a Disney Land including all attractions, where satisfaction is
the only price of admission, for you may not enjoy your stay;
lines that are based on your circle of Hell: cheaters, invisible to
everyone and vice versa, riding in no time flat—just like real life;
behind them the corpulent, occupying two spaces, experiencing
time as multiplied by their weight, a minute as several hours;
hoarders, keeping too much, failing to keep to themselves;
confessions with the legs of Usain Bolt: finish lines of thought
that move opposite of you, forcing you to sweat out more secrets
to no "Father"--for now, like an orphan, Daddy is just the man
next to you, changing time and again; once you catch up, another
run on sentence running over your sense of self-restraint;
angry souls who cannot remove an ear implant that finds
their pain points; one, for instance, features Al Franken narrating
himself only groping your *******; his verbiage, as elegant
as epic, recalls a troubadour reciting Homer’s Iliad, lasting about
eight hours; looped infinitely, the hysteria here approximates
that driving his resignation; the cartoon anger of vigilante justice:
vigilante because, post-******* Clinton continued sitting as
president (or standing, depending on how he likes his *******).
amusement rides incorporating sin; a Small World where ego
grasps the size of the universe: one's sense of self overlayed
to its very edges; a sense of hollowness, always larger, upon exit;
a Toy Story for the ****** who, tallying high his rub register,
has funded a **** star's spank bank; her body digitized, he does
not see himself as purchasing prostitution; he inserts—filling
now his own spank bank—ever larger toys on himself, to which
his audience remarks, in support, “wow, what an *******”;
a Mad Tea Party where we, in our first world bougieness,
must drink the psychosis of our prisoners who play ballgames
with their own ****, and then pitch our own; for it is rather
****** that we place ourselves willfully in solitary confinement
and complain: we will never suffer as do the truly alone.
a Barnstormer, where gluttons are *****, like cattle, on-rack
in the commodification of their reproductive organs; machines
that milk their **** to the point of mastitis; slaughter as life:
all ground, ultimately, into SoyLent Green, to feed the others;
Monsters Ink for the new journalists, the Twitterati, who are
transfigured into the shade they’ve thrown; grotesque shadows,
their life-force is generated by bearing themselves to rejection—
what was visited upon others, now themselves—for, otherwise,
they must die slowly; Tomorrowland for procrastinators who
must mime, daily, the movements of Shia LaBeouf in a sunrise
to sunset Tai Chi class; they sleep only to discover, at wake,
they daydreamed about sleeping; delusional insomniacs—
awake eternal, they cannot bring themselves to “Just Do It”;
Under the Sea for rich and poor; underwater in unnecessary
debt, they thirst no matter how they quench themselves;
drinking only by drowning, they beg to choke on their desire.
Frontierland Shootin’ Arcade for politicians who put in
crosshairs everything except war; they must be murdered
collaterally—innocent as they are—for sport; a ******
shooting from his helicopter and laughing megaphonically:
for the fact that their lives do not matter should echo
as distinctly as it has in Mai Lai, where “**** Anything
That Moves” is an actual order; the women in their family
will be *****, the babies will have their heads smashed in
with the butts of rifles in a lust for body count; and then,
like Prometheus’ liver, they will be resurrected to live again.
a Shootin’ Arcade where those who cheered Trayvon's
death replace him: transported, they are homunculi:
adults in children form, they are shot for walking home
with a "parent"--and mistaken identity is irrelevant--
a dependent child, in this world, is so suspicious that
one may be snuffed-out for bearing only his likeness;
victory isn't less real when symbolic, than when real.
Goofy as the only mascot that you may take a picture with;
a mirror that, upon asking ‘who’s the fairest one of all?’,
turns you into an albino; gold diggers who are accompanied,
always, by dwarfs singing “heigh-**, heigh-**”; a Mini
Mouse, shrinking to inscrutability, when you want to log out;
you may want to leave—but pleasure and self-annihilation,
as in addiction, are the same; so you must destroy yourself.