.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

I can no longer hide
My soul ignited

once disparaged
I long to share it

The chills in my spine put into words

Lips on skin
Eyes filled with sin

What is this sensation

I drip colors you cannot see

Heightening my passion
Enhancing my touch

Raw emotion channeled as such

My desire aches
The color of flush
My cage breaks
Expressions of lust

I do not fear it
I can hear you blush

My favorite sound

Our souls combust

As the glorious LION
Stands strong in stature
Radiating with a presence
Of Absolute rule
The air washed with
A bristly respect
A natural pride
Beams with  beauty
He guards the gateway to truth
and only the brave may enter
He is the king that needs no crown
as he holds a royal presence as he
sits in his golden coat and main
Lies spark combust just bounce off
dissolve in all his shine.  

As broken men become renewed
Their fractured parts
Collect in the melting ***
Of the Lion's  stare
As they are engulfed and swallowed
In the reservoirs of his strength
As the many wounded souls
Find themselves restored
In his majestic presence
As he rattles the very fabric
Of this world

There is no procrastinating belly
Exposed by a lackluster display
No one insults his strength
By creating a make believe world
Or covers him with scaffolding so
That they may alter him
For he is the finished article
And he is never held up or supported
With anyone's emotional ropes or strings
For he no ones puppet
He is never silenced
By the Strangle hold of this world
Tightened with a multitude of gestures
For I hear his ROAR!!!!!!!!
His explosive self expression
As his throat bursts and beams like the sun
Breaking all collars, and his tongue is freed
As a thousand trap doors Open up in him  
And boulders are lifted and rocks are shattered
within the sound of his voice.
His Soft pads of silent stealth
Gather for all his wealth
As the power of his pounce
Is governed by both his strength
Of spirit and the honesty
With which he meets the earth
For he owns all of his own pain
And paces and growls to warn
Away any who seek to steal his fresh ****
And diminish him with pretty lies
For he owns all his space
As it feeds his strength
As somewhere in the fury of feasting
Lionesses and Lions  
We find our freedom
For his power explodes like a volcano
When his soul meets the earth  
As he shakes off all avoidance
To seek only truth
As streaks of white light
And pure Gold glisten in the SUN
As the world's projections
Reflect and bounce off him

There is so much to learn
From a beautiful LION

I've seen sunlight in her eyes,
a reflection of her soul.
So warm, radiant and gentle,
but a glance is all I stole.

I've seen starlight in her eyes,
a reflection of her dreams.
Dancing beneath the sea of pearls;
mirrored in a serene stream.

I've seen firelight in her eyes,
a reflection of her lust.
The crimson embers flickering;
hearts threatening to combust.

I've seen moonlight in her eyes,
a reflection of her wonder.
Thoughtful silent glimpses shared
in the silver beams asunder.

Yet every moment my memory holds,
reflected in earth and skies --
I'd trade them all without hesitation
just to be beautiful in her eyes.

The world melts
My senses combust
My fingertips tingle

The world sways
I sway
I collapse

I feel numb
Disoriented
Everything goes dark...

A light.
A siren.
A vision of faceless faces.

I am alive.

The smell of disinfectant.
The idle chatter of two nurses.
A buzzing in my ear.

I am alive.

They're huddled 'round their periodic lunch tables,
square and socially pyramidal,
and I'm at the bottom.

But they're just fluorine factions,
bullies at heart trying to steal my e-lectricity
with their negativity.

Because I'm light,
Ultra-violet violence to the eyes,
Magnesium burning.
Anti-matter meets matter.

And that catalytic, cataclysmic energy is attractive.
And they see me. They see, see, see,
But I've got too many Cs on this side of my false, metallic personality.
I'd better balance myself
Or I'm not getting a good reaction.

Classic ionic, ironic idiocy.
I've bonded with you,
just compounding the issues.
'Cause you're a complete acetate without a solution:
now all I've got are problems.

Dot Diagrams are dotted lines separating you from me,
because over the years what was a bond
became a partially negative charge
against me.

I was your oxygen, and you were carbon
-ated, bubbly and explosive.
We would Combust.

But now all's left but to see, oh, two
of your new girlfriends flanking your sides,
'cause we've decomposed, split, gone off to better things.

Monatomic monotones lace my speech,
and I'm pining for something to complete this emp-d shell
that is myself.

'Cause I miss what we had.
We had chemistry.

Won't you dare
Step in the storm?
Won't you dare
Cup the hand of fate in yours?

