Two marble columns
hold up the high temple roof —
Lovers holding hands

A jet black shellac record spins
seventy-eight times a minute.
Its label bears a lady ’round the pin:
She strums her lyre pictured on it.

It’s a flat earth of forgotten tunes
that spins on an axis of steel
through heavens lit by a lyrical moon
filled with the stars of bygone years.

The label’s lady of the lyre
smiles up from her grooved time machine,
her strums reverse the stars’ funeral pyres:
On each rotation her lyre gleams.

Beyond the grave, voices I hear
defy the dark passage of time:
They sing, resurrected from yesteryear.
Her lyre scores each lyrical line.

Each scratchy hiss and tiny pop
I hear from the disc’s dust and scars
reminds me of a radio telescope
that points up to distant quasars.

Alas, the needle drifts further on
‘til it reaches the groove’s final string
and then the tonearm waits for a new dawn
when this time machine once more sings.

An oracle stands
alone in her stone grotto —
Solitary lamp

Will she, won’t she
buy my Christmas wares:
If I work to sell me
will she take my snare?

The practiced pitter-patter
of my seller’s pitch
hangs in crisp cold air
and hopes to scratch her itch.

Her eyes dart to and fro
from one stall to the next:
the jingling coins’ fickle flow,
Christmas bells that leave me vexed.

Will she, won’t she,
see this heart that beats?
What if I add it free
to the sale of these sweetmeats?

Each moment wisps of tinsel
a-flutter in icy gales:
I fear her dismissal
as I grasp at just one more sale.

A spark of insight melts the ice
in a tiny warming breeze:
It’s not my wares I price,
but what I’m truly selling’s me.

Dear reader, let me with you share
how we must loosen winter’s snare.

I remember my last summer
when lazy clouds would puff the sky
and the river’d laugh and murmur
while the wind wandered gently by.

The trees all waved in greeting
with their maple green hand leaves
while air with nectar dripping
wafted past my senses’ eaves.

All around were people glowing,
each filled to the rim with gold sunlight,
each face a brimming chalice flowing
with the fruit of grapes of delight.

But now the sun’s departed
behind the bleak clouds’ winter coat
while leafless trees look guarded —
no more waving, just remote.

I turn my collar stiffly upwards,
wrap my scarf around my face,
become one more of masked hundreds —
of our hearts’ warming hearths no trace.

Where voices once were warm and clear,
they languish, muffled in a space
that tightens in a chilling fear
locked in the creeping frost’s embrace.

The slice of ice into my bones
snaps me awake to think again
and free myself from aches and groans
that winter’s biting shadow sends.

Under winter’s bitter blanket grey,
my mind wills back to summer’s upland hills
that shimmer in sunlit summer days
to cast off winter’s hoary chills.

And so, my friend, do we choose the dark
or do we light the solstice spark?

In a nook of an old stone church
a cherub basks in the vesper light —
A childlike innocence for which I’ve searched
that seems to slip into the onset of night.
Fade not away, you sweet dear boy
and never lose your childlike joy —
Fight, fight
the snares of twilight

The mason works the living stone
to shape it for its slotted place.
Pale flakes of rock fly as he hones
it to a rough-hewn sandstone face.

With chisel and mallet in granite hands
and flinty grey eyes to plumb the line,
the rock gives way in grains of sand.
He chips and flicks one blow at a time.

His fingers trace each pit and dell
that he’d worked in with his iron tools,
while nostrils fill with chalky smell —
light dust clouds through his workshop move.

As one by one his blocks are laid
by his apprentice at his side
to fill the role for which they’re made:
they’ll be joined in one more arch of pride.

More arches form as months move past
then building up to many a year:
They mark the time of a life well cast,
his mason’s mark left on each stone sheer.

Each arch arises, pointing high
to the master mason of us all,
who carves and fits in his workshop sky —
by shaping, marking us in his wall.

Then piece by piece, the church takes shape
while grains of sand from worked stones fall;
The mason, now old, his final finial makes
as falling sand an hourglass recalls.

And here I stand in centuries hence
to spot the mason’s mark he left behind,
his arches pointing upwards whence
the mason built his final shrine.

