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"convincingly" poems
O fast day that trembles at the sight of Moon - when will your warm arms bend again the night's thick armor that shades the world of joyous muse?   It is most facetious in its illusion, that renegade of pale indifference, when daylight dwindles and leaves more to imagine than can be seen with naked eye.   Beneath the gaze of Her taunting face, people do not walk as done in light - suddenly, trudging and stumbling are hip style. Faces covered in guilt, remorse, fatigue - all the things Sun can wash away with a simple, lucid grin.   If brightest bright were set ablaze amidst the night, would people be plucked from this false sanctuary which darkness so convincingly provides? Then many a Lost could be freed; if only to see clearly through effervescent haze.   O blessed Sun! With your arousal, Truth and Freedom will also renew - until again that blank stare casts its malevolent glow on Delusion.
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Jan 27, 2018
Jan 27, 2018 at 4:48 AM UTC
Ode to an Evening
"I'm better, I'm better." She lies to herself as it hides tucked away, taped under her shelf. "I am loved, I am loved." She convincingly yelped as her vice hides away until she calls for help. "I am strong! I am strong!" The poor girl carries on. He's unhidden and waiting to come sliding along. Drip, drip, drip. The girl's hand must have slipped for her razor is laying, right there, where she sits. kd
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Feb 6, 2015
Feb 6, 2015 at 6:01 PM UTC
Relapse
I fell hard, head first, in love Damaged my brain and couldn’t recover my mind Whole but in pieces and believing you could save me But your every truth was a lie Whispering romantic **** convincingly like the serpent And just like her I took a bite and didn’t want to let go I let myself be poisoned.
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May 16, 2018
May 16, 2018 at 7:15 PM UTC
Realisation (Part One)
I'm sorry dear but I must confess that I haven't been at all the best at keeping up my end. I've pulled away In a such a cowardly way And I really am apologetic However, I'd be lying if I told you that I regret it. I'm just not the person You wish I was Though I've managed to convincingly fake it The keyboard lets me lie with ease with each "I love you" "Thank you" and "Please" Although the former I've been saying less and less because once again I must confess the feelings that I once adored but eventually began to abhor and successfully managed to ignore have simply left and are no more.
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May 29, 2014
May 29, 2014 at 4:10 AM UTC
Fading
Did you whisper a prayer before the roar of the inevitable end? Should we have listened harder, held you closer, and tried so very much more to persuade your troubled mind not to let go? I don't know. You, in all your lightness held me so convincingly in oblivion of your parched spirit. Too many years of despair, I reckon. And too little human affinity found. I will never know, what drove your final decision to meet the vast unknown. It terrifies me to think that you felt that was the only choice. But even if I grieve that you will never light up the world with your dazzling smile, gentle touch, or kindness anymore. I see you for the brave and wondrous creature that you are. Brave to live so far. And brave to end it. Nothing grows now, the dry spell hit this summer hard. And yet... The gentle fragrance of all blossoms linger in the air ever since you took your leave.
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Aug 12, 2018
Aug 12, 2018 at 1:43 PM UTC
Gentle fragrance of every flower
You saw by panes held by thin wire. Two-ways seeing crumbled fire. I remember autumn Checking at the bookstore In your vans on film you wore No conception of bottom. A kid from Mexico, 15 Convincingly my age unclean Walk summer down West Sylvester Powder sugar walkway, tester The ******* **** is blue Wild eyes tell me you knew. Back across the fairchild lot He slid to drive; I told- we bought They'd taken off without their lights He barreled lone known route recites As I scream STOP IT ISN'T WORTH IT I'LL GET YOU BACK PULL OVER, **** No one taught us how to quit We rotten without teeth to grit
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Jan 27, 2015
Jan 27, 2015 at 3:51 AM UTC
Repress
I put on a Count Basie LP on the blue covered record-player, Tilly lay on the bed filing her finger nails, looking at them making sure they were even. I looked out the bedroom window onto the grass and hedge and to my right the apple orchard. I loved the saxophone solo on the Basie LP, moved my head to the beat. Did your mum believe you went to stay at a friend's house? I said. Yes, she seemed to, Tilly said, taking her eyes from her nails to gaze at me. Had to be convincing, and lie of course, Tilly added, looking at me more intensely. Which friend did you say? I asked. Pretend friend, I haven't a friend I can lie about so convincingly, Tilly said. I guess so, I said, turning to face her lying there on my bed, the trumpeter soloing on Basie track. Doesn't your mum mind us being up here in your room? Tilly said. I said I wanted to you to hear my new Basie LP, I said. I don't like jazz, I like the Beatles and Bob Dylan, Tilly said. Had to say something, I said. We had good *** at Uncle's place didn't we? she said, smiling, putting away her nail-file. We had. I remembered it as I sat on the bed looking back at her, wishing we could here, but it would be too risky with my mother just downstairs, and my young brother likely to come up any minute. Is your place ever empty? I asked. Seldom, Tilly said, Mother is nearly always there, doing her housework or the garden or preparing meals. The Basie big band was playing out the track and then stopped, and there was silence. I leaned to her and kissed her lips. She put her arms around me, and we held close. Lips to lips stuck. We wanted to, but we couldn't worst luck.
