We were like a beautiful glass vase
Until one day
The hammer of Lies
Broke the vase
And tore us apart.

All that was left were
Fragments
Little pieces of memories
Sights, smells, sounds.

I tried picking up the pieces
And gluing them back together
But I never succeeded.

For the fragments were there
But the little shards
Were swept away by
The wind.

My heart remembers there is more than this.
It recalls there being something warm and infectious.
When the beat had purpose beyond mere survival.
A throbbing and pulsating that gave power to emotion.

My mind glimpses a past that held joyous moments.
It recalls there being sensation and a fire in my core.
When every dream and hope had shape and form.
A memory made and cherished immune to times' flow.

My body longs for the thrills it once knew when young.
It recalls the dexterity lost through its aches and pains.
When pleasures could be made through another's touch.
A yearning for something that ageing stole in the night.

My soul cries for the sake of heart, mind and body.
It recalls the strength of being someone made whole.
When joy, happiness and love were something real.
A time when life was all and ending was so far away.
Fragments I am become,
heart,
mind,
body,
soul...
Dismembered by life and time.

Next time you talk to me
Take a second glance
Dig a little deeper
Don’t just graze over my features
And conform to the other superficials
Look me in the eyes
Peer into my soul
What you find won't be a surprise
Your eyes will fall upon the many fragments that comprise of me
The many fragments that I have stolen from others
Pieces of personalities that I have adopted as my own
For I have stripped myself of my individuality
And to most that is a incomprehensible thought
Why would one do such a horrible thing to themselves?
Why would one take the time to deconstruct themself
Pick apart every piece of their being
And will every part of them to be something they’re not?
Why darling, I’ve done it for you

1.
Such vehemence
For immigrants
Border patrol
Vigilance
I never knew
A human being
Could be illegal

2.
A child should never be taught to hate
And human beings must never be insulated
Or inoculated against the horrors of war


3.
There is no liberation in this economy
Debt is a slower and slightly grayer
Variation of slavery
No more cotton fields but prison labor
Tell me where is our great modern emancipator?

erstwhile a halcyon extant universe incessantly ceaseless
cradled itself in hues of violet phosphorescence
laced with cobalt shimmering stars
perpetually whole it nonetheless
sought to know itself

encompassing all that is bubbling over in effervescent ebullience
intertwined with indescribable catastrophic splendor
it shattered into tens of millions of splinters
of eloquent efflorescent light
shining in the night

each splinter heretofore imbued with sempiternal felicity
began to conjure sumptuous dulcet elixirs
furtively seeking out savory emollients
to mollify the pique of separation
plummeting they fell

into monstrous competition seeking demesne they lost the purpose
of gaining awareness and intelligent consciousness
surreptitious estrangement overflowed
deluging them in excruciating agony
thus an epiphany was born

the carving of the beleaguered fragments inked with tremendous pain
created a transfiguration of splinters to crystals
hence enlightenment commenced as the gems
magnetized together constructing a world
where omnipotence shines

the ineffable beauty formed by the reintegration of crystals
far exceeds the original as they dazzle with universal light
bursting from diamonds etched in deep wisdom
flooding the firmament with kaleidoscopic
rainbow strobes cascading the sky

©2016janetaylor

Fragments of you surround me
in everything I do
sometimes its like you never left
despite the pain that I went through

I see you in my coffee cup
sometimes in the way it's sat
whenever you'd bring me a drink
you'd put it down there, just like that

Sometimes I catch a scent
passing on the breeze
and it takes me back to another time
in a forest amongst the trees

I passed down by the river
to that place where we'd sneak a smoke
and it all came flooding back to me
and the dam well **** near broke

It seems all of these fragments
serve to pierce me at will
to make sure I dont forget you
though I doubt I ever will

So why do all these memories
bring me not joy but pain
is their purpose to remind me
to let no one in again?

I am sooooo tired,
exhausted..
My mind needs to be shut down,
my head hurts.
Words want to be said but my prides me wounded, my selfworth is burning low
there is a lump in my throat.
I'm haunted by to evanescent nature of my past joy.
Daunted but how far my seems to be.
Yesterday, last week, last month, last year and today have me in the center, wearing the same things, feeling the same,
worried I'm at my end, but a while older

my life seems to be rejecting me; or maybe I it..
I want to be free to exist but everything seems to come with a cost.
There are critics everywhere
even my thoughts have thoughts objecting to them before i receive them and make certain i don't need them.. So I'm running around in circles not knowing why i never got around to things my mind first thought whiles ago,

my will has become meek
my worth shrunk to camouflage with dust specks
I'm exhausted from playing this part,
misguided by the values of what's recently been made 'right'
distracted completely from the life i want to live.
And i don't have a clue which switch ***** it back to normal,
or which life i will leave for those which have grown accustomed to this timid version of me...
After all people aren't always happy when they say. "...you have changed..."

It’s been three and a half months since we last spoke,
really spoke, not just guilty hellos
and scattered half-hearted pleas
And it’s not you, it’s never you
it’s me it’s me it’s me,
but you love
me
you love
me
you love
me

And my head has forgotten what it feels like,
but I know my heart is safe with you

Because you’ve never stopped chasing after me
and I’m tired of looking at my feet, telling myself
I’ll be okay without you, trying to navigate
through a thick forest at night,
pretending I don’t have matches at
my fingertips

You are the only thing
that has ever made me feel truly whole

I’m sorry I’ve kept my eyes shut so tight,
but I’m here now and I love you and I miss you

And I don’t want to keep living
like fragments of a person anymore

I’m Yours.

Introduction



During the thirteenth reign of king Josiah, the spirit of Yahweh came upon Johnson the scribe,

Then suddenly at once, he penned down what's now known as: The chambers of pleasure from the priestly tribe.

One day however, the detestable pagan Philistines, burned up the much adored work of art,

And when the entire community of Israel found out, they all mourned with a heavy heart.

But with the guidance of the ever beautiful and compassionate archangel, Victoria,

I, Tamar, discovered a secret copy between the border of Judah and Samaria.

Twelve elegantly worded songs in all, were composed onto a scroll by the man of God, Most High,

They will stand the test of time, for they were inspired by  Yahweh, who'll never let his servant's words die!


Song 1:
The Man

Darling, darling, cutie pie,

You're the apple of my eye.

Never will I leave your side,

Love you always til I die.


Song 2:
The Man

Anytime I gaze up at the sky,

My thoughts immediately race to you, my dearest wife.

Without you I would break down and cry,

For you're the one good thing that ever happened in my life.


Song 3:
The Woman

Kiss me with a thousands kisses, sweet hubby,

My rosy cheeks are in need of your warm soft lips.

Altogether faithful, pure and lovely,

One in a great sea of billions, my perfect Prince.


