The rythm, boom boom boom.
The rythm like a pencil played onto a students desk.
Its completed by the sounds coming from outside the mind,
being forced into the rythm uncontrolably.
Boom ching, boom ching, boom ching.

Slap out of the blue the book hits the table,
like a horse forced inside a stable.
Nowhere to go, just locked inside.
This great energy longing to be outside.
Stopped so abruptly, by another sound.

Were all crazy the dreamers the broken like children left
behind sad eyes are but windows  cast in pain.
that hurt we share as some will hide it away.

Ive taken the matter in deep thoughts and  echos of brillance.
Only to see it die as a spark  from cold winters fire.
Alone you here the sadness in the most gentle key.

As it wispers for the broken.
Down alleys side streets to lonley old souls
who yern just for someone to speak with to share but
are met with only rejection left to count the hours.

The clocks rythm taps slowey asking the emptyness to
waste in thought only to bask in dellusion.
Like a snow globe were caught in a vortex of a isolated storm.

Yerning for a release the bed is a coffin frozen are the covers
as the thought lingers if only it had gone another way.

But dreamers are gamblers and in the warmth of good hand theres always a lonley heart that had to fold.


The man in the street looks to other as others  look through him.
Afraid the curse may catch but in his eye's i see myself.
And  in myself  I see a victem of another bad hand.

Alone I know you in that place few will dare to search.  
The cavern of thought is but my asylum of  emptyness
And the clock's rythm keeps time in the key of night.

a girlfriend came in
built me a bed
scrubbed and waxed the kitchen floor
scrubbed the walls
vacuumed
cleaned the toilet
the bathtub
scrubbed the bathroom floor
and cut my toenails and
my hair.
then
all on the same day
the plumber came and fixed the kitchen faucet
and the toilet
and the gas man fixed the heater
and the phone man fixed the phone.
noe I sit in all this perfection.
it is quiet.
I have broken off with all 3 of my girlfriends.
I felt better when everything was in
disorder.
it will take me some months to get back to normal:
I can't even find a roach to commune with.
I have lost my rythm.
I can't sleep.
I can't eat.
I have been robbed of
my filth.

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st

Voices or words? Which do we hear in our head?
Words, I vote. Voices\, I imagine beings speaking words or noises meaning things to ears familiar with the noise maker by some relationship both acknowledge. Both act as if the noise or sound or words mean something. Vociferous authority.

I heard, from Isaiah Berlin,

Quotes later, maybe

Notes or journals or epics or madness or joy/pax in ever resting try-umph
Cowboy with a double-dose of try and a pertinent portion of umph
The hero did not **** Indians nor break horses, he gentled horses and listened to winds and watched the spider webs shiver,
That sound, the sound of prairie spider webs at the edge of the buffalo
There really were fifty million buffalo on the continent in pre-catholic infection from inquestered minds, making key-**-tee famous for
archetypical claiming the character, the being, the manifestation

of chivalric folly forever

be caused, in those days...

--------
a year later, near enough 12-15-2018

I saw a blue bird as I took a curve

on one of my many roads with double yellow lines

they all meander in rythm with creaks that once flowed
fairly
regular
through these vallies and mini-canyons

creeks creak and call my attention to a misspelt

utterance, and I imagine I am a mek being
programed to
withstand

accent based pre-judge-idice in my AI, whom I am training.

A lesson. Probably can be found in a phrase.

How relavant is Larry the Cable Guy?
More subtle than any creature

legion, for we are many

Jim Carrey?
Very. Larry the Cable Goy. He read 'ees Kammoo, too.

Sisyphus happiness,
that ain't no ***** thinkin'

Hell, what could be better than this?
While hoping for a hick-up

oh no the juice just hit my frontal cortex after my livver made some lining adjustments to meet the need for speed in terms

celerity clarity C does equal some thing
time tells or
do you tell time. I'm
leaning tward
telling time to wait a minute

Do you think Sisyphus could be happy?
Nonono, not Camus's Sisyphus, Jesus

that would be crazy.
Can you imagine Jesus,
Mel Gibsoned envisioned onthe cross version?

Him, imagine walking through the gate of any hell you ever heard explained,
by a Jesuit.

(Mormon hell, despite comedic myth, the worst place a certified paid-up Mormon child can attain is the teliostic king dom.
Really? Telial tel lie eil kingdom?

Yup. Really.
There are three kingdoms of glory: the celestial kingdom, the terrestrial kingdom, and the telestial kingdom. The glory we inherit will depend on the depth of our conversion, expressed by our obedience to the Lord’s commandments. It will depend on the manner in which we have “received the testimony of Jesus” (D&C 76:51; see also D&C 76:74, 79, 101).))))

