I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect.
Thus I approached them with the notion that a limited dosage might point to their character, though  not reveal. These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin re-uptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavor of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, interesting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Sertraline is another popular SSRI, also known by it's original brand-name Zoloft. Sertraline has a variable half-life, on average 26 hours.
It's metabolite, desmethylsertraline, has a half life between 62-104 hours but is a far less potent Serotonin Releasing Agent (SRA).
The presence of two chlorine atoms is interesting. The usual, phenomenal serotonergicity is present and pushing towards the positive.
Some nausea, particularly when hungry (this disappeared after some minestrone soup). Some faintness after physical exertion. This dose did not promote onirogenesis. There was a moment of cognitive distortion when the proportions of a focal object seemed to be growing in-and-out, shifting in size.
Site                 Ki (nM)
SERT              0.15–3.3
NET               420–925
DAT               22–315
5-HT1A       >35,000
5-HT2A          2,207
5-HT2C          2,298
α1A        ­        1900
α1B                 3,500
α1D                 2,500
α2                  477–4,100
D2                  10,700
H1                  24,000
mACh           427–2,100
σ1                   32–57
σ2                   5,297

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I surmised it has a high affinity for 5-HT2C.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically interesting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energizing yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires caution.
Site          Ki (nM)
MOR       383–768 (Ki)
                 194 (EC50)
DOR      >10,000 (Ki)
                 37,400 (EC50)
KOR      >10,000 (Ki)
                 100,000 (EC50)
All other transporter/receptor/sub-receptor values are >10,000 (Ki).

Bupropion is a norepinephrine-dopamine reuptake inhibitor (NDRI) with affinity for some nicotinic receptors. Bupropion and its metabolites are active for between 12-36 hours. Interestingly it is a substituted cathinone.
Initial subjective effects similar to a fairly light stimulant. Perception of increased attention-span and improved cognition. It is an onirogen that is neutral in quality, enhancing vivid dreaming (a boon of its nicotinic affinity which is counteracted if the stimulant component impinges on sleep). Completely absent of serotonergicity, curious.
The N-tert-butyl group's effect is most interesting, how it affects metabolism and to what extent ROAs alter pharmacokinetics.
I took 150mg ******, as extended and as instant release (the latter was more pronounced). I thought an altered pharmakinetic profile might result from bypass of hepatic metabolism, so I tried 25mg insufflated and felt as if there was effect that it differed slightly from oral ROAs, but also worried that its metabolic fate is thence unknown (compare to the neurotoxic 3-CMC). What of other bupropiologues,
for example, 3-Methyl-N-tert-butyl-methcathinone? Indeed.
                        Bupropion    R,R-Hydroxybuprpn   Threo-hydrobuprpn
AUC               1                     23.8                                  11.2
Half-life         11 h                 19 h                                 31 h
IC50 (μM)
DAT               0.66                  inactive                          47 (rat)
NET               1.85                   9.9                                  16 (rat)
SERT              inactive          inactive               ­            67 (rat)
α3β4 nic         1.8                   6.5                                   14 (rat)
α4β2 nic         12                     31                                   no data
α1β1γδ nic     7.9                    7.6                                  no data

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan/tyramine), indications of serotonergicity later became apparent: feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A stark reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe, and synergistic (perfect for pharmahuasca); reputed to potentiate GHB. However, generally it is extremely dangerous to combine with serotonergic drugs.

I wish to age like a wrap-around porch
In a thunder storm,
While generations tell tales,
Sipping drinks.
A porch of blinking stars,
A shelter out of rain,
With ascending and descending friends.

I will age like a tree,
Grow stronger in the wind;
Give shade and shelter to all
Beneath my ring-aged limbs.

I wish to age as a river bends,
Contiguous with all shores;
Floating everyone I know
On eternal waters,
A current winding with no rest.

I will age like a star,
Burning bright, giving light,
Something to reach for.

I wish to age like a mountain,
With secret caves and riches.
And you can rock your soul
Around, over or through,
Solid, snow-capped summit,
Beckoning you.