Lead on the way
Amidst corridors of blazing sands
Won't you let the friction carve?
Your hands, your sight and heart?

Brushing against your face,
Peeling off your gentle fate
My friend; won't you dare?
And step in the roaring lair?

For ashes and dust
Is this greyish world
So burn the flame
And light in fumes

Hear the tapping of your feet
And feel your sole melt away
On strange wooden lands
Sprinkled with blazing sand

Catch the pebbles
Struck at you
Let it burden till you grieve,
Or build the castle of your dream

Set ablaze, set ablaze
Set yourself ablaze;
Let yourself combust and scarred
And become the blazing star

I am the prodigal daughter
of Hestia--
Goddess of hearth,
warmth,
embers that do not fade,
for they glow as softly
as lightning bugs.

But this time,
I will not be returning home.

Don't you see?

I've burned it down already.

Perhaps there shall exist no redemption
for my pyromanic sins.

They could not save
Sylvia Plath
as she ****** her head into the oven,
carbon monoxide stealing away
her last strands of breath.

(Sadness climbs up my throat in
stalagmites of flame,
rises from the chasm of my soul like bile,
like a phoenix reborn.)

They could not save
Joan of Arc,
whose flesh screamed out among
the ringlets of fire
and threads of cinder
that consumed it
so mercilessly.

(No, I am not a witch--
just a demi-goddess,
just a dangerous woman
But, unlike Joan of Arc,
I am no Saint either.)

They could not save Pompeii
whose inhabitants lay
victimized
asphyxiated
stolen
by the magma regurgitated by
the Almighty Vesuvius

(I cannot decide who I am
more similar to--
the inhabitants of Pompeii,
or the lava itself)

Perhaps then,
there is no saving a woman like me--
a woman forged from brimstone,
Hell's very own Femme Fatale.

I wear lighter fluid
atop my collar bone like its fragrance;
braid singed ribbon into my hair,
its ends charred and
curling upwards like tendrils of smoke;
rouge my lips with gunpowder.

Kiss me and
bite the bullet, darling--
make love to me
and you will combust.

But oh!

How these men will  bite their lip
at the thought of
******* me,
of dipping their fingertips
into the molten pools
that dwell between my thighs
similar to the way
a mere girl
(I, 16 years old)
is fascinated by the prospect
of baptizing her own melancholic
hands in candle wax.

(Who's the real ******* here, Baby?


Sincerely,
your Filthy Pyrophilliac.)


I am a
shadow charmer,
arsonist
the  Siren
of this Inferno
(wanted for her crimes).

Perhaps I was never the epitome of darkness,
perhaps I simply
lured the darkness towards me
(sorrow and the devil too.)

It's funny now that I think about it,
how the stars too reside in darkness,
how, when I wish upon them,
I am really only wishing on fire.

And where there is fire,
there is destruction;
it's no wonder all these dreams--
those of
love
magic
poetry--
have shuddered to ash.

Still, l I find myself making
snow angels in the ashes,
stick my tongue out,
let the remnants of desire
scorch my taste buds.

Here I lie
like an extinguished cigarette,
my use fulfilled and discarded.
But that's just fate,
stars ain't too fond
of nicotine, ya see,
ain't too fond of me
even though the very atoms
that comprise my being
are made of the stuff of galaxies.

But, oh, how these galaxies
have escaped my brooding grasp.

I do whatever it takes
to re-ignite what has been
lost--
chew on matchsticks,
let the splinters sear themselves
into my tongue;
lap at the iridescent gasoline puddles
that wade along
lonely streets corners;
howl beneath paper lanterns,
for both the sun and the moon
have forsaken me.

I do whatever it takes
to remember where I come from--
a state of limbo,
wherein I am simultaneously
angel (falling) |and| demon (the fallen)

What am I without flame?

Flame--
they could not save me from it,
from burning.

But perhaps the peril was never in burning;
perhaps it was in  burning out;
perhaps it was in disintegrating.

When they tell you you are made of stars,
do not let them forget what stars are made of.
Stars are not glitter, not stickers on the ceiling,
not there for decoration.
Stars are chunks of collapsing galaxy. They are
hundred-thousand mile wide nuclear furnaces
that consume their surroundings into death.
They are not friendly; they do not exist
to write poems about.
Stars are not made of metaphors. You
are not made of other people’s words.

When they tell you you are made of stars.
look them in the eye and remind them
that so are they, and so is the earth,
and so is the gum on the bottom of your shoes,
and so is the fist you will hit them with
the next time they try to placate you
with their condescending words –
When they tell you you are different from others,
ask them why you should want to be.