While walking through a wintry town
of weavers’ crackerbox houses of stone,
all with carved shutters and panes of wood,
I noticed I was far from alone.

A tabby cat sat on a sill
and looked at me with wet jade eyes.
I asked her what she for Christmas wills,
what sandy claws might bring as a prize.

She winked a blink as slow as tar
and gave me a sideways smile.
All she wanted was a door ajar
to sneak into with all her wiles.

Why yes, I opened the door for her,
and scarcely had she gone inside
that she returned with a satisfied purr
and said that she’d changed her mind.

This cat will do as she may please —
She’s a feline, fickle as a winter breeze.

A Christmas market —
smell of pastry, baubles shine,
bright star lights the night.

In an Edinburgh square, pale frosty dawn,
my collar upturned to ward off the sleet
a-pattering on the grey stony lawn
of slate flagstones and cobblestone streets.

I see a creature of myth that flies a flag:
The unicorn wields a white cross
and spites iron clouds of sullen ****:
Her golden horn gleams in the dross

of short winter days of sickly suns.
As daybreak crawls out slowly from grey
and fog’s misty veil turns light to dun,
I long for a glimpse of sun’s gilded rays.

This Scottish sunrise sends its weak beams
of wan threads of silver to kiss the gold
which sheathes the unicorn’s horn and gleams:
Her white coat shimmers in summers foretold.

Her sunbright horn pierces the pall
of grim grey winter’s grip on my heart —
In this moment her lightness enthralls,
her horn a flame that freedom imparts.

Waves in handmade glass
in old peeling wooden panes —
Ripples on the pond.

From the leaden sky
descends a dark winged lady —
Black sunbeams dawning.

Reddened night replies
and locks her blackened aerie —
Hunter’s moon is rising.

Morning herald cries
to summon sunburst faeries —
Sparks rise a-flaming.

Goddess of harvests
calls out from wheat fields waving —
Heavy clouds marching

A-walking in a cobbled street,
I breathe the brittle winter air,
the crunch of frost beneath my feet.
The early hour’s sunbeams flare.
Arising in the ice-blue sky
three stone church towers stand and wait.
Their spires point to the most high
as morning sunlight splashes paint
across their well-worn windswept face.
These turrets of a sacred keep
stand silent witness, each stone traced
by time’s sharp fingers etching deep:
I hear each crack and crevice sing
a murmured prayer for us to stand
and listen to the brass bells ring
over sunlit frosted land.

A Christmas market, icy cold
where crafts are made both bright and bold.
A spinner lady fills my sight
beside her steaming *** of light.
She spins and dyes her woolen yarn —
and thinks of his spun tales and yarns
that wove her into stitches of laughs
to knit them in the cable craft.
The threads of her past joys now flow
into the yarn that she makes glow.

At night, a Christmas garland brightly lit —
Milky Way, spine of the sky.

The temple at sunset
holds the pale light
to store up the glow
and endure the long night.

The blacksmith works the iron ore
with tongs and hammer on anvil’s brow:
Within his forge’s fiery core
grows metal soft, with carbon endowed.

The coal turns grey, much like his beard
drawn out by age to wiry lace —
a silver mine that roughly rears
from his craggy quarry of a face.

In his chest, the same fire roars,
a molten furnace fueled by air
****** in by bellows, lungs engorged,
then exhaled in the bright sparks’ glare.

The chimney of his mind is filled
with sparks that dance, a glowing throng,
arising through his thoughts that thrill
to the rhythmic beat of his anvil’s song.

Reflected in his clouded eyes,
mixed in with soot and sweat and toil,
the steel sings out in joyous cries,
its notes ascending to a boil.

For though the years have dimmed his sight,
he sees through the smoke and flame. He knows
how he will find fulfilled delight —
when he with music his craft bestows.

Gunmetal grey skies
loose leaden teardrop tempests —
Lights in the window

In the days when we first chipped stone
and carved from earth long lines of chalk,
we set in place rock circles honed
to hear the nature spirits talk.

The hurried sun wheeled all around
these massive stones we made to stand,
casting shadows on this fertile ground
that tell us when to sow this land.