I will age as the moon,
In stages, full and new;
Each night different,
Unnoticeable fading,
As all who age will do.

I love it when I notice others
using the same vocabulary
or phrases as me

And while my mouth may remain
a straight line
in efforts to portray indifference,
my heart is smiling
from beat to beat
because it means that
you held me so close
that a bit of who I am
rubbed off onto you

It makes me feel as though
I’ll always be a little part of you,
disguised by letters,
unnoticeable to anyone else

But I see it (I see bits of me in you)

I’m still with you,
and I wonder if you can see it, too.

It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
 
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
 
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
 
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
 
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
 
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
 
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
 
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
 
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.

Lost by  our own illusions
Only we know true ambitions
Never part of the large crowd
Everyone teases us and laugh
Really we are just unnoticeable

If I get lost, promise you'd leave me be
Let me walk alone in my circles
I'll find my way back...almost instinctively
Through looping thoughts and scribbles

If I should trip, promise you'd let me fall
Scrape my knee and scream a voiceless scream
Weight of the universe may seem crushing to shoulders so small
I'll walk it off and regain newfound steam

If I show signs of buckling, promise you'd let me collapse into nothing
Let me fold into myself...into an unnoticeable speck
There is solace in this space when the walls are caving
Soon I would reinvent and renew from that wreck

If I suffer a cut, promise you'd just let me bleed
Let the black of my soul gush out
Within it I would find the seed
To which all of my rantings are about

If I should begin to write, promise you'd read my scrawls
Take them as they are and not to heart
Just thoughts versus words that mean much or nothing at all
They'd stitch me anew when I start to break apart

If I keep losing myself, promise that you'd let me be
The circles I tread are very much predictable
They'd always lead me around... Don't treat me differently
Just stay where you are... I'll come back round, fresh and able...

To some she is a shining light
A flash of hope amongst the dark
An optimistic helping hand
To pull you from the dark
And cheer your sorrow

To some she is a black hole
Pulling the world down with sadness
Reliving the past that broke her
And stabbing others with the shards

To some she is simple words
plastered on a white canvas painting a picture.
never more
but never less

To most she is unnoticeable
A tiny footnote scribbled in the corner of a forgotten notebook
A wall flower whose thorns push away all but those with the key to her locked heart.

When you ask me what she is
The answer is impossible
Because I don't know

But I can tell you what she's not

She is not a beautiful face, to stop you in a crowd

She is not a chatting girl to talk you into a date

She is not a innocent flower
Welcoming with open arms

She is not a genius to create the next invention

She is not a musician, an author, a designer, a star, a doctor, or a hero

She is not a loving companion for you to hold, and remember your every need

She is not a great friend, always there in a flash.

She is not a friendly person, starting up the conversation

She is not a good cook, making meals that are edible

She is not an unscarred girl, unscathed by the past

She is not a beautiful figure
That draws your eyes

She is not hilariously funny
Ready for stand up comedy

She is not someone to remember though she will remember you

However she is not fazed by judges
Changing ways to suit them

She is not perfect

She is not stopped by her imperfections, only pressed farther to become something more.

And though I can not say who she is or what she will be. Here's what I can say

To me she will always be the girl staring back in the mirror.

When love hits two people
It's far beyond their capacity
It's not a choice.
Like God, bored in his kingdom,
Ordered the angels
To stitch them together
As one piece of fabric
Through thick and thin.

Then the Devil, jealous of such union,
Does his best to set them apart again.
He tries loosening the threads,
Uses scissors to rip them.
He even makes little unnoticeable holes
Just to damage the cloth.

But they must be smart
They must see through his villain attempts
At spoiling the embroidery of love
God sewed on the cloth of their heart.
They must resist.

Sometimes they do
Sometimes they don't.


