. The kitchen is humming with improper wires. The light is electric pastel blue. The linoleum is too ***** to sleep on. Maggie’s ******* can be seen through her shirt. Lars wipes his nose with his arm and shoulder. He is hunched digging into the toilet bowl. He pulls out a baggie with a twist tie on top. The baggie looks reused. Maggie enters under the frame of the door and her lips roll out like a beach towel. The ******* in the baggie is very very dry.
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Sep 16, 2016
Sep 16, 2016 at 7:56 PM UTC
Hideaway
Lars lifts opens the toilet seat. The hinge squawks and he mimics the sound with his mouth. A dumb smile folds out on his face like someone unrolling a beach towel. He sits without dropping his pants or underwear. The cops are just about to leave through the screen door. Maggie offers a departing sacrament of right out of the oven of crispy flakey Pillsbury biscuits. They wave their hands parallel to the ground refusing. Maggie pulled the biscuits out too early. The bottoms are tan and dimensional but the tops are sloppy. They look like they have a glaze but they don’t have a glaze. They are pasty but still hot to the touch. The pan is hot. Maggie is wearing maroon oven mitts. One of the cops gets his foot snagged on the throw rug. They walk with their heads down but don’t notice the curled edges of the throw rug. They notice a black pug named Roger instead and nearly avoid fumbling over him. The cops scatter outside quickly like ducklings crossing the street. Lars’ dumb smile lingers and he laughs with a shushing lisp. He reaches between his legs into the toilet bowl. His hand disturbs the water. His nose is bleeding. Maggie closes the doorwall after the cops leave. The cops left the screen open. Maggie reopens the doorwall, closes the screen, shakes her head, and then closes the doorwall again. The kitchen is humming with improper wires. The light is electric pastel blue. The linoleum is too ***** to sleep on. Maggie’s ******* can be seen through her shirt. Lars wipes his nose with his arm and shoulder. He is hunched digging into the toilet bowl. He pulls out a baggie with a twist tie on top. The baggie looks reused. Maggie enters under the frame of the door and her lips roll out like a beach towel. The ******* in the baggie is very very dry.
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1
Every time I see a dream and chase it I run into hurdles. I always find myself running at full speed ready to leap over any obstacle in my way! I see the first hurdle and lunge into the air only to fall and scrape my knee. I wail like a small child who thinks they are dying from a tiny scrape. I am not dying! I get up and start running again tripping over hurdle after hurdle after hurdle and with each fall the scrape becomes a cut and then a ****** gouge until I cannot run anymore. Finally I am running again and this time with a beautiful scar where I had repeatedly fallen before. I have started off a bit slower this time being more aware of what may lie ahead. I am speeding up and am feeling invincible, unstoppable, nothing can stop me now! I see the hurdles up ahead and I am ready! Hurdle 1! Yes, success! Hurdles 2, 3 and 4! I can see my dream just around the bend, I am almost there! Hurdle 5! I am soaring! Flying down the track! Hurdle 6! My toe catches and I fall. A tumbling but not quite fatal fall in which my scar reopens into that gaping gouge and my other is scraped and my right elbow. Everything is visible now, everyone knows. I bandage myself up to hide it all, to hide the pain and scars and I continue to move, to trudge, to try and dream again. I am awkward and moving slowly, but I am moving, I am beginning to find motivation. And soon, I will be running this race again.
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Jul 5, 2011
Jul 5, 2011 at 9:39 PM UTC
Running the Race
Misty little corner In a blue Room Calls out to the mourner Immersed in doom. Grey furniture makes Greyer memories Faults, taunts and insipid Fallacies. Blue is the colour of the eye It's inside is filled with a neon so fly. The pink tree of life ****** Venus flytrap dissolves in juices. The eye looks, the eye appalls. The eye resigns, the eye dissolves. The pink trap reopens again. Lust curls into the corner in vain. The misty blue corner like a white canvas, Fills with all its colours again. Pink is the monster, Blue is the perpetrator, Green is the debilitator. And I, the wild colourless mind, Sits by the wall and conjures this mishap. All dreams are flies, And I, the Venus flytrap.
