before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

~
O Painter
with thy own eye
                        would thee
paint me in mine own natural hue
prithee paint me as i am,
imperfections
            and blemishes true

Load thy brush
                      with colors sundry
to maketh yond first pure sweep
across the ****** frieze,
fill'd with pangs of hunger.
paint me as i standeth
                  bethought, in deep

With mine own love and mine own desire,
blurring the edges unclean
with mine own regrets
                  and mine own mental gyre,
in mine own natural age,
               of deep forest green

O Painter
Paint me sinister turquoise,
in lavender and maroon,
combine the amethyst and amber
blend the iceberg
       and the indigo moon.

Paint me as i standeth,
       prithee see with thy eye
a mistress in yond lady plight
Prithee paint me all i am
i cullionly
a mistress in all yond lady might

Paint me in the optimistic
                             silv'r of dawn,
but don’t miss the purple
to shade the bruise
                              of the bygone.
paint me in the sky blue journal

O Painter
Paint me as a unique template
smudge black white and grizzled
merging all the colors of thy palette.
col'r me a rainbow
                            in a rainy drizzle

Paint me tall so yond i standeth
loftier than any mountain
Paint me as a dram bird, delicate
with soft feathers silken

Paint me harmony, as a violin
so yond i can sing thy solitary tune
paint me as thy poetry
         with song and melody
wrapp'd in a cocoon

O Painter
paint me as a dream yond rises
                               in did saturate colors
with a steady upbeat flight awry
tint, a fluttering
             of a quite quaint butterfly

Portray me with endurance
imbue so bold and bright
doth not hesitate
                to depict mine own mind
in profound fuchsia and white.

Useth the colors yond thee would borrow
Thy palette not yet exsufflicate
Paint mine own loss and mine own sorrow
in search of a shade so ******

Adorn mine own heart in glowing garnet
at which hour thee paint mine own love
add a true broken blue shade
of the cloud and the rain above;

Study mine own dry sorrow
                              in mine own soul
useth any shade thee plaited
soften the edges of control
in a tinge of xanthene.

O Painter
Prithee paint me
Mine own passion and mine own spirit
shall has't a crimson r'd hint
mine own remorse and mine own regret
shall reflect an ink stain print

Paint me in mine own eye so true
O Painter
but add a dash of courage too
~

From the ashes I descend,
Rising among the flames,
As shades of red.
Orange and yellow,
Blend within the explosion,
Of my rebirth,
Claiming my life force once more.

My deep hazel eyes,
Drenched in golden brown,
Surrounded by a burst of jade,
Speckled with dark green,
Reveal my humility,
Compassion and genuine kindness,
Allowing you to behold,
The window to my soul.

The vessel,
Containing my spirit,
Conflicts with the feminine demeanor,
Exposing sincerity,
Comforting hands of a care-giver,
The voice of loyalty,
Gently escaping lips,
Tears of empathy,
Seeping with understanding,
Kisses of affection,
As soft spoken words,
Depict desires,
Hopes and the warmth,
Of pure love.

Mystery envelops my origin,
Becoming a mystical being,
With the ability to heal,
The potential to inspire,
Living proof of an alleged myth,
Yielding in protection,
As my plethora of feathers,
Shield the individuals I adore,
From darkness,
Attempting to swallow the light,
We yearn to discover.

Blind Thoughts of denial,
Shall forsake your eyes,
If you pass judgment,
Upon me,
For my cloak of skin,
Concealing my true beauty.

As a Phoenix,
I refuse to watch,
The children of diversity,
Suffer degradation,
Living in fear of discrimination,
Stifling the right to love another,
To dress in garments,
That correlate the body with the mind.

I shall rage to cease,
The hands of violence leaving bruises,
Ignorance stripping,
Breaths of air from a pair of lungs,
As homophobia,
Transphobia, and intolerance,
Deplete individuality from a heart,
Deserving liberty,
The pursuit of happiness,
A chance to survive.

The Earth returns my soul,
To reap the love,
Concealed in assumptions,
And sow acceptance into,
The fields of society,
As I continue,
To soar into a cerulean sky.

Dear Poet Friends, this poem was composed as a tribute and praise
to the Creator of heaven and earth way back in the year 2008, & was posted on ‘Poemhunter.com’. The Creator’s handiwork has inspired Poets, Artists, and Humans alike since the dawn of our
civilisation, and shall continue to do so for our future generations! Hope you like this poetic composition. I will be grateful if you comment only after having read the entire poem.  Thanks, - Raj

VISIONS OF THE VAST BLUE EMPYREAN
                * BY RAJ NANDY*

       '’The heavens declare the glory of the Lord,
        The sky proclaim His divine handiwork!’’
                                                   - Psalm of David.

(I)
The SKY is a multidimensional manifestation of God's
creation,
A translucent blue canopy above all and one.
The sky has inspired humans for centuries to aspire
and dream, -
To seek His blessings and guidance from above;
And shall continue to do so for centuries to come!
The sky beckons and lures with its mystical spell;
Making humans with leaping aspirations to try out
and reach, -
Those frontiers where the sky is the unlimited limit of
all our hopes, aspirations and dreams!
The sky, lush, luring, luminous, and sweet, -
Invites, entice, and fills us with a sense of wonder!
How God-like in appearance, and almost human in
its expressions!
The sky has remained as a silent witness to the birth
of our planet,
Since God created the firmament and the heavens,
before creating the Earth.
The sky, a silent spectator since eons past,
Shall continue to see the fading away of old stars;
And formation of baby galaxies in a cosmic drama of
His creation,
Lying beyond the comprehension of Mankind!
While we try to delve His secrets with our space probes,
Which we can neither fully comprehend nor unravel;
And shall only continue to wonder and marvel!

(II)
The blue sky continues to inspire and even melts,
While its blue translucence silently seep into the
Poet's heart,
As he sits to reflect and shape his thoughts,
And the vast expanse of the ethereal sky,
Stretching his mind with future dreams and
visions!
While the azure blue begins to flow through his
veins, and gets transmitted through his pen, -
To convey his exalted thoughts and deepest feelings,
in poetic lines and verse, -
Which becomes the Poet's sole mission.
And at night when the Poet meditates, he catches a
falling star,
And writes a poem on it and keeps it in his pocket, -
Saving it for a rainy day!
And during the silence of the night, when the hours
grow dark and deep,
And the sky gently droops and drips;
The poet wakes up to write, and writes to sleep!