F.Z.**N

I didn’t sleep tonight
Well.
I did something kinda
I never remember being a typical child. I was always wary. And very aware of everything. And I can’t remember a time where my brain wasn’t bouncing around, inquisitive. No matter who you are, there are small things you do that aren’t actually unique. All humans twitch in a spot on their face when they’re disgusted. We all have a nervous tick. Etcetera. Knowing this as a child made me very self conscious. My ego would say it made me self “aware”. But I watched my movements. And paid attention to my nervous tick. Phrases I would pick up and find amusing, and why. I was so careful not to do anything that would put me in a vulnerable spot. I wanted to be perfectly unnoticeable.
And I decided tonight, I’d go through the years that were especially hard for me and addresss the trauma in a chronological order.
Some of my very first memories ever in my life were of violations. I was touched and caressed, but not by my mother. This terrible man with a bit of a belly. And I would have thought it was normal, except for the sick bottomless pit in my stomach. And my rigid muscles. And it hurt sometimes.
Then I remember being with my mother. And staying at the white house with the flower pots filled with cigarette ash instead of soil. And I kinda liked it. The flower pots I mean. But I absolutely loved being with her. So many memories with her. So many sunny memories.
But I started seeing her less and less. And it was just weird. And uncomfortable. I had somewhat numbed myself, and hence there were many years spent I’m a daze. I was dreaming. But it was a melancholy dream. And I remember the foster kids my parents fostered. And they made me do things with another family member. Multiple times. And it was just so odd to me that this would happen, I didn’t know if this was normal or not. But I thought all this time I was somehow responsible and I’m trouble. Or at least, if I discussed this with any adult, it would be entirely unorthodox. Ludacrious.
And there was so much pain.
Then I had grand mal serizures (or however you spell it idc) for around two years I think. Only about like 8? Seizures. But every time it happened I just felt my memory going away. It was the strangest sensation. I would lose an entire week here or there, and days after they happened I would be a little dysphoric. And maybe there is a god that had mercy on me, and gave me those seizures as a way to literally forget some of what I had been through. Or repress I guess.
Anyway, then I was a very charismatic, secretly introverted girl during junior high. I had my first kiss and it really ******. It was just... tense-*** lips smushing against mine. I also had my lips closed though because I didn’t know you parted them for kisses. Like I had always seen my mom and dad do a quick peck so I didn’t know what to do really. But he said I was a good kisser, but what junior high boy wouldn’t say that about any girl he kissed tbh.
And I became VERY devout in the religion I had been raised in. Full-on future missionary. I read the scriptures frontto back multiple times. Blah blah blah.
Then I met my first love, and there was an electric shock that went through my body. I was mesmerized by this feeling. I shook his hand, told him my name, and he told me his. That went on and off from 9th? Grade? until I graduated and a little after. It was a long relationship, full of a lot of different times. Good times, bad times. But mainly we were toxic to each other. We didn’t know how to love properly. He was fighter, who believed he was the king of kings. And I thought that in every single way, he was. I was truly bewitched. And he’d hold me tight, and wouldn’t let me go, even when I wanted to be let go. He collapsed at my feet and sobbed in my lap. And I did the same with him. We were so wounded, but similar. And found solace and endless banter in a moment together.
At this point my mother died. And I travelled barely out of state to attend her funeral. I saw all of my siblings. And stuff slowly started coming back to me. Weird snippets of early childhood existence. I couldn’t process it all, and so I emotionally shut down for the billionth time. But my first love was here for me.
Leaving a note on my doorstep that I remember particularly. “On sunny days, on rainy days. You are just as sweet.” With cherry blossoms.
Funny, my mother smelled like Japanese cherry blossoms.
So eventually we had raging hormones, young teens, and we started becoming intimate. But I was rigid. And in the back of my head, I knew why. I had repressed the repeated acts of abuse throughout my entire life. But I just wanted to forget about that. It didn’t make sense, I loved him, so why should I shy away from physical/****** interaction. I believed I was broken, something more was wrong with me. And one night he fingered me, I guess he had learned that from watching ****? Because I had no idea what he was doing. And it hurt because I wasn’t even wet. But I just was silent with a clenched jaw, not wanting to be a disappointment. The next thing, I lost my virginity to him. And what’s funny is the way he convinced me to is by saying, “For Science!”
I still find that amusing. I was like 17 or 18 I think and still a ******. I should have stayed one. The first time we had *** and I lost my virginity just seemed like I was sleepwalking. I was watching myself interact sexually with him, but I wasn’t present. Every single time I was sexually abused rushed back to my mind. And I felt as though somebody had cut off my limbs, severed my head, packed my whole body (piece by piece) into a business briefcase. And walked out the door with my body.
After that I kind of freaked out. Just too much going on. I couldn’t handle it. And my first love tried to **** himself in the months following. I think, after almost four years of companionship, we had *** only a handful of times, and it got easier and easier for me. But he tried to **** himself after we were “off” again. So I went right by his side, trying to piece together his life so he could be at peace. And not have the turbulent mind he had. And we were together. But then I had gotten up the courage to break it off again, and for good. We needed to move on. I knew what I was going to say to him, I knew I wanted to be close and have one last moment together. Finality. Closure.
But he said, “you kissed another guy. You cheated on me.” And in my head I was like no **** really what about the multiple girls that were your “friends” that you cheated on me with. Throughout the entire relationship? But I said yes, he kissed me. And I’m sorry. And he said, “We’re done.” And got up and walked off, leaving me on the curb in front of his house. No words can describe the torture it was to finally be done. And to have it be on his terms, with no closure. He was so cold. I hated it when he was like that. It was like looking in a mirror.
And that’s all I can talk about.
Funny timing, it’s 7:30 am. No sleep since yesterday at 8:00 am. Ramblings of a tormented soul.
But that was the thing I did tonight. Remember my earliest memories, and go through my life in chronological order. Accepting that it happened. At least to this point. I think I’ll keep going tonight, we’ll see.
But it’s wednesday, and I definitely need to shower for work.
-nobody