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Apr 23, 2019
Apr 23, 2019 at 4:04 AM UTC
Venus Flytrap
The first time my third eye opened, the world was horrifying to view. I could see my entire life, each mistake glaring at me and pounding against my psyche. Every good moment collided with the bad, The future turned inside out and bathed me in a gory downpour of the viscera of moments to come. Now, each time the sparks and fires start in my brain, it reopens And with this golden eye of the blind gods, I'll stare into everyone's souls. I'll watch all of you and judge you by the contents of your very essence. I'll see you in the way you refuse to see yourself. Because if people see what they want to see, I've made it my duty to see the truth in all of it's slithering glory As it encircles the apple, and beckons me forward.
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Oct 7, 2019
Oct 7, 2019 at 10:47 AM UTC
Three Eyed Apples
Her healing smile shines bright, yet my wound reopens in this light. I begin to bleed, a flow so heavy I feel my head spin... I cannot be freed if her faux grin is not exiled.
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Feb 9, 2021
Feb 9, 2021 at 8:38 PM UTC
Disarm Her
What does it mean to be Emotionally unavailable? My manic thoughts keep me starving for An imagined happy “Are you single?” They asked Well, my heart is as open as an old wound That reopens & bleeds & scars for Vicarious validation Yet closed in the sense that it shuts down Every time it starts to feel something Almost habitually, As if in self defense I guess you could say my heart was a Twisted & distanced kind of available... But no I’m not available in my mind Because it knows better than my Feeling ***** The human container that’s headstrong To it’s gullible nature My thinking ***** knows that Vicarious happy is not real happy Which labels my forehead like a neon sign Emotionally Unavailable I crave a validation that looks like your love But it won’t fix me Or provide the happiness I Desperately need for myself
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Jul 16, 2018
Jul 16, 2018 at 6:20 AM UTC
Manic Thoughts
Brother, in my dreams you have always just died. I’ve never dreamt you are still talking to me nor are you many years gone your absence is always known, fresh, and painful it feels like a skinned knee stinging red and raw and with every movement It reopens and spills out more and more pain. Sometimes I am at your funeral I’m talking through tears about the things you loved listing off: longboarding reading books long conversations a good beer and I stop at me. How much you loved me, how much we were alike and our one difference-the size of our hearts. Mine, a tiny fragile thing with room enough only to house you and you, who had a heart so big your body couldn’t let it live. It couldn't keep breathing without making your blood thinner so that it could more easily pass through that giant beating ***** of yours such thin blood that kept you alive just long enough for you to feel every bit of pain and every moment of sadness that having such a big heart always brings every sad thing I feel in my dreams. Brother, I'll say to your corpse remember that time you were drunk so drunk that when I told you we were out of ice you started sobbing you sobbed on the ground and you screamed so loud, and you said, “but where will the penguins live?” I laughed at you, I picked you up off the floor and I told you, “They can live with us and I’ll pay their part of the rent.” Then I whisper to you, softly enough So that the congregation won’t hear I love you more than you loved everything Even penguins.
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Oct 24, 2014
Oct 24, 2014 at 7:23 PM UTC
Brother.
Brother, in my dreams you have always just died. I’ve never dreamt you are still talking to me nor are you many years gone your absence is always known, fresh, and painful it feels like a skinned knee stinging red and raw and with every movement It reopens and spills out more and more pain. Sometimes I am at your funeral I’m talking through tears about the things you loved listing off: longboarding reading books long conversations a good beer and I stop at me. How much you loved me, how much we were alike and our one difference-the size of our hearts. Mine, a tiny fragile thing with room enough only to house you and you, who had a heart so big your body couldn’t let it live. It couldn't keep breathing without making your blood thinner so that it could more easily pass through that giant beating ***** of yours such thin blood that kept you alive just long enough for you to feel every bit of pain and every moment of sadness that having such a big heart always brings every sad thing I feel in my dreams. Brother, I'll say to your corpse remember that time you were drunk so drunk that when I told you we were out of ice you started sobbing you sobbed on the ground and you screamed so loud, and you said, “but where will the penguins live?” I laughed at you, I picked you up off the floor and I told you, “They can live with us and I’ll pay their part of the rent.” Then I whisper to you, softly enough So that the congregation won’t hear I love you more than you loved everything Even penguins.