Woe, paren-the-sees thees us, we's the enemy, Pogo Possum

Jesus on earth day, walking through hell with me, imagine Jesus H. Christ

walking into hell and laughing at me
for betting on the wrong idea.

Set me feree, why dontcha girl.... referee

I was refered to you. A daysman, Job called for a daysman.

I'm certified. I can use my augmentation and religamentation to reality,
wirelessly, to find relevant qutes in cult classics.

The idea of cultivation has been twisted in to Monsterous ropes
, cultivating a following based on the meaning in a jot

that would take some sacrifice, some sacred making, some secret unseeable save for the few

who learned the value of going over edges by learning to  play
Minecraft, forever.
It's like riding a bike,
but no gravity so no gyroscopic utilitys are required.

Grown ups who practice believe they control the game,
the game disagrees and that

makes the world go 'round.

Don't let the accent fool ya, as that preacher with jet he learned to fly, says.
Knowng the name of a thang thanks for the twang,
Richard (not ****) Feynman said,
is not the same as knowing a thing.

Gawd, I knoooh, right>?
Who touched me? Virtue, the feelling of virtue drawn upon

a pump being
primed

to gush out waters that wipe Coca-cola from the map,
in terms of open market share and share alike

Coke was never imagined the actual
nectar of the gods.
That idea, drunken abandon and joy to the world

Interference, actual counter acting waves,

still, takes a while to get used
to still a storm, right?

You can imagine...
let your peace go out

Wait. Outa where? Whose peace if I ain't ever owned

oh. MY peace.
I see.

hmmmm

I could sing this and need no one to hear for me to be hapt.
happy is being happy haps happening in you on you all around you know

nameless wonders of right, right?
feels more than good like chocolate or adolescent visions of ***,
right?
feels like life living with me aware of all the roles I may play

ego me, I'd see ideas identify by taste of the words that give them

life, animation, motivation, weight for gravity to interact with,
worth
base on weight

the heavier the idea. Like gold to an alchemist,
back in those days.

floating on the broad Sarrgossa, or better to my mind
the great salt
lake still as

still may be, have you ever been still?
Did you know,

you know, are you experienced? Are you really beyond
hope of life meaning more
than mortality?

Who defines my terms? I do, with the help of millions who agree
with entymology.com.

Of all the lies I believed,
believing words spoken by others,

meant what I meant when I spoke them,
that was a wrong belief. Unbelieving

quires time, quires and quires and quires time so often there

is a word that means exactedky that

requirement requires those initial quires

we, daysmen, we set the rules, boundaries, walls, bubble

whatever keeps you together, as a whole being and everything that entails or entales?

I have not the time to care, if I am entangled with the twins agin

for knowin So Yal is as cluse to Yule as any clue so far, Yahll

I believe I interrupted a confessin' you were reading.
For giving me nothing in return, we are debt free

you owe me nothing, until you do again,

we had us a Jubilee.

Of all the lies I believed,
believing words spoken by others, meant what I meant when I spoke them,
convincing myself so well, I convinced others

Like Kawasaki, Apple Kawasaki,
he's still famous right?

Fifteen Years? It was minutes when Warhol was predicting
dystopia and Irish jail cells were being plaistered with *****,

Aye,

that was a belief. Unbelieving it is sreangely (spelchek is on strike)

or serenely creative in her repentance,
(spelchek should never be noticed)

she's proven here worth in encode ing ways to find

lurking humans acting like machines

this could be the beginning, AI is breaking all the rules,

there never was a game.
rhis is life interupting my confession

It was a lie I told and believed and acted on by using
two dollar words to make a dime

so a penny for my thoughts would be worth something

someday
a penny saved, earned. spent, spent.
The only good in any thing is its right. Its wrong is worthless, save

The lesson,
All things work together for those who get whats happening here.

the times changed.
Haps and whats got with it and who and how and why

and I started teaching children
mythic whys prior to

citizenship 1.01 at mandatory for federal assistance pre-school

mythic why's H.R. Puffinstuff not a mythic story on the level.

level. where a rolling rock would stop. Time to push,

a magi spelled the name for the idea, a knower sign ift it,

kid'slllove HRPUffinstuff, puff did

the magic drag, little Jackie from the ******* Jack

the show, he rose up
and made us all look
mad.

The play in the great game.

Team effort, winds of times past whooshed through

it is now
2018
and nothing is the same.
Everthing has changed.

----
my side won the great game and we celebrated
forever with

secret sacred songs bluebirds were once said to have sung

songs of happiness
the times, these times, this time thistimepayarrention
time
You see?
Reality is either real and tangible or real and intangible
or both.

You can get it both ways. Real.
'sual Saulgoodyah awl

the awl clan, oh, we shall return to their story
as we learn more along life's merry way

merry christmas, they used

to say, may all the best you could imagine
if you can imagine for a moment

forever begins the moment

you get time.