Then came the age of bronze first wrought.
We built our temples where oracles spoke
foretelling how our world was caught
in snares and schemes of gods provoked.

But tin and copper fell to iron;
A new temple grew upon Zion’s hill,
as gods to just one god would turn —
iron presaged dark satanic mills.

Another grain in the hourglass fell:
the sharpened skill of work in steel.
Our churches rose with tales to tell
which called us to in sackcloth kneel.

We wedded iron with coke and steam
to summon power, rip from earth
all we ever craved: a false dream
of boundless bounty, endless worth.

From one old god to a new model,
religious in the cult of me,
prepackaged for our blind apostles,
Mammon’s black seed sowed eagerly.

This seed turned slick with silicon
from which grew fiberoptic veins
injected with an ****** balm:
A new cult idol it became.

Today the circle’s stones are laid
in server nets that span the globe,
with oracle influencers well paid
to infantilize our frontal lobe.

Bright magic mirrors in our hands
with retina screen technology:
Tech prophets lead to this promised land
of unkept promises to fill false needs.

The circle’s silicon steles stand:
new dark satanic mills for today.
A mock Jerusalem holy land,
bare desert where chalk lines once lay.

In this waste I find an old stone axe
of flint and oak and red deer’s thread.
Its polished head still bears the cracks
from when we first on this path were led.

In late fall the tree embarks
on the path to winter’s slumber —
as the dimming days slip short and dark —
of leafy weight she’s unencumbered.

There in the grooves of her linden bark
the worker ants prepare for the frost
that spreads across her lichen’s mark.
One pulls leaves over, a blanket soft

to keep them warm, a leafy tent.
It shields them from harsh winter’s maw,
which bites with brittle frozen vent
and breathes through branches bare and raw.

In the underground, her roots hold fast
to living soil that’s black as night.
They mirror icy wisp-clouds that grasp
the frosted skies’ pale starry light.

At last she slips into a dream
of bursting buds and birdsonged air
which softly waft in dewdrop streams
in answer to her winter’s prayer.

The copper dome
of this domus Dei
provides a home
where I may in silence stay.

Beyond its great doors,
a sea of candles like a hearth.
The cool marble floor
reflects the roof mosaic’s warmth.

In this vast space
my silence softly echoes
and in my vault vibrates
a secret libretto.

A-walking through a burial ground
as autumn’s bleak winds buffet me,
I hear plainchant that makes no sound
come from a church behind bare trees.

As I wade through seas of fallen leaves
that blanket tombs of fallen folk,
the whitewashed church’s lichened eaves
are loosely draped like a priestly cope.

Behind the church’s wooden door
comes silence sounding out a song.
Its words unsaid, no rigid score,
to the whirlwind this primal hymn belongs.

Well fortified by thick stone walls
a-quarried from the craggy heart
of this carved earth’s basalt halls,
this house still plays its sacred harp.

For though someday the sun will rise
above this temple’s gaping ruin,
its oaken rafters open to the skies,
there will go on the formless tune

whose notes compose creation’s tale
that’s told unwritten in lettered fire.
In my lungs I breathe the words
to join someday the hidden choir.

With that, this door did not lead inside
that bastion built for worshipping.
Her song instead had opened wide
my spirit for all this life will bring.

In the teardropped dew of golden hour
as dusk-sun dips below the edge,
an angel of bronze upon a stone bower
keeps watch as nighttime’s fingers stretch.

Across the spans of painted sky,
one by one bright sparks appear:
constellations form as portraits high,
a hunter, two bears, points on the sphere.

These starry creatures connect the dots,
parade across the firmament
and crown the angel deep in thought,
twelve stars, a wreathed encirclement.

The hunter wheels around the dome
of charcoal sky. His thrice-jeweled belt
shines out to mark him as he still roams
in pursuit of where scorpions dwelt.

Above him run two starry bears,
one’s tail-tip pointing to the north.
Though he lays his trapper‘s snares
the scorpion always hurries forth.

The angel watches the hunt go on
as it’s been since this our rock was made.
She hums her part in creation’s song
that set it all turning on time’s old lathe.