Song 4:
The Woman

Life without you my dear husband, would be very painful,

For you honestly are the closest thing to an angel.

The sheer thought of losing you would surely tear me apart,

So don't ever leave me alone in this vile world, sweetheart.


Song 5:
The Man

Doubt at one time managed to convince me  I would forever be lonely,

But then one day, you came into my life and now you're my one and only.


Song 6:
The Man and The Woman

Precious wife, this body of mine belongs only to you,

Your love is my antidote anytime I'm feeling blue.

Sweet husband, my body is yours to do as you see fit,

To you alone my love, do I wholeheartedly submit.


Song 7:
The Woman

Once I was in love its true,

But my heart got torn in two,

So I vowed never to love again, no matter what.

But my broken heart you fixed,

When we fell in love and kissed,

And thus I thought it best to give love a second shot.


Song 8:
The Woman

Forever will I treasure the day you proposed to me,

Deep within my heart I always knew we were meant to be.


Song 9:
The Man

My heart often skips a beat whenever I am with you,

You are the centre of my universe and my wish come true.


Song 10:
The Man

Oh Yahweh Most High who rules from above,

Please let me grow old with my one true love.

No one but my wife makes me feel so free,

Only she fills my heart with utter glee.


Song 11:
The Woman

All my life, not a single living soul gave me the time of day,

But you appeared and with your love, melted my broken heart away.


Song 12:
The Woman and The Man

The Woman:

Oh darling husband!

When im old and weary and my beauty is no more, will you still love me? will you still care?

Oh my precious wife!

In this life and the next will you forever be mine. Never will I forsake you, I swear.

The Man:

Oh apple of my eye!

Whenever times are rough and money is tight will your love for me grow cold?

Oh love of my life!

Forever will I be by your side. My love for you will never wax old!

The Woman:

My rock and soul mate!

Just as the golden sun brightens the whole world with her warm presence,

So too do you brighten my broken spirit with your warm essence.

The Man:

My one true love!

You are as beautiful as the early morning sunrise,

And as pleasing to the eye as the nightime fireflies.

The Woman:

My world!

Even if you were to forsake me, my burning love for you would always remain alight,

The Man:

My beloved!

And even if you were to forsake your vows, my love for you would continue to burn bright!

End

They say that over time, it dissipates -
it will drain from you, evaporate like smoke.
It will descend upon you, destroy you;
but will soon release you, and fade.

But with time it instead grows stronger,
demanding to be felt.
It knocks on the doors of my soul,
its urgency to be let inside unrelenting and ruthless.

Like an unpredictable storm, it lands and ravages,
leaving just fragments of a heart already rebuilt.
What is gone is the will;
the resiliency dulled, the courage spent.

It's a deep-rooted ****, an unrivaled opponent;
It's a malevolent fire that refuses to be smothered.
The Hurt:
a wound that permeates, and remains.

Of course I miss you.
I really, really do.
Our infatuation is what I miss most.
Beautiful memories,
Trampled by resentment and oncoming hatred.
Our "love" that once existed,
Now ceases to exist.
Broken darkness has consumed you.
Trembling, holding on to the last fragments of your old self.
Not even the fragments, or mere shards, remain.
Numb, now,
Unknowing of this unfamiliar you.
Pushed, and driven off the edge;
You made me stop caring.
I didn't want to, but I have to.
"How am I supposed to care about you if I can't even care about myself?"

Diversity of motivation among self-harming individuals

An estimated one in twelve teenagers has committed self-harm. Of those many will continue self-injuring into young adult hood. Yet older adults are not immune to committing this act. In 2003-2004 adults age 25-44 were responsible for nearly fifty percent of reported/discovered self-harm cases.  There are many reasons that people self-harm. These reasons may include self-harming as a survival mechanism, self-harm as an outer expression of inner emotional turmoil, and self-harm as a means to exercise control over one’s environment.
Contrary to popular thought, only one in ten people who make the decision to self-harm are suicidal. The majority of people who cause injury to themselves willfully have a wish to avoid killing themselves. The act of self-harm is developed as a “technique” to cope and survive the afflictions of life. How can we know that this is the reasoning or thought behind the action of self-harm? “Cutters” typically reason out the least amount of damage that will “remedy” the stress intensive situation that they find themselves in, and exercise an enormous amount of restraint in inflicting only a measured amount of damage. Cutters’ common logic is that through this expression of injury, further damage to their selves may be headed off. --------, a former cutter, attests to the reality of this when he says, “Every time that I touched a blade to my skin, I would resist making a larger cut, a deeper wound. Every time that I hurt myself, I did so only in response to what drove me over the edge; Each time the amount of physical damage that I did was the very least that I could muster. I fought to do the least damage I could, no matter how intense the pain that I felt became.” He sums it up rather nicely.
Secondly, self-harm is used as an outward expression of deeper, more complex emotional and psychological phenomena. It is not a diagnosis; it is a symptom. It is a symptom of a struggle that is inherited by victims of abuse, those who lose a loved one, or experience other traumatic events during their childhood. These groups are far more likely to indulge in self-harm. One study conducted by Boudewyn and Liem found that of those college students that reported a history of self-harm, fifty two percent had been sexually abused as a child. Those that self-harm do not simply cut to cut, burn to burn, or mutilate to mutilate. There is a deeper motivation. This motivation is commonly emotional. These motivational emotions are often the results of tragic or traumatic life experiences. It is seldom that a cutter’s motivation is a want for attention.  In fact, most cutters are chameleons.
Self- harm is used as a tool to exercise control in a chaotic environment over which one would not otherwise have any means to control. Among chaos and turmoil such as the loss of a parent or close friend, relational betrayal, divorce of one’s parents, or consistent, one time, or sporadic physical, emotional, or ****** abuse an individual is radically more likely to engage in self-harm. Outside reasoning on this is only speculative. For this reason it is valuable to look at the action from the perspective of those who commit it. Cody, the same individual mentioned earlier says something else that lines up with this common scholarly opinion. He says “I remember the very first time I cut myself intentionally. I was in the ninth grade, in the school bathroom. I had just experienced what I saw as betrayal by my best friend of about ten years. I felt like I lost him. I felt like things were spinning out of control, and I couldn’t control the way I felt about it all. The only way I could feel that control was with something sharp in my hand.” This is characteristic not only of ----- but also of many other cutters.
Cutters are not (necessarily) crazy. On the surface it may appear that cutting goes against the ingrained survival and self-preservation instincts in human beings. This is actually the opposite of the truth. Many who cut feel that if they don’t inflict smaller harm to themselves that they may indeed fall to suicide. They feel that by letting out their pain in increments, and escaping in fragments, that they can slay the thoughts of suicide and urges to escape that they carry. When at the edges of rational, some instincts may take different forms. What may seem counter intuitive – an act of self-harm – becomes the definition of an instinct that it seems to defy. The desire to survive becomes so strong that it is necessary to inflict pain. This is not uncommon to survival situations. For example, the movie 127 Hours reenacts the experience of a man trapped under a boulder in a beautiful and secluded gorge. He cut off his own arm with a dull multi-tool in order to escape death. That act is the epitome of self-harm as a survival instinct.
Cutting could lead to a series of events that tailspin out of control. Loss of control could take the form of the spiral of therapies and prescriptions that would follow if it were discovered that one were cutting , or it could be the accidental slip of a blade gone too far. It could end in hospitalization. It could even end in death. However, those individuals who choose to cut, as long as sober, take precautions to avoid discovery or more injury than is intended. They are meticulous, careful even. They reason out how, where, and when they can cut “safely”. They are very much in control over the act, when they feel they cannot be in control of anything else.
It may rationally appear that pain is pain. That it would make no difference whether out or inward, because whatever its state, the pain is still owned by the individual. However, emotions are often harder to process than physical events. A burning rage, hate or guilt may well be harder to cope with than a burn to one’s arm, leg, or hand. An emotional cut to the bone may be less painful than a physical one. It may be said that the act does not transform the pain, but multiplies it. This in essence may be true, but one form of pain allows a man to ignore another. A pinch may allow a man to ignore the emotional pain of a nightmare. A small cut may allow ignorance of the bigger cut on one’s spirit or psyche.
There are widely varying and increasingly complex variations of motivation and cause of self-harm. They may include, but are absolutely and in no way limited to: self-harm as a coping or survival mechanism, self-harm as a tool to exercise control over one’s increasingly chaotic environment, and self-harm as an outer expression of inner emotional turmoil. To believe that cutting is simple is to nearly deny it altogether. Its essence is complicated. Stereotyping self-harm or self-harmers may well lead to opinions that will ostracize or further encourage the occurrence of self-harm.  Since the motivation and causes of self-harm are undeniably complex, to attempt to brush this under a rock would be to diminish its importance, and to deny healing to those who need to understand it.

