Brother, our young summers held us in a long chain like the phalanx of bronzed soldiers forward flung,
And the lion was skinned and hung out to dry like the sunned-fur of the beach at Marathon.
Brother, help me to dream again.

Brother, our yellowed days shook us like serried Hoplites of an atomic age,
Shoulder to shoulder, friction rubbed, all ranks split from the fissioned-flanks.
Brother, help me to dream again.

Storm-footed Titans of heat, dust, and irradiated wind pry from a ruptured Tartarus,
The flanks are an open pulse; the scorch-song thirsts for its sea-cooling to stone.
Brother, the lion lives that wears your skull around its mane.

Brother, dream of me again, of Persian arrows and lances,
And my fallen eyes instead of yours pouring in
With a sea of lavender water and mists
And summers of once-were.

Love is a thousand women who fail to amount to one,
Peasant seductress with bared shoulders of red dun-colored roads and candle smoke,
Who pours down her wet, ungoverned hair, like a fast-fading storm to dry over Aurelian walls,
In that dark sneer of sultriness over the sentry-like stillness of ramparts and stone,
A wasp in water whose sibilance comes from what the sting makes,
Like the upgathered phalanx of spears in the sand,
Or the sisters of fate who have coiled their hair as sunset snakes,
Her fingertips ***** into me like much-traveled and ancient rain.

A sigh is a barebacked rider, soundless along a sandy coast,
A candle tipped with starlight, wheeling in a cosmos of smoke,  
A firefly floating on the ruins of the wind like a winged gyroscope,
A skull in the stomach whose teeth are my own and breathes
With Babel’s thousand tongues telling fragrant untruths.

Venezia, its musical key of brick and shade
And the canals in rejoining polyphony
Sweeten the dour Church-ear.  
From the impasto knife and loose brushwork,
A thumb-smear of waves and gently-bristled strife
Rise to assumption of the cloud-submerged bay,
Mural of cristallo, only-light without landscape,
Made too from the winds of Murano,
Its clayed blowpipe of waterways molding
The lagoon of blown glass and bouquet of colored sea-shadows.

The Tiber lies on its side, like the lion and fox,
Licking its paws at empire’s dust,
A drifting gaze of water that already foresees
The swift-run northward to Romagna,
Where the veined fur of the roe will succumb…
A ripple twitches like one dark claw of the Borgia…

The watercolors of the Arno are a fresco
On the wet plaster of the lips of Firenze, Tuscan fire-dream.
Or like the warring leg in curve of counterpoise,
Sprung foot-forward to the daring world
And arm slung down in stone-victory
From this valley, too much like Elah,
With taunting eyes turned from the Medici toward Rome.

I failed to love round, but fallen flat,
My head slumps down, over an ancient map,
My eyes roll back, over the mappa mundi verge,
Where waterfalls purl, and the sea serpent-sleep lies curled.

Autumn is a Greek sea,
A summation of wet leaves,
Gathered wicks of sunset,
A hypocaust of warm water,
That lies beneath our feet,
Incense from the Sea of Crete,
Risen to the airy suggestive.

Autumn is a word in the mind, fallen leaf-like to the mouth,
How like the orange rind, our ancient past is shriveled under pillars.

Light has shone, light as death,
Sunset is gathered in fishing nets,
Like a twine of leafy stems.
~The coldest sea is the blood
Of the murdered and aggrieved~
Scaly Autumn of lost fires and dragon plumes,
Lanterns in the fog, graverobbers of the moon,
Light has shone, suckles at the tomb.

Thrums the bee waggle-dance in a haunt of Indian horsepaths,
Or the shaking leaf one second past the strike of galloping rain
/ Parsimonious lightning, thrifty in its jagged stalks
Against this night of heavy-hearted oaks /
Then the hay-fringed bale of sleep, rolled into a valley of slowed breathing,
Through parting cloud-diabolique, poison-peers the wet toadback of Autumn,
Glowing moon-gristle in the bosky wolf’s beard with its wireframe of teeth.

In our love for the wind and all that passes,
Each smote of self, a wisp of loss and absence,
Like the snow pendulous slips over last grasses,
In the glow of the lamppost and unholding fences:
So too the thousand-grains of breath
Blow through our bodies’ incandescence,
And in the starlit-smoke from the dragon's mouth
On wings of filth swirl the bone-edge of death.

Winter is the cold sleeping space
Between the blanket and the sky,
Between the legs falling asleep in warmth,
And the leaves turned to frost in twilight.