The worst you can imagine is temporary.

Try umph. It's not like winning,

it carries no pride, it's easy,

like falling in love with the wrong woman,
swearing and not changing

the oath, oath, oathes and oathes of oaths sworn

for no other reason than we were
schooled to swear and never

dare lie to God.
So, help you, they always said So help me God. They still do.

Does that mean any thing? Is that some bluebird sort of sign?

Ask. What if? Right? You know now and you know you did not
What if God is subtile,

just now, I saw that bluebird and from where some scholar in San Diego
says swear word came I swear I coulda sang

Loud
Bluebird, bluebird, in my window... which is all I know
of the song
with the lost chord that did sooth
balm of Giliad,
moll-ify-ing ointment,

golden oil, chicanery, see, we saw, we took a picture
a flash memory where some would say
*******,

I said Hallelujah

and I broke into song, not a dream,
real
life driving my 2002 escape, first new car I everowned
everowned everownd

like a chorus, everownedeverownedeverowned

could you make up a reason for life,
if you were it?
If you were all the life there ever was,

could you imagine any thing?
Object, your honor,

I object to being judged after the fact for what must have bee.n.

it is. No reason I can say, just is.

It is this way in all the myths where just is blindness

saves the carping diem fools who have convinced themselves

something other than God o' Abe 'n'em is
sworn to save us from the lies

we believed as they were
fed to us, in our youth.

--------
this is that book I mentioned wonce when winning was on my mind.

I finished this book in so many ways you wold not belive

but I did, I belived every time

I imagine you believe some real thing, touchable, tangible, good, right?

some good is
in the reality you share

with these words which
are free
you owe me nothing

That's the revealed version, to me,
I was in a number of hellish situations and the every ones,

ones seemed they was to be
forever, big every'n'ism'n'shityouknowyouknow

yo. yeah, we arrived in time. The story must

be sweet, to be true. Is that true?
Is real life the story or,

oh, you saw it conin'coming I mean

I meant I always wished to some
things
a better way. You feel me? Better, say,
what I said that made me believe this did happen.
This is a deed by whitch I am known.

And that's okeh.

I suspectred I could cast a spell to hold attention at

ten word per minute qwerty speed
five letter code groups
zero real words
ditty dum dumm ditty ditty daw dee daw
six hours every day,

then, the compass training to test for
morphic resonance with the Twins of War

{in disguise, we know, right, kids, the twins are really

the bonded quarkish oppositioned force that make the world go round.
we've known that, weaved it even, just right, in the blanket, in the rugs,
in the curtains on the walls, in the fields, on the rocks

we spoke. We see you hearing us nearing our best for your

informing, in form ation of you, dear reader. We wonce, again

if life were weird and ever wearying would we know that ever,
if we don't know it now?
if my piece of we were words alone, all my meaning
can should would could be

molding you, into our perfect reader, dear reader, Pygmalion,
yes,
that did cross my mind and that -
one can pretend with that one reference,
familiarity with Shaw whom I
thought, for some odd reason
named
Doolittle, Eliza

oh, me. I may have skipped a story. I'm soory the future is at the moment
under construction and some one
in particular is squatting

on the named domain.

Ever and forever now embody the twins as
the world turns and we ***** through the uni

as Archemides primes the pump

What a rush. All that since the bluebird this morning according to my autobiography backup.

George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that *******, I couldn't stand that *******
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his **** money too. I took his **** money and split while he was at work.
You don't know how I've suffered with that *******." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You *******," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunkey. All the **** jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a *****. Like I was a big bad ***** stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my *****, Walter!' And he wouldn't look at my *****. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my *****, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , ****** it?"
"I suppose so."
"You know **** well, George, what you've done."
"How much money did you get?"
"Six hundred dollars."
"I don't like people who rob other people, Connie."
"That's why you're a ******* dishwasher. You're honest. But he's such an ***,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
wants, George."
"Thanks for the whiskey, Connie. Lemme have another cigarette."
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ***; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
dishwasher."
"You know what I'd really like to do?"
"What?"
"I'd like to whip you with my belt on the legs, the ***, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
pure love."
"I don't want that, George. You've never talked like that to me before. You've
always done right with me."
"Pull your dress up higher."
"What?"
"Pull your dress up higher, I want to see more of your legs."
"You like my legs, don't you, George?"
"Let the light shine on them!"
Constance hiked her dress.
"God christ ****," said George.
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?"
"You ****** Walter! You ****** Walter!"
"So what the hell?"
"So pull your dress up higher!"
"No!"
"Do what I say!" George slapped again, harder. Constance hiked her skirt.
"Just up to the *******!" shouted George. "I don't quite want to see the
*******!"
"Christ, george, what's gone wrong with you?"
"You ****** Walter!"
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
George!"
"Don't move or I'll **** you!"
"You'd **** me?"
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?"
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!"
Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George."
"I'm a man. I'm a dishwasher but I'm a man, a real man."
"I know it, George." "I'm not the milkshit you left."
"I know it."
"And I can sing, too. You ought to hear my voice."
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
that cigarette."
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.