0
May 14, 2016
May 14, 2016 at 3:28 AM UTC
ONE AFTERNOON 1965
I put on a Count Basie LP on the blue covered record-player, Tilly lay on the bed filing her finger nails, looking at them making sure they were even. I looked out the bedroom window onto the grass and hedge and to my right the apple orchard. I loved the saxophone solo on the Basie LP, moved my head to the beat. Did your mum believe you went to stay at a friend's house? I said. Yes, she seemed to, Tilly said, taking her eyes from her nails to gaze at me. Had to be convincing, and lie of course, Tilly added, looking at me more intensely. Which friend did you say? I asked. Pretend friend, I haven't a friend I can lie about so convincingly, Tilly said. I guess so, I said, turning to face her lying there on my bed, the trumpeter soloing on Basie track. Doesn't your mum mind us being up here in your room? Tilly said. I said I wanted to you to hear my new Basie LP, I said. I don't like jazz, I like the Beatles and Bob Dylan, Tilly said. Had to say something, I said. We had good *** at Uncle's place didn't we? she said, smiling, putting away her nail-file. We had. I remembered it as I sat on the bed looking back at her, wishing we could here, but it would be too risky with my mother just downstairs, and my young brother likely to come up any minute. Is your place ever empty? I asked. Seldom, Tilly said, Mother is nearly always there, doing her housework or the garden or preparing meals. The Basie big band was playing out the track and then stopped, and there was silence. I leaned to her and kissed her lips. She put her arms around me, and we held close. Lips to lips stuck. We wanted to, but we couldn't worst luck.
Continue reading...
98
I am cold and broken Lying naked on the floor Shattered and feeble Worse off than before Before you appeared Like a burst of golden light Before I knew How to sleep peacefully through the night I was content, complacent Prior to your coming to me Filling me with hope and wonder Now I just feel empty A new scar emerges On a tattered heart A pleasant reminder To stay alone in the dark To not let yourself feel Not allow yourself to get hurt Relationships and emotions-- Nothing will ever work Fight to the death To keep up your walls No matter who tries No matter who calls Stay inside yourself Where you're safe and warm Where you know how to be And protect yourself from harm Never again Do you want to feel like this Cold and shattered A sick, rapturous bliss You're a ********* An odd desire for pain You do this to yourself Over and over again You tell yourself convincingly "It will be different than before" That nasty little lie That brings you to the floor To be left quivering and broken Completely alone Until you open your eyes And welcome yourself home.
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Jan 11, 2014
Jan 11, 2014 at 8:32 PM UTC
Numb
Ingrid sports a black eye; she looks like a panda. She said she walked into a door; she doesn't lie convincingly. I know her old man; I passed him on the stairs of the flats; his beady eyes drinking me in, giving me the cold glare, the cold shoulder. We walk through the Square, off to the shops. What happened to your eye? I ask again, studying the black and slightly green; walking beside her, passing the milkman and his horse drawn cart, the horse wearing a nosebag of food, ignoring us. I walked into the bedroom door, she says, knowing I don't believe her, looking sheepish, knowing I guess the truth. What have you got to get at the shops? I ask. She shows me a list on a scrap of paper, pencil scribbled, in her small right hand a handful of coins. I passed your old man on the stairs yesterday, I tell her, gave him my Wyatt Earp stare,   I say, he didn't care. I note her hair is unbrushed, her green patterned dress unwashed. We cross Rockingham Street into Harper Road. I talked too much, Dad said, she confesses, he said I yak and yak. We pass the paper shop and go on to the grocer shop. I say, if I had your old man in the sights of my six-shooter gun I'd fire a cap up his *** she sniggers; people stare at us as we pass.