Inside these dimensions of my prison,
paralyzed, immobilized,
shattered in fragments of fear,
I utter stifled screams
from my body heap,
piled on the hardwood floor

c
       r

     u
        
                   m
  b

        l
i
         n


g

trapped, desolate and
wretched in mind,
what is left of me after invasion and ravage?

Chase away this these vultures and thieves,
so to shut out this duality
blinding me,
a rabbit caught in headlights    
                                                  ­ up
                                        me
                   ­        pick

the gallon of arizona green tea that you only drank a fraction of.
the salt and pepper potato chips you meant to eat, but only did so in the dream i had last night.
the unmade bed that was still unmade when you flew back home, the one i still cannot bring myself to make.
the dyed green hairs i keep finding around the house.
the way you always pronounced 'mosquito' as 'mosk-it-toe' on purpose, and how you pronounced my cat's name 'sullumun' instead of 'solomon' on accident.
the partially closed closet door from the morning i drove you to the airport.
the faint smell of your sweat on my pillow left because of your hyperhidrosis.
the flannel you wore and the longsleeve shirt you doused in your aftershave, that is three sizes too big for me to realistically wear.
the empty taco bell cups in my car from your fourth day here.
the empty shopping bags from our impromptu mall trip.
the polaroids you really wanted to keep, but we couldn't find when you packed.
the pieces of you that you never meant for me to keep that i keep piecing together as though, like an alchemist, i could make you appear again though i cannot, and you are not here, you are gone.

the loss of a child is truly great
it leaves strong men weakened
no wonder then that for Arjuna
it felt like the earth had shaken
and shifted from its axis
leaving his world broken
he forgets that he is the Great Warrior
in this moment he is a father

should he be heartbroken
as his son is dead?
or rejoice
as he died a hero’s death?
or anger
at its unfairness?

in a momentary madness he rages,
“who dared to hurt my darling boy?
who dared my Gandiva defy?
and how was it that he fell alone
weren’t any of you close by?”

under his fierce gaze Yudhisthira trembles
“I’m sorry my brother, I feel your pain,
Abhimanyu was our son too,
foolishly we sent him to his death
that guilt will plague us to our dying day,
but know this-
we tried to protect him
like an egg protects a yolk
we had him surrounded

but fate had other games to play
Jayadratha, King of Sindhu
was our opponent that day,
he played his trump card-
the boon he received from Mahadeva which states
that he shall be able to defy our combined might
on a day that yourself and Keshava are away

against destiny who has a say
he held us prisoner in a duel
and let Abhimanyu escape
deeper and deeper into the cruel clutches
of the Chakravyuha he strayed
the price for our foolishness, with his blood he paid”

Arjuna’s anger now had a target
Jayadratha would his mistake regret
The wielder of the Gandiva makes
A terrifying promise –
“If by sunset tomorrow
Jayadratha’s head does not lay
bleeding in the earth’s embrace
then I shall immolate
myself in the fiery blaze
my name shall be stained with eternal shame”

“why such harsh words, Partha?”, asks Krishna,
“why take such a hasty oath,
what if you fail? Abhimanyu is gone
but there are others
whose dependence upon you is just as it was”

“But Keshava”, Arjuna retorts,
“it was you who had a complaint,
that my arrows had no fire,
that my fighting was spiritless
that I was shirking the Dharma of a warrior,
so now that the flames of passion
are fuelled by my loss
why do you tell me dampen
my vengeance, and besides
with you as my charioteer,
friend and guide,
I am assured
That success will be mine”

“So be it Partha,
It may be that destiny has decreed
that you are Jayadratha’s nemesis,
but be aware, that it will not be easy
our enemies will seize upon this opportunity
to shame you and rid themselves of you
Jayadratha will be well guarded
and if we get past the Kaurava army
to Jayadratha, you must employ
the Pasupatastra-that mighty weapon
gifted to you by Mahadeva himself”

this decision made, they await
the fourteenth day
in the Pandava camp there is anticipation
in the Kaurava camp fear, and anxious preparation
Jayadratha in mortal terror,
would rather the battlefield avoid,
and turn his back and be called a coward
than face Arjuna’s undefeatable missiles
but under Drona’s advice and assurance
he fearfully stays

The fourteenth day dawns
even the Sun God seems excited
he wishes he could stay and watch
the outcome of the fight this day
but the sun cannot stop
it must do its duty
just like the warriors  on the battlefield today

soldiers wither as Arjuna’s wrath
falls as bolts of lighning
assisted by the brave Satyaki
five akshauhinis are decimated
but within a triple vyuha
Jayadratha is still safe
waves and waves of warriors come
and to Yamaloka dispatched
but Jayadratha is not yet encountered
and the sun is low upon the horizon

Fatigue overtakes the battlefield
and the end seems near
in a few minutes the sun will have set-
for the Kaurava’s a welcome relief,
for the Pandava’s their greatest fear!
now Arjuna seems to panic
now he gives in to despair
wishing he could hold back the sun
just till he can exact his revenge!