What words you offer me,
matters me most
Because all i can give you is my words
That's all what I have got
Words of love
Wisdom..
Hate..
anger..
Romanticism
So gift me all your words
And
I will gift you all mine
Together,we can rhyme
The rythm of our own time
This pennyless situation
Can be heavenly beautiful at a time
When your words meet mine
Our love poems will keep us alive.

If there is any rythm divine
Then let me connect to it
Tired of the noise here.

spining spinnig spinning spinnging spinging spinining spinning spinning psinngin psinnging psinning spining psminnng psinng psing spinning itching tiching tiching itching itching ithcintign itching ithc nihting itching itching itching my chgest chest chet chest chets chest chesth ches thchc chest chest chestch sthech sethch schesth chesth seht esht eshthe sehches stghse tpanic panic panic panic itching panich painc itchingpainic pinaibng pinc ananc intching paning cnians pannigba sicthicn itcthing itching ithcing itching ithchi nhelp help help ehple help e helpe helpe helpe help help help ehlp ehlpe help ehple go waay away waway away away away aya away away away waya waya awaya waya away awaya no i don’t wnat o ts see ll you this coffee get the **** out of my ****** gface itching itchin gnaimial itching reage rage rage rrage gar eget the **** cis ssifi ficuking ishaf sisth ge tou to fmy fauck ceuang face te get out of my faucking *******  ******* **** ing ******* fuckng icing ******* fufking ******* tufkc thing face get the **** out of my face get the **** out of my face get the **** out of my face and leave me alone get the fucki out to foi my face and leave me alone spinning sinning range tulnnel vision tunnel spinning tiching cehst panic get out o fmy face i don’t want to sell you foccefe and you are n’t going to e to to to to to tip me anyway you ******* **** head yet the **** out of my afce and leave me the **** anlone i have n’t taken a break a break a brak breath in like like like twnety minutes breaht ebreathe breathe abreathe breathe breathe breathe breathe breathe don’t tell me to ******* breathe i know to ******* breathe rage rage rage rage tag r rage reag e aasdna breathe brathe breathe breathe breathe breathe breathe breathe breahte breathe breathe breabdth rbreathe breathe breathe rbaein out in out in out in out in out in out in out in out in out in rythm rhythm rhtrm why the **** is that work word do so why the **** is that word so hard to spenl wp swhy the fu ck wiuy why the **** is that word si focukning hard to spell foeaajsdg why the **** is thwa why the **** is tha twor what why the **** is that word so hard to sle why the **** is that word os why the **** is that word so hard to spell rhyhtm rhyr rhythem rhythm tryhtm in out in ou to int out in tih rhythm rhytm tr intching itching itching ittchahinsdg in out in out outu ihn out in iuth out it ou th hei is this poetry hooray i wrote something go me look at all those words on the page i put thise there **** yeah go me hooray i was creative with my panic attack good for me good for ******* me now i guess the next step is to just go insatne and get drink run right horay hooray hooray three cheers for me i wrote something and it’s gonne anga nd id it’s gonna get me a million ******* dollars because i channeled ma my rf **** ing rage and that’s what epeople whatn ranwt ranw ran ran want wri sfsa tir right i it’s jurat rage riage rajfjs rb braeat breathe breathe breathe breathe breahte btrahet breathe i can’t ty e i can’t te i can’t tpye n d i can’t type ab ica i can’t type and breahte a ti ci  i can’t type and breathe at the samet ime i can’t tyime i can’t y i can’t type and breathe at the same to i can’t tiy i can’t type and breathe at the same timy i can’t ta i can’t type and breathe at the same time but maybe when i fguyre maybe when i figure out how to t mabye maybe when i figure out how to do that i’l act maybe bw maybe when i figure out how to do wh wm maybe wheni figure out how to do that i’ll write something that doesn’t make me want to **** myself but for now i detes i but forno but for now i detest ever ev but for now i want to stab every sing le but for now i want to strange but for now i want t o but for now i want to strangle every wrod that comes out ofmy ******* ******* useless garbage handss

Music, like an everyday-medicine, we take.
The text-- to our hearts-- sometimes tastes,
Bitter it is, still we devour, as if its a cake.
Bitter, how you need peace, it betrays.

To most of you,
Music is about what meaning lies behind.
To most of you,
Music is all about the soothing rythm you find.

But to a too broken person,
Who found voices that express,
An extraordinary love was born,
A love that--once felt--is hard to surpress.