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40
Brother, in my dreams you have always just died. I’ve never dreamt you are still talking to me nor are you many years gone your absence is always known, fresh and painful It feels like a skinned knee Stinging red and raw and with every movement It reopens and spills out more and more pain. Sometimes I am at your funeral I’m talking through tears about the things you loved Listing off: Longboarding Reading books Long conversations A good beer And I stop at me. How much you loved me, how much we were alike And our one difference-the size of our hearts. Mine, a tiny fragile thing with room enough Only to house you and You, who had a heart so big God couldn’t let it live. He couldn't keep it beating without making your blood thinner So that it could more easily pass through your Giant beating ***** Thin blood that kept you alive just long enough For you to feel every bit of pain and every moment of sadness That having such a big heart always brings Every sad thing I feel in my dreams. Brother, I'll say to your corpse Remember the time you were drunk So drunk that when I told you we were out of ice You started sobbing You sobbed on the ground and you screamed so loud, And you said, “but where will the penguins live?” I laughed at you, I picked you up off the floor And told you I love you more than you love everything Even penguins. And told you no one will ever love you more Than I do now.
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Nov 26, 2012
Nov 26, 2012 at 10:27 PM UTC
Always, Brother.
Music wafts from The concert hall Into my empty bar. The fact that I'm not The one taking the stage Reopens a long closed scar. The glasses stand ready There's wine to be poured The performer's hope To be adored. Just close your eyes and Hear the violin play Enjoy the music from afar. I may not be The one with the bow But at interval - I'll be the star.
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Dec 21, 2010
Dec 21, 2010 at 10:42 AM UTC
Bartender's Requiem
You’re paying homage to me with your touch along my curves and edges. With your golden, intense eyes. With your kiss, your adoration. This paid homage stirs me, shakes out hidden grief, reopens closed space, unlocks dammed love. Starts a new journey of ‘we’. You’re paying homage to me, aiming to reach me. Intentionally, joyfully, breaking down my solitary reality.
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Apr 11, 2021
Apr 11, 2021 at 9:33 PM UTC
Homage
I'm sorry are just two words you can say but as she says them she releases her prey picks up a knife, reopens her scars and bleeds out her life. As she's bleeding she drops the weaponry and mumbles Goodnight.
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Aug 8, 2015
Aug 8, 2015 at 8:43 AM UTC
The End
While the birds begin to sing their songs The sun climbs silently into the sky Fleeting dreams fade away at the breaking of day The dreamer reprieved, he opens his eyes He gets ready for work and puts on a tie Fit for a funeral or fit for a wedding He sees during the day but its only a lie Truth to be found only when the dreamer is resting As the sun creeps quietly down to the West The dreamer lays his head down to rest Escaping his reality to something more real He attempts to lose himself in his dream surreal Light sets the scene as it infallibly does, The dreamer alone but feeling no fright Rosewood, as usual, the door appears Gold handle glowing bright in the light Behind the door is an unknown world A world without convention and without ties The dreamer caught motionless in a reach for the handle Indefinitely pondering a world without lies While the birds begin to sing their song The dreamer reopens his eyes He could only think of the rosewood door And how he did not want to wear a tie.
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Sep 6, 2014
Sep 6, 2014 at 2:46 AM UTC
Living Seriously in an Absurd World
I guess this serves as a warning. To the friends and the loved ones members of an active social order wanting a life of something more than disorder. Poetry is not a breath. It is not an escape into a lesser abyss that leaves you scratch free. Or an opening and interesting guarantee. Instead it grabs inwardly at you. It coaxes the trolls from the deepest corners of the forest that you had long since banished and left behind and wanted to rid your mind of and never wanted to see again. The fire that had been stomped out is reborn. The crashing waves that broke the ship fight again. And poetry reopens the wounds that you had hoped would heal with time and with suppression that had once filled and consumed with aggression. Poetry is anger. Poetry leaves the poet drowning in a river of currents when it flows but out in the baking sun when it stops. The issue is for a poet to be happy with her work she must also feel the unhappy in her life.