(III)
The sky flows on to the canvas of the Painter,
As he tries to depict its varied complexions and moods,
With his limited colours, shades and hues,
Flashing and spilling his canvas with touches of tints
and tones,
To captivate the capricious, transient and fanciful moods,
which the sky adorns!
The deep blue empyrean is at times blissful and sublime,
Changing from a radiant, opulent, and iridescent, -
To threatening, cruel, and violent;
Both devastating and destructive as the sweeping
tornado or a hurricane!
Yet when God decides to paint the Aurora Borealis those
magical Northern Lights, -
Those glowing diaphanous curtains of waving, swirling
streamers of lights,
With its red, green, blue, violet, and luminescent spell-
binding shades;
How can any artist foolishly dare to compete or replicate
His celestial art?
For the Auroras are a reflection of His live real time
handiwork, -
Which shall never diminish or fade!

(IV)
The crystal blue arch of heaven, a glorious canopy
cover over our head,
Blesses us with the much needed shade;
From the tormenting and scorching rays of the
relentless Summer's sun.
With its varying layers of passing clouds, -
As the sun completes its diurnal rounds!
Those high cheerful cirrus and cirro-stratus clouds
of the Winter sky,
The meditating alto-cumulus and alto-stratus clouds
of medium heights;
And those upward swelling, ambitious clouds of
cumulonimbus, -
Carrying the thunder bolts and lightning of the great
Zeus do confound us!
And finally those low sheets of stratus clouds of the
rumbling monsoon sky;
Bringing incessant rain and lightning darts, -
Flashing like a whip lash across the sky and the earth!
With the speed of sound always lagging behind that
of light, -
Thus thunder bolts always follow those blinding flashing
darts of dazzling blue lights!
While the good Earth absorbs it all like some suffering
soul,
And forever regenerates itself to transcend its
tormenting plight!

(V)
The clouds floating like fluffy wool of cotton and
the downs of white goose feathers,
Adds dimensions, visual depth, definition and a sense
of perception;
For the human mind to behold and meditate, -
Those vast measureless depths of the infinite space!
The clouds with its varying forms and shapes,
At times like the ice cream cones with vanilla
tops and wisps of cream;
Keep floating across the cerulean blue, forming
and melting, -
From one nothingness into another,  below the
arched vault of the heavens!
And at times the clouds coalesce to dissipate as
gentle rain,
With rhythmic beats, or follow some wild musical note,
Lashing against the earth like a dancer in trance!
While it brings down the cool aqua, the very elixir of
life to earth.

(VI)
The sky is held captive by its own void of eternal
silence.
As nature's mirror, it reflects and also shows us a
glimpse of the infinite!
While the night sky by itself exhibits a wondrous
sight,
With the sentinel stars shining like a living hymn
written in light!
And the ebony treasure vault of heavens hold the
sparkling and glittering countless gems;
Of pearls of lily white, rubies with red sheen,
And galaxies shimmering like hyacinth of purple
light!
The sky envelopes the earth all around in an elusive
embrace of unconsummated love!
But each night, in hope and expectations the Sky
adorns itself, -
With diamond necklace and pearls of milky white,
Woven round its dark black flowing stresses;
Casting longing looks towards the beloved Earth,
To whom she is attracted from her very birth!

(VII)
The sky despite its wide range of colourful
spectrum and moods,
Forever retains its pristine colour of azure blue,
behind its gray and somber clouds.
Each morning the sky presents us with a clean
blue slate,
Where nothing ever remains written or etched!
Inspiring humans to make a new beginning,
Before time runs out and it becomes too late!
Yet the sky never forgets to reflect the arched
rainbow over its brow,
Once the thunder clouds and storms dissipate!
Keeping our hopes and aspirations forever alive;
And impelling us to strive in all our endeavours
and to excel!

(VIII)
The sky remains as a revelation of God's immaculate
handiwork.
The blue welkin, God's treasure trove, with its
capricious moods,
Sometimes furious, sometimes iridescent, but by nature
divinely sublime!
The sky a recurrence of happenings, with its speckled dance, -
Of colours, cadence, and of light and shade,
Giving us a taste, smell and feel of eternity, -
Which appears as real, though illusory and ephemeral!
Transcending all our scientific formulas, speculations
and intricate *******-up logic;
Since many mystical and unknown energy forms exist in
our sky and space,
Beyond the realms of Quantum Physics , String Theory,
the Higgs Field and Relativity!  * ( see Notes below)
And forces can even be made to emanate from the human
mind and soul and to transcend, -
To blend with those vibrations in the celestial spheres of
the Divine!

(IX)
The sky shall forever remain a source of exhilaration
and exhortation for mankind, -
And as an exaltation of God's divine and lofty thoughts!
The sky also remains as our ultimate frontier, -
Stretching the dimensions of human consciousness,
Till our consciousness learns to merge with the Divine;
To become one and to blend, under the blue vault of
our blissful Empyrean!
                                                       -  by RAJ NANDY, NEW DELHI

(*NOTES: The five different versions of the String Theories know as the 'The M- Theory' of Quantum Physics, which tries to explain the origin of all things through the vibrations of nano strings. The latest discovery of the Higgs Field, which is said to add mass to subatomic particles; are our humble and insufficient efforts to understand God’s mysterious creation of the universe and space!)
      (ALL COPY RIGHT ARE WITH THE AUTHOR ONLY)

Why is it so difficult to leave my life alone
Cast that last stone
I feel like Frankenstein the monster
And your a mob of angry county officials
Getting high on locking away my roster
Big Man you are with you excess of power
Targeting helpless youth
Who only aim to survive
To escape imprisonment alive
To everyday simply strive
For some acceptance
To be be beat down literally abused by your hand
Because our hunger over took morals
What is right
Is right being cold and hungry every night
Is right being forced into institutions
You've already chosen my life's conclusion
My dreams depict my happy illusion
Our financial status fusion
Causing an eruption of misguided confusion
I'll win this war
When when it seems every battle I'm losing

Once I saw a beautiful bird
She was one of a kind
And when she flutters, the sun pays attention
As the clouds pay respect.