the clock constantly reminds you
of the time wasted
and it daunts me that our time is slowly
but unnoticeably, running out
though it would be a pleasant serene bliss
to waste each tick and tock

                         being present with you
*c.r

if you want to find me
I am slightly left of centre
at the back, a different colour
more drab, grey even
quite unnoticeable
an extra in a street scene
there to make the numbers up
a voice in a choir drowned out
by those around me
probably mouthing the words
half remembered
a shadow on a sunlit street
where everyone is having
a good time, or on the beach
sitting staring out to sea
no small talk, not even hello

my mind is shooting
gathering experience
like tracer fire
target secured

From a distance designed for instant intimacy you begged me
to satisfy your earthbound,
dirt-grounded fallen-star needs with hands carved from the Moon.
Writhing between wildflowers and weeds
I danced my discretion on the definition of ecstasy;
pleasing your pleas with partial gravities—
like Atlas with sweating palms.
And I felt compelled to apologize as habit has trained me to
for loving you less like great lovers do, and more like
a high school “C” student who can’t remember the answers to the test.
But you kissed me mute.
We are daunted by the constant reminder—
from history books,  reality television shows and A.M. radios—
that, today, fame is a cannonball’s shot away
and insanity is as volatile as gunpowder.
But you,
You told me that beneath a sky bombarded by the broadcasts of bad news,
my skin made you convinced that the rest of the world were skeletons.
So under the thunder and crack of artillery facts,
for a moment we dawned the ignorant crowns of amnesia and
allowed ourselves to forget, as you let
your fingertips orbit the cores of my crater-faced palms.

We’ve both
(at the same time but never together)
mourned empty shells filling themselves with liquor and beer
at mid-morning barstools.

When we talk, we don’t need words to fill the space between smiles.
You’ve perfected the art of the gently bitten bottom lip,
while all I’ve got to offer is this goofy grin—
flashing a mouth full of teeth like typewriter keys,
craving to spell out in some brand new word,  
that I’ve never used and that you’ve never heard,
how wonderful you look today.

I bet you’ve left stronger men than me kissing sparks out of wall sockets;
craving something that shocks like your electricity,
but I’m just happy that your static touch has got my hair standing on end.
And even though I’ve never known the face of God,
You’ve given me belief in rebirth.
You make me feel funny and young:
Like Saturday morning cartoons.
Like midnight skinny dipping
And *** with socks on.