Krishna realizes his Partha’s  plight
for the sake of justice he must act
with clever insight
this embodiment of the divine
eclipses the sun
behind Narayana’s discus
it is hidden

the world believes
that the sun has set
the mighty Arjuna has fallen!
The Kuarava’s scream in delight,
The Pandava’s crestfallen
Arjuna hangs his head in desperation
he has been unable to fulfill his oath
unable to avenge Abhimanyu’s death

from hiding Jayadratha emerges
cowardly rat now seemingly a lion
“Arjuna, fulfill your promise”, he jeers
“let us see you get on the pyre,
foolish warrior that you are
you dared to clash with
the Kaurava might
now see where your stupidity
has led you, like son like father!”

the entire Kaurava host laughs
overjoyed at seeing Arjuna lost
the greatest of their enemies
will now commit suicide
forever this humiliation
will haunt his brothers
and they shall lose faith
drop down their weapons in
futility and depression
and the war shall be won!

as they rejoice in their ignorance
Krishna intervenes,
suddenly the sun comes out again
bright and shining, as if to say,
“Arjuna is not defeaten!”

Now the tables are turned-
The Kaurava army falls in disarray
in the Pandava camp loud hurrays!
Conches are blown and the fighting resumes
For the second time that day
Jayadratha out in the open feels
The presence of Yama
And Arjuna, his spirits reawakened
looks like a fiery tower
his eyes blazing coals

Krishna speaks: “Quick Arjuna! Do not hesitate
a moment longer,
dispatch your Pasupata with haste,
but remember Jayadratha’s other boon-
the one given to him by his father
that the one who makes his head roll,
will have his own burst into a thousand pieces”

Arjuna obeying stretches his bowstring
The Pasupata is loaded,
a short prayer to Mahadeva said,
the arrow becomes the messenger of death
severing Jayadratha’s head off his shoulder
an expression of shock-the last look on his face
for a moment his body stands
and then falls with a thud to the ground

the Pasupata carries the head afar,
outside the battlefield and deposits
it in the lap of Jayadratha’s father
who seeing the  disembodied head his son
lets its fall on the ground in shock and awe
and instantly in fulfillment of the boon he gave
his head explodes into a thousand fragments

the Sun God bids adieu
now the day is done

the oath is fulfilled,
Arjuna still lives,
The Kauravas are filled with dread
for they know that Arjuna will not cease
his anger will not be appeased
with only the death of Jayadratha
he will now be a fiercer
and a stronger foe

On the Pandava side
Victory drums beat
Abhimanyu has been avenged!

- Vijayalakshmi Harish
19.09.2012
Copyright © Vijayalakshmi Harish

I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.

Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.

The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.

Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.

Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.

These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!

All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.

O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.

Drifting back to the ocean
like it never even happened
unraveled dreams washed clean
crystalline renaissance bestowed    
by wind mountain spring waters
rising from the heart
of mother earth

A remnant light glows deeply
of one love's untamed wonders
an unfastened feather glides abandoned
rushing waters floating
alighting pilgrim blissfully sails on
stranded without wings
a fallen wild feather free as bird
wanting a place to be let free

Sun in the summer air
wind in buoyant feathered hair
softly dancing upon
wild river restless ripples
to feel the love of holding on
adrift asunder whence it touched on
destiny's far-reaching
journey yonder
holding onto flowing rivers
rolling towards the sea

The incoming tidal waters blossom
surge to greet wind river's gentle saunter
converging slackening passage
salt on feral feathered fragments
arousing currents babbling swirl
imbibed by the impassioned sea

Wild rivers' born intentions
a different kind of drifting passage
to kiss the distant horizon
where the sown sunlight settles
submerged in shoreless ocean waters
    to be free all at sea at last


someone you used to know  2017

Sometimes, the words don’t come.

The consistent stream of consciousness, ceases.

I am left with nothing to say.

There is a beauty in the broken mind.

Like an abandoned building taken by nature.

It is not that my mind does not work.

It is that it works too fast,

And I am left behind,

Scrabbling in the dust,

Desperately seeking a connection,

In the discarded fragments of thought.

I am fighting a losing battle.

I fear the white flag will soon arise.

And signal the end.

My days are spent among
Triggers and Fragments
Mirror shards glued to a wooden frame
with a faux metal placard  proclaiming Faith!
You must have it.

My nights are strewn confetti and black lace pinafores
shoved into the crack at the door
but the party is still bumping, a broken record singing
Have yourself... Have yourself...
A merry little Christmas.

My mornings are shattered by the call to begin again
again again again
Scratch the frost from the windshield, turn the key, close the door,
That same song is playing- this time on the radio-
Left turn signal blinking like Triggers and Fragments,
Have yourself
A merry little
Christmas
now.

Don't smile because you are happy,
Smile because you have no other option left.
Be to me, what the others have failed to see.
And you'll find out that this is what you need.

By walking around for years without any sole purpose,
When you stumbled upon this you assumed it would be for the best.
And your assumptions led to the truth.
It is taken the place of the darkness or sorrow.

I hope my frail words hold some meaning to you,
Because I write for that exact reason.
That maybe you'll read my words and understand
All the words I attempt to speak, that will not come out.

This is all difficult because, taking the words of a friend,
"Life is messy."
Messy like the bottom of a junk drawer,
That hasn't been cleaned out in years.

But perhaps we can clean out this mess,
And have a yard sale for all to witness.
And they'll see we've become a better version of ourselves,
Without the messy fragments of life.

Unfinished,
unpolished,
unfurnished;
unpublished.
Like us, a draft
of what can be called
"the both of us."
A draft created
that's open for change.

A change
to be better
---better
than who we are
or what we are
in the midst of the conflict
that floats around us
for the sake of us
for the both of us
---for each other.

A change
to be smoother
---smoother
with no mistakes,
with everything
in order;
consistent,
and coherent
even with the dialogues
we say that matter.

A change
to be clearer
---clearer,
meaning it is
at least what it is
meant to be conveying
with no underlying
vague wordings
when it comes
to our feelings
---for one another.

But that's there all is:
a draft
of what could be called
the both of us;
a product
of what we can become
if we make it become;
a product
of the possibilities
of what can be us,
of what might be us,
of what is it between us
between the fragments
of the words,
the lines,
and the series
of all of them
that constantly paint
faint descriptions of us,
descriptions
created [fabricated]
in my mind
like a work of fiction,
of pure imagination.

Unfinished,
unpolished,
unfurnished;
unpublished,
l­ike the poems
I wrote for us;
like the poems
about us;
like us, a draft.