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May 25, 2015
May 25, 2015 at 1:06 AM UTC
CAP GUN ARRANGEMENT 1958.
It was only a few hours ago when I convinced you All so convincingly that she was all I needed I even started to believe it myself But it was only a fleeting moment of grace A thought of a lover's embrace It makes more sense when you have a reason to think About it less But coughing up change when she looks away Pretending you had it all covered The entire length's stay "So much it hurts..." There is beauty in pain Be the shooting star's wish - the one to come true Be everything and more Let me be the one to walk eternity with you
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Aug 19, 2015
Aug 19, 2015 at 11:09 PM UTC
When Everyone Looks At Her (She's Looking at You)
Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
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Oct 3, 2011
Oct 3, 2011 at 3:46 PM UTC
The Suicide Lane
Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
Continue reading...
80
We used to play guns with sticks and we all knew how to die convincingly with playing cards in our spokes we summit hills atop motorcycles ratatatatatattt we walked through woods explorers and pioneers waiting for dinner or supper or bedtime when summer was another world entirely and the stains on our clothes told stories and not worries We would carve sticks into spears with knives our mothers did not know we had today we hunt pheasant we never did catch one but we made dens deep in the woods and climbed trees until we didn’t know how to get down the hay bales stacked four stories high in the farmer’s field was a jungle gym and when the farmer chased us away in his combine harvester we were playing Jurassic Park back when girls were silly, annoying little things that none of us were quite sure why we liked and fights were forgotten within the hour we had better things to laugh at a marble composition book filled with ****** raps and graffiti designs we would take stones and make them into entire planets but before long our shadows caught up with us a stick was just a stick a bike just a way to beat the heat and we were all too aware of the special effects
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Jul 19, 2014
Jul 19, 2014 at 1:51 PM UTC
Before We Caught On
I have been thinking about & claim, Is not the world all way too eccentric? Anyone wondering how & why I claim so, Should look at all of these facts so very fanatic. The different crimes taking place in worldly realm, Various wars & murders and thievery & rapes, Outrageous scams & malignant corruption, All fortify the claim of the world being so. As I can infer from my first few thoughts, About this fairly asymmetric world, Where our orbit around the sun, Is elliptical & not circular, Our eccentricity is excused convincingly.
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Feb 23, 2013
Feb 23, 2013 at 12:02 AM UTC
Eccentricity
the archers have their fingers pointed squarely at the hotel singer smoke on the edge of their mouths coiling sweetly all across the house and the trees will part for a song and a blood sacrifice bowed low over a guitar trying to teach himself the meaning of pain sitting in the dark of a car doing his best to convincingly feign the long-suffering fool with everything to gain her ashes sunk in the sand and the rest went over the electric dam in the dark the mournful loon calls as trumpets echoed in the concrete halls and the rapids will churn with a growl and the whisper of a lovely fern
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Oct 25, 2014
Oct 25, 2014 at 3:42 PM UTC
swift rapids
It might be the passersby that amuse me: The brightly dressed young woman whose ease And deeply warm smile suggest convincingly She is a new bride, her heart dancing like the breeze; Or her companion, whose strength beams Through his eyes and brightens his gaze, His love, like the sun's light streams Over his young wife, whose laughter seems his praise; Or the gaggle of adolesents, From whose conversation I catch words Like “amped” and “dude,” most of which to me make no sense, Whose clothes seem much worn than what their parents can afford; Or it might be the happy child Giggling in her mother's arms, Whose fun consists of simply flailing all wild And watching the smiles of those the fun disarms. Or it might be that I am the youngest of them all, Cane on the bench beside me, Taking in the world, anew, fresh, though this be my 76th fall. If this park bench view means anything, very clearly: Life is a smiling thing.