There in the shade by moonlight cast,
this angel smiles at the pageantry
of starry figures marching past
to mark her maker’s majesty.

An old man climbs into a vintage car
to smell the sweet upholstery,
caresses the steering wheel’s steel bars
and grips the gearshift **** of ivory.

He pulls the heavy door to close
it and hear its deep, dull iron clunk
that fuel-injects him with a dose
of chrome-clad metal hunks.

The streamlined car doesn’t move.
Still, it takes him on a favored trip
down a grey road well grooved
that his whitewall mind-tires firmly grip.

Its tires spin in grooves and sing
a well-pitched tune of rolling on.
Seams of concrete slabs now bring
the bumping heartbeat of this song.

His greying hairs match the road
which stretches out into his past,
leading him back in freeway flow
to a love that he’d made last.

For in a leather rumble seat
in a sleek car just like this one,
he’d kissed her hand and lips to greet
his sweetheart hunnybun.

She smiled as bright as high beams
at her motorheaded beau,
with wide eyes that stole his dreams
and made his fuel more quickly flow.

With hair like raven asphalt
framing lips in brake-light red,
in her saw he no faults,
but thanks to him, she’d end up dead

in a shattering crash
as they slid into a tree,
his youthful driving brash
and far too wild and free.

He swore to never leave
her by that bleak perditious street.
Resolved, he chose to grieve
her and keep the rumble seat.

So once a year he sits in this car.
He never drove again.
But each time it takes him far,
right to where his hunnybun had been.

Athena turned ’round her head
like a night owl on the sly
and looked up behind her
as gold Apollo crossed the sky,

riding with his four coursers’
flying gilded manes and hooves.
Their silver flanks and quarters
thunder across the earth’s blue roof.

The rhythm of their beat
stamps a lyric all their own,
blood coursing with the heat
of the sun-disk they all towed.

The she-god of the wise
observes this cloud-streaked scene,
the man-god shining out,
casting shadows ’round Athene.

Apollo’s path is sinking low
as the winter months advance.
The frost now blurs his glow
and bare forests fall into trance.

It’s in this creeping night
that Athena finds her time.
She draws her wisdom in twilight,
no need for blinding light up high.

For she shines not with a sun.
Instead she lights her own pathway.
By her craft and wits she’ll run
her own trail she blazed today.

The very last leaf of the fall
gave her level best and all
to shine as bright as she could be
and spite the winter’s hoary freeze.

There amongst the faded stems
of lavender that’s lost her lilac gems,
this leaf has nestled in a pose
that rivals summer’s crimson rose.

A leafy lantern of orange and gold
alit on silvered frosted ground a-cold
to blaze forth in her final victory:
An exit worthy of ancient histories.

In sleet and rain of Edinburgh
a cathedral rises from the deeps.
The salt of sea and old coal blur
veil her face in grey-cast sheets.

On her western pediment
within tympanum carved of stone
sits Christ triumphant and in judgement
where he calls us all to atone.

I stand before him, my head bowed
as I contemplate our shared guilt,
with mea culpas weighing on my brow
for the follies fallen man has built.

And so we’re burning Eden down
with flaming swords that we still wield
as once vast forests shrink and brown
and fallow lie once verdant fields.

Where trees once stood, smokestacks rear
their heads belching fumes up high
and in the deeps, the oceansphere’s
no more a garden for octopi.

For in this our earthly commonweal
that was a gift that’s given free
we prove that purgatory’s real
because we ourselves have made it be.

A whisper came from the carved face
to walk into this stony womb
where colored light and incense trace
a path to overcome the gloom:

Forgiveness for our many faults
comes when we change our ways.
There in this temple’s holy vault
I vow to fight Eden’s decay.

In Edinburgh I found Eden
in a vision of what can be.
For we are by no means beaten
and we can do it, you and me.

King David’s bard once sang about
ceaseless cycles of the tides,
a time to hope and time for doubt
as we the cresting waves must ride.

Once trusted boatsmen stopped to ford
the deep oceans that divide
and swung their oars in wrath’s discord
to scorch with flames of pride:

I walked across an iron bridge
that had once been made a wall.
Not so far back was it the edge
of two worlds to rivals called.