Differing sins bicker
Amongst each other
As to
Who shall Permanently
Shape me,
After their ways
And
Until the end of my days.

Nay!
Let your ways
Oh Yahweh
Become my second nature
That I may breeze
Through
Tempation with ease.

I’m sorry I’m so clumsy
Some days it seems like the world is fighting me at every step
And I’m losing the battle
I stumble over every stubborn staircase
I trip over my tongue like an uneven rug
Every new set of walls is a labyrinth I get lost in
Every move I make is disjointed and uncertain
My fingers and feet flail when I’m carrying precious, fragile things
And before I know it I’m sprawled on the floor
Surrounded by shattered fragments
Bruised and aching
Burning with humiliation and frustration

But I’ll try to be careful.
If you will be brave enough to trust me
I will try to keep my steps in line and my path straight
I will try to find the rhythm in the song of my surroundings

I will try to see beyond my limitations
My faults, my failures, my frequent falls
I will try to look up and see the beauty in the world
Instead of staring at my feet in fear
I may trip at times
But I will not be trapped in trepidation

I ask for your patience
I am trying to be patient with myself too
My best is all I can really do
And I will do what I can to be the best for you

SAPPHO'S POEMS FOR ATTIS AND ANACTORIA

Most of Sappho's poems are fragments but the first poem below, variously titled "The Anactoria Poem, " "Helen's Eidolon" and "Some People Say" is largely intact. Was Sappho the author of the world's first 'make love, not war' poem?

Some People Say
Sappho, fragment 16 (Lobel-Page 16 / Voigt 16)
loose translation/interpretation by Michael R. Burch

Warriors on rearing chargers,
columns of infantry,
fleets of warships:
some call these the dark earth's redeeming visions.
But I say—
the one I desire.

Nor am I unique,
since she who so vastly surpassed all mortals in beauty
—Helen—
seduced by Aphrodite, led astray by desire,
departed for distant Troy,
abandoned her celebrated husband,
turned her back on her parents and child!

Her story reminds me of Anactoria,
who has also departed,
and whose lively dancing and lovely face
I would rather see than all the horsemen and war-chariots of the Lydians,
or their columns of infantry parading in flashing armor.



Ode to Anactoria or Ode to Attis
Sappho, fragment 94 (Lobel-Page 94 / Voigt 94)
loose translation/interpretation by Michael R. Burch

So my Attis has not returned
and thus, let the truth be said,
I wish I were dead...

'Honestly, I just want to die! '
Attis sighed,
shedding heartfelt tears,
inconsolably sad
when she
left me.

'How deeply we have loved,
we two,
Sappho!
Oh,
I really don't want to go! '

I answered her tenderly,
'Go as you must
and be happy,
trust-
ing your remembrance of me,
for you know how much
I loved you.

And if you begin to forget,
please try to recall
all
the heavenly emotions we felt
as with many wreathes of violets,
roses and crocuses
you sat beside me
adorning your delicate neck.

Once garlands had been fashioned of many woven flowers,
with much expensive myrrh
we anointed our bodies like royalty
on soft couches,
then my tender caresses
fulfilled your desire...'

Unfortunately, fragment 94 has several gaps and I have tried to imagine what Sappho might have been saying.



The following are Sappho's poems for Attis or Atthis...

Sappho, fragment 49 (Lobel-Page 49 / Voigt 49)
loose translation/interpretation by Michael R. Burch

1.
I loved you, Attis, long ago...
even when you seemed a graceless child.

2.
I fell in love with you, Attis, long ago...
You seemed immature to me then, and not all that graceful.

(Source: Hephaestion, Plutarch and others.)



Sappho, fragment 131 (Lobel-Page 131 / Voigt 130)
loose translation/interpretation by Michael R. Burch

You reject me, Attis,
as if you find me distasteful,
flitting off to Andrómeda...


Sappho, fragment 96 (Lobel-Page 96.1-22 / Voigt 96 / Diehl 98)
loose translation/interpretation by Michael R. Burch

Attis, our beloved, dwells in distant Sardis, but her thoughts often return here, to our island, and how we honored her like a goddess, and how she loved to hear us singing her praises. Now she surpasses all Sardinian women, as, after sunset the rosy-fingered moon outshines the surrounding stars, illuminating salt seas and meadows alike. Thus the dew sparkles, the rose revives, and the tender chervil and sweetclover blossom. Now oftentimes when our beloved goes wandering abroad, she is reminded of our gentle Attis; then her heart assaults her tender breast with its painful pangs and she cries aloud for us to console her. Truly, we understand all too well the distress she feels, because Night, the many-eared, calls to us from across the dividing sea. But to go there is not easy, nor to rival a goddess in her loveliness.



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

How can I compete with that ****** man
who fancies himself one of the gods,
impressing you with his 'eloquence' …
when just the thought of sitting in your radiant presence,
of hearing your lovely voice and lively laughter,
sets my heart hammering at my breast?
Hell, when I catch just a quick glimpse of you,
I'm left speechless, tongue-tied,
and immediately a blush like a delicate flame reddens my skin.
Then my vision dims with tears,
my ears ring,
I sweat profusely,
and every muscle in my body trembles.
When the blood finally settles,
I grow paler than summer grass,
till in my exhausted madness,
I'm as limp as the dead.
And yet I must risk all, being bereft without you...



Ode to Anactoria
Sappho, fragment 31 (Lobel-Page 31 / Voigt 31)
loose translation/interpretation by Michael R. Burch

To me that boy seems
blessed by the gods
because he sits beside you,
basking in your brilliant presence.
My heart races at the sound of your voice!
Your laughter? ―bright water, dislodging pebbles
in a chaotic vortex. I can't catch my breath!
My heart bucks in my ribs. I can't breathe. I can't speak.
My ******* glow with intense heat;
desire's blush-inducing fires redden my flesh.
My ears seem hollow; they ring emptily.
My tongue is broken and cleaves to its roof.
I sweat profusely. I shiver.
Suddenly, I grow pale
and feel only a second short of dying.
And yet I must endure, somehow,
despite my poverty.



The following poems by Sappho may have been addressed to Attis or Anactoria, or written with them in mind…

Sappho, fragment 22 (Lobel-Page 22 / Diehl 33,36)
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 34 (Lobel-Page 34 / Voigt 34)
loose translation/interpretation by Michael R. Burch

Awed by the Moon's splendor,
the stars covered their undistinguished faces.
Even so, we.



Sappho, fragment 39
loose translation/interpretation by Michael R. Burch

We're merely mortal women,
it's true;
the Goddesses have no rivals
but You.



Sappho, fragment 5
loose translation/interpretation by Michael R. Burch

We're eclipsed here by your presence—
you outshine all the ladies of Lydia
as the bright-haloed moon outsplendors the stars.