Do not let them call you foreign.
Do not let them trap you up on a pedestal,
surrounded by books that cannot hurt them.
Read things that can hurt them.
Your mind is a forest richer than folklore;
do not let your curiosity be reduced to an accessory.
Your intelligence is not a fashion statement.
Your existence is not a novelty.
You are not a metaphor
for someone else’s problems.

When they tell you you are made of stars,
tell them you have always known this.
Tell them you have fire in your bone marrow,
that you are burning with the deaths
of the entire universe before you.

When they tell you you are made of stars,
tell them you know.
Tell them they should keep their distance.

Clash. Zap. Thunderclap.
Orbitals charged with electricity collide - feels like  crossing the streams
let's - smash atoms like Adam and Eve,
pierce fiercely with particles blown white hot from my accelerator
Insatiable
Like  trying to fill up a black hole, so i accelerate her
excite her, ignite her, my touch lights her on fire
combust.
a cloud of ecstasy like Co2  rises higher
I've got my eyes on your ions
take a picture it'll last longer?
snap a photo digitize her
particles turned pixels tilt their head skyward
transcendant enlightenment, released it inside her
E=mc^2 , i can please you at the speed of light
we just rewrote the big bang theory and this time we got it right
opposites attract and charged sparks fly
we might not touch but ion be ****** if we don't try
I'm a ****** intellectual
I love your body AND your mind.

Everything with us seems perfectly entwined,
Like Lego locking together,
It just fits like we should know but don't,
Is this another life lesson I wonder,

You are actually perfection on a plate,
All my wishes confirmed for my eye's to feast,
You listen, converse, laugh, speak sense,
Your like my concious more innocent,

When alone in my thoughts I know,
I fell in love along the way,
I'm evaporated by your honesty,
Our souls melt into the Ether,

Alien yet familiar fears dwell,
A fool for love and lust,
Heart brashly on sleeve,
Afraid I'll chemically combust,

I cant see your thoughts either,
Are you just honeymooning this new behaviour,
Don't misread that I'm wanting it fast,
My heart prays to God It will last,

All I need is something more concrete,
I cant sweep this away just for encase,
Every waking moment I long to embrace,
In you my love knew we would meet,

But for now we go with the flow,
Fear you will bin me for another,
All helplessly in love and lost,
I'm almost certain my heart'll pay the cost,

We lock just like Lego blessed from above,
Humanoid Lego a gift of true love.

© Susan Michelle Baker

Libidos high,
Thigh to thigh,
Fingers intertwined.
*******,
Perfection,
Under clothes we slide.
Quick to breathe,
Meeting sheets
As we depart from our chairs.
Nearly starved,
Back arched,
Hands pulling hair.
Sweet memory,
Reverie:
You all over me.
Quick kiss
To the hips,
Devour my body.
Make it ache,
Earthquake,
Start to tremble with lust.
Naked breast
On your chest,
Tick tock--COMBUST.
Rise higher,
Entice her,
****** desire.
Take me,
Embrace me,
A lover's empire.
Tongue to tongue,
Move as one,
Tangled forms we grasp.
Seduction,
Eruption
Sweet lovers' ******.

Your taste runs like kerosene in my veins,
Our kisses, heated, sending my insides aflame;
    I spontaneously combust, lover.
Skin to skin, your mouth is concentrated sin
You make lose my morals, the lust is building;
    Blinding, my pupils burn;
Yours darken with something primal, tensions thickening;
The anticipation's sinking
   right into my gut, I feel your touch
   calloused fingertips dancing up my thighs, teasing.


Your body glistening
   with sweat, trailing down south
   I follow the track hungrily with my mouth
   but it doesn't seem enough.
Our hearts beat fast like the ticking
    of a timebomb nearing detonation;
    We're going to detonate, my love.
We're going to burst in fancy colors like fireworks gone haywire,
    the bed is our sky.
We're going to get lost among the sheets,
    like sailing across familiar seas.
The moonlight, dangerously bright
    they seem to shine from your eyes
    but they darken with something like clouds on a stormy night.