If I could love, I would take the best of marble and dove,
And craft her eyes like inlaid tombs in stone skyward flight.
Just so, the Egyptian khamsin wind, by way of Rhodes,
Alights with evenness on the trullo stone of Alberobello.
Just so, the weighing of the heart lies between marble and dove.

Love, unruliest hope, when fierce Diana went wild
With savage discourse, the arrow-stroke of her tongue—
While rage-hounds bay in wooded Gargaphie—aimed at Actaeon.
Or old Baucis her god-giving bone fat of mind,
Stewed the broth of covenant for Zeus to repay in kind.
Then Parthenope, siren-stung in her whirlpool of sea vines,
Her maiden-voice is a breath of sand for Naples to muse upon.
The body of Helen still lies in ages-old smoke over our cities,
We live in the timberframe of her bones of burned ships.
Why can’t her death be an end to all skies?

Even when
All is said and done,
And I have become
A guardian angel
Over my past self,
Even then,
I have failed.

She kisses like the reading of an ancient poem
With lips clouded by their own sighs,
So too with all her mock moons, paraselenae,
Obnubilations over her luminous mind,
Her last desperate pulchritude of night,
Chaste labors of assembling unspoiled dew:
Just crumbs of breath at the Greek feast of wind,
New sun pouring in to the clay flowers of our lungs.

She walked out of the watercolor storm of a fresco
Like a cowl-bound form in a light drizzle of rain,
Her mosaic tiles of ancient lovers’ eyes, ceramic-borne,
Just as her hips held the curves of the urn, kiln-fired,
The coiled heat of Greece still stinging through her flesh.

For her, the treetops had been the summoners of storm,
In kind, she poured down the wet grove of her hair, electral,
Pantheress of humid breath and fanged flair of lightning,
Tamed once in the cloudy cage of Pentelic marble of the Parthenon.

But the world piled dust before her, baiting with its groveled roads,
For her black mullings, much-tasted rain, and heaven’s leaves to fall.
If only the Michelango-to-come had carved the clouds of her
For the light to remain, shining its centuries,
Then maybe the thunder would have been left undone.

So falls Greece, so falls Rome,
And in their bone-lipped tombs
Forever those still listening for love.

A snowflake is when life and death
Touch lips~not to kiss~
But to breathe unheard words
Into each other's hollowed mouths,
Like a dark, unending woodlands.

The snowflake is castellated cold,
Of chill crenellations and turnings narrow.
Court of pie-powders and gray-skied brazier smoke,
Of inner mazework dimmed to ****** holes,
Or the hooded machicolations from tower spire
Of oily darkness and arrowslits of Greek fire.

—

The snowflake is Medieval reliquary,
The frozen skull of rain and blood clear of sin,
Wind-captive with its prayer of quiet
On quietest lips, close to wine and sacrament.
Or the chapel and its waxen paramours
Of incorrupt body and candlelight upon the moors.

—

The snowflake is the mighty frozen spark,
Fire-forged and ironwrought,
Under the eye of Hephaestus,
Blacksmith of sorrow’s wind.

Old stripe-laced tiger moth of the Serengeti with your sugar-seeking tongue,
Your powdered fang stubs into another ******* hartebeest of some bud.

The dead lie like Rome,
Like toppled sunshine in stone,
From a boy who had blown
Into the seashell of the Forum,
Heard back in restoning, the alley of home,
The narrow, basket-flowered angiportum…
But, lips too strong, let out unknown
The stone-witherings of Medusa
And the bone dust of empire.

Her eyes are the lighthouse of the Pharos,
Alexandrian, bronze-mirrored fire flung round
The gloaming coastal sorrow like sand-glittered spears.

Her praying mantis limbs of light,
Sever-poised for needlepoint strike
At the jeweled glint of wings in dim, rare-seen limits,
Now one with her rasping sea of scarab beetle husks.

The scrimshaw of the air, the long whales-tooth of sunlight
Etched with seafarer’s care and his great wantonness for the sea,
A kiss as light as the bottlenose dolphin cresting from the water,
Then night undressed and falling down like sliding beads of watery stars
From the wet coriaceous porpoise skin and a tail of silver fire.

Love beneath the linden tree,
The blue touchpaper of fingers entwined,
And sunsets of ignis fatui,
The lightning wick of lips and the caroming atom,
That once held faces,
All but sear and blast wind and howl of eyes,
All of love adrift.

Fall to me, all you streets of Rome,
With your embrowned oils from torched walls and breccia of shadows,
The pizzicato of stairways and afternoon slowly closed
Like the thick, leathery-echo from this book of all roads.