I suspect the fragment above is about Anactoria, since Sappho associates Anactoria with Lydia in fragment 16.



Sappho, fragment 2 (Lobel-Page 2.1A)
loose translation/interpretation by Michael R. Burch

Leaving your heavenly summit,
I submit
to the mountain,
then plummet.

Sappho associates her lovers with higher elevations: the moon, stars, mountain peaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever! —
as long as you sleep in my sight.



Sappho, fragment 102 (Lobel-Page 102 / Voigt 102)
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 147 (Lobel-Page 147 / *** 30)
loose translation/interpretation by Michael R. Burch

Someone, somewhere
will remember us,
I swear!

'From Dio Chrysostom, who, writing about A.D.100, remarks that this is said 'with perfect beauty.''―Edwin Marion ***



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
**** me!



Sappho, fragment 11 (*** 109)
loose translation/interpretation by Michael R. Burch

You inflame me!



Sappho, fragment 36 (Lobel-Page 36 / *** 24 & 25)
loose translation/interpretation by Michael R. Burch

1.
I yearn for―I burn for―the one I miss!

2.
While you learn,
I burn.

3.
While you discern your will,
I burn still.

According to Edwin Marion ***, this fragment is from the Etymologicum Magnum.



Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

Pollux wrote: 'Sappho used the word beudos for a woman's dress, a kimbericon, a kind of short transparent frock.'



Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

Phrynichus wrote: 'Sappho calls a woman's dressing-case, where she keeps her scents and such things, grute.'



Sappho, fragment 47 (Lobel-Page 47 / Voigt 47)
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire)  harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was 'Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love.'



Sappho, fragment 130 (Lobel-Page 130 / Voigt 130)
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, unnumbered fragment
loose translation/interpretation by Michael R. Burch

What cannot be swept
aside
must be wept.



Sappho, fragment 138 (Lobel-Page 138)
loose translation/interpretation by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
smile,
reveal your eyes' grace...

4.
Turn to me, favor me
with your eyes' acceptance.

5.
Darling, let me see your smiling face;
favor me again with your eyes' grace.



Sappho, fragment 38 (Incertum 25, *** 36)
loose translation/interpretation by Michael R. Burch

I flutter
after you
like a chick after its mother...

From the 'Etymologicum Magnum' according to Edwin Marion ***.



In the following poem Sappho asks Aphrodite to "persuade" someone to fall in love with her. The poem strikes me as a sort of love charm or enchantment…

Hymn to Aphrodite (Lobel-Page 1)
by Sappho
loose translation/interpretation by Michael R. Burch

Immortal Aphrodite, throned in splendor!
Wile-weaving daughter of Zeus, enchantress and beguiler!
I implore you, dread mistress, discipline me no longer
with such vigor!

But come to me once again in kindness,
heeding my prayers, as you did so graciously before;
O, come Divine One, descend once more
from heaven's golden dominions!

Then with your chariot yoked to love's
white consecrated doves,
their multitudinous pinions aflutter,
you came gliding from heaven's shining heights,
to this dark gutter.

Swiftly they came and vanished, leaving you,
O my Goddess, smiling, your face eternally beautiful,
asking me what unfathomable longing compelled me
to cry out.

Asking me what I sought in my bewildered desire.
Asking, 'Who has harmed you, why are you so alarmed,
my poor Sappho? Whom should Persuasion
summon here? '

'Although today she flees love, soon she will pursue you;
spurning love's gifts, soon she shall give them;
tomorrow she will woo you,
however unwillingly! '

Come to me now, O most Holy Aphrodite!
Free me now from my heavy heartache and anguish!
Graciously grant me all I request!
Be once again my ally and protector!

'Hymn to Aphrodite' is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his 'On Literary Composition, ' published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, 'Hymn to Aphrodite' may have been composed for performance within the cult. However, we have few verifiable details about the 'real' Sappho, and much conjecture based on fragments of her poetry and what other people said about her, in many cases centuries after her death. We do know, however, that she was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called 'the Tenth Muse' and the other nine were goddesses. Here is another translation of the same poem...



Hymn to Aphrodite
by Sappho
loose translation/interpretation by Michael R. Burch

Rainbow-appareled, immortal-throned Aphrodite,
daughter of Zeus, wile-weaver, I beseech you: Hail!
Spare me your reproaches and chastisements.
Do not punish, dire Lady, my penitent soul!
But come now, descend, favor me with your presence.
Please hear my voice now beseeching, however unclear or afar,
your own dear voice, which is Olympus's essence —
golden, wherever you are...
Begging you to harness your sun-chariot's chargers —
those swift doves now winging you above the black earth,
till their white pinions whirring bring you down to me from heaven
through earth's middle air...
Suddenly they arrived, and you, O my Blessed One,
smiling with your immortal countenance,
asked what hurt me, and for what reason
I cried out...
And what did I want to happen most
in my crazed heart? 'Whom then shall Persuasion
bring to you, my dearest? Who,
Sappho, hurts you? "
"For if she flees, soon will she follow;
and if she does not accept gifts, soon she will give them;
and if she does not love, soon she will love
despite herself! '
Come to me now, relieve my harsh worries,
free me heart from its anguish,
and once again be
my battle-ally!



Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

No droning bee,
nor even the bearer of honey
for me!


Sappho, fragment 113
loose translation/interpretation by Michael R. Burch

Neither the honey
nor the bee
for me!



Sappho, fragment 52
loose translation/interpretation by Michael R. Burch

The moon has long since set;
The Pleiades are gone;
Now half the night is spent,
Yet here I lie ... alone.



Sappho, fragment 2 (Lobel-Page 2 / Voigt 2)
loose translation/interpretation by Michael R. Burch

Come, Cypris, from Crete
to meet me at this holy temple
where a lovely grove of apple awaits our presence
bowering altars
  fuming with frankincense.

Here brisk waters babble beneath apple branches,
the grounds are overshadowed by roses,
and through the flickering leaves
  enchantments shimmer.

Here the horses will nibble flowers
as we gorge on apples
and the breezes blow
  honey-sweet with nectar ...

Here, Cypris, we will gather up garlands,
pour the nectar gracefully into golden cups
and with gladness
  commence our festivities.


Sappho, fragment 58 (Lobel-Page 58)
loose translation/interpretation by Michael R. Burch

Virgins, be zealous for the violet-scented Muses' lovely gifts
and those of the melodious lyre ...
but my once-supple skin sags now;
my arthritic bones creak;
my ravenblack hair's turned white;
my lighthearted heart's grown heavy;
my knees buckle;
my feet, once fleet as fawns, fail the dance.
I often bemoan my fate ... but what's the use?
Not to grow old is, of course, not an option.