Her feathers depict unrelenting grace
And one would get lost in her eyes
Other birds pursued her for days
Some would even go for miles.

You'd somehow think she has it all
All except for one
The heart of whom she truly loves
The heart of a human.

Not only forbidden but impossible
This tale tells it all
How can a man hear her heart?
How can he possibly fall?

She looks at him from afar
He doesn't even know
A single tear fell from her eyes
As she wished upon a star.

"I don't even believe that such myths exist,
But perhaps, you'll grant me my wish
Only one and one will do
Make me human so he'll love me, too."

Oh, the poor bird who hoped for much
Who could only do as hope for such
For a dream, a wish that will never come true
Now her wing got hurt as she flew.

Oh, the beautiful bird with a broken wing
She can still fly but never sing
A sweet lullaby of a wish coming true
A lullaby of the only man she loved and will forever do.

.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.

having you stuck on my mind
is an understatement
in every crack and crevices I find
you there, always present

you permeate in every thought
like literally in all that I think
threatening to fill my mind
so I incarnate you through ink

writing poems during library
when I should be philosophizing Saussure
but don't worry I can cope
I can handle this, be sure

I've drawn you in pencil
heck, even in paint
but alas, my skills are not enough
to depict the beauty you contain

but don't think you're a distraction
you're more of a motivation
like serene blue skies to a young bird's eyes
you are what inspires me to greater motions

oh girl,
I'm chest deep in thoughts of you
but tell me, my love
do you think of me too?

by Desmond Makatu,

Your visits are unpredictable.
like a ghost, you're invisible.
The attacks are inevitable.
You come like a thief at night.
You seize me day and night.

"Epilepsy: an inevitable thief"

Cruelty unrestricted to age.
Victimising even toddlers.
Unrestricted to ethnic groups.
My life has time gaps.
Gaps, like discrete graphs.
Cracks depict thin line between life and death.
Grace bridges the gaps and life prevails over death.
Seizures still haunt me like a demonic wrath.

"Epilepsy: an inevitable thief"

Attacks are brief, bruises lasts forever.
You offer questions only God can answer.
Quest for answers is like probing for cure of Cancer.
Death seemed to be the answer but God thought otherwise.

First seizure shook like multiple earthquakes.
Followed by a pool of darkness.
woke up confused, crowd's ****** expressions said a thousand words.
Migraines raided my head, exposed to enormous pressure.
Officially baptised by wrath of seizures.

"Epilepsy: an inevitable thief"

You're a physical and psychological culprit.
Like a Yoyo, you take me into a roller-coaster of emotions.
Aftermaths of your theft are etched in my mind as if they’re on stones.
Behind my “poker face” lies devastating pains than physicals seen by the  crowd.

"Epilepsy: an inevitable thief"

Watch video on YouTube. https://youtu.be/VggXerYLOHY

The shoes were red,
and stood at 7 inches high,
perfect to look sophisticated,
and to feel like she was touching the sky.

Everyone criticized her,
because they thought she wore them to get attention,
and co-workers would confront her,
to give her a ***** mention.

Only the people don't understand,
because she feels self conscious of her height,
and the heels are the only opportunity,
to make her feel alright.

              . . .

The shoes were brown,
covered with mud and dirt,
shoe laces tangled in a mess,
and didn't have any way to avert.

People overlooked him,
when he wanted something,
because they thought he didn't care,
but who are they to be judging!

The truth is,
in fact he did care,
but didn't have enough money,
to buy nice shoes to wear.

             . . .

The shoes were neon,
like the color of the sun,
they had bright shoes laces,
that he wears when he runs.

People thought they were ugly,
because they were off brand,
and they lacked the character,
that all the cool shoes had.

But really he was trying,
to just fit in,
but they would reject him,
every time he begins.

              . . .

Be kind,
for everyone is fighting a conflict,
that you know nothing about,
so don't judge nor depict.

why do we always inspire the young who idolise and idealise, make the middle-aged merchants and are spoken of by the old as necessary memories by way of rekindling their own memories of youth not travelled upon the paths of the various arts?*

modern world decided
to depict the **** perfect family
as a form of ******:
now we're told the perfect
family is within reach of
our genetic understanding of things
and how easily synthesised,
how easily synthesised and
rarely analysed to be mutually
bored before the television
content and silent...
raising a family these days almost
feels like committing an act of ******.

Days pass, my love, and I'm afraid of t'ese feelings,
Which at first startled and surprised me,
Solidified but threatened me,
Hastened my heartbeat-and lingered stubbornly, at my wit.

I was treading down in my stilettos;
And all, today, had been silent hitherto-
Whenst I but caught about thee;
More charming than the breezy day itself, and more free.

Ah, thee! How I longest to silence thee forever,
Thee to whom delights my shelter;
Thee to whom every lie shalt be truth,
and to whom all dreary ages shalt be youth.

How I longest to ****** thee;
to strangle and behead thee,
so that thou shalt no more haunt me-
just like these feelings that twitch, and dazzle me-
forever and ever; like a bewitching, yet sadistic misery.

Shalt I hate them, my love?
Shalt I depict but mock all them?
Ah, tease me-o, tease me, my love!
Catch me about those rippling grass,
Which like a bucket of green water,
Bloom and flirt with the startled bush in mass,
before autumn greets, and their brightness shalt alter.

Alter to falseness, and die in paleness;
Before they scramble up again in vain,
And retreat to my dreams like a dizzy villain;
In a wail of discord, and its lake of cold madness.

Ah! They hate me! And whenst thou seest not,
They seethe at me, they floweth in my brain;
they corrupt me vilely, and ruineth my restraint;
And my loving heart shalt they never defend,
for instead of hate, they grant it love;
and tempt it to kiss-t'is tiny heirloom of mine-
of thy picture, all repeatedly; over and over again.

Ah, thee, to whom my heart shalt only be a burden;
to whom the bleakest of winds only bounces, and goes;
to whom that this earth seems to have no throes-
Just like all those ****** birds who chirp about in yon garden.