And I'm not sure if there really is a God
    but tonight I kept calling his name
    yours interspersed in between
    heavy breathing, our pants sounding
    like broken notes of some orchestrated masterpiece
    and the crescendo's nearing.
Our pulse following the rising melody
I am mesmerized, out of control
I am lost amidst the euphoria
    right now
    with you

this planet holds together
gravitating humans
Through scalding chemicals
Chemicals staining our breath
(some ancient soliloquies never forgotten)
Atoms dying
And then living
Inside of our mortally immortal bodies
So be my rubidium
(I am oxygen)
And crave me and my words
We will explode and simultaneously
De-combust
Shattering the world around us
Releasing the angst of a lonesome soul and
tantalizing revelations of hope
the innate genius hidden in us
in
Rubidium and Oxygen

Galaxies, solar satellites, the very Earth and its plates.
Whatever matter spins the reality, each one rotates.
Every unique universe growing its own ebb and flow,
Same as an ocean shall pummel shores then pull undertow.
When is the time? Are you a counter of clockwork?

Backwater cementing a new variant of tributary,
Friends become fish in this river of machinery.
The roiling rubber current proves to combust with currency.
Success succumbs to numbers as the economist counts me.
When is the time? Are you a counter of clockwork?

Gingko trees employed rats until society's reaction
Assimilated this lineage and reset its traction.
A different dispersal mechanism does not merit lament,
The managed are mute within the worker's woeful testament.
When is the time? Are you a counter of clockwork?

Sometimes a quest of faith begets a set from a cartomancer,
What good would it do to bribe the tarot and fake her answer?
For doctrine to deprive a man of god's hero in himself,
To trial and tribute his death to ascend on our caste shelf.
When is the time? Are you a counter of clockwork?

Your cards at hand, as is any fact of fortune, are from you.
All around are landmarks to map your light, vibration, and hue.
A presence is an action amongst quintessential stage props,
Weathered roles rehearse their sonorous loves watching ripples drop.
When is the time? Are you a counter of clockwork?

Turbid fury has no footholds on the great movement in your mind,
Gears that we hear were once a pursuit to prosper as mankind.
To disarm the victim's rights and loosen all nooses may seem odd,
Yet Devil deviates design and is forgiven by God.
When is the time? Are you a counter of clockwork?

Cities yearn to scrape skies built on products at the world's splendor.
Though trinkets become trite as we glorify a greedy vendor.
How could one commend such a clear farce for the multitude?
Selling milk to children's bones while our livestock store false fortitude.
When is the time? Are you a counter of clockwork?

Lifespans expand within this ****** twilight of barbarism.
History obscures so we light turned pages with euphemism.
Often forgotten is that our memory is amorphous,
Generating our boldest fears and cheers to those beyond us.
When its the time? Are you a counter of clockwork?

Pessimism or optimism; are not rivals of ones structure
Secular submission denies despair's innate rupture
It is built by the hopeful to share love after given grace
To construct a profound unity above pride's titled race
When is the time? Are you a counter of clockwork?

We are taught to worry for unruly folk until weary.
Doctors like leaders treat symptoms not seeing sickness clearly.
They stress the distressed to disseminate imminent spines,
Shattering that last vestige of a will searching between lines.
When is the time? Are you a counter of clockwork?

The commandments should have demanded there always be one more,
As truth evolves in jollies or follies, being rich or poor.
Always a witness to your lemons that could squeeze a profit.
Limits can be more than second hands surpassing the minute.
When is the time? Are you a counter of clockwork?

Thus old cogs and smog of our familiar faculties rest
On the zealous peals of those who know at the hour of our best.
It is not easy to lift volition past sadness so steep.
As each day would raise a mile, we may grow to smile when we sleep
Now is the time, are you a counter or clockwise?

No, I don't think you understand how rare it is for me to like you

To just find you attractive because that is fairly common for me

But actually like you like you

Because those are two very different things

Attraction and affection

No, I meant Affection

It should be capitalized

What I mean is

I don't like ALOT of things

Seriously

I’m freaking negative

I am the queen of all pessimism

I don't like:

Bad grammar

When people pronounce words wrong

People who say Pacifically instead of Specifically

Overly optimistic people Example:(Oh your family is in thousands of
dollars of debt your sister just killed herself and your boyfriend just
cheated on you with your mom and you're pregnant with the baby of
the guy who got you drunk and slept with you without your sober permission who happens to have just moved to Asia to escape having to care for you and his baby? Well, you have your health!) –stab-

The number 9 it sounds like it’s on the edge of something. I hate wishy-
washy numbers that don’t go all the way. Resolve to ten already!!!

Movies where there is a completely impossible happy ending thanks to spontaneous magic

Apple juice

Most flowers

Pink (the color)

The Sun

The month of April

Girls who don’t know how to wear pants. Or a shirt. Seriously. Those aren’t shorts. That’s just a belt that ***** at being a belt.