I am reminded of Tithonus, adored by Dawn with her arms full of roses,
who, overwhelmed by love, carried him off beyond death's dark dominion.
Handsome for a day, but soon withered with age,
he became an object of pity to his ageless wife.



Sappho, fragment 132 (Lobel-Page 132)
loose translation/interpretation by Michael R. Burch

1.
I have a delightful daughter
fairer than the fairest flowers, Cleis,
whom I cherish more than all Lydia and lovely ******.

2.
I have a lovely daughter
with a face like the fairest flowers,
my beloved Cleis …

It bears noting that Sappho mentions her daughter and brothers, but not her husband. We do not know if this means she was unmarried, because so many of her verses have been lost.



Sappho, fragment 131 (Lobel-Page 131)
loose translations/interpretations by Michael R. Burch

1.
You reject me, Attis,
as if you find me distasteful,
flitting off to Andromeda ...

2.
Attis, you forsake me
and flit off to Andromeda ...



Sappho, fragment 140 (Lobel-Page 140)
loose translation/interpretation by Michael R. Burch

He is dying, Cytherea, the delicate Adonis.
What shall we lovers do?
Rip off your clothes, bare your ******* and abuse them!



Sappho, fragment 36
loose translation/interpretation by Michael R. Burch

Vain woman, foolish thing!
Do you base your worth on a ring?



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

May the gods prolong the night
—yes, let it last forever!—
as long as you sleep in my sight.



... a sweet-voiced maiden ...
—Sappho, fragment 153, loose translation/interpretation by Michael R. Burch

I have the most childlike heart ...
—Sappho, fragment 120, loose translation/interpretation by Michael R. Burch

There was no dance,
no sacred dalliance,
from which we were absent.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s ecstatic brilliance.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

I love the sensual
as I love the sun’s splendor.
—Sappho, fragment 9, loose translation/interpretation by Michael R. Burch

You anointed yourself
with most exquisite perfume.
—Sappho, fragment 19, loose translation/interpretation by Michael R. Burch

Awed by the moon’s splendor,
stars covered their undistinguished faces.
Even so, we.
—Sappho, fragment 34, loose translation/interpretation by Michael R. Burch

Sappho, fragment 138, loose translations/interpretations by Michael R. Burch

1.
Darling, let me see your face;
unleash your eyes' grace.

2.
Turn to me, favor me
with your eyes' indulgence.

3.
Look me in the face,
           smile,
reveal your eyes' grace ...

4.
Turn to me,
favor me
with your eyes’ indulgence

Those I most charm
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Those I charm the most
do me the most harm.
—Sappho, fragment 12, loose translation/interpretation by Michael R. Burch

Midnight.
The hours drone on
as I moan here, alone.
—Sappho, fragment 52, loose translation/interpretation by Michael R. Burch

Once again I dive into this fathomless ocean,
intoxicated by lust.
—Sappho, after Anacreon, loose translation/interpretation by Michael R. Burch

Did this epigram perhaps inspire the legend that Sappho leapt into the sea to her doom, over her despair for her love for the ferryman Phaon? See the following poem ...

The Legend of Sappho and Phaon, after Menander
loose translation/interpretation by Michael R. Burch

Some say Sappho was an ardent maiden
goaded by wild emotion
to fling herself from the white-frothed rocks of Leukas
into this raging ocean
for love of Phaon ...

but others reject that premise
and say it was Aphrodite, for love of Adonis.

In Menander's play The Leukadia he refers to a legend that Sappho flung herself from the White Rock of Leukas in pursuit of Phaon. We owe the preservation of those verses to Strabo, who cited them. Phaon appears in works by Ovid, Lucian and Aelian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman."

Sappho, fragment 24, loose translations/interpretations by Michael R. Burch

1a.
Dear, don't you remember how, in days long gone,
we did such things, being young?

1b.
Dear, don't you remember, in days long gone,
how we did such things, being young?

2.
Don't you remember, in days bygone,
how we did such things, being young?

3.
Remember? In our youth
we too did such reckless things.

Sappho, fragment 154, loose translations/interpretations by Michael R. Burch

1.
The moon rose and we women
thronged it like an altar.

2.
Maidens throng
at the altar of Love
all night long.


Even as their hearts froze,
their feathers molted.
—Sappho, fragment 42, loose translation/interpretation by Michael R. Burch

Your voice beguiles me.
Your laughter lifts my heart’s wings.
If I listen to you, even for a moment, I am left speechless.
—Sappho, fragment 31, loose translation/interpretation by Michael R. Burch

Sappho, fragment 57
loose translation/interpretation by Michael R. Burch

1a.
That country ***** bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

1b.
That country ***** bewitches your heart?
Hell, her most beguiling art
is hiking her dress
to reveal her ankles' nakedness!

2.
That hayseed ****
bewitches your heart?
Hell, her most beguiling art's
hiking her dress
to ****** you with her ankles' nakedness!

3.
That rustic girl bewitches your heart?
Hell, her most beguiling art's
hiking the hem of her dress
to ****** you with her ankles' nakedness!

Keywords/Tags: Sappho, ******, Greek, translation, epigram, epigrams, love, ***, desire, passion, lust

PS 5.9.2021I’ve done the whole thing over: punctuation, syntax - all to make it clearer to the reader - and you.  See if it makes a difference.

   I’ve been taking this apart & putting it together umpteen eleven times, unsure of what I was aiming at, unsure of my attitude and what I was saying.  Finally, it itself formed my conclusion.  Ah, the creative power of poetry.

   Fragments Of Energy II

Fragments of energy, forces of power;
Distance illusory… near, here or far.
So much is theory, notion, idea.
Is God really God,
We, the peas in an almighty near and far pod?
Is the mixture a mishmash but all-of-a-one:
Unified fractals* that make up the fun,
Snowflake or buttercup, echoing bird.
Re-stated everywhere - here, now and every ‘there’?
(Look up the word)
Clusters or clutter, matter plucked,
Plunked down with order;
A concert in motion, a symphonic One.
Part of the order of earth, moon and sun.
All of a fragment with no counted number,
Each of us members In atom toned embers.

In some sort of incomprehensible way,
One is glad to be
Even a fleck of those fragments of energy.
Fragments Of Energy II 5.9.2021 Circling Round Science; Nature; Reality; Arlene Nover Corwin

fractal; a curve or geometrical figure, each part of which has the same statistical character as the whole. They are useful in modelling structures (such as snowflakes) in which similar patterns recur at progressively smaller scales, and in describing partly random or chaotic phenomena such as crystal growth and galaxy formation.