Oh, thee, who looketh pristine in whichever garment,
and looketh still a darling atop whatever mute soil,
but safely comeliest amongst t'is Thursday night's infallible moonlight;
and altogether stirring to every glance-whilst inviting to each lurking sight.

Ah, thee, whose heart still, that lucky lady possesses,
and whose smiles she salutes and gladly welcomes;
I wonder whether thou shalt ever know how my heart is obsessed-
and that how thy love for her is my karma, my devil,
and the most undesirable-yet resentful, total sham!
Oh, for the gracious is ungracious indeed, in her eyes,
and peace is but to her a mere tempest of fights;
for to her, immortal are her shallow rights,
And eternal are her breaths, and thus, her tidiest lies.
I hope she shalt be soon swallowed into this earth,
and bludgeoned to death, within its eternal, whining hearth.
She shalt be sent to Hell, for all her discordant sins,
poor creature, as poor she was, whenst alive-to her kin.
But still poorer, poorer me who adoreth thee like this,
Who forever longs to taste thy sweet breaths-and kisses,
I am like an infant who seeks to walk and drink of the stars;
Without knowing the sky is indeed boundless, and strenuously far.
I am who never grows, but stupidly screams, and urges for the most
I, myself, who shall always be strangely desolate, and lost.
Ah, t'is poor self of mine! For canst I only dreamest, and seekest, and whine
Whilst her hair is in thy arms, smelling like sweet-and dreamless sleep,
Buried deep in thy charms, with her heart engaged in thine,
And unawakened by the night, as to one delight so deep.
I am envious, envious, envious-and for thy know, t'is envy is perilous,
and should I die, my spirit wouldst remain awake, and forever curious.
I shalt be wand'ring voicelessly like a fishy ghost,
Be unseen foliage in autumn, and be winter's plodded frost,
I shalt be confined in my own confinement,
and flustered away, in my own unblessed, refinement.

Yet still, nothing is more stately than my feelings;
and this picture of thee-ah, as always, solemn and so honoured in my arms.
Ah, thee, let me invite thee here-and show thee how tears are in fact, the truest charms;
and how pains are undeniably our breath-though faked, and dried away-
by unceremonious adoration and hate-
but still alive like we are, among th' very livings.

Ah, and so my feelings are dangerous-
for they have no soul; are bound not by wings.
As thou smileth to me-they smile not, but groweth serious-
and their seriousness, in return, bringst not one single uttering.
My thee, my thee, but if thou art not my fate,
how couldst I call thee always, my salvation?
In my heart thou art not merely my mate;
thou art worth all my warmth, regrets, and thus holiest temptation.
How am I to procure advancements, my sweet lad-
Should we hath been 'lone, had we never met?

With thee I hath been in love,
and for whom my feelings are tough.
Still I believe loyalty is in thee,
and honour in me-is whenst I loveth thee only.
My thee!
O-my thee, by whom these long-living trepidations
shalt no more be meaningful,
as how all other's admirations
shalt become unfelt, and sorrowful.

Feelings, feelings, o my incarcerated feelings
My tears are thy soul; that shape and form thy whole
To live and love whilst these flames are strong,
to whose lips only, I am insane-but clearly belong.

The wick is fading, and I have no matches left
In this dark abyss where I sit depressed
My valiant heart has become a perch for crows
Smile shaped in stone
Each embrace stiff and cold from my marbled soul
My arms depict a grasping hand
Reaching for a world these etched eyes will never know
Trapped in the heart of a withered artist
His mad dealings mold and make me
A victim of his musings
Crafted in a candlelit madness
Delicate delusions and vague allusions
To courage in the many veiled faces of death
Carved and set at the base of the steps
Statuesque

I wander.
Endlessly, I wander.
Ceaselessly, I walk.
Forever more, I go on.
How many ways can I depict my unrest to you?

Footprints are the timeline of my life.
Where I’ve been, the mistakes and wrong turns I’ve made.
The people who have walked in.
The people who have walked out.
They are etched in the ground, broken in by my feet.

Every so often, a second set of footprints joins mine.
Some go on for months, years.
Those are my favorites.
But they never really last.

Most dip in and out of my path.
Some lead me in circles until I have to leave them behind.
You never know what steps are the right ones
Until you’re looking back at them, behind you.

I wander.
I search.
I trust.
And then, I hurt.

Of these steps I am sometimes wary,
But the set of prints next to mine makes me sure footed, now.
I squint to look ahead, but my vision is terrible.
I can’t be sure, but it seems that there are many sets of prints ahead.

Strong, deep, sure-footed paths are carved out in the future.
Please, take me there.
Please, do not lead me astray.
I don’t want to have look back to judge the way you stroll by my side.

Do not waiver now; I haven’t got time for circles any longer.

My eyes search
the navy air
but are unable to
depict the
soft features of the rabbits
loping tentatively
through patchy glebe.

I wish it was spring with
bright white fruits.
Just ripe.
Not summer, because 
in the summer we cloy 
under the fat cream trees.

I want to see you,
and the wild hares,
but the twilight's 
hiding 
its secrets from us.

for me, the greatest escapade of a Thespian to will truth
rather than power, is to depict power as a nonchalance,
a shrug of the shoulders, it's not so much a willingness
for either, but a Thespian to depict a will to power,
it's to depict the truth behind it, a nonchalance...
best exhibited by roddy mcdowall
in the film cleopatra (1963) playing
octavian / augustus...
puppets on your mark, get tightened:
dangle dangle dangle;
crucifixions in syria are like throwing
raw chicken to cats in england;
go on... flinch or nervy eye a lid to twitch
that one into your reality as non-existent
because elsewhere or taboo so the tiara lady might mind,
as: ooh **** blush pluck a few roses while i wrinkle
a fake smile that's otherwise best represented true
around the eyes.

I've always been confused
by media's personifications of Life.

A beautiful woman
                          whose skin is flawless
                          whose face is symmetric
                          who has no faults

She, Life, is perfect and clean.

How life truly is not

A depiction of Life I give you now,
one not so perfect as She before.

