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A companion poem to:
When Love Grows Old [1]




a differing perspective,
liking the eye opening
view this occluded,
cloudy closed Saturday,
a morning gray, early days,
it comes with opportunities
aplenty & new word combinations
in a new world awaiting a Magellan
I spy discoverer, and
we
two
have more than 150 years
existence tween us and that
makes me grin, because I anointed
her to a new position yesterday:
Chief Technology Officer

the very expensive machine
that supplies us with energizing
fresh plasma, clean blood invigorating, without which
we could nary drag our antiquated
bodies to the next day,
got on the phone, dialed an
800 number,
stuck het hand deep into it's gizzard innards, and released the
machina from it looping flashing
display of displaying its non-cooperation and its message that
It was unwell, abd she operated,
and made out coffee machine well
again



snd gave us this Sabbath, a reason to be thankful having righted this
left footed poet to a younger
poet boy~man
again, a gain!
it ain't easy, when you relate, restrict and delegate,
when you draw a narrow lane on a highway that says
only left footed
poets need apply
<>
it does not say
slow cars stay to the right,
only trucks,
or oddly even,
no trucks



I love seasonality,
without thickly thinking
you take a break
from the poetry writing

one day I'll figure out a way
to monetize my love poems,
publish them as Shakespeare's couple(t)s,
"new edition plus
a couple of
newfound poems!"

maybe some fools will buy some thinking Shakespeare has been, resurrected!

love grows goes hot all over and
grow slower older
and grow colder,
in between those fine
ticklish teasing moments


when the miracle of resurrection repeats itself

something is said
a gesture is made
a finger strokes the cheek,
unexpected
and it all comes
rushing back again,
overfilling
that coffee cup mug she bought
just(ice)
for you

ain't gonna check how long it's been
since last I declaimed, disclaimed,
inflamed,
these pages with an only love poem

but I do know this:
it is something I think about,
It is something I know about,
it is something I feel about
daily
even on the nothing days,
when routine takes over
I know you couldn't remember of its passage,
is the waking up and the lying down to sleep


but the poets eyes are always open his emotive secret senses,
always alert,
what's that thing they always say,

his heart just wasn't in it!
(🥴if they only knew the truth😘)
why when we compose
on matters urgent
oh my love

are we not provisioned with
beginnings and endings,
opening and closings?

We know what needs to be said,
the symmetry of butter and bread,
but how to begin and how to end,
these difficulties, not easy to comprehend

how to get
to the heart of the matter,
the door to the hallway
leading and departing
to
the front door entrance,
to the front door exit,

don’t know the words to begin,
the words to end,
which way does
the door open or close?

so read this, please, sit beside me,
while you place your fingertips
on my lips
and encourage me to
just say it!
2/28/25
first, please see the Mary Oliver poem below
<•>
Oh! you you puncture me with your words,
direct to the sticking place, where the insertion wound cries out,
but does not bleed

my life punctuated by the, no!
punctured
bye absence of wild,
did this permit it precocious  
preciousness to deteriorate?

The safe route, the wrong Fork chosen,
The tings impale, my pretend satiation,
My life is nearly over,
should I get plan?

this poetic life struggles within and to get out,
but there is no plan to let it escape,
me remake,
turn me to a peripatetic bee,
pollinating a wildflower as a mere messenger,
a carrier, only to return home to
deliver and die
precious poem
on my lips


February 9, 2025
(1) Poem 133: The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
—Mary Oliver
thank the maker who knew
that we did not require a
trained eye to love, appreciate
the reading of a poem

no the untrained eye still
leads the words for dispersal
to the other senses to ingest,
invest, instigate the insight
insides, to be moved by the
gifts of piety of poets, whose
eye see the life poetic and
command any all words
to train us to better understand
what it is
how it is
why it it
where it is
feelings word flowers
of that which is undeniably
essential
fell upon me in a moment
i place my head beside her thigh
as if to sleep in her warmth,
I say Twosday,
she says,what?

I repeat, Twosday,

Yes, she say, it is,
pausing to consider
and connect
my dots:

Ha, you’re writing a poem!

“head connected to my thigh bone,
drawing from within me,
the necessary ingredients to
inspire, perspire,-and respire
this agglomeration of the
in and out of your surroundings
contacting pulses”

I think, ah,
she’s got it,
but all I say and
state with definiteness,
by repeating,
and  breathing out

Toosday, Twosday!
Tues 1-14-25
Dec. 2024

this woman is my destiny,
so much to believe in,
she loves me when the
world disbelieved in the:
the who,
in the,
we~hope,
of a
we~too

on the fusion continuum
we slide, on playground steel,
shiny, hot, not caring, playing
grown up~maybe, one behind
the other, gleefull  shrieking &
screaming upon falling into
a pile, a jumbled unity, of
tumbled older bones

now decades later, we play
at forever, when we early morn
seek out the empty places,
and play once more, now shoes off,
but slip~sliding full of
undignified noises at the top
to the
all~the~way~down,
we wake up
tbe neighborhood,
and once in a while,
people cone running
to see who are these noisy
usurpers identity, and we
climb up to the top,
lungs expelling a shout,
     ”so much to
          believe in!