People who try to ****** me

People who freak out at me when I try to ****** them

Mondays

Tuesdays

Wednesdays

Thursdays

Fridays

Saturday­s

Sundays

F!CKING MONDAYS AND TUESDAYS

When people pronounce french words WRONG

PEOPLE who pronounce french words wrong

Reality TV

Holidays that don't even get you a day off from school

Ducks that are yellow. THEY DON’T EXIST the bath toy company is LYING TO YOU

Sticky hands

The color yellow

The color orange

Colors that just seem too… happy. It makes me want to light them on
fire. And impale them.

Obnoxious hair colors

Girls who wear jeans and skirts simultaneously

Overly colorful rainbows

When people talk into your ear and you can feel their warm breath.

Being drenched in water

Character or word limits

Signs

When I get all disappointed because I dreamed someone I hated got hit by lightning and it doesn’t come true

When I wish really REALLY ******* a star but it just doesn’t come true. Then I have to go and fill the grave I had all dug up for them.

Plastic hangers

Man, I HATE plastic hangers

Walking

Running

Standing

Any kind of action that doesn’t include limply lying around

When I look at someone with extreme loathing and they don’t spontaneously combust. It’s very sad.

Raisins

When you THINK it’s a chocolate chip cookie and it turns out to be
raisins. MAIN REASON I HAVE TRUST ISSUES!

But, I do like you.

That’s saying something.

I LIKE YOU.

Really.

Honest.

But you don’t realize how rare that is.

:P

…God, I’m so violent. I should have that looked at...

Well, there's your positivity for the day

In darkness I once sat, feeling, pining, and wanting to forget.

But patients heals the heart, giving love a new start, and a place where it is fostered and cared for.

So in darkness I must grow, so in light I can show, that that which did not **** me, made me stronger.



As the hurt has subsided, so have I been reunited, with the person I had worked so hard to create.

It is no longer a trial, to raise with that smile, that even broken teeth cannot defile.

For as darkness changes to light, my phoenix takes flight, and the fire that burns inside still remains.



It is not out of spite, but a personal fight, to bring back the lion that lives inside me.

So I give thanks for the lessons, the late night confessions, and the times that will never be forgotten.

But it is not the end, but a beginning again, of something quite different from how it started.

Three summers ago
I loved a boy
who's hair when moved
by wind or hand
was always magical,
who possessed tanned skin
and eyes so blue
they were waters to drown in.
Around him I felt enchanted
and he was enthralling.
He captivated me,
turned me into a slave of my emotions,
with words and promises
I knew he couldn't make come true.
"Run," my friends urged me, "as fast as you can."
But without him life was jaded,
their warning
had been voiced too late.
Already I had pricked my finger,
on a spinning wheel
and fallen head over heels
in that chemically induced slumber
we sometimes call love.
He opened a door for me that led straight
into a world filled with
bushes of roses
and buckets of sunshine,
I promptly forgot that too much sunshine
scalds the skin
and turns it a burning, vivid red,
almost as vivid
as the crimson blood
a touch from the thorns of roses draws.
I knew I had been warned so I stayed there
bleeding and burning,
swearing to myself as I suffered
that I would never again
give my heart to someone
who would not give me theirs in return.

This summer, three years later,
being around you
means feeling like being able to combust spontaneously
and I cannot forget
the sensation of my skin in contact with yours.
It made me realise
that though I have always loved you,
I started loving you a little bit too much.
You are my every thought.
They say you never make the same mistake twice,
that it is your own stupid fault the second time around.
But if it really was a choice
why then is it
that I spend all my nights these days
pleading with the universe
to let me unlove you.

At seven I heard the story of Peter Pan;

Growing up wasn't part of his plan.

I wish he'd fly through my window sill,

When the stars are bright and the lakes are still.

I would ask him to take me to Neverland,

Where growing up has always been banned,

And never planned.

I'd never have to hear my parents fight,

Everything would finally be alright.

He'd take me through the sky in one big leap,

Over rivers and through mountains steep.

Second star to the right.

Straight on till morning; through the night.

To Neverland.


I'd meet the infamous Tinkerbell,

I knew we'd get on well.

I’d hear her jibber-jabber,

Among the laughter.

I could see Mermaid Lagoon,

As we sink Captain Hook's platoon.

I can join the lost boys; form a family.

Away from the land of the ******; my ruthless reality.

Meet the brave Tiger-Lily,

We could be perfectly silly.

And meet the crocodile who tried to **** time, eating a clock.

Tick tock, tick tock.