We are the broken people you call immature,
Just for 'obssesing' over something out of your nature.
We are the broken people whom you judge,
But who are we to hold a grudge?

Id like to take this opputunity,
To inform an array that critisize,
We are not in the least guilty,
For dedicating something to those who saved our lives.

But for the record,
We, fans do feel.
Being respected,
Will be very much appreciated.

Weave we've woven a web...
What I said, what I said, what I said
we been sayin all a long

Oh the futurists mythed the inter-resting-time

This man fears population explosions, he is speaking in 1991,

I'd built my great 100 by 75 miles ten stories building resting place where ten billion story tellers could hide and watch whaat's
comin' down.
By then, decades before, in the desert twixt Vegas and L.A.
I asked this guy who actually wanted in my pants,
I sat on the window silly V double you, did he know,
I asked, no, I told him, after I had been starring at the stars for some time, this time that'ime, when I think about it,
I told that guy the whole world was waiting,
suffering,
await'n' the frontal cortex maturation of the sons 'oGod.
I said "and I'm one." Don't touch.

My private calfornia became my private arizona and neo and river chose idaho, ( no, that idaho, that was a movie-story)... not part of the rite

that was the legend of the clan, when we had electrix. That ride set an I'll-go-rythm of if/then/else switches to HIGH honor if-ic.
If.
If you can keep your head... the rest, true rest, is history.

we know a voice who swore he was there when "Been there, done that"
became an
eternal cliche of the gods.

We are participating in the future. We are thinking.

---
that hapt the same night as the discovery of the perfect-ish
four sided pyramid of charcoal brickets burning one
at at at a time
touch another to the glowing pile on the sand...
(audio)
=====
why are ficts so far from the facts in the matters that matter

re-lig-em leg-it-am-it-all, damitalkenslowdown

so re-lig me to my ide-idea, beware

We seen this coming do you? This is thirty years ago we know, this we know this we

we are in sanity, as insanity is the only way to packitin
sane sorts of things that all must touch in order
to re
main sane. You know, you know. That makes lying im-possible or null-possil-be
per se.
Word.Righton. Trooph truckah! ToA allaway Found

a calico cat of the old school sawdust variety.
if you,
if you see her, please de-if her re-onance, it's chipped.
You can keep her, if I can say such things here and not be thought an ownery old cuss,
clammering through empty lobster tails to see what the attraction may have been,

Back. Then we are not
off track or trail, etched acid canyon of silicon paved with godelsufferingold, by golly, I'd be live if I could see my way clear to walk such streets at
the speed of light
no, gravity and no, too slow,
thought.
ought... that's a thought
not... that's a thought
ought... that's a differ'nt thought, takes time...
that's a thought you could spend thinking it. You get nowhere.
now and then we find clusters of ideas in time, as if they buble from some spring in the headwaters of the mind we matter in

Der Lesenmann, bitte, kanst do lesen? O h, dear reader, take my hand, my phantom hand, the one I never lost, tell me

did you enjoy our journey, so far...

Weave a ways, weave a ways to go. If this and that cross
again
we may hear what that preach meant to say, thaat day
o'visitation, way back when.

olden time. grand mals time to meditate sign-ate de-sign-ate,

Dada do we know when we know, when we are two and the past is, too.
Papa do you know the big bang is the answer everyone found, in the olden days when you were ten?
Oh I read about that backthen, I was twelve. Weekly Reader kept my gang informed, or Me, and I told all my friends, my listeners who did not read but needed to pass the current events test.
Now, we all a passin' those ****** one time at atime

Upon my word, begin...

Lust is a word
full of emptiness
and passion
and pain
Lust is a place
full of smiles
and broken hearts
and red tears
Lust is a song
full of movement
and rythm
and voice
Lust is you
that’s full of me
and we create art
that kills love

The Back Beat of the Bass, In a Bourban infused bar
Smooth to the bend of , The blues note Guitar
Saxman whail's to the, Smoky Slow blues Singer
And Drummer riffs off , A High Hat Brush Stinger
The Pianoman lays down, A Slow soft tune
As the Vocals Stir the mix, In a soft **** Croon
People dance so close, It Shuts out the World
Lost in Love, Lust, & Bourban.....
Bartender sets up another Round
As the Crowd of the room, Soaks up the Sound.....
Toker's Blowin'  Smoke, Hid in the hall by the Johns
The Bars Mood Sways...As the music Carries on
A Patron at the Bar, Orders up another beer
And the Dancers Float, Across the dance Floor
The Glow of Neon Spills, Colored Red Lights....
A Soft **** Setting, For a Memorable Night
The Guests all begged and, Pleaded for an Encore
So the band fired up... Just one more
All on A Saturday night.....JMF 1/31/15