                                           Skin and features of many
                                           taking in the best and worst.
                                                    A being who is strong and weak
                                                    visibly ill while being well.
                                A being who is beautiful in it's -u-g-l-i-n-e-s-s-
                                or rather,
                                a being who is beautiful in it's uniqueness.
                                      
A being who is not perfect,
but strives to be.
A being who is not commonly pretty,
but true to the mixture of
                                 Pain and Sorrow
with
                                 Ease and Joy.

Now I am sure you depict
Life a different way.
But how truthful all these depictions are

for life is different to everyone.

did it work?
I give a useless tug on my skin, done to reassure me
instead it reaffirms to me:

I am, again, inconsolable.

is the mask I wear today sealed on tight? too tight?
does it hurt to pretend so much?

does it seem clear to anyone else that there are loose ends I've yet to tend to? backdoors I've overlooked?
transparencies?    can they see through me?

I bare my teeth. canines, canines from the days of carnivores.
am I that carnivore? in my genes I am.

and in practice?

inconsolable, uncontrollable
barely a threat in her form.

this question comes to me under many guises:
an old man asking me: are you that of practice or are you that of genes?
a professor lecturing: are you that of cultivated identity or that of inherited form?

my concerned friends crying:
who are you?
is your mask anything like you?

and then i wake.
it's a terror turned nightly chorus.
recurring nightmares, doctors offer.

i admit i know the content of my dreams to be unfounded:
in life there are no physical masks that do the jobs my terrors depict.
no veil to hide the contours of each flawed personality, no mask to others, just me, weeping-in-the-bathroom, never-myself me

and those attempted favours to be like one another
i'll be like you so you'll like me
i'll like you because i'm like you

so the body charges on in this society like a mirror
cross your left leg when she crosses her right, fold your arms when she's folded hers, raise your hand to say hello, raise your hand to say goodbye

a kiss on the right cheek, a kiss on the left, one more on the left
this is how you show love and a greeting all at once

fold your arms over each other, this is sympathy, this is greeting, do you take comfort in this too?

so you learn to speak with your arms, and you learn to speak with your legs, and you learn to speak with your face, and you learn to speak with your head.

soon your eyes are apprentices of acquaintances, learning to borrow looks like library books, take on others' stories like they've read them end to end.

so in the middle of this process you learn to effectively say:
i see you, i hear you, i perceive you.

and in these attempted favours, at the end of your night terrors, is the parrot that they want to see. the parrot that you argue, can't really be me.

A little thing called *****, its just like when you get a text and your fingers play a sensual melody on the keys.
Notice I use the word sensual to depict the image of the man being the fingers and the woman being the keys, with that touch she loves so much...she may not know if it's love our lust.
At first she may have been confused...but didn't resist to remove her clothes and shoes, way after it will turn out into a story of pleasure and laughter.
This thing called *** is not for kids, it might start off with a kiss , then a poke some months later she tells you she has your child you thought was a joke.

A calamity of views abused
When the alcohol is strong
The choices go wrong
Everyones offend through Misinterpreted temptation
Using my over analyzing brain to calm the degraded
Crying over a mundane sane
Looking for persuasion
Through persecution
Picking out your weaknesses
Bleakness, is a majestic trait
Not intentionally
Burdening their agony
My name is animosity
I depict a character that sympathizes
Your alibies
Using my vulnerability
Contaminated humility
Finding
The hiding
No problem suggesting
My dark secrets of the night
Applying my skits that fit right
Paranoid to be viewed in a mortifying light
I would be lying denying my animalistic ride
I have scrutinized
Remorsing
I see earth born
Godly you stand
In the morning
Behold deformities
You fit the norm
I bow to your Godly proportion
In vein this I pray
Amen

Shoot me, You might as well, cause I'm a threat
A threat to your system, a threat to your net
profit and status quo, so pick up that gun shoot me and pray to the ground I go, and when you bury me you better call me a madman and pray that the martyrs don't grow

You may as well shoot me Mr.Police officer,
It may put your employers at ease
One bless black man with a heart of power
One less antibiotic to your disease
Don't forget to tell me I'm resisting, don't forget to tase me til I fall
Don't forget to choke me so those listening won't hear my struggles, my calls
Don't forget to have the media depict me as a ****, and a criminal and a menace to society
Don't forget to  reprimand and berate me
Remind  your older white listeners that my kind, my skin color
is still not considered American Propriety
But more like American property, disposable goods

So **** me, the cameras are recording but don't worry you'll get off free
Might be just a conviction but your *****'s new henchmen and ***** still got the key
A couple months paid administrative leave so you can sit on a beach, drink some ice tea
Mad that you can no longer put chains on our wrists so you put handcuffs instead
No longer pulling whips across our backs so you bury hot burning lead
No longer working your fields for all to see but instead privatized free prison labor with your warden holding the key.

Martin told me when he us that he had a dream
I got his same DNA in my bloodstream
And in every cell in my body I feel the effect, I teem
I boil I scream, when I see a black mother or father gunned down by police men and the children witnessing the death, the blood, the stream.....

I scheme, and when I sleep, I dream
And when I dream it's bad news for you
to avenge those we lost by crimes, undue
To put a stop to all of you.

i had a friend once, we used to meet up for drinks and talk *******... i like that notion: once... because it was only for a short period of time, i got ~bored of him, but in actual fact disgusted by him... one of those Dostoyevsky moments from Notes from the Underground... this is the thing about being well-read, self-educated, self-educated to the point where you can loudly say: university taught me nothing, hence my third class degree and ample material of having observed the pigs's numbed snout nibbling on the trough... how easily someone can say: i'm writing a book! i' writing a book! but when the question comes: can i see it? there's no book! i thought this friendly exchange concerning ***** and other juices of creativity would precipitate into a grand finale of actually seeing the sweat and tears on paper... so when i told him: i'm getting published, 100 copies and all, an introduction by an Armenian doctor... decent review... well... naturally jealousy came in... he said i should name the effort a word salad... funny thing about being well-read... you know certain terminological hot points... he was out there writing a book but really smoking dope and playing computer games like computer games are supposed to be played these days: about a million Stephen Spielbergs directing very economised games, very economised meaning: a great investment in them. he was being condescending with suggesting i name my first collection word salad, but that's the problem of being well-read, you know that word salad is a degrading term for someone not capable of writing a coherent narrative... someone who doesn't understand his own words, someone who writes loosely associated sentences of meaning, it's not a pleasant term... that was simply insulting my intelligence, not the sort of intelligence that's quantified within the framework of the i.q., when i mean the less statistical variation i'm invoking: intelligence quantum - a certain amount of understanding concerning a certain focus of interest - as with Kant, we choose what the mind might find entertaining, and discard what isn't entertaining - certainly, not everything contains in itself enough "energy" (for lack of a better word, hence the "   ") to be entertaining, partially because we are limited in what we find entertaining: a) something we understand or   b)   something we can barely grasp... usually the latter scenario, but sometimes the former... but to claim something is a word salad? let's just say i have enough psychiatric literature under my belt to know it's a degrading remark... and the hermit and a severed friendship.