I may be able to find a treasure trove.

Maybe I can make a home in a cozy cove.

Peter and I would be as thick as thieves,

I’d make him a crown of leaves.

We will live forever.

To age, we will never surrender.

To live will be an awfully big adventure.

Too far from Peter, I'd never venture.

All you need is faith, trust and pixie dust,

Or you might just combust.


You just have to believe

and you will never have to grieve

and no one would ever leave.

I'd never have to be strong.

I'd never have to care for long.

So let us begin the journey.

To Neverland.

My timeless eternity.

My fantasy.

My delightful daydream.

My bittersweet destiny.

My dreams of Neverland have yet to cease.

And I am already in my late teens.

Love is like a disease it spreads.
Hatred is an itch when you keep
Scratching it. It Fester an kills you.

When i think about the things I've said.
Feelings I felt. I melt inside.
It turns my in sides out.
My heart combust
An I hate myself.
Why are I not enough.
Denial will have you walk for miles.
Sorrow is a sweet after taste of a sucker punch of truth.
Loneliness is only a symptom.
An that to will pass.


I am a enigma of feeling. I cry when the rain falls to hard. When the wind blows in the wrong directions. I'm poetic. I'm also a stepping stone. The men I've let erase my soul an rewrite my blueprint. The salty tears I cry are almost symbiotic. Another symptom. Like a sonnet short an sweet. Running in a circle walking a fine line. Waiting to leap. Is it a crime to work 9 to 9. Roller coaster emotinal train wreck. An I think to myself who will love me.



I bare myself to the pit an it asks me if I'll jump. I reply not today. Slumped down I step closer to the edge. I reenact self destructive behaviors daily. Am I considered an addict. I seek validation from namless phantoms. I named them my self conscious. Are you listening my beating heart gets louder. I order cream an chowder. Sips slow on estacy. Love an lust sleep next to me. I'm smothered in one while I'm blocked to the other. Exits are closed off I think where is my mother.  I shudder remembering I'm alone.

The Story** begins with silence and black out, a void. Not darkness. Nor anything that attempts to define nothingness, because it’s nothing. The blackness or void is only a metaphor representing nothing. Within this point, so close to simultaneous you’d think they were one in the same, a light emerges, emanating divine, pure energy and love.  Its intelligence and complexity expands and fills what was once nothing with beauty and truth. At this moment, all is whole, fast as thought, strong beyond comprehension, gentle as a whisper and furious beyond all flame. The wild spirit of happiness is real and alive! The void was never the enemy, only a point in which to be born. Duality can only exist if unification finds an enemy within itself. The enemy is reflected by the segregation and space created between divine and mortal. This space is developed by Ego.

   This entity “Ego” is the essence of self resistance, absorption, chaos, consciousness…hate. The inner antagonist rises and begins to cut and eliminate the threads attached to creation and spirit. A mirror that envelopes and contains the living spirit.  An orb caging vulnerable souls spread throughout the expansion of life and suffocating energetic flow.  The universe and it’s creatures that lost connection being virtually incapable of seeing one another ever again while the enemy exists.

   The instigation is tolerated by those who always continue the journey. The emasculation of Ego, commences as the divine resonates it’s vibration as a weapon like a solar flare, piercing the Ego. Then the inner spirit begins to open up and claw its way out. The Spirit sees that vanity is leading the despair of self pity into the heart as it remains a vessel dwelling in a false world channeling a false force. This awareness makes The Spirit lifts up, against and out of a matrix constructed within the crystal ball cage that refracts the true sun’s rays. Together, The Spirit and The Divine begin to crush Ego. Ego begins to flatten, compress and then combust. Through the flames the chord of love between The Divine and The Spirit bursts like a shooting star towards the kinship’s re-established nexus. The collision creates what was pure and full in circulation again and the expansion becomes an infinite motion harmonizing with the void in an adventure that goes on forever. When Ego tries to slither back in after a nearly insurmountable time of hiding between the gaps that contains new life, it is given no room by anything in thought, theory, in any form of existence.

I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.

with every click of Their tongues,
i am acquiescent.
Their words fill my lungs,
audible discontent.

i swallow Their disgust,
mostly misinterpreted,
i nonchalantly combust,
now i am free.