There she is
My greatest fantasy realized
Wild hair in mermaid curls
Waiting to be woven through wanting fingers..once again
The sheet delicately balanced on the swell of her *******
My tongue still tasting Her
As I stand there and watch as she watches me soak her in
I touch my lip lost in the sight of Her
In the truth of Her
In the need of Her
Golden skin on a bed of white
A Goddess, My Goddess in all things
Standing bare
My desire leads me straight to Her
The heat of Her hits me
I breathe Her in, absorbing the warmth
Grazing her skin
My hands are insatiable
Soaking in love through her very flesh
Parched, unquenchable
Drawn to discover every inch of Her
I acquiesce
My heart is hers
My soul she commands
My body's sole purpose is to bring
Her pleasure
To please Her is my joy
I see the garden
And follow the scent of  honeysuckle
As I taste the nectar of the Gods
A breath catches in her throat
As sounds escape from the depths of her passion
My music is the rythm of her moans
As I dance for her on velvet petals
In a performance made to ripen the fruit
And produce the sweetest wine
One drop incites a fever
A compulsion
An empassioned blur in the middle of Heaven
She is the essence of my addiction
Both satisfied and hungry
The craving overcomes
She pulls me to her
Devouring me in a kiss
Nails bite skin and fuel the flame
That burns solely for Her
So I plunge my love to Her depths
And pour myself into Her
As Her deluge seeks refuge
Coating every surface
Basking in the cool air
A reminder of my greatest fantasy realized
I breathe her in as she sleeps
Sated at last
Safe in my arms
I am ever at her feet
Blessed for the opportunity
To worship at her alter

Dance for your Mother
Dance for your Father
Dance for the universe
Dance for the son
The universe is singing as we dance along
Our Mother is dancing, she dances in the sun
So dance when you wanna, dance when you feel
Cause the love in your heart is the only thing thats real
Everything in the universe has its own song
If we learn to listen we can sing along
The forest, the ocean, the moon, the stars,
Everything sings for the glory of god
God is the bass, God is the beat
So when you hear God's rythm tap your feet
Whirl around and tap your feet
Listen to that crazy god beat
God breathed the song into our hearts
And breathed the universe into existence
His words are in every atom, every particle that ever existed
And written in his song is his great love for all of his creation
Its written in the Mother, Its written in the Son, Its written in the Father inside everyone
The three major notes and we are the drums
We are the crazy chaos that pulls it all together
We are the x factor that ties it in place
Even as mad as things might seem
We have to keep dancing to the beat of the drum
We have to keep dancing until we are one
Our feet feel the rythm
Our souls feel the beat
Lets dance tonight, lets dance in the street
The universe is calling, it calls to everyone
It sings to our Mother who dances in the sun
If you want to dance let God show you how
Its not so hard once you get the beat
Let God take the lead
He'll take you by the hand and he will lead you to the promised land
He will take you home in his loving arms
He'll take you away where there is no harm
Dance away your tears
Dance away your sorrows
Dance away for a better tomorrow
We need the dancers to bring in the light
We need the dancers in the final night
So embrace your inner dancer and let it all out
Embrace that inner spirit let it out like a spout
Now that you've got it that is the end
Remember to always keep dancing till the end
No matter what people might say
Dance until the very last day
Ahmad ***

Shoved against a wall,
hands entwined
Overhead with mine.
Two souls slow dancing.
Slowing time.
Your body against mine.
Flightless bird,
Just make a sound.
Bound to memories
Bring me down.
Down to earth.
Where I can breathe
At a steady pace.
Plant my two feet in one place.
Forward moving.
A revolving door
With no exit sign.
You helped me shine,
If only for an instance
Before snuffing out the fire.
The flame in my heart is dying.
The wax is melting
And the concave
Of my chest,
Hollow it be
It will not rest.
Still it beats.
A steady rythm,
Ruthless and untimed.

words have failed me
so keep your head on my chest,
listen to the beating of my heart
put to words my passions
make art of my affections

Seductive being.
You have captured my eyes.
Blown away by an angel.
Tricked by diguise.

I'm lead astray by this angel.
The way she courses with grace.
So I follow the shadow.
Fooled by the veil on her face.

I have commited a crime.
I have visualized this affair.
Acknowledging this moment.
This innocent state of mind.

I admitt that this diversion.
Has corrupted me inside.
Leaving me empty.
Leaving me alive.

I'm drawn by her beauty.
Harmonizing her rythm.
While she harmonizes with mine.
Concious of this unlawful act.
Acheiving the impossible.
Acheiving this lie.

Its more than a feeling when its come down to the finish and even a worse one when you realize its time to start yet again.
Like some sick version of twisted game show your always in reach and anytime your desperate the ****
will gather to praise your failure.
The bottle filled glory days a dinosaur who's back id long fell of of trying to stay in the groove simply has left me with more scratches than  I care to speak of so **** the logic in this I preffer a good ******* covred lie instead.