The warhawks of those bitter days
that swung hard over seas of steel
returned to their unspoiled state
of ivory doves whose touch can heal.

Some doves now blacken in their dirge,
their talons whetted for the **** —
it’s worth recalling when this bridge
its joining purpose re-fulfilled.

Fell waves will crest and seas will smooth,
our tossed ark will come to rest
upon a place where psalms will soothe
us where we by doves are blessed.

A starless swart of night
has draped its murky veil
above my temple mount —
but the house of holies’
lifting light lingers on.

Its window eye shines bright
to lead upon the trail
that guides me to a fount —
its waters cool and ease
until new break of dawn.

In times long past, the builder made
a forest temple in the shade
of tall oaks, maples, locusts fair,
each carved stone an unspoken prayer.

There amongst the autumn whispertrees,
I open the old temple gate with ease
and hear the trees sing psalms of solace,
to partake in this painted place’s promise.

To tarry here with trees well dressed
is where I my newfound faith confess,
communing with colors in tailored hues
and with the sacred scent of life imbued.

Stuck on blackened spikes
and under stormy seas.
“Let’s go for a hike,”
my wife said to me.

Her sliver of sunlight
breaks through my fog,
a sparkling invite
to go for a little jog.

On a bed of autumn leaves
and crisp wisps of dew
the trees us receive
while I from black withdrew.

The flicking fire in the hearth
pops and cracks a wispy smile
while its embers send their warmth
into the stone house for a long while.

The chimney curls with silky smoke
that snugly signals a cozy place.
The walls are paneled with old thick oak
to safely hold us in wood’s embrace.

This warm retreat’s stout red door
is made and unlocked by my inner eye.
Its stone foundation and sturdy floor
are crafted well for brittle times.

Pull up a chair and join me here
in this secret safest place of all —
it’s in each of us, in constance near:
Take some rest in your heart’s great hall.

In the house by the lake
sat a man of few means.
He dwelled on his mistakes
that had left his life lean.

In that house in a place
by rippled waters’ edge
he saw just the faces
in the photos on the ledge.

Outside rang the birdsong
and the sun sent her rays;
the trees stood there strong
and the clouds went their ways.

But in that tiny home
a man just sat to dwell
to brood on being alone
and missed out nature’s spell.

When the changes come
will winter winds still blow?
What world will we see
as quicksilver higher flows?
When this time is past
will songbirds still be heard?
Will parents still tell children
of the bees and the birds?
Will grandchildren know about
lightning bugs in the dark?
Will lovers still know what’s meant
by butterflies in their hearts?
May those gifts that we leave
for those who come hereafter
not become the close
of this book’s final chapter.

The king of what was stands in silence
and surveys his sunsetted realm.
His spine is straight in stiff defiance
of the twilight of the kingdom he’d helmed.

On a plastered pedestal high he stands
surrounded by the waste of his times.
Carved into it, once acclaimed in his lands,
was his name, now covered by vines.

The pale sheen of low sun as winter nears
casts shadows across his etched face.
Its grooves grow deeper year after year —
he’s the gnomon whose shade this sundial has traced.

He takes no note of the thorny brambles
that have entangled his fixed stony feet.
With flinty gaze and wrapped in a mantle
of granite, he keeps watch through storms and sleet.

Now stripped of his titles and even his name,
the proud king of the ruin’s still there.
For while the long night has broken his fame,
still he stands, marked by his unbroken stare.

On a church, Mother Mary gazes up high
with her saving babe on her stone arm.
On her alabaster face: a cryptic smile
that has its own fine chiseled charm.

While I stand in the old town’s cobblestone street,
my mind sees me in a far distant place.
The visions I see speak of defeat,
a void that devours all grace.

I see myself floating in a brittle wood boat
with sails torn to shreds by the storms.
Frantically I toil to stay afloat,
tossed by black waves which ebb and reform.

Her disk halo of gold shines out in the dark,
glinting to those who sail by.
I ask her: tell me what can give me a spark
to let me soar up into the sky.

She offers no answer in so many words
and just smiles on, stonily serene.
In her silence is where her answer is heard,
a quiet reply — I know just what she means.