The truth is, you make me want to fall in love like it’s 1945.
I’ve been shipwrecked on war torn foreign banks.
Lullabied to sleep by the ratta-tat-tat of
machine gun harmonies and
the horseshoed hoof beats of in-sync cavalries,
and your portrait warming the breast pocket
of my jacket is the only thing reminding me
that there’s real music in a place called home.
And even though I’ve never been the gentleman
that the storybooks promised
when you were young,
someday I’ll wear a three-piece suit and learn the piano for you.

After three years digging in dirt,
weaving roots and planting seeds
in the most unnoticeable lingering looks.
thing I’ve learned it’s that gardeners
make the best lovers,
and together we’ve grown a grove out of un-regrettable mistakes,
midnight stairwells and
out-of-state license plates.
There are things about myself that were nameless until you
embroidered them a set of initials on the insides of my eyelids.
Now my rapid eye dreams read about the best parts of me –
and the long nights, they don’t idle so much
when I have something to be proud of.

Once a time we met
You were there smiling charmingly
Keeping your eyes away
I stood unnoticeable
I watched as you speak
As you laugh and your eyes sparkle
That charming smile I'd say!

Once a time we became friends
I enjoy teasing you, fighting with you
You never knew
Nevertheless, you treated me well
I stood frozen
I watched as you smile
As you talked with full interest
That charming look that I'd say!

Once a time we got together
We cuddled, laughed and talked
We hugged, kissed and smiled
I stood speechless
I watched your face lighten
As you looked at me with love
That warm love I'd say!

Once a time we fought
We shouted, yelled and argued
We throw tantrums with ego
I stood heartbroken
I watched your angry face
That fear I'd never forget
That person I'll always love..

Magic mirror on the wall
tell a story, lies are fine
and so am I
just the other day a feller said
my, what great curves youu have
cars and such were never an interest
just a stupid investment
waste of time and money
late late for a very important slate
a new one
out with the old, in with the innovative
get creative
it's impossible
too broad, minds can be narrow as rails
trains pass through
rumbling, rumbling like rockslides in canyons
you in?
Fun can be naughty
not like when you're a child
no
that fun was preconceived frivolty
but this **** hear
yessir, this is real fun
you got it ***
maybe spark some interest in the papers
words with more words
darling tell me a story
make it **** good
about a princess who isn't beautiful
but still pretty, in a rather unnoticeable way
and make her a ****** who loves fire
take it up
makes me all sleepy
when your mirror talks in such silliness.

andrew.
i fall to my knees at his feet with a heavy breath.
i almost feel unworthy.
this person, this man-
he's perfection in flesh and blood.
i feel blessed.
this angel, a saint with flaws, perfect flaws.
i nearly worship him.
godlike, i search his face for signs of light, anything celestial or close to it.
i find them faintly, small, unnoticeable to anyone who's wronged him.
he is perfect, and somehow, he is mine.

We gave each other words to build worlds
and we shared ours as one world.
Enraptured with our own eyes
and the comet dust we played with between them
We forgot about poison that we as humans must carry.

Who's was the spider?
Who's was the snake?

Neither, it was poison that humans make.
All that "we are all connected" is just like Pandora's Box.

We held each other in our hollow spots,
perhaps because we both thought the other
had that spot whole.

Maybe that's why
we both murdered those who were foolish enough
to fall in love with love
and think that it was us.
How vile we were, for we get close enough to slip the poison through a kiss.


I told you that there was a way for me to consider you dead.
What I meant was that there is a way for you to die
in that world we created in the dancing comet dust.
We'd be immortal in that world, was what we thought.
but we die without a heart.

And I realized
that I needed to know the beats of my heart
as it fell for another
and I needed to know
why I chose to **** them.
and I needed to know
who had killed me.

And we're beautiful.
So we fit the bill perfectly
to be the perfect killers.
or the surprising suicide.