Fallen, smoldering empire of storefronts and back-shop heirlooms,
Your lupine hills unbound with milk of cur in the wind and woods,
To your fallow fields rowed deep by a conquest of oars,
To the deepest silence and soot-muted oneness of Pompeii,
And a sky that is an ancient coin, without worth,
But still rubbed smooth at the edges by overfond lovers.

Sings a small boy whose hair is tousled by the wind,
As too the folds of his mother’s peplos and the robes of clouds,
When Greece gathers in silence like the stillness for a deposed crown,
And all Athens around, the song of eiresione for firstfruits of Autumn,
Singing boys with the olive branches of colored wool and garlanded gourds,
A fall-bird to wander the Ionic sky, foretelling of new sunrise.
How that joyful ancient voice still haunts the songbird of sunset.

So Herodotus muttered marble dust into his beard,
And foretold the white clay of the mule road,
And the whiskers of Greece grew long with legend.

A knife cuts clean the jugular of Greece,
Sun-shattered Autumn spurts in breezes,
Her face falls like crumpled sails of the trireme
~This is the sound of sinking clouds, mammatus~
The slow tottering head sinks into itself,
The arm of once-command lies lengthwise
Next to the sea, as waves erase all her form,
And the drear and maddened moon in its cage of stars.

I never learned to weep
But ground my eyes down
On the griststone of a mill
Turned sadness into powder
Then choked on my own weaponized sorrow.

Here hang the wine-sotted troubadours of sadness and clouds,
~Having played serenas to paramours lipping at the cup of an evening bawd~
Like tethered donkeys now with their packsong of pastorela and alba,
No more musical mensurations of the ****** Mary, Cantigas de Santa Maria,
But slung over the railings of dawn-blotted taverns or courts of renown,
Here hang the wine-sotted troubadours of sadness and clouds,
Like drinking gourds, their stringed citherns dangle from their shoulders,
Leaking the strummed honey-wine of sound like the retchings of the nearby sea.

My finest dusk was the watermelon kind,
When bats skitted in the shortcomings of light,
And on a picnic bench in the cool June of outside,
I felt the dogwoods and pines and other apple-greens
Fidget with insects in the newness of night,
I felt the only grace was
The watermelon kind, and though the world was newly
Dying in its freshness, the pulp squirmed
From my bloated, gleaming lips like
Blubber split from a whale’s side.

Autumn was an old Viennese street held up in sacrifice to the sky,
With burnt-song offerings that still see through the clouds, as they see through you.
His was cobbler craft of reed-winded flame for the foot in tune,
Amid the outsnuffed shopkeepers’ lights and the candlesmoke of midnight hours,  
Pulsing above the inner heart of the Ringstrasse
Of brass signs and paving stones, misted and mute.
His was the candelabra of wick-notes
Wanded through the windowed rooms of forested night.
His were those woods filled with doorways, bookcases, and stairs
And everything dim and warm with people, no longer there.

***

The winter sunlight played across the keyboard of crypted windows,
And in the muted under-roofs of ice and snow,
On one window, like a hand in whole rest,
The caramelized glass swallowed the flame-image of the stray redbird
And the black carriage wheels that passed.

In the long hallway of the Viennese flat,
One candle remained lit in the mouth of song.

I make my grave in her dark treason of hair,
Fragrant master of soldiers and memories,
Bei capelli, conspiracy of internecine curls.
Her upbraidings strangle all my sweet nothings
To breathless wish of the emperor-purple of lips.

Flow then like black gloss of birds
And the brood hatchlings of shadow, exiled eastward,
Fled like a premonition of warmth somewhere far off,
While the wine-colored blood spills his heart into a throng of mouths.

Love, you are the hardest grave,
Were you ever just a kiss
Or always from daggers made?

You who have lifted up your sunburned face,
Long-told of peasant warmth and the forest tableaux.
Barefoot, you brought the book of hours upon dusty roads,
Ungoverned, little flower from Jeanne to Lourdes to Lisieux.
Our Lady, osculum pacis, the kiss of peace in wood and stone.

Burned out to those dusty eyes,
Now-empty look of rosework from the forest-fall of sunlight.
Medieval prayer, earthly-dim to its rafters of oak,
Come un-cinctured in ashen cloud of amice and alb,
And the murine blackness of plague-like smoke.

Birds that sit blinking at the winged fossil of intrados,
Pipe air through your own ribbed vaults, organum pulse.
Let the city rise in your vining voices—and hold the note.
The great ***** intones from the runs and pedal stops,
Along the turbid streets of the rue de la Cité to the empire of catacombs.