The rock of her tells me what I must hear:
No need to soar nor fly nor flee.
Let black tides flow past me ‘til they clear.
Like this old pale statue, just simply be.

Helicopter seed
comes to rest on the green moss —
A princess in bed

I once checked into an old hotel
that’s served guests for many a year.
The white-clad staff will serve you well
and greet you brimming with cheer.

Its handsome brick and stone façade
shines gold in the bright morning sun.
Inside, the red velvet furnishings’ a nod
to the lovers’ tall tales there spun.

The rooms are filled with patchouli scent,
or perhaps with a strong note of musk.
At first you’ll easily make the rent
and stay there from dawn until dusk.

Oh, how well could I in that chamber sleep
on starry fields of Elysium each night,
my baggage packed in cotton I’d keep
to stow it from whatever gave fright.

But the longer this hospitality I had
the more a locked hospital it became;
the doors that’d welcomed this young lad
soon rusted, harder to open again.

I chatted with the friendly concierge
and noticed the crease of his smile
was curled into the quirk of a sneer
while his light humor shifted to bile.

The mattress that once was thick and soft
grew coarse and lumpy with age
while the vistas seen from the gilded loft
were obscured by the bars of a cage.

The red velvet’s colors began to bleed.
All was gilded with the gold of fools.
Once this hotel had for me filled a need —
but it sought to make me its ghoul.

This hostel had to hostile turned,
its host was revealed as a warden.
With time I learned its charms to spurn
and escape to a greener garden.

Even now that hooking hotel calls,
a sultry siren who woefully wails
and summons her guests — or thralls? —
to deep sleep in her heavenly jail.

Some days on back I sat on a pub’s oak stool
and drew in the musty smell of its past,
its scent of old leather and spilled beer that pooled
under the floorboards in a sticky mass.

An old man came in and pulled up a chair
and he scratched at his stubbly beard.
His grey eyes had fixed me in a granite stare
and rumbled ‘til his raspy throat cleared.

He said, “The word ‘nostalgia’ comes from Greek stems.
It means the pain of homecoming.
We look to the past through a cataract lens
at a ‘home’ that’s made out of nothing.”

I asked, “You can’t go back to your home again?”
He shook his head, a woolen wisp of a sigh.
“That home exists in the land of pretend,”
he softly exhaled in laconic reply.

And then he stood and slipped away home
while the strains of “Jerusalem” played.
I sat in my cloud of memories alone,
from fog emerged in the present to stay.

A life after death
prayerfully sought in churches —
Mushrooms in tree stumps

The tyrant built his tower tall,
set straight to work a-cutting through
the golden threads that join us all
to hoard them in his mental zoo.

Its bricks were baked of stolen clay
in his kleptocratic kilns’ cracked moulds.
Their stench of sulfurous yellow stays
as mockery of our cords of gold.

He covets the gleaming ties we share
to gild the cavern in his tower.
The pit that’s fed with his charm’s snares
cannot be sated with this gold of ours.

His true name is as it ever stayed,
be it Xerxes, or Julius, or Wilhelm, or Don,
this ******* hybrid of hubris and hate,
who feeds on sycophantic fawns.

But despots have their own red thread,
a truth of iron wrought long before:
Each one will end encased in lead,
entombed beneath time’s deepening ****.

The tower topples, his memory fades.
He takes his place with Hades’ shades.

What lies beyond this dour door
that leads to things ahead?
I stand and wonder what’s in store
behind this portal grimy with dread.

Its glass is cracked, its lead paint is chipped
while its brick wall is turning to sand.
Its handle doesn’t invite to be gripped,
nor does it tell me where I’ll land.

I look all up and down the street
and see only more doors that look the same.
Before each one are more: their feet
wish to walk away from these doorframes.

Each one of us is seized by impotent rage
at facing a choice that’s no choice,
to be fixed as if in a steel cage
and finding no cause to rejoice.

But one of us in this bleak boulevard
must be the first to twist the ****
with the will to face the path that’s hard,
to not let our lives by fear be robbed.

Let each of us kick in our doors of fate
and overthrow their grips on our lives,
smash the clock and pass through that gate
with heads held high, fearless of where we arrive.