What I'm saying,
is that we've had some nasty habits of trying to **** ourselves
in ways
that I used to think were unnoticeable.
And we never noticed those we ended up killing.
Until I realized
that my heart skips a beat when I break a heart.
Perhaps there is something there
in making another person your mirror
and making a reality with them
and when you walk away
from that mirror
a part of you stays with it.
Remember, it's a reflection
So a part of the mirror stays with you.

This previously unnoticeable mirror
is the eyes
and it is where I traveled
to take back what is mine
and give back what was theirs.
You gotta do it before it all shatters.

Splitting yourself up into a million pieces
is one way to **** your self.
Taking all those pieces back
is one way to make your self.

Shift out of the channels your river has dug
we gotta grow like trees
oh how slow it seems
to get to those stars

just remember
the stars are at our fingertips
but we gotta bury the dead.

I met Sally on the hill with a nickel bag of ******.
      She didn't pay me in money.
Instead, information and a little persuasion made the baggie leave my right back pack pocket
     “Dollars could never have made sense of it anyway
          We throw pennies away opting for the opulence that big bills entail
   Retail will never amount to the amount I've blown on blow”
    Or so she said behind Louis Vuitton shades shielding eyes half dead
           A ****** with a monkey on her back fed by a steady stream of opiates
       “I open this line of communication so you can see we lack foundation and stability and yet
      We're trying to build a sand castle with all the powder we can possibly get
And if we're forced to forfeit that fortress, we snort more, still trying to forget” and with that she placed her sunglasses on top of her head

     I stood back with my back pack and I finally understood
                               Why drugs will make you richer than working ever could
                   They bag a gram put it on the scale and tell you what it weighs
      But they don't tell you how unnoticeable it is when your life slips away

         We sell the dream, we sell the aesthetics
    The drugs, the parties, the scene with guest lists
     Invincibility
        Pretty lights.
                Fun. All a lie.

*I almost fell on my face walking down the hill, staring into those blue eyes over my shoulder all the while.

She blinks.
And such an ordinary unnoticeable movement
Creates movements in places he never intended to landslide.
She's a super natural rip tide
She's an extraterrestrial tour guide
To the universe
Of his dreams.
The
Space
Of her smile
Sends his pupils rocketing space-bound.
The black holes of her throat are cautiously slippery,
She wants him to drown.
She's ******* him down
Down
She's gathering him up
And escorting him around
Like shooting stars in a moonlit sky
His pupils search for the skies in her eyes
And she blinks.
She etches the disguise of his demise in her memory,
And she tattoos her name in his heart with permanent ink.

everyday is exactly the same
there is no love here
and there is no pain*

every single day
consists of only
gray
though my sight
is not colorblind
I exist
in a monochromatic world

at first
when I discovered
my true self
hiding
in my shadow
I found I was
drowning
in the deepest sea
of dark blue misery

anchors of shame
sunk me
to the depths
unable to pull myself
back up
my soul died while submerged
and since then
this sunken vessel
has been empty

sea of sadness
I am
one with you
the pressure
is no longer
overwhelming
it has become
unnoticeable
as with
all else

no joy
no sunshine
can touch this
void
myself
immune to sadness
immune to all
the colors of emotion

please make me real
I just want to feel

Big parts of ourselves are based on what we know best
What we do
Who we love
Where we are comfortable

The safety of familiar

When a rock the size of a delayed trauma is thrown between those cogs
The machine is still capable of continuing the way it did before
Something just makes it break that bit more
Quietly camouflaged beneath the surface of certainty

Everything now slopes to subtle disarray
As if the plates you had been balancing this whole time have suddenly stopped spinning
And the poles are threatening to snap under the pressure

I have separated myself into sticks and stones
Promised to break my own bones with every unstable step I take towards something I’m blind to seeing shadows of

Talking about it is impossible
It comes out in tongues of unintelligible
Crashing on tired ears too kind to tell me how badly they need a break

Discovering that who you thought you were isn’t who you can keep being
Makes me envy anyone who has had their identity stolen by an outsider

Constrictions come with self analysis
My body now moves through an ever-changing state of inconsistency
My figure defined by dislocated assumptions
Curves contract the changes in all the wrong places