Beside his candle, the monk in sadness knows
All loveliness of heaven except his own.
Our Lady, every sunset is your faded candle hour of peace, for us to know.
Holy Father, so passes worldly glory,
Over the roofs of Paris like fire-scorned and leaden wings.

Come home from eagle-throated distance,
The canoe-tip of the crescent moon scuds
Into the silted, mud-bed of heaven.
Her face-dream beside the pine trees
The mollusc of purpled wampum beads shining.  

Bury my hands, ninidji, in the eagle’s nest,
Carry my feeling words to her on wings.
Let her mix roots, berries, clay
and the feather of my hands
To paint her face with my words and these trees.

Or let my hands ripple like flat-fish
Above the silt-bed of her slim stomach,
Held there in radiant scaled warmth.
Lappihanne, the rapid water of our river heart,
Like an arrow that glides from the bow,
My people where the tide ebbs and flows.

To us both, the dark, golden edge of woods whispers, kuwumaras…
And the water arrow will never land,
But carried in my eagle’s hands,
I say kuwumaras, my love, and pierce through all darkness
To the empty path made full with the ripples of all who have passed.
My nika, swan of the woods, let us dive into the dark, golden sea
Of forever in the hills.

Blow, Lyceum grasses, blow,
From coiled lips of your wolf-god Apollo
Whose dawn-padded paws to starprints roam
This temple-tribute to thought-illumined roads.  

Blow, Lyceum grasses, blow
Of wave upon wave of your brushings-by,
From staff to sandal-fall to cloak hemline,
For rhapsodes, your song-odyssey to sew.

The Greeks built the sun,
Upon scaffolding~acrobaticon~  
With pear-skinned lightness to glow,
Or like leavened bread from the woodburning stove.

Blow, Lyceum grasses, blow,
The sun lies old on its famine-cracked pillow,
In spittle of gold and yellowed phosphorous,
With the gods past-blown to ruin.

Sunset is a washwoman's stream of rubia dyes
And the crushed scales from the Kermes insect,
While the loosened garments of life slide
Over the ancient liquidity of the hills rolling
As the mountains rolling as the seas rolling
As the clouds rolling as the graves rolling
Like eyes rolling back to sleep.

I am pressed for lullaby,
Not the pillow-clap of thunder or the ether songs of Persephone,
Biding by her asphodels with icen fingers from plum-colored hell.

But press my ear in my mother’s lap of ancient sun,
Of peplos and himation and stola,
And listen to the vines and bunched grapes
And all of heaven sink in its commodiousness.

Press my ear to the sun-fed heart that flows
To the furthest span of the cloth-seas of man and
The solemn songings of the ever-deepening sky.
My mother all along smoothing out the wrinkled sheet of sunlight.

The cicada husk of the crescent moon sheds in cyclides light,
Molted whispers of life, spread like perfume behind the ear,
Or like silver earrings unadorned and scattered around the night-lit table.
Here too, the garden gown of Babylon lies heaped in soiled ruin,
Beaten down to sand at the foot of the bed of the Tigris and Euphrates.
  
Though the dunes are its aerial, root-bound springs,
Though the underground nymphs tend with cicala wings,
And underspurt of incessant summer song to lure
The resurrection rose of Jericho to bud once more,
In desert-faith for the hanging garden of a full moon.

You who have never known the loveliness of love,
Gather your heads on the torn pillow’s edge of mud,
Under the wood-tar shadows of camphor-aided sleep,  
Where your low-flung groans are starvations of sound,
And the amputated clouds, insinuated with gangrene
And blood-stained woods, are still bound to the shooting
Stars that fell beside you and flung up hissing rays of grass.

Parents of the midnight sky, the stolen stars of your children
Open their broken mouths to the battlefield heart of trespass.
To their soldiers’ eyes, the floor of heaven is uncut grass,
Wet with rain and mold and the unlifted wings of Pegasus,
Whose unearthly hoof to unearthly earth scuffs the clod
Of the lunette for the cannons to divulge the great, stuttering
Coda of everything old, malformed of breath and bone.  

Some grass somewhere will now seem the hair of a sweetheart,
And those dead eyes will aways stare, too fond of love unknown.
So the dead soldier and grass and sky conspire to hold a woman,
So the soldier makes the truce between earth and sky,
Between man and the divine, though the chestnut trees    
In red human tongues, pay their deep-forested encomium to distance,
In misspilled gorgeousness like Apollo surveying his own tomb.