Pleasure, oh pleasure sitting in silence
Among the lime trees
The silence of delight
A perfect pardon
Sitting here in silence
Among the lime trees
No hurry, no hurry
To go anywhere
While strangers offer smiles
Such perfect smiles
Sitting here in silence
Among the lime trees
Magic a specialisation
A practical specialisation
Sitting here in silence
Among the lime trees
People of all kinds
Come streaming by
Pilot people
Sitting here in silence
Among the lime trees
People passing with such power
Sitting here in silence
Among the lime trees
All power is violence
Sitting here in silence
Among the lime trees
Pleasure, oh pleasure
Sitting here in silence
Among the lime trees
No power is needed here
Sitting here in silence
Among the lime trees
Only truth and justice
Sitting here in silence
Among the lime trees
No grievous ache remains a mystery
Sitting here in silence
Among the lime trees
That purple mass made clear
Sitting here in silence
Among the lime trees
An aroma here
Sitting here in silence
Among the lime trees
An exuding stupefying aroma
Sitting here in silence
Among the lime trees
That startles the sparrows
Identical sparrows
Sitting here in silence
Among the lime trees
Other silence is unequal
Sitting here in silence
Among the lime trees
A quivering tenor of silence
Sitting here in silence
Among the lime trees
Gilded silence that flashes
Hazily across the vision
Sitting here in silence
Among the lime trees
Frenzied silence, irresistible silence
Sitting here in silence
Among the lime trees
Silence split into fragments
Sitting here in silence
Among the lime trees
Fragments that remain intact
Sitting here in silence
Among the lime trees
Silence that vanishes from sight
Sitting here in silence
Among the lime trees
A severed silence
That remains infused
Golden and deceptive
Sitting here in silence
Among the lime trees
Like split up bandits
On the run
Sitting here in silence
Among the lime trees
Who race up two
Different boulevards
Sitting here in silence
Among the lime trees
A day return silence
Always nervous and irritable
Sitting her in silence
Among the lime trees
A softening handsome
Lilac colored silence
Sitting here in silence
Among the lime trees
Regal in its resonance
Of romance
Sitting here in silence
Among the lime trees
A silence of scarlet kerchiefs
Wears a tail coat
Has black raven hair
Sitting here in silence
Among the lime trees
Trying to catch spiders
Rats, little devils and dogs
Sitting here in silence
Among the lime trees
Day breaks
Inexorably in silence
Over the poet
Sitting here in silence
Among the lime trees
The unstoppable
Silence of silence
Sitting here in silence
Among the lime trees
Such silence once started
Is unstoppable
Sitting here in silence
Among the lime trees
Such as the strange silence
One finds in snow
Sitting here in silence
Among the lime trees
Silence in a deserted shout
Sitting here in silence
Among the lime trees
Oh such silent noise
Such silent noise
Silent noise, silent

The structure of
my poems are
almost always
fragmented.

Fragmented.

My heart is fragmented too.

Fragmented.

Broke into little minute fragments of
the living flesh of love,
painful love,
broken love,
shattered love.
Each and every time
I see you.

And I see you everywhere.

And I still remember the
fragments of me
you took away.
First slowly,
piece by piece,
then all at once.

I am now fragmented.
Spilled on the ground,
deserted,
forgotten,
some fragments
left in different parts
of you.

I am fragmented.
My minute fragments with
you.

**And only you.

I remember
when you were young and wide eyed
excited at the possibility of the world
and afraid because it was all so big and you,
you were the smallest creature in a forest full of monsters

still, you had big dreams and wanted
so badly to write something
so unique and profound
something to make people understand you
understand themselves
see that we are all one
know that we all bleed the same
slippery shades of water color
even if the canvas is is different

Fear is an ugly thing and overshadows
and overwhelms, *******
the life out of life
and the colors out of the rainbow that
is supposed to shine overhead and keep
the bad the things at bay

it crawls into bed with you at night and
keeps you awake, drilling
everything that is wrong
straight through your skull and
into your soul like a
woodpecker, never ceasing
never letting you rest

there is so much that is so hard
to comprehend and make sense of
and it is so much easier to let the fear
take hold of you, wrap it's fingers
tightly around your neck
a noose growing ever tighter, strangling
while you struggle until
you have no voice left to speak

It left you choking
out fragments
and run-on sentences into a journal
that no one would ever see
that still makes me burn when
I flip through those pages reliving
the story of my life that you wrote
all those years ago

I remember
when you thought that no one could see you,
so you lived your life like a child
jumping up to see over the counter,
making make-shift ladders out of whatever
you could find so that you could grasp
everything that always seemed so far above your reach,
losing yourself so easily
in a sea of people
because they were so big
and you were
nothing

You words are a time capsule
that bring me back to a place when
when we stared at each other in the mirror
and curled our tiny fingers into a fist
wanting to smash the glass
because
we were ugly

But my words are a time machine,
my gift to you from the future

You are small still,
but the world is not as big as it used to be
and nothing ever comes easy
but your dreams are coming true,
you did not give up despite
believing so often that you would fail and
you are making a difference

I am afraid
because
everyone is afraid, but
I stand in front of the mirror
young and wide-eyed,
excited about the possibility of the world
and when I look at you now, I know
that we are learning to love each other
finally.

‘Reality’ is an empty promise

A word manufactured and fitted

To address this infectious disease

Us humans call life

Because material items,

Deeply rooted beliefs,

And honest emotions,

Only exist within our heads

And if my perception were to be so askew

As to deem myself dead

Then I’m living in the 7th ring of hell

We are fragments of projected images

A wasteland for forgotten dreams,

Useless prototypes,

From the stars that shine in our imaginary minds

We are just fragments of a masterpiece

That we cannot even see

Pick up the fragments that belong
in the basket of the self
even while the world suggests
what’s retrieved should be shamed
an assault where none is meant
pharisees err in response
when curative is the intent
for the traveler off the path

beware gatekeepers of all stripes
the outsider or close ally
denying unity sought within
as the holy guards the breach
the victim cast as miscreant
targeted to save the group
on the altar of the right
still the splinters must be amassed

the shards echo rainbow hues
scattered on the floor of life
spectrums hidden are reclaimed
the stacked result fills the sky
stars embodied in the depths
collected with a net of tears
zodiacs reflect the self
shining brighter than distress.

© 2018. Sean Green. All Rights Reserved. 20180913.

All of your thoughts,
All the words you’ve ever said,
All of your touches,
All the stories you’ve ever made...
All of your songs,
All of your handwritten notes,
All of your photos,
All of your beautiful clothes…
Resurface in my dreams
****** night after night,
I wake up in cold sweat
To find you nowhere in sight…

Kaleidoscope of my restless mind
Shows a new picture of you and me,
Solace for the scattered memories
Light of future those couldn’t see…

I can’t bathe in your light anymore
Million stars successfully keep us apart,
All that remains is ether without you
Aimlessly I find your reflection in art…

I let my heart get ripped so often
Try to find happiness in what remains,
I know my dreams are broken
But I like to love the fragments…