people never think you're well read,
but they never, for once, think that
your isolation is due to the fact that you read,
as with the above stated scenario of
someone thinking you might not have
come across a phrase, that's essentially
degrading - too much video games and ***
will do that to you...
                          as with Bukowski
boasting about reading -
                                             he apparently
read Kant but doesn't bother to mention any
key ideas... populist at heart,
    sure... if i didn't bother to learn the laws
of spelling and punctuation...
                           i'd say as much on the rebellion
of never bothering to learn to tie my shoelaces...
it's pretty much the equivalent of...
     what he already said.
                              and philosophy books do
require patience... they're usually masturbated over
by students writing essays and instead
of going the full nine yards and entering
the narrative, they squeeze out a maxim and that's
that...
                       i'm 30 pages away from
entering the final part of the critique:
                                  transcendental methodology -
30 pages and i'm guessing two years since i
started reading the critique -
                                     well,
philosophy is more geology in terms of reactions
than it is chemistry, where reactions take much
less time to be completed -
                    philosophy in that sense is a variation
of geology - poetry and other forms of literature
are more or less chemically bound to be abrupt,
painfully drunk on the highs and lows -
                             and volatile -
                                                     hence the comparison.
   should i quote? i think i should...

idee czystego rozumu nie mogą nigdy same w sobie
być dialektyczne, lecz jedynie samo złe stosowanie
   ich musi sprawiać, że wypływa z nich dla nas
zwodniczy pozór.
                                                     (p. 303, vol 2,
                                      wydawnictwo naukowe PWN)

               another thing to mention... transcendental
methodology might be simplified in terms of
    transcendental grammar classification, i.e. borrowing
concepts higher than the general classification of words
allows -
                  the double noun exfoliation -
                                    apart from naming a word,
we can absorb the activity of the word beyond mere names:
         words that act as catalysts
                                   words that act as enzymes -
                 should there be specific examples?
                                   in general the substrate to product
transformation using an enzyme
                                                   can be voiced by sophists
throughout the ages -
                                 inflammatory coercion of words
to specific bundles of predictable excerpts is standard
                       when the pulpit is filled and all void denied.
but concerning the above quote, i too was thinking
something along the lines of *a priori being obstructive
       of the ideas of pure reason accommodating dialectics.

trans.
            ideas of pure reason cannot, ever, in themselves
                    be dialectical, but only the wrong application
of such ideas must cause, that from them there flows
        a deceptive guise.

      i could quote further, but the a priori principle is
the argued against dialectics are a false nature acquisition
in terms of these ideas of pure reasoning -
               that we've been given these ideas by a supreme
manifestation of nature in us, i.e. that this highest of
all possible tribunals dealing with pretensions and laws
of our speculation, could also contain within itself
primordial illusions and (loosely) spaghetti muddles.

            true to the reason behind moving from a)
a priori              through to          b)    a posteriori -
        if pure ideas are caustically anti-dialectical,
it's because dialectics would rarely mind the transition
being elementary -
                                       but then again,
i imagine the dialectics in a purely a priori guise
and the Newtonian debate given Einstein's counter-proofs...
in that sense, i somehow seem to disagree with Kant...
well, then again no... in themselves they cannot be
dialectical: i.e. disputed or argued against,
  hence the deceptive guise when Newton was supreme
for so many centuries and then Einstein came along
   and the mask that Newton put on the face of gravity
was to be found not straight, but parabolic.
so yes, that's true: time and space are ideas of pure reason,
and they cannot be dialectical -
                                        even though they are
but not in-themselves dialectical,
                                        they have to possess a dialectical
facade, or at least that's what they exfoliated
              and sedate with...
                                              i'd go one step further:
dialectics is, as far as i know, the only way to approach
ideas of pure reason -
                                           only once dialectics shows
us the ideas of impure reason (the Socratic daemon) -
as leading us into acknowledgement
                                              that certain things are truly
non-debatable -
                                      but that they somehow have
to be debated in order that they might be refined
for the purpose of them being true to their nature:
non-dialectical.
                                   this approach is at least better than
what becomes forcefully adhered to,
                                 i'm still facing a dialectical concern
over Darwinism...
                                      primarily because...
well... my concern is that a belief in a god is more comforting
not for some case in jurisprudence, a heaven on high...
          it's the bothersome timescale and the fact that
skeletons and drawings on cave walls are not much of
a comfort either...
                                   partially also, due to the fact that
i like to think about the item of concern, rather than
express some sort of benediction toward the item of concern:
    there's nothing insensible about that,
given that god, as much as space and time, is an idea
of pure reason -                if i was imbued with
   a natural supplement of atheism, i'd still be trapped
in a dialectical moment of concern -
                                 until i'd finally shed all manner
of a dialectical approach concerning the idea: and make
the final non-dialectical statement of faith.
the flip side is not whether you're right or wrong,
  but whether you actually can make that statement.
as far as i'm concerned (well, i never had that much
admiration for the man) - Mr. B never read a **** thing
of philosophy.