Worries spread their seeds under an ocean of unnoticeable
Trust is now a stranger in my own home
who has figured out how to cut their own set of keys every time I change the locks

Blame is a fallback and the only ones to place it on are those who taught you everything you thought you knew

Heaviness is a weight I can’t brush off my shoulders
I carry everyone else’s burdens on my back because at least it is something I can be good at
A care taker who neglects to take care of herself

Eroding with every passing hypothetical
Every second thought
Every doubt
And every 'what if'

My impermanence is solidified in the knowledge that where we came from will soon call us back

Constellations can’t hold conversations but at least I know they won’t worry half as much

‘Nothing is permanent’ is one tattoo I can’t remove with laser surgery

So now I look for the missing parts of myself in others
In sizes and figures and numbers

What I am not is always something I could become
There’s always been room for improvement
and the empty space is running low on oxygen

Comparison has her cruel hands wrapped around my throat with a thirst I’m incapable of quenching
Self-deprecation isn't attractive
Insecurity isn't ****
Sharing so many similarities with someone who is everything better than me has turned itself into an internal torture device
an omnipotent ‘almost’ that lingers with every non-existent like-minded interaction that will never happen

I place my worth on the pedestal of peoples perceptions

Nightmares show reruns every second night
of the possibilities that now manifest themselves in the lining of my limbs
Leaking toxins that won’t go as far as my throat in case someone else overhears them

An unspoken competition for admiration and attention
The hollow has started to build scaffolds in my stomach for further renovations.

Easing it is a process
I seek shelter in laughter and forcing to forget

And loneliness has become a friendly companion in their absence

Afloat with overthinking until it jumps overboard
Dissolves transparent in glass coloured water

And drowns in it’s own pretty poison

drag my helpless body down the hallway
where it is dark and hidden from everyone,
a place too eerie that ghosts yearn to dwell and linger
—my purpose is quite the same after all.

compelled to conceal myself in the shadows,
sublimating to an unnoticeable presence
like speck of dust upon a quaint furniture
that no matter how meticulous and kind
the hands that care for me,
i cannot be wiped clean.

a miniscule of being that i am
only has a slight chance to be found.
to be known.

I became unexpectedly aware
of a
magnet in my chest.
an anchor under my
breast bone.
soft, quiet, almost
unnoticeable.
until later pondered alone
in a dark room.

your polarity,
being opposite naturally,
drew me slow
through the aisles in
the theatre
past people carrying
jackets
into a park
where city stars
were streetlights and
our human discoveries
were serenaded
by the spring song
of homeless men pushing
carts up the street.

As our magnets gradually
synched
I felt the heavy slide and click of
understanding
coded into songs and on the fronts of
cards

and when I let you-
I saw colours in
your kiss,
noting that some matched
your eyes.
I found home in
your arms.
like a final orientation...
like being on a road trip my whole life
without even knowing.

Became afraid.

Because really,
who understands love,
when they've never been properly
introduced?

6:00 a.m.
It was her 28th birthday
She loaded the ***** laundry into a washing machine
and looked at the toilet that she needed to clean
She fixed her hair, she took a shower
without even looking at her own reflection on the mirror
She grabbed a cup of instant coffee
and gulped ounces of it to steer away the terror
She tossed the cup in the bin
but missed because her hands tremored
And as if time was racing with light speed
she saw the sunset fading away in retreat
She goes to work the next morning
with layers of concealer under her eyes
but she could never conceal her wistful smile
She comes home with her daughter sleeping in her bedroom
And on the sofa was her tired husband
still in his party clown costume
At the corner was the telephone with five voicemails from her mom
but she never found time to listen to her qualms
She glanced at the night sky from her window
with an almost unnoticeable sorrow

One day she woke up and she was 70
Still doing the same laundry
Still drinking the same instant coffee
She looked at her daughter walk down the aisle
with her father who almost never smiles
She brought flowers to her mom's grave
but she couldn't hear her from the other side with the distorted soundwave
She still walks out her doorstep with the same shoes
Almost getting tired of hearing the same news
She still sees the sunset from that window
And she looks out from them with the same almost unnoticeable sorrow