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Jun 19, 2017
Jun 19, 2017 at 1:50 AM UTC
Writing a Poem (and the Included Dangers)
Curtain up on cardboard courtyard, spotlight moon frames first figure seated Logeverchy ~ Ache not solemn heart for solitude of beat tears night asunder,                         leaving my breast a hollow soul, as I alone am left to wonder.                         Wait whom skulks in shadows midst and pry's on secret pain,                         come hither phantom make intention known or as my heart be slain. Vanalausch ~ Tis I my lord your honoured bondsman see my hand a letter,                       scented with a hint of promise, from the Maiden of Valetta.                       Logeverchy ~ Can it be nay be away foul night vapours of fetid cheese                         and with your words and false hopes another may ye tease.                         oh if but for a chance halt, again to me and may in truth                         Thy proffered offering give unto doubtful mind unreputed proof. Curtain falls and again rises on silk draped bed chamber where a maid attends her lady Anvibility ~ If er' heaven blest so sweet a union let it be this night                   and may his heart on feathered wings be given up to flight.                   Nuxominal ~ Hush lest your words meet with unwelcome ears                     and give voice to tongue to speak aloud my fears.                     Hast thou not heard the footfalls upon yonder stair,                     I know not what evil deed awaits my true love there. Anvibility ~ I will away and light a lamp and place it by the door,                   if only now to settle thee and to guide to thee amour. Curtain closes and reopens painted canvas corridor with candle flickering Logeverchy ~ Be it ever thus that so simple a light could herald me such hope                       for two in stolen moments steal away and into night elope.                       Door is opened by Anvibility and Logeverchy enters bed chamber as Nuxominal looks up Anvibility ~ Harken my words and be away let not this moment bind you,                   the horses and provisions wait lest now her father find you.                     exit stage left lights fade curtain falls and all is quiet..
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Feb 25, 2012
Feb 25, 2012 at 4:46 AM UTC
The Cardboard Courtyard
Curtain up on cardboard courtyard, spotlight moon frames first figure seated Logeverchy ~ Ache not solemn heart for solitude of beat tears night asunder,                         leaving my breast a hollow soul, as I alone am left to wonder.                         Wait whom skulks in shadows midst and pry's on secret pain,                         come hither phantom make intention known or as my heart be slain. Vanalausch ~ Tis I my lord your honoured bondsman see my hand a letter,                       scented with a hint of promise, from the Maiden of Valetta.                       Logeverchy ~ Can it be nay be away foul night vapours of fetid cheese                         and with your words and false hopes another may ye tease.                         oh if but for a chance halt, again to me and may in truth                         Thy proffered offering give unto doubtful mind unreputed proof. Curtain falls and again rises on silk draped bed chamber where a maid attends her lady Anvibility ~ If er' heaven blest so sweet a union let it be this night                   and may his heart on feathered wings be given up to flight.                   Nuxominal ~ Hush lest your words meet with unwelcome ears                     and give voice to tongue to speak aloud my fears.                     Hast thou not heard the footfalls upon yonder stair,                     I know not what evil deed awaits my true love there. Anvibility ~ I will away and light a lamp and place it by the door,                   if only now to settle thee and to guide to thee amour. Curtain closes and reopens painted canvas corridor with candle flickering Logeverchy ~ Be it ever thus that so simple a light could herald me such hope                       for two in stolen moments steal away and into night elope.                       Door is opened by Anvibility and Logeverchy enters bed chamber as Nuxominal looks up Anvibility ~ Harken my words and be away let not this moment bind you,                   the horses and provisions wait lest now her father find you.                     exit stage left lights fade curtain falls and all is quiet..