Sunset whispers to itself
~No time outlives time~
The meltemi winds crackle the wild millet,
Graze-feed upon the stalks of Greek plains,
The pelican scoops up the honeyed Aegean,
Waves of sunlit anise and almond in refrain,
Vestigial as the sweet persimmon from Egypt,
The hammered warmth from the flat anvil of Africa,
Sunset whispers to itself
~No time outlives time~

Her hand is a bookmark in my heart,
So many smoothed pages ago.

Therein lies the fur, filled with running wind,
Milkweed in the scruff, the scent of wild-wood,
Some mystery-hearted forest where pulse begins.
Therein lies the Centaur, satyr, and god-disguised swan,
Ageless wonders prowled upon by an age-old Parthenon.
You broke your wolf’s tooth through those haunches of lore.

Therein lies the fur, filled with barking dust and dandelion war,
With a spine that stretched back to the she-wolf and city-birth,
The peeled nerve of a howl once tremored your Aurelian lips.
Therein lies the serf, hunter, fairer hand, and lord,
From wattles and daub, the wandering-sands of Saracen, or Crusader’s moor.
You kept the path beside to remind that instinct shines as the holiest earth.

Therein lies the fur, the warm, ungovernable peasant of sleep,
Ever prophetic in your skies by eyeshut-trace of the hunting moon,
Twitching at the day’s thousand faces, all asleep in themselves.
Therein lies the soldier, nurse, chaplain, and fell-prayer,
Mange-like war is the whimpering season with its flea-bitten welts of stars.
You struck blind but true at the throat of gas-hissing war.

Therein lies the fur, outracing the rain and the spout,
Nested with more birds and Autumn song than rain,
Your sleeping ear pooled like cool eaves of the barn.

I sing once more like a boy into your unfolded ear.
Listen always for my ancient, choral voice and your chores of play,
And race earback to the sun in the belly-grass of your free-eyed fields.
Leave your last paw mark, torn on the red clay of my hand.
You are forever wrapped in human touch, ageless and aged,
And if ever the dark in madder darkness encroaches,
Leave black eternity to my faithful eyes.

The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.

When young, to the sun
Confide ~ when old, to the sun
Despise ~ Then, the sun.

There in the box lives all of Christmas,
All of the serendipity of the midnight cross,
All of the iced tassels and tinsel-worn frost,
All of the gazed-upon rooftops that turn
From emptiness to stars to ever-wondering thoughts.
All of my boyhood eyes are closed now
With those in the box.

The Trojan dead are whispering
Indecipherable secrets to sodden-eared earth.
The wind has eyes and sees beyond, Titans outremembered.
Ajax and his oft-turned back
Carries again the fallen from the fields:
     The ******-slept clouds, unsuspecting;
     Slumped Achilles of disbelieving-godless eyes,
     Flinging the final spear of his own blood.
     Soldiers all now of the green husk.
Titanic silence engulfs sound,
Except from those who mourn.
The storm is only a storm
As long as the leaves are lost.
Such is the untimely, timeliness of war.

She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.

Loneliness is a sketchwork of pen and ink of iron gall,
Brushed over in brown wash of wood soot from oak,
Disguised then under tempera of golden-ratio of yolk,
Flared over with fiery oils to the smoke-blurred brink, sfumato,
Or pigment of the fresco, a shade of off-life, languid as watercolor,
Or from the too-fondly-felt impasto knife.

But bares its bones in the light-dark cleft of Caravaggio,
With diminutions of death and the storm’s dark imbroglio,
And sunlight as flesh made into soul,
The skin stretched whole around the world.

Each sky is just a sketch
Of loneliness, left unsigned,
By every hand.

Alstroemeria, Southern-rooted watcher of the skies,
Angel tongues of Peru, with your ******-blushed annunciation
Or Incan-hued sacrificial fire.
So much like the moon tongues of all rivers in first frost or first harvest.  

Like first love, first death is the truest form,  
And blooms in scorn of all its many-mirrored rivers to come.

Fall is an empty street in Rome,
Of byways of dry-leaf stone and moth-haunted hours,
Of market stalls with their over-haggled and fingered rinds,
And melons moiled over and palmed and bruised.
The light blows like once-told ripeness from the basket of fruit.

When she folds into me and weeps,
The world of empty things falls into me
Like the wetness of July in antiquated Rome,
Mother of tears, Mater Lachrymarum, in Forum stone,
The rain-addled veneers of Octavia’s portico.

Gather up these black sickened bellies of ruins,
Turn them out to make hunger the den of the skies,
Let the cracked whisper of each monument and temple
Breathe as Caesar, in unending stillness like a bare road.

A road is the sadness of seeing our beginning
But knowing love its far-off end is foretold.