Spurred by the clarion call: it came to pass
our pent up waters burst the dams.
No captives are we! We struck en masse:
Battering rams forged out of lambs.

The last rose petals fall to the ground
leaving the rosehips bare
as autumn’s chill again comes around
to strip blooms that had been fair.
The rosehips have hairs all wiry and grey
that also break off, one by one.
Her color is gone, she fades away
until this rose lady’s season is done.
Her petals arrayed on frosty soil
decay gently in the cold rain
while in her hips, seeds are born
to bring forth new roses again.

Candle, candle, burning bright
in this vast and dusky church tonight.
In its shimmering light I see
few fellow faithful kneel near to me.
Our chant is soft and barely heard
above this fallen world’s absurd
descent into a tyrant’s wrath.
Like those before, await his aftermath.
Therefore we must keep this flame alive
so that hope and charity still survive
‘til the fickle follies of sundown times
end again and new dawn shines.

What happened to the little boy
that I once knew so well?
He’d greet each new day with unfettered joy
and wave the last one farewell.

When oaks and maples began to turn
and the leaves had started to fall
the boy happily switched the TV on and yearned
for the return of his game of football.

Somewhere along this growing boy’s way
he became a great deal like me:
I wake and walk to the mirror today
to see where that boy used to be.

Now I cling to every last leaf
that falls from the branches up high
while stretching the days that are now too brief
as the winter comes rapidly nigh.

A frail man stood high on a granite precipice
as rain lashed harshly his wrinkled brow.
His dead eyes stared fixed into the abyss
while the deep clouds held an intemperate row.

The powdery embers of his belly’s red fire
had dimmed to flecks of faintest off white.
But now, not far from where this had transpired
shone out a tall lighthouse streaming bright.

And in its arc light’s blazing blue beams
the haggard man saw past his mind’s edge
to see he wasn’t the only in a feverish dream:
Multitudes stood each on a dark stony ledge.

Just then the others saw too through the gloom
that they were surrounded in this bracken dell
by bleak fellow travelers of similar doom:
They shared in their bones that they all were unwell.

This newfound chorus sang their litanies all
in crescendos of crisis and depths they bewailed
but the more that joined in, the music recalled
how by sharing their song they’d over darkness prevail.

There in the bellies of each in the throng
once cold embers began to kindle a spell:
This company of the crushed composed a new song
whose magic this sympathy symphony cast well.

i.
I walk through the streets
of old Spandau
under a sky of slate and zinc
that lets loose its sleet
and drops of pale ink,
filled with burdened clouds
weary from hurrying onward
out of the iron east.

ii.
A church tower stands sentinel
watching over the people fleeing past
on cobbled streets paved with fate.

iii.
Once, to doubt was to believe
as Thomas, bereaved,
called out in awe
My Lord and my God.
Today there’s just doubts,
faith is fleeting as clouds.

iv.
The tower waits,
outwardly strong,
yet forlorn and alone,
abandoned by the faithful
as the sacred slips away.
It watches and waits
in hollow hope of a time
when its hallowed purpose
might yet be whole again.

A **** of lightning’s searing blast
that ripped across her rib cage’s sky
had torn anew through clouds aghast
at what the storm had loosed from on high.

The brooding might of the blackened squall
kicked up the chill winds of her innerscape
and hurled down hailstones, icy *****
that pummeled the pit of her belly’s nape.

To tame this tempest, this wrecking gale,
felt too by the kaleidoscope of her spirit’s kin,
she in and exhaled breaths of kindness to regale
her kinsfolk around her with fresh air within.

Though the storm reared terrible and bleak
above these heads bowed and burdened below,
their sparks of lightning that blazed and streaked
were together tamed to a shared soft glow.

They held tight the hands of those around
who quailed in fright as thunder drums
to form a circuit bright which surrounds
and transforms dark sparks to delightful suns.

A simple draft of air in the lungs
like I’ve done a billion times.
Exhale to hum a song I’ve sung
that calms with comforting rhymes.

In and out and rise and fall,
to feel my stomach be moved
and breathe through fears and all
‘til wrinkles of worry be smoothed.