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Aug 7, 2013
Aug 7, 2013 at 8:18 PM UTC
Park Bench View
The heat burns— Like fire beneath the surface, Coursing through my veins, Tainting everything it touches— Crimson-coloring my face. Once contained, now slowly breaks free Anger, to the point of Pain. It thrashes— Wanting to be released, To engulf everything From crown To spine— The ***** of my feet I'm on fire. The inferno of my thoughts Overwhelm me Screaming, it's your fault Not your fault, mine I did this, this is me. Two roads, a choice— MY choice. To give the power to break me My wall crumbling to insignificant pieces With every word, from the lips That had to be truth. Each gaze into bottomless eyes, Getting lost in midnight. The endless patterns traced gently on his skin By my fingertips Holding his comforting hands, With the touch that warmed my heart Consciously giving him control. Back when he wanted me. I could have stopped this Before it was too late. Before the hardening of his eyes That lied more convincingly than The tenor of his voice, Before his touch grew cold and distant As the eyes and lips that no longer Belong to me— Longed for me. The decision— To let it go. The consequence— To burn. But time, it heals— A balm, to the heat— I smolder. Once livid, it lessens. In the recesses of my mind Festering— The fire is there, As my aloe heals, At it's deliberate pace— With each tick of the second hand, The self-inflicted blaze crawls closer To the end, The day when the flame licks it's last wound— The day freed from a personal purgatory. Time is my companion.
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May 25, 2015
May 25, 2015 at 12:07 AM UTC
Inferno of my Thoughts
The heat burns— Like fire beneath the surface, Coursing through my veins, Tainting everything it touches— Crimson-coloring my face. Once contained, now slowly breaks free Anger, to the point of Pain. It thrashes— Wanting to be released, To engulf everything From crown To spine— The ***** of my feet I'm on fire. The inferno of my thoughts Overwhelm me Screaming, it's your fault Not your fault, mine I did this, this is me. Two roads, a choice— MY choice. To give the power to break me My wall crumbling to insignificant pieces With every word, from the lips That had to be truth. Each gaze into bottomless eyes, Getting lost in midnight. The endless patterns traced gently on his skin By my fingertips Holding his comforting hands, With the touch that warmed my heart Consciously giving him control. Back when he wanted me. I could have stopped this Before it was too late. Before the hardening of his eyes That lied more convincingly than The tenor of his voice, Before his touch grew cold and distant As the eyes and lips that no longer Belong to me— Longed for me. The decision— To let it go. The consequence— To burn. But time, it heals— A balm, to the heat— I smolder. Once livid, it lessens. In the recesses of my mind Festering— The fire is there, As my aloe heals, At it's deliberate pace— With each tick of the second hand, The self-inflicted blaze crawls closer To the end, The day when the flame licks it's last wound— The day freed from a personal purgatory. Time is my companion.
Continue reading...
65
Dear Poet Friends, while trying to retrieve my old poems from ‘Poetfreak.com’ which is closing down by this year end, I found this love poem of mine which was composed in the year 2010!  Hope you like this short love poem where the beloved begs her lover not to leave, but to spend the night under the ‘shamiana’- which is the ‘canopy cover’ created by her dark eye lashes! Hope you like the same! Thanks, - Raj, New Delhi.   UNDER THE SHAMIANA OF MY         DARK EYE LASHES ! O my love, please do not insist on leaving me tonight! Instead, keep sitting under the shadows of my collyrium-laden eye lashes, Where you shall find peace comfort and solace! Please do not insist on leaving again, nor be adamant; Sit under the sprawling shamiana* of my gazelle-like eye lashes, Which I have spread beside the oasis of my two brimming eyes, - Whose bottomless depths reflect my love for you always! For here you may bathe to get refreshed, and sip your sweet vine sitting by my side! But do not insist on leaving me behind, to remain alone in the silence of this night! My love, let us sit and relish these few ephemeral measured moments, Granted to us by the munificence of merciless time! For once gone, these moments shall return no more! Whisper softly into my ears those sweet words of love; Saying all the while how you love me, How you cannot live without me, even though it be against your will! And transform this into a magical, mystical night! For even a falsehood spoken convincingly, and repeated like a sweet refrain, again, and again, Assumes the colour of Truth, I heard people say! But your words shall make this lovelorn life of mine worthwhile; And all my efforts to possess you for the night shall not go in vain!                                               - Raj Nandy (* Shamiana = like a tent or a canopy cover)
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Aug 28, 2016
Aug 28, 2016 at 11:13 AM UTC
UNDER THE SHAMIANA OF MY DARK EYE LASHES !