i find it abhorring to somehow feel the need for
a condescending approach to this subject of interest...
as any assurance there need be concerning philosophy...
one thing is perfected witch each new approach to
the subject: you never actually find the time to moan
about not being with women... or how poorly humans
treat each other... you never seem to complain about
solitude, you never once feel lonely...
                                                   you quiet simply get on
with it...                         perhaps that's what it always way:
the best way to entertain yourself...
                    you're basically having to write out with
ease crossword puzzles in your mind that precipitate down
onto the blank page... somehow with it:
life is bearable when alone... and there are more
entertainment hot-spots... none to do with gambling...
                 so that's about as much as being pegged
down to size actually means...
                                         never true: that cinematic
feat to depict modern (and very much Anglo) guises
of modern alienation...
                                           then again: he probably
did read it, but he never bothered to discuss it in any
way relevant as for it to be revealing his interest in
the topics... macho cool keeping it trendy, i'm guessing.

rereading is sheer masochism; poems that are like quantum maps of complete disorientation, walking across horizons with a crazy Bermuda triangle compass constantly spinning, with no scientific entry point of potential of itemisation, a bit like π, and yes, re-wording or revising a poem in english you have to deal with conjunctions that turn out to be prepositions, and indeed pseudo-adjectives too; so many ******* modifiers of phraseology.

one of the reasons, i find,
why man encodes sounds,
is because of the images
he generates;
****, ******, war;
we encode sound to hush,
we encode sounds as a way
to trivialise if not simply obstruct
images, we find "peace"
encoding sounds, to limit the possibilities
of generating images,
we're not keen on generating images,
we encode, we encode sounds,
without the zenith (the sound of raindrops)
nor the nadir (the sound of rapes),
we try to encode sounds, but we never
really decode image recurrence
as necessarily being obstructed,
we say the same **** like our toiletry practice,
sure we encode sounds perfectly, elaborate spelling
and grammatical technique,
but when we paint we depict...
we can't encode to decode-an-obstruction in that medium,
we can't surd the **** thing from ever
repeating itself, we depict in order to
conceive a pendulum and a forward magnetism,
images don't seem to be artefacts of obstructive-decoding,
of sentencing to a taboo, more like passive-encoding...
easier the crucifix or an electric chair...
we can encode sounds, but we can't encode
images, since we exploit them
for an unnecessary repetition -
the regurgitation of life's something, and an awareness of it,
we can encode sounds with the 26 surds...
but then the medium of assembling contortions
of shapes in the medium of the rainbow
gives air to exfoliate - the oyster pores opening
up eagerly for experience, however painful...
try it... you can't encode red of a rose or the sunset
with oils of the required sediment / pixel...
encode it... *red...
we love to hush matters and brush them aside...
which is why painting by posthumous artists sell
for so much, we have civilisation but no tribalism...
no society as such...
we encoded the pains and pleasures,
but made experiences doubly opulent by a lack
of encoding the rainbow spectrum into either white or
black extremes... sleep or blankness...
indeed sounds are easily encoded,
but images and conventions of experiences aren't...
with encoded sounds there's no mirroring effect...
they remain, the everlasting imprint on the psyche...
i can convene with you over the sound of the periodic
A, as it supposedly instructs you in it being pronounced
via the allowance of being strapped into
the role of dentistry's guinea pig...
but where are we with green? is that short
of amber to instruct you in what? what?
imagining a meadow, or instructing you to talk
like a Hackney hipster after puffing dead a blunt?

Poetry is the art,
Of word selection.
It is the beautiful combination
Of syllables, rhymes, colors, and images.
A place where a description
Consists of few words.

In that sense,
I hope that one day,
The art of poetry that will depict me will be
Indescribable.
I wish for one day, to not be called
Beautiful
Pretty
Adorable or
Kind.
But, instead, I want to be
Indescribable.
"No one adjective can describe you, so you're
Indescribable.
You're everything: from beauty to fierce, and yet,
That doesn't seem enough. You are, love,
Indescribable."

This morning I woke up before 6am.
Too early for most people, myself included.
My brain was running wild last night.
I laid restless in my bed for what seemed like hours.
I tossed and turned and my thoughts were overrun with nightmares and horrors.
Turmoil took over my mind and stressed my heart out. I simply couldn’t sleep.
I took deep breaths, I counted sheep, I even drank a cup of tea.

Nothing worked. So, I continued to lay there too tired to move, far too awake to fall asleep.
Such a terrible state, caught in between two extremes each one refusing to give in.
Life had exhausted me and yet I still wasn’t allowed sleep.
I felt trapped, I felt powerless, I was defeated.
Somehow amidst my worrying, I had drifted off into slumber.
And that leads us to this morning.
This morning I woke up before 6am. Groggy, vision foggy, and most of all still tired.
I mean, could you blame me? I had gotten barely more than half
of the prescribed amount of sleep for someone my age.
I packed a bag for the adventures of the day, which for me meant about 30 pounds of textbooks.
I made a list of the work that still needed to be done.
Another list for how many minutes I had before the sun.
One by one, we loaded into the car, like soldiers preparing for war.
In some ways, we were readying our armor, but ours was metaphorical rather than literal.

My dad is always the first to the car. He likes to get ahead of the current.
My sister is second, she’s grumpy and doesn’t understand what’s going on.
Then myself, I’m tired but still excited for what’s to come.
We drive through the sleepy city, everyone’s preparing for their own day.
The sun itself has just risen and we watch the world awaken.
We have arrived, and it’s about 6:30AM.
You guessed it. It’s time for breakfast.

Scientifically speaking, breakfast is the most important meal of the day.
Personally speaking, nothing chooses the course of the day more than that first meal.
A cold unforgiving bowl of cereal doesn’t bring me happiness,
Like a warm bowl of fried rice does or like scrambled eggs with just a hint of cheese does.
Perhaps I am looking too far into the way certain breakfast foods makes me feel.
Regardless, we walk in and the environment shift affects all of our moods.