Close your eyes and feel the presence of yourself,
Abolish the world from your thoughts and let reality melt
We live within our senses, We Are Nothing, but we’re here can you admit this
I amend it, a way of thinking that allows time to become absent.
Rather you’re at your pinnacle or in your casket
No life form can match it, imagine the end as anticlimactic
Imagine your life without scare tactics, without fear schematics
Our lives are mapped out,
Until we look within
This is where spirituality begins.
The things our brains can’t yet comprehend
Though once we must have been
Society road blocked our creativity in
Stressed simplicity until we believed it again
The ancients are more modern yet we call them cavemen.
We’re told to read books and agree with the men
When our opinions start to differ we’re told to read it again
Well now I take a stand as firm as the genetics of man,
Strong as God’s right hand.
This is where my life begins.
This is where my struggle ends.
I used to strive to survive thinking life could end.
This can’t be God’s intent,
The unseen started this trend,
Why must we fight when we don’t have to fight to win?
We’re all unified by love, but also by sin.
God is love, so love has always been
Though sin was started with man
Since sin has a start it’s possible for it to end
God’s love is strong it won’t waiver or bend
It won’t imprison us within our sin
However there’s doubt in the voices of influential men
I won’t be manipulated by their sounds,
Their actions I won’t recommend
Reprehensible are the things I’ve seen
Irresponsible are human beings
Confined by time their lifetime is all they see
Motivated by greed and material things broadcasted on T.V.
Seems like they’re following the map to me
The trail left by the previous which is devious
There is more to life than what we see in it
Outside of time we’re fine, but we grieve within it
We’re told we’re destined to meet death
So we place that fear deep in our chest
Look at the map and find some points to connect
School 8 hours a day for 13 years,
After that you’d think we’d be considered equal by our peers
But they subtract our success until we add tears.
So we have to go to college for a few more years
Then work 8 hour days to gain acceptance.
With all we learned throughout our years
How could we miss life’s biggest lessons?
We remain blind to the fact that God is near
God is hear; his voice is like my heartbeat
I lay beneath the dark sheets,
And listen for hours to my love’s heart beat
Our women are a blessing, but they don’t teach that lesson
What could the cardiac spark be?
It’s said even the earth has a heartbeat
How smart should I be after 20,000 hours of learning?
A long journey, but we all must attend.
To be taught the theories of men,
To be misled again and again
Time remains, but not man
Look at the time we’ve gained vs. the time we spent
We didn’t pay God to live so after our first day of life
We have a 24 hour deficit.
1440 minutes of our heart beating and,
Our lungs breathing for no apparent reason
Besides that fact that God believes in us
It’s not like God needs us; but we need him.
He created the seed from which we began.
Though our arrogance created disbelief of him.
How ignorant are we not to believe in him.
We help conceive our sons, but don’t breathe life in them
The Breath of Life is in them, The Breath of Life is in us.
So God’s a must, or our lungs would combust
Our dollars read “In God We Trust.”
Though where do we place our trust if money rules us?
Currencies was created by society, to establish a variety and levels of man.
The poor are weak and the rich are prominent men.
We’re taught to chase money, but in the bible it’s taught as sin.
After that first dollar a quest for power begins,
Where did it all begin more money more power let us start over again?
No money, no power just our spirituality within.
God will forgive again if we put our trust in him.
Though we remain to put our trust in men.
They continue to lie over and over again
About the preexistence of man
We’re man’s existence began.
This is why I take a stand.
This conventional way of life I don’t understand
So I’ll close my eyes, look deep within, and listen to love that god sends.
We need to understand the love that God is
The love God gives, he gives us life, and the chance to make it right.
Despite our numerous infidelities, various misdeeds to bring out his jealousy.
It inspires anger in me to think, to be the creator of all things,
And see your created beings giving worship to inanimate deity.
This isn’t radical thinking, rather rational thinking.
We let our arrogance and addiction to power turn us into irrational beings.
Trapped by fear of what society thinks,
Society reeks in its intoxication; drunken with power.
Sobriety is considered insanity in this nation.
Though those made out to be sane lack brains, and the knowledge of the true God.
I find it odd that Christianity was made adjacent with this nation.
Now God is thought of as a façade and they attempt to replace him.
“In God We Trust.” How many of you can find truth in that statement as a Nation?
Do you see the truth in what I’m saying or do you remain blinded by hatred.
Look deep in yourself find your lust for power and replace it.
Instill love in your heart come out of the dark.

Twisting and Dancing
Consume and Control
Body to Body
Soul to Soul.

Flame and tinder
Catch and combust
Rise from the ashes and
Brush off the dust.

Mingling flickers
Destroy and create to
Fix what is broken;
Alter its state.

Beneath all that burns;
Unattainable goal
Sputtering fires and
Diminishing coals.