“We’ve engineered the world for comfort and ease. Most people rarely step outside of their comfort zones these days—we’re living progressively soft, sterile, temperature-controlled, overfed, under-challenged, safety-netted lives1. And it’s slowly limiting the degree to which we experience our, as the poet Mary Oliver put it, “one wild and precious life.””
Michael Easter, Substack

<>><<>

five months have expired
from when this notion
1st caught my notice
but fallow lay,
unattended, unremarked
unforgiving

of my ignorance and inattention

but it freshly, rightly,
core challenges me

guilty of the underbelly softness
so well described,
I
choose to scribe,
wrestle with angel and devil,
two~on~one human,
and yet, still a
fair fight

"wild and precious!"

how rarely we employ these
adjectives,
that conjure the edginess of an
existence

lest you think,
that we are here to implore, urge,
skydiving, remote wilderness trekking, or other physical states
that set adrenaline on fire,
I am not
afterthat for them

oh, my
wild and precious
is far more treacherous and enthralling

what I beg you to embrace is
no farther than
nubs, knobs and stubbled nibs of your fingers,
the taste buds flowering invisible
on the wily, twisty tongue,
the  tiny-vibrating little hairs of your nostril,
two extra large  eggy pupils of your two eyes,
here lies danger,
your customized throbbing throbbing your drumming,
leadings
access to the garden of
The truly wild and precious,

the poems you will scribe,
from the safety of your captains chair,,
Throwing caution to the wind compose and depose yourself with bitter questioning,
For which the answered answers must be truly be
wild and precious

  cyan sighs,
oaken cries,
furious colorless invasive tears,
steely stabbing personal truths,

yes those wild ones,
in your. chest close held,
spill them like cold coffee,
surrender the precious, and
inward confess your
shame, gains  and the relit
that you are not merely
wild and precious
but a sea borne sailor,
a navy voyaging to
to where
danger enthralls
enlivens!
Commenced Feb 9 2025
Completed June 19 3025
Sabbath 7:31am Jan 11, 2025
<•>
For later, forecast proclaims:

snow showers for much of the day,
but in our temperate clime, rarely
do we get inches or feats of accumulation,
but it will be chill enough to turn my
heavy duty “Icer” navy coat to its
whiteout version, where the flakes
individually attach themselves to
to fat fabric for self-preservation,
displaying their distinct DNA patterns of intricate crystallization artwork on a
gallery of me…

assuredly, some will attach to eyelashes
and extruded tongue, perhaps inhaled,
in nostril and open mouth, as I employ
all my senses to retain, retrain, my brain,
to walk alongside a saltwater estuary that
welcomes every flake as a long lost son and
daughter, who has returned from its prodigal global journey around the world, to melt back into a mother’s currents embrace, returning
home to my patch of briefly occupied spatial, white palatial existence

I anticipate the taste of snow to be a
multi~flavored cone, souvenirs, accrued
while globe trotting, with hints ofAsian
spices, on a riverbed of Italian red
peppery tomato sauce, the crusty
spicy fabric of the fried chickpeas of the Middle East, the cilantro stinging of Latin continents,and pretend that my nature
wetted cheeks  are so because I cry & walk alone, sadness flavored, wishing I could partake of this snowy journey repast, with you by my side, for how much better would this global travelled whirlpool repast  of white ice and scented airs, tastes if it could be joyfully shared

but I am by myself,
sensibly refused companionship
by others, and my
voyaged meditation now,
well ended,
well recall,
Whitman’s Song of Myself (1) conclusion:
                          
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self


join me?
(1).  https://www.poetryfoundation.org/poems/45477/song-of-myself-1892-version
For Thyreez,
because she aspires


<>
most of us, no,
almost all of us,
collectors, of those little things,
real, substantive,
kept in that drawer,
reminders of collected moments,
of places people, successes, tragedies,
lumped together because,
just because
they constitute the pinpricks,
the meddles, safety pins, needles
of our lives, some treasures,
and a few collectibles of
black trimmed saddies

I have such a drawer,
admixture of single cufflinks, spare buttons,
Aaa batteries that might still work,
expired credit cards, charging cords for
devices long ago discarded,
a whole class of items I call
you never know when

some slides, pics from prehistoric times
when we never dreamed of magic phones
as life’s mini storage units

even I had
a lipstick kiss napkin,
just in case, when was required a
need a brevity taste of
a sad time-in-‘n-out
and back again
to feel human

but the mission critical
little things
do not fit in a drawer,
for they are the action’s & visions
we seize and keep in shadowy unseen
but inserted
grey cells

the taste, aroma, of that first cup of coffee
made by whoever was up first,
brought and placed on the nightstand
with a nudge, that failing, a very wet
kiss and a foot-beneath-blanket-squeeze,

the feel~touch of a particular locket,
the never-to be-removed-ever,
till it was
placed perhaps in someone else’s
drawer, shoebox, attic, or lost
in a ‘can’t be foundering place’

we probably have all three;
the drawer, the memory triggers,
the lost items that cannot be
lost, or forgot nor found

and I think and add all these,
I realize that this script
is
one such of the places,
where we put things,
we might need someday,
or maybe never but,

you never know when!
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