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27
She beckons me, with fickle hand, in silken gloves, to her demand. Her crown above, Her veiled face Her body poised, with noxious grace. awaiting now, Her harsh decree, i kneel down, beneath Her feet. Her hands swing down, Her gloves grow red, reopens wounds, already bled. She sends me off, i must comply, such is my lot, until i die. i can't prepare, i simply wait, for greedy hands, i know as Fate.
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May 22, 2014
May 22, 2014 at 1:10 AM UTC
Untitled
I used to pull sharp metal across my legs Rarely, only on occasion Whenever I was so desperate to feel something and I couldn't feel happiness so I chose pain I've not chosen this particular brand of pain in a while But I have other alternatives I've never brought an open flame to curl against my skin like the folds of a blanket Nor have I beaten myself with my own fists or struck out against some hard surface to bloom purple and green flowers on my skin No, I have other alternatives. I take showers so hot my skin reddens like a boiled lobster I dig my nails into my palms and arms and legs to leave armies of pale crescent impressions I bite my lip, the inside so that no one can see the sore and near-torn flesh I scrape my nails against my back, arms, legs, chest, stomach, leaving red lines like from the claws of a tiger I sing sad songs, difficult songs, loud songs, songs to make my throat hurt from exertion and holding back tears And that may seem to be the least harmful or all these but its not It can't be when it reopens my old battle wounds and makes my throat so raw that the tears burn even more And all of these alternatives don't mar my skin permanently But I can't help but wonder if they're really all that much better Because I still want to feel
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Oct 6, 2013
Oct 6, 2013 at 1:05 PM UTC
alternatives
I can't even touch my feelings I used to live in them Now I live beside them Day and day again I watch them go They want in I want them to stay out. I push the door shut and the window closed. We are separate entities now. They scream in frustration now. Aching to get back in. I tell them they are still in here with me. I feel the memories of them Every day a rip or two reopens But I close my eyes quick Lick away the blood. Acting as if it never happened. As if the bandaids had worked Because I know half the cuts are from myself. So I tell my feelings I still hold them dear But I just hold my own survival nearer. I don't want to destroy myself. I want to destroy everyone else. I want to push until they tear Crush until they break I want to become so sharp That a look from my eyes can make them bleed. I want the world to know What my insides have felt And what my heart desires. From love to lust From wanting to fix it To wanting to break it. I don't have time for guilt I don't have time for pain Hurt, Anger I don't have time to feel pity I don't have anymore room. And sometimes my own selfishness makes me sick But this gets me one step closer to the completion of me. I am done with dissecting the human race They've infected themselves And I am one step behind but catching up quick I am trying to play a game with a finesse That someone as new as I cannot possess. I can't even touch my feelings. And until today it wasn't a choice. Let me lick the cut.
0
Dec 8, 2010
Dec 8, 2010 at 6:14 PM UTC
The Cut
A wound reopens when you least expect it Be it through running Being clumsy Or though repeating a simple mistake Should my lack of intelligence Be a punishable crime? Was my trusting nature just not meant for existing? I realize through your glazed stare You lack remorse. Being alone was a terrifying choice, Perhaps I should have harden the shell. The shell has far to many cracks that fail to mend properly. Deformity should be eradicated
0
Sep 24, 2016
Sep 24, 2016 at 6:06 PM UTC
Deformed
no longer will i glaze my eyes over the world in monotone colors since all the colors were drained from this memory. no longer will i sit back, watching someone like you play favorites and pity the scars on my legs. no longer will these mountains be a prison for me. no longer will i let a person imprison me who leaves me uninhabitable in the end and reopens fresh wounds. i will surpass you one thousand times over, and play god. for now, i am broadcasting in god's place since i was tricked into thinking someone like you was my savior. i will become the omnipresent regret and the everlasting guilt. i will leave you aching, hungry, wounded, lost, and alone. no longer will i be the roadkill, i will be the weapon but no longer will my body be used to hurt another. - kra
0
Oct 10, 2015
Oct 10, 2015 at 8:06 AM UTC
uninhabitable