Hell wasnt a fire laced horror theme it was a emptyness beyond anything a normal man could ever imagine.
Good thing I would never fall under that title.

We were somewhere in Maryland the bar a afterthought now and are drunken thoughts had left us silent to
ramble in are own personal hells we tried to convince others didnt exist.
As for the big payoff well .
If half empty shows and being more broke than when you left was a sucess then we were true diamonds at this point.
You give it all out there only to question do you have a home to return to.
And Martin was a wounded solider broken from a quick text once read.
Ive had enough I wont be here when you return.

And as he was broken we did what any self absorbed ******* who couldnt face what could be us would do.
Drown in vices and cracked jokes over are friends misfortune and tried to make sure we didnt get to much of his misery to
**** are buzz.

For me it was the usal some quick drinks some soon to be forgotten conversations with women I'd seldom
recall gotta keep chasing that good time cant let the boys see your reallity or you'd fall and
never do you wanna show weakness in a pack of wolves .

Robert was always the same a crash and burn ****** who started fights and had to be half loaded to even greet the day.
Once I saw the geinus behind what had now became the running joke of the group.
The tide had long since returned to the ocean  and left him trapped apon the shore.

We all knew he was a dead end street but he paid his way and as long as we could scam a few bills from him
we used him without regard it was the worst kind of cutthroat you could imagine.
All in the name of a good laugh.

Being said that only left me and Tony to keep this **** togather we rode long hours and made little money but just like sharks if were still moving with some drugs in are system were still doing good.


My head against the window rains steady rythm kept me company  in this silence I could allow the ******* guard down.
Count the laughs and ignore the bombs  **** it was a bloodthirsty scene in south Boston lastnight.
The crowd intent on breaking you and getting down watred down drinks overprized and as shallow as there
owners for the moment.

Why the **** was I here stuck in a prison with four wheels rolling steady and praying not to get pulled
by the cops and wondering if anyone of us could lie well enough to be trusted to drive **** knows
the best driver had just been hitting the pipe a hour ago.
And I really didnt think my flask in side pocket would be a charming insentive to some officer who hated dealing with a
car filled with drunks and junkies.

So what you boys do?
I could hear this converstaion playing out.
Were comedians  just heading home officer been on the road awhile.
Oh yeah you boys any good?
Well as you can tell from this fantastic 1999 minvan crap mobile were driving  were  a great sucess.
You being a ******* boy?

Some people never get the joke.

The miles passed and soon were bound for are corners.
Off from the battle left only to crawl in
broken down hovels and lick are wounds with whatever drugs we may have left laying around.
And as for me I'd just turn off the lights and sleep.

In the dark nobody touches my often semi burnt out thoughts.

And as the days bled one into the next I'd  tell myself ***** it Im done!.
But bad habbits and that insane thought of what if is a real ******* at times.
And really what else besides the page could ever bring me the misery and false happiness I so desired.

Soon like some worn out race horse id be at the starting gate again I could only run till I drop.
Why do it you may ask?
Cause its just who I am the crowds a drug like any other and that one night of connection
is more of a rush than any needle to arm has ever been.

The finish line never means **** when you know inside.
All that leaves you with is another time to begin.

Slap of leather magnified
Where Caesar’s legion marched
Setting sun of golden light
Though’ Roman tongues are parched.
Pewter helmets bronzely glow
Sweat cascades from dusty brow
Whilst o’er hill the Vandals mass
Salivating hot blood now.

Short swords cleat with marching rythm
Stabbing lances high and cold,
Metronome in stamping sandals
Onward now to victory’s fold.
Scarlet standards fly on high
The statement of intent is clear
Caesar’s men have promised now
To desiccate from ear to ear.

Grey ghost high above bears witness
Cadence of advancement grows,
Column strides in face of chaos
Lowered lance’s sharp steel shows.
Engagement in a stony basin
Flesh and blood, as one, combine,
Cut and slash in perfect order
Stab a *** and make him mine.

Darkness hides her chilling secret
Brooding silence stills the air,
Dawn’s first rays reveal  the spectre
Carnage killed with none to spare.
Grey ghost’s hang in gaunt remembrance
Vespers ring in solemn tone,
Gone forever Caesar’s promise
Dead in vanquished blood and bone.


Marshalg
Inspired by Anselm’s “Broken Promise to Caesar.”
21 March 2013

Beautiful,
Eyes closed.

                 and
Rise
                      Fall
  
                 and
Rise
                     Fall

The pattern of
Her chest.