She woke up and she was 28 again
She started to make an effort to notice her face on the mirror
She took time to look at her mom and cheer her
She hugged her husband more and this time tighter
She sank her lips into her daughter's soft cheeks
And never dared to miss a moment when her innocent lips speaks
She walked out the door before the sun could set
to finally buy a new pair of shoes, they were red
She walked the earth as if it were her first time
and she locked her gaze into the golden sunshine

Time passed and she's now 92
And on her deathbed, she said
'If there's one thing that sunsets had taught me,
It is that transitions can be beautiful too.'

Gears turn
The unnoticeable increments
Cogs meshing with cogs
Under the surface
Unseen
But felt
For too long

Imagine,
A slippery, charcoal, behemoth of a rock

Lying dormant, as if sleeping, 

Under the comfort of a seabed. 
Waves are crashing onto

The shoreline,

Rippling across the weightless,

Unblemished sand

As though it were hair

Gently being pushed across your face

The almost unnoticeable,
Yet constant breeze

Of the in and outs of your breath

Are the only constant left.

Small indents,

The size of dimples

Are the only remains visible

A last and final reminiscent memory

Of the grace that was once there.

An almost tranquil sendoff

As the water gets pulled back into the expanse

An expanse as deep and as beautiful

As the locks of your hair.
Unconscious thoughts dart through my mind

As quickly as the most nervous fish

Conjuring pictures and images

As vivid as Van Gogh’s

Streaked with lost and quickly forgotten words

Like a smoothed out seashell

Pulled under and out into the sea

To a place more wondrous than the eye will ever see 

The shells float away,

Making one last attempt to stay above the water’s surface

To stay conscious.

But the smell of the air,

Mixed with the comfort of the water

Coaxes it back

Like a siren’s song.

Under those waves,

Beautiful waves,

The same everlasting and flowing haven I have fallen into
,
The endless,
unexplored, untouched,

Flawless shelter of your locks.

The ones that gently touch against my sand-colored skin

Lulling me and inviting me to drift away,

Away, back into the expanse of a dreamland

One almost as endless

As the ocean of us.

A little grin peeks out almost unnoticeable; an introduction, as the letters wax and take shape. Slippery from the thoughts, dripping and solidifying on paper. The wonderland of words has been entered.

2. A silver half of a plate, a yellow half of the nocturnal sun, an inked half of the paper. Imbalanced but semi-complete, words written halfway were still wholely thought of.

3. Midnight's peak is the best time to write. The full moon rises as the keyword is written. Clear as a mirror to reflect the emotion desired.

4. The ink is now running out, with the poem waning. It's coming to a close, growing into farewell's small smile. The process may be ending but the life of the product has just begun.

5. With the final curtain call of clouded skies and emptied minds, the poem is finished. The new moon take its place in the lives of people, invisible to the eye but fully felt with their hearts.

The voices inside her head its where her demons hide
time is paralyzed and  she catches her breath
where there is a flames someone’s bound to get hurt the
blade as the brush with slowly skimming on the canvas
the crimson paint will steadily dribble down the pale canvas
she has a story to her hazy existence and if she is to let her walls come
down, the inside wall be annihilated by shallowness and cruelty
in the past she was isolated so she covered her feelings with a tight
smile, she goes through life aching with eternal agonizing pain
there is no one to have faith in if one shall live on this sadistic  earth
no one is there to be her superhero before the hour has come,
before it is too late, the spell must be broken
before it all scatters on the floor; before it goes boom; before
it drains out on the white floor; before the stool is pushed away; before it
thuds in the city lights; before it makes a splash in the navy pool of salt;
before those gray eyes shut completely, exiting the world
just before it is too late
but wait, are those five guys, running towards her? They are quite
unnoticeable, who can they be?
These boys saved her life before the time has come
they are her saviors, they understood the grief
for she is thankful and
they are in her heart, and she is in their hearts, engraved
forever

a.a