We made it to the front of the line and we order.
For my dad, eggs, bacon, and link sausage, a trio.
For my sister, in a state of dazed, orders the same.
For myself, the only one with originality deliberately chooses blueberry pancakes.
The warmth and comfort found in hot chocolate is exactly what I need right now.
So I order that too.
Sleepy and unaware, we trudge back to a table as a unit.
Our table is split between booth and chair and it’s located next to the window.
There is something poetic about the scene.
Maybe it’s the early light breaking through the glass.
Or maybe it’s rarity of the event, we usually eat breakfast at home.
This is a special occasion not for any reason other than it’s happened.
Moments of solemnity are interrupted by our waitress who brings a new day.
Found piled on top of flimsy paper plates is a sight of pure beauty.
Maybe it’s the lack of sleep, people tend to experience life more deliriously during this time.
But the food looks incredible. The pancakes are lightly coated with powdered sugar and
look like they had been pulled out of a magazine cover, as does the rest of the food.
My father and sister’s moods are lightened as food typically has that effect.
The hot chocolate is topped with whip cream and sprinkles something that I didn’t ask for and yet I’m endlessly grateful.
They bring a previously unexamined aspect of happiness to this already novelty of an outing.
Once the food arrives, I halt the instincts of everyone by forcing them to capture the moment.
I enjoy pictures because they are snapshots of reality, that can depict whatever you want.
They take time and turn it into moments, something truly innovative.
After the pictures, we eat, we make small conversation,
And most of all we enjoy each other’s company.
It’s similar to the breakfasts you often see out of movies, families living that idyllic lifestyle.

This morning I woke up before 6am
And only got 4 hours of sleep.
But despite all odds, this was a good morning.
Now I’m not sure if this change in mood is attributed solely to breakfast
Or other unmentioned factors but I do know this.
Physically, I feel tired.
Mentally, I feel better than I have in a while.
Perhaps, I can even persevere through the day.
I guess that’s just the power of blueberry pancakes.

Infinite amounts of definitions could not depict
The extent to which a structured norm
Is measured
Blindness adjoins clarity, while sight provokes vanity
It is an aspect unhindered, lacking certainty
A single word yet so many portraits
Drawn on the canvas of our linked pathways

If you ask me about beauty, don’t
For my lips would quiver nonsense to you, to me
The mass of the universe that surrounds our whole being
The endless rows of glimmering stars that speak to our vulnerable eyes
Or perhaps, the raging force of life that springs from within us

If you ask me about beauty, don’t
Because you would have to look at yourselves to see
The beaming smiles corresponding with velvet risings of cheeks
The abundance of glistening tears that have embodied those very same
And even, the flashing spark of joy which invites a feeling of utter content

If you ask me about beauty, don’t
Otherwise there would be an influx of sentiments towards
The prettiness of colored nature, steadiness of height-breaking hills
The calmness of the bare sound of waves crashing into an advocacy for peace
The building blocks of surroundings that determine you and me

So if you ever want to ask me about beauty,
Bare the consequences in mind
Just the elaborate thought of such a question
Could raise a plethora of reasonings

Fleshy is such
a nasty word.
Like ******.

****** is a nasty word.
It's also a nasty action,
but it's one of those
rare, rare cases
where, where the word
is as bad as the action
(biologically speaking).

And if you combine the two:
Fleshy ******,
it's almost double the nasty.

It's like math.
Except gross
(biologically speaking).

What's a biologically and how does it speak?
Maybe we want our science
to speak for us
because we've run out of thoughts.

Maybe we need our experiments
to show to us
what we're afraid to depict
ourselves.
Our brains are driven toward creativity,
while our world is driven
toward tangibility
(biologically speaking).

Maybe we're just left with facts
because opinions are scarce,
and we're starving,
clawing away at the morsels of Nature
instead of the meat.

          biologically speaking.

Windows to the the world through which I see
Images of shortfalls and views of perpetual inadequacies.
Shut my lids ever hoping for a change in scenery...
But only pictures of emotional chaos, mistakes and uncertainties.

Visions I can't ignore and they can't be severed;
Like a splinter that's embedded but can't be retrieved.
Reluctant at first I wish to have them captured...
Capturing all the disorder, but have the beauty all sieved.

Beauty and light engulfed by this visual turmoil
From windows to canvas, I paint but with a sombre brush.
Vicious strokes represent the feelings that roil;
Devoid of pardon; sing of pressures that crush.

This brush that I use; I've taught it all too well.
It could paint even when running on the subconscious.
It never does relent, nor never will it ever quell,
It'll keep on painting the dark side of the senses.

My canvas just lays receiving the brunt of the strokes.
It lays there quiet; accepts it all without struggle.
Like fuel to a bonfire, it provides and also it stokes;
It lays there ready to accommodate the dust and rubble.

Again the brush finishes with its last deft touches.
Producing the same painting it's painted over and over...
They will never depict meadows with the farthest of reaches
But a portrait of me; staring mournfully into forever...

there's a lot wrong
with the earth-
& with my head
i'm trying to shed my addict skin
i'm so much more than what i depict
& i've come pretty far,
considering where i've been

& this world may be bleak
but i've gained some light
by burning down every
bridge in my sight-
you may say my pyromania
is born out of spite
but your toxicity is now gone.
i can finally breathe right.

so i'm going to continue
to fix myself
i'll box up old memories,
hide them high on a shelf
because i’m done treating the past
as my prison cell.
i've roamed ******* far
from the pits of your hell.

I have 111 photos on my Facebook wall
I have 13 albums that tell my secreted past
A profile picture that hold my personal record of 63 likes
I have 111 photos on my Facebook wall
Yet not one shows who I am
Not one can depict what I'm going through
Hidden in the picture a message
My body hidden away for no one to see
The photos only holding my face
The face that is being but online for people
To like and comment
Oh your so beautiful they say.
But then I see
The half naked ******* my home page
Showing how confident they are
Yet I know, they are seeking for something
They want the feeling like they are worth something
But when I see these body standing half naked on my home page
I want to cry.
That a girl has to unclothed herself so much just to be call beautiful
But is that her fault or the pressure from the other girls.
I have 111 photos on my Facebook wall
These girl I see are much like me
Except they crave to be called beautiful
Theses pictures holding a message that no one can depict but them
The pictures making more okay to call them names
No matter how many times she gets called a ****
No matter how many times she gets called a **
No matter how many time she gets called a *****
No matter how many times she will get bullied for posting these picture
She will not stop
She will block the bullies and keep posting
She will never let other think she has won
She will never except herself as beautiful
Even though she is and everyone knows it
She will finally get to that point
I have 111 photos on my Facebook wall