Body to Body
Hollow to Whole.

If I were a solivagant star in space,
I'd link arms with the universe
and have her tell me that
all this pain was worth it,
that something golden would
blossom from it,
maybe then I'd be more focused
on planting seeds instead of
always drowning in the weeds
of my blackened psyche.

I'd burn, explode,
spontaneously combust,
and no one would tell me
that to confirm was all I
had to aspire to,
no one would be around
to make me feel like
too much of a burden,
as if I feel too much too quickly,
too warm, too much, too fiercely.

If I were truly solivagant,
I'd have no reason to cry
when asked "How are you?"
I would not avoid the
ever familiar question
"How was your day?"

Wanderlust would consume me
and I'd search for hidden gold,
space would not cheat me,
would not let me crumble and fold.

My tears would be of use,
they'd fall on clouds as messengers
to rain upon the seeds on earth,
to give life to the breathing dead.

I think I'd love to be
a solivagant star in space,
no magic tricks would be needed,
no quizzes to tell me
that I belong in this place.

The air around you
is so much thicker,
like ice, melting;
dripping on my forehead.
Torturing me, you are
Your fashion of life,
I assume
and I listen,
as the words flow
from your mouth
and I die a little
after every syllable.

I am special, complex in my construction.
Beautifully designed for your destruction.
I am everywhere and all around.
I feel needed and I love it.
You rely on me the most when you're stressed and down.
Draw me in and place your trust.
I'll return it all in the form of dust.
It will get better now do you feel it?
Watch as they all turn and combust.
Draw me in once more don't stop.
I feed on you, give you false strength.
Evil intent laughing at your expense.
Draw me in dance with me forever.

I love you like i loved you, like the sun burns the sky and is a torch for those who are lost and alone and depressed. I love you like i would carve it into a tree, to live forever with the sky and the lovers that pass, lying underneath in the grass; i love you like i would carve it deep into my forearm as though it would scar my skin and i would have it forever lain in front of me. I love you like the ocean feels the sand, and moulds a new earth each time it moves, silently strong and forceful in its journey to meet the shore. I love you like i have lost a thousand hearts and found one in the aftermath of joyous destruction and creation of myself.

I love you like a wall clings to the cold, as i cling to the cold wall, as the wall stands strong and upright and strangely comforting in its form. I love you like i loved you, before the moon rose from the forest, and the sun went to bed in the desert, and each day was renewed at the same time it was ending. I love you like the music that never stops but gives me a ferocious appetite for passionate forever afters, and fairytales of magnificent lust, loss, betrayal and denial, and finally the happy ending. I love you like the birds love the sky, how the wings feel the freedom in flight, how the flap of a wing creates an invisible echo through the invisible air.

I loved you like i loved the scent of the forest after the rain, after the time had stopped and started again, and there was a moment in all of the moments, where i could see the drop of rain die upon the ground and begin again in the earth. I love you like i lost you; an old penny from my purse, an old reciept for that thing i wanted to return but never did, like my mind that runs from the heart that beats inside of me for you. I love you as i love the old time western movies, I love you like i love the good times from my childhood, innocent and happy, i love you as i remember those things i had forgot in forgetting the bad times.

I love you like the grass that lives on despite what horrid beings we are in the way we trample over it with no respect for its grace of being alive for us, and has withstood the test of time to be here. I love you like i loved you, like the stars internally combust to be born, a black firework that no-one can see, hear, feel, touch or sense, like the dried coffee cup laid out to be cleaned with remnants that you were 'here'. I love you like i love words, I love you like i love the meaning in the verb, the noun, the alliteration, the juxtaposition, the allegory of sea faring tales of pursuit, courage and defiance and success.

I love you like i love you. I love you like i expect to love you. I love you from my mistakes, my pride, my egoism, my negative voices, my shaking hands, my pain. I love you from my freedom of loving you, from the cartwheel, candy floss, on-the-edge of the world, 'hold on to your pants', rollercoaster, anticipation of unspoken words, the promising anticipated kiss and the touch from your skin to mine, kind of once-in-a-lifetime, love.

I loved you like i love you, like i love you, like i loved you.
For all these reasons are unknown and known and forgotten and remembered,
I love you, with every cigarette stained breath, from every sip of *****, from every regretful one night stand.
I love you, from the ink stained fingers of writing forget me not, from the abundance of joy in my heart, and the exploding passion in my volcanic mind, and from the look in my wise deserving eyes.

I loved you, for loving you, for loving's sake, and for you, for me and for, love.