Dear Poet Friends, while trying to retrieve my old poems from ‘Poetfreak.com’ which is closing down by this year end, I found this love poem of mine which was composed in the year 2010!  Hope you like this short love poem where the beloved begs her lover not to leave, but to spend the night under the ‘shamiana’- which is the ‘canopy cover’ created by her dark eye lashes! Hope you like the same! Thanks, - Raj, New Delhi.   UNDER THE SHAMIANA OF MY         DARK EYE LASHES ! O my love, please do not insist on leaving me tonight! Instead, keep sitting under the shadows of my collyrium-laden eye lashes, Where you shall find peace comfort and solace! Please do not insist on leaving again, nor be adamant; Sit under the sprawling shamiana* of my gazelle-like eye lashes, Which I have spread beside the oasis of my two brimming eyes, - Whose bottomless depths reflect my love for you always! For here you may bathe to get refreshed, and sip your sweet vine sitting by my side! But do not insist on leaving me behind, to remain alone in the silence of this night! My love, let us sit and relish these few ephemeral measured moments, Granted to us by the munificence of merciless time! For once gone, these moments shall return no more! Whisper softly into my ears those sweet words of love; Saying all the while how you love me, How you cannot live without me, even though it be against your will! And transform this into a magical, mystical night! For even a falsehood spoken convincingly, and repeated like a sweet refrain, again, and again, Assumes the colour of Truth, I heard people say! But your words shall make this lovelorn life of mine worthwhile; And all my efforts to possess you for the night shall not go in vain!                                               - Raj Nandy (* Shamiana = like a tent or a canopy cover)
Continue reading...
42
it's morning, you know we could paint a still life with our impotent fingers or cook eggs with every spice in the drawer we could dig holes in the front yard, bury treasures in front of button-down commuters get smashingly drunk forget where we put them dig them up and be convincingly surprised. we could pretend our hands are ****** hands our eyes new canvases and record like **** Rembrandts the embarassing details we could make a creek of pillows from one side of the house to another roll the entire length of it naked and end up tangled in each other when they run out There is a whole day ahead of us, a whole world ahead of us - a world of misery separated from us by firecracker smoke, by cannonsmoke. We have the house to ourselves we could duct tape cardboard to the exterior and pretend its one big refrigerator box we could jettison old ball mice and fat computer monitors into the driveway ***** a campfire in the living room and imagine that we have rebelled against something fittingly awful, the modern world scowling at our rusticity we could make a tincan telephone that connects the entire cul-de-sac and dress up smart and sell it as charmingly as Ma Bell door-to-door But our refined brains think two things: *** again, handcuffed to maturity, or sleep. What a world. What a longing. What our age must suggest. What an excuse: your starched reputation. What courage could come from your bleached conscience. How lovely to be trapped.
