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Kason Durham Apr 2014
An old man whispers softly,
Bowing before the old grey stones,
Tears falling lightly on the brim;
Petals falling to the earth.

His fingers feel the coarse of death,
The cold stone, with words so heavy and grim,
Carries with it life, coursing deep in its veins.
A life now forlorn in the earth below.

Dressed in stark formality; his respects for the dead,
He yearns for the warmth in his hands,
The grace of his feet; the light of his head,
One last dance was all he asked.

Now waiting in the familiar silence of years come to pass,
He rested his eyes and let his head fall;
Quiet was the day when his heart followed suit.
Yet, in his redolence a golden tune had filled the yard.


And the gold had spread, captivating and encapsulating,
The leaves the flowers, the stones and fences,
All veiled in a vibrant hue of a time gone by,
Ethereal was the hand that guided him through nostalgia’s sweet haze.

Now vigor had taken him: embodied with life he stood,
The hands he so tenderly held once now returned to him,
Warm were their touch, though living they were not;
He knew this, his eyes closed in reverence.

The gentle tune had guided their sways,
With revived vitality he made his dance with death,
Graceful were their swings that led the ball,
Elegant were the strings that filled the hall.

With reluctance he made his final twirl,
Dropping her deep in a final embrace;
The music crescendos to finale,
Sorrowful, he lets a longing, loving smile escape.

Just as well, she escapes his fingers,
The breeze whispers softly the words of lovers;
Tender was his smile now, he opened his eyes and looked high above,
Not questioning where or how, but grateful beyond love.

He ran his hands on the cold stone once more,
His fingers feeling the smooth of love rather,
Those words now carrying with them the world he’ll leave behind,
As he walks down the green, cut path;
Leaving the graveyard for the very last time.
R K Hodge Mar 2014
I wish I felt like clarity and nothingness, or that intangible vapour like stuff which comes off of a power washer at a car wash
in a dark car park
the car's owner absent, away shopping

You were the one who put your fingers in my mouth
I'm supposed to be embarrassed and disappointed
I am both

I suspect you are a good person
you have a sister
who you love
I bet you are different when you go home
I bet you are nice
I hope they know what you do
You are a classical easy ****

But I'm just syllables and escort clothing
For a while I quite liked that
In fact I'm proud
My friends find it funny

You liked the smell of my hair
And gradually I'm piecing these notes together
I think that if I had more crushed up note pages grinding into your back
You would have remembered me

I'm pretending that if you taste that scent again, you'll know
I still have some of you attached to the garments at the bottom of a full laundry basket
Martin Narrod Apr 2014
1909, on top of the dragon.
Marigolds whipping a tepid fug in this small room of stringy daylight.
That place where we fell in love. Where I dropped a hot cup of tea on my pants
And we ate sushi on the beach. I love the beach.

I am not ready for the ice festival or your new boyfriend.
He smells like bad disco and old people.
This piano concerto that I play before bed, before awakening,
I have your black dresser drawer in my bedroom,
It glistens of our days of Jasmine and Roses.

My mind blurs stories of you, her, and the other girl.
Rad violin songs, a friend from Argentina has introduced me to
Mystify me, I cannot hear straight or stand still. I have acquired
A gift for shivering. Still I can feel your talons raking up my spine.
*******! Where? Why? How did you do that thing with your mouth?

I count upwards from you and in my peaking hours of misfortune, I
Never come back down to earth's giant centrality of duel existence.
My gut expands into my chest, my nervous system and anxiety is
All of you, a lot of her, and none of the other girl.
I make half inch black markings on the wall, this curse of feeling and not forgetting
That never goes away.
lm Apr 2014
I could trace patterns in your skin,
erase it like sand and start drawing again.
My hands would never get tired,
they would chase the sun and moon away.
Caressing you to sleep is a productive use of time,
muscle-memory repeating the designs of infatuation.
Lulling you into dreams with my fingers,
then waking you when the light creeps up the sheets.
Fingertips replaced with lips,
space between bodies closing,
skin is so addictive, especially yours.
Ellie White Apr 2014
I wish that I could have one more night with you lying next to me,
That way, when you trace the path from your heart to mine,
I can memorize the path that your hand took,
I can know where in my body my heart is located,
That way when you deem my heart,
Not good enough,
And my mind is telling my terrible things,
I can still trace my way back to my own heart,
And be reassured that just because you rejected my heart,
Does not mean that I must reject it as well,
Because it still serves a purpose for me.

(e.m.w)
i Apr 2014
purple*  *lips,
numb from the cold,
and not even the warmest lips,
can make the color come back.
purple  eye,
somebody had hit it,
and not even the thickest
layer of make up,
can cover it.
purple  fingers,
no blood running
through them,
and not even the rope
that has been holding her fingers,
can make the blood flow
through her fingers, again.
Liz Apr 2014
Cinnamon peppers
the rooftops in December
and the shattered
whispers over the hills.

It makes you sneeze
and your fingers
freeze
which causes
evermore solace
with the warming fumes
of myrrh.

The bubbles
which circle the edge
of your tea, darling,
pop on your nose
as the steam rises

we sit in rose,
while outside
the horizon is smudged
with ash, and coal
and dirt.
one of my favorite poems that I have written :)
Enigmuse Apr 2014
I didn't know you were a piano player.

This fact only came up while my palms burned
with anticipation as I reached out into the stillness,
searching for your hands. I found them beneath sheets
and cold promises, where the fingers were dancing
and the nails were scratching and you were looking to have a good time.
You're good at playing the blues.
A man by the name of Skye told me you knew all about snatching secrets
from the moon, and as I felt the scars and scratches along your callous, quick fingers, I knew this was true.
Your eyes never looked down at what you played, which is probably how they ended up this way: scarred and burned and stained a dark red. I
never found out why you liked to play music so dark that it did
nothing but leave bruises, ones you tried to wash away with
old wash cloths and chardonnay. Or why your nickname was *****
even though your mother named you Vivian. Or why you sold me those
tickets to that band you dreamed of seeing. Or why your hands started
shaking whenever you were near me. Or why I'm in love with your fingers,
and all the notes they've played and touched and stole.
I don't mind the fact that their skin is burdened with slices of depressed,
quiet peace, or the way your eyes turn blue even though they're supposed
to be green.
I can only hope in the wake of all these sad revelations, that your fingers will remain on those black and white keys, and tomorrow you'll still be playing.
I've got a terrible fascination with hands

— The End —