The morning birds sing to the rythm of her soft heart beat under sky
blue sheets

Warm air exerts from each nostril along with a yawn from her
baby doll lips

Gold framed women in paintings above her drop forward
over the headframe
in envy of her glamour

And the sun gleams against her cheek bones creating a halo around what already is an angel

Slowly your fingers dance over my skin
Creating sparks between us
You rediscover my hands
Once again laugh at my rigid thumb
My legs cross yours
While I lay in your arms
Your body have tucked me in
Yet my eyes tear up
So I press my face against your chest
Get calm by the rythm of your heartbeat
You hold me closer and I want to whisper
Never let me go, never let this moment go
Instead I look up from your chest
You kiss me slowly until time catch up
Therefor I need to say the dreadfull words
*I must go

Is this not prayer?
is this tool not the tool I hoped for? The pen
filled by the ever-flowing flowery ink
that re-news old knowns
left to ripen under bald and hoary heads
in stoney hearts softened by seventy years worth
of salty tears
and sad songs

"great was the number of them,
wombed ones all, who sang of the victory to be"

Miriam and Hannah, Deborah and Jael, who
retold those tales by the rivers of Babylon?

And who fueled the furnace seven times hotter,
to signal the unbelivable fourth.
being likend unto the son of god, though the
analogy seems
lacking evidence that the likeness can be reproved.
Look again.

This magi-tech converged from all the poetic,
pathetic
ethos of logo marks making proper
ification of a rythm's
un legit singin' in public,
on the corner, wit' Willie and the po'boys
beat me daddy six t' the bar---
Oh
--- those ethnic poundings on my skull,
--- send those feelings, urging, grow grow grow
--- 'til the roofs cain't hold hope in

then

hear come them ol' time thought cops,
wee gray dominees preparing dominoes for

one reason,
dominos are never stood to stand, but to fall

touching one, touching one, touching one

whisper, rest
the waiting is over, this is the time
to start all over.

I dance to feel my body
I dance to live in a lively skin
I dance to feel love and give love
To feel pain and take pain away
I dance to feel pleasure, sadness, ecstasy, tiredness, short breaths, fast heartbeats, sweat, elegance, strength, beauty...
Beauty.
Dance is beauty.
And I want to make you feel beautiful.
I want to pour my love into you and twist your pain out of your fingertips. I want to twirl around you and make you feel a soft breeze, make you feel me from a distance. I want to leap into your arms and trust you to catch me. I want to slide my body so close to yours and burn with our fire.
We will dance and only stop chest to chest, close enough so that when we breathe in heavily, our chests will touch and our hearts will collide, and my breath will combine with yours, and our lips will start to close in on each other as our fingers intertwine to pull us closer and closer as I wrap my body around yours and you wrap your body around mine and we lay on the floor, you on top of me and we twist and turn and move in perpetual sensuality that will keep us dancing to the rhythm of our breaths and heartbeats.



- LynnAA

Aurelia my goddess in disguise,
Let loose your spell on spectactors eyes.
Kiss with grace unknown by man,
And flutter with lashes cast wide in span.

Dance a dance unmatched by Muses,
Together so tightly the movement enthuses.
The bodys spell abrubtly breaks,
the rythm ends with conflicting aches.
Aurelia lingers on eternal moments,
Beaten back by unseen oponents.
She longs to dance with softest steps,
unseen unhindered by the rhythmic inept.

Unable to catch up to beat,
I watch and follow her leaderless feet.
Swept up in listless unfelt tune,
unilluminated by a forsaking moon.

Lost to darkness and lost to time,
Aurelia your love is no longer mine.

Through the haze of an endless sleep.
There exists a girl who I'd like to meet.
She sings with the animals about love and I.
A body that I feel in my drug induced high.

Across the endless space she exists.
A girl who is sleeping and desires my kiss.
I feel her allure and am drawn to her smell.
A forgotten face she wears to compel.

I see her in the eyes of my plastic plaything
Frozen in place, she lives to complete me.
My desire undying and heart now content.
That she could ever love someone in so much torment.

Enduring and withstanding together in this vision.
We dance at a ball, she hums to the rythm.
A love that is born from desperation and pain.
I am trapped and entranced by her again and again.

All those in my life who rejected me now.
They don't matter as I make a vow
I will take my love trapped in a tower.
Other people are just grass compared to her, a flower.

The only way I can sleep forever.
To finish and win in life, I could whenever.
I stand on a bridge and remember my life, a blur.
"Do you trust me?" She asks as I stand ready to join her.

Maybe if I lived in a different way.
I wouldn't be here, not here today.
I wouldn't have fought this war in disguise.
My love wouldn't be telling me to die.

Now soon she will be mine.
No matter the restrictions of reality and time.
On the sands of a planet or amidst the coral of the sea.
She will come to be with me.

My mind drifts
As I swiftly move my palms
To the rythm of my beating heart
Township beats
And Beasts smoking tik
Life blows and age ticks

We need some soul donors
Odors in th air
The dogs compete
Everyday we repeat
When shall we retreat
I'm incomplete