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Feb 23, 2010
Feb 23, 2010 at 10:42 AM UTC
The Puddles By Evening
I am mesmerized by her beauty She is everything I am not She lights up a room when she enters I envy her ability to captivate She's so composed Charming Clever Witty I long to be as sophisticated As she appears to be Effortless I wonder how I am able to so convincingly Deceive Why am I not able to deceive myself so easily My facade is not a reflection of myself She is everything I cannot bring myself to be
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Nov 17, 2013
Nov 17, 2013 at 3:44 AM UTC
Facade
It's hard to say if the climb was worth it I know they push and press convincingly that the climb is always worth it, but is it really? I am left scraped up and battered from all the boulders and the wolves and all the **** thorns and left wondering if I really made it out better on the other side There's always another mountain And is it worth it? To what end do we climb? To what purpose do we trudge tirelessly up the mountainside, wondering when we will reach the top? I have reached the top many times And there is always another **** mountain to climb on the other side So it's hard to say if the climb was worth it And that is not to say I am done climbing Though I question, my body falls back into the rhythm of the climb ignores the scrapes and bruises ignores the way the wolves nip at my heels because I too always feel there is victory at the top believe the nicks come with the climb believe that if I just reach the top, then I can be free But there's always another mountain And what did I gain more than experience? More than scars, and disappointment Does it even matter that I have beaten the mountain if nothing ever changes but my own weariness? It is insanity, the very climb we repeat over and over as if there will ever be a different outcome It's hard to say if the climb was worth it
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Sep 7, 2018
Sep 7, 2018 at 3:44 PM UTC
The Climb
.          Some hold it true that Erin's creamy skin          Is clearly fairest in both grain and hue;          And I have seen such porcelain skin as hin- ted quite convincingly that this was true.          Some hold it true the Aztec's nut-brown hide          (Made with Quetzal's chocolate from long ago)          Is fairest, and understandably deride The purblind eyes of those who do not know.          And others, still, prefer a different cast,—          A different color, texture, shade, and tone.          And most enjoy a rude debate on taste. I argue not, but leave them all alone:          I'd rather go and dream a blissful dream          Of chocolate skin wet-kist with Irish cream. *
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Mar 11, 2015
Mar 11, 2015 at 1:41 PM UTC
Yet Another Dark Lady
Insanity is not doing the same thing over and over expecting a different result. Because I do a mathematics exam paper every week always getting a different result. Insanity is not loving someone that doesn't love you back the way you deserve. Because I have loved my grandfather each day since death stopped his heart.
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Jan 15, 2016
Jan 15, 2016 at 5:24 PM UTC
Convincingly Sane
If cupple were a word, it would be homophonically linked to couple, but there’s the small complication it doesn’t exist, not outside the confines of this poem. Cupple (verb): To gently join one’s hands and hold an object in a loving and inquisitive manner, somewhat cautious lest its essence leaks out between the cracks. Possible poetic usage: *Spy me, one tiny dot spiraling up a spiny staircase of crystalline steps, until I’m picked, pinched and cuppled by a darling universe before she takes me off to bed.* Will cupple make a break and elope with its old-world cousin? I can’t say, not in a voice convincingly heard. You see, I’ve lost all taste for those dictionary words, a touch hushed within bindings, tightly bound while my pretenders nose around their glossy jackets. It’s not that I’m wishy-washy about cupple’s ambitions. I’m just happy to keep it here with me in my wish-washed state where there’s no point beyond the widening smile of our gradual arc inward.
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Dec 30, 2010
Dec 30, 2010 at 6:16 AM UTC
I make up words, and they return the favor
I’ve filled the emptiest spaces of myself with the best parts of you not breathing, warm like an homage but sterile remote a gallery of looped memories beautiful and untouchable and convincingly bright so that no matter where I am my retinas are tattooed with the space you took in the world cooking in a scratchy sweater- your electric rants about Jung drumming jazz on the street corner for the pay of odd conversation planting kisses in my hands because you hoped they would grow a wife endlessly reminding me (from wherever you are now) that the best things in life weren’t free and though expensive beyond measure how graceful- I hardly noticed how much I was willing to give just to keep at a quiet distance this neuronal gallery
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Jun 8, 2015
Jun 8, 2015 at 1:49 PM UTC
The Gallery (or, The Way I Don't Feel About You Anymore)
His fear had voices for which strategy answered so convincingly that he could tell himself anything to justify what he had done he remembered her saying I would not take you back if you cheated so justification bellowed like ****** to his army making her the enemy and him the conqueror it was working until his son asked where she was because he liked how she would scratch his back he tried throwing the new girl at the boy expecting him to feel what was commanded but truth had invaded Europe and fear had holed up in its bunker and tried to commit suicide with its mistress he blamed the child now and ordered his feelings into the gas chamber but a piece of brain hit him in the face and he threw up what have I done?
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Jul 17, 2013
Jul 17, 2013 at 12:52 PM UTC
Machizmo